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Preface
Luce Chapel is a renowned architecture in Taiwan. With its outstanding
achievements, it certainly stands outin the modern architectural movement
of
post-war Taiwan. In October 2014, Luce Chapel was chosen to be one of
the
ten global classic modern architectures, and the first project within Asian
architecture,which received the first “Keeping It Modern” (hereafter abbreviated
as KIM) Grant from
the Getty Foundation. The Grant acknowledgesthese 20th
century modern architectures as milestones of human civilization. With high
experimental mentalities, groups of architects and engineersof the previous
centuryboldlytried out exploratory materials and cutting edge construction
techniques, and built innovative architectures thathave stimulated changes in
their surrounding environments, histories, local culture, and forever transformed
the philosophical approaches of architecture. However, the Getty Foundation also
regards these architectures to be under various degrees of risks. Being fifty to
sixty or even older, many of these innovative materials and techniques boldly used
at the time oftheirsconstruction were not, and still have not been scientifically
tested and analyzed to this very day. Furthermore, the productions of many of
these materials have been discontinued due to low adoptions in the market,
making conservations even more difficult. Therefore, the Getty Foundation KIM
grants promote the sustainable conservation of modern architecture. This focus
has also been the core value of the Luce Chapel conservation project.


Built in 1963, Luce Chapel has stood on the campus of Tunghai University for over
50 years. This building was designed and built to function as a church building,
and has maintained its religious purpose over the years.However, as the number
of faculty and students continues to grow,the space demand for community
engagements and ceremonial activities of colleges and departments on campus
have also increased extensively. Besides being a place for Christian worship,
the
chapel has also been an important venue for alumni and faculty to hold weddings
and some memorial services, and is nowopen for performances of important
artists and performing groups, school’s opening and closing ceremonies, and
graduation commencements. Due to its frequent usage and swelling demands
on
supplementaryfunctions, the school also needs to reinforce the chapel’s sound
system, lighting, air conditioning apart from replacing, renewing and maintaining
worn materials and deteriorated construction modules. Every restoration
construction would inevitably alter the body of the chapel to a certain degree.
Some operations can even cause unintentional and irreversible damages.
Therefore, this research project is divided into “Historical Background Research,”
“Investigation and Repair Strategies forMaterial Damages,” and “Functional
Upgrades.” The discussion on “Historical Background” includes two major topics.
First, we shall discuss the evangelical purpose of Luce Chapel under its historical
context as a church building in a Christian university. Accordingly, we will review
its purpose to serve as “a testimony for missionary works,” “a university chapel,”
“a modern architecture in an Asian Christian university,” and “a testimony as
contemporary cultural encountering between the East and the West.” From
there, we shall mark the historical significance of the conservation of Luce Chapel,
and explain how the Luce Foundation, United Board for Christian Education in

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 Asia,and Tunghai University gladly came to agree on the style of thisparticular Foundation, its significance as a cultural heritage has been further established.
built form. The research shall also use this as a foundation to reviewthe interview Before it was granted, the administration departments of Tunghai University have
records with the main designer, Chi Kwan Chen, and the photos and construction also applied forthe desiginationof Luce Chapel as a cultural heritage. In one of the
documents accumulated at the time of its construction. Through scrutinizing school’s administration meeting, it was agreed that the building should be valued
these records, we are trying to track the entire design process of the chapel as a “national monument,” the highest level of national cultural heritage, and a
besides illustrating detail architectural techniques, such as model testing, promotion for desigination by the Minister of Culture of the central government
structural decision-making, site planning, and environmental planning. Studies of Taiwan had beenenacting accordingly.
on the later historical topic is meant to help the research members involved in the When the construction of Luce Chapel began in 1962, there were noarchitectural
sub-projects of “Investigation and Repair Strategies of Material Damages” and regulations, nor restrictions on hillside exploitation at Taiwan. Therefore, no
“Functional Upgrades” to tie their research on the “authenticity” of the chapel, architectural license was verified before the construction. Today, demands
for
and make the repair principles based on historical restoration. fire control, emergency exits, and barrier free environment have grown.
Sitting on the campus of Tunghai University,the repairment and maintenance Neverthelessthese issues were resolved through “corresponding regulations”
of Luce Chapel had long been a work of collaboration between the Tunghai under the principle of honoring the original look of the chapel upon recognition
University Christian Church and the school’s General Affairs Officefor over fifty of its identity as a cultural heritage. Thus, issues on improving fire control and
years. Therefore,
the Architecture Research Center has worked jointly with the barrier free environment are not included in this project.
office of General Affairs on the“Investigation and Repair Strategy of Material This project began in October 2014, and was carried out to the end of February
damages.” Through retrieving the original blueprints, construction contracts, 2016. Since the application on the desiginationof Luce Chapel as a cultural
construction photo records, and available repair records from the office of heritage was not yet approved by the end of this project in 2015, this research
General Affairs, the Architecture Research Center is able to compare with the on- project
was not able to be put together cohesively and published as a thorough
site records and make attempts in restoring the original condition of the chapel repair guidebook. However, the execution of this project still held on to the goal
uponcompletion in 1963, and its actual conditions in different repair stages after of the grant, which is to accomplish a scientific detail analysis on the innovative
the mid 80s. Along with the interview records with Chi Kwan Chen, historical and materials, construction methods, structural systems of Luce Chapel, a classic
professional analyses toward Luce Chapel accumulated within the curriculums of piece of Asian Modernism.
the Architecture Department over time, the sub-project teams have a firm base Once Luce Chapel is listed as a cultural heritage, the repair principles for the
for their studies on“Investigation and Repair Strategies of Material Damages,” restoration sub-projects shall function as a credible reference for professionals
to
and “Functional Upgrades.” make practical restoration plansin accordance with the Cultural Heritage
Therefore, this project further breaks the topic “Investigation and Repair Preservation Act. It is also a useful reference forthe publications regarding the
Strategies of Material Damages”into the following four categories: “structure” conservation of the chapel. This project shall also provide conservation standards
(Structural Investigation about Seismic Simulation of Henry Luce Memorial with analytical data on acoustic improvement, air conditioning refinement,
Chapel), “construction” (Construction Investigation, Conservation and and lighting plan, etc. for members in charge of cultural heritage preservation
Restoration of Henry Luce Memorial Chapel: on Tiles, Foundation, Mortar, and to use as a basic reference to establish restoration criteria. Preservation of tiles
Openings), “wooden objects” (Research on the Conservation Methods of Wooden and glaze is more difficult when considering the constraints on the terms and
Objects
in the Luce Chapel), and“tiles and glaze” (Investigation and Discussion conditions required for low-temperature kilns, and the debates on whether to
on
the Conservation of Tiles of the Luce Chapel). In the category of “Functional preserve the “original body” of relative objects. There are also some issues on
Upgrades,” the topic is further diverged into four sub-categories: “improvements technical problems of restoring principals yet need to be discussed. Beforefirm
and restoration project on the thermal environment (The Research on Luce decisions on the conservation principles are made, restoration projects on tiles
Chapel Conservation---The Investigation and Improvement Plan of Thermal and glaze shall focus on preserving and recycling the glazed tiles.
We are very
Environment), “air conditioning installation project” (Luce Chapel HVAC System grateful for the help of Getty Foundation. Through the conservation research on
Renovation Study), “improvement project on the acoustic environment” (Acoustic Luce Chapel, preservation of modern architectures in Taiwan has finally come to
Diagnostics and Suggestions Regarding the Luce Chapel), “studies on the lighting light. The aim of this grant has revealed a way to view modern architecture subtly
environment and lighting improvement (The Lighting Plan of Luce Chapel, When and rationally, which surpasses the traditional studies on forms and styles. With
It Was Constructed). Besides project members who are in charge of the above the conservation research project of Luce Chapel, we hope this should further
research topics, Tunghai University Christian Church is also asked to deliver a initiate movements for preservations of modern architectures in Taiwan. May this
utilization plan of the chapel as a foundational reference for functional upgrades. be a pivotal reference for future modern architecture preservation projects, and
Surely, the architectural value of Luce Chapel is beyond doubt. After being chosen activate another preservation action of modern architecture.
to be one of the first research objects to receive the KIM grant from the Getty

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Relocating Luce Chapel—
nationalism, which flourished under the oppression of colonialism, resistence such
“Anti-Christian Cases,” and “Christian Independent Movement” began to thrive.
The Christian communities was then forced to ponder over thenational conditions
its cultural significance through the encounters between East and West of China as they began their ministries in China. At the time, extreme nationalism
by Kuo, Chi-Jeng (professor, Dept. of Architecture, Tunghai University) had corrupted the minds and bodies of many indigenous Chinese, and people
started to embrace intectuals’ call for “reformation,” which proposes an education
reform with “Chinese learning as fundamental principles and western learning as

Preface practical uses.” Anti-imperialism movements led by Liang, Chi-Chao, Kang, You-
Wei, and Sun, Yat-Sen, saught to overthrow the old regime of the Qing Dynasty.
As a renown classic modern architecture in Taiwan, the Luce Chapel stands as a Under the circumstances, Christian communities had to both adapt to a feudalism
remarkable testimony for the far-reaching influence of western Modern Movement culture and meet up to the intellectuals’ expectation by providing “advanced
in the 50s. The celebration of modernism had made a marvelous presentation ideas.” Therefore,in order to meet these public expectations in China, ministries
through thearchitectural concepts and techniques adopted on the chapel. They such as schools and new industries began to bloom as means of evangelism among
included :the four individual concrete curved walls made to experimented parabolic missionary communities. In these ministries,Christian universities blossomed as
hyperboloid concept, the interior space beneth the four curved walls along with the the main evangelical medium of the era. Luce Sr. was one of those missionaries
structural details made for not only enacting the buoyancy-ventilation effect when who witnessed the trend of using Christian universities as the bases and outposts
air conditions were not yet popularized, but also for a great indoor acoustic space for evangelical activities in China, and the maturing of its development in 1880s.
with amazing reverberateon for musical performances, etc. Besides, thegeometric Founded in the Shanghai International Settlement, St. John’s University
pattern on its plan layout, lattice beam anddiamond-shaped tiles on the exterior became China’s first Christian university in 1879. Later, church universities such
RC wall unifies the plan, façade and section of the architecture, and reflects the as, Jinling University(Nanjing, 1888), Lingnang University(Guangzhou, 1888),
contruction team’s proficiency on geometric structure. This is also an practical Hangchow University(Hangchow, 1897), Soochow University(Soochow, 1900),
demonstration of modern rationalism in terms of architectural logic and structure. Aurora University(Shanghai French Concession, 1903), Cheeloo University(Jinan,
In this chapter, the discussion will take a detour from the chapel’s achievement as a 1904), Peking Union Medical College(Beijing, 1906), West China Union
modern architecture, which has already been widely recognized and discussed, and University(Chendu, 1910), Shanghai University(Shanghai 1911), Hsiang-Ya School
dig in on the historical and cultural aspects of the chapel. We shall delve into the of Medicine(Changsha, 1914), Jinling Women’s College(Nanjing, 1915), Fujian Union
less told stories, and see if the significance of these cultural and historical stories University(Fuzhou, 1916), The Woman's College Of South China(Fuzhou, 1915),
provide a different point of view to Taiwan’s or even Asia’s architectural movements YenchingUniveristy(Beijing, 1919), and Fu Jen Catholic University(Beijing, 1925)
of the era, and have it serves as a reference for new alternative theories for regional rised and thrived. After being in China for 7 years, Luce Sr. joined the ministry of
artchitectural history.Meanwhile, we shallfirst reveal the historical and cultural Cheeloo University, then went on to assistYenjing University in 1917. He was deeply
significance of the chapel through tracing the mission journey of Henry Robinson involved in the establishment and fund raising of these two univerisities. Although
Luce in Asia, the very root of this memorial chapel,then discuss the architecture as 1.Most people recognize the “United Board” as an the aforementioned universities were established by mission communities of
organization which founded numerous Christian
a campus chapel, and its importance as a modern architecture. In the end, we shall universities in China. According to the board’s different denominations between 1880 to 1920,novel education systems, ideas,
close the chapter bydefining the historical and cultural significance of the existence archive currently stored within Yale, it took a and curricula were common practices. This was the era when the traditional
long journey for the board to be finally “united.”
and conservation of Luce Chapel under the historical context of the East-West Its history can be traced back to the May 4th Chinese imperial examination system which had prevailed in China for more han
encounter in contemporary Central Asia. Movement in 1919, a time in which nationalism 1300 years was abolished; therefore, western academic programs took place just
in China was thriving. The call for national
universities and the apparent trend of higher in time of to fill in the educational gap and provided great demonstrations and
1. A testimony to the Protestant Christian Mission History in Asia education reform in China were the key that guidelines for contemporary education in China.
brought these mission communities together,
The building of Luce Chapel was sponsored by Mr. Henry R. Luce(Luce Jr, the and became one “unified organization” to make When the Second Sino-Japanese War ended in May 1945, 13 out of the
founder of “Time” and “Life” Magazine), in loving memory of his father, Mr. Henry sure the mission work in China stayed effective. aforementioned universities went under the management of the United Board for
However, the “coalition” of Christian universities
W. Luce (LuceSr) for his devotions in evangelism. After Graduating from Yale across northern and southern China had been Christian Higher Education in China, whoseestablishment could be traced back
University in 1892, Henry W. Lucefirst spent 2 years in Union Seminary and then a long quest. It had always been reasonable in 1910s with New York as its base to coordinate issues regarding the finance and
but executionally difficult for the coalition to
another 2 years in Princeton Theological Seminary for his mission trainings before take place. It was not until the Second Sino- overall developments of these Christian universities. This board later became
being ordained by the Presbytereian Board of Foreign Missions in 1897, In the same Japanese War which forced the schools to make the “United Board for Christian Education in Asia”(hereafter referred as “the
temporary alliance through sharing academic
year, he decided to join the mission fieldin China, and devoted himself to the work space, curricula, and teachers. Postwar alliance UnitedBoard”)1, the same board founded Tunghai University in Taiwan, and
for 31 years before moving back to the States in 1928. continues through the “massive donating activated the buildining project of the Luce Chapel.As a memorial site for Luce
promise” from the States, which initiated the
The mission trace of Luce Sr. in China is not simply a personal mission journey, opportunity and discussion on the “coalition” Sr., the Luce Chapel also stands as a symbol for the evangelical history in China
but a glance of the mission works of western Chrisitan communities in China. Ever within the board. Nevertheless, actual coalition whichLuce Sr. took part, witnessing the intimate connection between Christian
did not take place until the Republic government
since Robert Morrison went to China in the late Qing Dynasty, Protestant churches retreated to Taiwan, following the communist mission history and western Modern Movements within the Chinese society.
of the West have continued to send missionaries through various missionary government’s restriction on the mission works of
church universities. (Liu, Jia-Feng (2003) , Wei Jing
societies for the purpose of evangelism. After mid 19th century, these communities Z. M: Hua Dong Lien He Da Xue Shi Mo [A Dream 2.As a Campus Chapel
even established bases in some settlements under the protection of Unequal that did not come true: the history of East China For non-Christian countries, having a religious architecture such a chapel on
United University], Ji du jiaoyuzhongguo she hui
Treaty for the development of mission works in inland provinces. However, wen hua: di yijieguo ji nianqingxuezheyantao hui campus is highly unlikely; placing one at the center of a campus is next to
withthe Chinese resentments toward the “foreign religion” and growing sense of lun wen ji, 1-2, 4-6. impossible. Erected at the center of a Christian university sponsored by the

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 United Board, theLuce Chapel does not simply stand as a church on the campus
of Tunghai,but also an unique demonstration for the founding spirit ofthe
university’seducational ideals and implication of its campus layout plan.
As aforementioned, when Christian missionaries arrived in China in early 19th
century, they came up against the nation’s stern politicial condition. Therefore,
when various demoninations chose schooling as the stepping stone for
envangelismamong the Chinese, they first encountered the problem of “how
o adapt themselves to China’s nationalism condition?” Usuallymost founders
Soochow University consciously adopted “Chineselocal style”architectures instead of using entirely
western style buildings to win over local acceptance.This was done through
partially or fully adopting traditional Chinese architectural structures or adding Yenjing University
some Chinese construction detail elements. The design of these campus buildings
oftenreadjusted the structural spans, ceiling heights,and attachedtraditional
Chinese roofs such as tile roof, curved roof, roof ridge, flush gable roof or
overhanging gable roof on the main concrete structure, a techniquegradually
gainingpublic favors at theera. This type of new architectural style appeared Cheeloo University
Shanghai University around late 19th century to early 20th century. The style of these buildings
stands as a witness to the intimate connection between missionaries, the
higher educational system they brought into China, and the westernization and
modernization of Chinese architecture.
Therefore, in order to inspect the significance of Luce Chapel as a campus chapel
regarding its architectural form and its position in the campus layout, we must do Jinling Women’s University
so under the context of the history of China’s church universities. If we set aside the
13 universities sponsoredby the United Board for inspection, two major patterns
can be observed:
In the first type of pattern, the campus spaces appear to be random and organic,
Huachung University with no explicit geometrical patterns found in the campus layouts. When a campus
layout lacks clear axes or geometric structures, this usually means that the entire
campus environment was developed through a long period of time. This type
of campus pattern was mostly found in the schools opened before the May 4th
Movement, when nationalism was not yet matured.With limited financial resource
and manpower, most missionary communitieswould choose to set up offices and
places for worship first, as they continuedto raise funds to expand school land and
West China Union University
buildings. This includes St. John’s University(1879), which was China’s first Christian
universityestablished in the Shanghai settlement. Following the establishment
St. John’s, Shanghai University(1911), Hangchow University(1897), Soochow
St. John’s University
University(1900), Huachung University in Wuhan(previously known as College of
Yale-in-China, 1906,), and Fukien Christian University(1916) were founded. Among
these schools, there are those unable to develop a geometric campus layout for
being on top of hillside fields, e.g., Fukien Christian University and Hangchow
University, and those bound to organic layout patterns due to the size limit of
the land, e.g., St. John’s University, Soochow University, Shanghai andHuachung
University.
The second type of campus pattern is mostly found in schools opened after Jinling University Lingnan University
mid 1910s. This was the time when the power ofmissionarycommunities or
denominations were brought together from various regions. With invovlements
coming from different organizations in the States, fund-raising thus required clear 2.Cheeloo, Jinling, and Lingnan University all had their of compound structures, e.g., Yenjing University(1921), Jinling Women’s
forerunners. Their overall layout plans took place College(1916), and West China Union University, and those with explicit
campus layout plans. These Schools no longer had to develop their campus from when their missionary communities joined to form
small parcel of land and care for land-use efficiency. Instead, collective fund-raising a united committee, and handed over the campus axes which dominate the spatialarrangement of the entire campus, e.g.,
had those new universities comparactively sufficient budget for campus planning.
designs to particulararchitects. The written timeline is Cheeloo(1917), Jinling(1928), and Lingnan University(1928).2；
recorded according to the year in which the missionary
Hangchow University Those schools often had plenty of land, and the concern of land size became communities entrusted the campus design to Henry In the aforementioned church universities, whena chapel was included
Murphy and his united firm,Murphy, McGill & Hamlin, in the original campus design would determine itslocation and form.For
the smallest trifle, leaving enough room for well-developed, comprehensive or the year when the construction of the school’s first
campus layout plans. Among this type of campus, there are those with full sets campus building took place. universities with relatively organic layout and non-specific geometric spatial

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 structure, e.g., Soochow University, Hangchow University, Shanghai University, and the discussion on architectural
St. John’s University, chapelswere neitherincluded in specific geometric structures, style, cultural aspects of considering
nor clustered with other school buildings. These chapels often came before the emerged.
establishment of school buildings, with missionary communities longing for a place M. H. Throop, a Christian observer who
to worship at the initialfoundingstage of the universities. The chapels were usually went to China in 1924, gave a clear
built soon after the school property was bought, and generally freedom consists picture on how churches were built
in their forms and randomness in locations—they are either close to the gates, in China. He indicated that normally,
next to the initial location of the main school building, the administration centers, if the local conditions met all the
or on the highest spot of the school property as a symbol of devine sovereignty. requirements, a church or chapel
Take Hangchow University for example, originally, it wasn’t necessary for the would be built following the exact
schoolbuildings to be spread across the fields next to Qiantang River. Even though same manner of certain church in
the Tooker Memorial Chapel does not stand on the top of the hill, it is still erected America or Britain, bearing the same
high above all other campus buildings. Without the intension to unify its style name. Throop was clearly against this
燕京大學 ( 原規劃 )
under nationalism, not the slightest hint of Chinese architectural pattern is found. type of “direct transplantation,” especially when a church shows total ignorance
Yenjing University (Original Layout Proposal)
The chapel within Huazhong University shares the same issue concerning its land. towards its surrounding environment. He explained that beautiful or not, none
Limited by the terrain and size of the land, the founders still strived to demonstrate of these churches blend in to the surrounding environment. Every city in China
the importance of the chapel to the school. The campus buildings of Huazhong has its own unique architectural style, and it is apparently awkward and unfitting
University can be seen as onebuilding with multiple wings, which are jointed, to implant a gothic church of the Victorian era. Throop’s point of view is not
forming a smallcompound. The tower by the main gate later became thelibrary. prophetic to the later developments. When we took the architectural phenomenon
The high tower and the library within stands as a direct implication of the school’s which took place after the collapse of Qing Dynasty in 1911and made a parallel
academic spirit. On the other hand, the chapel lays on the west end of the campus, comparison, we found a grand Chinese roof attached directly to a British style
and is separated from the jointed compound structure, standing quietly by itself. brick building in the West China Union University, which started its enrollment in
Its architectural style also stands out from other campus bulidngs withinHuazhong. 1910, a decade before Throop’s arrival in China. This was also way ahead the new
Small-scalecolonnades anda lower gateway are attached to its exterior, and its nationalism movement which took place between the founding of the Republic
architecture is apparently more solid in terms of mass. In comparison to the tall (1911) and the May 4th Movement (1919). At that time, there was still an argument
library erected by the gate, the chapel sits at the corner of the campus as an clear between “building the best western style architecture” and “trying something new
The interior of the chapel within Huazhong
University illustration of the school’s public image and its internal identity. (Chinese style).”4 Later developments clearly shows the latter to have gained the
Even though the school land is limited in size, the founders of Huazhong still made upper hand. Cheeloo, St. John’s, and Jinling University all “tried to blend in some
the effort to createa quiet place for worship. Besides being a place for Christian traits of Chinese architecture to their design proposals.” The Annual Report of the
worships, this individual corner also allows Christians to have fellowship with those Board of Foreign Missions written in 1914 clearly shows that “a type of orientalized
who share the same religious identity. western architecture has been adopted. This type of architecture demonstrated
When land is strictly limited, inevitably some chapels would have to share its the spirit of harmony and unity that exist throughout the entire communion, and
building with classrooms or administrative offices. The chapel of Shanghai its goal to unify East and West.”5
University is one of these examples. It’s a two-storeys western style building This trend of development reflected on the policy of these church
with the worship services held on the second floor while the first floor is used as universities’campusbuildings, especially those with a full set of proposal for campus
the church’s office area. The position of the chapel lies at the intersection of two layout instead of random developments. In this catagory, the location and form
pathways connected to faculty, staff, and student dormitories and classroom of a chapel seem to adopt another set of principles. Firstly, for campus organized
buildings.Thisposition and thebuilt form of its religious worship space silently mainly under the geometric compound layouts, most missionary communities
declares the religious identity of a church university. Built also with a limited land chose to continue the principle made for“adapting to the nationalism condition in
space, Soochow University, originally a junior high school, does not have a chapel China,” an idea which started in late 19th century, and completely adopted local
on campus due to a church preexisted right across its campus. This example stands architectural styles to their campus buildings. From the original campus layouts of
out as an exceptional case for the religious practice arrangements of Christian Yenjing and Jinling University, we can see the designs of these school buildings to
universities in China. be clearly following a similar principle. Instead of manifesting a church building in
However, Christian mission communities to which the aforementioned universities the overalllayout, chapels weremanaged as a subordinate body to the enclosed
are subordinated, did not come to an agreement on these chapels’“freedom” compound structure. These two universities were both designed by architect
of their forms.Jeff Cody, an architectural historian specializes in contemporary Henry Murphy, who believed all campus buildings should “be thought as one entire
Chinese architecture indicated that by late 19th century, after commercial activities body, and designed as one complete unite.”Thefore, in the discussionof campus
in China became ever more opened, some people started to question whether it buildings’ style, the body of a church building should no longer be bound to the
was necessary for their buildings(in China) to have a European appearance. Perhaps forms of traditional church of the West, but follow the same formation of all other
this was because some foreigners no longer minded to work in a Chinese building campus buildings in a low profile.In other words, a chapelshould blend in so well
by the 1860s with their positive experiences in certain buildings3. Once these 4. Ibid. p.76 that without an introduction stand,people shouldn’t recognize the building to be
foreigners began to adapt to the unfamiliar spatial forms in China, the question 5. Annual Report of the Board of Foreign Missions, a chapel at all. Instead of accentuating the religious identity or origin of a church
3.Cody, Jeff 2003 p.74 1914 p.157
of“how to adapt under the nationalismcondition of China?” remained. Mentioning university/college throughsymbolic forms, this arrangement would be regarded

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 truly the ultimate way to “adapt to China’s nationalismcondition!” commonly observed in western churches, the style of its eaves remains Chinese.
Other than simply adopting apparent geometric campus layout by applying the This type of “hybrid”architectural means was abandoned by Jinling University,
compound structure, some schools used a campus mall or central square as an which was founded a year before the founding of the Republic of China. The Sage
“datum”to organize their campus buildings. For instance, universities such as Chapel of Jinling University took the form of a Chinese palace with the two gable
Cheeloo, Beijing, Jinling, and Lingnan(the largest and most complete in terms of walls covered by a complete set of hipped roof. In a different manner, the chapel
scale and formation),evidently started to boldly interweave compounds and axes inside Lingnan University stands as a compromise of Chinese-weternfushion.
to create spatial hierarchies. The most important campus buildings which the From layout to embodiment, the arrangements of these architectures stand
universities’ founder proposed to have it distinguishable were often placed on the as livingtestimonies for the cautiousness and mindfulness of these missionary
highest significant location on campus, or to be accentuated its uniqueness by its communities as they fought between “adapting to the nationalism condition of
The Chapel of Jinling with its grand Chinese style
differentiated form or style. For example: universities built on a smaller scale such roof China”, earning local acceptance, and sticking to the spiritual identity of a Christian
as Cheeloo University, its chapel, administrationoffice and four academic buildings university.
were built around a central square, which is aligned to the north-south axis. The When we inspect the Luce Chapel under the context of campus developmentsof
administrationbuilding and the chapel stand at the opposite ends of this linear- church universities and the historical significance of a campus chapel to Christian
shaped central square. This type of formation clearly manifests the importance higher education, we find Tunghai University to be bearing the grandest land
of a church building. Simliar arrangement also appears in Yenjing University. Like property among all other church universities in Taiwan. Therefore, unlike St. John’s,
Cheeloo, it places the chapel at the most important and most eye-catching spot of Hangchow, or Dongwu University, which are limited by the size of their lands,
an axis-aligned space. Unlike the original campus layout plan, the officialblueprint Tunghaiis able to follow the examples of Lingnan, Jinling, and Yenjing University,
of Yenjing University has numbrous quadrangle houses which were used into the and have a complete set of campus layout plan right from the primary stage of its
dorm, classroom, and administration areas. These quadrangle houses surround The body, layout, and windows of the chapel establishment. Mr. I.M. Pei, the well-known Chinese American architect, set up
a huge lawn with the church in its center, like stars twinkling around the bright within Cheeloo takes its main structure in western a clear partitioning system for Tunghai. With Luce Chapel at the center, he built
style, while its roof remains Chinese.
moon. This type of arrangement clearly indicates the dominance of the church in the academic area, administrationheadquarter, spaces of livingfunctions, and
the campus layout. With similarsize land property, Jinling and Lingnan University dormitories of students, staff, and faculty around it.
have completely different layouts. Both campus are large enough to have an axis- The academic area on campus contains the clearest spatial structure: a linear
aligned space that spreads hundreds of meters long. The lengthy axis becomes the campus mall of 280 meters long extending latitudinally, with three compound of
focal points of the campus, and divides the space into different purposes. quadrangle college buildings at both sides. Together, library and administration
With the largest land property, Lingnan University was able to have both an x and buildings besidethe entranceof the mall formed the academic and administration
an y axis to organize its campus layout. They axis is a north-south axis that connects center of the university. A cluster of linear building units includingcompounds,
the access to the main roads on the north and south ends of the school. The length labtory buildings, and drawing rooms for the architecture department are linked
of the north-south axis is 3 times longer than the east-west axis,which aligns the to an inifite geometric datum— the campus mall. Downhill, studentdormitories
belt zone of academic and administration centers. The faculty and staff dormitory The Chapel of Lingnan University are also organized as clusters of small compound units developed along the slope,
lies at the north of the axis with the Christian Acitivity Center closing its north end, and the faculty and staff dormitory area at the end lies in loose geometric order,
while the studentdormitory lies at the south overlooking the vast Zhujiang River. similar to the housing units found in suburb America. With an extremely low
Instead of closing the south end with a building, a swimming pool with spectacular building density, instead of placing the largest auditorium(Ming Hsien Hall) within
landscape, a church, and a semicircular plaza were arranged to create an visual the academic area, Pei deliberately chose to strengthen the fuction of the student-
extension to the inside campus view. The church stands at the intersection of the faculty living space, and built the hall alongside the Student Activity Center, post
two axes, highlighting the importance of the building. office, bus stop, and the key node of the mailroom, which is the message-exchange
Founded in 1910, Jinling University set up a long axis accommodating to the aspect center in the earlier years of its establishment. This village-like central living space
radio of its linear land property, and allocated the school buildings accordingly. Its hides quietly in between the arcacias and the flamboyant trees, and is connect to
chapel stands at the end of the axis as the visual closing. However, its boulevard the chapel and the campus mall, which are positioned in a non-geometric layout,
does not lead straight to the chapel. From the layoutdiagram, a clear dotted line through a meandering pebble trail which lies under the trees and the bell tower.
aligned to the axis extends to the west, and pointed towards the chapel in the west. An intricate spatial arrangement set Luce Chapel and the campus layout of Tunghai
The design deliberately withholds the significance of the chapel by setting it off the apart from Cheeloo, Beijing, and Lingnan, which placed their chapels at the
axis, and yet still subtly manifests its importance to the campus by accentuating dominate center of an axis-aligned space, or a geometric central square or mall:
its visual focal point. Once again, the thoughtfulness behind the design tells the instead of standing at the end of the east-west axis, Luce Chapel stood aside, giving
countlessscruples of Christian missionarycommunities as they entered China. way to an open view of downhill Taichung city and the Central Mountain Range
Without having tofollow the compound layout structure, the chapels of these four located far at the east. The skyline of the campus’ east end is a combination of
universities contain a higher degree of freedom in terms ofarchitectural form. acacia trees and the endless sky. The location of the chapel only stands conceptually
However, if we look deeper into the essence of these campuses’ spatial formations, as the center of campus layout. It is placed at the intercession of dormitories,
we will still find cultural measures and restraints. Locating at the south end of the classrooms, library, activity center, and mail room, places of which all student and
camous, Cheeloo’s campus chapel shows apparent discontinuity from the grand faculty pay their daily visits. If we zoom in at the intercession, we shall find the
roofs of other campus buildings,and stands as the only stone building with a chapel standing in the middle of an vast lawn, which is open to all. Student and
cross layout and a flay roof, manifesting the uniqueness of the chapel on campus. faculty’s daily routines are deep-rootedto this spiritual center, and extend freely to
However, although it inherits the windows and stained glasses of a gothic church all corners. It was never meant to be the dominant focal point of the campus mall,

12 13
 which is the only place with significant axis-aligned space. Therefore, the form of persisting in“Chinese style”buildings,
the chapel was elaborated with a great degree of freedom, demonstrating modern and its costlyconstruction budget.
architecural ideas. Its present form is an indication of respect towards the local In order to solve the time-consuming
Chinese community, an attitude which has consisted in church universities for the issue, by 1916 YMCA had completely
past hundred years, and the wish forharmony. relied on the foreign firms opened
As anindividualbuilding erected on top of the lawn, there was no fortress nor in the Settlement. This had allowed
fences to defend the chapel’s religioussanctity. Although the original model of the the branch office in China to makep
chapel made by the actual designer C.K. Chen shows a geometric base on top of rofessionaldecisionswithout having
the lawn, the final presentation of the base is leveled to the natural slope, allowing to consult its western headquater,
anyone to approach, touch, and lie on the chapel. This is an illustration of God being directly improving its work efficiency.
omnipresent for all who are willing to come to Him. Through means of extreme However, they also held strict demands
low profile, the architect still deliberately emphasized the divinity of the chapel. All on the capability and reputation
The 1959 version of Tunghai’scampus layout plan
students and faculty are allowed to choose any path that leads to or passes through offoreignarchitects in China. When
the chapel lawn.The Art Center sits north of the chapel. Daily activity centers such the meansof “adaptation” appeared
as Ming Hsien Hall and the mail room are also close by. For a period of time, hymns to be too costly, intense arguments
would be broadcasted at the chapel lawn every afternoon as an invitation to join were triggered within YMCA, making it
the chapel’s prayer session. This thoughtful arrangement connects the chapel with
other campus activities, delivering an alternative hub on campus. Source:Internet
http://blog.sciencenet.cn/blog-2687371-962471. difficult for the branch office to make the final call.
As a university campus chapel, the layout arrangement of Luce Chapel stands html At the time, it was a common belief that “building a Chinese style building means
out from its forerunners, and opens a new chapter of history for Christian higher huger financial cost.”6 How to fulfill an underbudgeted design that met all the
education in China. Attached close to the ordinary daily routines, its location educational and religious functional demands of the institution had overrided
The aerial view of Tunghai University in 1965 reinterprets the definition of centrality on campus. the discussion on the form and style of a building. Gradually, the organization
ceased to hold fast to the form and style of itsbuilding. After 1920s, no more YMCA
3. As a Modern Architecture buildings in China were built in Chinese style. In 1922, Sir McMillan gave a distinct
The Luce Chapel is a testimony to the development of Protestant mission in China, comment after a thorough inspection on YMCA’s buildings in Asia. He stated that a
and its quest to “adapt to China’s nationalism conditions,” which lasted more than 7 refined Chinse style building wasinappropriate. For this meant buying more lands
decades ever since late 19th century. Its actual practices and overall inland reactions apart from what had already been bought.7 Besides, Sir McMillan also noted that
did not simply change China’s university campus of the era, but also impacted all the massive weight of the roof and its wasted space had both resulted great loss
succeeding church universities including Tunghai. in facility.These explicit statements shows his subjectivejudgments. In the same
In fact, the quest of “adaptation” was readjusted time and again. In terms of article, he argued that western style architecture has a unique advertisingeffect
campus spatial formation, the choice of designer and construction team inevitably because for the Chinese it means “progressive”. Although this was obviously
became an issue as administrators saught to earn local favors through adding hissubjective point of view, it had an apparent impact on YMCA’s decision-making
Chinese styles to the campus buildings. For foreignmissionary communities, there regarding its choice of architectural style. At least prior Sino-Japanese War, its
Luce Chapel under construction. Its location is
obviously set aside from the axis of campus mall. were only three solutions: hiring a foreign architect, engineer or missionary who buildings in China all appeared to be typical western style buildings.
had sufficient professional skills, hiring local mechanics to be under the supervision As YMCA began to reveal its intention to give up the Chinese form, some
of the missionary community, or simply hiring a American or European firm that missionary communities still strived to demonstrate their vision of harmony
provided all of the above services. througharchitectural style. Among all the attempts, the renown architect Henry
When missionary communities chose the third solution, they often turned to Murphy and his partners, who were well-known fortheir outstanding works
architectural firms,which they had everworked with in the States or Europe. Hiring and greatreputation, also endeavored to exhibit the quest of harmony through
certified western firms whom they were familiar with to design schools in China is the stryle of numerous campus buildings they designed.Before going to China,
thesimpliest and most reliable choice. However, the problem was that these firms his demonstrations of architectural style had alreadyconvinced many church
often lacked insights toward Chinesearchitecture, culture, religions. Their inability universities affiliated to Yale-China Association. Through highlighting traitsof
on bringing in their contruction teams from the States or Europe is also an apparent traditional Chinese architecture, Murphy reassured his clients’ expectation of
East from the campus mall sits the distant Central
Mountain Range as the ending view. flaw. Various probable construction issues and unstable telegram syestembetween demonstrating technical advancement with respects toward the history of China.
Far East and the West in early twentieth centuryalso made remote superviseon on From the College of Yale-in-China in Changsha, Murphy successfully built a hybrid
design and construction quality an impossible task. campus building with multiple symbolic Chinese and western traits. Its form mostly
While the second solution appeared to be more plausible, it only worked better on followed the fashion of Beijing’s Palace Museum, which was most westerners’
smallconstructionprojects. Moreover, different customs in terms of contract and first impression of China. Later, he also took part in the design of Jinling Women’s
construction had often cause pause duringconstruction. Execution-wise, the first College and Yenjing University. His accomplishment in Yenjing University was
solution seemed to be easier. However, this also required a branch organization theclimax of this architectural trend before the outbreak of war.
to coordinate with its headquarter in the States or Europe. This time-consuming “The United Board,” which sponsored Tunghai University and ordered the
strategywas high in cost but low in efficiency. By early twentieth century, with a 6. Cody, 2003 p.81 construction of Luce Chapel with the donation from the Luce Foundation, was
A skyline of acacia trees closes the west view of number of construction plans at hand, YMCA began to question the necessity of 7. Cody, 2003 p.82
campus mall. developed under the aforemenitionedhistorical context of 1920s. This was the era

14 15
 when China’s nationalism bloomed after the May 4th Movement. People were The idea of East China University was initiated in 1923. 12 Although issues on
then appealing for a movement to “retrieve education rights.”9 As we inspect fundraiseing had hindered the progress,with the mutual agreement of setting
the parallel history of this era, we found that all thirteen christianuniversities up a new university, the“Associated Boards for Christian Colleges in China,” the
were established before the founding of the United Board10, which means that forerunner of the United Board, was initiated in 1932.13 This associated board was
the Board is an organization that came after these universities and colleges, the only North American organization which oversaw thecoordinationsand overall
and did not directly take part in the establishment of these schools. In other plannings of Protestant Christian universities and colleges in China. However, in
words, the United Board was neitherinvolved in the site selection, education less than five years, this establishment of “East China University” was aborted
system, faculty-student ratio and their interaction mode, nor the form of campus due to the outbreak of Sino-Japanese War. Nonetheless, the war stimulated the
buildings of these universities. We could not specify how many board members practice of joint classes among these church universities.14 As the boards worked
had ever participated part of the establishment, just like we could not clarify on resettling the universities forced into exile, it also relaunched the “East China
whether any member of YMCA in China had ever partaken in the founding of University”project. The abandoned project came across the most dramatic turn
any of these universities or colleges. However, the American architect Harry at 1946 as the board asked the master of modern architecture, Walter Gropius,
Hussey, who took part in the building of Peking Union Medical College Hospital who created Staatliches Bauhausin Germany,to design the campus of East China
and went on countless journeys to assist YMCA at the Treaty Ports of China, University.
was dispatched by United Board to join the jury of Tunghai University’s campus Unable toparticipate in the founding of the thirteen Christian universities it later
design competition; that means the members of the Board probably had a supervised, the board’s chance ofleading the establishment of a university came in
9. After the Ministry of Education(MOE) of the chance to understand YMCA’s internal disputes regarding the architectural style 1923.Although its plan had been called off temporarily in the 1930s due to theGreat
Provisional Government of the Republic of China
promulgated the “University Act” in 1912, non- of its buildings in China. Depression and the Second World War, the “massive donatingpromise” coming
Christian universities began to grow. In 1913, the This provides a valuable orientationto the reasonthat the Board chose a from postwar America later regeneratedthe project. However, the question of
MOE of the Beiyang Government enacted the
”Regulations Regarding Private Universities,” completely different architectural style for its very first university chapel outside why the preference of campus design drastically shifted from Murphy’s Chinese
which specified the terms and conditions to mainland China. As multiple universities and colleges already took the fashion of style architectures to the pure modernism of Gropius remains.Was it simply due
establish a private university. Following the May
4th Movement 1910, the Beiyang Government achieving outward harmony through “followingthe Chinese traditional practices,” to the alteration of appointed designer? Or was it because the quest of “adapting
furtherenforced “School System Reformation the administrators of YMCA took a rational stand on the necessity of building to China’s nationalism condition” no longer held a dominate influence on the
Act,” which is also known as the “RenxuShchool
System.” The years of study for all levels of Chinese style architectures under the quest of“adapting to China’s national design, and that the call for changes emerged? The former suggestion seemed
education was then under mandatory regulation condition.” At the meantime, the pleas to promote the advanced education of to beoversimplifying the cause. An objective and convincing answer can only be
thereafter. All these changes were warning
signals for the adventages church universities the Progressive Era just only focused on the reformation of education systems, found through attending both questions.
previously held. Once the Warlord Era ended, and there is nodiscussionconcerningarchitectural form and style. As we inspect both the campus design order of East China University entrusted
more interventions ensued. Therefore, these
Protestant Christian universities came together The appeals of Education system reform of the Progressive Era were extended to to Walter Gropius by the Board in 1947, and the Burton Papersreleased in 1922, a
to organize an association. In 1919, all Protestant the Christian highereducation system in China from the 1910s. Its main concern subtle change is found within the quest of “adaptation” due to China’s ascending
universities joined to form the Association of
Christian Universities and Colleges in China, focuses on the effective management of the fund. This rational concern on the nationalism in 1920s. As the pursuit of advancement in the Progressive Era took
which held regular meetings to discuss the 12 Written in 1922, Burton Report indicated that
fund stimulated the association of Christian Universities and Colleges in China, the before the establishment of the United Board, partin the purpose of oversea missions, the quest for “a better system” marched
common educational problems they faced.
This is the first organization formed under the predecessor of the United Board, to invite America’s well-known educationalist and “Christian Educational Association”already forthamid China’s rising nationalism, whichbroughtan inevitable new competition
purpose of cooperation. The coordinations and launched “Higher Education Commission”
theologist,Ernest Dewitt Burtonto analyse the Christian higereducation issues in as a consulting organization to promote to the higher education market as the new government established national
collaporations of this association led to the
founding of the United Board in 1945. Far East, especially China. He wrote the famous Burton Papers,in which he advised collaborations of Christian universities in China. universities. Achieving “unity” among church universities became indispensable and
10. The 13 church universities affiliated to the The primary goal of this commission was to
the board to establishan “East China University” in the East China region, where the publicize the ideals behind East China University pressing.Even though “unity” was the common consensus, Christian educational
board were St John’s University, which was
the first to be established in the Shanghai density of church universities was the highest.11 His report can be seen as a beacon and coordinate between Christian universities. institutes sponsored by different missionary societies and denominations
Settlement, Jinling University(Nanjing, 13 At the time, any of the aforementioned
ofrationalization among Protestant missionary scoieties in China, and a reminderof Christian universities had someone particularly across China had already had great accomplishments beforea “coaliation” took
1888), Lingnan University(Guangzhou,
1888), Hangchow University(Hangchow, thewastes regardingoverlapping investments resulted from the dispersionof church assigned to the publicity and fundraising place.Therfore, it was difficult to reach an agreement on who was to lead the
1897), Soochow University(Soochow, 1900), duties in the States. Therefore the fundraising
universities. In order to responded to the indigenous nationalism which pleaed for of Christian Educational Association and the consolidation. This deadlock lasted during the Eight Years’ War of Resistence (the
Cheeloo University(Jinan, 1904), West China
Union University(Chengdu, 1910), Shanghai “retrieving education rights”,the Republic government gradually institutionalized original ongoing fundraising activities of these Second Sino-Japanese War) and continued tostagnate after the war. Both the
University(Shanghai, 1911), JInling Women’s universities fell into competition. For this reason,
the development of higher education system and establishednational universityies ten out of fifteen Christian universities in China initial suggestion of adopting a “federated” mode of loose coalition with London
College(Nanjing, 1915), Fukien Christian
University(Fukien, 1916), Hwa Nan College(1916), with comparatively richer national resource and brought. Competition between agreed to set up Permanent Committee for University being the model, and the postwar suggestion of a “East China Union
and Yenjing University(Beijing 1919). In the same the Coordination and Promotion of Christian
existing church sponsored and new governmental sponsored universities became Higher Education in China in 1925. The name of University”withthe aspect of coalition focused solely on administration, underwent
era, there were some church universities which
stood independent from the order of the United apparent .With church universities scattered across the provinces, it was a huge the committee was abbreviated to “Committee endless negotiations. By the end of the Second Sino-Japanese War, Dr. William P.
10.Board. These universities were Aurora for Chirstian Colleges in China in Janurary
disadvantage for these schools to attract good students and facult members. The 1928, then renamed as “Associated Boards for Fenn, the United Board’s director in China who led the development ofProtestant
University(Shanghai Settlement, 1903), Peking
Union Medical University(Beijing, 1906), XiangYa Burton Papers specifically suggested the establishment of a regional university as ChristianCollegesinChina.” Christian higher education in China at that time, noticed that without a new quest,
School of Medicine(Chengsha, 1914), and Fu Jen 14 Another version of explanation proposed
a means to integrate administrative and academic resources. Thus, the concept that Shanghai, Hangchow, Jinling, Soochow strategies of coalition would only be empty idealism that fostered the existing
Catholic University (Beijing, 1925).
11 The church universities affiliated to the of “East China University” was formed. Its education system was suggested to universitywas forced to initiate the integration stalemate. With the “massive donating promise” from the States, Fenn had enough
Board in East China southern Yangtze River within the Shanghai Settlement due to the
follow the footsteps of the University of London. The Board of Truestees of some outbreak of Sino-Japanese War and the support to carry out his idea of making a new appeal distinguished from the ones
regions included, Nanjing University(Nanjing),
Jinling Women’s College(Nanjing), supportive Protestant Christian universities agreed to activate joint fundraising in emergence of Shanghai Settlement. After these proposed before the war, and sticked to a “rational” practice through reviewing the
Soochow University(Soochow), universities started sharing classes and curricula,
the States as the means to control the distribution of fund according to the need Cheeloo and other church universities in exile actual advantages of Prostestant Christian universities in China. This transition to a
Hangchow University(Hangchow), St.
John’s University(Shanghai), Shanghai of individual budget. To make its opinion count in these university, this became the also began to share classes and curricula at West rational practice was stimulated as the call forunity had been static for more than a
University(Shanghai). China Union University. (Liu, Jia-Feng)
key measurethe Board used to intervene those schools’internal affairs. quarter of a century due to various disagreements.

