USER MANUAL v1.

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 Welcome & Thank You ASP880 | Contents

Thank you for purchasing Box Contents 1

this audient product!
ASP880 Overview 3

ASP880 can be seen as the natural Features include:

Safety Information 5
progression of our classic ASP008
eight channel microphone preamplifier. • 8 x superb class-a mic preamplifiers & 2
x discrete JFET instrument inputs Declaration of Conformities 7
Using the same proven discrete class-a
8-transistor input stage with extended • Clean & stable P48 phantom power Hardware Features: 9
bandwidth and a noise floor close to the Microphone & Line Inputs 9
theoretical Johnson noise limit, ASP880 • 60dB of clean gain with -10dB pads on Instrument Inputs 10
provides a world-class recording front end channels 1 & 2 for kick, snare etc Gain & Setting Levels 11
in a convenient 1RU package. Input Signal Conditioning 12
• Polarity reverse to enable phase Sweepable High Pass Filter 12
The microphone preamplifier has been coherent recording across all tracks Variable Input Impedance 13
refined over 15 years by design legend Analogue Line Outputs 15
David Dearden and is the same tried & • Variable input impedance providing a Direct ADC Access & Inserts 15
tested topology as featured in our consoles “triangle-of-tone”. Lo, med and hi settings AES Output 16
and recording interfaces (iD22, ASP8024, allow you to voice your mic collection at ADAT SMUX Output 16
ASP4816). the flip of a switch! Clocking - Setup and Wiring 17
ASP880 Block Diagram 19
However we did not stop there with ASP880 • Super smooth 12dB/octave sweepable
Troubleshooting 20
- after months of refinement and an entirely high pass filter (25 to 250Hz) to clean
new PSU design, we have been able to lower up low end rumble and mess!
the noise floor in the unit and have reduced FAQ 21
the 50Hz mains component to vanishingly • New A-D insert switch provides line
low levels and the unit is completely silent level direct access to converters for Specifications 22
(fanless operation) - impressive! integrating outboard processing
between the mic pres and ADC
On top of this we have used the cutting edge Dimensions 23
top-of-the-line Burr-Brown converters from • Integrated Burr-Brown 115dB ADC with
our iD22 interface to heavily upgrade the AES and SMUX ADAT outputs Warranty & Contact 24
digital card which now comes as standard!
• Integrated fanless, low noise PSU with
Service 25
The unit is built like a tank and now features global operation
our custom, solid aluminium control knobs
which feel great and provide excellent visual Glossary 26
feedback. ASP880 will last for years to come!
Introduction Contents
 Box Contents

In your ASP880 packaging you should find

the following items:

• ASP880
• Mains IEC Cable (in rear protection tube)
• Quick Start Guide

Please visit:
www.audient.com/products/asp880/
downloads to get the latest version of the
quick start guide and this manual. Watch/
listen to our example video content and grab
useful things like a session recall sheet etc.
NOTES: ____________________
___________________________
SESSION: ____________________ ARTIST: ____________________________
___________________________
___________________________
TITLE: ____________________ DATE: __________ TIME: __________ ___________________________
___________________________

SOURCE: SAMPLE RATE:

MIC:

INSERT: CLOCK SOURCE:

RECORDER
INPUT:

SOURCE: SAMPLE RATE:

MIC:

INSERT: CLOCK SOURCE:

RECORDER
INPUT:

SOURCE: SAMPLE RATE:

MIC:

INSERT: CLOCK SOURCE:

RECORDER
INPUT:

The integrated power supply in ASP880 will

accept line voltages from 90 - 264V and
can operate anywhere in the world without
re-configuration - just use the appropriate
mains IEC cable.

We hope that you enjoy using ASP880

wherever you are and may it aid you in
making great sounding music!

