Questions: His Invisible Man Is Not An Ectoplasm Out of Edgar

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Questions

1. The "generation" in question in Kwock-Kim's poem doesn't


seem to be a matter of a historical or biological time-
frame--what might the author be referring to here? Why
might this piece be broken into numbered sections? What
kind of symbolism might numbers like "0" and "1"
represent? What other metaphors of birthing does the poet
use? 

2. Why might Walter Abish choose to represent Africa in


such an odd way in this experimental piece of writing?
Why use patterns of words beginning with A and B and C
to represent some of this continent's political problems and
cultural images? Can we imagine some of the ways other
letters that appear later in the alphabet might "behave" later
in the book this passage is taken from? 

3. Why does Ellison feel the need to quickly tell us


that his  Invisible Man is not an ectoplasm out of Edgar
Allen Poe? Why does Ellison’s character tell us he is an
“irresponsible bastard”? Is he cutting himself from the
American literary tradition? Why the lack of a definite
article here, unlike HG Wells’ The Invisible Man? Why
might “invisible” sound so close to “invincible”? Because
“you can’t hit what you can’t see”? 

4.  In regards to Giannina Braschi’s “Under the Skirt of


Liberty,” what is presumptuous about a short story phrased
as a monologue that begins “I am the Statue of Liberty”?
Can any one person indeed embody this figure? In what
literal way is this Statue’s torch a “spotlight over people’s
heads”? Does this underscore the American emphasis on
Individuality? How can the Statue make the seemingly
illogical claim “I was never born. I will never die”? Don’t
all things have beginnings and endings?

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