Scottish Handwriting: A Concise Guide
Scottish Handwriting: A Concise Guide
Scottish Handwriting: A Concise Guide
A CONCISE GUIDE
Compiled by
Kenneth Veitch
CONTENTS
Introduction 3
Letter Forms 4
Abbreviations 41
Punctuation 60
Other Marks 73
Further Resources 78
INTRODUCTION
It has been estimated that at the beginning of the eighteenth century about 75 per cent of men and
between 25 and 30 per cent of women were able to sign their names. The documents used to arrive
at these figures indicate that being able to write was influenced not just by gender, but also by social
status and occupation. They also reveal strong regional differences, notably between the Highlands
and the Lowlands, but also between urban and rural areas in the Lowlands. These distinctions steadily
eroded over the following two hundred years or so: by the 1860s about 89 per cent of men and 79 per
cent of women were able to sign their names, and by the opening decades of the twentieth century
the ability to write among Scots was more or less universal.
This expansion in the ability to write was accompanied by equally significant developments in
Scottish handwriting. Most notably, the various styles that had characterised it for three hundred years
or so were gradually replaced during the eighteenth century by a style known as English Roundhand.
Created primarily to meet the needs of British commerce, it was relatively easy to learn and could be
written quickly and with clarity. A distinctive form known as Copperplate had developed by the end
of the eighteenth century and was widely taught in schools until the mid nineteenth century, when a
simplified form known as Civil Service Hand became popular.
The letter forms of both Copperplate and Civil Service Hand are instantly recognisable as they
are either the same or very similar to modern forms. This does not necessarily make eighteenth- and
nineteenth-century handwriting easy to read, however. Some hands are excessively cursive, resulting
in badly formed, ligatured or missing letters. In other hands, confusing idiosyncrasies reduce legibility.
Sometimes the handwriting is simply bad. This need not always indicate a low level of schooling. Some
people were not in the habit of writing, and lost competence through lack of practice. Poor quality
writing materials, from shoddily cut quills and badly mixed inks to inferior paper, also contributed to
bad handwriting. Importantly, handwriting quality also depended on the purpose and likely audience
of the document. For informal documents or ones that were intended primarily for personal reference,
people often employed a hand that was more cursive, irregular, inconsistent and abbreviated than the
one they used for more formal or public documents.
With this in mind, it was decided that a brief guide to some of the basic aspects of Scottish
handwriting in the eighteenth and nineteenth centuries would be useful for those engaged in
transcribing documents for the Sources in Local History series. As will be seen, the focus is on writing
in English and Scots.
Kenneth Veitch
European Ethnological Research Centre
Letter forms
Being able to recognise standard letter forms and their variants is an essential skill for
transcribers of historical documents.
A Two forms of capital letter A can commonly be found in documents from the period.