1 2
 ASP880 Overview

ADC DIRECT ACCESS / INSERT SIGNAL / PEAK METERS

POLARITY REVERSE +18dBu = 0dBFS Clip Indicators
Insert analogue gear between mic pre and ADC
-10dB PAD so you can be sure everything is in-phase or use ASP880 as a standalone line level ADC
Preserve your headroom and as full sounding as possible PEAK = -2dBFS SAMPLE RATE INDICATORS
48V PHANTOM POWER on kick & snare drums SIG = -28dBFS Sample rate switch = green when using
Stable regulated supply for your mics external clock source, toggle through internal
at 4 sample rates and then external sync

POWER ON INDICATOR
SOLID ALUMINIUM KNOBS
SWEEPABLE HPF TIP* roll them smoothly between
Bypassable, smooth 12dB/oct variable your fingers for easy operation
60dB of CLASS-A GAIN
from 25 to 250Hz - clean up rumble and mud
VARIABLE INPUT IMPEDANCE Clean, quiet & punchy!
DISCRETE JFET D.I INPUT Triangle of tone for your mics!
Sounds fantastic on guitars & basses! 220, 1200 or 2800 Ω
DB25 ADC INPUTS
DB25 ANALOGUE OUTPUTS Line level input direct to ADC to use as
BNC WORDCLOCK INPUT Use to feed the mic preamps into standalone A-D converter, or return XLR MIC / TRS LINE INPUTS
MAINS SAFETY FUSE Hi-Z or 75Ω Termination outboard for processing outboard here to form an insert point Line inputs are available on combi jacks
T1A Time Delay available on rear panel switch (pressing the front panel A-D switch) (padded into the mic pre) and have access
(replace with same type) to all input functions (except P48)

MAINS IEC INPUT

90-264Va.c Operation AES or S/PDIF OUTPUT
anywhere in the world! 9-Pin DSUB - format selected ADAT SMUX OUTPUT
with rear panel push switch Top port 8 channels <48kHz
Both ports 4 channels split >48kHz

3 4
 Safety Information Safety Instructions

Important Safety Instructions Important Safety Instructions

Please read all of these instructions and save them for later reference before connecting 1. Read these instructions
the mains IEC power cable and powering up ASP880. To prevent electrical shock and fire 2. Keep these instructions
hazard follow all instructions on the rear of the ASP880. 3. Heed all warnings
4. Follow all instructions
5. Do not use this equipment near water
6. Clean only with dry cloth
7. Do not block any ventilation openings. Install in accordance with the manufacturer’s
instructions
ASP880 does not contain any user serviceable parts inside the internal power supply and in 8. Do not install near any heat sources such as radiators, heat registers, stoves, or other
the event of a power supply failure, please contact audient support so that we can arrange equipment (including amplifiers) that produce heat
suitable service. 9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized
www.audient.com/support plug has two blades with one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the third prong are provided for
A 1RU ventilation space above the unit is recommended and it is not advised to run the unit your safety. If the provided plug does not fit into your outlet, consult an electrician for
in a rack above hot units such as valve outboard and multichannel AD/DA converters replacement of the obsolete outlet
without suitable ventilation space around the unit. 10. Protect power cords from being walked on or pinched particularly at plugs,
convenience receptacles, and the point where they exit from the equipment
The internal switch-mode power supply design will accept any A.C line voltage from 11. Only use attachments/accessories specified by the manufacturer
90v to 264v @ 47-63Hz. Therefore the unit will work happily anywhere in the world but 12. For products that are not rack-mountable: Use only with a cart, stand, tripod, bracket,
please ensure your A.C mains line voltage is within this specification and you use an or table specified by the manufacturer, or sold with the equipment. When a cart is
appropriate cable for the region. Consult a qualified technician if you suspect difficulties. used, use caution when moving the cart/equipment combination to avoid injury from
Do not attempt to tamper with the power supply or mains voltages - HAZARDOUS TO HEALTH. tip-over
13. Unplug this equipment during lightning storms or when unused for long periods of time
! WARNING ! 14. Refer all servicing to qualified service personnel. Servicing is required when the
equipment has been damaged in any way, such as power-supply cord or plug is
TO REDUCE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO damaged, liquid has been spilled or objects have fallen into the equipment, the
RAIN OR MOISTURE. equipment has been exposed to rain or moisture, does not operate normally,
or has been dropped
NO USER SERVICEABLE PARTS INSIDE. 15. For products that are a mains powered device: The equipment shall not be exposed
PLEASE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. to dripping or splashing and no objects filled with liquids (such as vases) shall be
placed on the equipment

5 6
 Declaration of Conformities

We, Audient Ltd, declare that the product, the ASP880, to which this declaration
relates, is in material conformity with the appropriate CE standards and directives

FEATURES
for an audio product designed for consumer use.