16 17
 From then on, the dominant theme of “ adapting to the nationalism condition in postwar awakening within theorganization. This was in fact also a desmonstration
China” which had prevailed for nearly half a century had its different connotation. of its active pursuit in the essence of higher education above all the countless
Dr. Fenn realized that with people’s growing sentiments of nationalism, a Christian arguments. This form of higher education system provided a out-of-the-box
university would always be labeled as “a foreign university”regarless of all its thinking to thetraditional Chinese education system.Meanwhile, it still honored
efforts of adopting local traditions. This is a fact and fate that were not going the same context of adaptation in a transitting Chinese society. The image of
change simply through copying traditional Chinese style architecture or hiring small liberal art college proposed by Fenn presented a new form of educational
more Chinese faculty and staff members. With this awareness in mind, Fenn went form, which was more tolerant, and embraced more possibilities. This was not
for a non-dogmatic “coalition”, which humbly saught the common advantages only a pursuit of“progressiveness” which came with the Progressive Era of the
of Christian academies that all these universities agreed to be apparent in their Great Depression in the 1930s, but also a call for the liberal traditions of church
experiences.Dr. Fenn knew clearly that even with the rise of nationalism, many universities in China.
Chinese intellects undoubtedly took notice of the contributions of these church After Fenn took over as the director of the United Board, not only did he focus on
universities, which are far more important than their foreign identity. As more and fostering“theexcellent and outstanding few”and “their specialties in particular
more Chinese intellects completed their education abroad and returned to China academic fields,”but he alsohighlighted the importance of “making distinctions”
to join the faculty of these existing church universities, the schools would soon from the original quest of adaptation. Clearly, this subquest of “distinction” was
reach the Board’s goal ofhaving the Chinese as the majority. The only thing to take a response to the many hindrances along the road of coalition. With the postwar
note of was the position these Chinese faculty and staff held in these universities, “massive donating promise” at hand, it was necessary for Fenn to “find a way out”
which wasrefering to the concern of whether these Chinese teachers tookpart in of the long term stagnation. The aforementioned model of small liberal art college
the leadership of the school. stood as a great reference for the establishment of a new university. The scale
In other words, for Dr. Fenn, with all the restrictions imposed by the republic limit of this type of school system also met the postwar resource allocation policy
government, keeping foreign managers in these church universities was no longer of these universities, giving relative flexibility and autonomy for the tryout of the
a choice for the Board to insist. He also thought that these universities were sytem.
destined to be led by the Chinese, and that meeting the nationalists’ expectation In order to earn the recognitions among Christian universities in China, the United
would gradually wash away the foreign labels of these universities. However, he Board chose to look for the common factors of the management experiences of
also expressed his concerns on the MOE’s(Ministry of Education) intervention on these Christian universities. The Board soon found these schools to be sharing
the “activities without educational purposes.15” He indicated that the “localization” similar campus layouts. Moreover, the ways their devoted missionary faculty
manipulated by the nationalists might interfere the means of education and and staff members utilized campus spaces to teach and mentor their students
subdue the great educational traditions of these church universities. were also very much the same. All these campus included both an academic
The mandatory deadline for universities to file their registration had forced some area and a residential area. Fenn believed that the residential zones of these
church universities in China to adjust their education systems in accordance Christian universities were their most unique characteristics. Built within or
with the government regulations. As Dr. Fenn reported these adjustments to apart from the academic zone of the campus, dormitories and residential area
the Board, usually the Board would only give its consent under the gauranteeof for faculty members were indispensible parts of the campus.16 Teachers and
keeping the universities’ Christian traits.With this in mind, he decided to review students shared the same living space on campus. Extra-curriculum activities
the traitsof these Christian academies. He came up with the conclusion that the were deemed to be an emphasiswhich characterized Christian universities.Fenn
Christian traits of a church university were not to be maintained through any believed that things that happened outside classrooms are thecritical factors
declarantions of purposes, but only through the personal integrity and faith of of education, especially regarding the cultivation of a student’scharacter. Fenn
faculty and staff members.This conclusion directly points to the core of education. further expounded that, social life and extra-curriculum activities are important
Fenn indicated that a Christian university is an educational institute that ought to factors of college life— both for the studentbody at large and individual students,
fully acknowledge its academic responsibilities, and used this principal to review and that the key to differentiate the school life of a church university from those of
the educational “forms”brought up in the discussions of coalition, which had national or normal private universities is the dormitory area. It has been this way
been focusing on the “competitive adventages” of Christian universities under 16 The truth is, church universities had no choice for Christian universities from the very beginning. “Dormitory” always comes first
but to set up dormitory areas under the financial
China’s rising nationalism in 1920s. He believed thatno Christian universities in circumstances within Chinese society. At the in the campuses’construction plan. With a powerful environment designed for the
China, even the best among them, should be put into comparison with Harvard present moment, therw is no filed documents purpose of mentorship, this type of dormitory arrangement forfaculty and student
proving that this was design for the purpose of an
and Oxford in the West, or Tokyo University in East Asia, in regard to the the scale educational ideal. When missionaries moved to a paved the way for the unique spirit of a church university.
and quality of funds,equipments, or the reputation of scholars, and that it would foreign city, often times it was difficult for them This abiding characteristic of a Christian university had its long tradition within
to rent a housing located close to the schools.
also be inaccurate to compare them with the prestigious national universities When these schools were founded, these church colleges in China, and provided the establishment of “East China
in China.”With the understanding that although the best of these Christian educational institutes often bought suburb farm University” a principle statement for its campus spatial arrangement. As the
lands or hills located outside the cities due to
universities in China were able to measure up to the better church universities” (in their limited budget. Before the urbanization of internal demand for “distinction” was reflected on the spatial programming
the West) while most of them simply resembled average American universities, Chinese cities took place, commuting was not an of the university, the Board further expected the campus to display a Christian
option with the lack of infrastructure. Therefore,
15.For church universities, this type of intervention Fenn suggested that it would be more reasonable to adopt the form of American it was necessary for schools to provide housing university’s education traits. These anticipations called for new styles and images,
clearly pointed to the religious activities on colleges—especially those related to churches—although their curricula were for the students, faculty and staff. This brought and led to the transformation of the long-standing quest of “adaptation,” which
campus. However, thes evangelical purpose about the abby-like learning environment of
behind these religious activities were the main usually very diverse, they were also more competitive. With this proposition, the Christian universities, and developed a unique had had a prevailing influence on the architectural style of Protestant Christian
reason church organizations set up schools in direction of following the form of small America liberal art colleges emereged. student-faculty relation andstimulated people’s campus in China. As the Board turned to the master of modern architecture,
China. identification with their school campus.
After Fenn expounded on the above proposal, the United Board underwent a Walter Gropius, who was lecturing in Harvard’s Graduate School of Design (a.ka.

18 19
 Harvard GSD) in 1947, Fenn and the United Board was clearly driven by the need of connection with his design of Tunghai six years after. This connection is presented
“making distinctions.” The zeitgeist behind Bauhaus, and the modern architectural throughout all campus buildings including Luce Chapel. The modern construction
movement it represents generated a brand new imagination for the architectural ideas within is a practical demonstration of the Modern Movement in regard to
style of East China University, and provided Fenn and the United Board an option architecture that started in the West in the early 20th century, and traveled all the
different from the traditional forms which had lasted for decades. way to Asia.
This transformation regarding spatial arrangement marked the turning point of Luce Chapel is undoubtedly a modern architecture with rich connotations
campus layoutdevelopment for church universities in China. The establishment hidden behind its simple form and structure that can be studied time and again.
of “East China University” opened the door to modern architecture for church However, its historical and cultural significance goes beyond its style and structure,
universities. The influence traveled far from the establishment of “East China bearing rich and complicated historical and cultural implications that awaits to be
University” to the founding of “Tunghai University” in Taiwan. This proposal of “East rediscovered. It stands as a reminder of where and when Modern Movement in
China University” was terminated as the communist party took over the political architecture was presented to the East, and its journey of wining acceptance, and
control of mainland China in 1949. By 1952, the communist government halted all its integration with respect tolocal construction systems in the East.
the mission activities of church universities in China. The United Board was forced
to withdraw its fund in China, and had to look for a new ground to continue its Conclusion: A Witness to the Encounters between East and West
mission. In his famous speech“A New Horizon,” Fenn anounced that the name of “The Encounter” of East and West has been a common concept used to interpret
the board was to be changed from“United Board for Christian Colleges in China” the western influence in Asia in the past hundred years, with regard to the
to “United Board for Christian Higher Education in Asia,” and that the board was invasion and colonization brought by imperialism, and the assimilation or cultural
to establish a new Christian university in what was known as “Free China.” In this integration besides colonization. Some scholars choose to use the word “meet” to
announcement, the idea of“makingdistinction”was no longer a connotation hiden describe the events that happened in a particular period of time, and its cultural
behind the establishment of East China University, but a declaration that the new indications synchronically. Others use “encounter”to signify the longitudinal
university would not be a copy of any Christian university in China.17 Thepursuit impact of westernization and its cultural interactions among eastern communities
of distinction was reaffirmed in this new chapter of history, and connecteddthe diachronically.
campus layout of Tunghai Universitywith the innovationsof its predecessors in The accomplishment of Luce Chapel as a classic modern architecture is a
China. combination of western and eastern efforts. It takes the creativedesign of I.M. Pei,
A subtle connection linked Tunghai University to East China University. In who studied under the great modern architect Walter Gropius, with the dedication
a collection of the works of Walter Gropius, anannotation on “East China of C.K. Chen, another young architect who wasdeeply influencedby the modern
University”project noted clearly that Mr. I.M. Pei, the director of the construction architectural movement in Illinois,and the collaboration of theconcrete expert,
of Luce Chapel, also engaged in the East China University project. In 1946, Pei Feng, Hou-San, and ample fundof the Luce Foundation to complete the design
graduated from GSD and joined Gropius’ TAC design team18, and participated and construction of the chapel. However, if we lookedbeyond the making of the
the“East China University” project,which other team members were less familiar chapel,which built in 1962 in honor of Henry Luce, and dig in to the historical
with. The spatial taste and culture images of Chinese architectures found its place context of its formation, we find Henry Luce and thecontribution of envangelim
within Pei’s modern interpretation of East China University. When the development inthe contemporary East-West encounter. Through tracing this part of history at
of modern architecture under the context of postwar modernismafter 1945, length, we have redefined the historical and cultural implication of Luce Chapel.
architectswere gradually requested to pay more tributes to local cultures, climates, The historical development of Protestant Christian missions in regard to higher
construction techniques, and architectural systems with thrivingnationalism in the education in China (which Henry Lucetookpart through his involvement in the
third world and the postwarcurrent of rationalism.In the illustrationsincluded in the establishment of Cheeloo and Yenjing University), paints the picture of the East-
projectplan of East China University, linear school buildings are found alongside West cultural interactions by the means of higher education in the late Qing
corridors that enclose individual compound units. With his oriental background, Pei Dysnasty. In contrast to China’slocal private school, academy and imperial
17 The United Board first turned down the
suggestion of alumni, facult and staff members showed clear design intention of integrating western ideals of a college campus examination held by the government for alomost 1300 years, not only did church
from the thirteen Christian universities in China with traditional Chinese culture througharchitectural style, structures, and layout schools introduce a brand new education system and teaching method, but also
to set up “university in exile” in Taiwan. Dr. Fenn’s
speech explained the Board’s plan on higher model. This can be observed from the few remaining sections and elevations innovative campus spatial layouts for learning. The form of a college campus did
education in Asia, and its intention to establish of the project. When Pei graduated from Harvard GSD, Gropius spoke highly of not take place in China before thefoundings of these church universities. Even as
higher educational institutes in places known
as Free China(Taiwan and Hong Kong). In 1955, his graduate design, applauding his ability to capture the essence of traditions China started to set up its own universities in the 20th century, a chapel was never
the United Board founded Tunghai University by keeping what he found to be worth keeping without sacrificing avant-garde part of these oriental school buildings. Chapels are only seen in schools founded by
in Taiwan and Chung Chi College in Hong Kong
respectively. ideas. Pei’s architectural aesthetics in honor of tradition demonstrated through Prostestant or Catholic churches of the West. Their presence indicated the mission
18 Mr. I.M. Pei went to study in the States in 1935. the East China University Project hit the “distinction” target that the Board was of these schools, and also stands as a necessary means of coherence. In order to
He began his study of architecture in Univ.
of Penn., which focused on Beaux-Arts, then after without abandoning the long term quest of “honoring China’s nationalism “adapt to China’s nationalismcondition,” these Christian communities carefully
continued his study inMassachusetts Institute condition.” Dr. Fenn, the executive secretary of United Board with a lecturing chose architectural forms in ways that avoided overruling local traditional cultures.
of Technology, where he got his Bachelor of
Architecture in 1940. The same year, he enrolled history in Jinling University and many years of working experience in China, While the forms of these chapels vary in these church colleges and universities,
Harvard GSD to study under Walter Gropius. appreciated this aesthetics so much that he later handed the campus planning of theirs position, style, and spatial sequence that draws student and faculty to the
He completed his master degree in 1946. In a
collection of the work of Walter Gropius, it shows Tunghai University directly to Pei, and gave him the full authorization from the chapel all convey the essential role which Christianityplays in these universities.
Pei’s participation in the campus planning of East Board. They also stand as implications for the relation between Christian faith, student
China University.
Pei’s participation in the campus design of East China University has a deep and faculty members on campus, and the nationalist ambience and fervor within

20 21
 their cities. education systems. With the coalition being stagnated for over a quarter of
Luce Chapel unquestionable stands at odds with other campus chapels within a century ever since its initiation in 1920s, its development also stimulated
church universities in China. Its form resembles the look of a sculpture, risingfrom rationalism among higher education academies in China. Accompanied by the
the central position on campus, where a slope spreads over nearly 3 hectares (7.4 postwar “massive donating promise” from the States, making “distinction” to
acres) of land inside the campus. Builtnearly 20 meters (328 ft) above ground represent innovation in education system and educational ideals was a necessary
level, the chapel wasthe absolute tallest architecture on campus. From positioning measure for the coalition to progress
to the choice of form and style, it stands as the spiritual center of the university. Through honoring Henry Luce’s dedication on evangelism, Luce Chapel stands
Downhill, the living center of the campus’ daily routines lies close by. The position as a testimony for the mission works of Protestant churches in Asia. As a campus
of the chapel is slightly north to the dominant axis drew by the Campus Mall in chapel, it also provides a innovative interpretation of “centrality” in a college
between the academic area. Thisarrangement allows the chapel to take a style campus, the presence of which was new to the Chinese society. When the chapel’s
and form different from the college buildings on the sides of the mall without constructionwas completed in 1962, all members of the university have been
looking obtrusive and incoherent. Thearrangement of the campus layout is also a witnesses to this alternative “centrality” through the practices of their daily
reinterpretation to the Chinese traditional daily routine which ties temple worships routines. As a modern archirtecture, its unique form stands out from all the
with market activities. This ritual of temple worship after daily shopping duty is so campus chapels in the past, witnessing the conflicts, compromises, and turning
common that traditionally, markets were often found next to temples. Although points of the long-lasting East-West encounters. Its presence and the way it’s
Luce Chapel still holds a certain degree of sacrosanctity concerning its scale presented stand for, and testify the turning point of history.
and interior arrangement designed in accordance with the needs of its worship Pau-tec Han, the former chairman of the Architecture Department at Tunghai
procedures, its disposition is stillarranged in a very friendly and approachable University once commented, “Luce Chapel is perhaps the most prominent
manner. The chapel is no longer simply a place for people to attend religious architecture with the highest historical value. It represents a new form of Chinese
activities, but a place where everyone pass by daily since it is built on the route architecture under the age of modernism, and is the best production of cultural
that leads to the campus daily routine. This centrality of Luce Chapel varies from encounter between China and the western world.”With profound historical
all other campus chapels that came before it, and is also highlyinspirational for the implications, Luce Chapel stands not only as a commemorativebuilding on the
building and layout arrangements of secular universities. campus ofTunghai University, butalso as a living testimonyfor the less-told stories
The geometric formation and construction techniques used on the building of of East-West encounters!
Luce Chapel also directs to its identity as a classic modern architecture. This indeed
marks the influence of its executive architect, Mr. C.K. Chen,its construction
engineer, Mr. Feng, Hou-San, and the leading architect of the project, Mr. I.M.
Pei, who studied under Walter Gropius, the master of modern architecture. Pei’s
involvement in the design and planning of the East China University project, which
the United Board entrusted to Gropius in 1947, led to the decisive difference
between the planning and design of Tunghai, and those of the church universities
in China. This also led to the discussion on the reason behind the drastic shift of the
deep-rooted quest on“adaptation” in 1947.
When we inspect Luce Chapel under the traditions of China’s church universities,
we find nationalism within China(especially during 1920s) and the government
intervention followed by the establishment of the new government, also had a
great impact on the disposition of the chapel. Its form and style is not only an
outstanding display of modernism with regard to the techniques and spirits it
represents, but also holds historical implications which are just as important.
It was necessary for missionary communities to turn to modernism in respect
of architectural form at this particular historical period. Although missionary
communitieschose education as the means for evangelism under the thriving
nationalism environment of the late Qing Dynasty to win over local acceptance,
the development of China’s nationalism continued to evolve, its centralfocus and
subjects werealso ever changing. As the Qing Dynasty ended in 1910, a new set
of regulations for education system was announced by the new government,
which intervened educational organizations at all levels. In order to keep the
advantages of Christian universities in China, “coalition” became the new focus of
all Christian communities in China. This also means that the quest of “adaptation”
started to transform. With the call for advanced ideas being introduced through
the Progressive Era origined from the States, these communities shifted their
aims to unite their strengths to establish a better university instead of keeping
existing advantages. This target was also a reflection of the rationalism regarding

22 23
Elaborating on the Originality of the Design
Activity CenterLuce ChapelLibrary

of Luce Chapel at Tunghai University

by Pang, Kang-Chien (Associate Professor, Dept. of Architecture) & Kuo, Chi-Jeng (Professor, Dept. of Architecture)

Preface Pic.1 A panoramic of C. K. Chen’s vision of Tunghai painted in accordance with essential ideas provided by I. M. Pei.
Tunghai University started its enrollment in 1955. However, early in 1950, the
education circles and Protestant churches in Taiwan had already proposed to the
Activity
United Board of Christian Higher Education in China (hereafter referred as “the Activity Chapel Center
United Board”) in regard to the establishment of a university that succeeds the Chapel Center
Faculty & Staff
Christian education ministry in China. With the endeavors of various organizations Housing
Faculty & Staff Library Library
and individuals, in April 1952, the United Board finally decided to locatethe Housing
university in Taiwan, and appropriated funds for the founding of this brand new
university. In June 1953, the board initiated the preparatory committee of Christian
University in Taipei. In the same year, the Board announced the name of this
university to be Tunghai University, and that like all its forerunners in China, it is to
have a chapel on campus.
Nonetheless, unlike all thirteen church universities established in China, the
campus of which had been built intermittently according to the demands of
different eras, the entire campus design of Tunghai was handed to the prominent
Chinese architect, Mr. I. M. Pei,1 who delivered the overall layout of the campusand
had all the campus buildings following the layout plan to be carried out.2 Although
Pei was the formal architect to whom the campus design was entrusted, since Pic.2 The three central areas of the campus were Like the University of Virginia, a wide linear mall formed the dominant axis of
pretty much the same between the design version
he was also working for the real estate company, Webb & Knapp in New York at provided in July and November 1954. The only the campus. On both sides of the mall grows big trees alongside its colleges and
the time, he wasn’t able to tackle all the details regarding the campus planning. difference was that the area of Faculty and Staff classrooms. This later became the Campus Mall of Tunghai. Early in this initial
Housing was moved from the west end of the
Thereforehe invited C.K. Chen and Chang, Chao-Kang, who also received modern campus to the east end. This was a solution to the planning, the concept demonstrated a clear idea of having three central areas:
architectural trainings at United States, to join his design team. The three water pressure issue caused by thewest ascending the chapel, library, activitiescenter to symbolize the center of faith, education,
slope.
architects, who were all in their thirties, were the first group of Chinese architects and student extra-curriculum activities on campus. For a Christian University, the
who completed their education of modern architecture in postwar America. Their presence of a chapel does not only stand as the emblem of Christian faith, but
participation in the design and construction of Tunghai’s first campus buildings holds also the very heart of the school’s educational ideals. Behind the Beauson
brought about a campus style different from all its predecessors in China. From Rd., the library, which represents the core of the school’s academic spirit, rises as
1950s to 1960s, sufficient funds from the United Board supported the practice of the first building to locate in the academic area by sitting on top of the Campus
the highlyexperimental architectures of Tunghai, opening an important chapter Mall. On the other hand, the hub of student extra-curriculum activities is enclosed
of Taiwan’s contemporary architectural history. The art of modern architecture with Ming Hsien Hall, the mail room, and Student Activity Center.
was elaborated through the campus of Tunghai University in postwar Taiwan. When the design of the Luce Chapel is inspected under the development of
Among all its school buildings, the Luce Chapel stands out with a structural system, the overall campus construction of Tunghai University, it isnoticedthat the
1.In 1953, architect Young, Kai-Mei, who was construction technique, and architectural style entirely different from the other chapel’sconstruction initiated right after all the other major campus building
lecturing in Hong Kong University, came to
Taiwan to take care of the architectural design buildings on campus. erected on campus. Actually, right after Richard Nixon, who was the Vice President
of Tunghai University. However, the design of Unlike the campus planning of other universities, the vision of Tunghai’s campus of America at the time, joined the groundbreaking ceremony of the campus in
Young failed to satisfy the board’s expectation,
and stimulated the induced the campus design arrangement was sketched out through a Chinese brush painting. Instructed by November 11, 1953, the construction of infrastructures such as pipelines and
competition of Tunghai University in 1954 Pei and his description about the landscape about the Dadu Mountain where the roads began by the end of 1954, following the initiation of campus buildings in the
with Mr. I. M. Pei invited as one of the jurors.
Nonetheless, Pei commented that none of the 22 university proposed to be situated after his first field trip to Taichung, C.K Chen spring of 1955. The library, Ming Hsien Hall, the mailroom, and the Student Activity
submitted designs met up with the educational presented the design team’s vision for the campus through a traditional Chinese Center began their construction in 1957, and was completed in 1959. As one of the
ideals of the university. On the fifth meeting of
the United Board, the board reached the decision brush painting(Pic. 1). In the painting, a chapel with a triangular roof is placed right three central areas of the school, the LuceChapel did not begin its construction
of handing over the campus design to I. M. Pei. in the center of the campus. North of the chapel, an east-west axis, which later until 1962. It was completed in 1963 as the last campus building to be constructed
2.Besides Lingnan, Cheeloo, and West China Union
University and Yenjing University, who also had became the Campus Mall, lies ahead of the chapel (Pic. 2). In the painting, we can at the founding stage of the university. Why did it take so long? What happened in
a master plan for their entire campus layout, also see the Central Mountain Range, which lies afar. According to Chen, his design between 1953 to 1962 that hindered the progression of the chapel?
the campus layout of other church universities
were all developed “organically” according to the concept was influenced by the linear pattern of the University of Virginia, the In fact, the design of the chapel was initiated early in the fall of 1954. Its
demands of different era. campus of which was designed by America’s former president, Thomas Jefferson. groundbreaking ceremony was held jointly with the one of Student Activity

24 25
 Candela as reference. All the shell architectures designed by Candela were built
with reinforced concrete6, which shares more similarity with the actual structure
of the present-day Luce Chapel (Pic. 4).7
At the time, C. K. Chen also started lecturing in Tunghai and established the
Department of Architecture. The design and construction supervision of the overall
campus continued with a delay in the design of the chapel.8 Besides problems
regarding construction techniques, the uncertain budgetary source was also a
factor that caused the postponement9. After much delay, Chen finished drafting
by 1961 with I. M. Pei’s approval on the design10. However, at the time Pei and the
other constructionsupervisor, Mr. Chang, Chao-Kang still lingered on the choice
of steel and wood as the construction materials11. On the other hand, Chen with
Pic.4 Eduardo Catalano’s Raleigh House, North Carolina, 1954 and Felix Candela’s Church of Pic.5 Felix Candela, Church of San José Obrero?, actual experiences of executing his earlier designs, hoped to adopt reinforced
San José Obrero, 1959. 1959
concrete as the solution for the common termite and seismic issues in Taiwan.
To support his design, Chen found the structural engineer, Mr. Feng, Ho-San,
who completed his professional training in France, to back up his theory on using
reinforced concrete. This had won the approval of the board of directors of Tunghai
Center. However, the construction of the chapel did not begin right away. One University. One of the directors of board, Mr. Tsai, Yi-E even wrote to Henry Luce to
of the reasons was that in 1956, Pei was questioned at his speech in Department recommend this design. With the hope to complete the chapel as soon as possible,
of Architecture of National Cheng Kung University, which in the meantime is the Luce agreed with the board’s suggestion, and decided to go with the proposal of
only professional school of architecture at Taiwan. Another reason was that while Chen and Feng.
the form of the chapel had already been confirmed, arguments in regard to its However, as the illustration was being finalized, another obstacle occurred. After
building materials stayed controversial. Furthermore, the uncertainty concerning Chen completed the construction plan and appraisal12, he sent the illustration to
its budgetary source also stood as a hindrance to its development. Pic. 6 The inauguration ceremony of the Luce I. M. Pei, who was then in New York. However, the structural engineer to whom
Pic.3 The perspective drawingand model published Chapel. I. M. Pei was in the first row. From the
When Pei spoke at National Cheng Kung University, some people questioned the very the Left of the second row seated Wu, Ken- Pei entrusted the structural evaluation did not approve the design to be feasible,
in the Architecture Forum and Architectural
Record (The model is currently a collection choice of the sloped roofs, which carries clear vocabularies of traditional Chinese Tsung(the boss of the construction company), C. K. and asked Feng to join the discussion in New York. Together, Chen and Feng
stored in the library of Tunghai). According to Chen, andFeng Ho-San respectively.
architecture. People argued that architects like I. M. Pei and C. K. Chen, who had went to New York to expound on their analyses, and communicated with Pei on
perspectivedrawing and model, the construction
materials of Luce Chapel were initially steel and professional trainings in modern architecture should present an innovative design the design. Meanwhile, the German structural engineer who disagreed with the
wood. The hyperboloid design can be observed pattern. After his speech from Cheng Kung, Pei immediately asked his design 6.(Jodidio, Strong, Pei, & Wiseman, 2008, p. 56) design suddenly quitted the project. Without his opposition, the design of Luce
from both magazines. In the original design, the The San José Obrero church Monterrey designed
external walls were comprised of a sandwich- team to rethink of an alternative design. Chen also began to study the hyperboloid Chapel was at last finalized, with Pei putting Chen and Feng in charge of the entire
by Felix Candela was completed in 1959.
like structure, which consisted of three layers of structure, shell structure,membrane structure, and inflatable structure, which However, Pei’s design team including C. K. Chen construction. After they returned to Taiwan, the construction soon began on
wood with purline in the center. The building was took Eduardo Catalano’s Raleigh House as their
designed to be a building with steel structure, with wereextremely popular among the architectural circles at the time. Since these November 2, 1962, and was completed within a year. On November 2, 1963 the
reference, which was built in 1954. This shows
the sides of the wallstrimmed with U-shape steel innovative structural systems do not require the support of beam and column that the form of the chapel was still undecided chapel was inaugurated.
bars finishing.This project already had a complete in 1960 with Pei also considering the option of
construction blueprint at this stage (the blueprint is structures, they allow architectures to hold a greater span. Pei was not against using reinforced concrete as its construction
a collection stored by the General Office of Tunghai Chen’s idea, and allowed him to take time in exploring the possibilities of breaking material.
University). 7.Questions regarding who started the original
away from the traditional beams and columns. This whole process was one of the concept of the Luce Chapel have always been design, construction plan, appraisal, and building license application of a project. Even as
reasons that delayed the building of the chapel. controversial. It has been an ongoing argument the project architect is the person who drew the design and supervised the construction,
regarding whether the design should be credited normally he still won’t be the nominal architect of the project. The nominal architect of a
Another cause of the delay was Pei’s indecision regarding the choice of construction to I. M. Pei, C. K. Chen, or the entire design team. project will only be the architect who takes the design order, supervises, and finalizes the
3.Not only did C. K. Chen drew a colored material. After Pei chose thehyperboloid, shell structure to be the form of the 8.In 1960, Tunghai University hired C. K. Chen design. In the building of the Luce Chapel, I. M. Pei was the architect who took the design
perspective diagram on Chinese art paper, to initiate the founding of its Architecture order from the United Board with C. K. Chen being the project architect. On the campus
chapel, he kept wavering between a steel structure with wooden finishing, and Department. At that time he was also working design project, although Pei was providing voluntary service without getting paid, the
he also made a wooden model of the chapel
(currently stored in the library of Tunghai reinforced concrete. Although the decision on the hyperboloid, shell structurewas on the Guest House and the Principal Residence. United Board still paid Chen as the project architect. Nonetheless, Chen once mentioned
University). According to perspective drawing 9.When Henry Luce(Jr.) visited Tunghai in 1960, he that he still had to report to Pei on the ideas and construction methods of the campus
published on the Architecture Forum and Architectural Record in March and August thought the chapel had already been completed. design. Moreover, the campus construction plan was marked with the label of I. M. Pei &
and model published by the Architecture Forum
and Architectural Record, the construction 1957 respectively3, Pei did not reach the conclusion of using concrete until 1960 When he failed in finding it to be anywhere on Associates instead of having the signature of one particular architect. When Chen changed
materials of Luce Chapel were initiallysteel campus, he asked the chairman of the board the construction materials of the chapel from the original steel structure to the present
after meeting Feng, Hou-San.Regarding the construction materials, C. K. Chen and C. K. Chen. They told Luce that his son, who reinforced concrete, he put in great efforts in finding Feng, Hou-San to support his design,
and wood with a clear hyperboloid design in
both magazines. In the original design, the once described the problem of constructing the upside-down curved vessel design was in charge of the finance of the project, had and to persuade Pei in New York. Even though various information shows Chen to be the
external walls were comprised of a sandwich- withdrew the budget. However, they later found overall designer and executor of the construction supervision, from the photos taken in the
with wood. While the cohesion of the wooden structure of a ship can be carried this to be a simple misunderstanding. The case inauguration of the chapel, Pei still took the seat in the first row while Chen and Feng took
like structure, which consisted of three layers of
wood with purline in the center. The building was through and maintained when the wood swells under water, wooden panels used was only temporarily postponed by the son of the second (Pic. 6). After the ceremony, Pei even joined Pastor Lien-Hwa Chow and other
designed to be a building with steel structure, Luce Jr. because the design, which was still under representatives of the United Board on an aerial tour of the university, indicating Pei to be
on architecture is unable to achieve the same effect. Therefore, Chen started modification, had a different appraisal at every the titular head architect of the Luce Chapel project.
with the sides of the walls trimmed with steel
bars finishing. looking for an alternative material after Pei’ speech in Cheng Kung University4. audit and evaluation of the board meeting. (Hu & 11.The library of Tunghai University holds a structural diagram drew by Roberts & Schaefer
4.A heated debate on who came up with the Guo, 2008, p. 60). Co., a company known for its long and rich experience in giving consultation concerning
To find the solution, he targeted two projects designed by Eduardo Catalano and 10.For architecture firms, normally an architect’s structural engineering. The chapel stays much the same with the style, height, and
idea of the hyperboloid design has persisted.
According to C. K. Chen’s description to his Horicio Camilo, who were South American architects teaching in North Carolina, primary duties are to take orders, supervise the proportion of the chapel in the diagram. This shows that Chen and Pei had reached to a
students, we can tell that he was at least involved design and constructions of the architecture in mutual agreement on the design by then.
and studied various types of shell architectures they built. Both of their works addition to the on-going communications with 12.At that time the overall budget was 150,000 USD, in which $100,000 was for construction
in the making of the design.
5.(The Editorial Committee of the Fortieth were based on steel structures with wood or metallic materials applied on the shell its customers. Usually, there would be a project and $50,000 for expenditure on administration, which included design charges, costs on
architect or a project team in charge of the configuration, water and electricity, travel expenses, and taxes.
Anniversary, 2003, pp. 185-186) exterior walls5. Pei also used the curved shell design of the Spanish architect, Felix

26 27
 The Original Ideaof the Chapel- the vision of a chapel within an oriental interpreted by these Chinese elites who received modern architectural trainings in
campus visualized through a traditional Chinese painting the early twentieth century in the United States.
In the article “On the Design of Luce Chapel and Its Construction,” in which C. K. Through displaying the East-West encounter through presenting the “artistic
Chen mentioned the prototype of his design, Chen explained that “the form of concept,” Chen once mentioned that he had adopted the Chinese concept of
chapels in western countries and all religious architectures of different eras have “simplifying the complicated” to reflect the “less is more” concept proposed
always been architectures that demanded the greatest minds, manpower, and by the famous German American architect, Ludwig Mies van der Rohe (1886-
material resources. The presentations of these architectures are cultural reflections 1969), who was well-known in the Modern Movement in architecture. Deeply
of their eras. After hundreds and thousands of years, they still stand as beacons of influenced by the traditional Chinese aesthetics and philosophy, the architectural
history and traditions for generations to come. My vision for the chapel of Tunghai designs of Mies often leave a vast empty space alongside his cutting-edge simple
is the same. May this architecture be a reflection to our culture and traditions, forms. Mies used “less is not empty but lean, more is not crowded but complete”
demonstrating the will of Christ, His love and sacrifice, alongside the creativity and to express his architectural philosophy. On the other hand, Chen used his brush
Pic. 7 C. K. Chen, “Have Little and Gain”,
spirit of the zeitgeist of its era.” This statement addressed the issue13, which the Lithography, 32x62 cm, 1977 painting, “Have Little and Gain” (Pic. 7) to illustrate his perspective on simplicity,
designer was facing at the time. As Chen designed the chapel, besides tackling on stating that his work is “a demonstration of the Taoism theory of “have little and
administrations details (such as construction appraisal and progress estimation), gain,” quoted from the book “Laozi,” which conveys the belief of “Have little and
engineering techniques (reinforced concrete or wood), spatial design(regarding gain; have more and be confused.” In his paintings, Chen preferred using simple
the significance of the architecture), the design team led by Chen and Pei also had strokes to carry deep and profound implications. Likewise, when he design for the
to deal with outsiders’ concern and advices in regard to the chapel. Being the first overall campus layout of Tunghai, he chose to use subtle artistic concepts to frame
university that the United Board established in Taiwan, many expected the school the layout of the entire campus, and left spaces for imaginations regarding the
to carry the traditions of the thirteen church universities sponsored by the board in possible experiences and emotions within the“movements” of peopleon campus.
China. Among all the customer and user demands, it was utterly important for the He believed that “if he had said more, the significance would have been limited.
design team to incorporate oriental elements as it was designing for a chapel that Whereas, thoughts were often provoked when he spoke less.” Therefore, he
locates in the Free China(Taiwan). Ultimately, a hexagon plan, lined sky windows, deliberately left room for his audience to imagine and think16.
along with golden glass tiles was chosen as the means to incorporate Chinese The aesthetic perspective of the “artistic concept,”originated from Chinese
architectural elements. This is one of the reasons why the Luce Chapel is celebrated paintings was not only used on building the relationship between campus layout
as a classic Chinese modern architecture. and the buildings within it, but also on the design of its chapel. On top of the
With a legendary head start, the campus compound structure of Tunghai is widespread lawn, four parabolic conoid curved walls enclose a simple hexagonal
illustrated through Chen’s unique brush painting. At the right side of the painting, diamond plan, forming a congregational space without beams and columns.
an axis cuts through the compound sections. This axis is the present-day Campus The top of the building is closed with two lined sky windows, while the east
Mall. Left from the axis sits a structure with folded diamond surface with the form and west ends of the building bring in silhouettes of trees from its surrounding
of a triangular roof with a tower erected alongside the building. This is Chen’s environment. Even though its architectural form is extremely simple, the
original idea of the chapel. At the top and bottom of the axis where the three designer’s thoughtfulness can be observed from the details of lighting and building
compounds clustered next to the chapel are the faculty and student dormitories structures.
and the activity center, respectively. The dormitories and activity center are
separated by a foggy forest and small valley. As the theme of design was expected Peering into the craftsmanship of the chapel’s design
to include an illustration of the East-West encountering, Chen managed to embody 1. Manipulating light
the “East” through demonstrating the highest form of Chinese art, “the artistic In the history of church buildings, “light” has always been an important element,
concept,” thereby establishing the relation between campus buildings. This means for the Bible uses light to imply God. “God is light”17 has been a concept adopted
that the design of the Luce Chapel was a part of this artistic concept of overall in church buildings as a demonstration of sacredness. The father of gothic
campus design, and that through this artistic concept, the relation between architecture, Abbot Suger (1081-1151) believed that the color changes of light
the campus and the remaining school buildings was set. The form of the Luce refraction could strengthen the congregation’s belief on the presence of God.
Chapel takes an architectural language different from all other campus buildings, Therefore, in the past lights were seen as a medium of divine intervention in
signifying its unique situation as the spiritual emblem of the university. Its position chapels and churches. Suger conveyed that God’s teachings and image could only
13 C. K. Chen “On the Design of Luce Chapel and intricately slides away from the axis of the Campus Mall, allowing the terms of its
Its Construction,” The Online Archives of the be properly embellished through the transparent and translucent light effect of
School History of Tunghai University. (Chen 1963) formation to be carried out separately, and paved a way for the ideas and principles glass, and that this is the only way to convince mankind of the heavenly voice on
14Hang, Pao-Teh “Architectures and Its
Surroundings: C. K. Chen and His Architectures”
of modern architecture to be freely maneuvered in its design. earth18.The German writer Paul Scheerbart (1863-1915) also illustrated his idea on
(Chen, 2003, p.21). Hang, Pao-Teh once made a comment on Luce Chapel, stating that “this chapel is glass being the emblem of moral emotions in his novel “Glass Architecture.” In the
15 I. M. Pei rarely explains about his design ideas perhaps the most renown architecture with the greatest historical value in Taiwan.
of Luce Chapel. He once mentioned that being novel, he pointed out that the image of “light” carried through glass architectures
far away from home, he blended in the roofs of It represents the new trend of Chinese architecture in the modern era, and is the uplifts spirits and morality19. From the very beginning, chapel designs have shown
the Palace Museum in Beijing and the golden best production of the Chinese-western encounter.”14 This “encounter” between 16. (Hu & Guo, 2008, p. 102)
rooftops of ancient Chinese temples with the 17. “This is the message we have heard from him
attempts to bring in light through various means, and create emotional projections
dramatic roofs of gothic cathedrals of the West the East and the West is an important aspect in regard to the design perspective and declare to you: God is light; in him there is no with respect to the relationship between God and mankind. Likewise, Chen also
to build a solid pyramid. By holding a touch of of the Luce Chapel. From the golden yellow ceramic tile on the exterior of its darkness at all.” (1 John 1:5, the New Testament
home, he made a comprehensive fusion of both of the Bible)
pondered on the relation between light and space right from the initial stage of his
culture. (Jodidio, Strong, Pei, & Wiseman, 2008, shelters,15 including the formation of the congregational space enclosed by four 18.Chu, 2001, p. 88 design.
p. 56) simple walls, the space of the chapel reveals the modern aesthetic principles 19.Chu, 2001, p. 92 The chapel within the brush painting of the campus that C. K. Chen painted at

28 29
 his earlier design stage shows apparent difference to the present-day chapel, the modern structural principles of the building.
which consists of four curved walls20. In fact, the original idea of an upside-down Thus, the “lined sky window” became a reasonable
wooden boat only included two walls, and the idea of “curved wall” also wasn’t and yet dramatic solution.
part of the earliest design of the chapel. It was due to the comments regarding the Besides the dramatic effect of the “one-line sky”
lack of light on the sides of the chapel that made Chen broke the two walls into on the top of the ceiling, in order to draw in more
four. The concept of having four walls thus emerged with openings on both sides, natural lights to the interior for daytime church
which naturally became the side windows. In order to distinguish the discontinuity gatherings, Chen utilized the east and west
of the walls, the two back walls were made higher than the two front walls. When openings of the hexagon surface to optimize the
Chen demonstrated the model to the board of directors, Mrs. Ferguson remarked focal points of the chapel. Both ends consist of
on the appearance of straight sidewalls to be too stiff, and advised Chen to apply glass walls that extend from the top to the bottom
the curves of a Chinese roof21. Taking the advice, Chen finalized his design with of the building for lights to pierce through both the
four curved walls22. east and west ends of the space, creating links to
Pic.8 Chen once mentioned to his student on the Han, Pao-Teh once pointed that C. K. Chen was much influenced by western the outdoor nature for the congregation to enjoy
development of lights within the chapel: One day chapels built during the age of modernism. This was a time when chapels and
a colleague within I. M. Pei and Associates went to views of tree shihouette during indoor worships.
Chen with a sketch of the section of a vase, which churches gradually started to adopt simple triangular forms like the Unitarian Parallel curvatures in between the sidewalls on the
sits on top of a pedestal. The top the vase exists a Church (pic. 9) in Westconsin built by Frank Lloyd Wright, who was recognized as
hole that leads to the space within the vase, this Pic. 11 An aerial view of the campus taken in 1965, north and south surfaces created curved openings, which eventually becamethe
sectional drawing was later developed into the the father of American architecture. Chen’s design resembles the folded praying which was a few years after the completion of the side windows. During every Sunday worship, the morning light would penetrate
“one-line sky” design. chapel. (Noting the gym next to the sports field is
hands of the east, and comprises an image of open palms, which illustrates the actually a structure bigger in size, however, to keep through the curved south-facing side window and lights up the cross at the center
significance of a form that symbolizes the humbleness lies within humanity in the chapel as the highest building at the campus of the altar (Pic. 10). Through the “lined sky windows,” a straight line is projected
skyline, a graben was dug to lower the ground level
seeking of a heavenly existence23. It also bears resemblances to an upside-down of the gym. to the central aisle, which is also the center of the hexagonal surface. Together
vase, or ship. Multiple elements contributed to the form of Luce Chapel. This with the east and west floor-to-ceiling windows, this central axis has accentuated
includes construction methods, choice of materials, and pragmatic operations and the worship focus, making light the specific medium that signifies God’s presence
metaphysical concepts. Chen once gave an annotation on the relation betweenthe in the Luce Chapel.26
walls and lights, stating that the side windows in the middle section light up the
altar, which adds a sense of mystery with the lighting effect (Pic. 10). To simplify 2. Expressing the relationship between God and man through its site
the construction at the intersection of the curved walls, the two curved walls at the planning
back were made higher to create an overlapping look. The section built with higher As aforementioned, the design of the campus of Tunghai began with a brush
walls is also where the inner altar lies, manifesting the significance of the space painting, which made the actualization of the artistic concept a primary task of
with itshigher appearance.24 the design. In the brush painting, a vast lawn locates next to the chapel with a tall
26.In around 1990, two meters of wooden panel
With the decision on using simple walls to enclose the congregational space made, was added to the screen behind the altar to tower that matches the look of the chapel, highlighting the clear monumentality
the next challenge was drawing lights into a structural system without installing place the gigantic speakers of a newly purchased of the chapel to the entire campus. In terms of “Monumentality”, the master
electric organ. The viewof the west ceiling-to-
Pic.9 A chapel design, which incorporated the windows on the four curved walls. The solutionabout the lined sky windows came floor window was thus covered partly, causing of modern architecture, Louis I. Kahn defines the term to be “a spiritual quality
image of folded prayer hands in the east. First
Unitarian Society of Madison, Wisconsin, USA, up in a conversation within the design team25. After reconsidering the whole a huge impact to the original lighting design of inherited in a structure which conveys the feeling of its eternity, that it cannot
C. K. Chen. When Chen returned to the chapel
Frank Lloyd Wright, 1947. structural system of a sheer modern architecture, Chen pointed out that the four to receive an honorary doctorate degree after be added to or changed”, and that architectural monuments reveal a striving for
walls should be completely separated with a disconnected rooftop that forms a he was granted the National Award for Arts, structural perfection which has contributed in great part to their impressiveness,
he refused to take photos in front of the altar
lined skywindow to solve the issue of insufficient nature lights, and to stay within after he noticed the change. In April 2015, the clarity of form and logical scale.27 The “monumentality” which Kahn implied
church bought another new electric organ. The is a spiritual quality thathas been distinguished from the characteristics of
latest technology has dramatically reduced
20.The fortieth anniversary special edition of Tunghai’s school history includes an interview the size of the speaker. With the on-going architecture. In comparison, for the design of the Luce Chapel, besides the
with C. K. Chen. In the interview, Chen recalled a meeting Pei hosted in his house for conservation research project initiated by the monumentality created by the building itself, the chapel also holds a distinction
the discussion on the chapel design. Pei set up a very romantic atmosphere in hope to Getty Foundation alongside the consultation
stimulate some design ideas, which eventually failed when no one came up with any good of the architectural acoustic expert Albert Xu, from its surrounding architectures. Along with the particularity of its circulation
ideas. Later, Pei suggested a gothic dome by demonstrating through hand gestures, and the screen was lowered to a height close to formed by its specific location, which was arranged at the very beginning of
proposed using brick as the construction material. However, Chen thought the design was the original design without reducing the high
inappropriate concerning the frequent seismic activity in Taiwan. Afterwards, Chen built his frequency sounds, hence restored the wooden the founding stages of the university, the monumentality of the Luce Chapel is
first model with wooden sticks, finding it to resemble the look of a wooden ship. The design screen to its former glory. strengthened in every aspect.
team went for a wooden structure thereafter. Some people even said that Noah’s Ark from 27.Ockman & Eigen, 2007, pp. 48-54
the Old Testament is the source of the chapel’s design idea. 28.In fact, measured from the base to the lowest Rising from the vast lawn at the intersection of the main circulations on campus,
21.The Editorial Committee of the Fortieth Anniversary of Tunghai University, 2003, p. 243 point of the roof, the university’s two-storey gym the Luce Chapel indeed occupies an excellent position to be a monument.
22.The hyperboloid curves of these four walls developed into the parabolic conoid walls, is 13.9 meters tall. However, with a wide span,
which enclosed the bottom diamond shape surface with a linear sunroof high up in the air. its steep roof adds another 6.1 meters to the Without anything standing on top of the spacious lawn, the volume of the chapel
The bewildering conoid curves of the roofs match the curves of a Chinese saddle roof. Ref. C. building. Along with the foundation, the gym becomes the natural focal point (Pic. 11). For the chapel to remain as the focal
K. Chen 1963. consists a height of 20.2 meters in total, which
23.Hang, Pao-Teh “Architectures and Its Surroundings: C. K. Chen and His Architectures”, Ref. is slightly taller than the chapel at 20 meters. point, the Art Center at the south of the chapel also designed by C. K. Chen was
Chen, 2003, p.23. In order to keep the Luce Chapel as the highest lowered to manifest the monumentality of the chapel. At nearly twenty meters in
24.Ref. C. K. Chen 1963. building on campus, Chang, Chao-Kang chose
25.Chen once told his students the story behind the development of lights within the chapel: to raise the budget of the gym and dug a graben height,28 he lined sky windows marked the highest point on campus. Before the
One day, a colleague within I. M. Pei and Associates went to Chen with a sketch of the 7.2 meters deep (even at the lower section down trees shaded the sky, the cross on top of the horizontal linedrooftop was visible
section of a vase sitting on top of a pedestal. The top the vase exists a hole that leads the slope the graben was as deep as 3.4 meters),
to the space within. This sectional drawing was later developed into the“one-line sky and built the gym on top to form an external everywhere on campus and even on the nearby roads off campus, highlighting the
Pic.10 The changes of lights during regular Sunday appearance of only thirteen meters in height!
services within the chapel. windows”design. chapel as the pivot of the school’s Christian identity.