a The small letter a looks very much like its modern form:
(1873) (1900)
In some hands, the lobe is not closed and it can consequently look similar to a small
letter u, as shown here:
lands (1799)
When an open lobe is combined with a looped stem it can sometimes look similar to ce,
as shown here:
Dornach (1757)
B The lower lobe of the capital letter B is generally open and in eighteenth-century hands
does not always sit immediately under the upper lobe:
(1716) (1721) (1743) (1768) (1810)
Bearer (1792)
b The lobe of the small letter b was written anti-clockwise and was usually left open,
especially in Copperplate hands:
In some hands, the combination of a very open lobe and a low joining stroke (or ‘link’)
can make the letter difficult to distinguish, as shown here:
befor[e] (1799)
(1701) (1742) (1799) (1834)
Constable (1849)
Cottbank (1768)
c The Secretary Hand small letter c can still be found in some hands of the early eighteenth
century:
While it can look similar to the later, Copperplate small letter r, the two letters usually
have distinct forms in such hands, as this example shows:
concern (1716)
When looped, this form can look similar to the letter e, as this example shows:
deck (1900)
In some hands, the top curve of the letter is missing, as shown here:
adjacent (1721)
d Both Secretary Hand and Italic forms of the small letter d can be found in documents of
the eighteenth century. An Italic influence can also be seen in some nineteenth-century
hands. In both forms, the ascender has a prominent leftward curl:
A form with a straight, slightly right-leaning ascender was in use at the beginning of the
period and became the norm in Copperplate hands:
(1834) (1838) (1848) (c. 1870) (1878) (1897)
Both forms can be found in some hands. In such cases, the form used was often
determined by the letter’s position in the word, with the looped d most commonly being
used terminally, as these examples show:
declared (1747)
produced (1791)
In some hands, however, there is no consistency, as these two examples of the same
word from a letter of 1792 show:
deliver
deliver
E A capital letter E with curled arms became the standard Copperplate form:
(1703) (1743) (1762) (1799)
(1835) (1850) (1897)
(1709) (1727) (1844) (1848) (1859)
The latter can sometimes look similar to a capital letter C or a small letter l, as shown
here:
East (1768)
e The Secretary Hand small letter e survived into the eighteenth century:
(c. 1700) (c. 1704) (c. 1704) (1757) (1759)
Its upper lobe (or ‘eye’) distinguishes it from the similar-looking small letter o, as shown
here:
A smaller version of the curled capital letter E can also be found in documents of the
early eighteenth century, as shown here:
A form similar to the modern small letter e gradually gained prominence and became the
norm in Copperplate hands:
All three forms can sometimes be found in the same document, as shown in these
examples from a letter of 1700:
several
taken
In the following example, two forms of the letter are given ‘attacking strokes’, an earlier
handwriting practice that survived in some hands of the eighteenth century:
boehea (1715)
When the eye of a small letter e is closed, it can look similar to a letter c, as shown here:
peck (1742)
F The upper arm of the capital letter F is to the left of the vertical stroke and often has a
flourish:
(1745) (1748) (1792) (1838)
Without its lower arm, it can look similar to a capital letter T, as shown in the following
examples taken, firstly, from a letter of 1769:
Factor
Tacksman
Forbes
Topsman
The earlier custom of indicating a capital letter F with a double small letter f persisted
into the eighteenth century, as shown by these examples:
Ferguisone (1716)
Fisheries (1746)
f The small letter f is often looped at both top and bottom, and the cross-stroke does not
always pass through the letter:
confess (1796)
In most hands, however, these two letters can be distinguished from each other by the
direction of the tail, as shown by these examples from a document of 1745:
firlots
house
As with other letters written in a strongly cursive hand, the form of the small letter f can
change according to its position in a word, as these examples from a letter of 1900 show:
yourself
few
G The capital letter G is generally looped at the top and has a tale, the length of which
varies between hands:
(1701) (1736) (1799) (1801)
g The small letter g looks similar to the modern form, although in some hands the lobe is
on the right of the descender:
(c. 1704) (1716) (1743) (1784) (1792) (1799)
(1801) (1838) (1842) (1847) (c. 1870) (1898)
Charged (1757)
In some cursive hands, the lobe of the letter g is omitted or merged with the preceding
letter, as shown here:
Douglas (1847)
courage (1866)
bringing (1867)
Hay (1831)
I The capital letter I is generally looped at the top and sometimes at the bottom as well:
In some hands, it can look similar to the capital letter J, as shown by these examples
from the same document of 1868:
I saw
James
Infield (1733)
Ingles (1847)
Confusion can arise when it is not dotted, as it can then look similar to the letter c or an e
with a closed eye. Compare, for example, the first letter i and the letter c in the following
word:
Sinclair (1792)
July (1733)
Johnston (1840)
(1734) (1745) (1792) (1817) (1829) (1849)
(1878) (1899)
objections (1850)
K The capital letter K usually has curled arms and sometimes a flourish, although plainer
forms are also to be found:
(1701) (1744) (1757) (1794)
(1834) (1838) (1868) (1896)
Kinross (1850)
In others, it can look similar to a capital letter H, as shown by these two examples from a
document of 1755:
Killine
Highland
(c. 1704) (1732) (1785) (1799) (1799) (1834)
keymaster (1789)
L The capital letter L is often looped at both top and bottom:
(1801) (1850) (1868) (1900)
In some hands, the looped form can look similar to other hands’ capital letter S, for
example:
Larbart (1799)
Send (1757)
M Two forms of the capital letter M can be found in documents from the period.