Audient Ltd has conformed where applicable,to the European Union’s Directive
2002/95/EC on Restrictions of Hazardous Substances (RoHS) as well as the
in
in depth
depth
following sections of California law which refer to RoHS, namely sections 25214.10,
25214.10.2, and 58012, Health and Safety Code; Section 42475.2, Public Resources

7
 Hardware Features

Microphone Preamplifiers Discrete JFET D.I

& Line Inputs (Instrument) Inputs

ASP880 features eight impeccably ASP880 features two discrete class-a JFET
optimised class-a micprohone preamplifiers. D.I inputs (Channels 1 & 2). Plugging into
these jacks will automatically select the D.I
Featuring a discrete 8-transistor front end, signal over the signals present at tha rear.
the mic pre is optimised for 0 to 60dB gain
with an EIN (equivalent input noise) of -127.5 Why JFET? BY
dB. The frontend has high-input headroom E J UST
ON
R E AT T IRECT!
and will be happy to accept any level from Junction Field Effect Transistors are known E G G IN D
TUR
CAP LUGGIN
your microphone collection, however for for their sweet tone and tube-like properties P
situations where you reach very hot signal when overdriven. You will often find JFETs
levels such as drum recording, a switchable used in guitar pedals and such for this very
-10dB pad is included on channels 1 & 2 to reason. They sound good and “can” provide
provide a -10 to +50dB padded gain range. just a touch of sweetness and larger than
life tone. JFETs also have a very high input
Microphone inputs are provided on the rear impedance (often approx. 1012 Ω) and
panel using Combi XLR connectors - here this makes them ideal for buffer circuits
the 1/4” Combi Jack connector provides a that do not load down the source device.
padded balanced line input (input impedance
>6kΩ) directly into the mic pre stage. In the case of electric guitars or basses with
vintage style passive pickups, the output We designed the JFET input on ASP880 to
These Combi Jack line inputs run through impedance of the instrument can often be have a 1MegΩ input impedance and thus
the mic preamp, providing a slightly sweeter 6,000 to 40,000Ω, depending upon volume match the loading effect found on classic
tone (due to the 2nd and 3rd harmonic and tone pot positions. Typically we should guitar amplifiers.
distortion in the mic pre) and have access provide a load that is 10 times the source
to all input conditioning functions apart from to create a true bridging system. Therefore This ensures you get the most tone from
phantom power. we need at least a 400kΩ load to get the your instrument and when pushed the JFET
most signal and tone from our instruments. circuit will provide plenty of 2nd and 3rd
Please be aware that the input impedance It should then come as no surprise that harmonic distortion (minimum 0.03% to
switch functions as a variable pad for any most classic valve guitar amplifiers have a lots!) ensuring that your instrument has a
line input signal (a secondary benefit!). very high input impedance - 1MegΩ! rich sound and some c o l o u r!

9 10
 Hardware Features

Aim for -10dB

Setting Levels & Gain FS peaks on Input Conditioning
when setting the loudest s
ections
1. 2. 3. 4. 5.
gain & record
ing levels in th
e DAW!
ASP880 has plenty of analogue headroom, In order to correctly condition input signals,
running internally on +/-18V DC rails. ASP880 provides the following functions:

