Blackbox 1.5 User Manual
Blackbox 1.5 User Manual
Blackbox 1.5 User Manual
USER MANUAL
BLACKBOX USER MANUAL v 1.5
TABLE OF CONTENTS
WELCOME ........................................................................................................................................ 6
OVERVIEW ....................................................................................................................................... 7
USE KEYS TO PLAY PADS CHROMATICALLY OR TO PLAY SLICED WAV FILES ...................................... 37
To Play a Sample, Clip or Granular Mode Pad With the Traditional Keyboard: .......................................................................... 37
To Play a Sample, Clip or Granular Mode Pad With the Grid Keyboard: ......................................................................................... 37
To Play Slicer Mode Pads With Keys: ............................................................................................................................................................... 37
To Select a Scale on the Grid Keyboard:.......................................................................................................................................................... 38
Pin Mapping for Mini TRS Jack to MIDI 5 Pin DIN Connectors ................................................................................................ 68
Contact Us .................................................................................................................................................................................................... 69
Welcome
Blackbox by 1010music is a compact sampling studio. With blackbox, you can record and play samples, sequence
those samples into patterns and riffs, and then record those sequences into sections, which together can form a
song. Use blackbox to record complete compositions from the comfort of your studio or, with the help of a USB
power block, from the seat of your train or the park bench. You can also use blackbox to create materials to play in
the background while you sing or perform with other instruments. We can’t wait to see what you create with it!
Pads Keys
FX Mixer
Overview
Blackbox has a fairly simple set of input controls. You choose which
functional area you are controlling by pushing the white navigation
buttons. You control playback and recording of clips, sequences and
songs using the black transport buttons. You select and trigger sound
elements and configure parameters using the touch screen and the
knobs. The INFO button allows you to drill into an item on the screen to
edit more details. Push it repeatedly to access detailed information about
the item. The BACK button takes you to the previous screen.
Blackbox was designed so that you build your song by working through
the navigation buttons from left to right. You can certainly jump around
and do things in any order, but the general flow is to start on the left and
move to the right.
1. On the PADS screen, play, record, and organize a bank of samples. Blackbox comes with prerecorded
samples and allows you to record or transfer over your own WAV files.
2. The KEYS screen lets you play samples chromatically. You can also connect a MIDI device to blackbox to
trigger pads.
3. On the SEQS screen, record sequences as you play pads or keys. Each sequence can record any one or
more of the pads.
4. On the SONG screen, enable Song Mode to record Song Sections as you turn sequences on and off.
5. On the FX screen, adjust the parameters for the delay and reverb effects.
6. On the MIX screen, adjust the volume and pan of each pad.
7. On the PSET screen, save your work and start a new creation.
The black bar along the top of the screen displays the blackbox playback state and recording context. The
number pair on the left displays the overall playback time in measures and beats. The text in the middle displays
the recording context. In Song Mode, this will display the name of the section that you are recording into. When
not in Song Mode, this displays the number of the sequence that will be recorded. You can toggle the state of Song
Mode by pushing the SONG button, then touching the on-screen Song button. Song Mode is active when the on-
screen button is blue. In the top right-hand corner, a progress bar displays the current playback progress of the
sequence or section that has recording context.
In this manual, we will first briefly make sure you have blackbox set up correctly and can make some sound with it.
Next, we will explore one of the provided presets so that you can see what blackbox is capable of doing. After
that, we will quickly create a new preset so you have a blank slate to use as we next walk through the basic use of
the screens behind each of the navigation buttons. That will be followed by a discussion of how to use MIDI devices
with blackbox, along with some more advanced usage features. Lastly, we will delve into managing blackbox
firmware and files, touch on a couple of technical specs and finally tell you where you can find more information
about blackbox and other 1010music products.
This manual was written for version 1.5 of the blackbox firmware.
Set Up Blackbox
To get started with blackbox, simply insert the microSD card in the front slot,
plug it in, and connect it to speakers or headphones. The microSD card slot is
along the short front panel. The power jack and audio outputs are on the
back panel. To start, we recommend connecting external speakers or
headphones to the PHONES jack, since all outputs are routed to the PHONES
jack.
When connecting to power, be sure to use a well rated USB cable like the
one provided with blackbox. The cable should be at least 24 gauge or
better. The smaller the gauge number, the bigger and better the cable. One
example to look for is a USB 28/24 AWG cable. A standard printer cable that
you can find at an office store is probably not going to reliably power the
blackbox.
All of the audio jacks are stereo 3.5mm connectors. This makes for a total of 6
audio outputs (3 Audio Out jacks x2), stereo headphones, and a stereo input.
The audio output will be at Eurorack levels which is +/- 5 volts. This is louder
than a consumer electronics line level, so you may need a mixer to connect
with consumer electronics gear.
A microSD card must be inserted into blackbox before you can get started.
All presets are stored on the microSD card and all wav files are streamed from the card. Preset changes are only
saved when you choose to save them.
2. Turn the knob next to the Headphone parameter in the top right.
1. Press the PADS button. You will see a grid of samples that have been assigned to the current preset.
2. Touch one of the pads on the touchscreen to trigger playback of the pad. You should hear the sample
playing out through the connected audio output.
If you don’t hear anything, try a different pad. Some pads may be assigned to different outputs. But all pads will
play out through the PHONES output.
Some batteries may not be sufficient to support a USB MIDI device in addition to blackbox. See Powering MIDI
Devices below for more information.
Quick Start
Blackbox comes with a number of presets preinstalled on the microSD card. Let’s explore one to see how blackbox
works. We will dive into more detail later. We will start by loading a preset:
1. Push the white PSET button to see the preset loader screen.
2. Turn any knob to scroll through the list of presets until you have SL BASS MUSIC KIT highlighted in blue.
3. Touch the Load button at the top of the screen to load the preset and go to the PADS screen. If this preset is
already loaded, the Load button will be disabled.
Explore PADS
Touch the PADS button to go to the Pads screen with a grid of 16 WAV files. Touch a
pad to trigger it. Depending on how the pad is configured, the sample might play all
the way through each time you press it, it might play only while you are touching the
pad, or it might play until you touch it again. A blue progress bar appears at the
bottom of the pad while it is playing. You can trigger multiple pads at once.
The pink box indicates which pad is currently selected. Use the touch screen or a
knob to select a pad. Push INFO to cycle between the WAV screen and the
parameters screens for the selected pad. Touch the page names at the bottom of
the parameters screen to access additional parameter pages. Touch the name of Pads
the WAV file at the top of the waveform screen to select a different WAV file for this
pad. Touch the grid icon in the top left corner to select a different pad to edit. The colored square in the grid
indicates the selected pad.
While on the Pads screen, turn the lower right knob to access the Actions menu where you can cut, copy, paste
and clear pads. Turn the knob the other way to bring back the Velocity slider.
Please select one of the pads labeled SY Chor so we can have fun with it on the Keys screen.
Explore KEYS
With SY Chor selected on the Pads screen, push the KEYS button. Blackbox displays a
keyboard on the screen. Touch some of the keys on the keyboard to hear the
selected pad play pitch shifted by key. You can adjust which octave is playing by
touching the arrow buttons above the keyboard or by turning a knob. The C keys are
numbered so you can quickly identify which octave will be playing.
Push INFO to access the Grid Based keyboard. Use the two buttons in the top right of
the screen to select the Key and Scale that will be used by the grid keyboard. Now Keys
you can play without worrying about hitting an off-key note.
Grid Keyboard
Explore Sequences
Now that we know how to trigger the pads, let’s play some sequences. Before we do that, let’s take a minute to
turn off Song Mode. Push the white SONG button. You will see a list of sections that
have been created for this song. Touch the on-screen Song button to toggle the state
of Song Mode. The on-screen Song button is blue when Song Mode is active, but for
now let’s make it gray for inactive so we can focus on sequences.
