FX Magazine January 2011
FX Magazine January 2011
FX Magazine January 2011
DEGREES OF
CREATIVITY
Bangkok University’s Centre of
Creativity, by Supermachine Studio
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Contents
February 2011
DIARY................................................................19 CORINTHIAN CLUB, GLASGOW Glasgow-based SURFACES 20 pages on the latest thinking on
design practice Graven Images transforms a surface materials, including designers on the
FORUM Your letters ..........................................20 Victorian bank and former Hight Court into importance of selecting the right material for
a luxury leisure destination ...........................36 the job, why felt is such a favourite in so
HEADLINER An installation shows the way to many different projects, and how an
Hussein Chalayan’s creativity .........................23 BANGKOK UNIVERSITY CREATIVE CENTRE interactive surface technology is adding
Supermachine Studio has colourful ideas for a another dimension to swimming..................61
NEWS Hand drawing courses; tax breaks centre aimed at fostering creative thinkers .....43
for R&D; RCA launches new series of
architecture lectures; world’s second-largest Tech Spec
tower is underway; meet FX on the beach Features
at MIPIM......................................................25 TEST BENCH Ergonomics expert Levent
ZAHA HADID The architect’s new school Çaglar puts the new Airpad task from
BUSINESS Met Studio for science centre in academy in Brixton, south London makes a Interstuhl through its paces............................82
China; new ceiling system debuts .................29 bold statement for the pupils and the
neighbourhood ................................................46 LIGHT + TECH Jill Entwistle looks at the latest
TOP 5 Pick of the best new products ..............31 lighting product launches from the Arc Show,
THINK PIECE Aidan Walker takes a look at the held at the Business Design Centre...............84
PROFILE Director of Woods Bagot Nik Karalis, new book, New Demographics New
who believes the recession is a good thing...32 Workplace, which should help send the open- MATERIALS Creative director of SCIN
plan office on its way out, if only Annabelle Filer is happy to declare that less
ONE TO WATCH Acrylicize, which creates management would read it ............................51 is more with this month’s selection of
acrylic installations and artwork ......................35 innovative materials ........................................88
ECOBUILD We preview Ecobuild, the three-day
COVER STORY: Page 43 Supermachine Studio creates
IF ONLY ...bus stops could be more interactive, event at ExCeL devoted to all things – ideas an interactive wall for students to play with at the
says MIT designers and engineers.............122 and products – ecological and sustainable......54 Bangkok University Creative Centre
#()#!'/¬¬s¬¬(/.'¬+/.'¬¬s¬¬,/.$/.¬¬s¬¬,/3¬!.'%,%3¬¬s¬¬-)!-)¬¬s¬¬.%7¬9/2+¬¬s¬¬3!.¬&2!.#)3#/¬¬s¬¬3(!.'(!)¬¬s¬¬3).'!0/2%¬¬s¬¬39$.%9
www.shawcontractgroup.com London Showroom: 0207 490 4006 [email protected]
enq 108
Welcome
Diary
Theresa
Dowling
Editor
WHERE TO
GO THIS
MONTH
I know it’s still winter and these
heavy grey skies make
everything seem so miserable,
but fancy meeting for breakfast, on
the beach?
I can’t wait to get a bit of
sunshine in the south of France
Last year’s design of
the year the Folding next month for MIPIM, and to
Plug, with its creator
Min-Kyu Choi jolly it all along a bit I’m
organising an FX breakfast beach
party in association with
InterfaceFlor, when I hope to meet
as many architects, designers and
their clients as possible.
Brit Insurance Design Awards 2011 entries You’ll need to let me know if
16 February- 7 August, Exhibition of shortlisted entries, you want to come along, as we
Design Museum, Shad Thames, London SE1 have to organise security passes in
Some 100 shortlisted entries to this year’s Brit Insurance Design Awards go advance of the bash, but if you
on show at the Design Museum, with the designer of the year award winner can’t make it I’m setting some
being announced on 15 March. Architecture, graphics, product and furniture
are among the awards’ seven categories, being judged by a panel that
time aside the day before, so if we
includes design curator Janice Blackburn, graphic designer Mark Farrow, can meet up then that would be
and Simon Waterfall, co-founder of digital agency Poke, and is chaired by grand.
Stephen Bayley. designmuseum.org
Another show coming up just
the week before MIPIM is
Ecobuild, at the Business Design
Centre. We have a sneak preview
in this issue of some of the new
products designed to enhance our
TEFAF IMAGE: LANDAU FINE ART/JEAN DUBUFFET, DECHAUMAGE AU BRABANT, 1943
Y ou may recall that a few years ago there I’d like to suggest that employer branding [email protected]
Assistant editor
was a voguish interest in the idea of is a straightforward idea for those involved in Jamie Mitchell / 020 7336 5294
employer branding. The idea was popularised workplace design and management to [email protected]
Editorial team
in the first book on the subject in 2005. By address, but it is anything but. As with many Pamela Horne, Anna Lewis
2008 Jackie Orme, the head of the Chartered of the issues that we have to manage it is
Institute of Personnel and Development, was complex, multifaceted, ongoing and demands DESIGN & PRODUCTION:
Art director
calling it ‘an integral part of business strategy’. a multidisciplinary approach. It is likely Wes Mitchell
It appears to have dropped off the radar a to require input from FM, HR and IT and Production manager
Clare Ovenell
bit over the past couple of years, which we will attract the interest of general managers Production administrator
can put down to the effect of the recession. across the organisation. It incorporates a Steve Buchanan / 020 7336 5315
[email protected]
Firms certainly seem to have their mind on range of factors from working culture,
other things than attracting and retaining the working methods, interior design and the ADVERTISING:
best staff. Research published recently by physical environment. Group sales director
Joe Maughan / 020 7936 6847
PriceWaterhouseCoopers showed that in My own firm works in only one of these [email protected]
2009, 54 per cent of businesses said they areas, but when it comes to employer Sales manager
Alistair Fitzpatrick / 020 7936 6849
placed a special focus on retaining talent; this branding nothing can be achieved in isolation. [email protected]
year that’s dropped down to 36 per cent. That may have been the case in the past, Account managers
Colette Newby / 020 7936 6830
This is odd, for a couple of reasons. Firstly, when branding in the workplace focused on [email protected]
it seems perverse that in a knowledge replicating a corporate identity, but now there Dean Cassar / 020 7936 6838
economy firms are placing less emphasis on is a far greater focus on reflecting important [email protected]
Ryan Sloan / 020 7936 6841
recruiting and keeping hold of the best values to staff. Where once you had logos in [email protected]
knowledge workers. Secondly, it makes no the carpet and walls in corporate colours, now Supplement sales
Craig Jones / 020 7936 6867
business sense. The CIPD recently reported we have visualisations of how the company [email protected]
that more than a third of employees addresses business and environmental Barnaby Goodman Smith / 020 7936 6845
plan to change jobs once the issues, the intelligent use of colours [email protected]
Classified sales
recession is over. The recent and materials to convey ideas Daniel Kamli / 020 7936 6857
report from PWC emphasises and emotions, imagery from [email protected]
Product sales
how costly this might be for packaging and marketing Sophia Sahin / 020 7936 6856
employers. Despite the ongoing campaigns and manifestations [email protected]
uncertainty in the economy, the of the outside world.
GENERAL:
proportion of UK workers It is new technology that 020 7936 6400
resigning from their jobs has makes all this feasible, both in Chief executive
Russell Milburn
increased from 7.7 per cent to terms of the designs it makes Publishing director
10.4 per cent in the past year. possible and in the equipment and Mike Callison
This matters to us because there has materials needed to deliver them. SUBSCRIPTIONS:
always been a close link between the labour What is needed is a holistic approach. FX customer services: [email protected]
market and office design. In the wider It demands people who can integrate and Subscriptions hotline: ++44 (0)845 155 1845
Email: [email protected]
business community, the conundrum that has resolve the demands of its many elements (include postal address and telephone number)
dominated management thinking over the and stakeholders, develop clear briefs and Subscribe online at: www.getthatmag.com
past 20 years is this: if your main asset is ensure delivery of complex and potentially Single issue price: UK £5.50; EU €19.50; US $28.50
knowledge and that knowledge is largely conflicting objectives. Much of that will One year: UK £60; EU €135.50; US $235; ROW $245
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Digital edition: £46 (Worldwide price, subscribe at
attract those heads to your organisation? and a clear brief in the first place. www.getthatmag.com)
Then, once they are in your employ, how do It is important is to understand how
FX is published 12 times a year by World Market Intelligence,
you make them stay there or at the very least employer branding works in its many facets John Carpenter House, John Carpenter Street, London EC4Y 0AN.
All calls may be monitored for training purposes. The paper used
empty some of the contents into computers and recognise the role it can play in achieving in this magazine is obtained from manufacturers who operate
and other people’s heads before they go? organisational success. Creating the right within internationally recognised standards. The paper is made
from Elementary Chlorine Free (ECF) pulp, which is sourced from
It is this riddle that has led to the environment to attract and retain the best staff sustainable, properly managed forestation. Printed in England.
dominance of ‘soft’ issues in management has always been important but the growth of All rights reserved: No part of FX may be reproduced or stored
in a retrieval system or transmitted in any form, electronic,
thinking and why workplace design has the knowledge economy and the recovery mechanical, or photocopying, without prior written permission
of the editor. ©2011. ISSN 0966-0380
focused increasingly on softer business issues from recession will make it increasingly
such as corporate culture, the environment important in the coming years.
and knowledge management. It has driven It is a situation that is both challenging
the growth of flexible work practices as and an exciting opportunity for those of
organisations have tried to give people us involved in the design and management
a better work-life balance. It has driven the of offices to further demonstrate our value
softening of the workplace itself, the growth to the organisation.
of breakout space and the focus on the team. John Sulzmann Boundary House, 90-92 Charterhouse Street,
London EC1M 6HR. www.fxmagazine.co.uk
And, of course, it has pushed on the idea Managing director, Artworks Solutions
of employer branding. artworks-solutions.com February 2011 / Issue 203
Average audited circulation, July 2008-June 2009: 13,273
FX is a part of the World Interior Design Network
WRITE IN
If you have something to get off your chest, email [email protected] or write to:
The Editor, FX, Boundary House, 90-92 Charterhouse Street, London EC1M 6HR FX supports the aims
and objectives of ACID
(Anti Copying In Design)
Research identified ‘noise’ as a likely cause of employee dissatisfaction with the work atmosphere in
terms of low motivation to work, reduced performance and irritation*
In the modern workplace, the emphasis is on teamwork, flexibility and communication. For most
companies and designers, this means open plan work areas. But while opening up the office has many
advantages, it has also meant a loss of privacy and the constant distraction of noise.