One is angular in appearance. It was written like the modern form, that is starting at the
bottom of the first of four ascenders. It became the standard Copperplate form, the
entry stroke of which was exaggerated in some hands:
(1734) (1776) (1791) (1800)
(1829) (1845) (1859)
The other was written starting with an entry stroke at the top of the first of three
ascenders. The ascenders are joined by arches, making it look like a larger version of the
small letter m:
(1734) (1744) (1782) (1792)
(1868) (1875) (1878) (1899)
Both forms can be found in some hands, as these examples from a letter of 1755 show:
Miles
Miles
Commenced (1897)
N Two forms of the capital letter N can be found in documents from the period.
One is angular in appearance. It was written like the modern form, that is starting at the
bottom of the first of three ascenders. It became the standard Copperplate form:
(1825) (1829) (1856)
The other was written starting with an entry stroke at the top of the first of two
ascenders. The ascenders are joined by an arch, making it look like a larger version of the
small letter n:
(1800) (1830) (1850) (1868) (1877)
Depending on how its two minims are joined, it can look similar to the small letter u, as
shown here :
Dunbar (1873)
Bank (1900)
flannel (1791)
(1721) (1745) (1799) (1801) (1825) (1842) (1870) (1897)
In some cursive hands, it merges with the following letter, making it difficult to
distinguish, as shown here:
Victoria (1893)
In others, the link comes from near the bottom rather than the top of the letter, making
it look similar to the small letter a, as shown here:
thrown (1849)
While in others, the link comes before the letter is closed, making it look similar to a
small letter e, as shown here:
Crop (1831)
P The ascender and lobe of the capital letter P were usually written separately in
eighteenth-century hands. By the nineteenth century, the habit of writing them both with
one pen stroke had become the norm, with the chamber often remaining open:
(1814) (1842) (1850) (1867) (1897)
In some hands of the eighteenth century, the ascender is looped, giving the letter an
unusual appearance, as shown here:
Park (1768)
p The small letter p can be found with a closed or an open lobe, the latter becoming the
standard Copperplate form:
(1701) (c. 1704) (1709) (1727) (1745) (1747) (1791)
(1820) (1842) (1850) (c. 1870) (1878) (1900)
In some early hands, the lobe is detached from the descender, as shown here:
puddings (1703)
The open lobe of the Copperplate small letter p can lead to confusion. Compare, for
example, these two words from a letter of 1792, where the p of upon looks similar to the
fr of from:
upon
from
In some hands, the descender extends well above the line, as shown by these two
examples:
proper (1712)
application (1850)
pound (1769)
Q The capital letter Q looks similar to its modern form, although in Copperplate hands the
circle was finished with a curl and often left open:
(1709) (1725) (1727) (1752)
(1829) (1838) (1850)
q Two forms of the small letter q are commonly found in documents of the period.
(1709) (1791) (1842) (1859) (1878) (1898)
(1712) (1727) (1782) (1792) (1852)
The latter can sometimes look similar to a straight-tailed small letter g, as the following
examples show:
liquor (1791)
McCorquodale (1834)
R The capital letter R was formally written with two separate strokes: one forming the lobe
and the leg; the other the ascender. In more informal, cursive hands, it was written with a
single stroke, often resulting in idiosyncratic forms. Examples of both approaches are
given here:
When the lobe is not closed, it can look similar to a capital letter K, as shown by these
two examples from the same document of 1867:
Remarks
Keen
r The Secretary Hand small letter r is still to be seen in documents of the early eighteenth
century, albeit rarely:
Two other forms of the small letter r are more likely to be encountered.
