The Sifaat of The Arabic Letters
The Sifaat of The Arabic Letters
The Sifaat of The Arabic Letters
Topics
- Introduction to Tajweed
- Mudd rules
-Makharj Haroof
• One on one session with sheikh to learn right way to pronounce the letters ( Makharaj) and perfect
reading.
Sisters Fiqh and Tajweed classes offered separately every Friday, Maghrib to Isha.
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Definition :the way in which a letter is articulated that differentiates it from others. The purpose of
these characteristics is to distinguish the letters that share the same articulation points (makhaarij).
But why do we need sifaat when we already know the origin of the letter ( makhraj)?
Makhaarij only provides information as to where the sound of the letter comes from, whereas sifaat
provides extra information with regards to the characteristics of the letter in order to produce the
correct sound.
Opposite
Hems Jahr
(whispered) (voiced)
Shiddah Rakhaawa
(softness)
(explosive)
INBETWEEN Tawassut
Itbaaq Infitaah
(closed) (opened)
Ithlaaq Ismaat
Hems (whispered)
Definition: weak or slight continuation of breath (whispering, expulsion of air) upon pronunciation of
the letter when it carries a SUKOON
The quality of hems is found in the following 10 letters which are called
mahmuusah ﻣﻬﻣُﻮﺳَﺔ
Examples of Hems
The whispering is also present when the letter has a harakaat (other than sukoon), but it is
not as strong (it is more of a natural hems whereas when it carries a sukoon you have to
emphasize the hems more)
E.g ف
َ ف
ِ ف
ُ ( ) E.g َ ث
ث ُ
ِ ث ( )
However, the letters and ONLY have hems when they carry a sukoon (as they carry
another characteristic, shiddah)
E.g ت
َ ت ُ
ِ ت ( ) E.g ُك ِك َك ( )
E.g س
َ س ِس
ُ ( )
Surah : Surah
Letter Extract from Verse Letter Extract from Verse
Verse :Verse
(2:17) (2:9)
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(2:56) (2:11)
(2:11) (2:5)
(2:9) (2:10)
(2:14) (2:15)
This is achieved by stopping the air flow at the makhraj of the letter
The quality of jahr are found in the remaining letters which are called majhuurah
ﻣَﺠْﻬُﻮ َرة
( )
(2:3) (2:20)
(2:4) (2:13)
(2:19) (2:15)
(2:23) (2:3)
(2:30) (2:2)
(2:6) (2:6)
(2:22) (2:25)
(2:60) (2:3)
(2:75) (2:2)
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Definition: strong stoppage of the sound upon pronunciation of the letter when it carries a SAKOON
The quality of shiddah is found in the following letters which are called shadiidah ( ﺷَﺪِﻳْﺪَة )
the quality of shiddah is to pronounce forcefully, that when pronounced, the sound of the
letter will be HARD, and the sound of the letter will end off in the makhraj
Definition: this is moderation between the previous two. The sound of the letter is not cut off nor
allowed to continue.
The quality of tawassut is found in the following 5 letters which are called mutawassitah
(ﻣُﺘَﻮَﺳِّﻄَﺔ )
Itbaaq (closed)
Definition: contact between the back of the tongue and the upper palate of the mouth.
This characteristic is necessary no matter what harakaat (not just when it carries a sakoon)
The quality of itbaaq is to pronounce in a closed and covered manner. That is, during
pronunciation, the tongue is elevated to such an extent that it covers the palate and the
mouth remains nearly closed
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The quality of itbaaq is found in the following letters which are called mutbaqah ( ﻣُﻄْﺒَﻘّﺔ )
E.g ص
َ ص
ِ ص
ُ ( ) E.g ط ُ
َ ط ِط ( )
The quality of infitaah is to pronounce in an opened manner. That is, during pronunciation, the
tongue does not cover the palate and the mouth remains open
The quality of infitaah are found in the remaining letters and are called munfatihah
(ﻣُﻨْﻔَﺘِﺤَﺔ )
E.g ب
َ ب
ِ ب
ُ ( ) E.g ُن ِن َن ( )
for some of these letters, the tongue may be raised, but actual contactwill not occur (refer
to ista'ala)
Ithlaaq
Definition: the speed of which the letters are pronounced because of the ease of the makhraj.