Acoustics at Work have the solution. We can help you manage sound levels with a high degree of
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All of which means you'll no longer have to leave the office to get your best work done.
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Reporter
News p25, 27
Business p29
Top 5 p31
Profile p32-33
One to watch p35
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Business
THE GALLERIES
PROJECT IS THE
BIGGEST FOR MET
STUDIO TO DATE ON
THE CHINESE
MAINLAND
2 3
NIK KARALIS
This director of a multinational architectural practice has some pretty unconventional views
about how business should work, but its successes bear them out, reports Jamie Mitchell
‘
T
he recession is the best thing that could One such publication was Spatial Tactics, The foyer of the Another tenet of the
award-winning
have happened to architecture,’ says Nik published in 2006, in which Karalis predicted Melbourne
Woods Bagot
Karalis, a director of multinational ‘the death of the corporation’. That’s a pretty Convention and philosophy is that the
architecture practice Woods Bagot. surprising prediction from a director of a Exhibition Centre, left,practice must have no
is a shining example
Karalis remembers an architecture multinational company employing 500 house style. ‘When I
of the Woods Bagot
conference in Dubai shortly before the people, isn’t it? philosophy of the look at the work we do
financial collapse in 2008. ‘It was ‘Basically, when corporations get to a project being king, I’m checking to see that
unbelievable, he recalls, ‘like something from certain size they begin to survive for not the company. there is no evidence
Above, Nik Karalis
a science fiction movie. Architecture had themselves,’ he explains, ‘and we need to of a signature style,
become so implausible, architects so arrogant. dissolve that and break it down.’ that each project is
You could see that something had to change.’ In Spatial Tactics, Karalis argues that contextually specific
It’s not that Karalis is against innovation – during Woods Bagot’s 137-year history, the to its own area, both
quite the opposite – but the plain-speaking practice, despite being very successful, was in geographically and in terms of the building’s
Australian, who now lives in London, doesn’t danger of losing ‘the one thing that [makes] us function,’ says Karalis.
have time for audacious or egotistical all get up in the morning – our creativity’. It all sounds great in theory, but the
architecture. ‘I think the practices that come ‘We had become the yes men (and buildings that spring from this approach to
out of this [recession] are going to be more women) that we ourselves had vehemently architecture, such as the multiaward-winning
responsible in the way they design buildings,’ criticised,’ wrote Karalis, ‘and we didn’t like Melbourne Convention and Exhibition Centre,
he says. what we stood for. We were, and are, better which Woods Bagot designed as a joint venture
Karalis did his BA in interior design before than that.’ with NHArchitecture, speak for themselves.
moving into architecture, and interior design Five years on, Karalis explains what that According to Karalis, Woods Bagot
has heavily influenced his approach to realisation meant for the practice: ‘What I persuaded the developer to do something
designing buildings. He’s adamant that tried to do at that point was say that Woods really different, to redefine what
architecture and interior design have to break Bagot is not about the name. It’s about all the a convention centre should be. The triangular
free from their stereotypes. ‘That cliché of people in the organisation. So it’s not like building, which recently won a National
male architects married to female interior you’re working for this giant, faceless, global Award for Public Architecture from the
designers is ridiculous,’ he says. ‘It’s strange, super-entity. That’s the transition that took Australian Institute of Architects, has a 18m-
too, that interior design is sometimes seen place at Woods Bagot from 2006 onwards.’ high glass facade, which gives passers-by a
as a non-intellectual experience compared Karalis sees this transition as nothing short glimpse of the activity within the centre and
to architecture.’ of a rebirth, and since 2006 his mission has creates a foyer full of natural light, as well as
Some years ago, Karalis became concerned been to transform an architectural behemoth offering views out across the Yarra River to
that architecture was ‘dislocating itself from into what he describes as ‘one global studio’. the city beyond. Inside is a 2,500 sq m
the social issues of the day’. His response, in Communication, he says, is key. ‘A lot of banquet hall that can be subdivided, a fan-
2006, was to set up a research arm of Woods companies call themselves global, but they’re shaped auditorium which seats 5,000 and
Bagot called Public, which produces papers, actually a collection of separate practices. which offers spectacular views unencumbered
seminars, books and podcasts in which the There’s a difference between a collection of by supporting columns, and 6,500 sq m of
firm’s staff get to air their views alongside practices that are located all over the world meeting rooms. The building also sets a global
those of leading academics. and a truly collective way of working.’ benchmark for sustainable design, having
‘A lot of our staff wrote articles about what What makes Woods Bagot different, says been awarded a top environmental rating by
they thought were the moans and groans of Karalis, is that the project is king, rather than the Green Building Council of Australia.
the planet, and understanding these things the company. ‘It’s not just one person, or one ‘Convention centres are the new museums,’
helped us to design better buildings,’ he says. particular region, working on each project,’ he says Karalis. ‘They shouldn’t just be about
‘What we’re trying to do is look for greater says. ‘We have people all over the world processing however many hundreds of people.
and wider influences into what architecture working on each project – we’re the They are cultural buildings, so why do so
should be.’ architecture practice that never sleeps.’ many look like airports?’
ACRYLICIZE
WHO: Founded WHY: Creating one-
seven years ago by off artworks for
university friends homes, offices,
James Burke and Paul restaurants and
Arad, design agency football stadia,
Acrylicize creates Acrylicize has grown
acrylic installations from a university final
and artwork for project to an award-
commercial and winning design
residential spaces. agency whose diverse
work includes a map
of the London
Underground made
of ribbon, and a globe
made entirely of
Monopoly houses.
WHERE:
www.acrylicize.com
1 2 3
37
t
See us a 11
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39
Gray Concrete also created a full concrete sofa
for outdoors, which looks so realistic that
customers have occasionally sat down a little
too hard on it. ‘They’ve had to put a sign up to
warn people. In Glasgow, even the sofas are
hard, jokes Hamilton.
The chandeliers here are reproductions of
the ones originally used in the bank, and made
by the same Bristol
Right, the bank’s
company. Surface
original chandeliers
were reproduced – specialist Rearo supplied
by the company that specially designed
made the originals. curved booths in white
Far right, curved
Corian for the Tellers Bar.
booths in white Corian
are paired with Hand-cut and shaped
bespoke zinc-base they are accompanied by
tables with Corian bespoke tables designed
tops and oversized
by Graven Images with
standard lamps
zinc bases and white
Corian tabletops,
oversized standard lamps –also designed by
Graven Images – and classic wooden Cherner
Chairs, a product originally designed by Norman
Cherner in the Fifties and recently reissued.
The building’s exterior is Grade A listed so
there was very little Graven Images was allowed
do with it, but the designers were keen to make
the Corinthian Club more visible from the street.
‘One of the issues in the past was that the
windows didn’t give any views inside the
building,’ says Hamilton. ‘We looked at how we
could create certain internal focal points within
PROJECT 1
enq 165
PROJECT 2
43
Creation
clicsystem
REVOLUTIONARY
NEW
SYSTEM
Innovative
luxury NEW
M!
interlocking
TE
RT
VE
YS
IC A S
L C LI C
vinyl planks
enq 119
PROJECT 2
Thailand’s economy has traditionally relied on Previous page, and housed inside a furniture for the workshop and the BUCC office,
agriculture and manufacturing, but, as with below, the lift lobby Supermachine Studio- including curved bookshelves made of oriented
self-levelled resin floor
many Eastern economies, things are changing. and multicoloured, designed unit made of strand board, and the designers were keen to
Talking to the Bangkok Post in 2009 the Thai interactive pixelled steel with a lime green give the space as much flexibility of usage as
Prime Minister Abhisit Vejjajiva said he wanted wall (also bottom). laminate finish, which possible.
Thailand to become ‘a country of thinkers’ and Above right, the Chaowakul calls the ‘The idea of flexibility and collaboration
mobile ‘spaceship’
that he hoped to see the value of the country’s laptops port has ‘spaceship’. extends to the centre’s office too,’ says
creative industries rise from 12 per cent to 20 Palladini Frame Chairs Furnished with Chaowakul. ‘The staff worktable is designed as
per cent of gross domestic product by 2012. and lighting by Palladini Frame Chairs in a continuous plane attached to the leaning wall.
Bangkok University is central to that vision, Lightscape (both lime green and Ultra There are no divisions and no clear definition of
detailed above left)
and the Bangkok University Creative Centre Modern Pendant Lights owns any particular area on the table.’
(BUCC), designed by Supermachine Studio, by Lightscape 360, the Words by Jamie Mitchell
has been conceived as a place where the spaceship can be moved into different corners
country’s next generation of creative thinkers of the room to make space for presentations Main suppliers: Furniture: Palladini (procured
can come together, pool their talents and and other group activities. through VIVI Home Decorative Co, Bangkok) //
inspire one another. Supermachine Studio designed most of the Lighting: Lightscape 360
Located on the first two floors of Bangkok
University’s new four-storey BU Landmark
Complex, the centre provides a workshop,
library, exhibition space, viewing room and
office for use by students from across all of
the university’s creative faculties.
‘The facility is meant to be very open, playful
and expressive, to encourage students to
communicate within a creative environment,’
says Pitupong ‘Jack’ Chaowakul, one of
Supermachine Studio’s four architects.
One of the standout design features of the
scheme is the ‘lo-fi pixel wall’, which covers 180
sq m of wall space in the building’s lift core and
is made up of 10,000 individually rotating plastic
‘pixels’, each with four different coloured faces –
pink, blue, green and yellow. Students can
change the colour of the wall and create
patterns simply by rotating the pixels by hand.
‘They can leave messages for their friends
on the wall, as well as experimenting with its
colour pattern, so the wall will be constantly
changing,’ says Chaowakul.
The floor in the lift core, made of self-
levelling epoxy, is a shocking pink colour to
match the pink faces of the pixels.