30 31
Pic. 12 C. K. Chen Art Center 1963-An upside downshell building Pic. 13 Art Center (at the right hand corner of the picture), hidden at the south
of the chapel. Pic. 17 Through the framework revealed from the photo record at the formwork stage of construction, the diamond-shaped lattice beam clearly appears
to be wider at the bottom and narrower at the top. (Photo by C. K. Chen)

members of the university. The colleges at both sides of the Campus Mall are where
pursuits and exploration of acknowledge take place, thus stand naturally as the
center of school life. By stepping away from the axis, the chapel gave way to the
academic identity of this higher educational institute, implying the less dominate
role of the church in the academic area of the university.
Concerning the location of the aforementioned position, the administrators of
Tunghai also thought out the possible roles of the chapel on campus and its relation
to its neighboring communities. With the help of Professor Jack Graham, who
was dispatched to the university by the United Board, the role-orientation of the
Pic. 14 The view along the slope east to the Campus Mall Pic. 15 Uphill the Campus Mall lays the view of the acacia forest and the open sky. chapel was defined as a parish church set to serve the small community formed by
students and faculty members, which involved a total population of eight hundred
people at the time. Besides functioning as a place for Sunday worships, the church
By averting the east end of the Campus Mall, the chapel gave way to the Central also needed spaces for its office, Sunday school classrooms, Bible studies and
Mountain Range(Pic.14) and the acacia forest(Pic.15) to be the skylines east and fellowship meetings. However, due to the chapel’s “monumental” functional
west to the mall. This development is a demonstration of the “artistic concept” of setting, adding too many accessory areas would have complicated the form of the
the campus design. As both the east and west ends of the campus avoided placing chapel, and violated the principle of “form follow function” in modern architecture,
monumental vistas, the Chinese philosophy of having “harmony between nature which was much against adding superfluous elements. This is the reason the team
and mankind” was actualized through the campus layout29. concluded “the place of gathering31 ”to be the only role-orientation of the chapel.
With the chapel sliding away from the central axis30 (Pic.16), Chen set up a In the aforementioned interview, Chen explained this development of the above
sophisticated spatial interpretation full of rich connotations. As a church university solitary function of the chapel. As the church building was set up to function as a
established to promote Christian ideals, Tunghai was destined to have a chapel. chapel only a chaplain’s office was erected subsequently to meet the demand of
Pic. 16 Before the Banyan trees at the sides of the While the importance of the chapel is demonstrated through the positioning and all other accessory functions. Without additional accessory spaces, the chapel was
Campus Mall grew to cover the view to the east, architectural style of the building, students and faculty are the most essential
the off-axis position of the chapel could be clearly able to stand as a place set up solely for the purpose of gathering. Its only accessory
observed. spaces are the dressing room and toilets beneath the altar to serve the ministers
and choirs. With this simple functional setting, the chapel was allowed to maintain
29.Professor Fu, Chao-Ching at the National Its hyperboloid roof with grand eaves looks like one single curve from the side. The look is a its consistency in between form and function.
Cheng Kung University once addressed the natural result of the heavy rooftop. At the bottom, the wooden structure supports the roof
contemporary and traditional significance caps, holding the stable equilibrium of the architecture, and reflects the sunward character
of the Luce Chapel. He believed that “the of a Chinese saddle roof. Ref. Chen, 2003, pp. 190-202 3. Technical Experiments and the Breakthroughs
achievement of Luce Chapel has to do with its 30.The interview with C. K. Chen in the school’s fortieth anniversary special edition of the
relationship with the remaining school buildings university’s history, Chen specifically expounded on the off-axis position of the chapel. “At After the design had been determined to be a congregational space enclosed
and the overall campus layout. Undoubtedly, that time, the central line of the chapel was aligned with the roofline of the administration by four walls, the relation between the walls became one of the focuses with
the chapel stands as one of the key buildings on building. However, when we inspected the construction layout of the chapel, we realized
campus. After C. K. Chen took over the design of that from the inside, the view to the west would end up with a roof, which was not an respect to the structure and construction of the chapel. Although Mrs. Ferguson,
Tunghai’s campusbuildings from Chang, Chao- ideal landscape...In order to avoid blocking the view of the Central Mountain Rounge from one of the board directors of the United Board, contributed the key advice of
Kang, the architectural style shifted dramatically. the Campus Mall, we decided to place the chapel in between the axis of the Campus Mall
The architectural style Chen adopted was a and the administration building instead of aligning its roofline. We also grew a row of tall changing the structure from straight lines to curves, the main principle adopted
cutting edge choice of its time not only for Banyan trees in between the east end of the administration building and the chapel to avert to the final solution was that of a conoid structure. All four walls are separated
Taiwan, but also for the world. The direct proof the view of the administration building inside the chapel. For I. M. Pei, the off-axis practice
of the building's Chinese character lies at Chen’s was the means to “extend the openness” of the chapel. Nevertheless, the west view of but symmetric in pairs. The taller but narrower pair enclosed a trapezoid plan that
depiction on the resemblance between the the Campus Mall was blocked by the new library built when Dr. Mei, Ko-Wang was the became the altar space where speakers, emcees, and choirs stand and sit during
curves of a conoid shelland the Chinese saddle school principal. The school buildings constructed thereafter started to violate the original
roof. The umbrella-like structure of the Art Center principles of the campus layout. Ref. The Editorial Committee of the Fortieth Anniversary of 31.The Editorial Committee of the Fortieth worship hours. On the other hand, the shorter but wider symmetric pair formed
also reflects the spirit of a Chinese architecture. Tunghai University, 2003, p. 242 & Jodidio, Strong, Pei, & Wiseman, 2008, p. 55 Anniversary of Tunghai University, 1995, p. 241
the congregational seating area. Unlike most conoid structural system, which

32 33
Pic. 18 The four walls of Luce Chapel connected by the concrete joints at the ceiling. (Photo by C. K. Chen)
Pic. 19 C. K. Chen The facade and interior of St. Paul’s Episcopal Church in Kaohsiung, 1965

consists of shell and beamless structure, the Luce Chapel adopted lattice beams In comparison to the shell structure of St. Paul’s Episcopal Church designed by C.
to its bare walls. This is also a reasonable choice of structure. Instead of four heavy K. Chen in 1965 (Pic.19), there is no rib beams in the inner surface of the shell, that
shell structure, the force of the four curves is distributed through the rib beams to also means it give up the opportunities to express its construction and details.
reduce the weight of its structure, enabling the walls to hold its own weight for the Kenzo Tange’s St. Mary’s Cathedral (Tokyo Cathedral) designed in 1964 (Pic.20)
parallel interval in between the two symmetric pairs of conoid walls to be deftly also adopted a shell structure, but its internal wall did not apply the lattice beams.
hinged instead of sharing the paired other side’s weight by fixed joints. These hinge By exposing the diamond-shaped rib beams, the visual effect within the Luce
joints not only balance the horizontal forces brought by earthquakes (as the hinge Chapel was further amplified. According to Chen, he also wanted to be one of the
points synchronize the movements on both sides, this avoids the walls to crash into first architects to try out this modern technique. Therefore, as he heard of Tange’s
or pull away from one another during the horizontal shifts of a seismic activity), but coming St. Mary’s Cathedral, Pei asked Chen to speed up the case and complete
also made the original lined sky window idea possible (Pic.18). the work as soon as possible. Chen fulfilled the mission by finishing the Luce
In other words, by exposing the diamond-shaped crisscross rib beams, the Chapel a year ahead of St. Mary’s Cathedral. The diamond-shaped lattice beams
design unveils the physics of the structure, and echoes the bare rib beams on demonstrate the elegant curves of the chapel, and express the overall structural
the exterior of a gothic cathedral. Both rib beams act as a guide that leads the order of the building. The wall is 60 cm thick at the bottom of the wall, and is
eyes of the congregation upward. Chen explained that this was an twentieth- reduced to 27 cm at the top. Likewise, the width of the lattice beams is 75 cm at the
century attempt to combine the traditional gothic architecture with the curves lowest level, and decreases to a width of just 8 cm as the wall reaches eight meters
of a Chinese saddle roof. Since the greater curvature generate heavier bending and above in height. In order to decrease the risks of resulting a “honeycomb”34at
moment at the lower part of the curve, the cross-sectional area at the bottom the vertical corner upon demolding, the entire rib beams adopted a 45 degree
of the rib beams was amplified to strengthen the structure. Through the careful chamfer which made the lattice beamsabove eight metersheight(which all keep
calculation of the structural engineer, Feng, Ho-San, the diamond-shaped rib its width in 8 cm only) appeared to be slender than the bottom. The diamond-
beams exposed at the bottom part of the inner walls appeared to be uncommonly shaped lattice also contributes in accentuating the linear proportion, adding the
solid, with the cross-sectional area gradually decreasing as the walls reach the top sense of sublime fulfillment to the skylight above. The diamond-shaped lattice
of the building(Pic.17). This type of arrangement is not only fitting for the force frame is smaller at the bottom, whereas the ones on top grows bigger. This
distribution according to structural principals, but the gradually decreasing rib logical structural solution clearly demonstrates different forces distribution of
beams also accentuated the visual focus for the congregation from the seating the structure. Without covering the construction interface35 created by its height
Pic. 20 Kenzo Tange Tokyo St. Mary’s Cathedral, Its
area. Moreover, this also created a visual effect that extends the interior height facade and interior, 1964. restrictions, this type of exposing construction materials delivers a visual tension
of 19.72 meters. Some also believe that this was designed to echo the techniques through the diamond-shaped lattice beam. Beside the rationality and absolute
used on gothic religious architectures in the distant West. geometric order, traces of its handwork also remain visible.
Pei interpreted the structure of the chapel through a different perspective. He In terms of its overall structure, the precision of the construction mainly is reflected
believed the design of the lattice beam was to avoid an overload on the concrete on the four conoid walls of the Luce Chapel. The gradual transformation at the
shell structure. These exposed supporting ribs make the force distribution visible solid frames of the rib beams and its hollow latticework is an excellent display of
and clear32. However, the truth is, with the “ribs” been exposed, the structural 34If the concrete weren’t grouted properly with geometric aesthetics, and createsa visual flow within the chapel that leads the
sufficient oscillation, air would be stuck within the eyes of the congregation upward upon their entrance. This religious saintliness is
tension and compressionof the building is also overt and mind-blowing. If they had acute corners of the water-cement moldboard.
been hidden, the focus of the interior would have been the form of space instead After demolding, irregular pores which resemble created by the modern geometric aesthetics and architectural technique similar to
the look of a honeycomb(air voids) would rest in the traditional gothic church, which are high and erect to manifest the greatness
of its structural mechanics. Upwards, the RC hinge joints at the rooftop is arranged the corners. Therefore, the architectural circles
remarkably. As the four curved surface meet at the rooftop, these joint connections often refer such porosity as a “honetcomb.” of God. The lattice beams at the inside share the same ratio with the diamond-
Creating a 45degree angle at the corners may shaped ceramic tiles on the exterior of the conoid walls. The same geometric
sustain the complicated tension, compression, bending moment and shearing help to avoid such results.
32.Jodidio, Strong, Pei, & Wiseman, 2008, p. 57 force of the overall structure. Right out on the top, the cross rises high in the air as 35The interfaces are traces of grouting performed pattern is consistent inside out with the curves twist and turn according to the
33.C. K. Chen, 1963 at different stages of construction.
a manifestation of the omnipotent divine power of God.33 equation of a conoid pattern. Along with the irregular diamond-shaped lattice

34 35
Pic.21 The conoid walls appear as diamond-
shaped lattice beams inside the chapel.
Pic.22 The surface materials applied to the
external walls of the chapel are diamond-
shaped glass tiles.

36.The 45degree angle was also applied on the Pic.21

rectangular tiles at the corridor of the College Pic.23 The width of mortar in between tiles control the eccentric geometric order of the curves, and frames aesthetic beauty of the curvature (Photo
of Arts; therefore, as pedestrians stroll along by Kuo, Chi-Jeng during the execution of the granted “Keeping It Modern”conservation research project)
the corridor, they would also share a similar
diamond-shaped visual on the pavement.
This pattern applied on the pavement is
apparently different from the square pavement carelessness during its manufacturing process would have cause color variations on
at its hall and gateway. According to Chen, the
diamond-shaped red brick tiles were designed different batches of ceramic tiles. Nevertheless, these errors were later integrated
to accentuate the movement at the corridor, into Chen’s ingenious design concepts.40 Chen made use of this error and created
which is the main route of circulation within
the building. Likewise, the diamond-shaped a fun twist with the handwork texture on top of the rigid scientific reasoning
geometric pattern inside and outside of the of the structure. Being a well-trained modernist, Chen was well aware that the
chapel was also designed to create the same
sense of flow. uniqueness of the chapel design lays at the curves of its conoid walls. Therefore,
37.In regard to the function of ceramic tile, Chen Chen seized every opportunity to feature the beauty of the conoid curves. He also
explained that “the ceramic tiles on the external
wall was to protect the concrete roof with its intended to create a dynamic visual to the aesthetic beauty of the curve with the
waterproof and stain resistant quality.” Ref. C. K. viewers approach the chapel from different angles and directions. To achieve this
Chen, 1963
38.C. K. Chen once mentioned that gold is the Pic.22 purpose, he manufactured two types of diamond-shaped tiles: one with a smooth
color applied on Chinese palaces. As a church glazed finish, and another with a “mastoid” protrusion at the center. The idea of
serves as the dwelling temple of God, he also beams, a constrained sense of flow36 is deliberately implemented in the chapel. 40.According to the editorial committee of “The a “mastoid” may have derived from the traditional Hokkien wall tiles41 made for
adopted the same golden color to the Luce Wind of Tunghai,” the fortieth anniversary
Chapel. “Regarding the color...I thought of The visual quality of the conoid streamline mutates according to the position of its special edition of the university’s history, during protection clay-based rammed wall either. This tiny protrusion at the center not
applying the colors of a traditional Chinese viewer. As unique as it is, this visual flow does not exist in any other school buildings the interview C. K. Chen recalled that when the
roof, which are usually blue, green or yellow. only is an important visual factor which highlights the beauty of the curves, but
ceramictiles were delivered to the university, Mr.
As the color blue and green are very much the constructed in the same era. Wu, Ken-Tsung from the construction company also acts as a point of alignment which contributed immensely to the accuracy of
same with the sky and trees of the surrounding As the construction material shifted from the original steel-wood to a reinforced ran to Chen nervously, and said, "I'm sorry! The
environment, color replication would have the geometric pavement (Pic.23). The dotted shades of the mastoid protrusions
color of the ceramictiles are inconsistent! What
resulted confusion and also absorbs a vast concrete, the protection of the external surface was naturally a focus on its should we do?" This transmutation of glaze create dots of curves that paralleled the curves result from the concrete intervals
amount of radiant heat. On the contrary, yellow concrete exterior. Any application on the surface would have directly influenced resulted color inconsistency on all the tiles.
follows the traditional character of our religious in between the ceramic tiles. These curves complimented each other and display a
Instead of the golden yellow color ordered by
buildings. Therefore, in the end we used yellow the appearance of the architecture. The four conoid walls, which come in two Chen, these tiles comprise of a golden color that rich visual sensation to the aesthetic beauty of the architecture.
on the chapel. The diamond-shaped tiles echoes pairs determines the size and proportion of the diamond-shaped lattice formed includes tinges of brown or green. However,
the crisscross beams inside. The tiles consist Apart from mirroring the lattice beams inside the chapel, the diamond-shaped
Chen calmed Wu by telling him that this was his
of two varieties. On every other tile, a pinpoint by the rib beams exposed within the chapel (Pic.21). The elegant proportion of the original intention for the inconsistency prevented ceramic tiles are also essential for the adjustments of the mortar intervals in
decoration is added to create the horizontal lines diamond-shaped design is also adopted as the principal ratio of the ceramic tiles a monotonous pattern.
which accentuate the curvature of the walls,” between the tiles on the external walls. The four conoid walls are wide at the
41.Similar mastoid protrusion can be found on the
stated Chen. Ref. C. K. Chen, 1963 on the surface of the external wall (Pic.22). Although the tiles and the lattice beams gables of houses in Taiwan and mainland China. bottom and narrow on top, therefore the size of the tiles also decreases as the
39.According to the glaze analysis conducted by are different in size, with the same ratio, this creates an interrelation that links the Rainy regions such as Jiangnan and Hokkien often
Dr. Chen,Tung-Ho, an associate researcher at building reaches high up in the air. The walls at the sides of the altar are ten meters
nail wooden or metal nails on thin tiles. When
the National Palace Museum who joined the interior and exterior. these tiles are placed one on top of another, like wide at the very top with a bottom width of fifteen meters. Although the ends only
research project initiated by the “Keeping it The purpose of applying a surface material was to add a layer of protection on the scales of a fish, this forms a drainage layer
Modern”Grant provided by the Getty Foundation bear a five-meter difference in width, thetiles used on the bottom are half twice the
of construction. This technique is called "Chuan
in 2015, the ceramictiles paved on the chapel the porous concrete surface of the shells. With “waterproof”37 being its primary Wa Shan" in Chinese, which means "wearing a amount as usedon top. Therefore, Chen adjusted the mortar intervals in between
were very likely produced through a low fire kiln function, and a complementary purpose to reflect the quality of a traditional tiled shirt." Some also called it "fish scale board"
with a temperature of seven hundred to eight the tiles accordingly to balance the pavement. All tiles are leveled according to
for its scale-like texture. Gradually, the name
hundred Celsius, which is a lot lower than the Chinese building, a layer of glaze was adopted to the surface of the ceramic tiles. clapboard siding also emerges. However, on the horizontal line of its height, the length of which is longer for levels closer to
high fire kiln used to produce regular tiles that On one hand, the choice of color reflected the orange hueadopted in glass tiles top of the concrete exterior, Chen did not pave
heats up to 1200 Celsius and higher. The analysis the ground, and reduces as the building grow taller. In order to keep the harmony
these tiles on top of one another like fish scales,
of the remaining ceramic tiles in store shows that paved on the roofs of important Chinese architectures38. On the other hand, the but laid the tiles directly on the curved surface with the smooth and elegant curve based on geometric symmetry, the number of
the color variation of the glaze was caused by glazed surface was intended to achieve a water-repellent effect on the external and filled the intervals in between tiles with tiles at every horizontal level is identical. To achieve this arrangement, the width
the differences in fire temperature. At that time, cement. Moreover, when Chen talked about the
batches of ceramic tiles were fired separately curved surface. Along with the help of gravity, water flows down the curve construction methods used on the external walls, of mortar interval at each horizontal level is attained by calculating the average
with a manual control on the firewood. Without without polluting the concrete surface with dusts in the rain. Water penetration he never described his design as a transformation widths (through subtracting the total width of ceramic tiles with the length of each
a scientific instrument to control the fire, it was of "fish scale board" or the technique "Chuan Wa
very difficult to achieve thermal consistency with can cause rebar erosion as raindrops permeate the concrete layer. However, as the Shan" in any interviews or classes he lectured in horizontal level, then divided by the number of tiles of the level), which builds the
primitive techniques. ceramic tiles applied to the chapel were finished in a low fire kiln39, any slightest the Architecture Department. construction precision at each interval in between tiles. Along with the “mastoid”

36 37
 Pic. 26 When people go up to the chapel from the lower east end of the slope, they look up naturally. This visual angle serves as a prelude to the
worship ceremony
to the west, it also creates a dramatic influence on the shadow within the chapel.
This intricate manipulation of the visual effect of natural lights on the form and
structure within the chapel is a major focus of the chapel’s interior design. As
people enter the chapel to join in worship, this directs their concentration upwards
Pic.24 Through the photo record taken during (Pic.26). As they leave the chapel after worship, they would overlook the entire
the pavement construction of tiles, we can see tiles that contribute the horizontal alignment, the entire pavement construction
that the tiles with mastoid were paved first as an followed a strict geometric order (Pic.23), which Kuang-Yuan Construction Taichung Basin, and enjoy the view of the distant Central Mountain Range (Pic.27).
important source of horizontal alignment before This meticulous arrangement of orientation, route, and visual angles adds a
the ones without were filled in between to control Company precisely brought to completion. To this day, people still stand in awe of
the geometric pattern of the tile pavement. their achievements, which exhibits the modern spirit to its fullness. theatrical experience to the chapel’s most essential ceremonial function, its weekly
worship, and reflects the “artistic concept” Chen set out to achieve through the
Responding to the Surroundings brush painting he set forth at the initial founding stage of the university.
On-site planing: Blend in the physical environmrnt As the advantage of a slope was utilized in building up the pious atmosphere of
As described earlier, Chen in his initial campus planning believed that “being the the chapel’s worship function, there were other issues regarding its environmental
spirit of the school, a chapel shall be a taller building located at the center of the conditions for being the only architecture erected on top an empty lawn. Situated
campus so that people from every corner can see.” This is accomplished by erecting on the Dadu Mountain, which locates between the Taichung Basin and the city’s
the chapel on top the vast lawn, which lies at the intercession of circulation that coastal plain, its relative smooth terrain without dramatic rise and fall fosters a
leads to various sections on campus separated according to their functions. This windy environment, which was even more intensified as it lacked vegetation to
is where the chapel lies to this very day. From the brush painting illustrated in the add friction to its ground. Bare hills without trees, and sweet potato and sugar
beginning of the design stage, the Luce Chapel has been the sole building on top cane fields had once been the major landscape characteristics of Dadu Mountain
of this boundless lawn. With a size relatively small for the lawn, the construction of before massive plantation took place. The only tall trees on the mountain were
its operational base is fairly simple without any nearby buildings in its surrounding. arbors, which also contributed to a notable wind shear in the environment. Both
Firstly, Chen had to decide the orientation of this architecture built purely for a the terrain and vegetation on both sides of Dadu Mountain accentuated the
Pic. 27 Leaving the chapel, the east opening leads harshness of its mountain wind. With this environmental condition, finding a
religious purpose. Then, he had to solve the problem regarding the slope. to the green.
Pic.25 Looking at the Luce Chapel from the boy’s As Chen elaborated the relationship between the chapel and its surrounding, he proper orientation for the architecture was more essential than finding solutions
dormitory area. The principal’s office (the sloped referred to the orientation of the chapel and the slope of the lawn, and explained for issues concerning wind-pressure resistance and the issue of noise and vibration.
rooftop at the right hand corner of the picture) is at
its west. The roof of the chapel clearly occupies the that “eastward, the campus faces the Taichung Basin. The chapel sits west facing This is even more important for a building that stands as the only architecture
center of attention at the skyline. (Photo by Chen east, an orientation that enjoys the view of the spectacular mountain range afar.” erected twenty meters above ground level on a empty lawn. After the orientation
during construction)
Since the campus of Tunghai locates on the higher ground of the basin, the slope and directions concerning its two openings were decided with the main structure
decreases eastward. As the chapel sits on the higher west end of the slope, its inside the chapel being set as a space enclosed by four conoid walls that sits at the
worship and ceremonial functions are thus emphasized when people walk up west faces east, the design focuses then turned toward the severe conditions of its
to join the worship ceremonies at the Temple of God. Chen also made efficient environment, which is especially harsh in the winters.
use of natural lights to build up the aura of sacrosanctity. “The seating of the First of all, by choosing a structure with only two openings facing east and west
chapel can hold a congregation of four hundred and fifty people, which was half respectively, the chapel finds shelter from the windy surroundings as none of its
of the school’s population. The seats lies at the east side of the chapel while the four curved walls include any open windows. This avoided both the gentle south
altar sits at the west end. When the morning light pierces through the eastern breeze during the summer and the sharp north wind in the winter. Both the south
window during morning services, the altar would be immersed by the morning and north wind are directed upward as they hit the curves of the walls. The leeward
light, which shall stimulate piety and focus the attention of the congregation on curved walls break the rolling winds with their dynamic curvatures, which change
42. divine matters.”42The grand windows at both the east and west end of the chapel according to its height. This minimizes the influence of wind on ground level
granted sufficient natural lights without resulting diffuse light. As the sun moves activities, which may result in awkwardness or embarrassment when the wind lifts

38 39
 the skirts of pedestrians. This principle of the horizontal window belts at the east-west aligned ground level, the shutters
maintaining the east and west openings at the bottom of the curved side windows, a buoyancy effectthus developed
as the only two openings of the chapel a ventilation effect similar to the one of the stack effect. When the chapel was
have also simplified the control over the open for indoor activities, the warmer air heated by audiences’breaths and body
building’s natural light. temperature from the congregation would rise and dissipate through the louver on
As aforementioned, the acute angles on the two side of the sky windows. With the front and the back doorsbeing opened,
both ends of the diamond-shaped plan’s and shutter louvers below the eastward and westward windows bringing in fresh
longer axis were removed to form the air, indoor hot air would rise as the atmospheric pressure changes when these
openings of this building enclosed by four openings ventilate the interior with the cold air from the chapel lawn. The light
conoid walls. The windows at the front, yellow ceramic tiles paved on the surface of the exterior has low heat absorption,
the back and the ceiling were welded therefore it is not a problem for the chapel to stand without any thermal insulation
with channel steels, while translucent on the surface of its exterior. With a height nearly twenty meters above ground
brown energy saving window films were level, the building can withstand hours of solarization as indoor thermal variation
attached to avoid over exposure of sunlight enforces the stack effect, which generates ventilation. Air stagnation is avoided as
and light reflection. The natural light, the hot air rises and gets pushed through the vent on top of the chapel. With cold
which penetrates through the fixed glass air constantly coming in from the chapel lawn, overheating at the seating area is
windows on the eastward, and westward thus averted.
perpendicular fixed windows, which rise The design, which made good use of its grand section, achieved a ideal inner
to more than nineteen meters above thermal environment that fulfills the rational dimension of modernism whilst
ground level,is the major source of light for bringing in a splendid aesthetic beauty to the visual feast of Luce Chapel. Built in
day time indoor activities. Dramatic light Taiwan at the beginning of 1960s, this intricate design full of rational reasoning,
and shadow effects are directed by the is a demonstration of the “zeitgeist” depicted in the Bauhaus modernism
Pic. 28 The section drawing of the sky windowsin
the original profile samples of the Luce Chapel nature lights on sunny days. The connection points at the openings of the curved movement. In the 1960s Taiwan, air conditioning system was extremely lavish for
structure were part of the design. The RC joints on rooftop holds the building an age of material shortage. Though the chapel had resources from the West, it
together even when thermal variations, wind, or seismic activities cause pull and still made use of the plainest physics and the natural conditions of its surrounding
drag forces between the curved surfaces. At the sides of the curved walls, curved environment without depending on manual labor or air-conditioning machines
window belts were adopted as the connection points, which absorb the same to control its indoor environment. In fact, before the Luce Chapel installed an air-
forces. It is the diamond-shaped concrete hinge joints placed to handle the forces conditioning system in early 1990s, this buoyancy-driven ventilation system had
caused by seismic activities, thermal expansion and contraction. Alongside the operated efficiently for nearly thirty years. The fans at the parapets next to the
44.The addition of electric fans proved that the
dynamic curvature of the lattice beams, the acclaimed “one-line sky” openings actual ventilation rate provided by the louvers congregational seating area would only be turned on during the hottest to provide
renders an interesting and yet elegant light and shadow variation which is a part
was insufficient for the country's hottest physical comfort by increasing indoor airflow44. Contradicting to the high-tech
seasons. According to the on-site studies of the
of to the visual feast made up by the structure, openings, orientation, light and conservation research sponsored by the Getty performance that dominated the architectural fashion of the 1980s, the design of
Foundation in 2014, the actual structures of the the Luce Chapel humbly displayed the knowledge behind its physical environment
shadow within the chapel, and displays the aesthetics of the Luce Chapel that are sky windows did not follow the original section
celebrated by many. drawing given by I. M. Pei and Associates, which that hid within its structural system and construction techniques, and had
provided a design with ventilation function. functioned for more than a quarter of a century. Built at a time when the economy
All the openings of the Luce Chapel, whether it be the grand windows at the east Instead of the original triangular glass structure,
and west ends of the chapel, the curved window belts along the sides of the curved the actual sky windows only consists of a single of the country was yet to be recovered, the chapel stood as an outstanding but
sheet of glass, which is fixed to the steel frame by modest interpretation of modernism in the postwar Taiwan.
walls, or the “lined sky windows” at the roof, draw natural lights to the interior. removable screws. On the sides of the roof, the
In addition, tempered glass was applied to the steel windows frames of all three structure only retracted about 30 cm from the While the chapel’s physical condition concerning its thermal environment is set
edges of the sky windows’ glass to avoid direct forth marvelously, the performance of its acoustic and light environment is just as
fixed windows, which could not open. Narrow openings only exist on the steel raindrop, rather than adding a perpendicular
shutters near the ceiling and the grand level. At the ground level, thin sliding glass surface by bending steel panels to form an splendid. The part of light environment concerning the building’s artificial lighting
indentation with vents on the shutters. Without consists of indirect lights hidden at the indentations created by the height variation
windows, which consist of a thickness of only 3 mm, were placed alongside the the protection of a perpendicular surface, another
shutters to prevent the whirlwind of a typhoon43. With a spacious interior, which layer of steel wire mesh is attached to the top at the profile of its interior. The “chandeliers” commonly seen in western chapels
of the concrete joints from the inside to prevent with greater spans was entirely omitted in the design of Luce Chapel. Since the
holds four hundred and fifty seats at the congregational seating area, an efficient leaves, bugs, and birds from entering through
ventilation is necessary. To avoid the impression of suffocation resulting from the top. This solution points to the defoliation chapel was designed at a time when church activities usually took place during day
problem at the rooftop caused by the windiness time, the illumination in the evening was mainly designed to highlight the beauty
limited openings, the construction team implemented the concept of “buoyancy of Dadu Mountain. Defoliation also means
ventilation.” Besides the shutters facing east and west at the ground level, and ponding at the gutter during rainy seasons. Now of its form as evening activities were few. Its secondary function is to light up the
and again, water would pour in and cause steel congregational seating area for the congregational hymn and Bible sessions.
the ones close to the skyline, the “lined sky windows” also has a hidden function- erosion and ponding within the chapel. To solve
-by utilizing the height of the horizontal window belts made of steel, the depth of this problem, the chaplain's office sealed the Thus, the emphasis of lighting was focused on the following five spots. Within the
shutter in 1993; however, without ventilation, indentation in between the lattice beams and the congregational seating area,
the beams at the top of the roof became the parapets of the skywindows. The side this also resulted air stagnation. Furthermore,
43.The curved belt-shaped windows connected gaps of the skywindows, which are indentation caused by height variation between the shutters at the bottom of the architecture spotlights were installed to light up the curved surfaces from the sides of the
to the curved walls are all fixed windows with were also ignored and blocked by big furniture, indoor wooden parapets to accentuate the form of the diamond-shaped lattice
shutters added to the bottom. The top of the four the sky windows and its parapets, also contain the function of heat dissipation (Pic. aggravating the problem of ventilation
curved walls ends with deep beams which binds 28). The two side gaps at both side of the sky windows created east-west aligned deficiency, which were ultimately resolved by the beam. On top of the hinge joints beneath the sky windows, a spotlight was inserted
the walls together without any open windows. installation of an air conditioning system. to project downward above the altar to feature the diamond-shaped lattice at
cooling window belt which runs through the center axis of the chapel. Along with

40 41
 the top of the curved walls. Furthermore, another major indoor illumination focus and variety of diversity. The university chapel formed under the school's unique
directs to the altar. The design placed spotlights at the short end of the beams founding process is also very different from the ones built in the church universities
and projected lights to the altar and added two supplementary lights alongside in China. In the early 1960s, Peyton G. Craighill, commented on the Luce Chapel
the curved window belts, which consist of a height of eight meters at both the left upon its completion, stating that:“Words cannot describe what the architecture
and right hand corner. This was designed in a way to illuminate activities on the has accomplished. Clearly, it reflects the highest ideal of a contemporary church
altar without blocking the view from the seating areas. Out on the roof, a spotlight building. Webelieved that the most comprehensive definition for…the Luce Chapel
lights up the cross, which shines with the moon and the stars at night. Twenty should be a church instead of a chapel.“This is also the definition Tunghai wished to
meters away from both the north and south ends of the exterior rest the outdoor explore as the school conducted the research regarding the historical background
spotlights, which include the same glass tiles at the surface of the lamp to retain of the chapel with funds provided by the Getty Foundation.
a consistency with the chapel. The chapel was thus "visible from most corners of In the past, the researches on the Luce Chapel were mainly focused on its
suburb Taichung with its night time illumination." significance as a modern architecture built in postwar Taiwan. This includes
As for the acoustic environment, the four conoid walls, which consist of two discussions concerning aspects such as its modern abstractive interpretation of the
pairs of symmetric surface enclose a negative space that constitutes a ceiling Chinese aesthetic concept, the development of contemporary church arctitectures,
45.According to C. K. Chen, “the indoor acoustic height of nearly twenty meters. This negative space is an excellent sound field the representationby churches to Taiwan’s postwar modern architecture, the
effect shall be extremely ideal. Although the for reverberation. With a reverberation time that lasts nearly three seconds, this development of the fair-faced concrete technique in Taiwan, and the elaboration
curved surface consists of a hard material like
concrete, the supplementary crisscrossing beams creates a great sound field for music performances. However, this reverberation on the constitution and physics behind the chapel’s shell structure. In comparison
and their uneven and unparalleled surfaces condition also means disadvantages for activities such as sermons and prayer to its architectural structure, studies regarding the history of the development and
prevents echoes, resonance, and polyphony
along with its convex quality. Ref. Chen, 2003, pp. meetings, which demands verbal articulation. During sermons, speakers would construction of the chapel are rare. This shows that most of the existing researches
190-202 often have to speak loudly when the reverberation time causes echoes and have focused their elaboration on the cultural value of the chapel. Investigation and
46.Chow, Lien-Hwa once recalled that on the way
to the inauguration ceremony, I. M. Pei asked influences verbal articulation. Nevertheless, excess volume would also amplify studies concerning the conservation of the chapel was never thorough; therefore,
him about the acoustic effect of the chapel, and static noise. According to a description of Pastor Chow, Lien-hwa, the lattice beams discussions on the design intention which aimed to display the experimental spirit
mentioned the suicide of a New York architect
who killed himself for unable to outlive the of the hyperboloid curved walls also refines the sound effects within the chapel. within the higher educational ideals set in the founding stage of the school is also
embarrassment of designing a hall with bad With the exposed diamond-shaped rib beams made of hard concrete composite neglected along with the preservation and maintenance of its original forms.
acoustic effects. When Chow heard the story, he
did not have the courage to give any negative identical to the texture of the walls, the diamond-shaped lattices are capable of In fact, although the United Board of Christian Higher Education in Asia meant to
comments, and told him that the acoustic effect blocking some direct rebound to the acoustic orientation of the congregation establish a new Christian university in what was known as the "Free China," the
was fine. This incident shows how Pei took to 49For instance, when the church purchased the
heart in regard to the chapel's internal acoustic seating area45, reducing the sonic energy while decreasing reverberation at the organ in 1992, the speakers were installed directly construction budget of the Luce Chapel came from the Luce family, who gave
effect. However, as the chapel functions both as a same time46. Besides the decay of sonic energy possibly caused by the acoustic on top of the wooden screen at the background their full financial support in the early 1960s. Overall, the construction of the
place for musical performance and oral activities of the altar, and changed the flat surface of the
such as sermons and prayers, it was difficult to rebound resulted from the multiple angles of the lattice rib beams, the design team original wooden screen to a V-shaped screen. entire campus of Tunghai was highly experimental. It took a sufficient budget, and
attend the acoustic demands of both functions also introduced efficient "sound-absorbing" materials. The original chapel benches, After the Jiji earthquake in 1999, many sections an independent design and construction team to fulfill the experiments. As the
under a singular space. The requirement for of the concrete walls show cracks. The general
verbal articulation stands contradictory to designed to be integrally formed with millstone and concrete directly molded office simply entrusted a company to fill up the United Board slowly withdrew its financial support, the university had to face the
the intrinsic quality of the building's acoustic and fixed to a marble floor47, were switched to wooden benches and flooring48 cracks with non-shrinking concrete. In 2009, challenge of independence financially. After mid1970s, the university was forced
environment. Therefore, it was necessary to when alumni pointed out the worn-out floor
find an alternative solution. In order to avoid the to reduce rebound. The concerns regarding the building's acoustic environment within the chapel, the general office abandoned to contract out its maintenance and construction of its school buildings to the
sound being focused on particular spots as the were hidden in the detailed design of structural systems, construction, and the solution of polishing and sealing the original cheapest outsource, or simply replace the worn-out facilities with new models
curvature of the curved wall directs rebounds, the wooden floor and directly replaced the original
uneven diamond-shaped lattice formed by the angles, delivering fabulous environmental control techniques under its modern thick wood flooring with a wooden pattern plastic due to its much-limited budget . This was the method applied to the maintenance
exposed concrete rib beams were structured to architectural aesthetics. This marvelous performance of "reasoning" behind flooring. of all school buildings including the Luce Chapel. Actually, choosing the cheapest
generate the acoustic quality of irregular rebound 50For example, when the chapel suffered from
without the intervention of any devices. its acoustic techniques hidesin the curve structure and its relationship with the leakage at the roof, a flat sheet of glass was outsource had a lot of side effects. Ultimately, the school ended up spending more
47.A similar concrete structure is seen on the floor, and requires detail investigation to discover indications of the astounding directly added to the original glass rooftop with to keep the public image regarding the authenticity of the Luce Chapel.50
congregational benches within the chapel of silicone sealing the both ends of the wall. This
Kung-Tung Technical Senior High School. The thoughtfulness behind the design of the chapel. resulted stains on the concrete surface, which In Fall 2014, the chapel was luckily listed as one of the first ten modern buildings
frames of its benches were made of grouted eventually had to contract out the cleaning of the chosen to receive the "Keep it Modern" Grant from the Getty Foundation to
concrete with wooden boards attached to form external wall to a contract cleaner, who cleaned
the seats and the backs of the benches. Conclusion the wall with acid liquids, which damaged the activate a thorough investigative research on the conservation of the Luce Chapel
48.Ultimately, the floor from the congregational Founded in a time when the Chinese Civil War finally came to a close, from glaze on top of the ceramic glass tiles. In the concerning studies in regards to the investigation, repair, and reuse of its materials
area to the altar were installed with lauan wood same year, the chapel installed its air-conditioning
panels that comprised of a thickness of one the very beginning of its founding stage, Tunghai University was constantly system, which was also contracted out to the (Pic.29). Being granted the award not only reaffirms the chapel’s value as a classic
inch eight points and a width of one inch two challenged by questions regarding whether and how Protestant churches should cheapest contractor, who used the cheapest modern architecture, but also reminds the school and the country of the chapel's
points. With a solid thickness in addition to the model which cools the interior with a water
intrinsic flexibility of lauan, the flooring created continue their mission works in the so-called "Free China" and Asia as the thirteen cooling compressor that brings in cold waters distinctive significance. To Taiwan, the Grant witnesses the impact of modernism
an excellent sound absorbing effect. In 2009, the Christian Universities sponsored by Protestant communities were closed after to the ventilation ducts. This not only caused in architecture, which swept the globe in the middle of twentieth century from the
carpet above the surface of the lauan flooring problem of booming mechanic noise which lasts
was worn out. Instead of polishing and applying the war. Should the thirteen universities be reopened in Taiwan, or should the to this very day, the water from the cooling tower West to the East. Located in the Far East, Taiwan had a chance to respond to this
protective seals to the surface, the original board establish a new university solely for the purpose of educating the youths in next to the water cooling compressor also rusted world trend with a unique interpretation by making a classic spatial experiment
wood floor was replaced by plywood flooring all the steel window frame at the bottom of the
coated with wood pattern plastic finishes which Taiwan? Would the school focus on professional training or liberal arts? What kind west window. In the future, church members and worthy of maintenance. This Grant has awaken the society's attention toward the
consists of a thickness of six points only. With of campus and campus lifestyle do the university needs to support its educational alumni probably won't accept the replacement of modern architecture in Taiwan, and has turned the government's focus of cultural
the thickness being five points thinner than the a cheap aluminum window frame, which can be
original flooring, performers who are familiar ideals? What should be the style of the school buildings? How should students easily maintained. However, if the original steel heritage from historical buildings and landscape built during the Qing Dynasty
to the chapel's acoustic environment gave a and faculty members interact on campus? How should the students learn in their window frame i to be restored, the rusted steel and the Japanese colonial period, to the architectural historical development after
feedback regarding the decline of the chapel’s would have to be cut off and replaced entirely as
sound quality after a series of Christmas concerts life on campus? Through a series of discussion and arguments, Tunghai finally it is impossible to restore the steel through rust 1945, which is the year World War II ended. This is a significant breakthrough. For
that year. found its ground with a liberal and democratic aura that celebrates the richness removal. This will be a costly construction. Tunghai University, the Grant has reminded the university's administration and

42 43
 can be based on the prerequisite of keeping the overall historical and material
originality of the chapel. Tunghai University has already filed for an approval to
list the Luce Chapel as a "national monument," which is the highest level within
Taiwan's cultural heritage conservation, in hope of sustaining this millstone of
modern architecture in Taiwan, and keep on "conversing with the world with a base
stationed in Taichung."

Primary References
Architectural Department of Tunghai University (Ed.). (2003). Jian zhu zhi xin: Chen qi kuan
yu dong hai jian zhu. [The mind of architecture: C. K. Chen and the architectures of Tunghai].
Taipei: Garden City.
Chen, C. (2003). Yun yan guo yan: Chen Qikuan de hui hua yu jian zhu. [Painting and
architecture of Chen Chi-kwan]. Taipei: Taipei Fine Arts Museum.
Cheng, H. (2006). Yi quan huo shui: Chen qi kuan. [A living fountain: Chen, Chi-Kwan]. Taipei:
INK.
Guan, H., & Chen, G. (2009). Leng zhan jie gou xia dong ya di yu zhu yi jian zhu. [East Asian
regional architecture under the cold-war structure]. Taichung: Tunghai University.
Huang, C. (Ed.). (2003). Yong wang zai qian: Dong hai da xue lu si yi jiao tang jian tang si shi
zhou nian gan en ji. [Keep moving with courage: a thanksgiving special edition for the fortieth
anniversary of the Luce Chapel in Tunghai University]. Taichung: Tunghai University.
Hu, Y., & Guo, H. (Eds.). (2008). Chen qi kuan: Gou zhu yi hui. [Chen Chi-kwan: architecture
Pic.29 During the conservation research period, the research set up the scaffolding for a thorough inspection of the shell structure and steel frames and paintings]. Taipei: National History Museum.
and glasses. The scaffolds was standingon the lattice beam 8 meter height and above in order to keep the weekly activities taking place as usual. Luo, S., & Chen, G. (Eds.). (2007). You yi hua jing: Huai nian chen qi kuan jiao shou. [Arts that
go above beyond: in memory of Professor Chen, Chi-Kwan]. Taichung: Tunghai University.
Jodidio, P., Strong, J. A., Pei, I. M., & Wiseman, C. (2008). I.M. Pei complete works. New York:
Rizzoli.
The Editorial Committee of the Fortieth Anniversary of Tunghai University (Ed.). (2003). Dong
policy making departments of the honor of owning an architecture with significant hai feng: Dong hai da xue de li shi. [The wind of Tunghai: The history of Tunghai University].
cultural values, and granted the Luce Chapel an opportunity to be set apart from Taichung: Tunghai University.
The Editorial Committee of the History of Tunghai. (Ed.). (2007). Dong hai da xue wu shi nian
the maintenance regulation of its ordinary campus building, and have a proper xiao shi: Yi jiu wu wu- 2005. [A history of Tunghai University: 1955-2005]. Taichung: Tunghai
repair and maintenance standard. Moreover, this Grant also has impact on the University.
conservation of cultural heritages in Taiwan. People from the school's faculty Tunghai University Campus Guide Club (Ed.). (2002). Dong hai xiao yuan jian zhu bu dao. [The
walking path on the campus of Tunghai University] Taipei: Owl.
and student members, alumni, to those working in this field were inspired by the Ying, X. (2000). Xu mi jie zi : Chen qi kuan ba shi hui gu zhan. [A petrospective of Chen Chi-
conservation research project, and intend to initiate a movement that directs to kwan at eighty]. Taipei City: Sheen Chuen-Chi Cultural and Educational Foundation.
the conservation of other distinctive architectures built around the same campus
at the same era.
Initiated by the Granted award from Getty Foundation which prompted to conduct
a thorough conservation research on the Luce Chapel, this chapter aims to review
the chapel through elaborating the development of its spatial formation and the
spatial experiences within the chapel. In addition to the accounts of the chapel
stated by C. K. Chen and I. M. Pei after the completion of the architecture, the
purpose of the inspection is to restore the original concept of the Luce Chapel, and
discover a reinterpretation fitting for the current cultural and natural environment.
Before the execution of the "Keeping it Modern" project, the project team already
held authentic records concerning the conditions of the chapel from 2014 to 2015.
As the project began, the team has dug into the archives of the general affair office
and the chaplain's office to review the repair history of the chapel diachronically,
and has pondered synchronically on the motives and reasoningbehind all
the treatments through studying the structure, form, acoustic environment,
illumination, thermal environment, and air conditioning of the chapel. This was
done in hope to find the "permanent treatments," most logical and appropriate
for the renovation and maintenance of the chapel, instead of clinging to the
"temporary solutions." Furthermore, as the project team reaffirms the original
design concepts of C. K. Chen, it also wishes that future renovation would pay
respect and attention to the intrinsic aesthetics of the chapel, and judge the
necessary intervention and method of conservation through consulting experts,
scholars, and consultant teams, so that future renovation and maintenance

44 45
 1. Future Use Plans
of Luce Chapel

Background
Luce Chapel has stood on the soil of Tunghai University for 52 years now. Ever
since its completion in November 1963, it stands a symbol of the soul and the
educational ideal of THU.
In 1955 when this Christian university was founded, it situated on Da Du mountain
surrounded by miles and miles of green hills and farmland and there was no
church to be found nearby. Therefore Tunghai Christian faculty-a lot of them were
missionaries-and Christian students managed to have Sunday worship services
on campus. The space of student cafeteria, school storage building, the Oberlin
Center ...all at some time was used for worship and served other church functions.
After 1963 with the establishment of Luce Chapel, faculty and students gathered
at Luce Chapel for worships and various Christian activities. A intrinsic church body
became an organized local church.
University Chapel Hour was one of the long hailed traditions for Christian liberal
arts colleges/universities. Following that good tradition, after the building of Luce
Chapel in 1963, for many years in the Chapel we held weekly Chapel Hour and
daily Evening Devotions for faculty and students. Every day the bell beaconed the
whole campus—from 1963-1972 the whole campus consisted of about 100 faculty
and 800 students. The strong spiritual ethos permeates the whole campus inside
and out, in classrooms and extracurricular activities.
As time changes, faculty and student body increase from 800 to 8000 in the
1980s, religious life on campus became more diversified. In the 80s, with 20
percentage Christian faculty and 3 percentage Christian students, Luce Chapel,
though remained a significant and unique building on Campus, only a small portion
of the faculty and students will come into Luce Chapel, attending Chapel time/
services. For the majority of the students, they rarely think of the Chapel as an
intrinsic part of their university life. There was no immediate need for them to
come into the Chapel. We stipulate that to make Luce Chapel more approachable
to the students, since 1980s, besides religious activities, concerts, dances, art
performance sometimes were performed in the Chapel. It becomes a tradition for
Tunghai esteemed Music Department to have their annual orchestra concert in
Luce Chapel every year.