The quality of ithlaaq is found in the following letters which are called mudhlaqah ( ﻣُﺬْﻟَﻘَﺔ )
The area of pronunciation of these letters, that is, the edge of the tongue or the edge of the
mouth namely the lips, can be considered as factors contributing to the smooth and easy
manner of pronunciation
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ﻣُﺼﻤَﺘَﺔ
( )
During pronunciation, the back of the tongue is raised towards the upper palate. This will
produce a thick, round sound
These are known as full mouth / thick letters and are thus pronounced with a full mouth
The quality of ist'ala is found in the following seven letters which are called musta'liyah
ﻣُﺴْﺘَﻌْﻠِﻴَﺔ
( )
For ista'ala the tongue is just RAISED, whereas for itbaaq it actually makes CONTACT
The elevation is less when these letters carry a
E.g ِ ُق
َق ق ( ) E.g غ ُ
َ ِغ غ ( )
(89:27
(88:4)
)
(88:22 (89:11
) )
(88:20
(88:3)
)
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(87:18 (79:16
) )
(83:24 (85:22
) )
(84:10
(88:6)
)
(89:28 (83:33
) )
(89:21 (88:17
) )
(89:8) (88:7)
(89:11
(90:4)
)
(87:17 (88:11
) )
(89:30
(87:5)
)
(90:1)
(89:5)
(98:5)
(89:15
)
During pronunciation, the tongue is not raised, but kept downward in its normal position. This
downward position will cause a flat sound
These are also known as empty-mouth / thin letters and are thus pronounced with an empty
mouth
The quality of istifaal is found in the remaining letters which are called mustafilah
(ﻣُﺴْﺘَﻔِﻠَﺔ )
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Qalqalah (echoing /
bouncing sound) (ﻗَﻠﻘَﻠﺔ )
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Tafsh-shee (spreading
sound) (ﺗَﻔَﺸِّﻲ )
The letter always has this sound no matter what harakaat, though
thesafeer becomes stronger when it carries a SAKOON
ﺻَﻔِﻴﺮة
The quality of safeer is found in the following 3 letters which are calledsafeerah ( )
Examples of Safeer
Surah :
Letter Extract from Verse
Verse
(94:2)
(104:1)
(101:6)
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(102:2)
(107:3)
(111:2)
(105:4)
(114:5)
(111:3)
(112:2)
(100:10)
(114:5)
A characteristic of this sifa is the quick movement of the tongue or lips upon articulation
The quality of qalqalah is found in the five following letters when they carry a sukoon and are
This letter can either be in the middle or end of a word (as a result of a stop)
Since an additional sound is being made, care must be taken that the saakin letter should
not sound doubled (mushaddad) or vowelled (mutaharrik)
E.g (111:1)
The qalqalah is necessary for these letters because they have the attributes of jahr (stoppage
of the flow of breath) and shiddah (stoppage of the flow of sound), so without qalqalah, there
would be no sound!
a. Sughrah (minor)
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Sughrah (minor)
The qalqalah letter will appear either in the middle or end of a word, but the reader will continue the
recitation and will not stop on it
E.g (108:3)
Kubrah (major)
If the qalaqalah letter appears at the end of a word and the reader stops on it (for whatever reason),
the qalqalah sound is at its clearest / strongest
E.g (109:3)
Examples of Qalqalah
SUGHRAH KUBRAH
Lette Surah:Vers Surah:Vers
Extract from Verse Extract from Verse
r e e
(100:4) (113:1)
(106:4) (85:20)
(111:5) (113:3)
(105:2) (85:1)
(110:2) (112:1)
The quality of leen is found in the following 2 letters when they carry a sakoon and the letter
Examples of Leen
(110:2) (108:1)
(106:4) (108:1)
Therefore, the is pronounced with an inclination towards the makhraj of the and vice
versa
This is more of a caution than a rule
Examples of Inhiraaf
Surah : Surah
Letter Extract from Verse Extract from Verse
Verse :Verse
(99:1) (110:1)
(105:3) (105:4)
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The quality of takreer is found in one letter and it is called mukarrarah ( ﻣُﻜَﺮّ َرة )
Therefore, while the is being pronounced from its makhraj, naturally the tongue makes a
slight vibration producing a repeated sound (i.e. rolling of the tongue). Care must be taken to
avoid exaggeration of the vibration, otherwise instead of a single there may be 2 or
instead of a double (mushaddad ),there may be many
This is more of a caution than a rule - takreer should be avoided
Examples of Takreer
Surah
Surah
Letter Extract from Verse : Extract from Verse
:Verse
Verse
(1:7) (105:2)
ﻣُﺘَﻔَﺸِّﻴَﺔ
( )
This is actually a natural characteristic of the , and the filling of the mouth with air applies
whatever the harakaat. However, it is stronger when it carries a sukoon
Practrice Exercise of Tafash-shee
Surah :
Letter Extract from Verse
Verse
(83:21)
(81:4)
(81:5)
(81:5)