According to Chaowakul, the facility for
students to alter the look and function of the
centre is crucial to its role as a creative space,
and many of the other elements in the BUCC
have been designed to support this principle.
In the workshop, for example, workstations
where students can use their laptops have been
45
A five-lane, 100m
running track that
passes right by the
academy’s reception
and underneath
Zaha Hadid’s
signature angles
of the school
buildings anchors
its sports focus
FAST
TRACK
TO THE
FUTURE
Zaha Hadid’s Evelyn Grace
Academy is a bold statement
of ambition at the heart of south
London’s most crime-afflicted
residential neighbourhood.
Veronica Simpson finds form,
function and aspirations
working in harmony
area furniture. Project architect building that made sense in such about how we value education to them Above, the ‘Z’s in the
building marks the
Matthew Hardcastle admits that a mixed urban environment. ‘With and to the community. beginning of one
‘we spent far more time on this inclined edges, the building has a very ‘Also, we are doing something school and the end
than we should have’. different relationship with the street,’ radically different with our small of another, with four
small schools in all,
Classroom chairs are basic, says Hardcastle. schools; you couldn’t physically do this each with their own
serviceable and plastic to allow a So what difference will this building without a building to support that.’ headteacher, staff
higher spend on public-area furniture. make to its pupils? Walker says: ‘There Walker adds: ‘This Building and facilities,
But why the angles? Hardcastle are some subliminal things a building embodies our expectations. It’s a forming the academy
says: ‘Zaha’s architecture is very like this says about how you value dramatic statement in this landscape.’
challenging – it challenges you to think people.’ Lucy Heller, managing However, he says: ‘You can have the
differently. Visually, externally, it is director of ARK Schools agrees: ‘I’ve most amazing building in the world,
a different relationship. Yes, angled changed my mind over the past six but if the education we were providing
corners add a bit more to the cost, years of being involved in schools. was not special then our students
but it’s a question of value for money. We’ve always said good buildings are wouldn’t get what they deserve.’
‘There’s the added drama to great, but you can run a school in One only hopes his ambitions are
internal and external spaces. When you almost any building. Having seen met – and that in 10 years time the
experience these angled spaces from the impact on children who have school stands as a proud symbol of what
the inside, they are very rich.’ And been in unsatisfactory or grotty is possible, both for inner city education
there was the problem of creating a accommodation... you see what it says and educational architecture.
UK Patent Application No. 1009909.1 Community Registered Design No. 001219794 SPACEOASIS is a registered trademark of Spaceoasis Ltd enq 120
THINK PIECE
WORK O
ne of the most interesting – and perhaps the authors get stuck into the reassessment of
depressing – things about Jeremy open-plan working (it’s not all good, folks –
ETHICS
Myerson’s recently published book New something I think we’ve known all along,
Demographics New Workspace, co-authored haven’t we?): ‘It seems in the rush to break
with anthropologist Jo-Anne Bichard and down walls, confidential work has become
psychologist Alma Erlich, is that throughout it synonymous with non-transparent and non-
assumptions are made about the readiness and productive work. Closed-off spaces are assumed
While impressed by a new willingness of managements to engage with the by management to be misused for private, non-
book that looks at how current zeitgeist of workplace design theory.
The managements I have come in direct
legitimate purposes…’ It’s refreshing that the
book recognises and includes ‘unenlightened’
changing demographics contact with, God help me, have for the most management, depressing that it’s still there,
should be changing the way part been far more interested in how many
people they can cram into a space, and how
managing away – and, although well-nigh
impossible to quantify, it’s my personal belief
offices are designed and the cheaply, rather than taking the a la mode design that in the UK, it’s in the majority.
way work is done, Aidan route. All workplace design theory becomes
more or less redundant when there is no client.
This is probably because the majority of UK
businesses are SMEs (small to medium-sized
Walker, wonders how you It’s an overstatement of course; most enterprises) employing fewer than 250 people.
get management to read it reasonable people would agree that a better
environment will contribute to better work, and
I say majority; how about 99.9 per cent? And
that’s not all. The 2009 statistics from the
a worse one is damaging to productivity. It’s also Department for Business, Innovation and Skills
true that the admirable book by Myerson et al tells us what we need to know: ‘4.8 million UK
does not ignore the sort of management that private sector enterprises employed an
stays firmly outside the definition of ‘design estimated 22.8 million people. Almost all of
client’. A small example, from the chapter where these enterprises (99.3 per cent) were small
(0 to 49 employees). Only 27,000 (0.6 per cent) away, it is audible enough to destroy your
were medium-sized (50 to 249 employees) and thought process, does not make for good
6,000 (0.1 per cent) were large (250 or more concentration. Likewise, collaborative spaces
employees). So that means 22.64 million people are important and necessary – when they are
in the UK work in companies with less than 50 needed; and contemplative spaces, where
people. No surprise that management are more traditionally we can go to stare at the wall and
concerned with how they’re going to pay the be productive in a way a traditional manager
wage bill at the end of the month than giving will never understand, will also make the
everyone £500 chairs. knowledge worker more productive (though
It’s a bit backward to start with one single how productivity is actually measured in this
observation of course, and I do not intend to context remains to be seen).
detract from the book, which I repeat is an We can design flexible offices, and move
admirable piece of work from one of the UK’s not only tables and chairs around, but also walls
most respected design theorists and academics and corridors; we can even disassociate
(and journalists – Myerson was the launch ourselves from being fixed in one building and
editor of Design Week, having edited Design colleagues, is demographic. ‘Demographic adopt a more light-footed, ‘networked’ approach
magazine for some years). He often quotes trends, which can be predicted with a measure to office accommodation; we can facilitate
another workplace theory giant, with a of accuracy and confidence, provide a more mobile and home working (although traditional
reputation to equal, if not outstrip his own – stable basis to plan for change than either management’s fear of people skiving off has to
Frank Duffy, long of workplace architect technological trends… or economic ones…. be overcome); we can install smart furniture
DEGW – but the truth is that although Duffy’s Demographics have a clear-cut, profound and systems like Pearson Lloyd’s PARCS for Bene,
thinking is deep and wide on these matters, entirely predictable impact on the workplace.’ whose unusual and eccentric forms can support
it is the estimable Myerson who has pursued The book’s thesis hinges on the two clear-cut the three Cs, as long as the floor plate is big
this line of enquiry in strictly academic research and entirely predictable characteristics of today’s enough and management’s attitudes are flexible
terms for a generation now, and most workforce (SME or not): a) they are older and enough. We can even head, as Frank Duffy has
enlightening it is. As long as you remember b) more and more of them (us) are ‘knowledge been telling us, towards a world where office
that his best and brightest workplace ideas, in workers’. The research was done in Japan, where
UK terms at least, are unknown to 20 million the ageing of the population is more marked
or so people. than anywhere else in the world – by 2050 the
It all trickles down though, doesn’t it, (or at average age will be 55 (in the UK the number
least we hope it does) like the anti-lock braking of people of pensionable age has just exceeded
systems that used to be found only on Formula the number of those under 16; Australia, which
1 racing cars and are now pretty much although seen as a ‘young’ country is following
universal. Whether that argument holds or the same demographic trends and one in four
ROGER BEALE’S CARTOONS ARE FROM NEW DEMOGRAPHICS NEW WORKPLACES, FROM GOWER PUBLISHING. WWW.GOWERPUB.COM
not, it is certainly the job of the researcher who Australians will be over 60 by 2025).
strives to define a workplace design template As for knowledge work (as opposed to
for modern management to follow to track the process work), which depends on cerebration
latest ideas and match them against the reality. rather than manipulation, the Organisation for
And that is the express intention of the book, Economic Co-operation and Development
which is by way of being a ‘sequel’ to Myerson (OECD) defines knowledge-based industries as
and Gavin Turner’s 1998 work New Culture medium to high-tech manufacturing, financial
New Workspace – which, says Myerson, services, business services, telecommunications,
‘aimed to persuade senior managers in education and health services. Plus let’s add buildings themselves are more or less redundant
business and government to tear down ourselves in there – the creatives, the and work, for the most part, is done on the fly.
walls, eradicate bureaucratic structures and communicators. OECD data indicates that 43 We can do all of these things, and a
remove cultural barriers to create more open per cent of the national income in the USA and significant minority of enlightened management
work environments.’ Enter the open-plan office. Germany is from knowledge-based industries; in will push the process forward. That’s why books
‘We felt we’d helped win the argument,’ the UK it’s 41 per cent, and bizarrely, top of the like this one are crucial: they set the agenda. If
continues Myerson, ‘about the direct impact of list is Ireland at 48 per cent. Not quite a Myerson and Turner were indeed successful in
physical conditions on how people work, an majority in any terms, but enormously helping management see their responsibilities
issue often overlooked in management.’ significant, enough so to spark a whole new set towards their workers’ wellbeing and
In 2011, of course, that’s all changed. Open of workplace design parameters. productivity in new ways in 1998, then New
plan is heading for the pile marked To cut a long story short, knowledge Demographics New Workspace will, without a
‘Unfashionable’ – and worse, ‘Ineffective’. But workers, who are usually older, not only need shadow of a doubt, perform the same function
the new signifier, say Myerson and his recognition from those old-fashioned managers in 2011. It’s meticulously researched, accessibly
we met earlier who often don’t understand what written, and properly supported in true
their people do for a living (one of the book’s academic (and journalistic) fashion with
cartoons has a manager observing someone at a references and closely reasoned argument.
desk saying: ‘He’s unusually quiet, even for a Any workplace designer needs it – but
knowledge worker. How do we know he’s not not as much as those legions of managers of
asleep?’) but also a range of work environments 20 million or so people and who are not, nor
depending on which bit of their work they perhaps ever shall be, that workplace designer’s
happen to be doing. clients. That’s who we need to reach. Lord
Concentration, collaboration, contemplation knows how.
are the names of the knowledge workers’ games.