46 47
 Luce Chapel is a great asset to our university. It is a well-known architectural icon,
and enjoys esteemed status/reputation both nationally and internationally. More
importantly, it stands at the center of Tunghai campus, by its mere existence,
it strengthens the identity and contributes to the unique mission of THU as
a Christian high education institute. It requires our non-ceasing efforts and
creativity to make Luce Chapel relevant to the university life, building bridges
between religion and living, faith and study, meditation and work. Faculty and
students may approach the Chapel in its religious services, in its holy liturgy, in its
ceremonial practices, or in other kind of meaningful activities held in the Chapel.
By doing so, Luce Chapel then becomes an organic space and opens up channels
for the holy and the mundane. A variety of activities are conducted inside and out
of Luce Chapel at Christmas season and Easter season. From 2009 up to this year,
the culmination of freshmen orientation is the last night when 3000 freshmen
gathered around Luce Chapel and were initiated into their university life. Every
year in June, department after department held their graduation ceremonies in
prayer and praises, in encouragements and blessings at Luce Chapel, they embark
on a new journey. Important school events such as THU Outstanding Teachers
Award Presentation, Honor students Award ceremony are also conducted in Luce
Chapel. In 2015, different activities held in LUCE CHAPEL can be tabulated as
the following: A) Religious Activities 42%, B)Seasonal Celebration events22%,
C)Weddings/Funerals10%, D)Guest visitation open house22%, E)Academic or
Students related Affairs3%.

Future Use
In the near future, facing the ever increasing demand of tourists and on the other
hand considering its holy aspect/religious functions, we would improve our present
practices by adding the following projects:
Scheduled tour/ guided visit—different visitors have different interests—historical,
architectural, Christian faith-related interests, and aesthetics, and so on. All these
call for training people and providing them with different skills & knowledges to
arrange for guided tour, film presentation, or worship experiences, to show people
the physical beauty of Luce Chapel and its more intangible aesthetic quality.
Scheduled open time for prayers—As the spiritual center of the university, Luce
Chapel should be opened daily for faculty, students and community people to
come and spend some time before God in prayers/ meditations. Aided by music,
bible scriptures, we hope to help people finding peace/comfort in their innermost
being/souls. As Jesus once said: “Come unto me, all ye that labour and are heavy
laden, and I will give you rest.”
Weekly University Chapel Hour –Christians on THU campus came together and
formed a church body even before the establishment of Luce Chapel. Ever since,
the church offers services to the university community and the neighboring
community. However, since the function of“chapel hour” and “church gathering”
are different, we will endeavor to revive the good practice of “chapel hour,” in the
hope that the whole campus-- non-Christian faculty and students with Christians,
and Christian of different church affiliations-- would come together despite our
differences and pay homage to God.
After the 2015 Luce Chapel Conservation Research Project funded by the Getty
Foundation, we plan to form a task force at the university level to continue finding
funding and overseeing the following improvement/renovation projects in the 7
areas identified in the research. All these effort is to ensure Luce Chapel standing
as an ever inspiring monuments, that more people and future generations can
appreciate its uniqueness, and the love, the faith, and the hope this university was
founded on.

48 49
 2. Construction
Investigation,
Conservation and
Restoration of
Henry Luce
Memorial Chapel:
On Tiles,
Foundation, Mortar,
and Openings

Preface
This section of the chapter aims to examine and elaborate the following
construction details of Henry Luce Memorial Chapel: (1) exposed finishes (tiles and
mortar), (2) foundation, (3) openings, and (4) interior floor.
We propose the following conservation themes and outline regarding the above-
mentioned construction sections. First of all, we suggest a thorough identification
and evaluation on the cultural value of each constructional section. This is the
foundation of cultural asset preservation and conservation. This follows the
important task of investigating and filing the current condition of the structure.
Above all, a deterioration inspection is most urgent. This directly impacts the
conservation strategy of this cultural asset. After a preliminary inspection,
restoration proposal was brought forth in this section of the chapter.
The conservation research and preservation thesis of Henry Luce Chapel involve
international general principles on world heritage preservation, such as the Nara
Document on Authenticity 1994 and the Burra Charter 1999. Considering the
essence of the above documents, a restoration proposal consists of more than one
singular solution will be introduced to cover different involvement levels on non-
intervention, maintenance, stabilization, repair, and restoration.

50 51
2.1 Surface texture and scale—
The rhombic tile with mastoid protrusion (front)

2.3 Measurement of the tiles 2.4 Details and shop drawings of the tiles, owned
and collected by Tunghai University

Framework proposal materials. These tiles are consistent in shape and size. The side lengths of the
rhombus are 11centimeter, and the thickness is about 0.9 centimeter (Fig. 2.1~2.3).
on the exterior wall tiles and mortar There are two types of rhombic tiles; one with a mastoid protrusion at the center
of the tile, and another with a flat surface (Fig. 2.1~2.2).
According to the instructions of the construction plan, “100 tiles should be paved

1. The inner grillage girder combined with the external

rhombic tiles forms and constructs the structural
per square meter, and the center of the tiles spaced out by 5 centimeters.” This
indicates the spacing rule and basic para-position regulation of the tiles (Fig. 1.5).
Assessment floatation of this sanctuary. The diagonals of the Though the length of the horizontal lines at each altitude differs, the amount of
on the value outdoor tiles are proportional to the indoor lattice the rhombic tiles on each row are the same.
of the tiles beam. There is a strong in-depth spatial dialogue
and mortar between the exterior and interior part of the chapel 2.5 Part of the exterior wall Construction condition and quality control
2.2 Surface quality and scale— as parts of in terms of color, texture, and luster. For instance, the Even with clear visual instructions, the constructors had to adjust the tiling
The flat rhombic tile (front) the cultural interior space kept concrete as its exposed surface positions while paving the tiles on the curved roof. The center of the tiles had to
heritage while the exterior has decorated the walls with glossy first be identified, then turned slightly to fit the curved roof.
yellow rhombic tiles. The size and shape of the tiles are fixed. Therefore, controlling the mortar interval
The aim of this restoration is to preserve and manifest the aesthetic and historic between the tiles is another important tiling task. The mortar interval between
value of Henry Luce Memorial Chapel. It is based on the respect toward original the tiles has to increase as the slope of the wall decreases for the number of tiles
construction materials and historical documents.1 Base on these intentions, we to remain consistent on each row. Mr. C.K. Chen once mentioned, “From the side
compared the chapel’s current construction condition with historical documents, of the chapel, lines of the rows look as if they are straight lines. However, they are
such as the original manuscripts, design and hop drawings, interviews, and definitely curved lines meandering from the bottom to the top of the chapel when
the recollection of Chen Chi-Kwan (C. K. Chen, 1921~2007). This helped us in 2.6 Part of the external wall you observe them from the bottom of the external walls. The exterior rhombic tiles
appreciating and understanding the design concepts of Mr. C.K. Chen and the echo the indoor lattice beam. This preciseness of the mortar interval construction
process of how each detail idea came to life. Furthermore, we will present relevant came from the dedication of two master workers from Guang-Yuan Construction
conservation issues such as the durability and authenticity of the construction Firm, Chi Chin-Kun and Chen Hsin-Teng, who both graduated form Industrial High
1. According to “The Venice Charter” article 9. materials. School during the Japanese colonial period.”
The Venice Charter for the Conservation and
Restoration of Monuments and Sites is a code of Truly, the curved roof full of rhombic tiles indicates the limit of moldboard
professional standards that gives an international An overview on the tile paving plan— construction. According to the picture (Fig 2.6), several undulations were observed
framework for the conservation and restoration of
ancient buildings. The committee aims to provide Shape, size, material, spacing and alignment at a distance. Mr. C.K. Chen once made an optimistic comment on the “flaw,”
principle guidelines for the preservation of historic The roofing tiles of Henry Luce Memorial Chapel, designed by Mr. C.K. Chen (Fig. indicating the undulations look like “God’s thatched cottage worn out in years of
buildings.
2.1~ 2.4), are the most important and basic modules of the exterior construction disrepair.

52 53
 customized for the making of the tiles of the chapel by the factories in Zhunan
Township, Miaoli County, Taiwan(R.O.C.) under the commission of Wu Ken-Tsung,
the owner of Guang-Yuan construction firm. Information and knowledge regarding
substances of kaolin clay, raw glaze and other ingredients, manufacture origin,
and kilning techniques (such as charring in stalls, tint, mix proportion) are still
unknown. Having the mark of “Yingge,” the authenticity on the manufacture and
technician being in Zhunan is also questionable. All these mysteries require further
research.

Image links with tile-wore wall

We can comprehend the geometry of the four conoid (saddle-shaped) shell walls
from the regular patterns of the exterior tiles. The horizontal rows maintain leveled
lines as the curve soars into the sky. The rhombic tiles with the mastoid paved on
every other row emphasize the logic and rules of this constructional detail (Fig.
2.10 Parti of the exterior wall 1.10). Mr. C.K. Chen mentioned, “I once suggested the principal to keep the glazed
tiles in storage as gifts for guests of honor instead of using them for reconstruction.
Putting the tiles in brocade boxes makes memorable gifts. The mastoid on the tiles
can also be found on adobe walls of vernacular architecture in Taiwan and China.
2.7 Parts of the exterior wall 1.8 Tiles used on private houses in Taiwan during the Japanese colonial period(from Taisho to The purpose of adding mastoids is to accentuate the curving structure.”3 (Fig.
pre-war Showa)(Professor Horigome Jenji，2001.09) 2.11~2.13).

The above gable wall is commonly seen in the adobe walls of Taiwan Hakka
traditional vernacular architecture (Fig. 1. 11~1.13). The tiles of the tile-wore walls
are tiered on adobe walls. There square tiles and tiles in the shape of fish scale. The
walls with layers of fish scale tiles are also called fish scale walls. Each tile is fixed
2.12 The tile-wore wall of Zheng’s Ancestral Shrine
in Guanxi Township, Hsinchu County 306, Taiwan with a bamboo or iron nail. From afar, the wall look as if it is wearing a cloth made
(R.O.C.) (Photo by blogger “j Adama Shih, 319 of tiles. Therefore the Chinese calls this type of wall a “tile-wore wall”. There are
The original kilning quality of the tiles Travel Rechord”)
In addition to the comparison between the tiling plan of the exterior tiles and the two main purposes of tiling. Not only do tiles protect the adobe wall from the sun
overall construction condition, a notable difference between the original design and rain, they are also great decorative embellishments.
and actual manufacture also contributes to the chapel’s rich variation in color and
luster. In the beginning, Mr. C.K. Chen set up the color of tiles to be pure yellow.
However, the intrinsic quality of the glaze might have caused the variation of the
color after kilning,” said Chen. “The person in charge of Guang-Yuan construction
firm, Wu Ken-Tsung apologized for the color inconsistency of the tiles, which is
somewhat golden, brownish and greenish instead of the original pure golden
1.9 Shapes and depths of the grooves in the back design. However, I was very happy with the surprise, and instructed the master
of the tiles— workers to place these tiles in a way that the colors are staggered. This would avoid a
Rhombic tiles (back): the mark of “Yingge” (the 2.13 Town house Qionglin Township, Hsinchu
city of ceramics), the “Triangle” trademark, and mechanical color tune, and the result is just what we hoped for.” The unanticipated County 307, Taiwan (R.O.C.) (Photo by Cyonglin
other graphics phenomenon of glazed color variation is called “furnace transmutation”.2 (Fig. 2.7) Cultural Workshop ；http://www.cyonglin.idv.tw/)

The Messages behind the tile-wore walls
In order to distinguish one manufacturer’s tiles from the others, most producers
would stamp their trademark on the back of their tiles. Besides, grooves on the
back of the tiles also increase adhesiveness. Each manufacturer has its own
pattern for the grooves. Thus these grooves also serve as brand marks, providing
clues on the manufacture company of the tiles. One of the most well known
examples in Taiwan is the manufacture of the tiles used on private houses during
the Japanese colonial period (from Taisho to pre-war Showa) (Fig. 2.8)
2.11 The tile-wore wall of Shuang-Tang House,
Xinpu Township, Hsinchu County 305, Taiwan
The tiles of Henry Luce Memorial Chapel also carry the same message. However, (R.O.C.) (Photo by blogger “Janice life”；http://
the marks of “Yingge” (the city of ceramics), “Triangle” trademark, and other janicelife.pixnet.net/blog/post )
graphics (Fig. 1.9) are rarely seen in existing records. “The making of these tiles
2. As above. 3. As above.
did not use ready-made, maturely developed construction materials. They were

54 55
 ii. Similar architectural material : ceramic tiles;
10.0 < 14.58 < 50 (Fig. 2. 21)
iii. Conclusion : weak impermeability / permeable; highly decorative / strong
aesthetics
2.21 Data analysis on the water absorption of tiles.
Reference: CNS9737 (the amended version of
2013.09.30) The Sprinkler test
2.15 Testing one of the tiles on its water absorption:
soak the tile in water after thoroughly drying the I. Condition settings (Fig. 2.22)
tile to test its water absorbing ability i. Test day: Sprinkle the tiles for a day (09:00~12:00 ; 14:00~15:00).
Observe and record the next day
ii. 1.5HRS/per side/sprinkled on all four walls
iii. Water velocity: similar to the flow of average hand washing sinks
iv. Avoiding the skylight window
II. Result:
i. Inner wall: No leakage.
ii. Indoor basement: Constant leakage

2.16 Drying the tile for water absorption test 2. 22 Methods of test for tiles: Sprinkler test
Tests on the modulus of rupture and tensile strength of the
ceramic tiles
2.14 Framework and flow I. We chose CNS 3299-4(2009)-R3071-4 as the methods of the tests on modulus
chart of the purpose, data of rupture and breaking strength (Fig. 1. 23~1.26). The test method of CNS 3299-
assessment and follow-
up study of the tiles 4(2009)-R3071-4 is equivalent to ISO 10545-4:1994.
II. Result:
i. N : 467。(Fig. 2.27)

2. 17 Laboratory items of water absorption test. 2. The investigation purpose, data ii. Correspondent modern architectural material (Fig. 2.28): Interior wall tiles or
interior wall mosaic tile。 180<N=467<540; N=467 < 720 (Exterior wall tile).
The assessment and follow-up study on the
ceramic tiles iii. Conclusion: Highly decorative/strong in aesthetics
conservation Besides the above-mentioned connection
value and between the rhombic tile roof of Henry Luce
authenticity Memorial Chapel and traditional Chinese
of construction vernacular architecture, Mr. C.K. Chen also
materials, pointed out his original intention for choosing a
techniques, and tiled roof. “Initially, I thoug ht of glazed tile for
craftsmanship its waterproof function. It gives cement a coat
2. 23 Laboratory items of modulus of rupture and
of protection, preventing the inner reinforced tensile strength tests
concrete from rusting…,” said Chen. With this
design concept in mind, two questions were brought out during the research
2. 18 Laboratory items of water absorption test
process, and three subsequent experiments followed.
Question 1: How well do the tiles protect the reinforced concrete from rainwater?
1. 25 Test records of modulus of rupture and 2. 26 Records of modulus of rupture and tensile
Question 2: How is the durability of glazed tile roof? This followed experiments tensile strength of the tiles (Tested by SGS strength tests— on rhombic tile with the
on (1) water absorption, (2) Sprinkler test and (3) modulus of rupture and tensile (Société Générale de Surveillance), Taiwan). mastoid (right) and flat tile (left)
strength (Fig. 2.14). 2. 27 Data records of
modulus of rupture and
tensile strength tests
Test on water absorption (Tested by SGS (Société
Générale de Surveillance)
I. We chose CNS 3299-3(2010) as the test methods for ceramic tiles in section 3 of Taiwan)
R3071-3, which lined out the experiment procedure of water absorption, apparent 2. 28 Analysis of data
porosity and bulk density (2010.05) (Fig. 2.15~2.19). CNS 3299-3(2010). The of determination of
2. 19 Water absorption test determination of modulus
methods of R3071-3 are equivalent to the ones in ISO 10545-3:1995. of rupture and breaking
Tiles were thoroughly dried before being immersed in water, and then boiled and strength of tiles, compared
with CNS9737 (before
placed in vacuum cabinet to fill the pores with water to test absorption. 2013.09.30 amended)
II. Test results:
2. 20 Data record of water absorption test (Tested i. Absorption rate (Boiling method) : 2. 24 The principles of modulus of rupture and
by SGS (Société Générale de Surveillance, Taiwan). Eb (%) = [ ( m2b - m1) / m1] X100=14.58% (Fig. 2. 20). tensile strength tests

56 57
 2.36 Tile color alteration and contamination

2.29 Site investigation approach and methodology of tiles and mortar 2.35 Damage atlas of the tile erosion, exfoliation and pitted tesserae 2.37 Tile color alteration and contamination

Tile deterioration conditions and classification of defects

The roof tile deterioration condition of the chapel can be roughly categorized in
the following classification:
1. Erosion, exfoliation and pitted tesserae (degree: acute+, slight-)
2. Color alteration and contamination (degree: acute+, slight-)
3. Cracks and fractures (of individual tiles or adjoining tiles)
4. Efflorescence
5. Perforation

I. Erosion, exfoliation and pitted tesserae (Fig. 2. 31~2.35)

2.30 Tiles having apparent defects due to
manufacturing flaws were excluded in the damage
records
3. Investigation approach and
methodology of tiles and mortar
These are the tiles under erosion and attrition. White adobe would also exfoliate
under these conditions (Fig.2.34). The deteriorations were classified as acute or
Site investigation In this case, we adopt a damage atlas slight according to the scale of deterioration (Fig.2.35). The coordinates of these
on tiles and mortar method to establish a primary archive for the fractures are as recorded on the graphic (Fig. 2.35).
deterioration tile and mortar deterioration investigation. The tile eroded, exfoliated and pitted tesserae occur mostly on roof-S2, roof-N1,
The notation includes units, sections, notes, and roof-N2. The main cause of erosion on roof-N1 and roof-N2 are most likely the
and diagrams (Fig. 2.29). nature of gradient and flow rate of the roofs (Fig. 1.34). Serious deteriorations at
Tiles with apparent defects caused by the bottom of roof-S1 are probably artificial damages.
manufacturing flaws, such as furnace transmutation defects, or faulty products,
2.31 I.Erosion, exfoliation and pitted tesserae
were excluded in the damage records (Fig. 2.30). For example: II. Tile color alteration and contamination (Fig. 2.36~2.39)
I. Hidden cracks: Hairline cracks paralleled to the kiln. This type of cracks happens The tile color alteration and contamination distribution (Fig. 2.39) closely relate
when the tiles are being taken out of the kiln. The cracks take place without any 2.38 Tile color alteration and contamination to the distribution of tile erosion, exfoliation and pitted tesserae (Fig. 2.35). The
early warnings. contamination on top of N1, N2 and the side frames are the most severe (Fig.
II. Chips: This happens when the clay is too dry or when the pieces collide. 2.36). Areas close to the ground also suffer serious contamination (Fig. 2.38). The
III. Cooling cracks, hard cracking, lack of heat, calcification, defects in color and contamination on N1 and N2 was most likely caused by the gradient of the roof
luster, etc. and the insufficient drainage of the roof gutter.
2.32 Erosion, exfoliation and pitted tesserae

2.39 Damage atlas of tile color alteration and

2.33 Erosion, exfoliation and pitted tesserae 2.34 Erosion, exfoliation and pitted tesserae contamination

58 59
 2.42 Damage atlas of tile cracks and fractures 2.47 Damage atlas of tile perforation 2.48 Mortar crack

2. 40 Tile cracks and fractures

2.49 Mortar crack 2.50 I.Mortar crack

2. 41 Tile cracks and fractures

III. Tile cracks and fractures (Fig. 2.40~2.42)
2.44 Damage atlas of tile efflorescence
According to our primary and comprehensive investigation record (Fig. 2.42),
individual and slight tile cracks and fractures are the major issues (Fig. 2.41). The
cracks of adjoining cracks can form a long continuous fracture. However there are
only two continuous fractures, one perpendicular and one horizontal (Fig. 2.40).
Both of the fractures are only on the surface of the tiles, thus do not jeopardize the
chapel structure.
2. 43 Tile efflorescence
IV. Tile efflorescence (Fig. 2. 43~2.44)
The efflorescent condition clearly scatters in several areas (Fig. 2.44). These are
also the areas where apparent and acute deteriorations locate (Fig. 2.43).

V. Tile perforation (Fig. 2. 45~2.42)

Tile perforation happens on the surface of the tile or on mastoids. Once a hole
penetrates a tile, water or dust may easily permeate through the cement and
erode the building structure.
2. 45 Tile perforation 2.46 Tile perforation

60 61
 be replacing tiles in critical deterioration condition, such as efflorescence, with the
same batch of tiles stored in the school’s warehouse.

I. Tile Treatment1: Cleaning the glazed surfaces

i. Causes and factors assessment;
ii. Avoid damaging the structure;
iii. Mockup is necessary (use low hydraulic pressure on general contamination;
neutral detergent on biologically deterioration)

2.52 Mortar cavity and lacuna

II. Tile Treatment 2: Replacement and safe removal of the damaged tiles
i. Replace with the same batch of tiles stored in the school’s warehouse;
ii. The value of the original material is irreplaceable (compatibility and
simultaneity)
iii. With the amount of tiles in store, ordering replication for replacement is not
the priority of the current conservation.

2.51 I.Damage atlas of mortar crack 2.53 Mortar cavity and lacuna
III. Mortar Treatment 1: Repair of the surface and (re)fill mortars
i. Cement and Concretal-Lasur (SiO2);
ii. The compatibility principal: introduced treatment materials without negative
consequences
iii. The Reprocessable process: the current conservation treatment shouldn’t
hinder any future treatment.
iv. With the amount of tiles in store, replication is not a priority.

2.57 Mortar efflorescence IV. Mortar Treatment 2: Regular maintenance

2.55 Mortar efflorescence

1.54 Damage atlas of mortar cracks 2.56 Mortar efflorescence

The condition and classification of mortar deterioration

Mortar deteriorations are classified into the following five categories:
1. Cracks
2. Mortar cavity and lacuna
3. Mortar efflorescence
I. Mortar crack (Fig. 2. 48~2.51)
II. Mortar cavity and lacuna (Fig. 2. 52~2.54)
III. Mortar efflorescence (Fig. 2. 55~2.58)
2.58 Damage atlas of mortar efflorescence 2.59 Inappropriate treatment
Treatment suggestions on the restoration of tiles and mortar
deterioration
In conclusion, the heritage value and characteristic of the roof tiles are more
decorative and aesthetic instead of waterproof function. However, so far the
deterioration of the glazed tiles hasn’t caused any leakage. Therefore, we
strongly recommend “cleaning” as the first and primary treatmen. Moreover, the
conservation requires the maintenance of an appropriate visual setting, e.g. the
4. According to “The Australia ICOMOS Charter (the color, texture and materials of the tiles4. In other words, in order to maintain the
Burra Charter)” article 8. authenticity of the original tiles, designed by Mr. C.K. Chen, the second step should 2.60 Replacement and safe removal of a damaged tile

62 63
 Framework Proposal
for Foundation Waterproofing
Structurally, Henry Luce Memorial Chapel is composed of four conoid (saddle-
shaped) shell walls with one floor, together creating a contour consists of two
linear and two curve lines. This gives the chapel a unique upward pitch. The five
plates stand individually, disconnecting from one another. The floor caves in at the
edges where the groundwork lays contiguous to the four walls, resulting an illusion
of discontinuity between the floor and walls. Occasionally, water leaks into the
groundwork and eventually hardens into efflorescence, a white powdery residue
(Fig. 2. 61~2. 62).

1.
Issues and
Due to the immense campus lawn and the
sprinkling irrigation system situating outside
2.65 Segmentation and shop drawings of the openings at the east/front façade, owned and collected by
Tunghai University
2.66 Detail of ventilation louvers.

the chapel, both the site itself and the soil

causes of exterior surrounding of Henry Luce Memorial Chapel
foundation are under high humidity. Water leakage at the
waterproofing caved in groundwork results from cracks and
other structural discontinuities. Moreover, the
wicking in tiny cracks and pores absorbs water from all directions- even upward
porous building materials, such as masonry blocks and concrete also cause
2.61 Leakage and efflorescence condition at the efflorescence and water leakage (Fig. 2.63).
caved in groundwork of Henry Luce Memorial
Chapel, Taiwan.

2. When water vaporizes and penetrates into

Waterproofing
the construction, the inner steel will corrode
easily. Water penetration causes the concrete Framework Proposal
suggestions reinforcement to rust and expand, which in turn
creates stress on the surrounding concrete.
for the Openings
This can lead to spalling. During the corrosion process, the iron metal converts to
iron ions at the anode, releasing electrons. The iron ions then react with oxygen,
1.
Analysis of the
According to the original shop drawings
owned and collected by Tunghai University, the
forming rust or iron oxides. As the iron oxides occupy more space than iron, the openings of Henry Luce Memorial Chapel are
pressure on the concrete increases and cracking, spalling and delamination may door and window composed of industrialized channel steel, angel
occur. To prevent further corrosion mentioned above, the clefts and cracks must construction with iron, and steel plates. The combination rule
be filled. Since the surface fractures are slight, epoxy infused with pressure is the evaluation on its of the openings is to fix a minor channel steel
2.62 Leakage and efflorescence condition at the
caved in groundwork of Henry Luce Memorial
recommended solution. This will solve the corrosion issue effectively and create value as a cultural on the concrete structure in advance, then to
Chapel, Taiwan. an alternation invisible on the surface of the structure. Moreover, as time marches heritage compose a major one in a way contrary to the
on, in order to prevent further water vapor permeation, which will eventually 2.67 Shop drawings of the ventilation louvers, former by fastening bolts. Steel plates make
cause more extensive cracking on the concrete, this program also suggest external owned and collected by Tunghai University. up both the construction and segmentation
waterproofing and permeable drain pipe, which will form an external isolating of chapel’s openings. Two sets of the angel steel fix the glass and were welded to
system (Fig. 2.64). the steel plates. The angel iron and steel plates are not aligned with each other.
Instead, a 6mm interval is retreated, forming a clear constructional detail. In the
2.63 Diagram of the foundation section of Henry same way, the larger channel steel does not connect directly to the structure. This
Luce Memorial Chapel, Taiwan. reflects the above-mentioned constructional detail, rendering a unanimous detail
design (Fig. 2.65).
In addition to the function of being interfaces of the four conoid (saddle-shaped)
shell walls, the openings also play the significant role of buoyancy driven
ventilations. Hot air with its lower density rises above the cold air, creating an
upward air stream flowing out of the chapel from both sides of the skylight window
and the upper ventilation louvers on top of the windows at the front and back of
the chapel. The fresh air then flows into the chapel form the bottom ventilation
Fig. 2. 64 Diagram of renovation program for
louvers (Fig. 2.66~2.68). This design satisfies the interior thermal comfort in an
2.68 Shop drawings of the ventilation louvers,
outside foundation waterproofing owned and collected by Tunghai University. economical and valid fashion.

64 65
 II. Coating removal project and paint stripping system
In order to understand the paint coatings of Henry Luce Memorial Chapel, we
discreetly chose Asur-#1180 as the paint-peeling agent to penetrate, dissolve and
stripped layers of original paints through intumescence. We recognized different
periods of coating through successive chemical reactions during the removal. Most
of the steel coating color of Henry Luce Memorial Chapel is black. However, the
interior steel coating color on the north and south sides are yellow. Therefore, we
chose the west and the south sides as the sampling sources to carry out the coating
2.69 The corroded frame of the east opening 2.70 Corroded upper rims of the frame in the 2.71 The chemicals added in the cooling towers removal project. On the west side coating removal test, a layer of orange paint is
2.80 The splits between the north window frame,
and silicone filled in the recessed structure. façade of the chapel. aside the west windows caused critical corrosion walls and interfaces are filled with cement to coated on the antirust priming paint with three layers of black paint on top; on the
on the bottom frames of the west openings. solve the leaking problem. south side, a chrome yellow paint is painted over a layer of light yellow coating (Fig.
2.83~2.86). The frame colors of the openings coincide with the original paints used
in the construction of the chapel.

III. Deconstructing segments of the openings
For the splits between the frame of the openings and the structure, we dismantled
the inner side of the frames on the west façade. By doing the requisite inspection,
we could go a step further to confirm the actual combination method and the
deteriorating condition. After chiseling the concrete, we found out that the inner
2.72 The west windows and the cooling tower. 2.73 The distorted frame and broken glass at 2.74 The frame of the south openings was 2.81 Water leaking through the interspace of
steel channels had already corroded. The adding of the screws was to fix the loose
the west openings. corroded and the tiny gap between the frame a slight widow due to insufficient drainage channels (Fig. 2.87~2.90).
itself and the structure was refilled with cement. function of the gutter.

2.75 Corroded upper rims of the south window 2.76 Corroded upper rims of the north window 2.77 The welding points on the internal north
frame. frame. openings were corroded and the interface between 2.82 Rainwater leaking into the chapel from the 2.83 Coating removal project and paint stripping 2.84 Scratching off the paints after the chemical
the steel plates and the steel channel was separate. skylight window. test on the frame of south openings. After reaction of expansion and foaming caused by the
cleaning, the test zone was defined by tapes and peeling paint agent.
peeling paint agent Asur-#1180 was applied.

2. The construction of Henry Luce Memorial

Chapel began at the end of 1962 and was
Investigation on finished in 1963. It has served more than
the deteriorations five decades. After a series of investigations
of the openings and evaluations during 2014 and 2015, a
preservation and conservation proposal with
2.78 The internal louver boards of the west façade maintenance suggestions have been put forth as the following. 2.85 Results of the paint stripping test on the 2.86 Results of the paint stripping test on frame 2.87 The inner side of the frames on the west
were corroded.
frame of the south façade. of the west façade. façade was partially dismantled.
Investigation methods and the deterioration condition
This research goes through the deterioration items by visual examination,
especially on the construction of glass, steel, and the manners they combine.
Layers of paint coating were added throughout out years of maintenance. Through
paint remover, this research was able to trace the painting history. Disassembling
parts of the window construction reveal the structure and deteriorating condition
of window frames.
I. Visual observation method
2.79 A close observation on the gaps between
Aerial work platform and indoor workbench were set up to observe abnormities, 2.88 The screws were applied to fix the loose 2.89 The inner side of the frames on the west 2.90 The inner steel channels were corroded.
the frame and structure at the south openings. which were photographed and documented accordingly (Fig. 2.69~2.82). channels. façade was partially dismantled.

66 67
 Causes and Types of Deterioration at the Openings
I. Steel Corrosion
Steel corrosion caused by water vapor is the main deterioration at the openings.
Places such as the external horizontal frames and the inner louver boards
accumulate water easily. Capillary action, the ability of liquid to flow in narrow
spaces without the assistance of, and in opposition to, external forces like gravity is
another cause of steel corrosion. The welding points suffer serious corrosion from
extreme heat. In addition, chemicals added in the cooling towers next to the west Modification and improvement of the skylight window
The four conoid(saddle-shaped) shell walls that soar into the sky fulfill the
windows vaporized in the air and caused critical corrosion at the bottom frames of
aesthetic concept of “God is light. Panels of glass installed in between the walls
the west openings. 2.92 The current situation of skylight window.
created the interesting “thread of sky” lighting effects. The conservation of the
skylight window must retain the original segmentation. Meanwhile, the ventilation
II. Loose Screws
function must be restored with a solution for the leakage issue. Three ventilation
The condition of some screws fixed on the steel channels of the opening frames is loose.
proposals are recommended as the following (Fig. 3.28~3.32)：
III. Splits between the Window Frames and the Walls
I. Proposal I: Install ventilation louvers and gutter separately.
The splits between the window frames, walls and the interface were filled with
The louvers currently locate at the side-construction of the gutters. Therefore, the
cement to resolve leakage problem.
rain easily leaks into the chapel through the louvers during a heavy downpour or
IV. Irrelevant waterproof and drainage system
at times when there is a blockage at the gutters. Thus, for Proposal I, we suggest
Two iron drainage pipes with a diameter of 2” width were buried inside the
locating the ventilation louvers and gutter separately. The ventilation routes should
structure during the chapel’s construction period. However, only one is still in
be placed beneath the gutters. This way, if strong winds occur, the gutter will
function at present time. Therefore the gutter is often full of water, and water 2.93 Proposal I: Install the ventilation louvers and
still maintain its drainage function. Although gutter section is limited, rainwater
eventually leaks into the chapel through crevices of the skylight window. Besides, gutter separately.
will still flow outward without gushing into the chapel. Even though the current
waterproof function of the opening has degraded as the rubber mats inside the
suggested height for the skylight window is higher than the original height, the
steel channels age or slacken.
change should be undistinguishable at ground level.
V. Improper maintenance
II. Proposal II: Move the ventilation louvers into the chapel.
Most of the gaps between the opening frames, the structure and other
Not only does the louvers cause leakage problem during strong winds, they
constructional details have been mended. Silicone and cement were probably
are also unable to be shut down like normal windows. In addition to the current
added to amend the original water-repellent structure. The upper rims of the
leakage issue, the louvers also occupy parts of the ventilation space in the exterior
openings on the east and west façade were also sealed with steel plates. Moreover,
construction. For this reason, we suggest moving the louvers into the chapel. This
the original design of the skylight window was altered. Its function as a buoyancy-
2.94 Proposal II: Ventilation louvers transformed way, the depth of the original gutter may be deepened. Since the windows lie
driven ventilation medium no longer exists. The eastern ventilation is also blocked
into internal type. high above the ground, we suggest using electric switches to control the louvers
by the bookshelf placed in front of the shades. All these changes only solved partial
in a way that the device remains invisible in the chapel . However, the repair and
problems; however, the original design concept and intention have been neglected,
maintenance of the device will also be more difficult when situations such as
and the value of a cultural heritage have been reduced and compromised.
malfunction or power outage occur.

3. The restoration of the openings aims to conserve

and maintain the original buoyancy ventilation
III. Proposal III: Change the middle section of the skylight window into
Repair and concept designed by C.K. Chen. Other than
openable transparent panels.
Opening the skylight window directly increases the ventilation dimension to the
renovation buoyancy ventilation, anti-corrosion, rust prevention
fullest. The entrance and exist route of the air must flow through the ridge to
proposal and waterproof are also the focus of this renovation.
balance the indoor airflow rate. Moreover, due to the height differences between
regarding the the front and back skylight, installing openable panels at the center of the original
openings of the An Anti-corrosion, rust prevention issue
skylight will also minimize the impact on visual appearance. However, maintenance
chapel of steel and waterproof proposal on the
openings
2.95 Proposal III: Locate openable transparent may be difficult in practice in cases of equipment malfunction and power outage.
panels near the middle of the original skylight The opening could be controlled by electric power. On non-rainy days, the panels
The interface of the window frames and structure is already showing rusts and window.
2.91 Proposal regarding anti-corrosion, rust can be opened as the chapel is in use. The indentations on the sides of the skylight
prevention and waterproof solution of the cracks. In order to solve the steel corrosion problem, the waterproof issue on
openings should serve as gutters to improve and resolve the water drainage efficiency.
the openings, and restore the original structure details, the steel units must be
According to the analysis of the investigation on thermal environment and
dismantled from the openings and reapply antirust substances. As for the cracks of
simulation, the above three proposals shall enhance the environmental comfort
the reinforced concrete and rusts on the steel, the concrete must first be chiseled
level from its current enclosed skylight. In practice, Proposal II and III both have
then follows the removal of rusty steel bars. After that resin coatings and non-
2.96 Proposal III: Locate openable transparent flaws during power outage. Therefore, we suggest Proposal I as the ultimate
shrink grout should be applied. The rubber mats, on which the waterproof function
panels near the middle of the original skylight solution. However, the height of the skylight should be limited to prevent a
relies, should also be renovated this time (Fig. 2.91). window.
nagetive impact on outward appearances.

68 69
 Framework proposal for
indoor floor
According to the original shop drawing data, limestone was the original flooring of
Henry Luce Memorial Chapel (Fig. 2.99). Howevwer, during construction lauan was
substituted for limestone. Insufficiency in acoustic absorbing materials might have
been the cause of the modification. In 2011, the lauan floor was changed into wear-
resistant wood floor, which lasts to this day (Fig. 2.100).

1.
Investigation
After partial dismantlement, we found the
original Taiwan cypress angle section. Having
been partially lodged into the RC floor, it
2.97 projections measure of area and the present 2.98 Modification and improvement of the gutters and skylights Proposal II: Hide the on the structure remains as part of the structure during the
location of drain pipes drainage pipes in the structure of the indoor floor replacement of the colored lauan floor. On
above cypress angle section are new wood
angle section, 15mm plywood, vibration isolation mat, as well as 9mm wear-
Modification and improvement regarding the gutters and skylight resisting floor respectively (Fig. 2.101~2.102).
The skylight leakage is mainly caused by clogged pipes. This leads to poor drainage
efficiency. Keeping the performance level of the pipes at a sustainable standard is
the priority of the following conservation plan. Two iron pipes with 2” in diameter
2. The replacement of the wear-resistant
wood floor in 2011 has reduced and
are buried inside the structure; however, only one is still in function. Therefore, the Evaluation on the compromised the values of the interior
catchment is significantly insufficient (Fig. 3.33). As shown in table 3-1, placing a value of indoor floor as a cultural heritage. However, since
drainage pipe with a 50mm internal diameter in both of the gutters will be able to flooring as a at present it is still fit for use, immediate
solve the problem. Two proposals are recommended as the following: cultural heritage, restoration of the original limestone design
and an renovation would be irrelevant. And yet, considering
Table 2- 1 proposal on the functionality, acoustics and embedded
The relation between average rainfall and the internal diameter of drainage pipe current floor piping design, the floor should be replaced

average rainfall (unit: mm)

deterioration with solid wood in the future.
the internal diameter
of the drainage pipes 50 75 100 125 150 200

internal diameter ∮
(unit: mm) Dimensions of rooftop reflection (m2)
50 134 89 67 54 50 33
65 242 161 121 97 91 60 2.99 Limestone was the former floor consideration
of Henry Luce Memorial Chapel.
75 409 272 204 164 153 102
100 855 570 427 342 321 214
125 804 643 604 602 2.101 Investigation on the structure of the indoor floor
150 627

Resource: Development of Water-proof of Architecture，2000

I. Dredge the original drainage pipe and add lining pipes (Fig. 2.97). Change the
pipes with smaller lining tubes, preventing water entering the structure through
crevices of the pipes.
II. Hide the drainage pipes in the structure (Fig. 2.98). Put ∮ 2” metal drainage
pipes along the sides of the internal wall and the sunken floor and guide the pipes
to the exterior outfalls of the basement.

In order to keep the original appearance of the chapel, adding new facilities is
always the last option. Therefore, the Proposal I should be considered as the
prior solution after an evaluation on its feasibility. Proposal II should only be the
alternative when Proposal I is found to be impractical. 2.100 The current floor is wear-resistant wood floor. 2.102 Illustration of the indoor flooring structure

70 71
 3. Investigation and
Discussion on
the Conservation of
Tiles of
the Luce Chapel
General background of
the research on the tiles of
the Luce Chapel
Exposed to polluted and humid air, sunlight, and affected by aged mortar and
cement, the tiles of the Luce Chapel have been subjected to different kinds of
degradations such as crack, contamination, crumbling, efflorescence, perforation,
biodeterioration, et cetera. The improper conservation and cleaning of the chapel
in the past might also have caused various extents of damages to the tiles. As the
deteriorated tiles disfigure the chapel and reduce its water resistant function,
the conservation of the tiles became one of the core projects in the chapel
conservation. In order to propose a suitable conservation program for the chapel,
it is thus essential to first investigate the current state and the substance of the
tiles.
Nowadays, a lot of countries pay high attention to the preservation of cultural
heritage, which requires integration of technology and humanities. Regarding
the conservation of monuments, historical buildings or relics, modern analytical
techniques are increasingly employed for obtaining information on physical
and chemical characteristics of the material components. This enables better
understanding on the techniques of the buildings or relics and thus is helpful for
the conservation.
The Complexity and variety of degradation on the tiles have made conservation
and restoration a challenging task. In this work, optical microscopy, X-ray
fluorescence and micro-Raman spectroscopy are complementarily used to analyze
the tiles’ microstructure, chemical composition, firing temperature, and current
Chen Tung-Ho, Chen Yun-Chie, Sheng Pei-Sun,
Scientific Research and Analysis Laboratory, state of degradation of the glaze with the aim of providing the optimal method of
National Palace Museum Taipei, Taiwan conservation.

72 73
 Experimental and analytical Results and Discussion
techniques In order to gain information on ingredient and compositional homogeneity of the
tiles, tiles of different areas were analyzed with XRF and Raman spectroscopy.
Several reserved tiles in storage were selected and studied with different As the tiles were glazed with iron-lead yellow according to XRF results, their
techniques. X-ray fluorescence and Raman spectroscopy are used for elemental manufacture technique could be mastered if content of iron and lead oxide,
analysis and structural study respectively. firing temperature and kiln atmosphere can be revealed. Besides, the black and

1.
white inclusions in the tiles have been identified as iron oxide and lead sulfate
X-ray fluorescence (XRF) is a non-destructive respectively. Both elements are associated with the cause of different kinds of
elemental analysis tool widely utilized in the field of
X-ray cultural heritage. When fitting X-rays impinge on the
degradation. The ensemble of data acquired provides crucial information for
fluorescence given materials, characteristic X-rays will be generated
working out a practical plan for the conservation and restoration of the tiles.
(XRF) and emitted. As different elements have their proper
characteristic X-rays of different energy, by detecting
and analyzing these X-rays, chemical compositions in the materials can be
1.
Chemical
As the composition of the glaze and ceramic body of
certain tiles shows similarity after analyzing several
samples using XRF. Here lists only the result (Table3-1
identified. Depending on performance and sensibility of facility and experimental composition and Table3-2) on two of the tiles (Fig.3.1 &amp;
conditions, XRF can offer qualitative, semi-quantitative and quantitative analysis Fig.3.2). In our study, due to the 25μm x-ray spot size,
In this work, the XRF equipment, M4 Tornado of Bruker, is a tool for sampling different small areas are analyzed for each tile to
characterization using small-spot micro X-ray fluorescence (Micro-XRF) for 3.1a Tile THU-1, glaze obtain information on homogeneity, i.e., the element
information on composition and element distribution (2D mapping). The x-ray distributions on the glaze. In the tables, glaze-n, body-n and ball-n represent
tube contains Rh as the target material and was used in an experimental condition the n th area investigated on glaze, body and papilla respectively. The chemical
of 45kV and 200μA with a 25μm beam spot. The chemical composition of body composition is described in oxide form with weight percentage (wt %) for major
and glaze of the tiles and their white and black inclusions as well were all analyzed. and minor elements and ppm for trace elements.
According to Table-1 and Table-2, the composition of the ceramic body is mainly
2. Raman spectroscopy is a non-invasive optical
technique permitting structural analysis of an object
silicon oxide (SiO 2 ,~72-73 wt %), alumina or aluminum oxide (Al 2 O 3 , ~19-22
Micro-Raman without sampling. Based on Raman effect or Raman
%), and other minor components, including iron oxide (Fe 2 O 3 , ~1.5-1.8 wt %),
potassium oxide (K 2 O, 1.7-1.9 wt %), titanium dioxide, (TiO 2 , ~1wt %) et cetera.
Spectroscopy scattering, it is employed to identify and characterize Regarding the composition in glaze, the content of SiO 2 is around 43-54 wt %,
materials by deciphering their molecular structures. and 7-9 wt% for alumina. All glazes contain lead but a variety of concentration is
When light interacts with molecules, it can 3.1bTile THU-1, body observed in different tiles. The contents of PbO in the glaze of THU-1 and THU-2
be scattered elastically if no energy exchange occurs before and after the are 34-47 wt % and 42-45 wt % respectively, indicating that the distribution of lead
interaction. This predominant mode of scattering is called Rayleigh scattering is less homogenous in THU-1. Moreover, minor iron oxide (Fe 2 O 3 , ~1.0-1.6 wt % )
and is responsible for the blue color of the sky. On the other hand, if energy or and other oxides were also detected.
wavelength of light changes after the interaction, the scattering will be inelastic.
This is called Raman scattering or Raman effect. In a Raman scattering, the
Table 3-1 Chemical composition of tile THU-1 under XRF analysi
difference in energy between scattered and incident photons corresponds to the
difference of molecular vibration energy levels, and is usually expressed in change wt(%) glaze-1 glaze-2 glaze-3 ball-1 ball-2 body-1 body-2 body-3
of wavenumber (cm -1 ) and called Raman shift. Since different materials have Na2 O - - - - - 0.11 - -
different molecular structures and possess varying Raman shift characters which MgO - - - - - 0.92 0.80 0.89
can be reflected in Raman spectra as fingerprints, Raman spectroscopy is thus a
Al2 O3 8.38 7.75 7.73 8.62 8.81 21.30 20.88 19.71
powerful method for identifying materials. In recent years, it has been widely used
3.2a Tile THU-2, glaze SiO2 54.45 44.17 43.49 49.38 47.18 72.80 73.06 72.04
for investigating artifacts or archeological materials including pigments, jades,
gemstones and other art objects. K2 O 0.91 0.48 0.43 0.77 0.77 1.96 1.94 2.06
In this work, a Raman spectrometer equipped with 514nm and 633nm laser CaO 0.15 0.18 0.19 0.18 0.23 0.26 0.29 0.30
sources and with both 600 and 1800 lines/mm gratings is used to evaluate the TiO 2 0.52 0.52 0.56 0.72 0.53 0.94 1.02 1.10
firing temperatures of the glazed tiles. Glaze has non-crystal, amorphous glass Fe2 O3 1.01 1.21 1.10 1.19 1.40 1.50 1.74 1.63
structure in which the local structure and bond length of Si-O are associated with
PbO 34.49 45.58 46.38 39.03 40.96 0.10 0.15 2.19
firing temperature. Therefore, firing temperature can be estimated by studying the
MnO(ppm) 58 113 125 71 62 144 204 158
molecular structure of Si-O in glaze through Raman spectra.
With complementary XRF technique for compositional analysis, Raman CuO(ppm) 201 345 434 323 404 5 - -
spectroscopy is also employed to identify black and white inclusions in tiles. ZnO(ppm) 732 642 691 706 785 130 163 127
ZrO 2 (ppm) - - - - - 856 795 670
3.2bTile THU-2, body

74 75
 Table 3-2 Chemical composition of tile THU-2 with XRF analysis Table 3-4 Chemical composition of tile THU-6 under XRF analysis
wt(%) glaze-1 glaze-2 glaze-3 body-1 body-2 body-3 wt(%) black-1 black-2 black-3 black-4 black-5 black-6 glaze-7 glaze-8 glaze-9
Na2 O - - - - - - Na2 O 0.10 - - - - - - - -
MgO - - - 0.78 0.85 - MgO 0.56 0.73 0.49 0.05 0.52 0.11 - - -
Al2 O3 7.91 8.10 7.86 19.91 19.74 13.17 Al2 O3 15.86 13.00 15.99 7.06 14.24 9.76 8.91 8.48 9.20
SiO 2 45.80 45.81 42.75 72.56 72.84 71.06 SiO2 58.61 57.63 61.50 66.69 63.54 57.14 64.87 63.43 66.36
K2 O 0.60 0.66 0.53 1.83 1.74 1.23 K2 O 2.51 2.21 2.78 0.93 2.32 1.10 1.52 1.57 1.28
3.3 Tile THU-5, glaze
CaO 0.50 0.47 0.50 0.41 0.27 0.29 CaO 2.99 1.98 1.53 0.66 1.02 0.94 0.41 0.38 0.29
TiO 2 0.47 0.49 0.48 1.09 1.00 0.72 TiO2 1.16 1.26 0.98 0.63 1.06 1.06 0.60 0.49 0.46
Fe2 O 3 1.31 1.34 1.56 1.74 1.80 1.66 Fe2 O3 4.71 7.12 5.64 2.32 5.00 4.76 1.02 0.77 0.91
PbO 42.15 41.97 45.47 1.58 1.59 11.55 PbO 13.10 15.34 10.52 21.15 11.83 24.50 22.37 24.58 21.17
MnO(ppm) 107 99 121 146 233 183 3.6 Black inclusion in tile THU-5a MnO(ppm) 700 515 416 160 330 208 68 64 75
CuO(ppm) 413 488 575 - - - CuO(ppm) 197 217 170 248 185 357 216 204 196
ZnO(ppm) 7498 10871 7741 321 332 1003 ZnO(ppm) 2401 5410 4313 3963 3306 4597 1967 1935 2403
ZrO 2 (ppm) 4507 - - 765 1138 1988 ZrO2(ppm) 811 1017 801 789 809 1122 754 755 638
3.4Tile THU-6, glaze

2. Some tiles contain black inclusions (THU-5, Fig.3.3)

or have blackish-brown glazes (THU-6, Fig.3.4).
Black They were elementally analyzed using XRF and the
inclusions data acquired are as listed in Table-3 and Table-4.
The results show that the content of Fe 2 O 3 in the
black inclusion of tile THU-5 is between 10-23 %, while that of the blackish-brown
glaze on tile THU-6 varied due to inhomogeneous concentration of Fe 2 O 3 (2-
7%). Combined with the results of Raman spectroscopy (Fig. 3.10), the black
inclusions were identified as iron oxides including both ferric oxide (Fe 2 O 3 ) and
magnetite (Fe 3 O 4 ). The inclusion in THU-5 is mainly Fe 3 O 4 , while the blackish-
brown glazes of THU-6 and THU-9 contain both Fe 2 O 3 and Fe 3 O 4 . The color of
3.7 XRF mapping of THU-5 inclusions
magnetite is normally black, and ferric oxide is brown or dark red.