Push SEQS to go to the Sequences screen with a grid of 16 sequence cells. The cells
that have sequences have dots in the mini-piano roll icon on the cell. Touch one or
more filled cells to make them active. A white box appears around the active
sequences. Push the black PLAY button to play the active sequences. Touch
sequences to turn them on and off. There may be a delay in response as the Sequences
blackbox waits for the next quantization point before triggering the sequence. Playing sequences have a blue
progress bar at the bottom of the cell. Sequences that are queued and waiting for a quantization break to play
have a white box in place of the blue progress bar. Push STOP when you are done. Push STOP a second time to
interrupt any pads that continue to play out after the sequence ended.
Select a sequence by touching the cell or turning a knob. The currently selected sequence is highlighted pink. The
number of this sequence is displayed in the context bar above the grid. This is visible on all of the top-level screens.
This is the sequence that will capture the notes and pad triggers you play while recording. Push the INFO button
repeatedly to cycle through the piano roll and parameter pages for the sequence.
Select an empty sequence cell and we will record into it. Push PADS to go to the Pads screen. Hold down the REC
button and push PLAY to start recording a sequence. After the 4 beat count down, tap some pads to create a
sequence. By default, the sequence is one bar long. Blackbox will play the sequence in a loop as soon as you
finish recording it. If you tap some more pads, you will add more pad triggers to the sequence. Push REC to stop
recording while the sequence still plays. You can choose different sequences to record into while the other
sequences are playing. Press STOP when you want the sequences to stop.
Before we move on to song sections, go back to the SEQS screen and touch OFF on the right. This will deactivate all
sequences.
While a song section is playing, push the SEQS button to watch as blackbox plays the
sequences in the section. You can play additional sequences by making them active.
This will not add to the song section because you aren’t recording yet.
Song Sections
While a song section is playing, push the PADS button to watch pads being triggered by the sequences in the song
section. Touch a pad to trigger it and play along. On the Song screen, turn the top left knob to adjust the BPM of
the internal clock. The song will slow down or speed up in real time as you adjust this. Turn the top right knob to
adjust the amount of swing in the notes.
Recording screen. When Song Mode is enabled, the PLAY, STOP and REC buttons control the song sections. The text
in the top middle of the top-level screens always indicates what will be the target of a recording action. If Song
Mode is disabled, this text will indicate which sequence cell is currently selected, e.g. Seq 8. When Song Mode is
enabled, this text will indicate which Song section is currently selected, e.g. Inspiration. Here’s what happens when
you use the transit buttons in the different modes:
Enabled PLAY Play the currently selected section plus any active sequences.
Enabled REC + PLAY Record start and stop events for sequences and save this in the selected
section. This information is recorded as an overlay, so you can add to a
section over time.
Enabled STOP Stop playing and recording all sections and sequences.
Disabled PLAY Play any active sequences. You can start and stop sequences while
playing. The sequences will play in a loop until you press STOP or deactivate
them.
Disabled REC + PLAY Play any active sequences and record any PADS or KEYS entries into the
currently selected sequence. This is recorded as an overlay so you can
add to a sequence over time. The sequences will play and record in a
loop until you press STOP or deactivate them.
Disabled STOP Stop playing and recording all sequences.
To record a song section, select the section you want to record into and then hold REC while you press PLAY. Any
sequences that are active at this time will start to play and be recorded into the section. Touch sequence cells to
activate and deactivate them and add them to the section. If you record on top of a previously recorded section,
it will add to the content that is already there.
To Save a Preset:
If you want to save the work you have done so far, push PSET, touch File and then touch Save or Save As. If you
choose Save As, you will have a chance to save to a new preset so you don’t overwrite the original preset. Note that
blackbox does not automatically save changes as you work. If you don’t save your changes, the preset will remain
in its original state on your microSD card when you load a different preset, create a new preset or power down
blackbox.
Hopefully, that’s enough to give you a feel for what blackbox can do. We will dive into more detail about each of
the functional areas of blackbox next.
2. Touch File then New in the top menu. Use the onscreen keyboard to enter a
name for the preset. Touch Enter to save the name and return to the Presets
screen with the new preset selected.
3. Push the PADS button to start working with your new preset from the Pads
screen.
• When blackbox first starts up, it loads the last preset you used on this microSD card.
Each pad can have a different Pad Mode. You can use the same WAV file in different pads in different Pad Modes.
To load a WAV file into a pad:
2. Select a pad by touching it or using the control knobs to cycle through the pads. (The top control knobs
move the selection horizontally. The bottom left control knob moves the selection vertically.) The selected
pad is highlighted pink. Touching a pad that is loaded with a WAV file will also trigger playback of that
WAV file.
3. Press the INFO button. If the pad was empty, the WAV Load and Record screen will be displayed. If the
pad already had a WAV file assigned, the Waveform screen will be displayed.
WAV Load and Record Waveform Screen WAV File Selection Screen
Screen
4. If you are on the WAV Load and Record screen, touch Load in the top menu bar. If you are on the
Waveform screen, touch the name of the WAV file at the top of the screen (SY Chord1 LF in the example).
You will now be on the WAV File Selection screen.
5. From the WAV file selection screen, use the control knobs to scroll through the list of files. Blackbox displays
the directories at the top of the list followed by the individual files in alphabetical order. The selected file or
directory name has a blue highlight. Touch Play to preview the highlighted file. The Play button will turn blue
to show that auto-preview is enabled. Blackbox will play each WAV file once when you pause on it while
scrolling. If you have a sequence or a MIDI input trigger playing for this pad, blackbox will play the
selected WAV file whenever a trigger is received for this pad. Touch the Play button again to disable auto-
preview mode. Touch Load to assign the selected WAV file to this pad. When looking at the list of files, list
items that start with a slash \ are directories. Load a directory to see its contents. The file path is displayed
above the list of files (e.g. SoundtrackLoops\SL Bass Mu in the example above.) Touch the caret ^ to navigate
back up the directory tree. Touch the back arrow to go back to the previous screen.
Note:
• There may be considerable differences in volume levels of WAV files depending on how they were
originally recorded. Be careful when previewing the WAVs on the load screen or you could get a rude
surprise if you switch between soft and loud WAV files.
Once you have loaded a WAV file, you will be on the Waveform screen. There are a number of important features
on the Waveform screen. The grid icon in the top left of the screen, immediately below the clock counter, provides
a graphical representation of which pad in the grid you are configuring. You can touch it to bring up a pad
selection grid. Touch a square in the grid to change which pad you are working with. The icon just to the right of
that is a button that allows you to select the Pad Mode. The text in the top bar displays the first characters of the
name of the loaded WAV file, and can be touched to choose a different file. Trigger playback by touching the
arrow button on the right.
There are two views of the waveform displayed on the screen. The top view always displays the full waveform with
a blue square indicating the subsection of the waveform that is displayed in the bottom, bigger waveform. You
can use pinch and stretch touchscreen gestures to zoom in and out of the waveform, then swipe to scroll along the
length of the waveform. You can quickly jump to a different section of a long waveform by touching that section of
the wave in the top view.
If the pad is in Sample or Granular mode, the bottom waveform shows a pink bracket that indicates the portion of
the WAV file that will be played by this pad. Turn the top left knob to adjust the start position, and the top right
knob to adjust the length. If this pad uses looping, a white bracket is displayed to show the loop points. Turn the
bottom two knobs to adjust the loop start and loop end points.
If the pad is a Slicer you will see pink bars that indicate the position of the slices. If a wav has slices embedded in it,
you may also see slices when the pad is in Clip mode.
The next step is to configure general pad parameters including choosing a Pad
Mode.
1. Touch the icon immediately to the left of the WAV file name at the top of
the screen to display the Pad Mode menu. Touch one of the options,
Sample, Clip, Slicer or Granular, to set the Pad Mode. The icon changes to
represent the selected Pad Mode. See the table on the previous page for
a description of each of these modes.
2. From the waveform screen, press the INFO button to display the Pad
Pad Mode Selector Screen
Parameters Screen. Touch the buttons across the bottom to access the
different pages of pad parameters. You can press INFO again to toggle
between the Pad Parameter Screen and the Waveform Screen.