The unit can deliver up to +27.5dBu at the • +48V Phantom Power

analogue output DB25 on the rear of the • -10dB Pad (channels 1 & 2)
unit. • Polarity Reverse
• Sweepable High Pass FIlter
However it would be typical in modern
digital recording situations that ASP880 is P48 Phantom Power
using our own internal pristine 115dB ADC Phantom power can be supplied on a per To check phase coherency on multi-mic
converters to produce a digital output for channel basis by pressing the +48V switch setups, first always use careful microphone
recording via AES or ADAT digital output. (1). This is supplied at 48V +/-4v @ 10mA placement and then press the ø switch (3)
per channel and is fully compliant with the on various combinations of channels to find
In this case, the ASP880 has a digital line- DIN45596 specification. This is suitable for the fullest, most solid low frequency
up reference of +18dBu = 0dBFS (full scale), any phantom powered condenser mics, or representation of the source.
therefore the analogue circuitry will have ribbons with on-board active head amps etc.
anywhere from 4 to 9.5dB headroom above On drum kit recordings typically you may find
digital maximum (don’t worry about it!). -10dB Pad either the kick drum out of phase with the
The 10dB pad (2) can be used in conjunction overheads, or the underneath snare mic out
As a target guide, we would recommend with the gain control to adjust any hot of phase with the top snare mic etc. Some-
that you turn up the ASP880 gain pots to signals on channels 1 & 2. Please note that times, one overhead is out of phase with the
produce a -10dBFS peak signal level in your the actual attenuation value of this pad will kick drum, so move mics first and then use
DAW when recording. This will maintain vary with micpre input impedance (lo, med or the polarity reverse switch to find the best
plenty of headroom and things often sound hi) and therefore using your ears and eyes is compromise.
better in the DAW if you record with lots of the best policy here!
headroom. The LED metering on the ASP880 will show Sweepable High Pass Filter
signal present at -48dBFS (-30dBu), slowly ø Polarity Reverse The sweepable HPF is 2nd order 12dB per
To do this, adjust the gain knob on ASP880 ramping to -28dBFS (-10dBu) with a peak Polarity reverse (180 degrees) can be octave and can be used to increase head-
whilst observing the metering in your LED warning of potential overloads at -2dBFS applied to any channel to ensure that room and clean up low frequency rumble etc.
interface or DAW application. (+16dBu). However please rely upon the multi-mic setups sound as full as possible. Engage this by pressing the switch (4)
recording destination for accurate metering. ALWAYS REMEMBER TO CHECK PHASE. and adjusting the frequency control (5).

11 12
 Hardware Features

Variable Input Impedance The source (microphone) and load (mic pre- Variable Input Impedance - Listening
amplifier) form a bridging voltage divider,
One stand-out feature of the ASP880 is the that contain different values of resistance When listening, this diagram may come in Please be aware that some microphone
variable input impedance (Z) control. for the source at different frequencies - thus helpful if trying to train your ear to hear the types (transformerless condensor types)
creating a varying frequency response (or differences. may not produce audible changes due to
There are three impedance load settings on different output levels for each part of the their electronically buffered output stages
the unit, and these can be used to extract SM57 impedance curve) and thus a change Listen for the following: which have linear output impedances with
various voicings from your mic collection by in tone can be perceived. regards to frequency and therefore are less
loading the mic’s output stage differently. 1. Change in Level susceptible to changes in loading.
MIC - SOURCE 2. Change in Speed (Transient Response)
Notably mics with transformer outputs such 310 Ω @ 1kHz 3. Change in Tone (Frequency Response) If in doubt, consult your microphone
as SM57 / SM7 dynamic mics or Coles Varying at all frequencies 4. Change in Detail datasheet & manufacturer.
4038 ribbon microphones often provide
IN OUT
quite noticeable changes in tone when
operated into various loads. PRE - LOAD
220 Ω
FAST DETAILED
The three settings on ASP880 are: 1200 Ω
2800 Ω
• LO 220 Ω
GND
• MED 1200 Ω HI
• HI 2800 Ω Typically there is some change in level,
timbre, punch and tone when changing Z.
Take the dynamic output impedance of an Ribbon mics are known for liking HI-Z inputs. SOFT MED HARD
SM57 for example (illustration only):
-20
2k
LOAD = 2800 Ω
LO
LOAD = 1200 Ω

dB
Ω LOAD = 220 Ω
GLUED SLOW
310 Ω
∞
0
20
Hz 20k
20
Hz 20k
13 14
 Hardware Features

1.
Analogue Line Outputs Digital Outputs - AES - S/PDIF

ASP880 features 8 analogue, cross-coupled The on-board digital card in ASP880 can
line driver outputs on DB25. These fully provide both double speed (96kHz) AES
balanced outputs use the same circuitry and ADAT output signals.
as our proven ASP8024 flagship console
and provide “transformer-like” differential The AES output is available on a 9-pin DSUB
line drive and high headroom with a sturdy, connector and is fully transformer balanced
transparent pair of operational amplfiiers. according the AES specification. The 9-pin
DB9 connector provides eight channels of
Use these outputs to use ASP880 as a balanced AES digital output and the wiring
standalone eight channel analogue mic pre. pinout is as shown to the right.