And in many ways, concentration is the most New Demographics, New Workspace: Office design
important. An open-plan office, where even for the changing workforce, by Jeremy Myerson,
though you might not be able to hear exactly Jo-Anne Bichard and Alma Erlich. From Gower
what someone is saying on the phone two desks Publishing, £49.50. Cartoons by Roger Beale
By working closely with designers and clients we can help to View our products and projects www.spaceoasis.co.uk
add that WOW! factor. Contact us for a brochure 01952 210197
European Patent No.1470773 Community Registered Deign No. 00013268 SPACEOASIS is a registered trademark of Spaceoasis Ltd
enq 121
TAPPING E
cobuild, the world’s biggest event
for sustainable design,
INTO ECO
construction and the build
environment, is once again opening its
doors to those looking for eco ideas
and products. With nearly 1,000
exhibitors, more than 41,000 attendees
and 100 seminars, last year’s Ecobuild
As the final touches are being put was a roaring success and has become
to next month’s Ecobuild show, one of the biggest events of its kind,
even having to change venues this year
featuring the latest thinking on eco to allow for its growing popularity.
products and services, Anna Lewis This year’s Ecobuild is being held at
London’s ExCeL and will take place
takes a sneak peek at what’s on offer over three days from 1-3 March.
Along with big names exhibiting,
including Roca, Dulux and Dyson,
new companies will also also be there.
In addition, every conceivable product
and service for low and zero-carbon
construction will be represented.
More than just a chance for
companies to exhibit their wares,
Ecobuild 2011 also offers in excess of
130 seminars plus a wide selection of
events and attractions.
A great place to start is the Cool
Workspace installation by Capita
Symonds, which will provide visitors
to the show with an insight into the
sustainable office of the future.
This unique 10m x 15m structure
is built around the show’s themes of
‘Light, Surface, Space’, and will feature
a variety of sustainable technologies
ranging from smart meters and
energy-usage monitoring software to
the very latest in phase-change
Roca material. All of this will demonstrate
Water conservation has always been energy reduction solutions that
regarded as an important issue at Roca. promise 50 per cent lower energy bills
With this in mind, Roca has created the with little or no investment.
Singles-Pro, a single-lever mixer tap Kingston University will be
with a water flow limit of 9ltr a minute launching Rematerialise, the
– saving 25 per cent more water than institution’s new library of 1,200
standard single lever taps. samples of sustainable materials that
uk.roca.com use fewer virgin resources and which
can be easily renewed. The
Rematerialise launch hopes to draw
attention to sustainable materials used
in other sectors but rarely used in
design construction. Kingston’s other
Desso goal is to inspire further collaboration
Desso has created a carpet tile Take between academia and industry, such
Back programme, which is now fully as with its recent project in which it
operational across the UK. Through advised Marks & Spencer on the use
the Take Back scheme of collection of appropriate sustainable materials
and recycling of much old carpet on a for its new headquarters.
project basis, the amount being sent to Another highlight will be the ‘A
landfill should be significantly reduced. Space of Waste’ stand, by the students
desso.com of Chelsea College of Art & Design.
They will be celebrating waste
materials by creating architectural
furniture from obsolete Speedo
swimsuits and packaging.
www.ecobuild.co.uk
Made in Britain
01403 785985
[email protected]
www.freewall.co.uk enq 122
ECOBUILD PREVIEW
Swedecor
Wall and floor tile supplier Swedecor
now offers a number of products
which have been awarded Eco Label
certification. They include new thin-
profile tiles made from up to 100
per cent recycled materials, which
reduces CO2 emissions during the
production process.
swedecor.com
Milliken
Milliken’s range of carpet tiles feature
a unique 85 per cent recycled content
PU cushion backing that helps to
absorb wear for an increased life-cycle.
The company has also reduced its total
waste production by 70 per cent and
water consumption by 60 per cent
since 1995.
millikencontract.co.uk
InterfaceFLOR
Innovative and sustainable modular
flooring specialist InterfaceFLOR
will be demonstrating its leadership
in transparency and sustainability
through its Let’s Be Clear campaign
at Ecobuild 2011.
interfaceflor.eu
Dorma UK
Dorma, a market leader of door
controls has created MOVEO Glass,
which offers the best of both worlds –
the ability to have both open-plan office
space and segmented area for privacy
when required. Unlike other movable
wall systems, MOVEO Glass offers
complete transparency.
dorma-uk.co.uk
Dulux
Dulux Trade Paint Solidifier is a
revolutionary waste management
product for dealing with unwanted
water-based paint. Once the paint has
been treated, the solid waste can be
disposed of, leaving a paint clean
enough to recycle.
duluxdecoratorcentre.co.uk
Polyflor
Polyflor is a leader in environmental
progress, with all of its five Luxury
Vinyl Tile ranges earning positive
assessment from the Building Research
Establishment (BRE). Polyflor LVT
products can be recycled through the
Recofloor Vinyl Take-Back Scheme, of
which Polyflor is a founding member.
polyflor.com
Online inspiration. The essential design tool for architects, interior, furniture and product designers.
No registration, no advertising, no charge. Simply search, select and compare veneers on screen.
enq 124
FX FOCUS
Surfaces
Johnny Tucker presents 20
pages dedicated to the latest
thinking on surfaces
p58 Using the right material – Six designers give their opinion on the importance of correct selection p69 Felt – Why
everyone loves it p74 Why an interactive surface technology is making swimming a few lengths of the pool seem a lot
more appealing
Pernille number of materials in the same colour tone but maintenance. Successful interior design at its best
Stafford, in a variety of textures which give depth and encompasses all these elements to provide a
interiors director, substance to reflect the occupier, In contrast, for a palette that will stand the test of time and reflect
Scott Brownrigg media client who may require instant wow factor, the personality of the occupier.
Materiality is the colours and tones will be deliberately opposed to
context that all visitors create stark distinction and a sense of vibrancy. Case in point: Almacantar
appreciate first when Sourcing materials that work together, but This is a boutique office environment that reflects
entering a space. The can also be applied to unusual surfaces, is part the personality of the occupier through the
juxtaposition of carefully of the creative process. At Scott Brownrigg we finishes selected. A black spray-on rubber finish is
selected finishes and textures make the language constantly push the boundaries to research new applied to the reception feature wall, and the desk
of a space. In some projects if the overall feel is products and their application. is finished with a metallic lacquer with more than
corporate and subtle, a series of finishes would The finishes must also be considered in terms 10 layers to provide depth and shine. The glazed
be selected to reinforce a message, that is, a of fit for purpose, longevity, sustainability, and panels again contrast in gloss and shimmer.
Poplar
PoplarRoad
Road •·Full
Full Sutton
Sutton Industrial Estate
Industrial Estate
Full
Full Sutton York ·• YO41
Sutton ·• York YO41 1HS
1HS
Tel:01759
Tel: 01759 373088
373088
Email:
Email: [email protected]
[email protected]
Web:
Web: www.justwoodflooring.com
www.justwoodflooring.com
enq 125
FX FOCUS
Paul Jones, critical that materials and finishes are carefully Case in point: O2 retail
associate matched to the concept. Central to the new O2 store design is the creation
director, JHP Customers will always judge a built scheme of a newly appointed ‘O2 Guru’ in each store.
Materials and finishes on visual impact and so material selection and A futuristic bar of white Hi-Macs starts in the
are the face of design finishes are critical to the commercial success window and sweeps around to form a service area
– without the right of a project. Where customers physically touch in which the O2 Guru can operate. Customers
textures and colours the brand it is imperative that the right materials will be able to seek free technical help from the
design schemes can are used. O2 Guru on products or services or simply to
seem lifeless. The perceived quality of surfaces can add a discover what’s new or planned to be launched.
Our approach to design always starts with great deal to the customer experience and their Live phones and technology are displayed on
analysing the brand, its customers and the satisfaction, thus helping customer retention bespoke pieces of furniture constructed from Hi-
product being sold. This helps us to create a and loyalty. Macs. The store environment seamlessly links
complete understanding of the brief, and then we Poorly selected materials and finishes can just the worlds of the contemporary home and future
are able to develop a thematic platform on which as easily turn customers away from a brand – technology without alienating the everyday
the rest of the project will be built around. there is nothing worse than seeing the exposed customer. Contemporary concrete-effect ceramic
Materials, finishes and design concepts are cracked edges of HPLs on a cash desk. Cash floor tiles and dark, solid-oak flooring define
then overlaid to create a physical incarnation of desks are the key moment of interaction between zones within the store. Overhead, the unique
the thematic platform. This will be the first visual brand and consumer, and poor experiences here aluminium ceiling features sinuous interlocking
material that clients will see and it is therefore are taken away and remembered. blades, reflecting the form of sound waves.
www.stoneshow.co.uk
The show is officially supported by:
enq 118
FX FOCUS
Lee
Grosvenor,
creative manager,
Sheridan&Co
Materials and finishes
are very important –
the visual and tactile
qualities of a material
influence the design
and define the brand as much as the form and
function. Sometimes a specific quality may be the
inspiration point for a concept – for instance, the
way light diffuses through a material or the tactile
quality of engraved wood. Our material selection
begins in the conceptual stage by using
performance specifications – that might be, say,
do we want this to be a reflective material, or do
we want this to have a masculine feel? This
evolves to considerations of manufacturing costs,
function and practicalities such as fire rating. All
factors are considered before we make the final
material choices. Our biggest challenges are in
the travel retail sector where everything has to be
Class O fire-rated. Creating concepts for premium
brands can be particularly demanding here. For a
recent project for Absolut Vodka we needed a
material capable of forming a complex faceted
shape that resembled dense frosted ice. It also
had to be suitable for a high-traffic area and be
fireproof. The team investigated quite a few
materials before we came across GRP (Glass
Reinforced Polyester) that fitted the bill.
Giuseppe
Boscherini,
Director of consulting,
Europe, Woods Bagot
The importance of
materials, their
fashioning and textural
quality is defined by
their physical and
cultural context. Exploiting this to effect adds
value beyond the obviously functional and
decorative. Koziol produces an acrylic tile which
typically combines to form a hanging curtain,
reminiscent of a printed Liberty pattern, and it
introduces a lightness to theT5 project, echoing
the bold pattern of the airport’s lighting ‘discs’
and contrasting with its engineering rawness.