When the down-stroke and the up-stroke of this form do not overlap, it can look similar
to a small letter v, as shown here:
write (1850)
This form can occasionally look like the modern small letter z, as shown here:
In some hands, the terminal descending r has a curled finial, as shown here:
Napier (1775)
Both forms can often be found in the same hand, the form used being determined by the
letter’s place in the word. In some hands, however, the two forms were used
interchangeably, as shown by these examples from a document of 1747:
years
years
S The capital letter S is often sloping and can be looped at the top or the bottom or both:
(1740) (1742) (1799) (1801)
Slates (1858)
Sun[day] (1897)
s Two main forms of the small letter s can be found in documents from the period.
(c. 1704) (c. 1730) (1740) (1742) (1834) (1850) (c. 1870) (1898)
(1701) (c. 1704) (1740) (1829) (1859)
A long s tends to be found at the start of a word or within it, and the short s at the end,
as shown here:
servants (1709)
horses (1745)
The use of the long s gradually declined during the period, although the habit of
combining it with a short s when writing a double s continued through the late
eighteenth century and into the nineteenth century, as these examples show:
Grass (1799)
Ross (1842)
assistants (1849)
business (1859)
fees (1801)
threshing (1842)
she (1899)
In some hands, the terminal short s merges with its preceding letter:
accidents (1794)
T The head-stroke of the capital letter T is usually to the left of the ascender, and both are
often curled:
When the bottom loop is carried on to connect with the following letter, it can
sometimes look similar to a capital letter F, as shown by these examples from the same
document of 1867:
Tha[t]ching
Fine
t A variety of forms of the small letter t can be found in documents from the period:
(c. 1704) (1713) (1726) (1742) (1747) (1748) (1799)
The cross-stroke is sometimes missing, as in these two examples from the 1790s:
better
beaten
This need not always indicate a hasty or slovenly hand. In some cases, the cross-stroke
was applied but with such little pressure that the ink has now faded.
In some hands, the cross-stroke is separate from the shaft and can consequently look like
a punctuation mark, as these examples from a document of 1899 show:
best
that
U In earlier periods, the letters u and v were used interchangeably, with it being the custom
in some hands to use the latter initially. By the eighteenth century, however, a distinct
capital letter U had developed:
(1865) (1880)
In some hands of the early eighteenth century, however, the practice continued, as these
examples shows:
Union (1706)
Unto (1721)
u In earlier periods, the small letter u was sometimes used interchangeably with the small
letter w, and this practice is still evident in some hands of the early eighteenth century, as
shown here:
drouned (1706)
The earlier practice of adding a ‘cup mark’ above the small letter u to distinguish it from
the similar-looking small letter n can also still be seen in documents of the early
eighteenth century, as the following examples show:
Judge (c. 1700)
ridiculous (1706)
Drumond (1716)
Examples can be found in later documents as well, although in more cursive hands the
cup mark is often reduced to a much less precise dash, as shown here:
house (1759)
In most documents from the period, though, the small letter u looks similar to its
modern form:
Sometimes the upstroke connecting the two minims was so fine that it has now faded, as
shown here:
fustian (1753)
V Both the Secretary Hand and the Copperplate capital letter V look more or less similar
to the modern form:
When the arm of the Secretary Hand form is exaggerated, however, it can look similar to
a capital letter W, as shown here:
Veaneson (1703)
v Forms of the Secretary Hand small letter v can be found in documents of the early