3. On the Main Pad Parameters page, there are four menu items below the
measure and beat count. The left most item is the grid icon and pad
selector. Touch this icon to change which pad you are editing. The pink
square in the grid indicates which pad you are currently editing. The
second menu item is the output selection button (Out1 in the example
screenshot). Touch this menu item to display the list of output options: Main Pad Parameters Screen
Output Description
Option
Out1, 2, The output of this pad is sent to selected output in stereo.
3
Out1L, The output of this pad is sent to the left or right stereo
1R, 2L, channel of the selected output.
2R, 3L,
3R
Output Selector
Note:
• The PHONES output will always contain a mix of all of the outputs.
4. Touch the desired output option to select it.
5. The next menu item (Mono in the example screenshot) controls the polyphony of the pad. Touch the menu
option to select Polyphonic or Monophonic playback for this pad. Sample pads support 4-note polyphony.
Clip mode and Slicer mode support 2-note polyphony. Granular mode is monophonic.
6. The last menu item displays an abbreviated version of the WAV file name (PC O and NAS_9 in the
screenshots). Touch this menu item to start playback of the pad. The playback functionality will depend
on the other parameter settings. The WAV file is playing when this menu item is highlighted blue. For Clips,
when this square is filled in white the clip is queued up to begin when the Play transport button is pushed.
7. As you push the buttons across the bottom of the Pad Parameters screen, blackbox will cycle through the
Pad Parameter pages. Some of the pad parameters are the same for all Pad Modes, while others vary by
mode. Touch the control knob closest to each parameter to set its value. Here are the parameters that are
the same for all Pad Modes:
Pitch Adjusts the pitch of the pad up or down -24.0 to +24.0 semitones Yes
The remaining parameters are specific to the Pad Mode (sample, multi-sample, clip, slicer or granular). We
will discuss each Pad Mode individually in the next sections.
8. At the top of the Attack, Decay, Sustain, and Release parameters page, the
menu option to the right of the grid icon allows you to control exclusive
grouping of pads. Touch this menu option, Excl C in the screenshot, to see the
options. Touch an option to select it. When Excl X is selected, there will not be
an exclusive behavior for this pad. When a pad is assigned to Exclusive Group
A, B, C or D, any other pad in this group will stop whenever a pad in the group
is triggered.
9. To the right of the exclusive grouping option is the Playback quality option, set Pad Exclusive Groupings
to Normal in the screenshot. For most WAV files, the normal mode provides high quality playback with a
moderate draw on the processor. If you hear aliasing during playback of your WAV file, touch this button
and select HighQ mode. HighQ mode has a higher draw on the processor, so it is recommended that you
use Normal mode unless you are having issues.
Several of the pad parameters have three black boxes below them. These pads are potential modulation targets,
and these boxes are used to control the modulation parameters. We will discuss modulation later in the Work with
MIDI Inputs section.
The remaining configuration options for a pad vary based on which Pad Mode is selected. We will walk through the
configuration of each of the Pad Modes next.
You can also set the values for Start, Len, LpStr and LpEnd from the Waveform screen. When viewing the waveform,
the pink frame on the large waveform represents the Start and Len parameters. You can move these end points by
turning the top two control knobs. If Loop Mode is set to Forward or Bidirect, you will also see a white frame within the
pink frame that defines the Loop Start and Loop End points. Use the bottom two control knobs to adjust these end
points. The corresponding values for the end points are displayed above and below the large waveform. The
sensitivity of the control knobs depends on the Zoom level. Zoom out to make big adjustments then zoom in to
make fine adjustments.
Multi-Sample Pads
Multi-sampling is a useful tool for improving the sound quality when playing samples pitch shifted, and when you
want to map a number of different WAV files to different keys on the keyboard.
If you have a number of samples of a single instrument at various pitches with root notes defined for each WAV file,
you can map these samples together to reduce the amount of pitch shifting required to play a broad range of
notes. Put the files you want to use in one multi-sample pad into a single directory by themselves. There are several
folders of samples like this in the \Symplesound folder included with the 1.3 firmware update. To load one of these
sample banks into a pad:
2. Select a pad by touching it or using the control knobs to cycle through the pads. (The top control knobs
move the selection horizontally. The bottom control knobs move the selection vertically.) The selected pad
is highlighted pink.
3. Press the INFO button. If the pad was empty, the Load and Record screen will be displayed. If the pad
already had a WAV file assigned, the Waveform screen will be displayed.
4. If you are on the Load and Record screen, touch Load in the top menu bar. If you are on the Waveform
screen, touch the name of the WAV file at the top of the screen. You will now be on the WAV file selection
screen.
5. From the WAV file selection screen, Use the control knobs to scroll through the list of files and directories. The
selected file name has a blue highlight. When looking at the list of files, list items that start with a slash \ are
directories. Load a directory to see its contents. The file path is displayed above the list of files. Touch the
caret ^ to go back to the previous directory. Highlight one of the files in the directory of samples that you
want to load into the pad. A good example of a directory to use with multi-samples is
\Symplesound\Housepiano. You can select any file within that directory.
Blackbox will now load all of the files in the current directory into this pad and map the files to notes across the
keyboard based on the root notes defined in the WAV files. Now, use the KEYS screen or an external MIDI controller
to play notes for that pad, and blackbox will play the sample with the root note that is closest to the note played,
and pitch shift as needed to achieve the necessary tone.
You can also use multi-sampling to map multiple waves across the keyboard. This can be useful if you have a folder
full of drum sounds that you want to trigger with a keyboard. If you follow the steps above and load a folder where
the files do not have root note mappings, it will load the files in alphabetical order, map the first file to note C2, and
then each subsequent file to the next note above that. If you load the folder \SoundtrackLoops\SL Acoustic kit, you
can see this in action. This folder has 16 drum samples which get mapped to notes C2 through D#3. Notes below
C2 will play the first WAV file pitch shifted down the appropriate number of half steps.
You can use blackbox to map the files to specific notes if you want. Open the files as individual samples on
blackbox and edit the Root Note on the Misc tab of the Parameters screen. Save the WAV file with the root note
information. After you have done this for all of the files in the folder, use File-> Load All to load them all into a pad
and you will hear that the notes are mapped accordingly.
Because a multi-sample pad uses multiple samples, it is not possible to set start, length, loop start or loop end points
for these pads. Therefore, it doesn’t make sense to enable looping for these pads either. As a result, the POS and
MISC tabs of the parameter page are not used when multiple samples are loaded in a pad. Only the standard
Main, ADSR and MIDI parameters are supported for Multi-samples.
Note:
• Multi-sampling can quickly use a lot of samples. In order to prevent potential issues, blackbox limits you
to loading 80 wav files at a time. If you hit that limit, it won’t load any more wav files until you free up
some slots by clearing out a pad. There is also a limit of 64 WAV files per pad.
• If you change the pad mode of a multi-sample pad to something other than sample, it will load only
the first sample in the folder and work with that. You will need to reload the files to change back to
multi-sample mode.
• Anytime you use File -> Load All to load a directory of samples into a pad the pad mode will
automatically be changed to Sample.
• In order to synchronize the clips, there has to be an available clock. Blackbox only uses the clock when
in Play mode. Therefore, you must push Play before playback of a clip pad will begin. If you trigger a
clip pad before you push Play, a white bar will appear below the pad to show that it is queued up and
ready to start. The name of the pad in the top right corner of the parameters screen will be replaced
with a white square until you push Play.