Table 3-3 Chemical composition of tile THU-5 under XRF analysis

wt(%) black-1 black-2 black-3 black-4 glaze-5

Na2 O - - - - -
MgO 0.01 - 0.24 0.16 0.25
Al2 O3 8.21 7.76 8.90 9.48 9.38
3.5 Black inclusions of tile THU-5 3.8 Black inclusion on tile THU-5b 3.10 Raman results of black inclusions
SiO2 42.31 38.75 45.51 56.12 57.83
K2O 1.02 1.04 0.96 1.19 1.19
CaO 0.45 0.43 0.24 0.34 0.35
TiO2 1.05 1.09 0.50 0.54 0.52
Fe2 O3 9.99 16.02 22.59 1.37 1.22
PbO 34.78 34.00 20.20 30.07 28.60
MnO(ppm) 449 739 722 108 119
CuO(ppm) 410 568 328 309 492
ZnO(ppm) 8950 6369 6888 5845 4884
ZrO 2 (ppm) 11882 1269 642 1027 944
3.9 Dark glaze on tileTHU-6

76 77
 3. Certain tiles of the Luce Chapel contain white or
yellow inclusions in the glaze. These are the cause of
4. The firing temperature of the glaze can be
estimated with the Raman spectra using the
White hazy appearance. As the origin and the nature of the Firing method set up by Colomban 1 . The Raman
inclusions in inclusions need to be explored, one of the reserved temperatures polymerization index Ip of the glaze in this study
the glaze tiles, THU-10 (Fig.3.11) was studied using XRF and locates between 0.25 and 0.80, which indicates
Raman spectroscopy and found out to bear the same the firing temperatures to be between 600-800 o C.
characteristics mentioned above,. The firing temperature of tile THU-10 is lower than 600 o C. This phenomenon is
According to the XRF results, sulfur (S), which should not be a main element in the very likely to have been the result of gypsum or plaster of Paris contamination
glaze, is detected in the crystalized white inclusion. In addition, the concentration in the glaze, which eventually formed lead sulfate and released calcium into the
of calcium is much higher in the white inclusions than in other parts of the glaze. The lead sulfate and calcium reacted as fluxes, which reduced the firing
3.11a Tile THU-10, glaze
glaze. Raman spectra show that the molecular structure of the white particle temperature. Due to the low firing temperature, the binding between the glaze
corresponds to lead sulfate (PbSO 4 ). and ceramic body is not as solid and is very likely to result in peelings or cracks.
As it’s abnormal that the tiles have been directly contaminated by PbSO 4 . It’s
thus reasonable to conjecture that the white inclusions were formed from calcium Table 3-4 Chemical composition of tile THU-10 under XRF analysis
sulfate (anhydrite, CaSO 4 ), gypsum (plaster, dehydrate, CaSO 4 ·2H 2 O), or
wt(%) glaze-1 glaze-2 glaze-3 glaze-4 glaze-5 glaze-6 glaze-7
plaster of Paris (hemihydrate, CaSO 4 ·1/2H 2 O). Both Gypsum and Plaster of Paris
(white) (white) (white) (white)
are architectural or building materials, which can be easily found in tile factories
Na 2 O - - - - - - -
associated with architecure and construction. However the cause of the lead
sulfate detection instead of calcium sulfate is still to be identified. MgO - - - - - - -
Gypsum transforms to plaster of Paris (hemihydrate) when heated at around 150 Al 2 O 3 5.96 5.56 4.24 2.95 2.40 6.33 4.27
o C, and to calcium sulfate when heated above 250 o C. If gypsum or hemihydrate 3.11b Tile THU-10, white inclusions SiO 2 38.04 35.08 35.35 14.18 10.99 37.13 22.03
are mixed with lead glaze, CaSO 4 will first be formed during firing, then calcium SO3 - - - 26.09 35.56 28.41 15.47
sulfate, can react with lead in the glaze to form lead sulfate and release calcium K2O 0.30 0.03 0.20 - - - -
when the heat raises to 500-800 o C: CaO 0.10 0.25 0.13 9.21 15.06 8.16 4.09
CaSO 4 + Pb 2+ → PbSO 4 + Ca 2+ TiO2 0.28 0.22 0.11 0.32 0.24 0.31 0.31
Having a melting point of 1087 o C helps lead sulfate to withstand heat and Fe 2 O 3 1.02 1.03 1.16 0.64 0.46 0.72 0.77
maintain its crystal structure and distribution in the glaze without melting. At the PbO 53.32 57.01 57.90 45.93 34.90 18.58 52.36
same time, the released calcium becomes a part of glass phase of the glaze. This
CuO(ppm) 1346 1235 1673 460 284 333 418
explains why a high concentration of calcium was detected in the white inclusion
ZnO(ppm) 8542 6851 7492 3837 3716 3242 6496
areas.

3.12a Tile THU-10, glaze (50X)

3-13
Raman spectra of white
inclusions in tile THU-10

Table 3-6 Estimated temperature of the tiles on the Luce Chapel

Sample Point measured Ip Firing T
3.12b Tile THU-10, glaze (200X)
THU-1 5 0.49-0.55 700
THU-2 5 0.54-0.76 700-800
THU-3 4 0.45-0.64 600-800
THU-4 3 0.40-0.42 600-700
THU-5 7 0.70-0.80 700-800
1. Colomban, P. et al. (2006). Raman identification
of glassy silicates used in ceramics, glass and THU-6 7 0.48-0.60 600-800
jewellery: a tentative
differentiation guide, Journal of Raman THU-9 5 0.70-0.75 700-800
Spectroscopy, 37, 841–852. THU-10 10 0.23-0.30 < 600

78 79
 Tile degradation
These yellow diamond shaped tiles are the most essential decorations on the
external walls of the Luce Chapel. After more than fifty years of exposure under the
sun, rain, wind, and acid air, varying degrees of damages have occurred on multiple
tiles. These damages include cracks, efflorescence, stains, perforations, molds, and
glaze shivering.

1.
Fractures
Cracks, glaze shivering and fractures are all observed
on the tiles of the chapel. The cause of these damages
is associated with the firing technique, the nature
of glaze, and the substance of material. The yellow
3.14 The golden yellow tinge of Luce Chapel tiles iron- lead glazed tiles can produce sparkle and glorious appearance; therefore, it

5. The external walls of the chapel are very rich in color.

Although the main color pattern is golden yellow, the
has been employed in Chinese buildings for a long time. The tiles of the Forbidden
City are good examples. In the history of Chinese architecture, ingredients with
The color tiles are tinted with other colors such as light yellow, high refractive index were usually applied for a radiant golden effect. With a high
differences brownish yellow, olive green, et cetera. (Fig. 3.14). This refractive index (approx. 2.5), lead oxide was more favorable than most other
within the color inconsistency can also appear on one sigular tile. oxidative materials in ancient China. Besides bringing a glossy surface, lead oxide
glaze According to Mr. C.K. Chen, this inconsistency isn’t also decreases the firing temperature, thus reduces the cost of manufacture. The
always the outcome of furnace transmutation: yellow glazed tiles of the Forbidden City contains a PbO concentration between
On the day of glazed tile delivery, Mr. Gen Zong Wu ran to me and said, “I’m sorry! 50-60wt%. According to the analysis of this research, the PbO concentration is
The color of the tiles is inconsistent. What should we do?” Due to the occurrence between 34-50%.
of furnace transmutation amidst firing, the color of each tile differed. Instead of As the body of the ceramic tiles is without lead oxide, its coefficient of thermal
golden yellow in the original design, the tiles were tinted with brown and green expansion is different from that of the glaze. Continuous exposure under the sun,
hue. I replied, “Wonderful! We were hoping for color inconsistency!” This would rain, and thermal variation resulted damages. Thermal expansion and contraction
prevent dullness in color pattern; therefore, we asked the workmen to layout the are the factors that most likely have caused cracks on the glaze. Slowly, these
colors in a staggered fashion…”22 cracks led to glaze shivering. Due to the low firing temperature, the binding
Analytically speaking, the glaze used on these tiles was litharge glaze. Litharge, between the glaze and ceramic body isn’t very strong. The glaze would peel off
(lead oxide, PbO) usually appears as light yellow crystallizations. However, there more easily when the ingredients are mixed with contaminants (such as gypsum
are two types of crystallization for iron-lead. α-PbO is a tetragonal prism tinged and plaster), which lower the firing temperature (sometimes down to 600°C or
with red, and β-PbO is the yellow crystallization under orthogonal crystal system. lower) and decreases viscosity. When lead oxide is not evenly spread, the above
Usually, polishing β-PbO under room temperature releases α-PbO, and α-PbO damage would accelerate. Once cracks or shivering occurs on the glaze, the tile
would turn into β-PbO when it is been heated to 475~583 . After firing, lead melts would no longer be waterproofed. Eventually, this would lead to leakage and
within the glazed surface as PbO. When lead is solidified, the glaze color would efflorescence in the building.

2.
correspond to the amount of PbO as the molecular structure spreads out in the
lead. According to the above analysis, the amount of lead contained in each tile Black inclusions, holes and perforations are observed
on certain tiles (Fig.3.15). The black inclusions were
varies as its density varies. Having a firing temperature ranged of 600 to 800 ℃ Black composed of iron oxides including Fe 2 O 3 and Fe 3 O
caused the differences in partial molecular structure. The content of lead and inclusions 4, which can result in corrosion and even perforation
subtle differences in firing temperature thus resulted the color variation of the and when exposed in the open air. Although the origin
tiles.
Moreover, the iron-lead glaze fired in oxidizing atmosphere could have also
perforations of these black contaminants is unknown, it could
affected the glaze color. These glazed tiles contain 1-2 wt% of iron oxide, which possibly have been the exposure under a working
also contribute significantly to the color of the glaze. Under normal oxidizing area with iron filings. Since these tiles were manufacture in mass production, a
atmosphere, iron remains in ferric state(Fe 3+ ) within the glaze, and the color is huge space must have been demanded for the storage of dried ceramic tiles before
usually yellow. In a reducing atmosphere, iron may reduce to ferrous state (Fe 2+ ) firing. Parts of the tiles could have been placed in a polluted environment where
and the color would become greenish. This is also how the glaze color of celadon is works such as iron cutting or welding took place. In these environments, iron filings
formed. If firing was not well controlled in an oxidizing atmosphere, the tiles could would have filled the space and contaminated the tiles, leaving black and brown
show greenish yellow or olive tinge. specks on the glaze after firing.
Traces of copper were also discovered in the study. Since copper is also a coloring
element (it is green under ferrous state, and red under reduced state), even with
2. C.K. Chen, “The Wind of Tunghai,” Taichung, an insignificant amount of copper, , the density and oxidizing atmosphere will also
Tunghai Univeristy 3.15 Black hole on the tiles of the Luce Chapel
create subtle differences in the color of the glaze. (southern wall)

80 81
 3. Being surrounded by trees, ventilation around
the bell tower (Fig.3.16a) is not as ideal Discussion on conservation and
Biodeterioration compared to the chapel. The moisture can
thus cause biodeterioration and accelerate
restoration of the tiles of the Luce
the forming of damages such as serious cracks of the tiles (Fig.3-16b,3-17). The
same problem was also observed on the chapel walls around areas close to the
Chapel
lawn (Fig.3.18). above analyses and discussions have mapped out the overall characteristics
and current state of the tiles. Although the aesthetic value of the tiles is not to
be ignored, the function of waterproofing and heat insolation in the original
4. The main component of efflorescence is
generally calcium carbonate (CaCO3 ). When
design is equally important. Deteriorations such as cracks, peeling, perforation,
efflorescence, mold, and moss not only influence the appearance of the chapel,
Efflorescence concrete or mortars are subjected to moisture, but also affect the original function, creating the problem of seepage. Therefore,
water can react with CaO and form Ca(OH)2 , tile repair should be one of the core projects in the conservation of the Luce
which later react with CO2 in the air to form CaCO3 . Hence the key factors for the Chapel, and the restoration needs to take place as soon as possible. Among all the
formation of efflorescence are water, calcium oxide within the building material, deteriorations, glaze shivering is one of the most serious of all, making the repair
and CO 2 . The tiles contain generally low calcium (< 1wt%). However, the glaze of glaze a very challenging task.
of some tiles consist of white and yellowish inclusions of PbSO 4 bears a higher Although the Luce Chapel isn’t a historical monument, it still holds high historic
calcium concentration and can easily lead to efflorescence. This is because lower and aesthetical value in the perspective of modern architecture development. Its
firing temperature would ultimately result in cracks of glaze and introduce water/ conservation should meet the principles of modern cultural asset conservation.
vapor, which would react with CaO to for CaCO 3. Modern conservations put a lot of emphasis on restoration ethics regarding
authenticity. Factors such as style and design, material and substance, utility and
3.16a Bell tower function, tradition and technicality, location and occasion, spirit and emotion,
other internal and external factors33, et cetera, are all important discussions for the
authenticity of modern conservation. In restoration practices, the following three
principals must be kept: minimum interference, reversibility, and identifiability. For
the conservation of the tiles of the Luce Chapel, these principals of authenticity
and restoration ethics are also worth noting.
In Article 9 of the Venice Charter 1964, it is stated that the aim of restoration is “to
preserve and reveal the aesthetic and historic value of the monument and is based
on respect for original material and authentic documents. It must stop at the point
where conjecture begins…” In the process of tile restoration, keeping the original
aesthetic and historic value is indispensible, and surely the restoration must be
preceded under the respect toward original material and authentic documents.
However, defects of the original firing techniques and material substance have
3-17 Biodeteriorations, cracks and crumblings (bell tower) become problematic for long-term conservation of the tiles, and these were
unaware issues at the time of construction.
Historically, the concept of modern cultural asset conservation does not exist, and
many glazed tiles of ancient monuments were replaced with new ones or ones
from the original stock in storage. The tiles replaced usually were not preserved.
However, with the concepts of modern cultural asset conservation, much attention
3.16b Bioteterioration of the bell tower has been paid to the authenticity of original material. The traditional repair method
has been challenged with the concept that if replacement kept been made, antique
will become new, and eventually there will be no more historical monuments or
relics. Nevertheless, the defects and life span of original
building elements often conflict with the goal of “conservation.” Luckily, Article 10
of the Venice Charter leaves flexibility by indicating “where traditional techniques
prove inadequate, the consolidation of a monument can be achieved by the use of
any modern technique for conservation and construction, the efficacy of which has
been shown by scientific data and proved by experience.” This is certainly worth
taken into account for the conservation of the tiles on the Luce Chapel.
Tiles of the Luce Chapel clearly show flaws in water resistance, aesthetic value,
and modern cultural asset conservation. Inevitable deteriorations such as glaze
3. The Nara Documents on Authenticity, 1994
3.18 Biodeteriorations, cracks and crumblings (on the Luce Chapel) shivering has resulted the loss of original functions initially set for these tiles.

82 83
 In other words, these are the flaws of traditional techniques. Through scientific resistance.44 Regarding the tiles the Luce Chapel, it is certainly necessary to
analyses, this study has identified the inadequacy of these tiles. Experiences have conduct some adhesive experiments regarding aging, consolidation, mechanical
proven the efficacy of certain modern technology to be sufficient in achieving the strength, water resistance, etc., and use different adhesives to find out the best
original functions and providing sustainability. consolidation solution.
Beside relative professional techniques, cost, conservation schedule, and user
demands should also be considered in the process of tile conservation. Different Fillers
restoration method has its own objective value. This study will propose several In case a tile can’t be detached when parts of the glaze or the entire glaze on a tile
feasible restoration suggestions based on the results of various tile analyses is missing, it is suggested to repair and embellish the appearance of the tile with
conducted in this research. These suggestions are made based on the above- fillers under the principle of reversibility. According to the experiments performed
mentioned principals. Technical issues pertaining to the conservation will require by Durbin55, the mixture of 98% polyster resin and 2% peroxide hardener is the
further investigation, analyses, research, and discussions. In order to choose the best formulation to fill and repair the missing glaze. It is softer than ceramic and
optimal solution, relative experiments and critical comparative studies must take thus easier to be cut and embellished to form the thickness required. Besides
place with considerations regarding execution and other possible difficulties. good consolidation and water resistant function, this type of filler is also stable
and long-lasting. With a reversible nature, it can also be easily removed with

1.
Consolidation
With a high rate of adoption on buildings of
various western historical eras, the conservation
dichloromethane. However, its color will turn light yellow under the exposure to
UV radiation and humidity after several years; therefore, an additional layer of
and restoration of tiles receives much attention. coating is suggested for protection. For the tiles of the Luce Chapel, environmental
In the past decade, relative researches relating to aging experiments are also required.
scientific analyses have been flourishing. Although
the adoption of ingredients and firing techniques varies in each western and Nano-coating materials
eastern historical era, there are still similarities in deterioration such as stain, Based on aging simulations, implementing adhesives and fillers to strengthen and
cracks, glaze crazing and shivering, biocontamination, perforation, diminished patch deteriorated tiles can extend the sustainability to decades or even longer
water resistance, et cetera. Cracks, glaze crazing and shivering are common (depending on the environment of which the building is exposed to). However,
problems observed on deteriorated tiles, making consolidation of degraded tiles a all buildings are always exposed to air, UV radiation and other pollutants, and
central task of conservation. conservation materials will eventually age due to these deterioration factors in
the environment. Once degradations appear, the repairing process will again be
Adhesives in demand. On the other hand, the tiles presently in a good condition will also be
Adhesives are used to strengthen the bond between the glaze and ceramic body. gradually affected by thermal variation, moisture, acid, and biological pollutants,
By priming pores and fissures, adhesives also enhance the waterproof function and will result in deterioration due to the nature of the materials. One of the
of the tiles. There are different kinds of adhesives, and considerable scientific deteriorations caused by the nature of material and environment is that the high
researches have taken place in order to identify the ideal solution for repairing degree of lead contained in the glaze has a coefficient of thermal expansion very
ceramics. However, several principles need to be put into consideration as different from that of the ceramic body, and is due to crack after some time.
application of adhesives is implemented. First, it should be reversible so that it can The key to prolong the life of these tiles is to adopt efficient preventive
be easily removed when needed. Second, the viscosity of the adhesive must be maintenance to reduce the impact of environment. For example, proper coating
lower than that of the ceramic material to prevent fractures. It should also provide would be a good choice of prolongation.
long-term stability and good resistance against environmental degradation There are pros and cons between the adoptions of traditional organic coating
factors. Lastly, the adhesive should be colorless to avert influences on the materials and polymer materials. Lately, with the advancement of nano-
appearance and color of ceramics. technology, certain nano-materials have been developed for the conservation
In ceramics conservation, Paraloid B72 has been proven and commonly believed of cultural heritage including paper, bronze, marble, architecture, and ceramics.
as an excellent adhesive for consolidation. Paraloid B72 (PB72 or B72), a product Though there are different types of nano-materials, in the field of stone, ceramics
of the US company Rohm &amp; Hass, is a thermoplastic acrylic resin composed and tiles conservation, nano-TiO 2 and nano-SiO 2 are most studied and tested
of ethyl methacrylate (70%) and methyl acrylate (30%) copolymer. It is stable, in conservation practices. They have been proven to be effective in preventing
flexible, and fast drying, taking only 24 hours to harden and remains transparent UV radiation, biodeterioration, oxidation, acidification, and other environmental
over a long period of time. It gives a good bond when applied to both surfaces at pollution. More importantly, these nano-coating materials do not alter the colors
the joint and can also easily be reversed (removed). Paraloid B72 can be dissolved of the original art pieces.
in acetone, ethanol, toluene and xylenes. For the conservation of tiles, Paraloid Nano-TiO 2 is widely used as coating material in practice. It is effective in inhibiting
B72 can be diluted in acetone. In addition, it can permeate into cracks and pores biodeterioration, and insulating air pollution. It has self-cleaning function and
for consolidation through brushing or spraying. When required, it can be removed 4. Zhao, Jin, Li, Wei-Dong, Lu, Xiao-Ke, Lo, Hong- brings no color alteration to the coated material. Besides, modified nano-TiO 2
using acetone. Jie (2009). Conservation Study on the Glazed Tiles could be added into adhesive Paraloid B72 and fillers to enhance the consolidation
of National Palace and Academic Discussions
Though Paraloid B72 seems to be an ideal adhesive for ceramics consolidation, Regarding the Scientific Technology of Antique and prolong the life span of the tiles, adhesives, and fillers. Having an excellent
experiments in the study of tile conservation of the Forbidden City, Beijing show Ceramics in 2009, pp. 125-134. surface- active nature and adsorption capacity, Nano-SiO 2 bonds strongly to a
that the mixture of fluorine resin and Paraloid B72 at the ratio of 8:2 delivers 5 . D u r b i n , L . ( 20 1 4 ) . A r c h i t e c t u r a l T i l e s : tile to form a thin protective layer. Its signature optical character works well in
a better performance than pure Paraloid B72 in hydrophobicity and freeze Conservation and Restoration, pp. 154-155. absorbing UV rays, reflecting infrared rays and moderating damages caused from

84 85
 sunlight. It also has a self-cleaning function. Like nano-TiO 2, it can also extend the consuming engineering. Therefore, comprehensive investigation and evaluation on
life span of an artifact or building material when applied in adhesives and fillers. methods of conservation are required.
With multiple environmental deterioration factors and defects in material
composition and structure, proper adoption of nano-coating materials is suggested
for the conservation of tiles of the Luce Chapel to prolong life span. However,
4. Both imitations and re-firing tiles will encounter the
challenge of detachment, which requires special
necessary experiments should be conducted to optimize the coating materials and Detachments repair methods and techniques. Traditionally, a
confirm the methodology before applying to the tiles of the chapel. of damaged hammer is used to knock off the tiles. It is a quick
It is worth noting that, besides Nano-SiO 2 and nano-TiO 2 , the team of Piero tiles but destructive solution, which can destroy the tiles.
Baglioni, Professor of Department of Chemistry and CSGI, University of Florence, Besides, pounding will also influence the structural
Italy, successfully used the mix of Ca(OH) 2 and Mg(OH) 2 , and other alkoxides for stability of the wall. Thus, the ideal treatment is using a small hand-held angle
the conservation of stones, ceramics and other materials66. Their experiences can grinder fitted with a diamond-edged cutting blade to carefully cut the tiles and
also serve as references for the tiles conservation of the Luce Chapel. remove them from the wall. The tiles removed should be well preserved for re-
firing, exhibition or other purposes under the consideration of cultural heritage
2. Certain deteriorated tiles can be repaired and
consolidated with suitable adhesives, fillers, and even
conservation.

Imitation nanoparticle coatings to prolong their life. However,

for some seriously damaged tiles and the ones with
5. With the surroundings of trees and lawns,
the contamination sources of environmental
glaze totally peeled off the bodies, replacement with Biodeterioration microorganisms follow the chapel all year round.
imitations should be considered. Mold, lichen and moss can easily attach on the tiles
If a component of a building is seriously damaged, it is generally substituted with under the humid environment. If cracks, factures
a new replacement. Although reserved tiles in storage meet the authenticity or pores exist, microorganisms can penetrate and grow in tiles and accelerate
principle, due to their limited number, insufficiency will occur in due course deteriorations.
for long-term conservation. Imitation of the original tiles will be a low-cost Though water and certain solvents can be used to clean the attached
replacement. Besides, the Luce Chapel is only 53 year-old and is categorized under microorganisms, they can also make the crack and crumbling states worse during
modern architecture. Compare to other ancient architecture, its age value77 isn’t the cleaning process. The better way of fixing seriously damaged tiles is to replace
the most significant issue at the present stage of preservation. them with spare or re-firing tiles. For the tiles slightly polluted by microorganisms,
Technically, scientific analyses can offer information on the chemical composition cleaning and removal of the bio-contaminants is suggested. After cleaning,
of the glaze and ceramic body with a range of firing temperature. Besides, firing adhesives and/or fillers should be implemented.
atmosphere could also be mastered through simulated experiments. However it
is worth noting that due to the defects in composition and structure, the original
tiles aren’t perfectly competent in their waterproofing function and deliverance 6. The black inclusions in the tiles of the chapel
consist of Fe2 O3 and Fe3 O4 , which are
of glorious golden yellow image, which were the attribution originally intended Black holes and contaminants of iron filings during fabrication.
to achieve in the original design. Under the principle of honoring the original perforation However, these inclusions, being iron oxides,
aesthetic, improvements on ingredients and firing techniques should be made can corroded when exposed to humidity and
to fix the current defects of cracks and glaze shivering. Hence similar color and harmful gases such as SO2 , CO2 , NO3 -, Cl - and
texture shall be secured and the waterproof function will be obtained. H2 S, which will react with water and form acid solvent, rusting the iron. If the air
contains salt, the Cl- element can react with iron and break the structure of the

3. Imitations for replacing damaged tiles may be a

good means of conservation. However, when there
tiles. The corrosion can result in black holes or perforation, which will eventually
cause seepage.
Re-firing tiles is a large-scale replacement, the questions about In order to prevent iron corrosion, insolation is necessary. Paraloid B72 is often
authenticity will be raised. If the old and deteriorated employed on coating iron objects for corrosion prevention. In this case, B72
tiles are always and continuously replaced by new seems ideal as the composite materials consisting ceramics and iron oxides.
ones, no more original tiles will remain on the chapel. As authenticity of material Besides, nano-TiO2 or nano SiO2 could be added into Paraloid B72 to enhance
is one of the most essential issues in conservation, it is proposed to retain the tiles water resistance, UV protection and acid and alkali resistance. Moreover, after
and process re-firing with better mixture of ingredients and advanced techniques consolidation, fillers can be employed to create a glaze-like effect.
to surmount problems involving thermal expansion, water resistance, perforation,
6. Baglioni, P. et al., Nanotechnologies in the et cetera. One of the examples is the tile conservation of the Forbidden City in
Conservation of Cultural Heritage: A compendium Beijing. In the conservation, certain glaze of the tiles was seriously damaged,
of materials and techniques, Springer, 2015.
and the tiles were falling. Their glazes were re-fired with ameliorative formula in
7. Alois Riegl (1858-1905) mentioned the conversation project. However, the tiles in the Forbidden City are relatively
monuments have their age value in Der moderne
Denkmalkultus: Sein Wesen und seine Entstehung ( easily to be removed from the roofs, while the tiles of the Luce Chapel are embed
The Modern Cult of Monuments: Its Essence and Its into mortars and cements, which are difficult to be separated from the wall.
Development), written in 1903.
The detachment of tiles in the case of the Luce Chapel is thus a time and money

86 87
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and Building Materials, 84, 201-218. 16. 高蔡義（2000）. 建築物外牆面磚劣化原因與對策之研究─以大
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the degradation state of ceramic tiles: A preliminary non-
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on heritage stone. Characterisation of decay processes in a case

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 4. Structural
Investigation and
Seismic Evaluation
of Henry Luce
Memorial Chapel
Background and Documentary
Research on Henry Luce
Memorial Chapel
The Luce Chapel located at the heart of Tunghai University, Taiwan, was built in
1963. Through the combination of four hyperbolic shell walls made of reinforced
concrete (RC), the chapel has an elegant contour, demonstrating an ingenious
structural design. These hyperbolic walls do not only function as walls, but
also serve as the pillars, beams and roofs of the building structure. As a perfect
integration of space and structure, the Luce Chapel is not only an example of
modernism in Taiwan, but also an outstanding modern architectural artwork
worldwide.
To determine the structural system of Luce Chapel and its current condition
requires thorough knowledge regarding the history of its design and construction
background. Therefore, the original architectural graphics and photos taken
during construction, related correspondence, and relevant documents
were collected and analyzed for this research. In order to understand the
background and logic behind the form of structure and its special features,
further investigations were conducted. In addition, this study also digs into the
dedications of H. S. Fong ( 鳳後三 ), the chief structural engineer of Henry Luce
Memorial Chapel.

90 91
 The curved steel edge frame was 18-meter long in total. To transport the steel
frame to the construction site, the frame must be dissected into three sections,
and each section was then to be reassembled by in-situ welding. By consulting
D. H. Wu, a former classmate working in a shipyard in Keelung City, C. K. Chen
realized that the steel edge frame was prone to distort when subjected to loading.
At the same time, the project sponsor Henry Robinson III was intending to end the
project as it came in with a high, and unsettled budget. Knowing the infeasibility
of wooden structural design, C. K. Chen decided to abandon wood materials and
seek for a RC solution. However, this also meant C.K. Chen needed to redesign the
4.1 Illustration of Tunghai University’s campus design (by C. K. Chen)
structure. Therefore he sought the consultation of a Taiwanese structural engineer,
H. S. Fong on the possible RC solutions.
At first I.M. Pei did not agree with the idea of using RC structures for the chapel
project. Fig.4.4 is a letter written by C. K. Chen to H. S. Fong in December 19595.
In the letter, Chen mentioned I. M. Pei’s concern about a RC structural approach,
but Chen expressed his determination to support the structural concept proposed
by Fong. Therefore, Chen suggested finishing all architectural drawings before
making any further discussions of the chapel project. To persuade I. M. Pei to trust
5. On December 14, 1959, C. K. Chen wrote to H. S.
4.2 Preliminary design graphics and conceptual models of the chapel Fong: in Fong’s abilities to handle the project, Chen mentioned Fong’s cooperation with
Dear Fong, you must have received the last letter I the architect D. H. Wang6 on the structural calculation of the RC shell roof of the
sent. Last we ek, we had a meeting on the chapel

1. In 1953, the United Board for Christian Colleges in China

(UBCCC) decided to establish a Christian university in
project. Mr. Fenn, Priest, Fesgnon, and Pei all
participated. In the meeting, I defended the RC
Student Activity Center at National Taiwan University (Fig.4.5).

The Design of Taiwan and founded Tunghai University. After choosing

approach and intentionally mentioned that you are
now designing for a RC shell project in cooperation
Luce Chapel the Dadu plateau in Xitun District of Taichung City
with D. H. Wang. Since Mr. Pei had a good
relationship with Mr. Wang, I thought they would
as the site, the UBCCC invited I. M. Pei ( 貝聿銘 ), a trust your abilities to handle the project by saying
so. However, unexpectedly, Mr. Pei unintentionally
renowned Chinese American architect, to supervise the overall campus design. The (or intentionally?) indicated that applying a RC
preliminary design was completed in New York with the participation of two young structure may impede the progress of the project.
I think someone must have given him a negative
architects, C. K. Chen ( 陳其寬 ) and C. K. Chang ( 張肇康 ), who were responsible viewpoint on the RC approach. Under the current
for the detailed design and subsequent project construction. circumstances, I decided to first complete all the
architectural drawings before arranging a further
In the following year, Mr. C.K. Chen presented a Chinese ink drawing in front of discussion. This may take a while. You will need to
the board to demonstrate his vision for the campus (Fig. 4.1). As displayed in Fig. wait patiently.
Today I had lunch with Sunco, who is an engineer in
4.1, not only did he integrate the concept of Chinese garden art into the overall Roberts & Schaefer Company and now in charge of
campus design, but he also designed a triangular chapel at the heart of the campus the chapel’s structural calculation. He said because
of the highly curved configuration of the chapel,
to symbolize the christian background of the university, expecting the chapel to be RC shells are likely to buckle under heavy working
the center of campus life. loads. In addition, RC shells may also be too heavy
to be erected, and pouring concrete mix to form the
chapel design was finally initiated in 1956. During the design process, I. M. Pei top parts of the shells can be problematic. He also
proposed a design featuring a masonry pointed arch, which is typically used in mentioned that even if the steel edge frame is not
used, the humid environment in Taiwan will pose
Gothic architecture, while others suggested a vase-shaped design. By integrating a durability problem to the wood shells. Please re-
the favorable features of these proposals, C. K. Chen developed a few models evaluate the advantages and disadvantages of the
structural scheme you proposed. I believe your
using wood strips, seeking an optimal scheme for the chapel design. In the end, effort will help us in defending our RC solution. I
the conoid structure was selected as the chapel’s final design. The conoid structure will stand up for you. However, in order to avoid
possible misunderstanding, I would suggest the
comprises four hyperbolic walls as the major structural components, which forms choice of using humble expressions (e.g., words
a hexagonal space. With the windows being positioned along the centerline of like “suggesting” and “indicating”) to present your
ideas. Please don’t mention the current situation
the roof, natural light diffuses through the skylight, illuminating the entire space, to anyone. Mr. Pei might get the wrong idea on the
magnifying the sacred and solemn atmosphere of the chapel. matter from the others.
At the preliminary designing stage, wood strips were used to develop the 6. D. H. Wang is an architect of the Republic of
conceptual models, and the models were found to resemble the shapes of wooden China. After graduating from the Department
of Architecture at the Univerisity of Cambridge,
canoes; therefore, the architects adopted the idea of using wood as the major he attended a master program in architecture at
construction material. While Mr. C. K. Chang was supervising the construction of Harvard University in 1941. During his study in
Harvard, he was influenced by two o f his teachers,
4.3 Original design drawings of the chapel the campus project in Taiwan, I. M. Pei tasked him with investigating the method Walter Gropius and Mies Van Der Rohe, who were
for wooden canoe fabrication in local shipyards. According to the graphics drawn masters of modern architecture. Notably, two
renowned architects, I. M. Pei and Philip Johnson,
by C. K. Chen in 1957, the original chapel design employed a three-planar wooden were his classmates at the time. Wang was the first
Taiwanese architect who received modern Western 4.4 A letter written by C.K Chen to H. S. Fong 4.5 Student Activity Center at National
structure with purlins placed between the wood planes to form thin shells, which Taiwan University (the design drawing was
education in architecture. (December 14, 1959)
were reinforced with steel edges framing the circumference (Fig.4.3). completed in 1961)

92 93
 Moreover, C. K. Chen inquired H. S. Fong about gunite-related techniques (e.g., wood shells, as well as a recommendation of replacing I-shaped steel beams with
gunite equipment and cement mix recipes) in the letter, indicating his intention composite beams, which comprise steel angles and small steel plates. In addition,
of applying gunite techniques7 on the chapel project. According to relevant Chen estimated that the rough calculation of the structural components would
evidence, after the construction stages of framework and reinforcement work take up to one and a half months.
were completed, gunite was applied for an experimental purpose. However, a Due to the aforementioned reasons, the Luce Chapel project was once put on
subsequent compression test revealed that the strength of the gunite samples did hold. On April 25, 1961, the board chairmen of Tunghai University, Mr. Y. E. Cai
not satisfy the stipulated compressive strength (4000psi). Therefore, the grouting wrote a letter to the sponsor, H. R. Luce. In the letter, Cai expressed his faith in the
method was adopted instead. team having C. K. Chen as the architect, H. S. Fong as the structural engineer, and
In May 1960, Henry R. Luce came to Taiwan and visited the campus of Tunghai Guanyuan Construction as the local construction company. Cai also reassured Mr.
University in company with Y. E. Cai, the board chairman of Tunghai University. Luce that the team could satisfy his expectation to construct a spectacular chapel.
Reaffirming his determination of building the chapel, H. W. Luce requested I. M. Pei In response, Mr. Luce granted 150,000 USD to sponsor the chapel’s construction.
to re-evaluate the cost of the chapel project as he returned the Unite States. H. S. Soon afterwards, H. S. Fong completed the structural calculation, and all the
Fong started to take on the structural design and calculation of the chapel project completed graphics (e.g., construction, structural, and detailed drawings) were
and discussed with C. K. Chen through correspondence. Fig.4.6 demonstrates a sent to I. M. Pei in New York for a final evaluation. According to C. K. Chen’s
stress analysis of the vertical edge beams and presents an investigation conducted recollection, “a young German structural engineer working in a cooperative
to evaluate the validity of applying these edge beams and to determine the engineering consulting firm strongly opposed Fong’s structural design, whereas
appropriate cross-sectional configurations for the beams. Through repeated the company’s chief executive considered the design to be feasible. In this
discussions and modification, a RC chapel design gradually developed, which then situation, Mr. Pei was unsure of the correct course of action and invited Mr. Fong
became the prototype of today’s Luce Chapel (Fig.4.7). However, in the meantime, to New York to explain the calculation model. I also traveled to New York with Fong
4.6 Analysis of vertical edge beams used in the a U.S. partner (likely a structure consulting firm) was still insisting on the wood- and stayed for 2 weeks to re-evaluate the feasibility of the structural design. To
chapel’s thin shells (Aug. 19, 1960) steel design. As shown in Fig.4.8, the letter from C. K. Chen to the U.S. partner our surprise, the German engineer quitted his position on the third week, and thus
indicates a discussion regarding the fundamental structure and the choice of no one else questioned the design. Since the owner of the consulting company
approved the design, Mr. Pei had to agree with Fong’s calculation. When the
chapel’s construction was finally completed, Mr. Pei especially credited Mr. Fong in
the inauguration ceremony.” (Excerpted from My affinity with Tunghai, The Wind
of Tunghai 我的東海因緣 . 東海風 )

Table 4-1 Timeline of designing Luce Chapel

1954.02 I. M. Pei visited Taiwan to inspect the chapel site on the Dadu plateau for the first time.
1954. C. K. Chen demonstrated his vision for the campus landscape by using a traditional Chinese ink drawing.
1956. C. K. Chen won the first place in the Youth Center Building Design Contest hosted by Architectural Forum.
1956.07 I. M. Pei visited Taiwan again.
1956.08 I. M. Pei, C. K. Chen, and C. K. Chang discussed about the chapel design at Katona’s home.
(Masonry Gothic archàHexagonal wooden canoe modelàC. K. Chang’s investigation on the method of fabricating
wooden canoes)
4.7 Ideas of using lattice beams in Chen’s sketch (Sept. 13, 1960) 1957.03 C. K. Chen sequentially published his drawings related to the chapel project (i.e., building plans, internal
perspective view, color ink paintings) and the chapel model on Architectural Forum (1957.03, 08) and Architectural
Record (1957.08).
1957.09 C. K. Chen paid his first visit to Taiwan.
7. Gunite is a construction technique for stabilizing 1958–1959 The project was suspended because of an excessively high budget of the original wood-steel design.
slopes through spraying cement or concrete 1959.12.14 C. K. Chen expressed his support for H. S. Fong’s RC structural concept in a letter written to Fong.
over the receiving surface by using compressed
air. Gunite can be applied through dry-mix or 1960.05.22 H. R. Luce visited Tunghai University.
wet-mix methods. In the dry-mix method, a dry
sand-cement mixture is blown out of a hose by 1960.08.19 H. S. Hong and C. K. Chen discussed problems regarding the application of thin-shell structures.
compressed air. Then, water is injected at the
nozzle to hydrate the mixture. The wet-mix 1960.09.13 C. K. Chen revealed his idea of using lattice beams in a hand sketch.
method spreads a ready-mix of sand, cement and 1960.09.15 One of the involved parties from the US (likely a structure consulting firm) brought out the wood-steel version
water onto the receiving surface. The term gunite
specifically refers to cement mixtures, whereas design in a letter.
shotcrete for concrete mixtures. 1961.04.25 Y. E. Cai wrote to H. R. Luce, and highly recommended the team for architectural, structural design, and the
8. Henry Robinson Luce was the founder of the
construction company of the chapel project. In addition, he successfully obtained an 150,000 USD sponsorship
American magazines Time and Life. To provide from H. R. Luce (the actual construction cost 100,000 USD).
a venue for evangelism, he sponsored the Luce 1962.09.27 Discussion on the height of each construction level
Chapel project in memory of his father Henry
Winters Luce. 4.8 Discussion with the US partner regarding the wood-steel version of the chapel design 1962.11.01 The chapel construction started.
(Sept. 15, 1960)

94 95
 2. The design of Luce Chapel was influenced
by the designers’ conceptual ideas, but most
breaking.”(Excerpted fromMy affinity with Tunghai, The Wind of Tunghai 我的東
海因緣 . 東海風 )
Thin Shells and importantly by an architectural trend of thin Before the construction of the chapel took place, the validity of the fabricated
Pin Connections hyperbolic shells. This trend in the architectural roof joints (also called “live joints” by C. K. Chen) was tested in the construction
circle caught the attention of C. K. Chen. As of a cafeteria in boys’ dormitory (Fig.4.12) and Ming-Shen Auditorium (Fig.4.13,
he recollected, “two South African architects completed in Jun. 1959). The structural designs of these two buildings were also
Catalano & Horicio Camilo were teaching at North Carolina and conducted various by H. S. Fong. Although the structural system is now invisible in appearance, three
tests related to thin shell and membrane structures. They literally started the trend connecting points actually locate separately at the bottom of the side columns and
of thin-shell structures. I particularly travelled to North Carolina to visit them. They the top of the beams according to the reinforcement demonstration of the two
told me that the concept of such hyperbolic shells was originally developed by buildings (Fig.4.14 & Fig.4.15). The reinforcing bars were placed in an overlapping
German mathematicians. German engineers discovered concrete as a workable manner to form a pin connection (i.e., three-hinged arch). Theoretically, when
material for shell shape structures. In South Africa, such practices were extensively subjected to working loads, such connections allow partial damage and rotation,
adopted in construction projects. Beside thin shells, membranes can also be thereby releasing the bending forces at the ends of the beam. Consequently, the
constructed using the same approach. Moreover, the US on-trend inflatable beam’s cross-sectional size decreased, which led to the decrease of material cost.
4.9 Eduardo Catalano House in Raleigh　(source: structures and even dome structures were both developed on the base of the This type of pin connections was then modified and used in the construction of the
http://goodnightraleigh.com/2010/02/the-passing- thin shell and membrane construction practices. I was also amazed by hyperbolic chapel (elaborated in Section 2.1).
of-a-legend-an-opportunity-lost/)
membrane structures. Therefore, I thought about structuring the chapel with just
RC thin shells or membranes without using beams and columns. The others also
thought this was a novel direction in design; therefore, when I decided to employ
this design idea, Mr. Pei also agreed.” (Excerpted from My affinity with Tunghai,
The Wind of Tunghai 我的東海因緣 . 東海風 )
The old architecture department building (completed in Oct. 1961) and the music
department building (completed in Feb. 1963) on the campus of Tunghai University
are two other thin-shell structures designed by C. K. Chen. At that time, Chen took
the position of the university’s first dean of the Department of Architecture. In
addition to overseeing the campus construction, he also pushed the chapel project
forward and sought structural solutions for the project. Before the commencement
of the chapel’s construction, various experiments were conducted on the sites
of the abovementioned two buildings to evaluate the validity of relevant novel
construction techniques. These experiments were not only to test the abilities of
local construction companies at constructing thin-shell structures, but also provide
opportunities for these companies to gain valuable experiences in hyperbolic
structural construction.
The old architecture department building consists of two rows of RC umbrella 4.12 Current state of the cafeteria in boys’
4.10 Current state of the old architecture dormitory at Tunghai University 4.14 Reinforcement detail drawings of a roof ridge joint of the boys’ dormitory cafeteria
shells with a row spacing of 4.5 m. As shown in Fig.4.10, the masonry walls along
department building
the narrow side of the building separate the building’s inner space, and a large area
of glass on the side walls ensures adequate lighting and ventilation. To satisfy the
functional requirements of the department, the building was designed to enable
flexible inner space usage. This building’s construction only took a summer to
complete, and was the first thin-shell structure in Taiwan.
The classrooms and practice rooms of the old music department building were
jointed to form a U shape structure, and enclosed a small courtyard with a small
outdoor performance hall. The building complex resembles traditional Chinese
courtyard houses. Unlike the aforementioned architecture department building,
the shells of the building had a particular 45-degree curvature, conveying a distinct
side image.
Regarding the chapel’s roof joint design, C. K. Chen recalled that “the foundations
of the chapel were very large because they were designed to support the above
hyperbolic shells, which are thin at the top but gradually grow thicker as they
descend, leaving heavy RC walls at the bottom structures. In addition, lattice
beams added additional weight. A total of six joints were allocated along the
roof ridge, and the reinforcing bars in the joints were arranged in an overlapping
4.11 Current status of the old music department 4.13 Current state of Ming-Shen Auditorium in 4.15 Reinforcement detail drawings of Ming-Shen Auditorium building
building manner to increase flexibility, which would avoid the walls from bending or Tunghai University

96 97
 3. H. S. Fong (Feb. 8, 1919–Jan. 1983) contributed
tremendously from the structural calculation to
Structural the actual construction of the Luce Chapel. After
Engineer: H. S. the chapel project, Fong went to work with I. M.
Fong Pei in New York upon the recommendation of C.
K. Chen. He started his career in the United States
thereafter, and died in Chicago in 1983.
The available information regarding H. S. Fong is very limited. His education and
career background can only be inferred from the letter written by Y. E. Cai to H. R.
Luce (Fig.4.17) and was thus summarized as the following:
• Bachelor of Arts from the Civil Engineering Department at Aurora University in
4.20 An example of calculating a T-shaped
Shanghai, China continuous beam (Mar. 1953)
4.16 Structural engineer: H. S. Fong
• A member of American Concrete Institute
• A member of Prestressed Concrete Institute, the United States.
• Participated in a special training program on prestressed concrete in France in 1956.
According to Fong’s articles published in a highway-engineering magazine (Table
• Worked with Preload Inc. in NewYork and gained further practical experiences in 1957.
4-2), Fong had thorough investigations on non-uniformed continuous beams and
• Well known as Taiwan’s leading expert in the shotcrete technique, which was
4.17 A letter from Y. E. Cai to H. R. Luce (Apr. 25, T-shaped beams before he participated in the Luce Chapel project (1962). His
1961) used in the Luce Chapel project.
knowledge on these beams structures strongly influenced the structural concept
Moreover, H. S. Fong sequentially published 13 articles in Taiwan Highway
and design of the chapel. Since Taiwan was prone to earthquakes and typhoons,
Engineering between 1952 and 1954. According to these magazine articles and
Fong also tried to resolve these factors in his design.
another news article which reported Fong’s participation in a roof project for a
military stadium (Fig.4.18), Fong once held an engineer position in the Directorate
General of Highways. In 1965, Fong sought related authorities to apply his Table4-2 Fong’s articles published in the Highway Engineering Magazine
architect license (Fig.4.19) before setting his office in Taipei. 4.21 The section of a typical non-uniformed ( 台灣公路工程月刊 ) and other publications (1952–1954)
lattice beam used in the chapel project

4.18 Roof project of a military stadium (Completed

on Dec. 26, 1952)

Fong published the article Discussion on the Possibility of Applying a RC Arch Form
in the Jiuluming Bridge Design in Dec. 1953. This article presents Fong’s philosophy
on engineering, and unveils his ambition as a qualified structural engineer.
He specifically insisted that a good structural design must addresses safety,
economics, and aesthetics. He also noted that engineers in Taiwan often neglected
aesthetic factors, thereby leading to inappropriate designs.
According to the Chinese edition of the book Conversations with I.M. Pei (Boehm,
2003), Pei highly appraised Fong’s contribution on the structural design of Luce
Chapel, by saying, “I cannot complete the design of the chapel without Fong’s
help…I think Fong’s structural design is a great success. The designed shells have
4.22 Excerption from the article Discussion on a large load-carrying capacity and can resist loads induced by typhoons and
4.19 An announcement issued by Reconstruction the Possibility of Applying a RC Arch Form in the
Department of Taiwan Provincial Government Jiuluming Bridge Design (Dec. 1953) earthquakes.” (Conversations with I.M. Pei)

98 99
 Analysis of the Structural System
of Luce Chapel
The Luce Chapel is a RC structure which intentionally bridges the East-West
dichotomy (Fig.2-1). The main entrance at the front of the chapel faces east, and
the back door points toward west. The plan of the chapel displays a hexagon
building with unequal side lengths. Moreover, the chapel is symmetrical along the
east–west axis (the major axis), and the largest breadth at the ground level along
the north–south direction is 30.25 m. The elevation view of the chapel exhibits
hyperbolic paraboloid planes, and the chapel tapers from a wide bottom to a (a) Front arch (b) Middle arch (C) Rear arch
4.28 Schematic models of the edge-column arches
narrow top.