eighteenth century:
At first, it can look similar to the Secretary Hand letter b, but as these two examples from
a letter of 1700 show, the v usually curls to the left and the b to the right:
but
serve
A form similar to that of the modern small letter v became the norm:
(1842) (1847) (1850) (c. 1870) (1897)
W The capital letter W often has an entry stroke, which is sometimes curled:
West (1743)
w In earlier periods, the small letter w was sometimes used interchangeably with the small
letter u, and this practice is still evident in some hands of the early eighteenth century, as
these examples from a letter of c. 1700 show:
Lewtenant
browght
Early forms of the letter persisted into the eighteenth century, before one similar to the
modern letter became the norm:
(c. 1704) (1746) (1747) (1785) (1799) (1843)
(1850) (1868) (c. 1870) (1895) (1897)
Swine (1743)
X The capital letter X is not commonly found in documents of the period, but generally
looks like a larger version of the small letter:
(1746)
x The Secretary Hand form of the small letter x survived into the eighteenth century:
(1716) (1799)
boxmaster (1716)
From the early eighteenth century onwards, a form similar to the modern small letter x
became the norm:
(1716) (1733) (1743) (1792) (1847) (c. 1870) (1897)
In some hands, the right-to-left stroke goes below the line, as shown here:
six (1757)
expected (1839)
Y The capital letter Y often has an entry stroke, which in some hands is sufficiently curled
to form a lobe:
(1815) (1836) (1867)
Your (1719)
Yeaman (1792)
y Two forms of the small letter y can be found in documents of the period.
(c. 1704) (1745) (1791) (1799) (1800)
(1829) (c. 1870) (1878) (1898)
(c. 1704) (1719) (1792) (1799) (1802) (1897)
The former lent itself to cursive writing and so became the standard Copperplate form.
Both forms continued to be used and can even be seen is the same hand, as shown by
these examples from a letter of 1799:
liberty
you
Humbly
manly
In some cursive hands, the open lobe is omitted or merged with the joining stroke of the
preceding letter, as shown here:
stormy (1868)
entry (1885)
Z The capital letter Z generally looks similar to the modern form, but with added loops:
(1704)
(1727)
z The small letter z usually has a tail that goes below the line, a feature that is looped in
Copperplate:
Izinglass (1791)
Prize (1850)
þ The Scots language included two letter-symbols that are now obsolete.
One was known as ‘thorn’, and represented the letter formation th. Originally written as
ȝ þ, by the eighteenth century it had become indistinguishable from the small letter y. It
appears increasingly rarely during the period, and is most likely to be found in
documents of the early eighteenth century:
their (1713)
The other, known as ‘yogh’, was used as an equivalent for the consonantal y. Written as
ȝ, it became confused with the similar-looking cursive z. It had fallen out of use by the
eighteenth century, although its influence on the spelling of some words is apparent in
documents from the period, as these examples show:
Bailzie (1733)
Bulzordie (1727)
Cockenzie (1892)
Finzean (1752)
Dalzell (1712)
Menzies (1755)
Abbreviations
Abbreviated words are common in documents of the eighteenth and nineteenth centuries.
They saved not only time, but (at a time when paper was expensive) money as well. The
extent to which they were employed depended on the habits of the writer and on the
purpose and intended audience of the document. Day books and other documents
recording daily working tasks, for example, tend to contain more abbreviated words than
formal letters.
While in theory any word could be abbreviated, in practice it was usually restricted to
certain well-known and frequently used words. Examples of some of these are listed here
in broad categories.