These outputs are wired as Tascam DB25 Pressing the AES - S/PDIF switch (1) will
standard with 100Ω output impedance and switch the DB9 output stage into consumer
+27.5dBu maximum level. format (lower signal amplitude etc) for
S/PDIF operation. In most cases, you will
AD Converter Direct Access / Inserts likely be using the AES professional output
ASP880 & iD22 - Perfect Harmony
so this switch can remain in the out position
ADC balanced line inputs are available on a until required.
Combining ASP880 with our iD22 USB
rear panel DB25 connector (also Tascam
recording interface via ADAT - you get 10
format). You can use these to directly Digital Outputs - ADAT SMUX
audient mic preamps, 10 top-of-the-range
access the AD converter with +18dBu input
Burr-Brown AD converters and 6 pristine
headroom (0dBFS = +18dBu) for line level The digital card also provides simultaneous
DAC outputs for monitoring! Nice!
signals, allowing you to feed the ADC from ADAT optical output on the rear of the unit
other sources such as alternative mic pres with full SMUX double speed capability.
etc. However this also provides a path in
which you can insert processing outboard For <48kHz operation, a single optical
such as EQ & compression between the mic cable should be connected from the top
pres and ADC - useful!! (1-4) ADAT port. This will provide 8-channels
@ 48kHz. For >48kHz operation, two optical
To activate the direct AD access press the cables should be used, with four channels
front panel A-D switch on each channel. carried on each for full 8ch 98kHz operation.

15 16
 Hardware Features

Clocking with the ASP880 Slave Clock Operation - EXTERNAL

There are two ways to integrate ASP880 You may have a studio master clock source
into your system digitally: such that all digital devices synchronise to
your session sample rate, or perhaps you
• As a MASTER clock source - internal clock would like the ASP880 to follow your DAW/
• As a SLAVE device - external clock recorder session sample rate so that you do
not have to reconfigure the unit when you flip
Master Clock Operation - INTERNAL between sessions at different sample rates.
1.
Assuming that you are connecting the In order to do this, you must set the ASP880
ASP880 digital output to a DAW/recording digital card to SLAVE to an external clock 1.
interface with either AES or ADAT inputs, source.
MASTER CLOCK SOURCE
the ASP880 can be set as MASTER clock BNC OUTPUT
source as follows: Press the SAMPLE RATE switch (1) until it is
3.
flashing green (external clock mode). 2. 75Ω COAX CABLE
Select the appropriate sample rate on the
front of ASP880 by pressing the SAMPLE Ensure that your master clock source is
RATE switch (1). connected via a 75Ω coaxial BNC cable to
the Word Clock input on ASP880 (3) - with
Ensure that your DAW/recorder session is CONNECT DIGITAL OUTPUT (AES or ADAT) a valid clock signal present here, the green
TO YOUR DAW/RECORDER
set to the same sample rate and that clock LED in the SAMPLE RATE switch should
source is set to external digital become solidly lit, indicating external lock.
input (either AES or ADAT).
If ASP880 is the only or last device in the clock
Your DAW/recorder should chain fed from the master clock, go ahead
CONNECT DIGITAL OUTPUT (AES or ADAT)
automatically follow the and press the 75Ω termination switch (2) to TO YOUR DAW/RECORDER
sample rate set on the front ensure that the clock line is loaded properly
of the ASP880. Note that both to stop any transmission line effects.
the AES and ADAT output
simultaneously so you can If using a BNC T-Bar to distribute clock
feed a backup recorder at the signals to various devices - please ensure the
same time on location gigs! last device in the chain is terminated (75Ω).