1. Structurally, Luce Chapel was designed to apply

RC lattice-beam grids and slabs as the primary
Structural structural components to create four hyperbolic
Concept and surface shells, which are arranged symmetrically
Load-Carrying along the chapel’s major axis (Fig.4.24). In
Mechanism the lattice-beam grid system, each beam is
narrow at the top and wide at the bottom and
intersects with adjacent beams at a skew angle (Fig.4.25). Furthermore, the two
front shells and two rear shells were separately joined using pin joints at particular
positions along the ridgeline (Fig.4.26), and all four shells were rigidly connected
using a shear wall at the conjunction (Fig.4.27).

4.29 Pin connections at the shells’ top ends

The chapel’s structural system consists of three primary components: (1) the shell
4.23 Plan and cross-sectional views of Luce Chapel
slabs and components around the shell edges (i.e., edge beams and columns in
the vertical and horizontal directions, respectively), (2) lattice-beam grids, and
(3) pin and fixed connections. The edge columns were designed to form three
inverted arches along the major axis of the chapel (Fig.4.28), and serve as the
most substantial components in resisting tensile forces and bends. The two edge
columns of the front and rear arch are pin connected to each other at the top
ends, and the bottom ends of the beams are rigidly attached to the foundations
(Fig.4.28). The middle arch comprises two sub-arches, in which a deep beam was
designed to hold the top ends of the four edge columns together, and their bottom
ends were rigidly joined to the corresponding foundations. Additionally, the lattice-
4.24 Side view of the hyperbolic shells beam grids were designed to carry tensile forces and transfer the horizontal forces
to the sides of the chapel.
(Fig.4.29) displays detail drawings of the rooftop connections. These drawings
demonstrate four #9 reinforcing bars overlapping at the center of the connecting
points. In addition, #3 stirrups were applied to convey an image of two truncated
pyramids connected with pin joints. When subjected to working loads, the
connecting points enable partial damage and rotation, releasing the bending
moments of the connected shells. C. K. Chen called these connecting points “live
joints”. The connecting ends of the joints bear no bending moments; therefore
they were designed to be relatively thin along the ridgeline. Moreover, due to the
great shear forces at the conjunction of the four shells, a deep beam was employed
4.25 Lattice beams with varying cross sections 4.26 Pin connections 4.27 Fixed connection for the resistance of the forces.

100 101
 II. Overall Structural Performance of Luce Chapel
(Fig.4.32~Fig.4.35) demonstrate the simulation analysis of the chapel’s structure
under vertical loadings. Details regarding the development and assumptions
based on the simulation models are noted in Section 5.1. According to the analytic
results, the overall structural performance of the chapel is summarized as follows:
(1) The edge columns of the front and rear arches and the edge beams along the
ridgeline had considerable large tension forces.
(2) The maximal shear force occurred at the outer side of the shear wall when the
four shells connect at the middle arch.
(3) The second largest shear force occurred at the bottom areas of the lattice-
beam grids.
(4) The maximal bending moment of each lattice beam occurred at the bottom
of the beam, and the beams closer to the front–back shell conjunction had larger
maximal bending moment values.
(5) Having compared with the lattice beams, the edge columns had larger positive
bending moments.

4.30 Schematic diagram of the transferring pattern for vertical loads (self-weight)

4.32 Tension, shear, and bending distribution of the chapel’s structure (dead loading)

4.33 Tension, shear, and ending moment diagrams of the front arch (dead loading)
4.31 Schematic moment diagram of the chapel’s structure under vertical loading

I.Vertical Load Transfer Mechanism

When the chapel structure is subjected to a vertical load (i.e., self-weight), the shell
slabs, lattice-beam grids, and edge columns together serve as a primary path for
transferring vertical load (Fig.4.30). Specifically, the weight of the rooftop windows 4.34 Tension, shear, and bending moment diagrams of the middle arch (dead loading)
and shells is transferred through the slabs to the lattice-beam grids and edge
columns and then to the foundations and underlying soil.
(Fig.4.31) demonstrates the schematic moment diagram of the chapel bearing its
self-weight. As displayed, the two shell planes were assumed to be pin connected,
suggesting zero moments at the connected ends of the shells. Moreover, above
the inflection point, each shell carries positive bending moments (i.e., the concave
part of shells within the chapel), and the maximal moment occurs at the middle
point between the pin connection and inflection points. Conversely, negative
bending moments (i.e., the concave shells extended outward) occur below the
inspection point, and the maximal moment is at the shell’s footing.
4.35Tension, shear, and bending moment diagrams of the rear arch (dead loading)

102 103
 4.39 Vertical reinforcement arrangement and reinforcement ratio of the shell slabs (digitally
regenerated structural diagrams, CHS5 and CHS6)
4.36 Cross-sectional dimensions of the edge beams and the reinforcement arrangement
(digitally regenerated structural diagrams, CHS2, CHS5, and CHS6)

2. To determine the behaviors of the three

major components (i.e., the edge beams and
Investigation columns, shell slabs, and lattice-beam grids)
of the of the structure, this study investigated the
Reinforcement reinforcement designs of the components.
Designs of
the Structural I. Reinforcement Designs of the Edge
Components Beams and Columns
Each of the edge columns consists of three
sections, which have distinct cross-sectional
areas, thereby creating a tapered configuration with a thin top and a thick bottom.
This design accommodates the vertical loading condition of the beams. Moreover,
because the beams’ middle sections are in the maximal positive bending moment
4.40 Vertical reinforcement ratio of the shell slabs (digitally regenerated structural diagrams,
zone, a considerable amount of reinforcing bars were placed at the inner side CHS5 and CHS6)
of these sections. The beams’ lower sections were designed to have adequate
reinforcing bars at the outer sides to resist negative bending moments. This
4.37 Construction picture of an edge column (the reinforcement design conforms to the moment distribution induced by the vertical II. Reinforcement Designs of the Shell Slabs
lower section) load. Furthermore, regarding the edge beams along the ridgeline, three #9 According to the reinforcement designs of the slabs of the four shells, the primary
reinforcing bars were placed at each of the tension and compression sides of the reinforcing bars were placed vertically, and the bars’ numbers were varied in an
beams, and #3 stirrups were employed with a spacing of 20-cm (Fig. 2-14). ascending order from the top to the bottom of the shells (#4–#11) in an attempt
to accommodate the bending moment distribution pattern in the slabs. According
to the reinforcing bar size and number placement, four distinct placement patterns
were present along the slabs’ vertical axis, and the reinforcing bars’ total area
reached the maximum at the slabs’ bottom. In addition, the secondary reinforcing
bars were placed horizontally at a 10-cm spacing, and the reinforcement ratio was
thus 0.013.
Moreover, according to the original reinforcement design, the reinforcing
bars of the front shell slabs were arranged in a particular pattern, in which the
reinforcement along the chapel’s major axis increased gradually from the shells’
east to west ends. The same reinforcement placement pattern was presented
in the rear shell slabs. Details and discussions on the vertical reinforcement
4.41 Construction pictures of the outer sides of the arrangement of the four shell slabs and reinforcing bar detection procedure are
4.38 Construction picture of an edge beam at the shell slabs (# 3 horizontal reinforcing bars were
rooftop level placed with a 10-cm spacing) clarified in Section 4.2.

104 105
 4.45 Application of an aerial lift truck to inspect the
chapel’s outer surfaces

Investigation on the
Current State of the Luce Chapel
Ever since the completion of its construction in 1964, the Luce Chapel has been
continuously maintained for more than 50 years. Most of the previous repair and
maintenance focused on sustaining the rooftop windows, floor, and wooden
furniture in addition to cleansing the tiles attached to the surface of the shell
4.46 Mobile scaffold (the elevation of 3–7 m)
structure. However, after the 921 earthquake in 1999, a repairing project was
conducted by applying a crack perfusion technique to fix the damaged RC
lattice beams and shell slabs. Nevertheless, no thorough investigation has been
performed to inspect the chapel’s overall structural system. To fill the gap, this
study aimed to examine the chapel’s overall structural system and evaluate the
4.42 Cross-sectional drawing of a lattice beam structural damages caused by the 921 earthquake and daily use.
III. Reinforcement Designs of the Lattice Beams
The shells, which consist of the lattice-beam grids and slabs at the inner and
outer sides, respectively, were designed to have various thicknesses; specifically, 1. Luce Chapel is 19.65-m high. Due to its unique
hyperbolic structure, it would be problematic to
the shells grow thicker as they descend from the top to the bottom. Above the Methods apply scaffolding, which is commonly used in
elevation of 106.3 m, the width of each single lattice beam is 10 cm, whereas below 4.47 Temporary framework (the elevation was
outdoor construction. Although scaffolding can be
this elevation, the width increases gradually and reaches 94.8 cm at the bottom. more than 7 m) used inside the chapel to conduct indoor inspections,
This design is to coordinate the tensile force, which grows gradually from the top this would also cause inconvenience to the chapel’s regular activities (e.g., regular
to the bottom of the beams. gatherings and Sunday worships). Therefore, different investigation methods were
The reinforcement placement of each lattice beam varies along the beam’s applied for the indoor and outdoor inspection, and these methods are as follows:
longitudinal direction. According to the distinct reinforcement arrangements of The outdoor inspection: An aerial lift truck was used to examine the outer
the lattice beam, the beam can be divided into four sections from the top (Section surface damage of the shells
4.43 Construction picture of lattice beams 1) to the bottom (Section 4) of the beams (Fig.2-20). In a lattice beam, a single #9 The indoor inspection: A temporary framework (i.e., a space truss) made of
reinforcing bar was applied through Sections 2 and 3, and an additional reinforcing steel tubes as well as a mobile scaffold were applied
bar (#7–#10) was added to Section 2 to increase the section’s moment-resisting to survey the damage status of the interior RC
capacity. At Section 4, a single #8 reinforcing bar was applied, and the boundary beams and slabs
between the Sections 3 and 4 was set at the beam’s inflection point, which 4.48 Steel tubes and slipknots of the framework The outer surfaces of the chapel’s shells were inspected inch by inch by using an
conforms to the common reinforcement practices. aerial lift truck (Fig.4.45). The indoor inspection was conducted by using different
means depending on the elevation of target areas. When the elevation was 3–7
m, a mobile scaffold (Fig.4.46) was used, whereas above the elevation of 7 m, a
temporary steel-tube framework (Fig.4.47) was applied. Below the elevation of 3
m, the project research crew examined the chapel’s indoor structure without using
the scaffold or framework. To construct the temporary framework, steel tubes
with Ф = 42.7 mm were connected using a particular type of slipknots (Fig.4.48) to
4.44 Cross-sectional dimensions and form a space truss system, and special footboards were installed to facilitate the
reinforcement ratios of the lattice beams (digitally
regenerated structural diagrams, CHS2 and CHS) operation of the research crew.

106 107
 The temporary framework in this study consisted of eight bays of trusses, which
were joined using oblique bracing members to form a big space truss system (Fig.
4.49). As demonstrated in (Fig.4.50), the truss framework system was affixed
to the lattice beams, through which the weight of the framework system can
be transferred to the building structure. An analysis shows that this framework
system can sustain live loads up to 150 kgf/cm2. The system consisted of three
tiers, and the top tiers were the smallest while the bottom tiers being the smallest.
Additional scaffolds were employed on the framework’s top tier (Fig.4.51) to allow
the research crew to examine the ceiling and rooftop windows. Furthermore,
a scaffold was placed at the chapel’s front entrance to provide an access to the
framework.
The space-truss framework system was chosen to investigate the damage located
above the elevation of 7 m mainly due to three reasons: (1) the chapel’s lattice-
4.52 Concrete deterioration spots on the lattice-beam grids and 4.53 Concrete deterioration spots on the lattice-beam grids and slabs on
beam grids can be used to support the framework; (2) the steel-tube framework slabs on the north side of the chapel the south side of the chapel
was cost-effective, light and can be quickly assembled; and (3) the framework
caused no negative influence on the chapel’s structure and can be easily
disassembled and reused. Furthermore, the temporary framework allowed the
regular chapel activities to proceed without interference.

4.54 Concrete deterioration caused by concrete demolding 4.55 Concrete air voids formed during concrete solidification

2. According to the damage investigation results, this

study classified the damage conditions into the
Inspection following types for further discussions:
Results
4.49 Design of the framework Concrete Deterioration
(Fig. 3.52) and (Fig. 3.53) demonstrates concrete deterioration spots on the
lattice-beam grids. This study discovered that such concrete deterioration was
very minor. Most of these deteriorations occurred during the demolding process
after the solidification of concrete (Fig. 3.54). Because no plastering or decoration
was applied in the interior of the chapel, these concrete deterioration spots can
be visually inspected. Moreover, a small portion of these concrete deterioration
spots were air voids formed during concrete solidification (Fig. 3.55). In summary,
the concrete deterioration of the chapel structural components was minor and
unevenly distributed.

4.50 Lattice beams provided supports to the framework truss system 4.51 Additional scaffolds on the framework’s top tier

108 109
 4.62 Crack distribution of the lattice-beam grids and slabs on the 4.63 Crack distribution of the lattice-beam grids and slabs on the chapel’s
4.56 Crack distribution of the outer surfaces of the shells on the chapel’s northern side chapel’s northern side southern side

(Fig.4.62) and (Fig.4.63) indicate the crack distribution on the lattice-beam grids
and slabs inside the chapel. When the overlapping areas of reinforcing bars (i.e.,
the light blue areas) serve the boundaries for three cracking zones. This study
discovered that after the 921 earthquake, a grouting technique was applied to
4.58 Vertical cracks at the rooftop parapet walls
repair earthquake-induced cracks, which concentrated on the lower parts of the
lattice-beam grids and slabs (Fig.4.64). In addition to these repaired cracks, more
cracks (width = 0.3–0.6 mm) were observed at the lower parts of the lattice-beam
grids and slabs (Fig.4.65), indicating that substantial tensile forces and earthquake-
induced shear forces both occurred at these locations. Furthermore, cracks
appear at the reinforcing bar overlapping areas of the lattice beams because the
overlapping of reinforcing bars causes unfavorable reinforcing bar gripping, thus
leads to the cracking of the lattice beams when under external forces (Fig.4.66).
Cracks also exist at the lattice beam areas above the overlapping areas of the
reinforcing bar (Fig.4.67). Since the lattice beams narrows from the bottom to the
4.57 Crack distribution of the outer surfaces of the shells on the chapel’s southern side top, they are prone to crack when subjected to positive bending incurred by static
4.59 Cracks at the edge beams around the vertical loads. Cracks in these areas are smaller (i.e., 0.25–0.35 mm) than cracks at
rooftop windows
the lower parts of the lattice beams.
Cracking of the RC Beams and Slabs
(Fig.4.56) and (Fig. 4.57) display the crack distribution on the outer surfaces
of the chapel’s shells. As displayed, cracking primarily occurred at the shells’
bottom parts, the rooftop parapet walls, and the edge beams next to the rooftop
windows. Vertical cracks at the parapet walls (Fig.4.58) were caused by inadequate
protection and years of outdoor exposures (sunlight, wind, and rainfall), which
caused RC deterioration. Theoretically, when the reinforcing steel corrodes, the
resulting rust occupies a greater volume than the steel, creating tensile stresses
in the concrete and thus causes cracking. Because of this reason, cracking took
4.60 Oblique cracks at the top of a shell place at the edge beams beside the rooftop windows (Fig.4.59) . Additionally, 4.64 Crack repaired after the 921 earthquake 4.65 Lattice-beam cracking at the shell footing
oblique cracks were also detected at the similar position of the two shell slabs, by using the grouting technique
Slabs N2 and S2 (Fig.4.60) , which are on the chapel’s northern and southern sides,
respectively. These oblique cracks are the gaps of construction joints.
Furthermore, insignificant horizontal cracks were observed at the bottom of the
edge columns (Fig.4.61) , and these cracks occurred when the bottom parts of the
edge columns were under negative bending moment, which reach a maximal value
at the columns’ footing.

4.66 Cracking at a reinforcing bar overlapping 4.67 Thin cracks on the upper half of a lattice beam
4.61 Cracks at the bottom of a shell area

110 111
 According to the distribution of corroded reinforcing bars and bolts on the chapel’s
eastern and western sides (Fig.4.68) and (Fig.4.69), steel corrosion primarily occurs
at the edge columns. The steel corrosions at some locations are associated with
concrete spalling and horizontal reinforcing bar exposure (Fig.4.72). Steel corrosion
were also identified at the bottom of the edge columns next to the side windows
(Fig.4.73) and the lower parts of the lattice beams (Fig.4.70)and (Fig.4.71). Severe
steel corrosion resulted concrete cracking and peripheral damage (Fig.4.74).
Furthermore, the outer side of the rooftop pin joints exhibits similar steel corrosion
states as well (Fig.4.75).
In contrast to the chapel’s exterior RC surfaces, the steel corrosion indoor is less
severe. The indoor steel corrosions primarily appear on the lattice-beam grids,
forming small pits on the beam surface (Fig.4.76). Exposed screw rods, which were
used to affix the formwork during the construction process, also corroded (Fig.4.77).

4.68 Distribution of corroded reinforcing bars and bolts (the east 4.69Distribution of corroded reinforcing bars and bolts (the west
elevation view) elevation view)

4.72 Corroded reinforcing bars at an edge 4.73 Corroded reinforcing bars at a window
column frame

4.70 Distribution of corroded reinforcing bars and bolts (the north 4.71 Distribution of corroded reinforcing bars and bolts (the south
elevation view, the lattice-beam grids, and slabs) elevation view and the lattice-beam grids and slabs)

4.74 Corroded reinforcing bars at the bottom 4.75 Steel corrosion at a rooftop joint
of a lattice beam

Corrosion of Reinforcing Bars or Bolts

(Fig.4.68) – (Fig.4.71)display the reinforcing steel corrosion distribution on the
chapel’s shell slabs. Steel corrosion primarily occurs on exposed reinforcing steel,
which locates at the outer surfaces of the shells. Such corrosion was caused by
insufficient concrete protection and long-term environmental influence, which led
to moisture infiltration in the concrete structure, and corrosions on the reinforcing
steel. The expansion of the corroded steel created tensile stresses within the
concrete thus caused cracking and even concrete peeling. Moreover, with its 50
years of history, neutralization of the concrete may be another cause of corrosion
4.76 Reinforcing steel corrosion on the lattice 4.77 Corrosion of a screw rod inside the chapel
on reinforcing steel. beams

112 113
 Nondestructive Inspection on
The test results were summarized in Table 4-3. The relationship between rebound
numbers and concrete compressive strength was established using 15-cm concrete

the Structure of the Chapel cubic samples rather than the typical 15×30 cm cylinder samples used for concrete
compressive strength tests in Taiwan. According to proceq N-34 rebound hammer’s
Before the assessment of chapel’s structural performance, the current state of user manual, in which the compressive strength of both sample types was listed,
the chapel structure was examined to compare the actual construction with the the ratio between the compressive strength of 15×30 cm cylinder samples and
original designs. Inspections on the load-carrying capacity and reinforcement 15-cm concrete cubic samples is 0.8/1. When converting to the cylinder sample
arrangement of the RC components were also conducted before the assessment calculation, the average concrete compressive strength of Slabs S1, S2, N1, and N2
of structural performance. Due to the restriction on using destructive inspection would be 430.9, 448.1, 419.9, and 415.5 kgf/cm2, respectively. This result suggests
methods, this study employed a rebound hammer test and a ground-penetrating a concrete compressive strength 4000 psi higher than the original designed on
radar (GPR) system to conduct a nondestructive inspection. each slab.

1. In this study, rebound hammer tests were employed

to determine the compressive strength of the
Table 4-3 Results of the rebound hammer tests
Compressive strength Compressive strength
Rebound concrete structure, and the test results were then Slab Test location based on 15-cm based on 15×30 cm
cube samples (kgf/cm2) cylinder samples (kgf/cm2)
4.78 Curves in relation between rebound numbers
and cube compressive strength(15-cm test cube)
Hammer Test used for further analyses. In the rebound hammer
Upper part 519.82 415.86
test, a spring-controlled mass was first pressed
S1 Lower part 557.34 445.87
against the surface of the concrete following
Average 538.58 430.86
the rebound of the hammer; the extent of the rebound determined its rebound
Upper part 549.29 439.43
number, which was used to estimate the compressive strength of the concrete.
S2 Lower part 571.04 456.83
The concrete compressive strength was converted in accordance with the given
Average 560.16 448.13
rebound numbers presented in (Fig.4.78). In order to obtain the precise rebound
Upper part 513.42 410.73
values, the hammer must remain perpendicular to the tested surface (Fig.4.79).
N1 Lower part 536.25 429.00
In this study, proceq N-34 rebound hammers were applied on selected smooth
Average 524.83 419.87
surfaces of the lattice-beam grids and slabs. Rebound hammer tests were
Upper part 525.15 420.12
conducted both on and above ground level (Fig.4.80). The research crew used
N2 Lower part 513.68 410.95
a temporary framework as the testing points elevated (Fig.4.81) (Fig.4.82) and
4.79 Rebound hammer test (the instrument was Average 519.42 415.53
held perpendicular to the test surface) (Fig.4.83) summarizes the results of the rebound hammer tests.
4.84 GPR devices

2. To determine whether Luce Chapel was

constructed according to its original design,
Reinforcing Bar this project committee entrusted C. C. Cheng,
Detection a professor of the Department of Construction
Engineering at Chaoyang University of
Technology, to locate reinforcing bars by using a GPR system. The original
drawings and diagrams of the chapel are very well preserved and were used for the
assessment of this inspection.
4.82 Rebound hammer test The GPR system uses electromagnetic radiation to detect energy changes of
spots and rebound numbers
on the lattice-beam grids and reflected radar pulses from subsurface structures. Consequently, layers of structure
4.80 Rebound hammer test at the ground level 4.85 Reinforcing bar detection by using a GPR
slabs on the chapel’s northern system beneath the surface can also be identified. In other words, a GPR transmitter
side
continuously emits electromagnetic radio signals to a target surface, and a fixed
or mobile receiving antenna is then used to record the signals that are reflected
by a buried object and to send the signals to a data processor, which analyzes
the object’s mechanical properties. A GPR system consists of transmitting and
receiving antennas in addition to a signal recording and analyzing system, of which
the monitor can display the reflected electromagnetic waves, demonstrating
subsurface structures.
This study focuses on detecting the reinforcement arrangement of the shell slabs.
In the detecting process, the GPR system was used to examine the shells’ outer
4.83 Rebound hammer test surfaces at a height of 1.2 m from the chapel’s west end to east end. To facilitate
spots and rebound numbers data processing, the detection length was 4 m; namely data were recorded after
on the lattice-beam grids and
4.81 Rebound hammer test at off-ground level slabs on the chapel’s southern the examination of every 4-m of the test surface (Fig.4.86).
accessed through a temporary framework side 4.86 Schematic diagram of the detection direction

114 115
 The data of Slab S2 at a distance range of 0–4 m (Fig.4.87) is used here to exemplify
how the GPR detected data was interpreted:
Dat-2826: Data file name
(0–4 m): Slab S2 was detected in a distance range of 0–4 m (measured from the
slab’s furthest end) and at a height of 1.2 m
(12, 13, 15, and 14): The reinforcing bar numbers in the distance ranges of 0–1 m,
1–2 m, 2–3 m, and 3–4 m, respectively.
Total 54:A total of 54 reinforcing bars exist in the wall in the distance range of 0–4 m
4.90 Reinforcing bar detection image of Slab S2
Dat-2826 (0–4 m) (12, 13, 15, and 14) total 54

4.87 Reinforcing bar detection image of Slab S2 (0–4 m)

As displayed in (Fig. 3.87), the detection length is 4 m, and the vertical and 4.91 Reinforcing bar detection image of Slab N2
horizontal axes represent the detection depth from the test surface and the
detection distance from Slab S2’s foremost boundary, respectively. However, This study regenerated vertical reinforcement diagrams (Fig.4.92) on the basis of
because the test surfaces were not smooth, and the speed of the GPR’s roller was the original reinforcement drawings. Because the original diagrams were drawn
not constant, errors existed in the distance calculation (the number of detection in a projected view, the detected reinforcement diagrams were converted into
segments × 4 m). In this situation, the distance was re-calculated, and the blue a projected view accordingly to facilitate the reinforcement comparison. The
lines in (Fig. 4.10)re marked using meters as the unit. The red arrows in the image analyzed results are summarized in Table 4-4 and Table 4-5.
locate 12 spots of a reinforcing bar, which are all in the depth of 0–0.1 m, thereby
indicating the depth of the reinforcing bar to be 0.1 m. Reinforcing bar detection
images of Slabs S1, N1, S2, and N2 are presented in (Fig. 3.88)–(Fig. 3.91), respectively.

4.88 Reinforcing bar detection image of Slab S1

4.92Vertical reinforcement arrangement of the shell slabs (digitally regenerated structural
diagrams, CHS5 and CHS6)

Table 4-4 Comparison between the detected reinforcement arrangement and original reinforcement designs of Slabs S1 and N1

Location (m) 0-1(frame) 1-3 3-5 5-7 7-9 9-11 11-13 13-15 13-15 17-18(frame) total
Designed
reinforcing bar 16 32 30 30 28 26 24 24 24 12 246
number

S1 16 33 29 29 27 28 27 26 26 10 246

N1 15 31 29 30 29 29 26 25 25 10 245
4.89 Reinforcing bar detection image of Slab N1

116 117
 Table 4-5 Comparison between the detected reinforcement arrangement and
original reinforcement designs of Slabs S2 and N2 Seismic Analysis
Location (m) 0-1(frame) 1-3 3-5 5-7 7-9 9-10 (frame) total When a structure is subjected to a dynamic load (i.e., wind or earthquake load),
Designed the load will induce time-dependent displacements and deformations as well as
reinforcing bar 18 38 34 28 22 10 150 vibration responses in the structure. The extent of such responses is associated
number
not only with the magnitude and frequency of the dynamic load but also with the
S2 17 38 37 29 29 17 167 structure’s natural frequency or vibration modes. Given a structural system differs
from the regular RC beam-column systems, a new simulation model for dynamic
N2 18 39 36 32 32 17 174 behavior examinations had to be developed in order to determine the chapel’s
dynamic properties.

Results
Table 3-4 reveals that the detected reinforcement arrangement is consistent with 1. This study employed a structural analysis
software, MIDAS/Gen V7.9.5 (2012 V1.1), to
the original design. The reinforcement arrangement of Slabs S1 and N1 exhibited Model perform a dynamic analysis on Luce Chapel’s
a similar pattern, in which the reinforcement amount gradually decreases from Development structure in an attempt to identify the structure’s
the chapel’s east to its west. The total numbers of the reinforcing bars of Slabs S1 and vibration modes and natural frequency. When
and N1 are 246 and 245, respectively, and these numbers are consistent with the Assumptions the model was developed, a frame element
number in the original design (246). and a shell element were used to simulate the
Slightly different from the original design, the detected reinforcement in Slabs S2 non-uniform lattice beams and slabs, respectively. The model assumptions are
and N2 decreases gradually from the chapel’s west end to its east end (Table 4-5). described as follows:
However, two edge columns at the locations of 0–1 m and 9–10 m with the identical
amount of reinforcing bars are different from the original reinforcement design, I. Materials
in which the west edge column was to have 18 reinforcing bars, whereas the east The results of the rebound hammer tests in Section 4.1 reveal the average
edge column should have had 10 reinforcing bars. Moreover, the reinforcement concrete compressive strength, which was higher than the original design value by
amount in the distance ranges of 5–7 m and 7–9 m is also constant instead of 4000 psi. Conservatively, a concrete compressive strength of fc′ = 280 kgf /cm2
decreasing. The total numbers of the reinforcing bars in Slabs S2 and N2 are 167 was applied on the simulation model to correspond with the original design. The
and 174, respectively, whereas those of the original design were 150, indicating the model’s material parameters are as presented in Table 4-6.
application of additional vertical reinforcing bars during the construction.
Table 4-6 RC mechanical properties
Compressive Modulus of Poison Thermal expansion
Material strength Density elasticity ratio coefficient
fc’ Ec υ α

RC 280 kgf/cm2 2400 kgf/m3 21 GPa 0.167 9.9×10-6 /ºC

II. Boundary conditins

While modeling the boundary conditions, relevant RC components were
assumed to be pin-connected with the corresponding foundations,
following a structure without an underlying ground. In the model, the
X axis aligned in the east-west direction, Y axis in the south–north
direction, and the Z axis in the vertical direction. To achieve a favorable
simulation result, the members and joints of the model were
developed according to their actual sizes and configurations, and
the bending moments of the beams were set to be zero along the
ridgeline. Notably, the model development focused on the chapel’s
major structural components, and non-structural members, such
as rooftop windows and window frames between the slabs weren’t
part of the simulation. The developed model is demonstrated in
(Fig.4.93).

4.93 Structural model of Luce Chapel

118 119
Table 4-7 Dominant vibration modes and the corresponding periods
3. As presented in Table 3 7, the vibration period and
participating mass ratio of the 16th mode are 0.154
Vibration
Period TRAN-X TRAN-Y TRAN-Z ROTN-X ROTN-Y ROTN-Z Dominant sec and 7.46% respectively. The 16th mode thus
modes (sec) Mass Sum Mass Sum Mass Sum Mass Sum Mass Sum Mass Sum Vibration dominates the responses in the Y axis, namely the
(%) (%) (%) (%) (%) (%) (%) (%) (%) (%) (%) (%)
Modes and shells’ off-plane deformation (Fig.4.94). Moreover,
1 0.388 1.48 1.48 0.00 0.00 2.68 2.68 0.00 0.00 0.82 0.82 0.00 0.00 Corresponding the vibration period and participating mass ratio of
2 0.366 0.00 1.48 6.90 6.90 0.00 2.68 1.65 1.65 0.00 0.82 8.90 8.90 Periods the 2nd mode are 0.366 sec and 6.90% respectively,
3 0.332 0.00 1.48 2.09 8.98 0.00 2.68 8.18 9.83 0.00 0.82 3.98 12.89 and the participating mass ratio of the 2nd mode in
the Z axis is 8.90%, indicating this mode induces torsional vibration in addition to
4 0.283 9.27 10.75 0.00 8.98 0.13 2.81 0.00 9.83 0.91 1.73 0.00 12.89
lateral vibration (Fig.4.95). In the Y axis, the 2nd and 16th modes have substantial
5 0.266 0.00 10.75 0.46 9.44 0.00 2.81 8.46 18.29 0.00 1.73 0.00 12.89 participating mass ratios, of which the values are close, making the two modes the
6 0.255 2.25 13.00 0.00 9.44 3.70 6.50 0.00 18.29 1.03 2.76 0.00 12.89 dominant vibration modes in the Y axis.
8 0.219 10.38 23.38 0.00 13.40 0.48 6.98 0.00 19.15 0.28 3.04 0.00 13.21 Furthermore, the 4th mode has the period of 0.283 sec and participating mass ratio
of 9.27% (Fig.4.96), and the 8th mode has the period of 0.219 sec and participating
9 0.210 0.00 23.38 0.95 14.34 0.00 6.98 2.04 21.19 0.00 3.04 0.02 13.23
mass ratio of 10.38% (Fig.4.97). The two modes are the dominant modes in the X
10 0.206 0.83 24.21 0.00 14.34 5.19 12.17 0.00 21.19 0.15 3.19 0.00 13.23 axis, inducing the shells’ in-plane deformations along the east–west direction.
16 0.154 0.00 24.26 7.46 25.23 0.00 13.22 0.03 24.41 0.00 4.90 0.30 15.24 The 10th mode has the period of 0.206 sec and is the dominant mode in the Z axis,
18 0.143 0.00 24.26 6.54 31.78 0.00 13.31 0.12 24.53 0.00 5.78 0.82 16.07 whereas the other modes induce minor seismic responses.
In summary, the dynamic analysis indicates the Luce Chapel to be a short-period
28 0.113 3.23 29.06 0.00 35.89 0.21 15.52 0.00 26.48 0.01 7.78 0.00 19.88
structure, and the chapel’s original structural design was rather conservative in
44 0.084 1.72 35.87 0.00 37.80 1.24 17.70 0.00 32.70 13.45 27.06 0.00 21.55 terms of seismic design.
50 0.077 2.61 41.30 0.00 38.98 0.00 17.70 0.00 33.30 3.14 32.26 0.00 21.76
53 0.073 2.63 44.87 0.00 39.01 0.02 18.18 0.00 33.76 2.69 35.98 0.00 21.89
164 0.033 0.00 60.47 0.52 53.35 0.00 26.16 1.11 45.42 0.00 46.47 3.18 39.89
200 0.028 0.00 65.02 0.12 56.70 0.00 27.70 0.13 47.79 0.00 47.81 0.54 44.33

2. After the model was created, a modal analysis was

conducted by examining the structure’s first 200 natural
Results vibration modes and the participating mass ratios of these
modes. Table 4-7 summarizes the analytical results related
to selected vibration modes. The cumulative sums of the 200 models participating
mass ratios in the X, Y, and Z axes are listed as follows:
1. X axis (the east–west direction) 65.0%
2. Y axis (the south–north direction) 56.7%
3. Z axis (the vertical direction) 27.7% 4.94 16th mode (period = 0.154 sec) was a dominant mode in the Y axis
The cumulative model participating mass ratios in the X and Y axes both exceeded
50%, indicating the sufficiency of the 200 vibration modes in representing the
structure’s major horizontal vibration responses.
The dominant vibration modes in each direction can be obtained by identifying
vibration modes that have the maximal participating mass ratios in the 200
vibration modes. As a result, the dominant vibration modes are the 4th and 8th
modes for the X axis, the 2nd and 16th modes for the Y axis, and the 10th mode for
the Z axis. Notably, the 2nd mode indicated considerable torsional vibrations.

4.95 2nd mode (period = 0.372 sec) was a dominant mode in the Y axis and induced substantial torsional vibration

120 121
 Structural Safety Assessment
The island of Taiwan resides at the boundary between the Philippine Sea Plate
and Eurasian Plate and is on the circum-Pacific seismic belt, which is one of
the most seismically active regions in the world. Therefore, the assessment of
structural safety must consider the structure’s performance under seismic loading
along with long-term loading. This study applied Taiwan’s regulations regarding
building seismic designs to evaluate the seismic performance of Luce Chapel and
specifically calculated the forces carried by each structural component. In the end,
the effectiveness of the chapel’s original reinforcement designs was assessed to
determine the safety of the chapel structure.

1. Dead and Live Loads

The chapel’s dead loads were determined using
Load Types and structural software MIDAS/Gen V7.9.5 (2012
4.96 4th mode (period = 0.283 sec) was a dominant mode in the X axis
Combinations V1.1). According to regulations pertaining to
special building types and usage statuses, no
live loads were evaluated in the subsequent seismic analysis.

Seismic Loads
The chapel structure’s seismic loads were calculated with reference to Building
Technical Regulations and Seismic Design Specifications and Commentary of
Buildings (SDSCB), published by the Construction and Planning Agency under
the Ministry of the Interior of Taiwan. To perform a static analysis, the minimal
horizontal seismic design force V was calculated by

(Equation 2-1 in SDSCB)

where SaD: The ground horizontal acceleration response spectral coefficient of the
building site.
I: Building factor; because Luce Chapel is a public building for the purpose of cultural
4.97 8th mode (period = 0.219 sec) was a dominant mode in the X axis education, it is thus categorized in building Type III with I = 1.25.
W: The sum of the chapel’s dead loads.
αy: Seismic force amplification factor, and αy = 1.0 for RC structures.
Fu: Seismic force reduction factor.

According to the determined spectral coefficients of the horizontal acceleration

response for the chapel site, the chapel’s basic vibration period was identified
from a dynamic analysis, and seismic force factors were considered in the ductility
design concept. The chapel’s seismic forces were determined as follows:

Subsequently, these seismic forces were input in the chapel’s structural model, and
the model calculation generated the following seismic load profiles:

4.98 10th mode (period = 0.206 sec) was a dominant mode in the Z axis

122 123
 4.101 Shear distribution under the load 4.102 Shear distribution under the load
combination 1.2D + 1.0Ex (unit: kgf) combination 1.2D − 1.0Ex (force unit: kgf)

Table 4-8 Luce Chapel structure’s shear capacity check

4.99 Seismic load profile in the X direction (force unit: tf) 4.100 Seismic load profile in the Y direction (force unit: tf)
Maximal Cross- Shear strength Shear strength of Shear Acceptance
Location Load shear force sectional area of the concrete the reinforcing bar strength
combination Vu (tf) (cm2) Vc (tf) Vs (tf) φVn (tf)
Load Combinations Yes
By referencing the Code for Design of Concrete Structures (CDCS), this study Deep beam at the
front–back shell 1.2D + 1.0Ex 82.69 50 × 270 119.73 278.58 298.73
employed the following load combinations: conjunction
(1) U = 1.4D Yes
The bottom part of the 1.2D − 1.0Ex 13.05 94.8 × 35.9 25.22 7.95 24.88
(2) U = 1.2D ± 1.0E lattice-beam grids
(3) U = 0.9D ± 1.0E

3.
Where D: Dead load, including the weight of structural components and
attachments that are permanently affixed to the building. The maximal bending moment of each structural component
E: Seismic load, which is determined according to SDSCB. was determined in the aforementioned structural analysis,
Bending and the results were used to check whether the original
1. The shear capacity check focused on the maximum
shear capacity of the lattice-beam grids and other
Capacity
Check
reinforcement design of the component ensures its adequate
bending capacity. According to the structural analysis, the load
Shear Capacity maximal shear stress locations, which were identified combinations 1.2D + 1.0Ex, 1.2D + 1.0Ey, 1.2D − 1.0Ex, and 0.9D
Check in the aforementioned structural analysis of the + 1.0Ey can yield substantial bending moments (Fig.4.103) – (Fig.4.106).
chapel. According to the CDCS, this study evaluates
the shear-carrying capacity of the components through the following equations:
φ Vn ≥ Vu (Equation 4-1 in CDCS)
Vn = Vc+Vs (Equation 4-2 in CDCS)
Where Vn: Shear strength of the component (kgf)
Vu: Shear design force (kgf)
Vc: Shear strength of the concrete (kgf)
Vs: Shear strength of the reinforcing bars (kgf)
φ: Strength reduction factor, φ = 0.75 for shear strength

The shear distribution under U = 1.2D + 1.0Ex revealed that the maximal shear 4.104 Moment distribution under the load
4.103 Moment distribution under the load
force (i.e., Vmax = 82.69 tf ) occur at the front–back shell conjunction (Fig.4.101). combination 1.2D + 1.0Ex (unit: tf• m) combination 1.2D + 1.0Ey (unit: tf• m)
When the chapel structure was loaded under U = 1.2D − 1.0Ex, the maximum shear
force was Vmax = 13.05 tf at the bottom of the lattice-beam grids (Fig.4.102).
In the chapel’s original design, the concrete design strength was 4000 psi (i.e.,
fc′ = 280 kgf /cm2), and the steel yield strength fy of the reinforcing bars was
2800 kgf /cm2. The results of the shear capacity check in Table 4-8 indicated that
the shear design forces Vu of the deep beam at the front–back shell conjunction
and the lattice beams were lower than the corresponding shear strength φVn. This
shows that the original cross-sectional and reinforcement designs meet the shear
requirement prescribed in the CDCS.