Titles and
ranks
Titles and ranks were frequently abbreviated. A small sample is given here:
Colonel (1762) Colonel (1794)
Earl (1775)
Sir (c. 1730) Sir (1747) Sir (1755) Sir (1875)
The full titles of well-known nobles and royalty were also sometimes abbreviated, as the
following examples show:
Valedictions
The valediction ‘your obedient servant’ was commonly used in letters of the period, and
can often be found in its abbreviated form. Some examples, along with variants, are
given here:
Occupations
and offices
Job titles and offices were sometimes abbreviated. A small selection is given here:
Clerk (1822)
Comptroller (1749)
Servant (1716)
Treasurer (1782)
First Names
First names were often abbreviated. Two main approaches are evident in documents
from the period. In one, the opening letters of the name are followed by a double dot,
much like the modern colon. In the other, the opening letters are followed by the
terminal letter of the name in superscript. Both approaches are shown here, along with
some individual forms:
Bartholomew (1759)
Benjamin (1788)
Duncan (1834)
Gilbert (1777)
Josephine (1777)
Michael (1795)
Nathaniel (1817)
Patrick (1733)
Phillip (1794)
Place Names
Place-names were sometimes abbreviated, especially when they were likely to be known
to the intended audience of the document. Accordingly, Edinburgh is often found in an
abbreviated form. Some less common examples are given here too:
Glasgow (1826)
Haddington (1852)
Kirkcudbright (1835)
North Berwick (1749)
Dates
With the exception of May, June and July, month names were frequently abbreviated. A
small sample is given here:
Abbreviations for the main term days (when servants were hired and rent, wages, loans
etc. were payable) can also be found in documents from the period. Some examples are
given here:
Whitsunday (1803)
Lammas (1775)
The word ‘instant’ was sometimes used in letters and other documents to denote the
current month or year. Two abbreviated forms are shown here:
Instant (1776) Instant (1864)
Money
Amounts of money in pounds, shillings and pence were indicated in various ways.
One method was to use the symbols L, s, and d. Typically, they are to be found heading
columns in cash books and similar records, as shown here:
(1794) (1840)
(1842)
The pound symbol was derived from the Latin word librae, and the earlier habit of using
its first three letters can still be seen in documents of the early eighteenth century:
(1713)
The use of the initial letter alone became the norm, however. A small sample is given
here:
£28 (1740) £4 (1751) £6.8.11 (1776) £2 (1793)
The earlier habit of placing the capital letter L after the amount persisted into the
eighteenth century, as shown by these examples:
£10 (1725) £4 (1733) £4 and 16 shillings (1743)
In this example, the word pound is written in full while the word shillings is abbreviated:
The abbreviation of the word shillings varied according to the style of the writer:
In hands that omit the top curl of the letter s, the shilling sign can be difficult to identify,
as shown here:
8 shillings (1811)
The abbreviation for the word pence remained more or less constant throughout the
period, the letter d deriving from the Latin word denarii:
3 pence (1732) 8 pence (1744) 2 pence (1802) 6 pence (1812) 1 pence (1841)
An increasingly popular method for representing amounts in pounds, shillings and pence
was to separate the figures by punctuation marks, omitting the abbreviation for shillings
and often also for pence, as shown here:
£4, 15 shillings and 2 pence (1802) £4, 7 shillings and 1½ pence (1828)
In this style, the letter symbol denoting shillings was often replaced by an oblique stroke,
for example:
11 shillings (1719) 8 shillings (1832) 3 shillings (1848) 2 shillings and 6 pence (1863)
Amount (1819)
Ledger (1710)
paid (1745) paid (1749) paid (1811) paid (1819) paid (1842)
payable (1747)
received (1788) Received (1821)
Weights and
measures
Units of measure were often abbreviated. Readers familiar with the pre-metric system
will recognise many of the examples below:
5 feet (1859)
1½ hundredweight (1876)
65 stone (1884)
1½ yards (1753) 1 yard (1824) 1¼ yards (1876)
Perhaps less well known today are some of the dry measures that were used in the
eighteenth and nineteenth centuries, such as bolls, firlots, pecks and lippies. Their
abbreviations can often found in their initial form at the head of columns recording grain
stocks:
Longer abbreviated forms were also sometimes used to head columns, for example:
Abbreviated forms were also used in the general text of farm records, for example:
2 pecks (1747)
In addition to words indicating specific amounts, some indefinite terms of measure were
occasionally abbreviated, for example:
1 Bottle (1793)
Ampersand
The ampersand was widely used in documents during the period. It took a number of
idiosyncratic forms, as this small sample shows:
In some hands, the ampersand is sometimes joined to the following word, as shown
here:
and wearing (1755)
and Ladles (1793)
Miscellaneous
Some words during the period were rarely written out in full. The following are among
the most common that have not already been listed:
ditto (1719) Ditto (1749) Ditto (1768) ditto (1801) ditto (1834)
Dozen (1753) dozen (1785) Dozen (1793)
proclaimed (1706)
civilized (1761)
Punctuation
English punctuation in print had been regularised by the end of the seventeenth century. In
everyday handwriting, however, it continued to be determined by the educational attainment,
personal preference and purpose of the writer.