The following parameters are specific to Clip mode:
Let’s talk some more about Quant Size and Sync. When a Quant Size other than None is selected, the playback of
the wave file will be delayed until the next selected unit of music as specified in Quant Size. This will ensure that
your playback “snaps to the grid” of the beats established by your clock. Sometimes, the WAV file you are playing is
longer than one beat. For example, the WAV file might contain a 2 bar drum riff. For a clip pad, blackbox will make
some assumptions about where the beats in your file occur. In Clip mode, blackbox will play the whole 2 bar riff
when the note is triggered. But the beats in the WAV file might not be playing at the same tempo as the clock
speed. If you leave Sync set to None, the WAV file will play in its entirety and will get out of sync with your clock. If
your WAV file tempo is faster than your clock tempo, it will sound like the beats are running ahead of the rest of the
music. If your WAV file tempo is slower than your clock tempo, it will sound like your drums are lagging. If you want
to fix that, then choose the value for Sync that identifies how tightly you want to snap to the clock while the WAV
file is playing in response to a single sustained note trigger. While the note is playing, the sync will cause the
playback of the WAV file to jump to the next selected sync increment in the file when the corresponding clock time
has passed. So if the WAV was a little faster than your clock, the playback position will jump backwards to move
the playback of the WAV to the selected clock increment. If the WAV is slower than your clock, the playback
position will jump ahead to the selected clock increment. This will work well if the difference between the BPM of
your WAV file and the BPM of your clock is small. It will sound like a stutter if the difference is large.
Note:
• Blackbox assumes your clips use 4:4 time. If you are using other time signatures or polyrhythms,
blackbox will have trouble synchronizing the clip.
Tips for Synchronizing Clips:
• Make sure your WAV file starts at the beginning of a measure and ends at end of a measure. There should be
no blank space at either end and it should loop cleanly at full length.
• Help blackbox determine the beat count. Blackbox will use the following methods in this order to identify the
beat count:
o Look for a valid ACID Tag in the WAV file that includes the beat count
In order to use Slicer mode effectively, you will need to identify slices within the
WAV file. Blackbox can automatically detect the slice points within the wave file,
and you can manually add or remove slice points. The WAV files in the folder
LOOPMASTERS\01 Loops\Drums are good examples to try with slice mode. Slicer Pad Parameters Screen
The following parameters are specific to Slicer Mode:
Quant Size Use Quant Size to quantize when the None - always start and stop No
playback starts and stops. Quantization immediately
will cause playback to snap to a
1/64, 1/32T, 1/32, 1/16T, 1/16, 1/8T, 1/8,
musical grid with intervals specified by
1/4T, ¼, 1/2T, ½, 1 bar, 2 bars.
the Quant Size parameter. When
Assumes 4/4 time.
quantization is used, the note trigger will
cause playback to start and end on the
next quant size boundary. For example,
if the Quant Size is set to 1-bar and you
press the pad, the playback will begin
at the start of the next bar.
In addition to setting parameters for a slicer pad, you also need to create the slices. There are three ways to do this:
manually, auto scan, and slice to grid. When you configure slices manually, you use the Split and Join menu options
to and remove splits. The manual process may also be used to refine the results after you use auto scan or slice to
grid. When you use auto scan, blackbox uses an internal algorithm to decide where to place the splits. You can
control the sensitivity of the algorithm. When you use slice to grid, you define a fixed number of slices and blackbox
will create splits that evenly divide the WAV file into the specified number of slices.
2. Use touch gestures to move the waveform so the fixed cursor position (the
vertical white line) is at the position where you want to add another slice
point. Touch Split to create a slice point. The slice point is shown as a pink
horizontal line with a small pink square near the bottom.
3. Use touch gestures to move the waveform so the fixed cursor position (the
vertical white line) is on or near a slice point that you want to remove.
Waveform Slicing Menu
Touch Join to remove the slice point.
2. Touch Scan and then use a control knob to select a Threshold percentage for
the sensitivity of the scan. The lower the threshold, the higher the number of
slices that will be created. Touch OK when you are ready to scan. (You can
touch anyplace outside of the Threshold field to cancel the scan.) Blackbox
will detect and create slice points in the file automatically. The slice points
are shown as pink horizontal lines with a small pink square near the bottom.
2. Touch Grid and then use a control knob to select the number of Slices to
create. Touch OK when you are ready to scan. (You can touch anyplace
outside of the Slices field to cancel the scan.) Blackbox will automatically
divide up the WAV file evenly into the number of slices you specified. The
slice points are shown as pink horizontal lines with a small pink square near
the bottom.
You can adjust the results of the slice to grid or auto scan by manually adding or Grid Slices Selector
removing slices to get the slices that match your creative vision.
But how do you get slices in a clip pad? First configure the pad in Slicer Mode, create the slices, and then change
the Pad Mode to Clip. The slices will still be visible on the Waveform screen and can be used for synchronization.
Granular pads support all of the same parameters as sample pads, along with the following additional parameters:
In granular mode, the root note is used as a guide for randomizing the slice positions. If the source file is a single
tone, make sure the root note is set correctly to achieve more musical sounds. If the source WAV file has multiple
tones, experiment with the root note parameter to get the effect you want or set it to None to remove this factor
from the grain engine.
If you want to get use granular mode to generate tonal content, use a very low speed, a high grain count, small
grain size, and small spread.
To start with something that is close to the original wav file, set the spread to 0, speed to 100%, Grain size to 1024
and grain count to 2. These settings are useful when you want to use granular mode to smooth out the cross-over
points for your loops.
3. Touch a pad in the grid to select it. With the pad selected, press the INFO WAV Load and Record
button. If the pad is empty, blackbox will display the Load and Record Screen
screen. If the pad is already loaded, blackbox will display the Waveform screen. If you are on the
Waveform screen, press the Pad Mode icon to the left of the WAV file name at the top of the screen and
then touch New Recording. You will now see the Load and Record screen.
4. In the top menu, touch the menu item to the right of the grid icon (L+R in the example screenshot). This will
display the list of input choices. Touch one of the options to choose whether to record the left channel,
right channel, in stereo audio input, or resample the audio currently being generated by blackbox through
Out 1.
5. Touch the menu item to the right of the input button to select the output for the pad. This output will also be
used for monitoring the input.
6. Use the threshold recording option if you want to start recording when a sound level threshold is reached.
Touch the Thres button in the top menu to toggle threshold recording on and off. The button is blue when
enabled.
7. Before you start recording, set up the parameters that control the recording:
Gain The VU meters represent the level of the signal to -96.00 dB to +20.00 dB
be recorded. You can adjust the gain to get
the desired level and avoid clipping.
8. Send a signal to the audio Input. The source will play through the selected output if the Rec Mon setting is ON
or Auto. The lower left corner of the Load and Record screen displays the levels of each of the input signals.
For best results leave some room (a few dB) between your loudest level and the max allowed, which is 0dB.
If a red bar appears to the right of the level, the signal is clipping and the level of the input signal should be
lowered for best quality.
9. To start recording, hold the REC button while you press the PLAY button. If you have the global Lead In
option enabled (See Use Tools to Customize Your Blackbox below), Blackbox will wait four beats and then
will start recording. If you are using threshold recording, the recording will start once the input level meets
the threshold level specified. If you selected a time value for Length, recording will stop after the selected
length of time. The Load and Record screen displays a running clock of measures and beats and time
duration of the recording. There may be a delay between when you touch Rec and when the recording
starts as blackbox waits to quantize the recording to the selected Rec Quant time interval. See Synchronize
Playback with a Clock below for more information about clocks and quantization.
10. Touch Stop to end recording. There may be a delay between when you touch Stop and when the
recording ends due to quantization. When the recording has stopped, the main screen is displayed with
the new WAV file loaded in the selected pad. The clip name will be RC with a numeric suffix. We will discuss
changing file names and managing WAV files in Manage WAV Files below. If you have the Tools setting
RecToPlay set to ON (Push TOOLS, then push INFO to see this setting), blackbox will automatically start to play
the new sample when recording ends if the Length parameter was used for recording.
When you record a new WAV file, the file is stored on the microSD card in the folder associated with the preset. This
folder is located under \Presets and has the same name as the preset. For example, if your preset name is
KickinGroove then your recordings will be in the folder \Presets\KickinGroove. How you will work with these files
depends on whether you are recording samples to build a library to use in presets in the future, or whether you are
recording WAVs specifically for the current preset.