17 18
ASP880 Block Diagram Troubleshooting & FAQ

Troubleshooting FAQs

• My microphones are not producing For more information and service

signal? information / support, please search our
online Knowledge Base which can be found
Double check that phantom power is here:
turned on via the front panel switch, try www.audient.com/support
swapping XLR cables, then double check
all connections to the recorder.

• I cannot clock the ASP880 from an

external clock source, or you are For technical support please create
experiencing clicks & pops? a ticket in our online support system,
Zendesk which can also be found in the
Double check that you have set the clock support section of our website
source to external by using the front (see link above).
panel SAMPLE RATE switch, press it until
it is flashing green. This selects external
clock mode.

From here, double check your master clock

source, and ensure it is connected via a
75Ω BNC coaxial cable to the ASP880 BNC
wordclock input.

Providing that you have a valid clock source,

ASP880 should sync to it without issue and
the SAMPLE RATE led in the switch will turn
to solid illumination. This shows that the unit
is locked. If you experience pops & clicks - Please consult the warranty statement on
double check any master/slave device page 23 for further information regarding
configurations and cabling. A system should service requirements and our policies.
only have one master clock.

19 20
 Specifications Dimensions

321mm

MICROPHONE PREAMPLIFIERS:
(measured to insert send) ADC LINE INPUTS (Insert Returns):
(measured at AES output under AES-17)
MIC GAIN: -10 to +60dB (-10dB Pad)
LINE GAIN: -16 to +44dB (-10dB Pad)*
MAXIMUM INPUT LEVEL: +18dBu
PHANTOM POWER: 48v +/-4v @ 10mA/Channel
DIGITAL REFERENCE LEVEL: 0dBFS = +18dBu
MIC EIN: <-127.5dBu
INPUT IMPEDANCE: >10kΩ Balanced
CMRR: >80dB @ 100 to 10kHz
FREQUENCY RESPONSE: +/-0.5dB 10Hz to Fs/2
MAXIMUM INPUT LEVEL: +22dBu (+32dBu with Pad)
CROSSTALK: <-80dBu @ 1kHz & 10kHz
INPUT IMPEDANCE
THD+N @ -1dBFS (1kHz): <0.002% (-94dB)
Mic LO: 220Ω Balanced
THD+N @ -6dBFS (1kHz): <0.002% (-94dB)
Mic MED: 1k2Ω Balanced
DYNAMIC RANGE: 113dB un-weighted
Mic HI: 2k8Ω Balanced
115dB A-weighted
Line (All i/p Z): >6kΩ Balanced
PEAK LED LINEUP: +16dBu (-2dBFS)
FREQUENCY RESPONSE: +/-0.5dB 10Hz to 100kHz
SIGNAL LED LINEUP: -10dBu (-28dBFS)
CROSSTALK: <-85dBu @ 1kHz & 10kHz
THD+N @ 0dBu (1kHz): 0.003% (-90.5dBu)
SNR: >90dB

482mm

440mm
HPF: Sweepable from 25Hz to 250 Hz
2nd Order (12dB/Octave) DIGITAL i/o:
280mm
XLR: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield) ADAT 8 CHANNELS SMUX: 44.1 - 96kHz
1/4” JACK: TIP (Hot), RING (Cold) & SLEEVE (Shield) AES | S/PDIF 8 CHANNELS: 44.1 - 96kHz
CLOCK: Internal or External
WORDCLOCK INPUT: 75Ω BNC
*Line input level at the combi jacks will be affected by the input Optional 75Ω Termination
impedance switch position, this can be used as a second pad
control to adjust line input ranges on all channels.