Although the resulting range of individualistic approaches can seem bewildering, the main
variations revolve around the use of pauses and the marks that denote them. They are, in order of
length of pause: the full stop; the colon; the semi-colon; and the comma. Fortunately, they were
written much as they are now and in most hands are easy to identify. Examples of each are given
here along with smaller samples of some of the other punctuation marks most likely to be found
in documents from the period.
(It should be noted that in many documents no punctuation marks will be visible. This is sometimes
because they were applied lightly and have since faded. Often, however, they never existed: some
writers preferred to use spaces to indicate pauses in the text, while others simply wrote in a
continuous flow.)
Full stop
Miles of it. Sir Patrick (1755)
wind or tide. (1820)
is gone. Very few (1866)
of a dish. On this (1878)
In some hands, the pause denoted by the full stop is emphasised by a widened space, as shown
here:
as possible. They likewise (1755)
The word following a full stop does not always have a capital letter, as these two examples show:
James Grieve. David Lawson. James Vietch. (1820)
The following examples show how idiosyncratic forms of punctuation could develop:
8 feet square. The country (1834)
their side. We (c. 1900)
Colon
The colon was often used to denote a long pause, where nowadays a full-stop or a semi-colon
would be preferred:
to approve off: However as (1746)
at Glasgow: His Grace (1752)
in Dundee: Some of (1875)
It was also used, as nowadays, to indicate the start of an enumeration. As can be seen from the
following examples, colons used in this way were sometimes differentiated by the addition of a
dash:
current term: John Edmond, (1872)
the subject: a needy fisherman (1879)
magn. 100 times: e, epidermis of the (1881)
kind consideration: (c. 1900)
Semi-colon
The semi-colon was used to denote a length of pause between a comma and a full-stop. As these
examples show, the word following it was occasionally given a capital letter:
at Ey[e]mouth; We have (1754)
to the District of Crieff; There (1755)
is established; we have (1794)
It appears more frequently than in modern writing. It was widely used before conjunctions,
for instance, as shown here:
his work; & I hope (1748)
February last; for continuing (1755)
it warmly; and were I (1759)
will do better; but endeavour to (1763)
the Receipt No. 2; and where (1790)
be paid; & in (1793)
the parish School; but in (1816)
any thing; and it (1821)
Comma
As nowadays, the comma was used to denote a short pause and performed a number of
functions:
To offset adverbs:
James Lighton, Alexander Clark, John Clark, (1795)
To isolate a parenthesis:
by viewing it, and changing the road (1752)
almost ruined, by having their (1755)
the north, therefor together (1799)
Pave it, and put up (1802)
dinner gown, which upon (1850)
In some hands, the comma sits between the words it separates, as shown here:
immediately, as you (1810)
oak, and (1810)
Dash
The dash was widely used to denote a long pause, where nowadays a full-stop would be
preferred. Some examples are given here:
received them – I (1748)
mother country – That currency (1776)
priced – If they do (1799)
the Bill – It is necessary (1799)
the chair – After the (1821)
applications – In the (1834)
instalments – For your (1889)
Dashes were also used to indicate the end of a paragraph. As the following examples from a letter
of 1780 show, they can usually be distinguished from similar-looking space fillers by two features.