3. Push Preset and then touch File->Pack to create copies of any of the other files used in the preset into the
preset folder.
NOTE:
• Blackbox won’t stop you from loading a WAV file from Preset B’s folders into Preset A. However, if you
do this, you could potentially break Preset A if you ever move or rename Preset B for any reason.
Therefore, if you have WAV files that you want to re-use across presets, we encourage you to move
these WAV files into library folders outside of the \Presets folder, and to Pack your presets often.
• If you record into a loaded pad, the original WAV file remains intact on the microSD card and a new
WAV file is created.
• If you have RecToPlay set to ON in the Tools pages, blackbox will automatically start playing the new
sample when recording ends if the Length parameter was used for recording.
• You can turn off the Lead In and Metronome on the Tools pages.
• Blackbox streams the recording directly to your microSD. The length of your recording is limited to the
space available on the microSD card.
• Use the Resam input option to layer recordings, apply effects or capture new clips.
1. Set up the sequences or song sections you want to play, and start playback.
2. Go to the WAV Load and Record screen and configure the empty cell.
3. Push Rec while on the WAV Load and Record screen and the sequences or sections are playing.
4. Push Rec again if needed to stop recording. The sequences or sections will continue to play. If you have
Rec To Play enabled, the pad will also start to play. Configure looping and other options as desired.
7. Now you are free to delete or move the original MyBank preset if desired, or leave it there for future re-use.
These parameters are saved in a format that is commonly used by other music products. This means you can set
these values in the other product and then use them in blackbox, and the reverse.
When blackbox first loads a WAV file that has parameters stored in it, it will load the values of the parameters that
are in the WAV and use default values for the other parameters. If you change a value of one of these parameters
for the pad, those changes only apply to this pad and are not automatically saved back to the WAV file. This allows
you to override parameters for specific pads. Blackbox also makes an assumption about the pad mode based on
the parameters that are available in the WAV file. If there are slices in the WAV, then it sets the pad mode to slicer.
If there are loop points in the WAV, then it sets the pad mode to sample.
To save the values you have configured for a pad back to the WAV file:
2. Touch the name of the WAV file at the top of the screen to display the WAV selection screen.
3. Touch File and then Save or Save As. If you selected Save, blackbox will save the configured parameters into
the same WAV file you have loaded. If you chose Save As, you will see the WAV file naming screen. Type
in a new name to save the changes to a different WAV file, and then touch Enter to save. Blackbox will now
load the newly modified WAV file into the pad.
To revert back to the parameter and slice values stored in the WAV file, simply reload the file into the pad.
Note:
• If you use an existing file name when you use Save As, the old file will be overwritten with the current
WAV file and parameters.
3. On the WAV screen, turn the top left knob to set the left side of the pink bracket to where you want the
new file to begin. Turn the top right knob to set the length of the pink bracket to be where you want the
desired end point for the WAV file.
4. Touch the name of the WAV file at the top of the screen to display the WAV selection screen.
5. Touch File and then Trim. Blackbox will ask if you want to Trim and Save? Touch OK to overwrite the WAV file
with the portions outside of the pink bracket trimmed off. Touch anywhere else on the screen to cancel.
6. Save your preset to save the change to the pad. Otherwise, the length parameter for the pad will be
wrong when you reload the preset.
Note:
• You may want to use File -> Save As before you trim the file to give yourself a backup copy of the file.
You can use a microSD Adapter to insert your microSD card into your computer. Then you may use standard file
techniques to rename the WAV files, reorganize them into directories, delete them, copy them onto your computer
or copy them onto other microSD cards. We recommend that you occasionally make backup copies of your WAV
files, especially before upgrading to new firmware.
Blackbox supports organizing WAV files into folders and subfolders. You can create your own folder structure on the
microSD card.
Blackbox 1.5 changes where new recordings are stored. When you create a new recording, it will be stored in the
folder for that preset. For example, the first new recording for the My Kickin Grooves preset will be saved as
\Presets\My Kickin Grooves\RC000001.wav. When you load an existing WAV file into a pad, the preset will have a
pointer to that WAV file in its source folder. If you want to gather copies of all of the files for a preset into the preset
folder, use the preset pack option.
Note:
• If you delete, move or rename a WAV file, it will no longer be available for use by presets that were
previously using it. The name of the WAV file will still appear in the Preset, but the Waveform screen will
be blank until you load a new WAV file into the pad.
• Blackbox supports samples in the WAV file format. It supports 1 or 2 channel files with 16, 24 or 32 bit
resolution at any sample rate. 48kHz is the preferred sample rate.
• WAV file names may use Alpha Numeric Characters (A-Z, 0-9) and some special characters. The
following characters are NOT allowed: double quotes, forward slash, back slash, question mark,
asterisk, less than and greater than symbols, the colon and the pipe symbol (“ / \ ? * < > : |). File
names must be less than 256 characters, including the path name. Files that do not conform to these
naming constraints will not be recognized by blackbox.
1. Touch a loaded pad on the Pads screen to display the Waveform Screen.
2. Touch the name of the WAV file at the top of the screen to display the
WAV Edit screen.
3. Use the control knobs to scroll to the WAV file you want to delete. You
may need to load directories to navigate to the file you want to delete.
5. Touch Delete to delete the selected WAV file from the microSD card. WAV File Actions Menu
Touch Save As to save a copy of the WAV file with a different name.
Touch Rename to change the name of the file on the microSD card.
6. If you select Delete, blackbox will display a confirmation prompt. Touch OK to confirm, or touch anywhere
else to cancel.
7. If you select Rename or Save As, blackbox displays the File naming keyboard. Use the touchscreen to enter
letters using the keyboard. Touch the to delete the previous letter. Turn a knob to reposition the cursor.
Touch Enter to save your changes.
Note:
• If you delete, move or rename a WAV file, it will no longer be available for use by presets that were
previously using it. The name of the original WAV file will still appear in the Preset, but the Waveform
screen will be blank until you load a new WAV file into the pad.
• To remove a WAV file from a pad without deleting the file, go to the Waveform screen and touch the
Pad Mode icon to the left of the file name, and then touch New Recording. You can press PADS to go
back to the Pads screen without loading a file and the pad will be empty.
Packing Presets
After you spend time carefully creating a preset, you don’t want to worry about it getting broken if you make
changes to that WAV file or re-organize your sample library. You may also want to gather up all of the files used in a
preset so you can move it to another microSD card or archive it on your computer. The Pack feature was created
to address these needs.
To Pack a Preset:
NOTE:
• If you continue to add WAV files to your preset after you pack it, the preset will still point to these WAV
files in their source folders. Pack the preset again to copy these files over.
• If the Pack option is disabled, then the preset is fully packed already.
There are two Keys modes. The first time you push the KEYS button, blackbox will display a traditional black and
white keyboard. Push KEYS again to toggle to the grid keyboard. On the grid keyboard, you can trigger four
octaves of notes within the scale specified using Scale selection buttons in the top right of the screen, so you don’t
have to worry about scale specific sharps and flats. Use the arrow buttons at the top of the screen to access
additional octaves.
To Play a Sample, Clip or Granular Mode Pad With the Traditional Keyboard:
1. Push PADS to view the sample bank.
2. Touch a pad or turn a knob to select the desired pad. The pad will be
pink when selected.
3. Push KEYS once to display the Traditional Keyboard screen. Touch the keys
on the screen to play notes. You can slide your finger across the screen to
Traditional Keyboard
play adjacent notes.
4. Touch the arrow buttons at the top of the screen or turn a knob to scroll left or right one note or one
octave. The current octave label is displayed on each C note.
To Play a Sample, Clip or Granular Mode Pad With the Grid Keyboard:
1. Push PADS to view the sample bank.
2. Touch a pad or turn a knob to select the desired pad. The pad will be
pink when selected.