Phil manifestation of a company’s brand within a reused and/or recycled and not replace just
Hutchinson, space – not just in terms of quality but also in because we can.
managing director, terms of quality and texture. Finishes also provide
BDGworkfutures an opportunity to introduce detail that can add Case in point: Department for Communities
The correct selection of personality and sometimes a fun element – such and Local Government
materials and finishes is as counter tops made from recycled yoghurt pots. The design is transparent and flexible, creating a
paramount for us in our Practical applications need to be considered clean and simple open office. Reuse rather than
design solutions for both in terms of durability and how easy it is to renew – a significant study was made on how the
clients. With other key repair or replenish if a space begins to look tired. existing furniture could be reused in the new
aspects of the design they are critical to a Colours can also aid orientation by delineating flexible design. Careful re-engineering allowed for
comprehensive design scheme. For example, space, which assists with wayfinding and brand the structure to be reused and enlarged, while
finishes and materials can highlight or provide reinforcement. When we specify finishes, the existing tops were resized to provide a
a backdrop to a working environment and play BDGworkfutures always reviews the supplier to worksurface in keeping with the working solution.
a key role in setting the tone for the look and ensure that we are using the most sustainable The scheme featured recycled glass worksurfaces
feel of a space. They are often the most overt solution. It is important to look at what can be and recycled metal fabric on chairs.
STRATUM LAMP
LIMITED EDITION
– Karim Rashid
enq 126
About Nike Reuse-A-Shoe and Nike Grind
Reuse-A-Shoe program is a unique initiative by Nike that the U.S. facility, shoes are sliced into three sections and
collects old, worn-out athletic shoes for recycling. ground into the respective usable raw material. The
Through this one-of-a-kind collection program, anyone is Belgium processing plant takes a slightly different
able to drop off their old worn-out athletic shoes (of any approach where by the entire shoe is ground and then
brand) to a participating Nike Reuse-A-Shoe location or separated into the three different types of Nike Grind.
event to be recycled into Nike Grind, a material used in
creating athletic and playground surfaces as well as Industry-leading sports and playground surfacing companies
select Nike products. Since its inception, more than 24 utilize Nike Grind to manufacture high-performance athletic
million pairs of shoes, plus thousands of tons of scrap surfaces such as tennis and basketball courts, running
material from footwear manufacturing, have been rescued tracks, athletic fields, playgrounds and turf infill. Additionally,
from landfills across the world. Nike has discovered innovative uses for Nike Grind in
various products such as footwear, apparel and equipment.
Reuse-A-Shoe stands as one of Nike’s longest-running
environmental programs and is an integral part of the We hope you will join us in exploring how you can
company’s goal of closing the loop on its manufacturing contribute to using Nike Grind in your products or use
process. Further, the program engages people around the one of our high end surfaces from our Nike Grind partners
world in helping to reduce waste in landfills while and leverage it for your own use.
providing new life to old shoes in high-quality sports and
play surfaces, apparel and equipment To learn more about Nike’s commitment to the
environment, connect with our Nike Grind partners about
Athletic shoes collected through the Reuse-A-Shoe their products or inquire about becoming a Nike Grind
program are transported to one of two facilities located partner, please visit us at stand 329 at the Surface
within the United States and Belgium for processing. At Design Show, London.
The developers of the site at Royal College Street, London NW1, were given planning
permission for this building on the basis that it would provide a visual break between
the two existing terraces.
The architects, Patel Taylor, were faced with the challenge of creating an ultra modern
building faced in glass. They decided on an unusual decorative finish.
The process began with an image of agate, provided by Professor Richard Weston,
of Cardiff University. The original stone was only 30 x 70mm, and the image was
enlarged to the size of the building without losing any of the detail.
The image was then printed onto silk. This gave a lightness and depth to the final
result, which was not obtainable with standard printed glass.
Hourglass used their glass laminating process to encapsulate the silk print between
two pieces of toughened glass using EVA film. The resulting 42 panels were then
installed to re-create the original photograph of the sliced agate.
Hourglass specialise in the challenge of the unusual, as well as all the standard
glass processes. The factory at Havant, Hampshire has facilities for bending,
sandblasting, coloured enamels, brilliant cutting, toughening and laminating, as well
as the construction of furniture and showcases using UV adhesives.
enqUntitled-1
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Heart felt
Felt has been around for hundreds of years and has myriad decorative and industrial
application. It’s also an eco material, which has of course helped bring it back into
focus over the past decade. And what’s more, it seems to engender a high level of
loyalty among the product designers who use it. We asked a cross-section designers
who specialise in the material, “Why felt?”
Buzzispace As most office interiors were grey and pinboard, had great results in acoustical
Sas Adriaenssens rigid, but the people working inside mostly tests and was easy to handle
When this Belgian Technospace company, emotional, the need for ‘warm and touchy- in construction. I designed a range of
which specilises in glass walls and ceilings feely’ materials seemed obvious. flexible objects ideal for the office including
for offices, discovered that the next big On top of that, I’m convinced that room dividers, magnetic pinboards, lamps
problem to solve was acoustics, it asked world’s ecology can’t be ignored anymore and self-adhesive wallpaper. They are all
me to look at the issue without falling back and so I started a quest for an ecologic, still hand-crafted in Benelux, to support
on traditional acoustic solutions. After acoustic and tactile material, finding a soft the local economy and avoid pollution.
making an analysis material made of PET-waste and used in Nowadays Buzzispace is visited by
of the company and the market, the automotive and road building. It was rather other young designers that do their thing
answer was pretty clear: There was room rough looking, but after a series of tests with the eco-felt: Alain Gilles creates
for sound-absorbing, flexible and tactile and trial and error, I achieved the right look phonebooths hubs, while Anthony
furniture that would be sold under the and feel – the eco-felt was born: a tactile Duffeleer ‘grows’ felt plants to decorate
Buzzispace name. needled felt that could also be used as the office and make it more silent.
Hive, Monika Piatkowski structural, raw and basic, yet at the same branding and commercial installations.
I started using felt in 1990 when I was time sharp and engineered. Its fine, Beyond these aesthetic, decorative
looking for a material that had the delicate weave manages to create properties, which I find so seductive, felt
structural capabilities to create sculptural, something dense and durable. You can cut has a considerable number of practical
soft architectural environments. I now use it like paper, but mould it like clay; it seems advantages, especially when you consider
it for Circulation, a wall and floor covering simultaneously 2D and 3D. My fascination the requirements of the commercial
in prefabricated 20m felt pellets; with felt has always stemmed from the market. In addition to its heat insulating
Cityscape, wall and floor covering in endless creative possibilities these and heat retaining properties, it is shock
laminated 3mm felt in the topographical versatile and contrasting qualities permit. absorbent, flame retardant and can
maps of cities or landscapes;band Flok, I am also very drawn to felt’s graphic absorb sound. It even becomes water
self-adhesive felt tiles. and sculptural qualities. It can be dyed in resistant once suitably treated. All my felt
For me as a designer, felt contains all any colour and the ranges available today products are designed with this combo of
you need from a material. It is pliable but make it a very attractive material for functionality and beauty in mind.
Selina Rose
I fell in love with felt seven years ago when
I created my first product and I have been
hooked ever since. I love the way you can
manipulate it, cut, punch and perforate it
without it fraying. Its natural tactility and
robustness makes it a joy to work with.
It’s a practical, functional and durable
material that evokes a sense of
homeliness and warmth while the
simplicity and clean finish of industrial felt
lends itself well to modern spaces. The felt
itself is naturally insulating, making it ideal
for interior products and surfaces. This is
one of the many benefits of my felt
window panels, screens and acoustic wall
panelling.
Felt also has strong eco credentials. It
is sustainable, biodegradable and
renewable. My felt is 100 per cent wool
and coloured in my signature colour
palette using environmentally friendly
dyes. There is a real depth and vibrancy to
the colour palette, which has more than
30 colours to choose from.
I create intricately cut bespoke felt
surfaces for residential and commercial
interiors. My product range includes felt
rugs, window and wall panels, room
dividers, screens and upholstered furniture.
Hewitt Studios variety of other hand-dyed and printed own bespoke felt in our studios, to
Gill Hewitt, partner fabrics to provide comfortable, enduring respond to individual project needs.
We design and produce bespoke felted acoustic solutions, while panels contribute
textile panels with Class A-certified sound to the flexibility of interior spaces.
absorption. Our focus is to produce Our design inspiration usually comes
aesthetically pleasing products that are from nature, and when using felt we feel
high performance in function. We create there is a synthesis between material and
acoustic wall, desk and sliding panels and the natural world. It is important to us that
felt is the perfect textile for us to use with felt is a sustainable, renewable resource
its richness, natural beauty and texture and all our felt waste is reused or
combined with its acoustic and insulating recycled. We only work with the finest
qualities. The depth and intensity of quality 100 per cent wool felt. We enjoy
colour of felted textiles blends well with a the flexibility of being able to produce our
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creating a clear glass appearance or opaque (if requested).
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partitions/screening, stairs, ornaments, trinkets.
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Tech Spec
The inside gen from ergonomics
to materials to lighting with three experts
in their own fields, plus 12 pages of the
best products around
THE EXPERTS
PRODUCT CATEGORIES
Ecobuild preview 92; Lighting 96; Kitchens &
Bathrooms 99; Surface Design preview 101;
Surfaces 102; Flooring 105; Office/Contract
Furniture 111; Stop Press 113
DYNAMIC
SITTING
The unusual positioning of the
seat pad’s pivot points at the
back, combined with the new
synchronous mechanism,
provides an extremely soothing
motion that makes you feel as if
you are floating on air. As you
recline, the seat pad slides back
very smoothly, gradually sinking
at the rear, without the seat front
rising to lift your feet off the
floor. Your back remains in
contact with the high backrest
throughout this movement. The
contoured soft yet firm seat pad
enhances your comfort. The
optional, continuously
adjustable, forward tilt of the
seat pad allows you to open up
the angle between your thighs
and torso as much as you want,
so you can make sure you do
not slip forwards as you recline.
The motion and the open-angle
sitting provided by the forward
tilt promote increased alertness
and reduced muscle fatigue.
THE RIVALS
The rivals chosen have mesh backrests, a distinctive look and promote dynamic sitting well
VERDICT The transparency of the mesh expresses AirPad’s lightness - the floating sensation provided by its smooth motion and the thermal
comfort of the membrane. What surprises you is the cushioned and supportive effect of the slender segmented backrest. The innovative and
well-engineered AirPad promotes dynamic sitting well, is very comfortable for long periods and fits a wide range of heights and weights.