4.105 Moment distribution under the load 4.106 Moment distribution under the load
combination 1.2D − 1.0Ex (unit: tf• m) combination 0.9D + 1.0Ey (unit: tf• m)

124 125
Table 4-9 Bending capacity check of Component 6 Maximal Cross- Theoretical Original
Table 4-10 summarizes the results of the bending Location Load
Component combinationmoment sectional area reinforcement reinforcement Acceptance
capacity check of the RC components. The Mu (tf• m) (cm2) design design
results revealed that the cross-sectional and Lattice beams at the low 14-#8
11 part of the shell 1.2D + 1.0Ex -19.21 94.8 × 50.1 3-#8 (the shell slab’s Yes
reinforcement
reinforcement designs of the RC components (elevation: 1–3 m) design)
conform to the current design regulations. For Lattice beams at the low 13-#8
part of the shell -18.11 (the shell slab’s
example, regarding a component (coded as 12 1.2D + 1.0Ex 94.8 × 48 3-#8 reinforcement Yes
(elevation: 3–5 m) design)
Component 6) that is located at the upper part 13-#8
13 Lattice beams at the low (the shell slab’s
of the edge column and adjacent to the outer part of the shell 1.2D + 1.0Ex -10.38 94.8 × 46 3-#8 reinforcement Yes
(elevation: 5–7 m) design)
surface of Shell N1, the cross-sectional area of
Lattice beams at the low 13-#8
the component was 115 × 25 cm with 6#8 D25 14 part of the shell -9.25 94.8 × 43.9
(the shell slab’s
(elevation: 7–9 m) 1.2D + 1.0Ex 3-#8 reinforcement Yes
reinforcing bars arranged at the cross section’s Shell
design)
Lattice beams at the low 12-#8
bottom. Component 6 had the maximal bending N1 1.2D + 1.0Ex -6.54 94.8 × 42.1 3-#8 (the shell slab’s Yes
15 part of the shell reinforcement
moment (Mx = 12.01 tf •m) when the chapel (elevation: 9–11 m) design)
structure was subjected to U = 1.2D + 1.0Ey, and Lattice beams at the low 11-#8
16 -5.94 (the shell slab’s
such maximal bending moment requires 4#8 part of the shell 1.2D + 1.0Ex 94.8 × 40 3-#8 reinforcement Yes
(elevation: 11–13 m) design)
D25 reinforcing bars. The detailed calculation is Lattice beams at the low 11-#8
17 (the shell slab’s
demonstrated in Table 4-9. part of te shell 1.2D + 1.0Ex -4.06 94.8 × 38 2-#8 reinforcement Yes
(elevation: 13–15 m) design)
Moreover, the lattice beams located at 10-#8
Lattice beams at the low (the shell slab’s
the lower parts of Shells N1 and N2 were coded as Components 10–19 and 18 part of the shell -7.68 94.8 × 35.9
(elevation: 15–17 m) 1.2D + 1.0Ey 2-#8 reinforcement Yes
28–33, respectively. These beams bear negative bending moments, thus the design)
Low part of the edge 12-#8
reinforcement on their outer sides must be checked. The check results confirm 19 column(elevation: 17–18 m) 1.2D + 1.0Ey 10.28 115 × 35.9 3-#8 (the shell slab’s Yes
reinforcement design)
the cross-sectional sizes and reinforcement designs of these beams to be current
Edge beam along the 1.2D + 1.0Ey -10.49 25 × 60 3-#9 Yes
design regulations. 20 ridgeline 3-#9
Pin joint-to-shell 0.9D + 1.0Ey 13.30 80 × 50 2-#9 OK
21 boundary 2-#9
Table 4-10 Bending capacity check of the structural components Upper part of the edge
column adjacent to the 0.9D + 1.0Ey 4.79 110 × 27.5 1-#10 9-#10 OK
22
Load Maximal Cross- Theoretical Original fixed connection
Component Location combination moment sectional area reinforcement reinforcement Acceptance
Mu (tf• m) (cm2) design design Middle part of the edge
column adjacent to the 1.2D − 1.0Ex 9.62 110 × 47 2-#10 17-#10 OK
23 fixed connection
Deep beam at the 16-#6
1.2D + 1.0Ex 50 × 270 (reinforcing bars
1 front-back shell 56.86 16-#6 arranged below the Yes Upper part of the edge
conjunction cross section’s 24 column adjacent to the 1.2D+1.0Ey 11.43 110 × 27.5 3-#9 5-#9 OK
neutral axis) shell’s outer surface
2 Edge beam along the 1.2D − 1.0Ex -4.69 25 × 60 2-#9 3-#9 Yes Middle part of the edge 11.31
ridgeline 25 column adjacent to the 0.9D + 1.0Ex 110 × 30 2-#9 10-#9 OK
shell’s outer surface
3 Pin-joint-to-shell 0.9D − 1.0Ey 9.05 50 × 50 2-#9 2-#9 Yes
boundary Lower part of the lattice
26 beams 1.2D + 1.0Ey 4.80 66.5 × 40.7 1-#8 1-#8 OK
Upper part of the edge adjacent to rigidly
Shell connected
4 column adjacent to the 0.9D + 1.0Ey 2.78 115 × 25 2-#8 8-#8 edge columns
fixed connection Yes N2 Lower part of the lattice
Middle part of the edge beams 1.2D + 1.0Ey 2.32 38.3 × 39.1 1-#8 OK
5 Shell column adjacent to the 1.2D + 1.0Ex 15.48 115 × 40 3-#9 16-#9 Yes 27 adjacent to the outer 1-#8
fixed connection surface of the edge
N1 column
Upper part of the edge Low part of the edge -11.08 110 × 40 18-#11
6 column adjacent to the 1.2D + 1.0Ey 12.01 115 × 25 4-#8 6-#8 Yes 28 1.2D − 1.0Ex 2-#11 (the shell slab’s OK
shell outer surface column (elevation: 0–1 m) reinforcement design)
Lattice beams at the low 13-#9
Middle part of the edge 29 part of the shell 1.2D − 1.0Ex -11.59 94.8 × 42.4 2-#9
(the shell slab’s OK
column adjacent to the 1.2D + 1.0Ey 14.58 115 × 30 Ye (elevation: 1–3 m) reinforcement
7 4-#8 12-#8 design)
shell outer surface
Lattice beams at the low 11-#9
Lower part of the lattice part of the shell 1.2D − 1.0Ex -10.73 94.8 × 46 2-#9 (the shell slab’s OK
30 reinforcement
8 beam adjacent to rigidly 1.2D + 1.0Ex 2.32 38.3 × 44.5 1-#8 1-#8 Yes (elevation: 3–5 m) design)
connected edge columns 9-#9
31 Lattice beams at the low
Lower part of the lattice part of the shell 1.2D − 1.0Ex -17.35 94.8 × 49.5 3-#9 (the shell slab’s OK
(elevation: 5–7 m) reinforcement
9 beam adjacent to the 1.2D − 1.0Ex 2.13 66.5 × 34.7 1-#8 1-#8 Yes design)
outer surface of the edge 8-#9
column Lattice beams at the low 1.2D − 1.0Ex -18.95 94.8 × 53.2 3-#9
32 part of the shell (the shell slab’s
OK
16-#10 (elevation: 7–9 m) reinforcement
design)
10 Lower part of the edge 1.2D + 1.0Ex -24.89 115 × 55 3-#10 (the shell slab’s Yes
33 Low part of the edge 10-#9
column (elevation: 0–1 m) reinforcement 1.2D − 1.0Ex -25.13 110 × 60 3-#9 (the shell slab’s OK
design) column (elevation: 9–10 m) reinforcement design)

126 127
 Conclusions and Repairing
Recommendations
According to the above structural safety analysis of Luce Chapel, the cross-
sectional size and reinforcement arrangement of each structural component
satisfy the relevant stipulations, in which require the shear and bending capacity to
endure a magnitude 6 earthquake. In addition, the concrete strength test indicated
that the actual average compressive strength of the concrete is greater than the
original design strength (i.e., 4000 psi). Therefore, this study proposed to repair
particular local damages rather than reinforcing the overall structure system.
Local damage conditions of the chapel structure primarily comprise crackings of
RC beams and slabs, reinforcing steel corrosion and exposure, and minor local
concrete damage and spalling. This study recommended the following repairing
and reinforcing solutions for these damage conditions.

1. Most cracks of the Luce Chapel were

earthquake-induced micro-cracks and cracks
Crack Repairing caused by inadequate concrete protection
Recommendations layers and reinforcing steel corrosion. The
4.107 Illustration of epoxy injections to repair a crack on a concrete wall
distribution of these cracks is elaborated
in Section 3.2.2. This study recommended
applying epoxy injection to repair this type of cracks (Fig.4.107). Epoxy injection injection port.
forces resin-based sealer into concrete cracks to repair and restore the load- b. Carefully remove the cartridge fitting from the injection
bearing capacity of the concrete. port to avoid damaging the concrete surface and the
A procedure was recommended to perform epoxy injection: injected epoxy mixture in the crack.
6. Surface recovery: a. Use an electrical grinder to smoothen the repaired surface.
1. Surface preparation: Use a steel wire brush or electrical grinder to smoothen a b. Prime and paint the surface to restore its original texture
30-cm-wide area around the crack. and color.
2. Injection ports: a. Arrange the ports 30-cm apart along the length of the crack.
b. Use a special adhesive to seal the bases of the ports to the
concrete surface.
c. Apply the adhesive around the bases of the ports to prevent
leakage under the pressure of injection.
3. Adhesive hardening: Visually inspect the adhesive effectiveness around the
bottom of the port bases and allow the adhesive to cure for 24 hours.
4. Epoxy injection: a. Prepare an epoxy-hardener mixture with a mixing ratio of
epoxy and hardener should be 2:1.
b. Fill the injection cartridge with the epoxy-hardener mixture
and attach the injection fitting to the injection port until it
clicks into place. Next, check whether the port base remains
sealed to the concrete surface.
c. Inject the epoxy-hardener mixture after the injection
cartridge is steadily held in place with rubber bands.
d. Observe the injection process and continue to inject until
the mixture stops filling the crack.
e. Use no more than 3 sets of rubber bands, which weighs 1 kg
per set.
5. Epoxy curing: a. After injecting epoxy to the last port, a portion of epoxy
will remain inside the cartridge tube. When the portion of
epoxy cures, invite the architect to inspect the repaired
cracks before the cartridge fitting is removed from the

128 129
 2. Section 3.2.3 thoroughly describes the reinforcing
steel corrosion and exposure that exist on the
Local RC chapel’s outer surfaces. To repair this RC damage, a
Damage of procedure involving epoxy mortar, rust converter,
the Lattice and other measures was proposed and depicted as
Beams and follows (Fig.4.108):
Shell Slabs 1. Remove the remaining plaster layer and the
deteriorated concrete layer.
2. Clean up the dust, oil, and grease on the repairing
surface.
3. Remove parts of the rust from the corroded reinforcing steel, and then apply
a rust converter on the exposed steel. If sever steel corrosion or steel fracture
exists, replace the damaged steel portion by welding new reinforcing steel.
4. Use compressed air to clean the cracks on the RC beams and slabs.
5. If water is continually seeping from the crack, the flow must be stopped before
an epoxy injection.
6. Inject epoxy onto the repairing surface until the epoxy completely covers the
exposed steel.
7. Let the epoxy cure for 24 hours before the injection nozzle is removed, and then
sealing the nozzle hole by filling epoxy. Non-shrink cement mortar should be
used to repair sever concrete spalling or RC damage situations.
8. Apply a thin layer of epoxy mortar over the repaired surface to protect the
surface.
9. Recover the pre-damage appearance of the repairing surface.

Reference

Books
1. H. S. Fong (1953), General Functions for Calculating T-Shaped Beams, Taiwan
Highway Engineering, pp.10–14.
2. Taiwan Highway Engineering (2008), Column 34, No. 5.
3. C. K. Chen (narration) and W. X. Huang and Z. J. Lin (recording and organization)
(1995), My Bonding with Tunghai University, pp.178–188.
4. Y. Q. Huang (2014), Luce Chapel: From the Design to Use.
5. H. M. Zhen (2003), Luce Chapel: sparkles igniting between C. K. Chen and I. M.
Pei. Artouch Magazine 135, pp.58–61.
6. G. V. Boehm (author), B. Y. Lin (translator) (2003), Conversations with I. M. Pei,
Linking Publishing Ltd. Co.

Official materials
1. Building Technical Regulations (2014), the Ministry of the Interior of Taiwan.
3.108 Illustration of repairing a RC slab (or beam) that has reinforcing steel corrosion 2. Seismic Design Specifications and Commentary of Buildings (2011), the Ministry
of the Interior of Taiwan.
3. Code for Design of Concrete Structures (2011), the Ministry of the Interior of
Taiwan.

Archived material
4. Announcement of the Construction Bureau of Taiwan ([54] 63 Jian-Si-Zi No.
28077)

Websit material
5. http://goodnightraleigh.com/2010/02/the-passing-of-a-legend-an-opportunity-
lost/

130 131
 5. Research on the
Conservation
Methods of
Wooden Objects in
the Luce chapel
Introduction
1. The concrete shell construction of the Luce
Chapel, built in 1963, has made it one of the most
Introduction representational contemporary architecture in
Taiwan during the twentieth century. It’s been
more than 50 years since the completion of the construction. Several repair and
renewal projects have taken place due to natural deterioration and functional
requirements, and some changes have altered the original look of the chapel.
Winning the "Keep it Modern" grants of Getty Foundation provided a chance for
researchers to study the chapel, and design a proper conservation plan according
to the standard of world heritage conservation, which shall allow the chapel
to endure the course of history, and keep on bringing inspirations through its
historical significance and cultural values for generations to come.
Besides the main architectural structure, interior decorations and portable
furniture are also important parts of the chapel. Removing or altering the original
furniture or decoration can easily change the atmosphere of the chapel. The
coherence of the designer’s original intentions will also be lost along the way.
Therefore, it is crucial to include the wooden interior decorations and furniture in
the conservation research project for a full-scale maintenance

132 133
 2. Unlike fixed structures, the furniture in the chapel
could have been moved or added according to
Research Plans the need of its users. Therefore, as the research
objectives, these objects had to be identified
through studying the original design plans, photograph documents and memories
of the chapel’s users, following by a further categorization of the current furniture.
After determining the research objectives followed the inspections of all the
given objects. These inspections focused on the materials, production techniques,
and the present condition of the objects. All the information were recorded
and documented. Base on the acquired information, several experiments were
conducted to develop future conservation and maintenance plans.

5.4 Picture of the pulpit sample 5.5 Picture of a pew sample at the congregational area Furniture design

Results
1. Status and plans
The current wooden objects in the chapel are
Inventory of classified in two categories, 1) fixed wooden
the Wooden decorations, such as the wooden paneling along
5.1Current Condition of the Chapel
objects the shell walls, the altar and the floor. 2) Moveable
furniture, such as pews and pulpit, etc. However,
there are several differences between the present arrangement of these objects
and the original design plan.
According to the floor plan, the ground floor of the chapel can be divided into two
areas: the chancel and the nave (Fig.5.2). In the original design, the front of the
chapel was to have a rectangular chancel with a communion table and a round
pulpit in the center. At the left and right side of the rectangular chancel were to
have fenced off seating areas with pews. For the nave, originally the two sections
of parallel pews were to be made of concrete with wooden panels on top of the
surface (Fig.5.3). Moreover, the altar and pulpit were both to be all constructed
out of wood with wooden panels as the decorated surface. (Fig.5.3) However, in
the photographs taken by C. K. Chen during construction stage, the pulpit design
5.2 Floor plan of the chapel’s ground floor was change into a smooth rectangular cube (Fig.5.4), and the original concrete
structured pews were replaced with a sheer wooden structure sample (Fig.5.5).
The rectangular chancel is not the current adoption, but the fenced off seating
arrangement remains the same at the left and right of the chancel. In addition, the
number of rails, chairs and pews were increased, and staircase was added to the
choir section. The altar and the pulpit are decorated with simple smooth veneer,
while the pulpit remains exactly the same as the pulpit sample photoed by C.K.
Chen. The nave section keeps the original parallel pew arrangements; however
the structural material was changed from concrete into wood, and the number of
bench rows are reduces from 19 to 16.
The furniture plan demonstrates the simplicity of the design in style and structure,
which coincides with the architectural style of the chapel. The characteristic of
simplicity is also visible on the appearance of the furniture, making the added
5.3Furniture design furniture easily distinguishable.

134 135
Table 5-1 The repair record of interior wooden furnishings of the chapel
Time Title of construction Notes
1992/3 Carpet Renewal The carpet was changed

1993/10 Repair Project of the Luce Chapel Extending the surface of the screen to cover the speakers of
the organ. The carpet was also changed
2000/4 Repair the Altar Table of the Chapel The veneer of the pulpit and altar table were renewed
2002/10 Renewal of the Carpet on the Congregation Area Carpet Renewal

2003/08 Repaint and Repair the Wooden Furnishings in the Chapel The wooden furnishings were repainted, and metal
components were changed.

2011/12 Flooring Renewal The original wooden floor was replaced with plastic wood grain
wear-resistant flooring
Remove the old screen and restore 拆 the original screen
2015/4 Replication of the Original Screen in the Chapel design. The original design was replicated to store the new
organ speakers.

Comparisons between photographs and maintenance records

In addition to obtaining information from the design drawing, yearbook photos and 5.7 The inauguration of the chapel 4.8 Current state of the pulpit
other photo records provided by the university alumni also helped in identifying
the types of wood used to furnish the chapel and the original display of furniture.
Repair records of the general affair office of the school provide the alternation
records on arrangement and display of furniture and wooden furnishings. The
available repair records with dates and repair content are as shown in Table 5-1
The repair record indicates the change of the flooring from wood to wear-resistant
surface. The screen was extended in height in 1993, and the design plan of the
screen extension was found in the repair record (Fig.5.6). The veneer finish on the
wooden furnishings and metal components were all fixed and repaired.
The change of the chapel interior can be observed from the photos of the early
records. In the inauguration photos, the floor was made of wooden panels, and
the platform was without microphone devices (Fig.5.7). The current pulpit has
been equipped with microphone devices (Fig.5.8). In the 1964 yearbook, the
screen was still the original rectangular design the photographs (Fig.5.9); and it 5.9 The original wooden flooring was still 5.10 The floor was carpeted in lozenge pattern by 1968 5.11 The wooden furnishings were
visible in 1964 in natural wooden color in 1977
had remained the same in the 1968 yearbook. However, by 1968, the floor was
changed into lozenge-patterned carpet (Fig.5.10). In 1977, the floor was changed
into a single color red carpet, and the furniture finish kept the actual wood color.

The fence decoration on the back of the last row has now been painted over with
a coat of auburn paint (Fig.5.11). In the photo taken in 1993, a black and inverted
v-shaped extension was added on top of the screen to cover the organ speakers.
Furthermore, the color of the pews became dark brown and the natural wooden
texture became barely visible (Fig.5.12).
The hat-shaped object in Fig. 5. 11 was the offering box, which is now stored in the
archive of the school’s library. The existence of this item can be traced back to the
founding year of the university, which was before the construction of the chapel.
Therefore, the style of the box does not correspond the design of the church and is
not included in the research objectives.
After the inventory, 53 wooden items were found to be directly relevant to the
5.12 The overall color of the wooden furnishings
5.6 Picture of the pulpit sample were changed in 1993 chapel, and are listed in following table.

136 137
Table 5-2 List of Wooden Items
Mobility Title of Component Number of items Arrangement Notes
None Stub wall furnishings 2 At the chancel and the nave
None Screen 1 Chancel
Yes Fence 4 Chancel
Yes Seats 7 Chancel 2 high back chairs, 5 pews
Yes Seating Pedestals 5 Chancel 2 low pedestals, 3 high pedestals
Yes Pulpit 1 Chancel
Yes Altar Table 1 Chancel 5.17 The frames on the back of the pew were 5.18 Circular holes were drilled through to serve 5.19 Wood plank indentations at the sides serve
fixed together with nails. as communion cup holders. as cup holders.
Yes Pews 32 Nave
Total 53

The present furniture display in the chapel is indicated in Fig.5.13. This plan shows
the positioning of the furniture without the actual ratio of the items.
During the inventory, we found the pew placed at the northern end of the chancel
to be identical to the pew sample in C.K. Chen’s photo. This pew is similar to the
other pews in the chapel with minor differences in detail.
This pew is not directly attached to the backrest frames, nor is it fixed with any
metal joints in between (Fig.5.14、Fig. 5.15). The slots behind the pews serve as
5.20 There is an indentation for screw at the 5.21 The screw is exposed on the surface of the 5.22 The original communion cup holder can
Bible racks and communion cup holder. The frames were glued, unlike other pews, connecting points of the legs and the seat. chair leg. only hold one cup per hole.
which were nailed together (Fig.5.16、Fig.5.17). The communion cup holders on
this pew have circular holes on the wood planks, instead of indentations on top of
the side edges of the slots (Fig.5.18Fig.5.19). There are screw grooves to connect
the seat and pew legs (Fig.5.20、Fig.5.21), which were designed to simplify the
manufacture process during mass-production. The design of the communion cup
holders might have been changed due to the demand of quantity. Since a pew
does not have a limited seating arrangement, the original design of drilling holes
through wooden planks would have limited the usage while creating indentations
at side edges of the seats better fits the user requirements (Fig.5.22、Fig.5.23).

5.23 The new communion cup design can hold 5.24 Inspecting the surface of the objects 5.25 Recording on the registration chart
more than one cup.

2. Before making a repair plan, the research objects

should be examined in detail to study the production
Cuurent method and current condition of these items. It is
Preservation also necessary to keep all the observation records as
Conditions future resources. Regular checks on the maintenance
records are essential for overseeing the preservation
condition of these items and taking timely actions to prolong the life of these
5.13 Current Interior Arrangement objects appropriately.
The registration chart documented the basic information and preservation
condition regarding these objects, along with photos taken at different time
period. Therefore, it serves as an important document to identify the items. It is an
important resource, which marks the changes of the items throughout the course
of history (Fig.5.24, 5.25).
Sometimes, it is hard to deliver accurate information solely through terminologies
used in the registration chart; therefore, photos along with illustrations were
added as references for relevant personnel and others who are interested in
learning about wooden artifact and its aging phenomena. The condition of this
5.14 There’s a gap between back of the pew and 5.15 The back of the pew is directly 5.16 The frames were glued together
research objectives can be categorized in 3 three groups: paint finishes, wood floor,
its frame. attached to the frame. and subsidiary materials.

138 139
 Paint Finishes
Paint finishes are coatings of paints on the surface of furniture and wooden
furnishes used for protection or decoration purposes. According to the painting
order, the coatings can be divided into primer and finish coat. A primer serves as
the foundation paint. It seals wood pores and changes wood colors. The finish is
an outer transparent or color paint, which enhances the final result and forms a
waterproof surface on the wood.
Paint deterioration usually occurs during usage, production process, and thermal
expansion and contraction. The most common paint deterioration is peeling (Fig.
5.26), which is caused by various factors. It might be the incompatibility between 5.31 Tear and wear 5.32 Scratches 5.33 Stain
the paint and the object or the lack of elasticity of the paint, which results hollow
(Fig.5.27), cracks (Fig.5.28), desquamation (Fig.5.29), flaking and other conditions.
These conditions would result a space between paint layer and the object, allowing
water vapor permeation, and create atomization effects. Atomization can also be
the result of chemical reaction within the paint, instead of the influence of water
vapor. The atomized condition of the paint on the pews; however, is caused by
overexposure under the sun (Fig.5.30).

5.34 Biological metabolism and tissue residue 5.35 Blue-tack 5.36 Tape

5.37 Marks of peeling 5.38 Cotton fiber 5.39 Deliberate damages

5.26 Peeling paints

5.40 Touch-up paint 5.41 Tape Marks

The paint deteriorations most likely to result from daily usage is wear and tear
5.27 Hollows under paint layers 5.28 Cracks
(Fig.5.31), which is commonly found in areas of frequent contact, such as seats
and backrests. These parts of the seat are usually left with scratches (Fig.5.32). In
addition to the general deterioration, damages can also be caused from human or
animal movements, such as various stain marks, metabolism and tissue residues
(Fig.5.34). Additional causes are adhesives, such as tapes (Fig.5.35) and blue-tack
(Fig.5.36) used for event decorations. Marks of peeling (Fig.5.37) and cleansing
cotton were left on the pews in the process of adhesive removal (Fig.5.38). There
are even marks of deliberate damages (Fig.5.39). At the same time, we can also
find marks of previous mending, such as touch-up painting (Fig.5.40) and tape
5.29 Desquamation of paint 5.30 Atomization marks (Fig.5.41).

140 141
 There are also painting failures such as bubbles, blisters (Fig.5.42), and sagging (Fig.
5.43), which are only aesthetically disturbing without any fundamental damages to
the paint.
The analyses of paint deterioration are as shown in Fig.5.44. According to the
bar chart, deteriorations of these items mostly resulted from daily usage. These
major deteriorations include dirt, stains, wear and tear, scratches, cracks, absence,
etc. Some of the items, such as the high back pews, pedestals, altar and pulpit
contain neither peelings, nor repairing traces. Two high back pews are kept in
good condition due to low usage, though one of them is different in appearance
and color. It was probably made in a different time period. The paint on top of the 5.45 Wear and Tear 5.46 Scratches 5.47 Pressure marks
pedestals is a thin coat rigidly connects to the wood; therefore, there is no peeling
on the pedestals. “Others” at the right end of the charts indicates abnormal
deteriorations such as hollows, sags, bubbles and blisters, cotton fibers, deliberate
destruction, etc. These are not normal conditions to be observed on average
objects; thus they were classified as the “others” category with annotations in the
records.

5.48 Distortion 5.49 Cracks 5.50 Fracture

5.42 Bubbles and blisters 5.43 Sagging

5.51 Loose components 5.52 Absence of nails 5.53 Water Stain

5.54 Chewing gum 5.55 Stickers 5.56 Electrical facilities

distortion (Fig.5.48), cracks (Fig.5.49), fracture (Fig.5.50) and other deterioration

would occur. Parts of the stapling components can be loosen (Fig.5.51) or absent
Fig.5.44 Paint Deterioration Analysis
(Fig.5.52) as external forces press the structure during usage.
No paint was found under the seat. This craftsmanship not only saves coats of
Wood paintings, but also enables the wood to breathe. However, this also means no
Wood substrates can expand or shrink due to the effect of temperature and water resistant function exists at the bottom of the pews. Therefore, damp stains
humidity. Subsequently, the expansion and shrinkage would be carried through and watermarks (Fig.5.53) were found underneath. As a blind spot, these corners
layers of paint, and diminish the protection of coating. Furthermore, normal usage also become places where users left their garbage, such as chewing gum (Fig.5.54),
would also cause wear and tear (Fig.5.45) along scratches (Fig.5.46) and pressure stickers (Fig.5.55), etc. Electrical facilities were also found to be hidden under the
marks (Fig.5.47). When wood substrates go through drastic humidity change, seats (Fig.5.56).

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5.57 Slots beneath the seat 5.58 Holes for electric wires 5.59 A hole1 for electric network 4.65 Beehives 4.66 Mark of infestation 4.68 Memorial Panel

5.60 Pinholes 5.61 Patch marks 5.62 Natural defects 4.69 Rusts 4.70 Flat-head screws were replaced with 4.71 Missing screws
stainless Phillips screws

Analyses on wooden deterioration are as demonstrated in Fig.5.67. The main

deterioration is caused by usage. Wear and tear was found on most of the wooden
objects. The paint finish has minimized the damage of scratches; however, the
quality of timber is another factor that would affect the deteriorating conditions.
Some woods are more likely to be affected by humidity and thermal expansion and
contraction, which would create cracks, while some wood grains are simply more
likely to break. Thus, there are no particular pattern or rules to be followed. The last
bar on the chart indicates artificial damages such as surface attachments and nail
5.63 Loose components 5.64 Repairing marks on the sidewall holes. Annotations are included in the review sheets.
4.67 Analysis on Wooden Deterioration
Slots were added to the bottom of the first row pew as Bible holders. (Fig.5.57). There Attachments
are holes for electric wires on some of the pews to equip interpretation devices, which A small quantity of supplementary materials is classified as attachments, which
were added according to the needs of foreign faculty, staff and guests (Fig.5.58、 include the engraved memorial stone panel and metal setting mechanism.
Fig.5.59). Beside these marks, pinholes from event decorations were also found along The stone panel is in a good condition with minor scratches on the surface
the aisle side of the pews (Fig.5.60). (Fig.5.68). The metal components of structural fasteners are mostly rusted
When it comes to wood works, natural defects are usually inevitable. Therefore, minor (Fig.5.69). Some were changed from flat-head screws to stainless Phillips screws
repairing marks are often found on the front and back of a wood chair (Fig.5.61). Wood (Fig.5.70). Some fasteners are missing screws due to insufficient final check after
fillers are used to patch porous surfaces, and timber for the seams on the backrest. replacements (Fig.5.71).
Currently, there are still some natural defects hidden in the inconspicuous corners, The deterioration conditions of attachments are indicated in the following bar
places such as pew legs and the bottom of the seats are in need of repair (Fig.5.62). chart (Fig.5.72). Most of the attachments are made of metal with rust being the
4.72 Deterioration of Attachments
Besides the repairing marks caused during manufacture, subsequent repair for damages main deterioration. Nearly half of the attachments were replaced; therefore
caused by normal usage were also discovered. Nails were used to fix loose cup holders repairing damage is another major factor of degration.
(Fig.5.63), and partial sidewall damages (Fig.5.64). Only one item is missing screws after replacement. Scratches are also only found
Currently the wood damages caused by wood-boring beetles are minor. The main on the stone memorial panel. Other deterioration conditions of attachments
cause of insect pest is beehives built in the wood pores (Fig.5.65), which exist on such as stains and distortions are found on top of stone and metal component,
the unpatched surface of blind spots underneath the seats. These unpatched areas respectively. Annotations are noted in the review sheets.
have become the perfect environment for parasites. Marks of infestation were found Over all speaking, the wooden components in the chapel are in good condition,
on one of the pew legs (Fig.5.66). According to the infected condition, worm eggs and no urgent recovery is necessary. Major conservation procedure should focus
were probably laid in the timber before the manufacture of the pews, and eventually on repainting, reinforcement of wooden structures, as well as reinstalling missing
underwent metamorphosis and bit through the wood surface. metal components.

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Table 5-3 The Usage of Wood in Wooden furniture and furnishings
Title of Component Wood Species Functions
Chamaecyparis formosensis Matsum. Basic Structure
Communion Table
Tectona grandis f. Surface Decoration
Chamaecyparis formosensis Matsum and Tectona grandis f. Basic Structure
Pulpit
Tectona grandis f. Surface Decoration
Screen Chamaecyparis obtusa S. et Z. var. formosana (Hay) Rehd. Assembly of Wood Planks
High Back Pew Tectona grandis f. Assembly of thick wood slabs
5.75 Teakwood was used as the veneer on the 5.76 Taiwan cypress was used to built the 5.77 Front view of the communion table
Choir Staircase Shorea spp. Assembly of Wood Planks communion table main structure of the communion table
Choir Pews Tectona grandis f. Assembly of thick wood slabs
Choir Stalls Chamaecyparis obtusa S. et Z. var. formosana (Hay) Rehd. Assembly of Wood Planks
Sidewalls Shorea spp. Assembly of Wood Planks

3. A good recovery plan with proper repairing

materials can only be made with careful
Examination and examinations and analyses of the current
Analyses materials. The research items are mainly
wooden furnishings with coatings of paint, thus
5.78 Current state within the communion table. 5.79 The pulpit’s current inner condition 5.80 Current state of the pulpit’s facade
wood identification is crucial for the research. Professor Lin, Jen-Cheng, the leader
in the Lab of Cultural Assets in Taiwan, conducted the examination of wood species
and quality. Layers of surface paint were analyzed through the slicing method and
Fourier Infrared Spectroscopy. The slicing method is introduced to examine the
composition and the layers of paints. The wood identification and slicing methods
are explained as follows.

Wood Identification
The wood grains of various components were examined through visual
observation and magnifier. Observations of relevant traits, such as growth rings,
texture, color and scent were distinguished and recorded as the reference for 5.81 Teakwood was used to form the structure of 5.82 Teak was used to veneer the pulpit. 5.83 The cross section of the Chinese cypress
further inspections. Samples of wood debris were also collected for further the pulpit. used for the communion table.
investigation. Micro observation of features such as wood cells, the arrangement
and distribution of tree vessels, and longitudinal parenchyma, etc. are the traits to
highlight differences between wood species.
Four species of wood were found in the wooden furniture and furnishings in the
Luce Chapel. They are Chamaecyparis formosensis Matsum, Chamaecyparis
obtusa S. et Z. var. formosana (Hay) Rehd, Tectona grandis f., and Shorea spp. The
analyses and the usage of the wood are as shown in Table 5-3.
Precious cypress (Chamaecyparis Taiwan and Taiwan cypress) were used in the
making of the communion table, pulpit, screen, and choir stalls. These wood
materials were placed in the center of the chapel, where sermons take place. The 5.84 The cross section of the Chinese cypress 5.85 The wood grain of the teak staircase 5.86 The footstool under the pulpit
5.73 Recording wood grains used for the pulpit.
choice of wood conveys the design concept of utilizing these precious woods in
Taiwan to elaborate the beauty and solemnity of the chapel.
It is worth mentioning that a high proportion of pews were made of teak slabs,
rendering solidness and beauty in texture. Given the high stability and solidity of teak,
durability and life span of the furniture would also amplify. The pews made of teak are
in a good condition in terms of appearance and stability. Using teak as the substrate
material of the pews was certainly a thoughtful and prudent decision in design.
The minor furnishing areas, such as choir staircases, sidewalls along the shell walls
were made of lauan, a cheaper substrate material, which is lower in quality. The
use of lauan not only reduces manufacturing costs, but also enhances strength and
5.74 Visual observation of wood grains 5.87 Wood grain of Taiwan Cypress. 5.88 The Screen made of Taiwan cypress 5.89 The cross section of Taiwan cypress
reduces deterioration of other timbers. has marks of black and brown paint. fiber used to make the choir stall.

146 147
 The original flooring of the chapel was identical to the material used in the old
gymnasium. Comparisons between the floor and choir staircase were made, and
were both confirmed to be lauan wood. As a cheaper type of timber, which can also
easily be obtained, restoration of the original floor is recommended.
In addition, in order to create storage to place the organ speakers, the school
decided to restore the original screen design by removing the upper V-shape
section of the screen. This requires dismantling the screen as to create space for
speaker storage. In order to preserve the original object, the school dismantled
the screen and replaced the cypress screen with a replica made of plywood and
5.90 The cross section of Taiwan cypress used to 5.91 Current condition of the teak pews 5.92 The structure of the teak pews cypress. The original screen components are kept properly in the wood warehouse
make the screen.
on campus.

Cross section Analysis
From the wear and tear of the surface paints, marks of repaints were observed. The
repaint frequency and ingredients can be determined through analyzing the paint
layers.
For the layer analysis, paint samples were first taken from the hidden corners
of the object to minimize the effect on the overall appearance, and to extract
relatively complete coatings. Samplings were polished with resin and analyzed
under a microscope with visible light and ultraviolet light.
5.93 The front wood grain of the teak pew slab 5.94 The back wood grain of the teak wood 5.95 The wood grain of the teak pews
backrest Result:
Layers of primers and finishes vary in components. The painters might had
different standards of coating. All items other than the high back pews at the
south-west corner and the sample pew were repainted with a coat of red paint.
Both the high back pews and the sample pew have clear wood grains identical to
the ones found on the photos of the original pews. Therefore, these two objects
can be taken as a standard for wooden surface restoration.

Table 5-4 Analysis on Cross sections of Wooden Furnishings

5.96 Current condition of the teak choir seats 5.97 The cross section of the teak used to 5.98 The cross section of teak pew slabs
produce choir seats.

5.99 Apparent wear and tear along with paint 5.100 The wood joint craftsmanship of the 5.101 Wood grain of lauan wood planks
deterioration of a lauan wood surface lauan wood staircase

5.102 Sidewalls made of lauan wood planks 5.103 The cross section of the lauan wood 5.104 The cross section of the lauan wood
at the side walls. choir staircase.

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 Follow-up research and Regular Maintenance
The fundamental approach to prolong the life span of any objects is regular

Maintenance Suggestions inspections and proper maintenance. Appropriate tools with accurate cleansing
methods can keep the objects in good state, and routine inspections ensure
timely treatment of early damages. Other than routine inspections and proper

1. This research did not examine the ingredients of

paint layer due to the limit in budget and given time
documentations, a maintenance team with regular trainings, which educate
relative personnel with the right understanding of lacquered wood, is also a key to
Follow-up frame. Before restoring the surface paint, chemical successful maintenance and management.
research analysis needs to be conducted in order to define the Most of the wooden objects in the chapel are large and heavy, thus require a
ingredients of the current paints. Observation of the large amount of manual labors for rearrangement. Transport equipment can
current state of paints shows that the original painting materials were not wear be purchased to reduce manual labor and avoid damages caused by improper
resistant. Therefore, after conducting subsequent chemical analysis and ingredient handling.
identifications, a different and stronger substance should be chosen to enhance
the protection. Additional tests should also be performed before applying a new
coat of paint finish.
Furthermore, repairing the surface paint also involves a method of removing
damaged layers. Both physical polishing and chemical solvent scraping can be
used as methods of solution. There are advantages and disadvantages for both
methods. Polishing can harm the wood and it does not clean the corners well, but
the rough polished surface is better for adhesion of subsequent coating. On the
other hand, chemical acidity could cause bleaching or residues. Therefore, removal
method should be determined after tests and evaluations.

2. Restoration
The chapel is a functional facility in which interior
Maintenance wooden furniture and decoration must be coincide
suggestions with its missions. The inspection results indicate the
components in need of repair as the following: the
surface paint, the damaged wooden structure and metal components.
The worn out paint surface indicates the history of the object. The protective paint
is to prolong the life span of the objects rather than maintaining the appearance
or presenting its historical value. The worn-out paint should be removed before
further paint is coated on the objects.
Wooden damages can affect the overall safety of an object. Condition such as: legs
fracture should be replaced with the same kind of timber to ensure the stability of
the chair. In addition, attachments such as chewing gums, stickers, holes and other
natural defects should be removed and repaired to avoid further pest damages on
the objects.
The missing metal components should be reinstated and properly fastened.

Property Inventory
The chapel does not have a property inventory at the moment. A property
inventory would bridge the relations between the properties and the chapel, and
effectively preserve the items with historical meanings to the Luce Chapel. Besides
listing properties, the inventory also needs to be properly archived to prevent loss
and damages of the records
This research has confirmed the original item in the chapel, and inspected the
locations and present conditions of these items. Relative management personnel
can use this research and the relative regulations of the university to create an
inventory for the properties in the chapel.

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 6. The Research on
Luce Chapel
Conservation
The Investigation
and Improvement
Plan of Thermal
Environment

Introduction
1. As one of the most representative modern
architectures in Taiwan, Henry Luce Memorial Chapel
Background in Tunghai University has been deteriorating over
and objective the years. Therefore, improvements considering
functions, culture, and conservation have become
significant tasks.
With a grant from the J. Paul Getty Trust in 2014, Tunghai University launched
researches regarding comprehensive improvements, including studies on
architectural construction, structure, building physics, facilities, etc. This chapter
focuses on propositions regarding improving construction through analyses of
thermal comfort and architectural energy saving, according to diagnoses on
interior thermal environment and HVAC system.

152 153
 2. Sustainable Building Design/Engineering
Laboratory (SBDE Lab.) led by Associate Professor Challenges of Constructing Green
The research
team Yaw-Shyan Tsay, extending from BOHAS Lab.
Established by Professor Che-ming Chiang, aims Buildings in Taiwan
at issues within sustainable building design and
building physics. Furthermore, researches by SDBE Lab. cover simulation of 1. Architectures are for human inhabitation and
usage; therefore, they should correspond to
architectural thermal and humidity environment, indoor air quality, architectural The climate local climates. Architecture design faces the
acoustics, natural ventilation, green building materials, simulation and estimation and vernacular challenges of high temperature and humidity in
of energy consumption, HVAC system, etc. Research methods involve onsite architecture in Taiwan as it locates on the boundary between
measurements, laboratory measurements, and quantized data simulation. SDBE Taiwan subtropical and tropical climate, where hot and
Lab. commits to bring forward consultations corresponding with the vernacular humid weather blankets the island. Therefore,
characteristics, and combine both design and engineering profession. subtropical architecture designs should put sun shielding and ventilation to prior
consideration. The forefathers of the land used architectural strategies such as

3. This proposal consists of the thermal environment

adjustments, and suggestion on building facilities.
taking available materials in the surroundings to encounter environmental forces
to achieve structural strength and comfort. (Fig.6.1)
Research Lowering the thermal load is the key to adjust
methods thermal environment. By visualizing air flow
with onsite measurements through CFD system, 2. The term “freezing” is a rarely used vocabulary
in subtropical environments. Moreover,
building dynamic energy simulation, and other The movement of greenhouse effect and urban heat island
data simulations, suggestions to architecture design are provided after analyzing green building in effect are getting worse in the present day.
the effect of lowering solar radiation heat and increasing natural ventilation. As for Taiwan The concept of sustainable living has been a
building equipment aspect, based on the lowered thermal load, air-conditioning thriving subject as the average temperature
equipment should not only reach the standard of energy saving and thermal keeps rising. Therefore architecture design is challenged with issues such as
comfort, but also coordinate with lighting, acoustic, and other equipment. architectural energy efficiency, and the concept of building sustainability, which
have been discussed widely.
Sustainable buildings are architecture design based on human health and
comfort, along with the harmonious coexistence with bio-system, and maintain
the sustainability of human civilization. The Green Building Label in Taiwan was
launched by National Council for Sustainable Development, which was established
by Executive Yuan in 1995. The Architecture and Building Research Institute
subjects to Ministry of the Interior, the leading role of architectural research
and development. It established the Manual of Estimating Green Building and
the Green Building Label in 1999. The Green Building Label established in 1999
evaluated seven labels, which were greenery measurement, water retention
performance, regularly energy saving, CO2 reduction, waste reduction, water
resource, and polluted water purification. The present Nine Labels of the Green
Building Estimating System were completed with the addition of biodiversity
requirement and interior environment requirement in 2002. The Magic School
of Green Technologies (MSGT), designed by Professor Hsien-Te Lin, who as the
leading designer, reduced the architectural energy consumption to 35% of the
original version by various design techniques, making MSGT a role model among
Taiwan green buildings.

House Made of Bamboo and Soil Stone House Bamboo House

6.1 Vernacular Architecture in different parts of Taiwan

154 155
 3. Take the Magic School of Green Technologies
(MSGT) for example; its interior thermal The Investigation of Thermal
Design Strategies
for energy
comfort was enhanced with a long narrow hall,
accompanying windows on two of the walls Environment
conservation &
thermal comfort
to increase ventilation. In addition, ceiling
fans were installed to reduce the usage of 1. The Henry Luce Memorial Chapel has been a place of
worship, assembly, wedding ceremony, etc. According
HVAC (Fig.6.2). Moreover, in order to enhance The current to its users, the interior thermal comfort and ventilation
ventilation efficiency, a roof garden was condition of generally drop considerably and the air becomes
designed on top of the building to moderate the temperature of the architecture Henry Luce sultry when the crowd occupies the chapel by a certain
(Fig.6.3). The additional installation of a buoyancy-driven tower at the center of Memorial degree. Low efficiency of natural ventilation decreases
the roof, and a thermal chimney at Chung Hwa Hall also amplified the ventilation Chapel the interior heat load dissipation, which unavoidably
efficiency. leads to dependence on HVAC system. The air
conditioner is turned on all year round. Even in mild temperature during spring and
autumn, the HVAC system is still fully activated.
There are multiple methods and similar cases, which can be applied to solve
the sultriness in the chapel. However, being one of the most symbolic modern
architectures in Taiwan, the renovation of the Henry Luce Memorial Chapel
6.
requires minimum alterations with a maximum effect. Having this as the
fundamental principle, this research endeavored to find proper strategies and
solutions to improve ventilation and thermal comfort of the chapel.

2. As a building with east-west openings without

surrounding shading or vegetation, direct sunlight
Solar escalates the indoor heat load considerably.
Radiation The following Fig.s indicate solar radiation of a vertical
wall in various orientations and seasons in Taichung
(Fig.6.6). According to these Fig.s, solar radiation is at its highest on walls facing
east and west during daytime from morning to afternoon. The solar radiation
reaches its highest at 1400W/ m2 on the wall facing west. Therefore, having grand
windows at the east and west end of the chapel introduces excessive thermal
radiation, and the west opening is especially overheated.

6.2 The long narrow hall with windows on two of the walls 6.3 The roof garden of MSGT

6.4 Simulation diagram of the buoyancy-driven tower 6.5 Air flow Simulationin Chung Hwa Hall 6.6 Solar radiation in various orientation/season in Taichung 6.7 Wind Rose diagram of summer and winter

156 157
 3. The above diagram are wind rose diagrams (Fig.6.7)
featuring the wind data surrounding the Luce
Natural Chapel in July 2014 and January 2015. The July
ventilation and January data were selected to represent the
summer and winter wind field around the chapel
respectively. According to those diagrams, the wind direction in summer it is
mainly north-south with an aerage wind velocity of 3.9 m/s, while north wind
mainly dominates in winter with an average wind velocity of 5.5 m/s. Moreover,
when categorizing the July wind rose into daytime (after 6AM) and nighttime (after
6PM), the north-south wind clearly has a higher percentage of occurrence.
Unfortunately, a regular north-south wind orientation, does not ventilate the
chapel, which consists openings at the east and west end of the building. The shell
walls at the north and south sides of the building nullify the natural ventilation
brought by north-south winds.
The biggest obstacle in improving ventilation is renovating the rooftop of the
6.9 Noise from the air-conditioning engine 6.10 Sultry aisle seats
chapel. After investigating the present condition, the current skylight, which has
been changed from the original blinds to flat skylight, was found to be the main
hindrance to the thermal environment of the chapel. In 1993, the flat skylight was
sealed to solve leakage problem, which decreases the interior natural ventilation
and heat load dissipation of the chapel.
Additional factors obstructing natural ventilation were also found (Fig.6.8):
1. Lower blinds at the west and east sides of the chapel are blocked by inner glass
windows, which decrease valid openings and deter ventilation efficiency.
2. Interior objects, such as low shelves and the backrests of the pews block the
ventilation route and interfere airflow.

6.11 Rusted blinds caused by the vapored water from the cooling tower

4. 1. Noise from the engines of the air-conditioners in the

basement influences people at the pulpit and the
HVAC system front seats. (Fig.6.9)
2. Users indicate that air at the aisle seats is sultry and
heated. (Fig.6.10)
3. Water vapor coming from the cooling tower rusted the window frames and the
blinds. (Fig.6.11)
4. When the crowd within the chapel gets overloaded, the air quality drops as the
lack of outdoor air input sterilizes the indoor ventilation with air lingering inside
the chapel for too long.

6.8 Factors interfering natural ventilation

158 159
 Analyses and improvement plan
1. he present glass used in the chapel is observed
to be 8 mm Clear Float Glass whose SC value
Proposal is relatively high. However, this also means its
of energy solar radiation resistance is rather insufficient.
conservation Furthermore, considering how large openings at
through the east and west ends of the chapel rapidly rise
glass the indoor thermal loads, glass must be one of the
highlight of indoor thermal improvement. 6.14 Glass Data Chart
When selecting the glass, three major factors should be considered:
the research team also contacted the Taiwan Glass Ind. Corp. and provided the
I.Shading Coefficient (SC) data to request products with similar transmission of visual light and better heat
Shading coefficient is a value that determines the influence of glass material to insulation quality. Eventually, laminated glass from Taiwan Energy Saving Film
the energy consumption of a building. Essentially, it is the ratio of solar gain (due Company and LOW-E vacuum glass from Taiwan Glass Ind. Corp. were selected.
to direct sunlight) passing through a glass unit to the solar energy, which passes Both of them obtain transmission of visual light similar to the original design;
through 3mm Clear Float Glass. The lower SC value indicates the lower rate of however, with a lower SC value, radiation efficiency can be obtained (Fig.6.14).
thermal transmittance.

2. The original design was compared with the present

condition of the chapel under CFD simulation. With the
II.Reflectivity of Visual Light
The higher reflectivity of visual light indicates greater light pollution of the
6.15 Position of the west-east oriented upper blinds
Natural closed top opening, the opening blinds on the west and
surroundings. To avoid light pollution and misleading reflection that induces
ventilation east ends of the chapel are the only openings remain
animals bumping into the glass of the chapel, the reflectivity of visual glass should
and air flow in the chapel (Fig.6.15). Objects on the ground hinders
be strickily controlled. distribution air flow while the outside wind velocity decreases
as it approaches the ground from the sky, and the
roughness of the ground determines the decreasing degree of the velocity. This
III.Transmission of Visual Light
The sunlight is efficiently transited into indoor illumination with a higher velocity distribution is called atmospheric boundary layer phenomenon (Fig.6.16).
transmission of visual light. Simulation model was set at a model size of 40m × 40m × 45m and the amount
The plan conducting team first handed over the fragment (Fig.6.1) of the original of cell was 2700000 (Fig.6.18). The model was set at a heating density of 200
designed glass to Research Center for Energy Technology and Strategy, National users with relatively close in seating (Fig.6.17). After studying the data from Wuqi
6.16 Atmospheric boundary layer diagram
Cheng Kung University to examine and collect its various performance data Weather Station, the January 2015 weather data (i.e. 5.5m/s north wind at 10m
(Fig.6.13). Committing to bring back the original design of the architect C. K. Chen, height and 25℃ outside temperature) was adopted as the boundary condition
setting. Then, the accuracy of the accumulated simulation setting was calculated
with the equation on excel (Fig.6.19).