3. Push KEYS twice to display the Grid Keyboard screen. Touch the grid
squares on the screen to play notes. You can slide your finger across the
screen to play adjacent notes.
Grid Keyboard
4. Touch the arrow buttons at the top of the screen to scroll up or down one
octave. The current octave label is displayed on each root note.
1. Create a slicer pad and create 4 or more slices by either using the Scan feature or manually creating the
slices.
LaunchMode Trigger This will cause the WAV slice to play from beginning to
end when a trigger is received. Other values will work,
but let’s use this for the example.
Loop Mode Off We will turn off looping for this example.
Slice 3 This doesn’t impact how the Keys screen plays the
slices.
Slice Seq None We will not use the Slice Sequencer in this example.
4. Play C2 on the Traditional Keyboard screen. You will hear that slice 1 is played.
5. Play D#2 and slice 4 will be played. Keys C2 and up are now mapped to Slices 1 and up for playback.
6. Push KEYS again to go to the Grid Keyboard screen. Blackbox will display
numbered squares in the grid for each slice in the WAV file. Use the arrows
at the top of the screen to access additional
8. Touch STOP at the top of the screen to stop playing all slices. (The SLICE
button next to the STOP button does not do anything, it is just a reminder
that this is a slice pad.)
Grid Keyboard for Slices
Note:
• On the traditional keyboard, the last slice will be played for all notes above the last slice. Nothing will
play for notes below C2.
• If you use the Grid-based keyboard with a slicer pad, the slices are mapped to the notes available in
the selected scale.
• The steps above show a simple example of using Keys alone to trigger different slices within one pad.
You can use this with Loop Mode ON with Launch Modes of Gate or Toggle to achieve different
effects. You could also use this with Slice Seq if you wanted to have the Slice Seq control what slices
play when a pad trigger is received.
2. Touch the left Scale Selector button to display a list of values for the Root
Note. Touch an option to select it. Alternatively, you can turn any knob
while on the grid keyboard to change the Root Note.
3. Touch the right Scale Selector button to display the Scale or Mode
options. Turn any knob to scroll through the values. Touch the screen or
any button when the desired value is displayed. Grid Keyboard
Root Note Selector
Note:
• To find the right key to match some music, tap a root note on the grid while turning a knob to scan
through the root notes.
When a sequence is queued up to play at the next quantization break, a white rectangle appears at the bottom of
the sequence cell. When a sequence is actively playing that white rectangle is replaced with a blue progress bar.
2. Touch the on-screen Song button if needed to disable Song Mode. The Song button is blue when enabled,
and grey when disabled. The context display at the top of the screen will be updated to display the
current sequence number (when disabled) or song section (when enabled).
To Record a Sequence:
1. Push SEQS to see the sequences grid.
2. Touch a cell or turn a knob to select a sequence cell. The selected sequence cell will be pink. The context
at the top of the screen will now display the number of the selected sequence.
3. Push PADS or KEYS to play the sequence to be recorded. You could also trigger pads using an external MIDI
device.
4. Hold down the REC button while you push PLAY to start recording. If you have the global Lead In option set to
ON, blackbox will wait four beats, then start to play any active sequences and start recording.
5. Touch pads or keys to add notes to the sequence you are recording.
6. Push REC to continue playing but stop recording. Push STOP to stop recording and stop playing the loop.
Note:
• While recording, the sequence will record to the length specified in the sequence parameters, and
then loop back and play what has been recorded while layering additional notes onto the recording if
you continue to play.
• Any active sequences will play while you are recording. However, the notes from other sequences will
not record into the currently selected sequence. Only the notes you play on PADS or KEYS will be
added to the sequence.
• You can push REC while another sequence is playing to start recording immediately into the selected
sequence.
To Play Sequences:
1. Push SEQS to see the sequences grid.
2. Touch sequence cells to toggle their active state. Active sequences have a white frame. You can play
multiple sequences at once.
4. Touch sequence cells to turn them on or off. The cells start and stop in alignment with the sequence’s
quantization settings. A blue progress bar shows the current playback state of the sequence. A white
progress bar indicates that the sequence will start at the next quantization break.
5. Push STOP when you are finished. If some WAV files remain playing, you can push STOP again to turn them
off.
Note:
• Some sequences trigger long WAV files. These WAV files may still be playing after the sequence stops.
• Some sequences use toggle mode to trigger WAV files. It’s possible to stop a sequence between the
toggle on and the toggle off notes, leaving the WAV still playing after the sequence stops.
• You can record a sequence while others are playing. Simply push REC in this case to start and stop
recording. You can even switch which sequence you are recording into without pushing STOP.
2. Push the INFO button to drill into that cell. Blackbox will display the sequence
editor screen. If you recorded the sequence using KEYS, the piano roll view will
have a keyboard representing the scale along the left side of the screen. In Piano Roll Keys View
Pads Mode, the left edge lists the pad numbers. The piano roll displays the
notes or pads recorded for each step over time moving from left to right. You
can touch the view mode button at the top of the screen to switch view
modes between KEYS and PADS.
3. If you recorded Keys input for more than one pad, you can select the pad to
view and edit in the piano roll by touching the grid icon in the top right in KEYS
view, then touching the cell for the desired pad.
4. You can use the control knobs and touch gestures to adjust notes and to
zoom and scroll through the sequencer:
Piano Roll Pad Selector
Action Result
Turn the top left control knob Cycles the note selection through the notes on the
piano roll
Turn the top right control knob Change the length of the currently selected note
Turn the bottom left control knob Moves the note left or right to change the timing of
the note
Action Result
Turn the bottom right control knob Moves the currently selected note up or down
through the piano scale. (Only works in KEYS view)
Two finger pinch or stretch Zooms the piano roll in or out
Note:
• When the Sequencer Screen reloads, it zooms horizontally to display the number of steps that have
been selected in Step Count, and scrolls vertically to display the entered notes.
• The note position is restricted to the Step Count configured for this Note Sequencer.
• When recording, the sequencer will add the incoming notes to the sequence. It will not remove
previously existing notes. Touch Clear before touching REC if you want to start with a clean piano roll.
• The C notes on the piano roll are numbered to indicate which octave is currently displayed. If you
zoom out too far the numbers will not be displayed.
• The numbers across the top of the piano roll indicate the step numbers. If you zoom out too far the
numbers will not be displayed.
• To quickly switch which sequence you are editing, touch the grid icon in the top left corner of the
screen and then touch the square in the selection grid that corresponds to the sequence you want to
edit.
5. Push EDIT from the Piano Roll screen to access some basic editing features.
Edit Menu Action
Option
Cut Copy all of the notes and pad triggers and parameter
settings in this sequence and clear the piano roll of this
sequence. The cut information is now in the clipboard for
pasting into a sequence.
Copy Copy all of the notes and pad triggers and parameter
settings in this sequence. The copied information is now in
the clipboard for pasting into a sequence.
Piano Roll Edit Menu
Paste Paste the sequence information from the clipboard into
the current sequence. Pasting is an additive action. This
means that it only adds notes and pad triggers to the
piano roll. It doesn’t remove them. This can be useful to
merge two sequences together. Keep in mind that the
sequence parameters are also copied along with the
note and pad events.
Clear Clear all note and pad trigger information from this
sequence. All parameter settings remain untouched.
1. Push SEQ and touch the sequence cell you want to edit.
2. Push INFO twice to display the sequence parameters page. Push INFO again to cycle through additional
parameter pages and the piano roll view.
3. Use the control knobs to adjust the values of the sequence parameters:
Note:
• If a value of a Note Sequencer parameter is changed during playback of the sequence, the change
will take effect at the start of the next loop through the sequence.
Sequence Action
Button
UNDO Rolls back the last round of changes to the notes and pad triggers added to
the selected sequence. Any notes or pad triggers added since the last time
you pressed REC will be removed from the sequence.
CLEAR Clears all notes and pad triggers from the selected sequence. Sequence
parameters remain untouched.
OFF This is a quick way to deactivate all sequences.