LATEST
FROM ARC
Jill Entwistle rounds up some of the
latest lighting launched at the Arc Show
at the bcd in January
ALPHA LED
SLOT SCOOP
BY PROJECTION LIGHTING
An adjustable wallwasher, the
high-output version of the Slot
Scoop is capable of 2200lm and
uses Xicato remote phosphor
technology for high-quality,
colour-consistent white light.
With a diecast aluminium body,
it has an adjustable four-point
ceiling fixing system, 45-degree
tilt and low-glare anodised
aluminium reflector. Cut-out
size is 218mm x 136mm, height
is 111mm.
alphaled.co.uk
PARAGON LAMPS
BY FORGE EUROPA
The Paragon range offers LED
substitutes for GU10, Par 30
and MR16 lamps (shown).
According to Forge Europa,
they are the first LED
replacement lamps to meet
the emerging IEC 62560
standard (an international
standard from the International
Electrotechnical Commission),
due for publication this month.
Colour temperatures range from
3000K to 6000K and with beam
angles to suit requirements.
forge-europa.co.uk
CL LED LINEAR
SYSTEM
LUMENDOME BY CRESCENT LIGHTING
BY LUMENPULSE A miniature exterior profile
The Lumendome is an RGB (22mm x 12mm), the latest
direct-view, large-scale pixel LED fitting from Crescent has
luminaire for outdoor use. A an onboard driver, an output of
25W low-voltage fitting with a 690lm (CRI 85, 2700K) and is
remote driver/data supply for rated at 23W a metre. It extends
120V to 277V, it delivers 383lm up to a 4.5m continuous length
at full intensity. DMX 512 with seamless connections (no
ready, it is compatible with all dark zones) and is dimmable
available DMX 512 controllers. using PWM (pulse width
It is pictured being used for the modulation). A frosted cover
updated lighting of the Telus gives it an IP65 rating.
World of Science, Vancouver, crescent.co.uk
in a scheme by Nemetz and
Associates, and Lightworks.
lumenpulse.com
Z COVE
BY WHITEGOODS
This is an extruded aluminium
profile with integral fluorescent
lamps and control gear giving
high-performance continuous
cove lighting off-the-shelf. The
WINDOWLIGHTER idea came from a specific project
BY SILL LIGHTING requirement: a continuous wash
This a discreet luminaire with of light to a wall from a close
complex LED optics for edge- offset with concealed lamp
to-edge lighting of window positions. Mounted in the ceiling
reveals without glare. The optics to form the cove between wall
use TIR lenses, angled LED and ceiling, the Z system can be
mounts and a front-mounted adapted to most installation
ellipsoid lens to give a 200- situations using a few simple
degree radius beam. This creates components. In position the
a complete arc, from the sill, up profile edge acts as the stop bead
and over the window head to the and a skim of plaster delivers a
sill on the other side. To cater for razor-sharp edge. IP rated and
windows of different sizes, a low-maintenance LED variants
hidden screw cap covers an are available.
onboard dimming potentiometer whitegoods.com
enabling window reveals to be lit
evenly without the need for
complex control systems. The
white light version is standard, Getting your doodles in lights
Made by independent lighting designer Leolight Design using BPAK100 side-emitting fibre and
but the nine LEDs (18W) can a CRE6255 projector from Crescent Lighting, the Doodle sculpture allowed visitors a few moments
be supplied in red, green or blue. of creative doodling to form their own light installation.
sill-uk.com
WITH LESS
resolution to remain true to its character as a unswervingly robust,
firmly tethered material,has no escape. Hewitt switched from print
designs to concrete experimentation, and her initial foray into
‘knitted’ concrete has moved forward so that she has now developed
As the need to make ways of living more a stretchy concrete as part of her exploration into new architectural
sustainable increases, Annabelle Filer textiles that could play important roles in both internal and external
environments. Hewitt’s challenge of the conventional, based upon
looks at materials that really fit the bill of her knowledge of textile techniques, has led to this concrete
making more out of less personification as an individual that is homely, humorous and yet
practical. She is working to develop ideas about concrete that are at
A
a tangent to preconceived notions and to pare back the aesthetic and
s the world moves towards a sustainable way for living, the volume required even further. While this one is still early in its
need for ‘less’ to become ‘more’ is increasingly urgent. New development, Hewitt continues to explore what other aggregates and
materials and processes are in development to address this pigments could do for this new composite and what other
and allow us to shape future architecture and design using ‘less’. We architectural and design applications may present themselves. In
need materials that use less mass and therefore physical matter, and Hewitts words, ‘the tactility of the knitted concrete softens the gritty
structures that can be built with less impact. We must use less energy urban edges and creates a light and stretchy concrete.’
in transportation and manufacture but we still want them to be Manufacturer/distributor: UK. Size: Bespoke Colour and range:
practical and desirable and above all to keep us comfortable. Bespoke, the weave can alter in scale depending upon the elastane
A tall order? Possibly, but the materials on show this month will substrate involved Applications: External seating and other urban
open up opportunities for designs we wouldn’t even have considered: features, temporary shelters, art and sculpture, interior feature
materials designed for expansion, in every sense of the word. panels/dividers, exhibitions. hazelhewitt.com
2 PNEUMOCELL
The technology of inflatablity is not new but Thomas Herzig,
3 FOAM FABRIC
Tel Aviv-based Bakery Studio views
the new hero of the ‘blow up’, has designed a system of components materials as the ingredients of design and is
that unlike their bulgy, creased predecessors, fit tautly and tightly keen to challenge the preconceptions we have
together using a zipper as part of the solution for assembly. of what materials we associate with existing
Biomimicry plays a lead role in this inspiration for this new, applications and explore what simple
lightweight, structural collection. The component, like a living cell, is materials, with a little intervention, can
self-supporting using the counterbalance between the inner pressure become. It has, as an example, created 3
built up by a fluid or gaseous intrusion and the outer membrane. ‘elasticised wood’. This foam fabric is
Like any living structure the surrounding cells will support any unsurprisingly, no exception.
damaged cell and this can easily be replaced without loss to the This ‘industrial’ upholstery explores the
structural integrity. The membranes are available in PVC or TPU notion that the ‘fabric’ or upholstery textile
(thermoplastic polyurethane). The latter is is 100 per cent recyclable becomes the mold for the upholstered section
and produces no toxic emissions or residues when burned. The of the chair. It differs from the hard material
structure is 40 per cent lighter than one in wood, and 400 per cent created by the more usual molded suspects
lighter than than a concrete version, which undoubtedly gives rise to and is more industrialised than traditional
savings in energy, on the basis of transportation alone. upholstery.This hybrid of ideas has been
The structure, once assembled, rarely needs additional air, thus manifested through the use of two kinds of polyurethane injections:
negating the huge energy output to stop atrophy. high-density polyurethane for the structure and a foam-based
Manufacturer/distributor: Austria Size: Two common polygonal edge polyurethane for the ergonomics. The result is a cool, comfortable
lengths 155cm or 213cm Colour and range: Current range is transparent, multitasking material.
max size component 4mx4m but bespoke possible in colours and up to Manufacturer/distributor: Israel Size: On request Colour and range:
12m x10m. Applications: Modular halls, domes, semi-permanent and four fabric colourways Applications: Upholstery replacement in
temporary structures for use from leisure to exhibition. pneumocell.com furnishings. bakery-design.com
www.girsberger.com
Girsberger London, Invicta House, 108 -114 Golden Lane, London EC1Y OTG, Tel. +44 (0)20 7490 3223
enq 149
Materials
enq 150
To be included contact Sophia Sahin on 020 7936 6856 or [email protected] Ecobuild Preview
OSRAM
Osram’s versatile and efficient LINEARlight Flex LED modules have been
installed in Hobbs’ flagship shop in Covent Garden as part of a complete lighting
scheme upgrade undertaken by LAPD Consultants Ltd. Due to the compact and
flexible nature of the LINEARlight Flex, LAPD has been able to achieve soft,
warm up-lighting in a very limited space to enhance the in-store atmosphere.