Firstly, paragraph dashes generally do not fill the whole space:
reached you –
Secondly, the writer often had a different style for space fillers:
under the
Spaces
A combination of spaces and capital letters were used by some writers to indicate long pauses.
The following examples all come from the same day-book:
of the day Monday began (1868)
dry for Tow [Two] Weeks In tence [Intense] hot on the 22 (1869)
snow at night High wind (1876)
Apostrophe
For much of the period, apostrophes were used as they are nowadays.
Ossian’s Poems (1763)
a neat’s tongue. (1835)
Inspector’s Report (1899)
Ma-Ma’s messages, (c. 1900)
Secondly, to indicate the omission of one or more letters (for further instances, see the section on
abbreviations):
Scumm’d (c. 1740)
he’s (1773)
wi’ (1790)
o’ (1790)
thro’ (1791)
Question
mark
Despite some idiosyncratic forms, questions marks can be readily identified. A small sample is
given here:
there? (1752)
say to you? (1823)
say to this? (1825)
Exclamation
mark
The exclamation mark looks similar to the modern form, as this small sample demonstrates:
behold! (1755)
wrecked by you”! (1823)
alas! (1852)
alas! (1867)
Brackets
(look at the map) (1835)
Laurencekirk (Mr George Lyall) (1869)
Entered service (under Earl Dalhousie) (1876)
In some hands, brackets take the form of two oblique strokes, as shown by the following
examples:
parts (tho good) nor his (1763)
the Drove (£5..13-) which (1792)
for (you know) after (1826)
Other marks
Three other marks are commonly found in documents from the period, all of which will
be familiar to the modern reader.
Caret
The caret had the same function as it does today: to indicate that something has been
omitted from that place in the text. The mark usually appears below the line with the
omitted text written either above it or in the margin. As this small sample shows, in
some hands it looks like a small letter x, while in others it is similar to the modern caret:
as it can (1759)
is in town (1835)
Funeral of Mary Calder afternoon (1867)
Hyphen
The hyphen had the same two main functions as it does today.
Firstly, to indicate that two or more words are to be read together as a single word with
its own meaning. As the following examples show, both a single and a double form were
in use during the period:
Dairy-maid (1740)
broad-leaved (1829)
Flag-Quarry (1863)
to-night (1873)
To-day (1885)
work-shop (1899)
Secondly, to indicate when a word has been divided at the end of a line. As the following
examples show, the hyphen was often written both at the end of the first part of the
word and at the beginning of the second:
eightien (1736)
Galloway (1792)
produced (1794)
Kindness (1830)
opportunity (1834)
Space fillers
The habit of filling gaps in the text with pen strokes (especially at the end of a line) survived
into the eighteenth century and beyond.
markt – (1712)
six years – (1763)
you – (1755)
near (1780)
In other hands, a stroke of the last letter in the line is extended, as shown here:
Churn (c. 1740)
with (1762)
nearly (1791)
purpose (1794)
and (1799)
and (1799)
and Nether (1801)
In some hands, paragraph indents are also filled with an elongated dash , as shown here:
‘Palaeography: reading old handwriting 1500-1800: a practical online tutorial’ is a similar resource
provided by the National Archives. It can be consulted at:
www.nationalarchives.gov.uk/palaeography
Useful tips and information can also be found on the websites of other transcription projects,
such as Transcribe Bentham (http://blogs.ucl.ac.uk/transcribe-bentham) and Transcribe
ScotlandsPlaces (www.scotlandsplaces.gov.uk/transcribe).
The website of the Scottish Cultural Resources Access Network (www.scran.ac.uk) contains
zoomable images of a wide range of documents from the eighteenth and nineteenth centuries
and is an excellent resource for studying Scottish handwriting.