2. Touch the Song button at the top of the screen to toggle Song Mode. Song
Mode is enabled when the on-screen button is blue.
When Song Mode is enabled, the currently selected section will play when you push the PLAY button. Any active
sequences will also play. You can quickly deactivate all sequences by touching the DEACT button on the
sequences screen.
2. On the Song screen, turn the top left knob to adjust the BPM of the song. This number is displayed to the left
of the Edit button.
4. Push INFO to display the section parameter screen. Here you can set the length of the song section in bars.
The maximum length allowed is 32 bars.
5. Push SEQS to display the sequences screen. Activate the sequences you want to have playing when you
start recording the song section, and deactivate those you don’t want.
6. Hold down the REC button while pressing PLAY to start playing and recording the active sequences.
8. Push REC to stop recording but continue playback. Push STOP to discontinue playback and recording.
Note:
• Each time you record a song section, you add to the current song section. Any previous sequence
actions are still there. If you want to start over again with a clean section, select the song section, then
touch Edit and Clear.
• Song sections record on and off events for sequences. If you change a sequence, you will also change
the song section.
• Song sections do not record pads or keys actions.
• You can modify the BPM at any time to adjust the playback speed of the song sections and the
sequences.
• When in Song Mode, the context display at the top of the screen shows the name of the active Song
section, and the progress bar to the right of that displays the progress of this section.
2. Push SONG to view the Song screen and then touch the song section you want to start playing. The selected
section will be pink.
3. If you want the selected section to play in a loop, touch the Loop button at the top of the screen to enable
it. Otherwise, blackbox will play all subsequent song sections in order.
4. Push the PLAY button and blackbox will start playing the selected song section along with any active
sequences.
5. You can jump around between song sections by touching the next section you want to play. That section
will start to play at the beginning of the next bar.
6. You can toggle Loop mode while a song section is playing to stay with a section for a while and then let it
fall through to the next section at the end of the current loop.
Note:
• You can play additional sequences during song section playback by activating them on the sequence
screen.
• You can play pads and keys on top of song sections that are playing.
1. On the Song screen, select the song section you want to edit.
2. Touch the Edit button at the top of the screen. The Edit menu will be displayed.
3. Touch the menu item for the action you want to perform:
Rename Displays a virtual keyboard where you can rename the section. Touch enter at
the bottom of the screen when you are ready to save the changes.
Delete Deletes the selected song section
2. Select the section you want to move and touch Edit then Cut.
3. Select the new song section you added in step 1 and then touch Edit and Paste.
2. Turn the top left knob. The BPM display in the top left will update as you turn the knob and the song
playback speed will change in real time. The default is 120 BPM.
2. Turn the top right knob. The Swing setting display to the right of the BPM will update as you turn the knob and
the song playback will change in real time. The default swing amount is 50%.
Note:
• Your sequence must have a step size of 1/16th or smaller for Swing to take effect.
Apply Effects
Blackbox has two effects that can be applied to as many pads as you want. You apply an effect by selecting the
send amount for the pad for each of the desired effects (FX1 or FX2) and then configuring the parameters for that
effect. After the effect is applied, the wet signal is routed to Audio Out 1. All pads will get the same parameter
values for an effect.
2. Turn the top left knob near FX1 to set the FX1 send amount for the pad. This is
the amount of the signal from this pad that you want to send to FX1 for
effects processing. You can also use the touch screen to slide the level
selector next to the knob to the desired position. When a pad is sending
some of its signal to FX1, a blue triangle is displayed in the top left corner of
the pad. You can repeat this step for FX2 and a blue triangle will appear in
the top right corner of the pad. FX Screen
2. Touch the FX1 or FX2 box in a lower corner of the screen to select it. The currently selected effect is
highlighted pink.
3. Push INFO to display the effect parameters screen for the selected effect.
4. Turn the knobs to adjust the effect parameters. You will hear the impact of the parameter changes in real
time. Here are the available effect parameters:
FX2 = Decay 0 to 100% How long the reverberation will ring out. Yes
Reverb
Damping 0 to 100%. The amount of damping that is applied to the reverb. Higher Yes
values will make the reverb end sooner.
Predelay 0 to 100% Determines the amount of delay in the signal before it reaches No
the reverberation. In real life, this is related to how close the source is to
the walls.
Note:
• The same effect parameter values are applied to all pads that are sending signals to that effect.
• The Reverb effect is very processor intensive. Blackbox does not limit what you can do based on
anticipated processor needs. As a result, it is possible to overdrive the processor, causing crackling and
drop outs. See Reduce Aliasing When Playing Pads Chromatically
Blackbox offers two choices for the interpolation algorithm used to play pads Chromatically. The first algorithm is
called Normal mode. In this mode, blackbox may introduce some aliasing with some WAV files when pitch shifting
notes to play sample, multi-sample and granular pads chromatically. The second algorithm is the High Quality (High
Q) algorithm. This algorithm reduces the aliasing, but it requires more processing power, leaving less room to do
other things. By default, your pads will use the Normal mode algorithm. You can configure a sample, multi-sample
and granular pad to use the High Quality algorithm when needed. Here’s how to configure this option:
1. Open the parameter pages for the pad that is experiencing aliasing.
3. At the top of the screen, to the right of the Exclusive grouping option, is the interpolation algorithm option,
which is set to Normal by default. Touch this to display the options menu. Touch High Q to select the High
Quality algorithm.
Note:
• The High Quality setting uses more processing power. This means you may encounter drop outs or
crackling sooner when this option is selected. See Processor Management Tips below to learn
techniques to avoid drop outs and crackling.
• This option only applies when playing sample, multi-sample and granular pads chromatically. If you are
not playing the pad chromatically, it’s best to leave it set to Normal.
• Processor Management Tips below for more information about preventing sound artifacts.
3. Turn one of the top two knobs to adjust the level of the currently selected pad.
4. Turn one of the bottom two knobs to adjust the pan, if available.
Note:
• You can hear adjustments to pan and volume in real time when a sequence or pad is playing.
1. Push the INFO button on the Mix screen to enter Mute Mode. In this mode,
active pads have a green background and muted pads have a red
background.
3. Push INFO again to go back to controlling level and pan. Any muted pads will
have a red bar across the top of the pad.
• Mute might be handy if you want to use a pad to drive an external MIDI device when the device is
available, but play a pad when it’s not. Muted pads still play out over MIDI.
Manage Presets
Blackbox stores a set of pad configurations, sequences and song sections as a preset. You can save as many
presets as you want, as long as there is room for the files on your microSD card. When you turn on blackbox, it
automatically loads the most recently used preset on this microSD card. The microSD card that comes with
blackbox has about 60 presets and corresponding WAV files preloaded.
When blackbox loads a preset, it loads the set of WAV files and configured parameters for each pad, sequence
and song section saved in the preset. Review the preloaded presets to see some examples of blackbox features in
action. The presets that are preloaded on blackbox use only a fraction of the WAV files that are available on the
microSD card. You can use the microSD card to load your own WAV files into blackbox, as well as record new ones.
Blackbox also enables you to customize and create your own presets.
Presets are saved on the microSD card when you choose to save them. If you load a different preset without first
saving the current preset, you will lose your work. If you change to a different microSD card, you will have a
different set of presets. When you switch to a different preset, all previous settings will be replaced with the settings
of the newly selected preset, which may be blank.
As of Blackbox 1.5, blackbox now stores all of the preset xml files in subfolders under the \Presets folder. Each preset
has its own subfolder with the name of the preset, and a preset.xml file within that subfolder. E.g. the preset My
Kickin Grooves will be stored as a file named preset.xml in the \Presets\My Kickin Grooves folder. When you first
start working with the preset, it will point to the WAV files in their source folders. The Pack function will copy all of the
used WAV files into the preset folder.
Blackbox 1.5 also changes where new recordings are stored. When you create a new recording, it will be stored in
the folder for that preset. For example, the first new recording for the My Kickin Grooves preset will be saved as
\Presets\My Kickin Grooves\RC000001.wav.