POWER SUPPLY:
DISCRETE JFET D.I (Channels 1 & 2): High stability, low noise internal SMPS
(measured to line outputs / insert send) Fanless, quiet operation
Works anywhere in the world without reconfiguring
D.I GAIN: -10 to +60 dB (-10dB Pad)
MAXIMUM INPUT LEVEL: +16dBu (typical), +22dBu LINE VOLTAGES: 90 to 264V (a.c)
INPUT IMPEDANCE: 1MegΩ Unbalanced INTERNAL RAILS: +/-18VDC, +48VDC & +5VDC
FREQUENCY RESPONSE: +/-0.5dB 10Hz to 50kHz FUSE: T1A (1Amp Time Delay)
THD+N @ 0dBu (1kHz): <0.03% (-70dBu) CONSUMPTION: Maximum 40 Watts
SNR: 89dB

1/4” JACK: TIP (Hot) & SLEEVE (Shield)

WEIGHT: 4.0 kg

LINE OUTPUTS (Insert Sends):

MAXIMUM OUTPUT LEVEL: +27.5dBu

3mm
OUTPUT IMPEDANCE: <100Ω Balanced

44.4mm

21 22
 Warranty Service

Warranty Statement Service Information

Your ASP880 comes with a manufacturer’s warranty for one year (12 months) from the ASP880 contains no user-serviceable components, please refer to qualified service personnel
date of despatch to the end user. for diagnosis and repair. Your warranty will be void if you tamper with the device at component
level. If you have any questions with regard to the repair, please contact Audient Ltd.
The warranty covers faults due to defective materials used in manufacture and faulty
workmanship only. In the event your ASP880 needs to be repaired, it is necessary to contact Audient Ltd prior to
shipping, and a Return Materials Authorization (RMA) number will be assigned. This number
During the warranty period audient will repair at its discretion or replace the faulty unit will serve as a reference for you and helps facilitate and expedite the return process. When
provided it is returned carriage paid to an authorised audient service centre. We will not the unit is returned please include this RMA number along with a description of the fault inside
provide warranty repair if in our opinion the has resulted from unauthorised modification, the packaging box. Audient requires that shipments be pre-paid (for in-warranty repairs we will
misuse, negligence or accident. cover the return shipping).

We accept liability to repair or replace your ASP880 as described above. We do not accept To request an RMA, access technical support & FAQs, ask for troubleshooting assistance or
any additional liability. This warranty does not affect any legal rights you may have against make an enquiry, please visit: www.audient.com/support
the person who supplied this product - it is additional to those rights.

Warranty Limitations

This warranty does not cover damage resulting from accident or misuse. The warranty is void
unless repairs are carried out by an authorised service centre. The warranty is void if the unit
has been modified other than at the manufacturer’s instruction. The warranty does not cover
components which have a limited life, and which are expected to be periodically replaced for
optimal performance. We do not warrant that the unit shall operate in any other way than as
described in this manual.

Audient Ltd
Aspect House
Herriard
Hampshire
Tel: 0044 1256 381944
RG25 2PN
United Kingdom www.audient.com

23 24
 Glossary

A Amperes
ADAT Alesis Digital Audio Tape
ADC Analogue to Digital Converter
AES Audio Engineering Society - AES Digital Audio Format
ASP Analogue Signal Processing
DAW Digital Audio Workstation
DAC Digital to Analogue Converter
dB Decibel
dBu Decibel referenced to 0.775Vrms = 0 dBu
dBFS Decibel Full Scale
DB9 9-Pin DSUB Connector - Digital AES Format
If you make it to the top then this automatically becomes the connector for your
Aston Martin key fob!
DB25 25-Pin DSUB Connector - Analogue Tascam Format
DC Direct Current
D.I Direct Injection (Instrument Input)
DoC Declaration of Conformity
EIN Equivalent Input Noise
FAQ Frequently Asked Questions
HPF High Pass Filter
HV High Voltage
Hz Hertz, cycles per second - measurement unit of frequency
i/o Input / Output
JFET Junction Field Effect Transistor
LED Light Emitting Diode
Ohm Ω, Unit of Resistance
RoHS Restriction of Hazardous Substances
S/PDIF Sony Philips Digital Interconnect Format
SMUX Sample Multiplexing
THD+N Total Harmonic Distortion + Noise
TRS Tip Ring Sleeve (1/4” Jack Balanced)
TS Tip Sleeve (1/4” Jack Unbalanced)
USB
V
Universal Serial Bus
Volts USER MANUAL v1.3
XLR Extra Live Return, Extremely Low Resistance,

Z
Canon X Series, Latching, Resilient Rubber Compound... or make up your own!
Ohms, Ω, Input Impedance - can be varied by adjusting Z switch
April 2014

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