6.17 The heating object model setting

6.12 The appearance comparison of the original 6.13 Full viewof the equipment of Research Center for Energy Technology and Strategy
designed glass and clear float glass 6.18 Model and grids schematic diagram

160 161
 Taking the height of 2m (black dash line) as the seating area for simulation, the
result indicates that the thermal comfort will improve remarkably if the rooftop
design can to be restored. The average interior wind velocity will increase following
the drop of room temperature by 2 degrees (Fig.6.20~ Fig.6.22).
In order to confirm the effect (i.e. improvement of indoor ventilation) of the
rooftop opening, the research team conducted onsite measurements in March.
We set two wind velocity meters in the middle of the chapel, while one wind
velocity meter and one black bulb temperature meter were placed at the entrance
(Fig.6.23). Data collected during the manhole opening and closed time frame were
analyzed respectively (Fig.6.24). Sampling data from the data logger was adopted
from a continuous time frame of 20 minutes when the average wind velocity
outdoor is similar to the indoor velocity within 10 minutes.
According to the data (Fig.6.25), even though the measurement was not collected
during service hours with heating objects (users) to drive updraft, the average
wind velocity with the opened manhole is still slightly higher than the hours with
closed manhole. Therefore, having rooftop openings does enhance indoor natural
6.19 Comparison between equation of atmospheric boundary layer and simulation settings
ventilation.

6.20 Wind velocity comparison between the present condition and the original design (section
of the lengthwise)

6.24 Manhole opening operation

6.21 Temperature comparison between the present condition and the original design (section
of the lengthwise)

6.22 Temperature comparison between the present condition and the original design (section
of the lengthwise) 6.23 Measuring meters and locations 6.25 Wind Speed Measurements

162 163
 An airflow visualizing experiment was operated with a smoke producer during
the onsite measurement (Fig.6.26、Fig.6.27). The smoke was released once
during the manhole opening and closed time frame respectably. The measuring
process was recorded and according to the video, the smoke rapidly speeded and
was withdrawn when it reached the opened manhole, whereas the smoke rose
gradually and drifted along the skylight when the manhole was closed.
Through simulations and measurements, having a rooftop opening is confirmed
to have improved the indoor natural ventilation. Therefore, this research team
6.30 Wind velocity comparison of the three options 6.31 Design schematic diagram of the additional
proposes improving the airflow by restoring the original design (i.e. non-closed opening at the top
opening) and then replace the blinds of the upper opening into pivoted window
to serve as the air flow conducting component for the air to flow smoothly. In the
fourth meeting of the conservation project, the team cooperated with architect
Zhi-hong Cheng and his associates, and asked them to provide three options of
rooftop opening designs for our team to conduct CFD simulation. After conducting
a thorough CFD simulation, the design, which resulted the greatest thermal
comfort improvements, was single out from the three.
The three options are as the following: 1. Restore the original design by raising
the rooftop and an additional gutter to solve the leakage problem. 2. Restore the

6.32 Wind velocity comparison of the present condition, the original 6.33 Temperature comparison between the present condition, the
design, and the design with additional rooftop openings (longitudinal original design, and the design with additional rooftop openings
section) (longitudinal section)

original design by replacing the blinds with pivoted windows. 3. Add other openings
on the rooftop with a remote control to open and close the opening (Fig.6.28).
There are more constructional details with the first two options provided by Zhi-
hong Cheng architect（陳智宏建築師） and his associates. It is difficult to detect
tiny objects under a large scale model. Therefore, the model used for simulation
was reduced to a 2m × 2m × 2m model with 343000 cells (Fig.6.29), with the
intake air velocity set at 1m/s. This model was adopted to simulate the ventilation
performance of the original design, the gutter proposal and the pivoted windows
suggestion.
The simulation result indicates that these designs are rather similar in effect.
6.26 Airflow visualizing experiment 6.28 Comparison schematic diagram of the three options 6.34 Temperature comparison between the present Hence, the team took the equation for ventilation (i.e. average wind velocity of
condition, the original design, and the design with
additional rooftop openings. (longitudinal section) the opening × size of the opening) to compare the ventilation performance. The
ventilation performance of the original design: gutter: pivoted window design is
1: 0.3: 0.94, whereby the team acknowledges that the ventilation effect of the
original design is better than the other two options (Fig.6.30).
As for the option of additional openings (Fig.6.31), the former simulation model
was applied (Fig.6.18). After comparing with the original design and observing the
seating area (black dashed zone), the simulation result indicates the similarity in
wind velocity between having additional openings and the original design, with
an improvement on heat load dissipation, which reduces the temperature by 1
degree. As a result, addition al openings design is the best solution for enhancing
indoor thermal comfort comparing with other given propositions (Fig.6.32、
Fig.6.33、Fig.6.34).
6.27 Smoke producer 6.29 Model and grids schematic diagram

164 165
 3. In order to resolve the sultriness brought forward by
crowds of users, this research team cooperated with
Studies for Yi-tai Tsai Air-conditioning Engineering Associates,
HVAC system and requested a HVAC system configuration plan for
design simulation analysis (Fig.6.35). By adjusting the angle of
fan direction, the air-conditioning effect was expected
to cool the chapel evenly and resolve the problem of
thermal discomfort for some users.
Yi-tai Tsai Air conditioning Engineering Associates ( 蔡逸泰空調技師團隊 )
provided a HVAC simulation setting with a wind velocity of 1.25m/s, a temperature
setting of 20℃ , and fan angles of 45°, 60°, 90°(Fig.6.36), while other setting
remained the same (Fig.6.18). The simulation result highlighted the temperature
differences of the seating area within the black dash zone. The thermal
performance of 90° fan angle was better than the 60° fan breeze, and the 60° was
better than the 45°. The temperature differences between the 90° breeze and
60° breeze was about 1.5℃ . The close examination indicates that the 90° fan
direction coincides the hyperboloid structure of the chapel. The airflow bounced to 6.38 Temperature comparison between the three fan angles (longitudinal section)
the central seating area after hitting the shell walls, whereas the breeze of the 45°
fan direction followed the principle of cold air drops, and had the breeze dropped
below the seating area, where contributed less to thermal comfort (Fig.6.37、
Fig.6.38、Fig.6.39).
Failing to have an eminent simulation result on the first simulation, the team
doubled the wind velocity from 1.25m/s to 2.5m/s and operated another simulation
(Fig.6.40、Fig.6.41、Fig.6.42). This simulation indicates a more evident effect of
6.35 Positions of the air-conditioner indoor unit fan direction alteration.

6.39 Wind velocity comparison between the three fan directions(cross section, seating area)

6.36 Indoor air-conditioner setting

6.40 (The second simulation)Temperature comparison between the three fan directions
6.37 Temperature comparison between the three fan directions (cross section) (cross section)

166 167
 Conclusion
1. The choice of glass involves more than insulation
efficiency. The interior lighting and ecological
Replacement impact are also important factors to be considered.
of glass on the The sacredness of the chapel is the most essential
west and east character, which is indivisible with the architectural
openings lighting within the chapel. Therefore, as fulfilling the
energy saving purpose, the historical factor, which
attracts visitors, should also be take into equivalent consideration.

2. Base on the above simulation and onsite

measurement results, having rooftop openings
Natural proves to enhance the indoor natural ventilation
ventilation performance. Moreover, having additional rooftop
improvement openings would be far more efficient than modifying
the original design. Eventually, on the premise of
keeping the appearance of the chapel, issues such as leakage and thermal comfort
6.41 (The second simulation) Temperature comparison of the three fan directions improvement, which need to be resolved under renovation budget, are the task to
(longitudinal section)
be put into consideration.

3. According to the simulation result, with the air-

conditioning designs provided by Yi-tai Tsai Air-
HVAC conditioning Engineering Associates, the 90° fan
system direction is most efficient in delivering cool air to
design the central seat area, whereas the performances of
the 60° and 45° gradually decline as the fan angles
decrease accordingly.

6.42 (the second simulation)

Wind velocity comparison between the three blew out angle (cross section, seating area)

168 169
 7. LUCE Chapel
HVAC System
Renovation Study

Yuan Tai Consulting Engineers, Co. Ltd.

2015. 09.07

170 171
 1. The existing air conditioning (AC) system of the
Luce Chapel was installed at the basement three
Existing HVAC years ago. Two water cooled air handlers which
System Status each carries a capacity of 20 RT/72kw were placed
Description at the corners of the basement (Fig.7.1) with two
sets of outdoor water cooling towers providing
condenser water to the air conditioners in the
basement(Fig.7.2). Each packaged air handler is connected with supply air duct
(set in the indentations at the sides of the seating area) to deliver conditioned air
to the first floor. Each ductwork system has 11 air grilles, set at 60 degree in angle,
to supply cold air to the nave and chancel (Fig.7.3). The return air is drawn back to
the water cooled air handlers in the basement through the stairways behind the
chancel to complete the air conditioning cycle.
By surveying different seating areas locationed at the first floor, the air was found
to have fairly even distribution among the first floor seating area. Temperature
variations among each location were also limited. The minor stagnant air zone Fig.7.2 Outdoor water cooling towers outside the basement
only appeared at the area around the central aisle. However, the operating noise of
package air handlers was around 73 dBA (measured at the basement), which then
transmitted via the stairways to the chancel. The rumbling noise was also audible
in the first 3 to 4 rows of the seating area. For this reason, many audience had
complained about the AC noise for affecting the speech intelligibility of lectures or
sermons. Therefore, reducing the operating noise has become a major concern for
renovating the chapel’s AC system.
Another drawback of the existing air-conditioning system is the problems caused
by the cooling towers outside the basement. The air intake louvers behind the
first floor pulpit have been sealed to prevent polluted air and fan noises from the
cooling towers. Furthermore, the splashing water droplets dripping out of the
cooling towers has caused significant corrosion on the metal frame of the first floor
glass window (Fig.7.4)

Fig.7.3 The ductwork system besides the seating area

Fig.7.1 Water cooled air handlers at the basement Fig.7.4 Corrosion on the metal frame of the first floor glass window

172 173
 2. To improve the deficiencies of the existing AC
system, with the awareness of the space constraints
be first set at 90° in advance when the installation is completed. (see Attachment –
A1)
Renovation at the Luce Chapel, this research team proposes
Proposal two solutions. Solution A uses the “Air-cooled 2. Introducing outdoor air volume:
Variable Refrigerant Volume (VRF) chiller + VRF Fresh air will first be filtered, cooled and dehumidified by the DX pre-cooled
indoor unit + Direct Expansion (DX) pre-cooled outside air handlers. Then, the air handlers will deliver the conditioned outdoor air
outside air handler,” and Solution B offers “Air-cooled Water Chiller Unit + Straight via the small size ducts installed in the indentations at the sides of the first floor
Water Chiller Air-condition Box” as the solutions for air conditioning renovation. seating area. In the end, the outdoor air will be pushed via small branched ducts
The choice of air conditioners in both solutions were made according to the air- and projected into the nave and the chancel. By supplying sufficient fresh outdoor
condition loading anaylses. air, this new AC system will have a much better ventilation performance comparing
to the existing system. (see Attachment –A2~A3)
AC system load and Air volume:
Recommended by the research of Associate Professor Y.S. Tsay for this project, 3. System operation efficiency:
the SC (shading coefficient) value of replacing windows is estimated to be 0.58. This AC renovation system is planned to adopt the most advanced DC driven
Associated with intake outdoor air volume, internal load of audience and lighting, variable frequency type compressors. The running frequency and refrigerant flow
and the envelope volumes and properties; the AC load of Luce Chapel was volume of the compressors can be automatically adjusted according to various
calculated by using TRACE 700 software developed by TRANE. The calculation loads of the air conditioning system for the best efficiency. In addition, the supply/
result of the chapel’s AC system load was 137.4 kw( 39 USRT), and the supply AC return air volume of DX type indoor units can be manually or automatically
flowrate required was 4,530 L/S for the seating zone(including the pulpit). (see adjusted. The number of running indoor units also can be chosen according to the
Attachment- 1) user demand in the chapel. All these features can enhance the overall efficiency of
the air conditioning system. (see Attachment – A4)
Introducing outdoor air volume:
Referring to American Society of Heating, Refrigerating and Air-Conditioning 4. Noise:
Engineers (ASHRAE) 62.1 ventilation standard, the outside air volume the Luce Considering the AC system operating noise control, the VRF outdoor unit
Chapel needs is about 1,300 L/S ( 2.5 L/S per person+ 0.3 L/S per m2 floor area). The (containing compressors) should to be located in the parking zone that is about
proposed outdoor air intake system should introduce fresh air through the west 40m away from the west side of chapel (see Attachment – A5). There are two
side louvers in thebasement (see Attachment- 2). behefits for this practice. First, the noise of the outdoor units is about 60 dBA. The
impact of the units will be reduced with the noise further away from the beautiful
The contents of these two solutions are as the following. and tranquil green surroundings of the chapel. Second, the outdoor unit in the
parking area can be concealed with decorated grilles or fences, which shall easily
Solution A: fit into the overall landscape design. The single VRF indoor unit of this AC system
“Air-cooled Variable Refrigerant Volume (VRF) chiller + VRF indoor unit + Direct has high/moderate/low speed operating noise at 39/36/32 dBA respectively. And if
Expansion (DX) pre-cooled outside air handler” all the indoor units are occupied, the integrated noise might fall between 41 to 45
This alternative adopts two sets of highly efficient air-cooled VRF chiller units (19 dBA, which is equivalent to NC-35 to NC-40 even at moderate speed. Although this
RT/68 kw each). The units shall be installed in the parking area away from the back level of noise does not meet the NC-30 request given by the acoustic consultant, it
of Luce chapel. The refrigerant pipes from the VRF chillers shall go through a new should still improve the original operating noise of NC-50 by leaps and bounds.
trench (under the lawn behind the chapel), and extend to the chapel basement,
first connecting to the two DX pre-cooled outside air handlers (same locations as 5. Pros/Cons:
existing water-cooled air handlers), then further extend to the VRF indoor units in First, the proposed AC system does not need cooling towers. The issue of first floor
the indentations at both sides of first floor seating area. These VRF indoor units metal window frame corrosion caused by the splashing water droplets from the
(provisionally 20 units total; 10 units per side), each is fitted with a refrigerant cooling tower will be eliminated. Second, the 20 small VRF indoor units installed
regulating valve, a supply air plenum and a grille. They will provide cooled air to in the indentations at the sides of the nave will be able to be set in a distance, and
condition the nave and chancel at the first floor. The operating noise is predicted release some space (compared to the large air ducts of the existing system). The
to be around 40 dBA to 45 dBA, which is fairly low comparing with general AC released space can be used for auxiliary lighting installation for the illumination of
machines. the nave during night events. This is the additional advantages of this proposed AC
system. However, the drawback is that the VRF indoor units need regular cleaning
1. Supply air projection angle: and maintenance (quarterly and annual maintenance). Due to the width restrains
Referring to the CFD simulation results of Associate Professor Y.S. Tsay for this of the indentations at both sides of the nave, it requires the maintenance staff
project, the 90 degree supply air projection angle among at the congregation to climb over the fence in/out of the indentations for maintaining the VRF indoor
seating area will generate the best air distribution result for audience at the pews. units whenever the maintenance or cleaning work is needed. Moreover, this type
However, considering the multifunctional usage of Luce Chapel, these supply air of VRF air-condition units are imports from Japan and Korea; therefore the cost will
grilles should have an angle adjustable feature that is capable of adjusting air throw be 20 to 30% higher than Solution B.
angles from 45 degree to 90 degree. The supply air projection angle is adviced to

174 175
 Solution B: 4. Noise:
“Air-cooled Water Chiller Unit + Straight Water Chiller Air-condition Box” The outdoor unit (containing compressors) shall also be located in the parking zone
This solution introduces one set of highly efficient air-cooled VRF chiller units (40 that is about 40m away from the west side of chapel (see Attachment – B5). There
RT/140 kw). The units shall be installed in the parking area away from the back of are two behefits for this practice. First, the noise of the outdoor units is about 70
Luce chapel. The refrigerant pipes from the VRF chillers shall also go through a new dBA. Having the units further away from the beautiful and tranquil greens of the
trench (under the lawn behind the chapel), and extend to the chapel basement, chapel will reduced noise. Second, the outdoor unit in the parking area can be
first connecting to two Straight Water Chiller Air-condition units (each carries a concealed with decorated grilles or fences, which shall easily fit into the overall
cooling efficiency of 70 kw), then each unit shall further extend to the VRF indoor landscape design. The striaght air-condition unit proposed in this solution has
units in the indentations at both sides of first floor seating area through an air a higher operating noise around 60 dBA, therefore, it will be essential to install
supply duct respectively. Each air supply duct distributes 10 supply air plenums noise barrier around the units at the basement, apply acoustic absorbing material
with grilles bringing cool air to the nave and chancel. These two straight air- on the ceiling and walls, and utilizes the space at the basement as a buffer to
condition units can be set to low operating noise, which can reduce the current absorb/seclude noise. This will require the assistant of an acoustic consultant, and
noise to 60~63 dBA. Furthermore, with the units positioning at the basement, the indoor noise at the first floor shall be decreased to 38~40 dBA. This is a great
adding supplimentary sound arresters will be able to decrease the noise to 38~43 improvement comparing with the current operating noise, which is more than
dBA (depending on the operating air volume). 50dBA.

1. Supply air projection angle: 5. Pros and Cons:

Same as Solution A, this alternative also refers to the CFD simulation results of This solution doesn’t require cooling towers. Therefore corrosion at the metal
Associate Professor Y.S. Tsay. The 90 degree supply air projection angle among frame of the first floor window will no longer be an issue. In addition, although
at the congregation seating area will generate the best air distribution result for this solution requires the addoption of medium/large air ducts at the sides of the
audience at the pews. However, considering the lighting design for the illumination first floor indentations, with a careful construction, the supplimentary lighting
of the lattice beam, the main air supply duct shall be installed at the lower part of equipment at the indentation will not be effected, and the lighting effect at the
the indentation, and the top of the minor pipes shall not be higher than the light seating area will remain the same way the designer had planned. The biggest
projections on the sides. Moreover, considering the multifunctional usage of Luce differences between Solution B and A is that the units will all be outdoor or behind
Chapel, the supply air grilles shall also have an angle adjustable feature that is the basement, and the relative devices are few, which shall drastically reduce
capable of adjusting air throw angles from 60 degree to 90 degree (due to the low the workload of miantenance. Furthermore, these units are all made in Taiwan;
position of the supply air grille, the turning angle will be limited to 60 degree). The therefore it will be cheaper for purchase and future repair. Nevertheless, the flaw
supply air projection angle is also adviced to be first set at 90° in advance when the is that the system cannot function sectionally. Once it is turn on, the whole system
installation is completed. (see Attachment – B1) will be involved in operation, which is similar to the current operating method.
The air ducts of this solution are also larger than the ones used in Solution A (the
2. Introducing outdoor air volume: biggest duct comes in at 85cm*55cm, including the thickness of thermal retaining
Fresh air will enter the chapel through a new shutter and wall fan at the basement. material). Moreover, parts of the space in the basement will be given up when it is
The air will first join the first floor return air at the stairway, be filtered, cooled and used as a buffer for noise deduction. Applying acoustic absorbing materials at walls
dehumidified by the Straight Air-condition unit, then delivered to the indentations and ceiling will also introduce additional construction expense.
at the sides of the seating area through large air supply ducts. Small air pipe and air
supply grille will then fill the nave and chancel with cool air. The first floor return air
will flow through the stairway behind the pulpit and then back to the air-condition
units to complete the cycle. This solution shall ensure the sufficiency of fresh air
in the air-condition system, and improve the current ventilation deficiency (see
Attachment B2~B3).

3. System operation efficiency:

The size of this AC system is rather small. This research proposes the application
of multiple small hermetic scroll compressors. The number of units and the air
volume of the main compressor can be adjusted according to the variation of
air-conditioner load through centrol control. This shall maximize the operating
efficiency. Moreover, the striaght air-condition unit should be a Variable Air Volume
unit, which allows manual or automatic air volume adjustment of supply/return
air (according to the temperature of return air). This shall increase the overall
operating efficiency of the AC system. However, this solution does not provide
sectional operation, once the unit is turn on, the entire system will be involved in
operation (see Attachment B4).

176 177
 Attachment - A Attachment - B

Indoor Facility Installation – OA Intake at the rear side of B1F

Outdoor air Issue - The minimum outdoor air required for 500 people in chapel
is 1,300L/s (@ 2.5 L/s. person + 0.3 L/s. m 2 ), according to ASHRAE STD. 62.1
“Ventilation for Acceptable Indoor Air Quality“.

Attachment - C

Indoor Facility Installation (B1F Plan)

178 179
 Attachment - D Attachment - F

The number of running machines can be adjusted according to the demand of AC system
load

Attachment - G

Indoor Facility Installation (1F Plan)

Attachment - E

Outdoor Unit Installation

Indoor Facility Installation (Section)

180 181
 8. Acoustic
Diagnostics and
Suggestions
Regarding the
Luce Chapel
Acoustic Environment of the
Luce Chapel
- Activities involving electroacoustic settings, such as worship services, lectures, etc.
- Activities without electroacoustic settings, such as choir and classic music concert.

182 183
 The Result of the Acoustic Analysis of the Current Acoustic
Diagnostic Onsite Investigation Environment (conducted in July, 2014)
of the Luce Chapel The low speech intelligibility of the Luce Chapel caused by the adoption of the
present acoustic system has nothing to do with the obstructions within the
A.Reverberation Time (RT) Test in the Empty Chapel (July 1st 2014) architectural environment. Although longer reverberation does impact speech
intelligibility, reverberation time is not the only criterion that influences human
Frequency (Hz) 125 250 500 1000 2000 4000
hearing. The sound clarity and speech intelligibility within the chapel is determined
RT (second) 3,1 3,1 2,9 2,8 2,5 2,0 by the ratio of direct and reverberated sound. The current acoustic system places
the speakers at the sides of the chapel with the speakers facing upward, which does
Even with the presence of an audience (around 300 people) in the chapel (volume not project the sounds directly to the audience. Rather, the sounds are projected
4428m3), the RT value could be reduced 0,2-0,3sec at the mid-frequencies, to the ceiling, rebounded back and forth in the air and then reaching the audience
making the environment suitable for music performances. However, the false as a sound mixture with a low STI of 0.4, which is far below the standard 0.6~0.7 for
applications of the current acoustic sound system (correlation between the clear speech intelligibility.
locations of speakers and projecting directions) impact the sound clarity within the
chapel. Therefore, the subsequent acoustic improvement projects should focus on Suggestion on Sound Quality Improvement
improving the projecting direction and modulation of sound efficiency between 1. The volume, appearance,
direct and echo sounds, which would improve the present speech intelligibility and shape, and finishing materials are
maintain the thoroughness of music performances. The architectural RT value is the fundamental characteristics
rather intact; therefore is not in need of renovation. of the chapel, and are in need
of renovation no other than
B.Speech Intelligibility (STI according to IEC 60268-16 2003; tested by cleaning. Even the acoustic
applying the current acoustic system) diffusion caused by the 30cm
STI (Speech Transmission Index) : 0,41 (poor intelligibility) deep rhombic RC beams creates
RASTI (Rapid speech transmission index) : 0,39 (poor intelligibility) positive sound effect. The current
RT of 2.9 sec at 500HZ is essential
for classical and religious music
(traditional Christian music) performances. The architecture does not need any
further renovation other than the improvement on air conditioning system and
8.1 The Miho Chapel rearrangement of speaker positions and projecting directions. The acoustic
consultants deliberately visited the 97 year old I.M. Pei in New York to ascertain the
main goals for the acoustic improvement of the chapel.
2. Another improvement recommendation is to change the current public address
system to the special “Sound Column” as the main acoustic source at the two sides
of the preaching area. Its narrow acoustic directivity will be able to project direct
sound to the audience seats. The presence of the audience will absorb most of
the sounds, and few of the sound energy will reflect to the top of the RC beams
and slabs, optimizing the energy radio between direct and reverberant sound and
improve the speech intelligibility considerably.
3. One of the sound column systems to be recommended is the Swiss made “AXYS
Intellivox,” which was also adopted at the Rothenberg Modern Art Museum and
Miho Chapel (Fig.7.1) of the Miho Museum established in 2013 in Kyoto, Japan.
The building of these architectures both worked in close collaboration with I.M
Pei. With a full house reverberation time of 1.4 second, the speech intelligibility
of Miho Chapel was refined after applying the sound column (Fig.7.2). Resonating
in look and function, Miho Chapel, built 60 years after the Luce Chapel, is still an
interesting reference for comparison and contrast. However, the interior material
of the Luce Chapel is more reflective than the materials used in the Miho Chapel,
leaving a longer reverberant time length. Therefore, this research suggests
the adoption of a higher sound column with the same speech intelligibility and
stronger sound projection. However, an acoustic sound simulation is necessary for
8.2 “AXYS Intellivox” in the Miho Chapel further assessment and design resolution.

184 185
 Suggestions on Acoustic A.3 Measuring Instruments
The following instruments were used for the measurement.
Improvement 1. Amplifier system and Speakers at the Luce Chapel
2. Microphone, B&K Type 4190
Base on the measurements and analyses of the given data, the acoustic consultant 3. Sound level meter, CNS 7129, Type 1
recommended keeping the architectural structure of the Luce Chapel with an 4. Microphone calibrator
adoption of sound column which provides stronger sound projection. This will 5. Acoustic Front-end, B&K Type
maintain the fullness of religious music, and enhance the STI (speech intelligibility) 6. DIRAC Room Acoustics Software, B&K Type 7841
of prayer and lectures from 0.4 to 0.65. According to our years of collaborating
experiences with Mr. I.M. Pei’s, we would suggest retaining the design intentions of A.4 Measurement Results
8.3 Lighting system in the Miho Chapel
the original designer and improve the acoustic defects of this historical architecture
under the limited budget of the university. Table8-1 Reverberation Time
During our visit in July 2014, we also took notice on problems regarding the lack of
natural lighting, which is especially troublesome for reading among the audience 　　　Frequency (Hz) Reverberation Time in the Empty Chapel
seats in the chapel. Similar issues were also apparent in the Miho Chapel. To solve (Position) 125 250 500 1k 2k 4k 8k
this problem, the lighting improvement design of the Luce Chapel can refer to the
1 3.0 3.0 2.9 2.6 2.7 2.1 1.4
ring shaped spot light system used in the Miho Chapel designed by Mr. I.M. Pei
2 3.3 3.0 3.0 2.9 2.6 2.1 1.3
(Fig.8.3~Fig.8.5).
3 3.1 3.0 2.8 3.0 2.6 2.0 1.3
4 3.1 3.2 2.9 2.8 2.4 2.1 1.3
Appendix - Acoustics Measurement Result 5 2.9 3.0 3.0 2.6 2.5 2.1 1.3
6 3.0 3.1 2.7 2.8 2.4 2.0 1.3
8.4 Lighting system in the Miho Chapel A.1 Measurement Description
7 3.3 3.0 3.0 2.7 2.5 2.1 1.5
Purpose: Room acoustic parameters of the Luce Chapel.
8 3.0 3.0 2.7 2.8 2.4 2.1 1.3
Location: The Luce Chapel, Tunghai University, Taichung
9 3.2 3.2 2.8 2.8 2.7 2.0 1.3
Measuring Date: 1 July, 2014
Average RT(s) 3.1 3.1 2.9 2.8 2.5 2.0 1.3
Measuring personnel: Prof. Albert XU, Dr. C.Y. Cheng, Dr. P.L. Li

A.2 Measuring Positions

Table 8-2 Speech Intelligibility (STI)

Empty Chapel
Position
STI RASTI
8.5 Lighting system in the Miho Chapel 1 0.45 0.43
2 0.44 0.40
3 0.41 0.38
4 0.40 0.38
5 0.39 0.37
6 0.38 0.35
7 0.37 0.36
8 0.37 0.34
9 0.51 0.49
Average value 0.41 0.39
* The measurement were conducted and evaluated according to ISO 3382 and IEC 60268-16.　

8.6 Measuring positions 8.7 Measurement photo

186 187
 9. The lighting plan
of Luce Chapel,
when it was
constructed

The original lighting plan of the

Luce Chapel
There were not many lighting construction according to the original diagram.
The plan was to illuminate the chapel by installing spotlights beside the skylight.
Although it is difficult to distinguish the original light source from the diagram,
it is very likely to be halogen bulbs owning to historical background and the
size of the feature on the original diagram. The halogen bulbs were probably
around 150~300-watts with a beaming angle of 8 degree according to the original
diagram. This would have had a great impact on the thermal load of the skylight
glass. The bulbs were not expected to be used for long hours and were probably
not able to carry a large amount of wattage. Thus, the light source was very likely
to be halogen bulbs at 150~300-wat with 8 degree in beaming angles.
In addition, mercury lamps were installed at the indentations at the sides of the
chapel. These lamps were probably added to enhance the spatial characteristics
of the chapel. Although the luminous intensity and beaming degree of the light
source cannot be observed from the original plan, they are very likely 60~100-
watt light bulbs with a diffused luminous intensity judging from circumstances and
photo documents.
As for the exterior of the chapel, we assume that four spotlights with 500~1000-
watt sodium lamps were selected to illuminate the external walls of the whole
building. However, details of the light source were not discovered in this
investigation.
According to diagrams and photo documents of the chapel, the above lighting
features were most likely the light sources used to compose the artificial lighting
environment in and out of the chapel.

188 189
 The current lighting design. 5. Concerning the exterior, the spotlights with sodium lamp will be replaced
with 120 watts LED diffused projection lights. This will reduced the energy
consumption from 2 kilowatts to 0.5 kilowatts without compromising the quality
The original lighting features have been added or renovated with 3 distinctive
of light.
alterations which are listed as the following:
6. All color temperature will be warm white incandescent light to unify the texture
A. Spotlights at the sides of the skylight were not applied.
of light and complement the historical value of the building.
This design might have been eradicated for its inconvenience in maintenance,
7. Dimmer switches will be provided to meet the demand of different occasions.
especially under high frequency of maintenance.
8. Temporary power source and stands will be installed at the chancel for events
B. Upward lights at the indentations at the both sides of the floor have been
such as concerts.
changed from spotlights to straight tube fluorescent lights.
C. The reason could have been the increase number of nighttime visitors or 9.1 lighting plan 1
insufficient lighting in the first place.
Straight tube fluorescent lamp apparatus were installed on the profile of a ceiling
Conclusion
slab to illuminate the pulpit to solve the insufficient lighting at the chancel. These renovation suggestions are compiled to restore the effects of the original
These changes were made according to the actual usage of the chapel, thus future lighting design and to resolve current maintenance problems. Our principal is
lighting plans should take these alterations into consideration before proposing upgrading the current light source to the latest lighting features at the original
further improvement suggestions. spots. We expect local residents, students, and faculty on campus to increase
their number of visits and utilization of the chapel upon the completion of this
renovation. The main concept of this renovation is to increase the satisfaction of
Lighting plans for the future- visitors, and propose a feasible maintenance plan for visitors and managers for

“Maintenance” the generations to come. We look forward to the day for the chapel to restore its
former glory.
There are two important goals for the coming renovation. One is to attract local 9.2 lighting plan 2
residents, students and faculty on campus with the light of the chapel. Another is
to restore to the original lighting plan. Although it is important to come up with a
good lighting plan, visitors from will come and go generations after generations,
and so will the managers of the chapel. Therefore, it is equally essential to
strengthen the current maintenance management in order to restore the original
lighting and pass it to the coming generations.

Renovation Plan
1. All the original light features shall be converted to LED. This shall be able to
Simulation 1 Simulation 2 Simulation 3
restore the original lighting effects while reducing the cost of maintenance.
2. For spotlights above the skylight, two kinds of LED spotlights will be installed
outside the chapel. 24 spotlights with 45 watts and 11 degree in beaming angel
will be installed along with 14 spotlights at 12-watts and 25 degrees beaming
angle. The life span of the light source will be increased to 40,000 hours, which is
20 times more than the current 2000-hour life span. This shall drastically reduce
the frequency of maintenance and bring down the electricity demand from
3-kilowatts to 1.4 kilowatts. As for the interior lighting, the seating area shall also
obtain enough luminous intensity at approximately 300lx.
3. As for lighting in both sides of the first floor indentations, upward spotlights with Simulation 4 Simulation 5 Simulation 6
mercury lamps will be replaced with LED lined light (24W/m) and its diffuse light
will be installed upward. This can reduce the electricity energy consumption from
the original 1.8 kilowatts to 1.3-kilowatts. Moreover, the problem of inconsistent
illumination caused by spotlight intervals shall be resolved. The ceiling will also
be able to receive homogeneous lighting, which was impossible at the time of
construction.
4. The position where straight tube fluorescent lamps apparatus are placed at the
profile the ceiling slab behind the pulpit is very disturbing in appearance. They
shall be removed and replace with LED tape light (10W/m), which will be hidden
Simulation 7
at a position above eye level, and be made invisible to the congregation. 9.3 Simulation

190 191
 10.
Fire Services Review
of Henry Luce
Memorial Chapel

The Luce Chapel was built under a period of history when the National Building
Act and National Fire Services Code was still rather slack, leaving the Henry Luce
Memorial Chapel to be without an legal usage permit to this very day. Viewing
the current strict building construction and fire prevention regulations, getting a
legal usage permit is no longer an easy task. This project presents an overall review
involving the installation of fire safety equipment and an executable scheme.
Here are some basic facts on the measurement of Henry Luce Memorial Chapel:
The first floor area is 410.03 m2 accompanying the underground area of 70.68 m2,
and the total floor measure is 480.71 m2. Its use falls in the category of auditorium
without sufficient open windows and opening. According to the “Standard for
Installation of Fire Safety Equipment Based on Use and Occupancy (amended
on May 1st 2013; promulgated under Order Tai-Nei-Hsiao-Tzu No.1020821188 on
May 1, 2013, effective from the same day.) ”, fire extinguishing, alarm, evacuation
equipment, as well as necessary equipment for fire rescue in case of the Luce
Chapel includes the following: Fire extinguisher, hydrant, automatic sprinkler
system, automatic fire alarm equipment, emergency broadcasting equipment,
indication equipment (exit sign lamp, direction indicator lamp, audience guiding
lamps, and signs), as well as smoke control equipment (smoke control equipment
inside emergency elevator and special safety stairway, and indoor smoke control
equipment). Installation of all the above fire safety equipment other than the fire
extinguisher and indication equipment is going to have a great impact on the
overall appearance of the interior.
Under the given circumstances, the lack of permit still needs to obtain its legal
usage permission. Suggestions of various possibilities are listed as the following.
First of all, Henry Luce Memorial Chapel should obtain the cultural heritage
certification, then designate or register the assets in accordance with relevant
law procedures. In Taiwan, facilitating the restoration and reuse of monuments,
historical buildings and settlements, and matters relating to the construction
management, land use and fire safety of such sites shall be exempted, in whole or
in part, from the restrictions of the Urban Planning Law, Building Code, Fire Act

192 193
 and other related laws and regulations. The central competent authority together
with the Ministry of the Interior shall prescribe the review procedures, inspection
standards, restrictions, requirements and other matters that shall compliance with
other methods. Secondly, according to Regulations for Building Administration,
Land use, and Fire Safety of Restoration and Reuse of Monuments, Historical
Buildings and Settlements (2010.10.19 Amended; promulgated under Order Tai-
Nei-Ying-Tzu No. 0990819908.), when the owner, user or manager of Henry Luce
Memorial Chapel encounters difficulty in applying the law, act, or code set forth in
the preceding paragraph, based on the goal of the cultural heritage conservation
and preservation and the analysis of site and environmental disaster risk, the
response plan shall be proposed and submitted to the competent authority. Above
all, on account of the structural simplicity of the chapel, the limited evacuation
routes and interior combustibles, the fire prevention plan shall exclude several
items mentioned above. Furthermore, a performance review shall be submitted to
the central regulating authority for approval. The building usage permit of Henry
Luce Memorial Chapel shall be approved by the Cultural Affairs Bureau after the
submission of a relevant fire prevention plan.

194 195
 11.
Appendix
Budget estimate

196 197
 Budget estimate
工程預算書詳細表
路思義教堂 修復及再利用工程
Luce Chapel Restoration / Revitalization 路思義教堂 修復及再利用工程 Luce Chapel Restoration / Revitalization

編號 No. 工程項目 category 單位 unit 數量 qty 單價 unit cost 複價 subtotal 備註 remarks 項次 項目 單位 數量 單價 複價 備註

A 壹期工程 phaseI 壹 發包工程費 contract 　 　 　 　 　

壹 發包工程費 Contract fee 一 假設工程 (temporary works ) 　 　 　 　 　

一 工程施作費 Project Operation Fee 1 工程告示板 75×120 ㎝租金 billboard rental 式 1 5,750 5,750 　

( 一 ) 假設工程 ( 鷹架 ) 式 1 4,282,430 4,282,430 2 臨時工務所及辦公設備費用 temp office/equip. 式 1 460,000 460,000 　

scaffold and contemporary works
3 警示燈及臨時水電設備費用 式 1 207,000 207,000
( 二 ) 外牆磁瓦、結構體修復及防水工程 式 1 4,076,100 4,076,100 safety temp power supply 　
exterior ceramic tiles, structural
restoration, waterproofing 4 甲種圍籬安裝及拆除 ( 含修護及警告標示 ) M 250 1,380 345,000 1.2mm*240cm
fence/warning signs (install and removal)
( 三 ) 門窗及排水工程 式 1 7,388,750 7,388,750
fenestration, drainage 5 甲種圍籬大門 (4M 寬滑動門 ) 安裝及拆除 組 1 6,900 6,900
controlled gate (install and removal) 　
( 四 ) 地坪及雜項工程 式 1 8,789,450 8,789,450
flooring and miscellaneous works 6 框式施工架及防塵網 ( 含防護繩 ) 租金 M2 3,800.00 403 1,531,400 含上下設施
scaffolding and protective nets (rental) incl. lifting device
( 五 ) 設備工程 HVAC 式 1 13,987,020 13,987,020
7 室內施工平台租金 M3 14,640.00 92 1,346,880 含上下設施
( 一 )~( 五 ) 小計 sub-total 38,523,750 a1 interior construction platform (rental) incl. lifting device

二 勞工安全衛生設備管理費 式 1 423,761 423,761 a1*1.1% 8 門窗鋼框解體編碼調查 式 1 74,750 74,750

OSHA compliance administration fenestrations disassemble and codings 　

二 包商利潤及管理費雜費 ( 含工程營造保險費 ) 式 1 3,852,375 3,852,375 a1*10% 9 木作家具編碼調查 式 1 57,500 57,500 　

contractor admin / insurance fufnitures disassemble and cdings

三 工程品管費 Quality Assurance 式 1 770,475 770,475 a1*2% 10 施工架外掛大圖輸出帆布 式 1 103,500 103,500

protective covering/canvas 　
二 ~ 三小計 sub-total 5,046,611 b1
11 施工大樣圖及竣工圖繪製 式 1 40,250 40,250 　
四 營業稅 5% state tax 式 1 2,178,518 2,178,518 (a1+b1)*0.05=c1 construction &amp; shop drawings, as-built
documents
發包工作費合計 total contract cost 45,748,879 a1+b1+c1=d1
12 檢驗費用 式 1 69,000 69,000 　
貳 設計監造費 design/supervision 3,467,000 testing/experiments

參 工程管理費 construction management 635,000 13 試做費用 式 1 34,500 3 4,500 　

mock-ups
肆 工作報告書 reports &amp;documents 1,500,000
　 小計 sub total 　 　 　 4,282,430 　
伍 空污費 pollution control 137,000
　　　　　　　
總計 51,487,879 二 外牆磁瓦、結構體修復及防水工程
exterior ceramic tiles, structural restoration, and waterproofing

1 內外牆中性清潔劑清洗 M2 2,928.00 400 1,171,200 須先試做

Neutral detergent for exterior cleaning
sample tests required

2 外牆磁瓦灰縫剝損處修補 式 1 172,500 172,500 　

exterior grout(damaged within ceramic tiles)
repair

198 199
項次 項目 單 位 數量 單價 複價 備註 項次 項目 單 位 數量 單價 複價 備註

3 外牆磁瓦嚴重損壞處以庫存磁瓦換補 式 1 460,000 460,000 依解體調查後評估 11 排水管疏通及新做內管 支 4 92,000 368,000

結果決定 subject to roof drainage rooting / new drain pipes 　
exterior tiles replacements condition/evaluation
after dismounting 　 小計 sub total 　 　 　 7,388,750 　

4 結構體裂縫壓力灌注 EPOXY 四 地坪及雜項工程

structural crack pressure filling with epoxy M 240 1,380 331,200 　 flooring and miscellaneous 　 　 　 　 　
5 結構體鋼筋鏽蝕處，鋼筋除鏽置換，無收縮水泥 式 1 138,000 138,000 1 現有耐磨地板及夾板拆除 M2 410 345 141,450 含垃圾清運 incl.
砂漿修補 structural steel restoration works removal of existing florring garbage disposal
6 既有清水混凝土表面清水漿修飾 式 1 230,000 230,000 2 新做隔振墊及 8 分柳安木實木地坪 new M2 410 9200 3,772,000 含表面處理 incl. s
exposed concrete surface treatment 　 hardwood flooring with shock-proof padding urface treatments
7 基礎 RC 梁外防水施做 M 72 8,050 579,600 含開挖 incl. required 3 木作家具去漆 式 1 1035000 1,035,000 　
foundation RC restoration and water proofing earth work millwork - paint removal
8 排水滲透管及卵石回鋪，表面覆土植草 M 72 13,800 993,600 4 木作家具整修 式 1 2300000 2,300,000 依調查結果調整
storm drainage, gravel refill, and lawn work 　 millwork - restoration subject to condition/
evaluation
　 小計 sub total 　 　 4,076,100 　
　　　　　　　 5 木作家具刷護木油 式 1 1380000 1,380,000 　
millwork - new wood oil paint
三 門窗及排水工程
fenestration and water proofing 　 　 　 　 　 6 廁所管路，陰井及暗管疏通 式 1 46000 46,000
Toilet renovation, sewer rooting 　
1 門窗鋼框去漆 式 1 414,000 414,000
steel frame paint removal 　 7 汙水處理設施更新 式 1 115000 115,000 　
Sewage treatment and equipment updates
2 門窗鋼框臨時支撐架 temporary scaffolding 式 1 86,250 86,250 　
for steel frame dismounting 　 小計 sub total 　 　 　 8,789,450 　
3 門窗鋼框落架及運費 式 1 172,500 172,500 含玻璃拆卸 incl. glass
steel frame dismounting and transportation removal/disposal 五 設備工程
Building Equipments 　 　 　 　 　
4 東面門窗鋼框除鏽防鏽後刷漆 east-side 樘 1 834,900 834,900 　
fenestration rust-proofing and paint (一) 空調工程 HVAC 式 1 4,715,000 4,715,000 　

5 西面門窗鋼框除鏽防鏽後刷漆 west-side 樘 1 1,086,750 1,086,750 含安裝，橡膠墊更換 (二) 照明工程 Light fixtures 式 1 5,750,000 5,750,000 　
fenestration rust-proofing and paint Incl. installation,
rubber sealant (三) 消防工程 fire safety compliance 　 　 　 　 　

6 南面側窗鋼框除鏽防鏽後刷漆 south-side 樘 1 258,750 258,750 1 ABC 乾粉滅火器 10P 只 6 640 3,840

fenestration rust-proofing and paint 　 fire extinguisher (dry power) 　

7 北面側窗鋼框除鏽防鏽後刷漆 north-side 樘 1 258,750 258,750 　 2 CO2 滅火器 10P fire extinguisher (CO2) 只 4 3300 13,200 　
fenestration rust-proofing and paint
3 乾粉滅火器放置架 座 6 300 1,800 　
8 新裝 Low-e 玻璃 才 2,772.00 690 1,912,680 含油灰防水填縫 fire extinguisher (dry power) hanger/housing
new Low-E glass/glazings Incl. putty joints
4 CO2 滅火器放置架 座 4 520 2,080 　
9 天窗更改 M2 25.65 13,800 353,970 改善方案一 according fire extinguisher (CO2) hanger/housing
skylight restoration to improvement
option 1 st . 　 小計 sub total 　 　 　 20,920 　

10 新做不鏽鋼氟碳烤漆通風百葉及天溝 M 47.6 34,500 1,642,200 改善方案一 according

newstainless-steel Fluorocarbon paint to improvement
louver/gutter option 1 st .

200 201
項次 項目 單 位 數量 單價 複價 備註

(四) 電氣工程 式 1 345,000 345,000 含開關箱，地面插座及管線

electric work incl. access panel, floor
receptacles
incl. portable/travel cases

(五) 音響工程
acoustic work 　 　 　 　 　

1 DSP 主動式音柱陣列揚聲器 支 2 437,000 874,000

DSP speaker set 　

2 DSP 主動式超低音揚聲器 支 2 253,000 506,000

DSP woofer set 　

3 數位混音器 台 1 862,500 862,500 含攜行箱

digital multi-track mixer incl. portable/travel cases

4 無線分享器 WAP 台 1 4,100 4,100

wireless access point device 　

5 正面輔助揚聲器 支 2 22,000 44,000

Front auxiliary speaker 　

6 正面輔助揚聲器 DSP 擴大機 台 1 34,500 34,500

Front auxiliary speaker DSP amplifier 　

7 監聽揚聲器 支 4 50,000 200,000 　

(floor) Monitors

8 監聽揚聲器 DSP 擴大機 台 1 70,000 70,000

(floor) Monitors DSP amplifier
(floor) Monitors

9 4CH 數位式無線麥克風 支 2 98,000 196,000

4CH digital wireless microphone 　

10 2CH 數位腰包含頭戴麥克風 支 2 41,000 82,000

2CH digital lavalier headworn microphone 　

11 無線手持平板控制器 台 1 23,000 23,000

Wireless flat panel controller 　

12 管線及施工安裝費 式 1 65,000 65,000 含舊有設備拆除

acoustic system wiring and installation incl. disposal of old
equipments

13 系統調整及測試報告費 式 1 80,000 80,000

audio system testing and adjustments 　

14 系統教育訓練及技術支援費 式 1 115,000 115,000

audio system training and tech supports 　

　 小計 sub toal 　 　 　 3,156,100 　

　 合計 total 　 　 　 13,987,020

202