Simon Thorp, Senior Lighting Designer at LAPD Consultants Ltd. says,
“Hobbs was relying on us to design a high quality lighting scheme so we had to
IGUZZINI work with the best possible products. We wanted to include atmospheric up-
Zyl is a flexible and contemporary system for use in lighting to the barrel vault ceilings, but could not use fluorescent tubes due to
residential interiors as well as external landscapes. Bollard space restrictions. Consequently, we looked at LED modules and chose OSRAM’s
options can be installed either into the ground or surface LINEARlight Flex modules based on their cost and performance. As well as
mounted at two different heights. Wall mounted, surface and providing significant energy savings in comparison to more traditional lighting
recessed suspended versions are also available. All versions solutions, LINEARlight Flex modules inject the perfect light into the application
utilise LED sources. enq 419 and achieve the desired soft, warm and uniform lit effect.” enq 439
lighting revolution
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enq 151
simply
beautiful
floors
AIR UNO
RADA New to the UK is a stylish range of
Ideal for light commercial or semi- hoods from Air Uno that answers the
residential applications such as leisure latest consumer demand for discreet
clubs or University accommodation, the technology. Available in 7 stunning
new Rada V10 sequential shower models, the F-Light hood is designed
control offers exceptional by Italian maker Faber to look like a
contemporary styling without any chic pendant light fitting. The Kaleidos
compromise to performance. The Rada extractor, for example, features a funky
V10 has all the aesthetic appeal of fabric oval-shaped hood that elegantly
domestic shower controls, but with the hides away its stainless steel motor
build quality and safety features when not in use. As with all Faber
necessary in the commercial models, the Kaleidos has a host of
environment. Its robust cartridge stops technological features including
will withstand heavy usage in public electronic controls, 4 x 20 watt
areas – and occasional misuse – while spotlights and a dishwasher safe grease
the thermostatic mixing valve conforms filter. Three speed settings offer a range
to TMV2, the standard designed to of extraction from 230 to 450 m3/h with
prevent scalding. enq 454 noise levels of 49 to 65 dB(A). enq 400
LAUFEN
With a solution for every bathroom requirement, Swiss manufacturer Laufen has
extended its award-winning Living City collection to include several new
washbasin sizes and co-ordinating furniture options. Famous for its geometrical
PARAPAN design, the Living City series now includes a 500mm and 600mm washbasin, both
Sweeping curves in glossy black Parapan create instant with glazed backs to make a gleaming impression, plus a 450mm hand basin that
impact in this eye-catching kitchen. The reflective quality of is ideal for the smaller guest bathroom or cloakroom. The washbasins can be
the sleek black Parapan adds a modern edge to traditional integrated within a brand new washtop from Laufen’s Open modular furniture
brick and wood. It is funky but won’t date. ‘Contemporary range, offered in a crisp white finish and able to be cut to size to fit with millimetre
design can feel cold and unwelcoming. By using high gloss precision into any bathroom design, even alcoves. The basins look fantastic when
Parapan the space is exciting and engaging,’ kitchen designer fitted with Laufen’s innovative Lb3 LumiTouch tap, which itself features a stylish
Philip Dowse. High gloss, solid acrylic Parapan is increasingly geometric design. The tap, which won the red dot design award, uses the latest
specified by award-winning designers for doors, drawers, cutting-edge technology to permit low-contact operation making it exceptionally
cabinet fronts, splash backs and even wall cladding. It can be easy to use and hygienic, while its synchronized lighting element creates a beautiful
cut to size and thermoformed to any radius of curve. enq 453 aesthetic in any bathroom. enq 445
www.johansondesign.com
Johanson Design UK & Ireland Johanson Design other countries
Warwickshire +44 (0) 1608 662010 Markaryd (Sweden) +46 (0) 433 72500
Boline International [email protected] Johanson Design AB [email protected] enq 154
Surface Design Show Preview
LG HAUSYS
David Chipperfield Architects designed a large part of the
Empire Riverside interior with HI-MACS acrylic stone. This
is a mineral-based material made up of 70% natural stone HANEX
powder, approximately 25% high-quality acrylic resin and Responding to market demand for a budget solid surface solution, IDS has
around 5% natural pigments. It was developed and expanded its Hanex solid surface range with the introduction of four new colours in
manufactured by the world’s leading company in this sector, a competitively priced 6mm thickness. There are four colours, White S008, White
LG Hausys. The wall cladding, the shelves and the massive S002, Red M003 and Black M007, directly reflecting the top selling and most
bar counter have all been moulded from HI-MACS Black. specified finishes in the retail and furniture manufacturing sectors. Now available in
enq 428 both 6mm and 12mm options, the four solid surface finishes guarantee flexibility of
use as well as being economical, without compromising on the performance or look
of the finished product. The 6mm option is ideal for use on horizontal surfaces,
offering all the aesthetic and functional benefits while keeping costs down due it
being a thinner material. The product is available in a sheet size of 2490 x 760mm,
while the 12mm material comes in 3680 x 760mm. enq 422
euphorium bakery
tiNy d E signs
enq 155
VORWERK
Contura SL from the Projection
collection by Vorwerk Carpets forges
WILTON CARPETS textured cloud and map designs on the
Bespoke carpet from Wilton Carpets innovative TEXtiles SL backing to
Commercial now adorns public areas reveal a striking commercial carpet
of the stunning Grand Central Hotel solution that combines both style and
Glasgow as it takes its place once again sustainability. Utilising the performance
as the city’s leading four-star hotel. As and maintenance benefits of 100%
part a £20m refurbishment and Econyl solution dyed recycled content
commissioned by Karen Cleaver, nylon, cloud and map will provide the
design director of hotel owner Principal busiest of corporate and commercial
Hayley; Axminster woven carpets from working environments with lasting Class
Wilton Carpets Commercial are now 33 performance, but just as importantly
providing stunning looks and superb the designs also bring style and
underfoot comfort for guests. enq 451 sustainability to the workplace. enq 450
REGISTER NOW
www.surfacedesignshow.com
enq 157
To be included contact Sophia Sahin on 020 7936 6856 or [email protected] Flooring
JUNCKERS
Junckers, Europe’s largest supplier of solid hardwood floors,
has become FSC certified. The certification strengthens
Junckers’ commitment to sustainability and corporate social
responsibility, which has always been an integral part of their
business model. The increasing demand for sustainable floors
has lead Junckers to add another level of certification to their
product range. “To supply wooden floors where legality and
sustainability are ensured is central to the flooring industry
today and we are pleased to offer a premium product with all
the right environmental credentials”, says Steve Maltby,
General Manager, Junckers Ltd. Junckers has supplied over
150 million m2 solid hardwood floors to prestigious public
and private buildings, including international level sports
arenas, all over the world. enq 425
POLYFLOR
Distinctive Pearlazzo PUR is the latest
homogeneous product to be launched LANO FLOORING SOLUTIONS
by leading commercial vinyl Lano Flooring Solutions has breathed
floorcoverings manufacturer Polyflor. new life into its Walk of Fame
Designed for the modern commercial collection with the introduction of eight
environment, Pearlazzo PUR delivers stunning new shades in a revamped
the inherent low maintenance and line-up for its 16 strong colourbank.
durability benefits expected of a Polyflor Created to offer hospitality interiors an
homogeneous PUR product while on-trend colour choice alongside
pushing the boundaries of vinyl flooring shades that have been proven in many
decoration. The striking 24-shade colour prestigious installations, the new
palette, a combination of vibrant and colourbank is joined by three updated
neutral shades, has been achieved by stock designs in two stripe and a pindot
blending tonal chips and pearlescent styles. The new colours and designs
flakes fused into a solid base colour for a can both be discovered in the new Walk
unique decorative option. enq 440 of Fame presentation folder. enq 429
MILLIKEN CONTRACT
Easy to maintain, hardwearing and with a forgiving aesthetic
that could be tied in with corporate identity, carpet tiles from
Milliken Contract fulfilled the brief set by Bank of China for
its London offices. Snap Back from the Straight Talk
collection has been installed throughout working, breakout
and courtyard areas of the building to a total of 5,000m2.
Snap Back utilises durable and easy to maintain 100%
Milliken-Certified WearOn type 6.6 nylon for ease of
maintenance and wear resistance. With the additional benefit DORSET WOOLLISCROFT
of StainSmart soil release technology, the carpet tile is The vast range of Dorset Woolliscroft flooring solutions now on offer from the
particularly resilient and stands up to the demands of busy contracts division of Original Style includes vitrified & fully vitrified slip-resistant
corporate environments with aplomb. The standard Snap tiles for both internal and external use. Offering exceptional performance and
Back pattern has been adapted with the addition of an accent safety standards within industrial, commercial, domestic and leisure markets, these
red in courtyard and breakout areas, reflecting the brand tiles have been developed with specific areas of usage in mind and can be
colours of the financial institution. Using a standard dark confidently specified for use in the most exacting of installations. The range also
colour throughout all areas to minimise the appearance of complies with all industry standards. Original Style is one of the UK's leading
soiling, Bank of China’s corporate identity was further manufacturers and suppliers of tiles, mosaics, glass and natural stone for all
enhanced with the use of grey. enq 433 commercial and residential projects. enq 457
ARTWOOD
For designers looking to complement heritage inspired
interiors, Artwood’s Design Paint collection of wood flooring
offers a different and unusual twist on the theme. With the
Design Paint collection, Artwood offers hand-finished wood
flooring in any Farrow&Ball floor paint finish, including
beautiful tones such as Mouse’s Back, Eating Room Red and
Tanner’s Brown. Each colour within the Design Paint
collection is applied by hand and sealed to provide a durable
and long lasting painted finish presented on high quality
engineered oak flooring. enq 405
MILLIKEN CONTRACT
The latest modular carpet from
Milliken Contract takes its colour cues
from nature forging striking colour
combinations influenced by stormy
skies and the intensity of light as it KÄHRS
breaks through the clouds in a dazzling Kährs has launched its new World
three-dimensional product. As one half Collection, which provides an eco-
of the newly created Out of the friendly alternative to a tropical wood
Shadows collection, Scattergraph is floor. The new sustainable oak floors
created through Milliken Contract’s are available in 1, 2 and 3-strip designs
Convergence technology, the Tufted and have an authentic ‘exotic’ stained
Textured Loop Pile is married with finish in a choice of copper/red wine
proprietary digital colour placement to and rich burnt orange/topaz tones. The
create organic texture on the launch follows Kährs removal of all
floorplane, complementing the more tropical species from its range, until
structured Shadowbox in a palette of guaranteed controlled sources can be
14 shades. enq 434 found. enq 426
ew
bo
orld
Surfaces textiles
IMPACT >
A tile of universal success.
BALSAN
textile floor coverings
provide personalised,
aesthetic and functional
solutions to meet the
requirements of both new
and renovation markets
for office, commercial
and hospitality.
www.balsan.com
Contact BALSAN in the UK :
S o u th : Ti m E pp s + 4 4 78 27 85 06 61 t i m. e pp s@ b al sa n. co m
Nor th : E r i c J ones + 4 4 78 27 85 0665 e r i c. j on e s@ b al sa n. c o m
enq 158
CFJ 2011-01 issue-halfpage.indd 1 8/12/10 16:17:48
e x h i b i t i o n
01.03.11 - 03.03.11 - Stand S660
enq 159
L E E & P L U M P TO N A leading manufacturer of quality office furniture
01953 453830
www.leeandplumpton.co.uk
enq 152
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JENNIFER NEWMAN
Specialists in hand-made aluminium furniture, Jennifer
BEACONS BUSINESS INTERIORS Newman Studio provide architects with the opportunity of
Brecon-based facilities support specialist, Beacons Business Interiors (Bbi), has customising products to suit their schemes, resulting in
completed the refurbishment of an 8,500 sq metre facility for leading life sciences individuality at affordable prices. All Newman designs have a
company, Sterilin. Bbi was appointed to work on the £3 million fit-out as part of timeless simplicity and are built for long-life, giving the
Sterlin’s £12 million expansion plan, which involved moving its manufacturing products strong sustainability credentials. Jennifer Newman
plant from Aberbargoed to the Pen-y-Fan Industrial Estate in Oakdale, near herself is an acknowledged colour expert and her input is
Blackwood, in one of Wales’s largest commercial property deals of the year. part of the service offered by the studio. A totally bespoke
The project, which was one of Bbi’s biggest contract wins this year, involved the service is also available for architects wanting unique
refurbishment of the former Fiamm Battery plant. Bbi handled all aspects of the products, and prototypes can be produced to order. High
project including design and office fit out, together with installing 1000 m2 of clean profile architects such as Swanke Hayden Connell Architects,
room space. Building the clean rooms involved the installation of a complex Dyer and Schmidt Hammer Lassen are working with the
particle filtration removal system using HEPA filters, which was put in by Bbi’s studio for clients such as Imperial College, Westminster
dedicated mechanical and electrical division. enq 407 College, O2 and the BBC. enq 424
EBORCRAFT
The latest project commissioned from office furniture
manufacturer Eborcraft demonstrates how slight
modifications to a basic design can transform the appearance
of the final build. The featured reception counter was
constructed using modules from Eborcraft's flexible Fusion
range, combining a mix of curved and rectangular units. The
wood veneer finish of maple was individualised by
incorporating a black line inlay, which together with the
aluminium trim, enhanced the counter's contemporary
appearance. The client also opted for a bullnose edge detail,
which softened the lines of the upper unit to make the
counter look more approachable. The reception counter was
designed to accommodate a central DDA unit, bracketed on
each side by a combination of low and high-level modules.
THE INTERIORS GROUP Each of the high-level counter tops was specially modified so
The Interiors Group have created a that large computer monitors could be concealed within a
fresh new fit out for an international cut-away section. enq 415 MORGAN
petroleum company in One Curzon Panama is a new collection from the
Street, London, which is one of the Morgan Studio. Dining and lounge
principal landmark buildings in Mayfair chairs feature a slim angled dynamic
associated with quality and prestige. frame and sharp square upholstery. An
The reception has been fitted with a ergonomic seating angle and webbed
desk by Thorpes Joinery using Corian seat create a light and comfortable
with glass tiles, a recessed plasma chair making Panama a contemporary
screen and recessed light bright daylight and ultimately practical addition to the
bulbs set in back panelled glass give a Morgan portfolio. enq 435
very neat appearance. Limestone style
ceramic 600x600mm square floor tiles
add to the feeling of quality within the
Boardroom. The Interiors Group have
covered the wall with Avasti, a special
acoustic fabric and installed full video
conferencing for twenty people. enq 448
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Contract Furniture & Stop Press
DESIGN AT KNIGHTSBRIDGE
New from Design at Knightsbridge is Lugano, an extensive
range of upholstered seating for the hospitality sector created
for the company by design consultant James A Wright.
Intended to set a distinguished tone in lounge and reception
areas, bars, restaurants and bedrooms, Lugano includes
handsomely-proportioned two- and three-seat sofas, together
with upright/easy armchairs and club chairs in both compact
and easy versions. The design story throughout is
characterised by graceful sloping arms and softened angles,
with style options embracing plain, diamond-buttoned or
fluted backs. Each model in the Lugano range can be
upholstered to suit customer requirements, and a range of
show-wood finishes is available. enq 427 SAMUEL HEATH & SONS
Perko Powermatic concealed door
closers have been used as part of the
CONNECTION £220 million refurbishment of The
Connection, back in 2008 was the first Savoy, London, one of the world’s most
UK manufacturer to successfully iconic hotels. The capital city’s largest
launch a 100% recyclable task chair. ever hotel restoration project has
Designed by Roger Webb Associates, IS involved the rebuilding or redesign of
has been taken one task step further all guestrooms and public areas, the
and is being launched with a mesh introduction of an entirely new services
back. Differentiating itself from other infrastructure and the structural
mesh back chairs in the marketplace, IS stabilisation of the hotel’s listed
Mesh has a unique integrated height riverfront façade. An integral part of
adjustment, still providing the one chair the project has been the refurbishment,
fits all, IS accommodates 98 of the and in some cases rebuilding, of the
population percentile and offers hotel’s guestrooms, and it is here that
complete adjustment in every direction. the Perko Powermatic door closer has
The dual zone mesh provides support been used to great effect. enq 444
for the user’s lumbar area, whilst still
offering complete ventilation. enq 455
HARBRINE LONGDEN
Harbrine are pleased to announce the launch of a A new showroom in the heart of the City of London will help architects, designers,
revolutionary electronic digital patch lock that can work on end users, contractors and dealers who are looking for inspiration and innovation.
glass doors. This patch lock can work on new installations or The Longden showroom in Bonhill Street displays a range of Longden door styles
even retro-fit against existing rondo style patch locks. No from Boarded door sets, Copeland panelled door sets and the Moderne Collection
need to replace expensive glass doors, just change the existing which is strongly influenced by modern art deco and comprises both bold and
patch lock and handles. Contact us for more details and learn subtle contemporary door designs with an understated art deco twist that brings
how easy the replacement process really is. Programmable at exciting alternatives to every customer.
the keypad with a range of commands which makes it Longden multi-laminar wood veneers are hand-crafted incorporating
particularly suitable for medium duty use in health, performance levels needed to meet today’s technical criteria – a process that brings
educational, commercial and residential environments. The complete design freedom. Designs include subtle art deco motifs and geometric
key can be used to open doors for management functions forms; sun burst designs, stepped profiles, arc shapes and linear designs; lavish
such as security and cleaning. The added benefit of having beading, decorative veneers and carved details; and theatrical contrasts through
key operation as well, enables this lock to be master keyed shiny and matt wood and contrasting grains.
within a Harbrine MK system. enq 418 enq 431
Bespoke murals
Dramatic prints
Exclusive blinds
FINE PAINT & WALLPAPER enq 305 BESPOKE WALL MURALS enq 307
CHANTAL
Designed by Pergentino Battocchio
Stunning high gloss feature armchairs lacquered in black,
white or red with that Made in Italy style and quality.
Hawkesley enq 318 Turnstyle Designs Ltd enq 319 Johnny Hawkes enq 320
Tel: 0121 433 4277 Tel: 01271 325 325 Tel: 01672 562878
www.hawkesley.co.uk www.turnstyledesigns.com www.sphelix.com
Lee Filters enq 321 Bluebell – Wall finishes enq 322 Decospan enq 323
Tel: 01264 366 245 Tel: 0845 230 0990 Tel: +32 (0) 56 52 88 00
www.leefilters.com www.bluebellfinishes.co.uk www.shinnoki.com
Morgan enq 324 Stretch Ceilings Limited enq 325 Float Glass Design enq 326
Tel: 01243 371111 Tel: 01276 681 000 Tel: 01273 622176
www.morganfurniture.co.uk www.stretchceilings.co.uk www.floatglassdesign.co.uk
S850
LUMIWALL®
Lumiwall® is the ideal system for displaying BIG illuminated
graphics and promotions in Retail Stores and Shopping Malls.
TOUCH FREE URINAL CONTROL WITH
The impressive Lumiwall® works to create a memorable
in-store atmosphere and certainly produces a ‘wow’ factor. SCHELL COMPACT II
The Lumiwall® frame has an inbuilt patented tensioning SCHELL GmbH, produce a Compact II concealed, automatic
which holds the replaceable digitally printed face, as tight as urinal flush controlled by an infrared sensor wall-mounted
a drum skin and ice-rink smooth. We manufacture, print and above the urinal which automatically releases a
install the complete system. 0.3 litres/second flush as soon as anyone walks away
BONA LIMITED
For more information contact us on the details below. from the urinal. Architects and designers can use Bona's interactive Inspiration
House exhibit to help specify the correct surface treatment
www.artillus.com E: [email protected] W: www.schell.eu for wooden floors in all environments.
enq 327 TEL: 01604 678410 enq 328 TEL: 0845 680 6902 E. [email protected] T. 01908 399740
S560
S364
enq 331 TEL: 00800 0421 6144 enq 332 TEL: 01233 642220 enq 335 www.polyflor.com
D4D Designers 4 Designers is an interior design recruitment consultancy The recruitment service of the RIBA has positions with many up and coming
based in London & Brighton. Whether you're a company seeking designers practices as well as the top design firms in the UK and abroad.
or a designer looking for a new job, we look forward to hearing from you.
A
Careers In Design Aberfeldy Associates Ltd
01920 486 125 01457 859 219
[email protected] [email protected]
www.careersindesign.com www.furniturerecruitment.com
Design recruitment specialists for Interior Designers, Space Planners, Recruiting sales, management, and support people solely in the contract
CAD Technicians, Specifiers, Furniture, Product, Exhibition, Lighting and furniture and commercial interiors industries since 1995. Call in complete
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On Target Recruitment Ltd has been successfully placing high calibre sales Contact Daniel Khmali: 020 7936 6857
people with all the leading companies within the office furniture and or [email protected]
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WWW.MORGANGLOVER.CO.UK
Email: [email protected]
T: +44 (0)1892-520-191 M: +44 (0)7778-333-607
bus stops imagine if your local bus stop allowed you to check your e-mails,
share community information on a digital message board and
could be more
monitor the air quality, as well as learning where your bus was.
MIT
Designed by MIT architects and engineers (pictured right, l-r) Carlo Founded in 1861, MIT is
interactive
Ratti, Julia Schlotter and Walter Nicolino, EyeStop is a new kind of an independent college
interactive bus stop, designed to take the tedium out of waiting for dedicated to education
and research. Its work
the bus while encouraging more people to use public transport. includes achieving the
The EyeStop would be partially covered with touch-sensitive first chemical synthesis
E Ink (an electronic display system which its makers say creates a of penicillin and vitamin A
and inventing a way to
readable experience closer to ink on paper than any other electronic duplicate photosynthesis
display) and screens, and features state-of-the art sensing to store solar energy.
technologies and a variety of interactive services. Users can plan a MIT’s conceptual studies
into architecture and
bus trip on an interactive map, surf the web, monitor their exposure product design also
If you have an If Only vision you’d like to to pollutants and use their mobile devices as an interface with the include a building with
'digital water' walls,
share – it doesn’t matter how extraordinary or bus shelter. They can also post personal ads and community
shown at the 2008 World
far-fetched it seems – email details to the editor at announcements to an electronic bulletin board there, enhancing Expo in Zaragoza.
[email protected] EyeStop's functionality as a community gathering space. web.mit.edu
enq 163
For those who think outside the box.
wedi creative building systems provides a comprehensive toolbox with which to create
new, contemporary and inspiring ideas for wet rooms and bathrooms.
See us at ecobuild
Tuesday 01 - Thursday 03
March 2011 ExCeL London
STAND No. S210
A comprehensive range of modular components and systems are available
enq 164