Blackbox will migrate legacy presets to the new file structure as you use them.
In summary:
• All of the preset folders are gathered under one \Presets folder at the root. This helps reduce the clutter at
the root and reduces the number of directories that the system has to scan to find presets.
• Before you Pack a preset file, the .xml file lives in its own subfolder under \Presets which is created as soon
as you create a preset, but the WAV files stay in their source folders until you “pack” them.
• Blackbox will automatically move a legacy preset into the new folder location the first time you load that
preset after upgrading to the 1.5 firmware. You may then use the Pack function to consolidate all of the
files used by the preset into the preset’s folder.
• All presets have a file named preset.xml under the folder that has the name of the preset.
We covered how to create a new preset in To Create and Name a Preset above. We will cover more preset and
WAV file management tasks next.
Note:
• Presets are not saved automatically in the background. This ensures that you don’t make unintended
changes to a preset.
2. Use the to scroll through the list of presets. The blue highlight indicates the currently selected preset.
3. Touch Load to load into blackbox the information that was previously saved for this preset. The only values
that are not stored in each preset are the values on the TOOLS pages. These are global settings that apply
across presets and are stored separately on the microSD card.
To Pack a Preset:
After you spend time carefully creating a preset, you don’t want to worry about it getting broken if you make
changes to that WAV file or re-organize your sample library. You may also want to gather up all of the files used in a
preset so you can move it to another microSD card or archive it on your computer. The Pack feature was created
to address these needs.
NOTE:
• If you continue to add WAV files to your preset after you pack it, the preset will still point to these WAV
files in their source folders. Pack the preset again to copy these files over.
• If the Pack option is disabled, then the preset is fully packed already.
To Delete a Preset:
When you delete a preset, you remove the preset from the list of presets on the Preset Management Screen, and
you delete the corresponding XML file from the microSD card. You cannot undo
this action. To delete a preset:
2. Use the control knobs to scroll through the list of presets. The blue highlight
indicates the currently selected preset.
• You will not be prompted to confirm the delete action, and there is no Undo option so please take
care when using this feature.
To Rename a Preset:
To change the name of a preset:
2. Use the control knobs to scroll through the list of presets. The blue highlight indicates the currently selected
preset.
5. Touch the back arrow <- to erase the preset name. Then use the onscreen keyboard to type in a new
name. Use the carat button ^ to toggle between upper- and lower-case letters. Touch the 123 button to
display the numeric keyboard if needed. When the name is complete, touch enter to save the name and
return to the Presets screen with the preset selected.
Note:
3. Touch Save As. Blackbox displays a touch screen keyboard you can use to enter a new name. Touch the
enter button to save the changes and go back to the Pads screen with the renamed preset loaded.
Note:
• If you enter a name that is already in use, you will replace the old file with the current preset.
\Presets folder. For example, a preset named April Gig will be stored as \Presets\April Gig\presets.xml. If you have
packed a preset, all of the WAV files for that preset will be stored in the preset’s folder.
You can use a microSD Adapter to insert your microSD card into your computer. You can then use standard file
techniques to rename the preset folders, delete them, copy them onto your computer or copy them onto other
microSD cards. We recommend that you occasionally make backup copies of your presets, especially before
upgrading to new firmware. Keep in mind that if you move a preset file to another microSD card, it will only work
properly if the WAV files needed for that preset are on the new card in the same directory structure. The pack
function makes that much easier.
Note:
• Blackbox stores all presets in self named folders under the \Presets folder. Blackbox will not find them if
you move the XML files outside of these folders or move these folders outside of the \Presets folder.
What will happen to my legacy presets? How do I convert them to the new file structure?
When you load presets, blackbox will display a single list with all presets stored at the root and all presets stored
under the \Presets folder. The files will be in alphabetical order by file name, independent of where they are stored.
Each time you open a preset that is stored in the root, blackbox will create the preset folder for this preset and
move the preset into that folder. In this way, as you open the presets, they will be migrated to the new structure
one at a time. You can then use the File->Pack feature to collect all of the WAV files used by this preset into the
corresponding subfolder. Any new recordings you make will be stored in the preset subfolder.
When will my legacy WAV files get cleaned out of the root folder?
We won’t move them automatically. We recommend that you pack up all of your presets one by one, which will
copy all of the files used by the presets into their respective folders. When that is done, you may choose to delete
the files that are stored at the root or safely move them to a subfolder for future use.
TOOLS Screen
Page Parameter Description
Main Brightness Controls the brightness of the display screen.
Compressor When set to On, blackbox will apply a compressor to the signals sent to
Out 1.
Rec RecToPlay If you have RecToPlay set to ON, blackbox will automatically start to
play the new sample when recording ends if the Length parameter
was used for recording.
RecConfig When this is set to Global, changes made to recording settings on the
Pad Loading and Recording screen will apply to all empty pads.
When this is set to Per Pad, these changes only change the current pad
and do not change what is used for other empty pads. Use Per Pad
when you want to set up a Template preset with different recording
configurations for each pad.
Lead In When this is ON, blackbox will wait 4 beats before recording begins. It
will display the count down as a negative number in the measure
counter in the top left of the screen.
MIDI In MIDI Pads This is used to specify which MIDI channel is used to trigger pads and
sequences. If a channel selected here is also chosen as the MIDI IN
channel for a pad, that pad will also play notes in response to signals
received on this MIDI channel. See the section below on Use MIDI
Devices for more information.
When this parameter is set to Omni, pad hits and sequences can be
triggered by all MIDI channels. However, any MIDI channel that is
assigned as the MIDI In for a pad or as the MIDI Keys parameter will be
excluded from the list of channels that will trigger pad hits.
MIDI Program Change messages received on this channel will be
processed by the blackbox if the ProgChange setting (below) is set to
ON.
To start, plug your MIDI input device into either the Device USB jack or the MIDI In TRS jack. If you are having trouble
getting MIDI to work through the TRS jack, please read the Mini TRS Audio Jacks for MIDI Connections Compatibility Guide
at https://1010music.com/stereo-minijacks-midi-connections-compatibility-guide. You may need to use the MIDI
adapter that came with blackbox. You can use MIDI inputs in a few different ways:
• Play notes and use common MIDI modulation signals with a specific pad or pads
• Play notes and use common MIDI modulation signals with the currently selected pad
• Use MIDI Continuous Controllers (CCs) to modulate various pad and effects parameters
You can combine these different MIDI input modes to use more than one at a time, but there are some rules about
how they interact. First, we will talk about how to use each of these MIDI play modes and then we will discuss how
they interact with each other.
2. Touch MIDI In at the bottom of the screen to go to that page of the Tools screen.
3. Turn the knob next to the MIDI Pads parameter to select the MIDI channel that you want to use to trigger
pads and sequences. Set this to Omni to respond to all MIDI input channels
that have not been otherwise assigned. 48 49 50 51
D#3
4. Connect your MIDI device to blackbox and configure it to use the MIDI
channel selected for the MIDI Pads channel. 44 45 46 47
40 41 42 43
5. Play some notes on your MIDI device to trigger pads. The table on the right
shows the default mapping of MIDI note numbers to the blackbox pads. The 36 37 38 39
range for pads is Note 36 (usually C2) through Note 51 (usually D#3/Eb3). You C2
may need to shift your MIDI device up or down octaves to reach these notes.
7. Play some higher notes on your MIDI device to trigger sequences. The table on
64 65 66 67
the right shows how the MIDI note numbers map to the blackbox sequences. G4
The range for triggering sequences is Note 52 (usually E3) through Note 67
(usually G4). You may need to shift your MIDI device up or down octaves to 60 61 62 63
reach these notes. Playing a MIDI note for a given sequence will toggle its 56 57 58 59
active state on and off.
52 53 54 55
8. Push SEQS and you can watch the sequences start and stop on the Sequences E3
screen. A white rectangle will appear at the bottom of the sequence cell to
show that the sequence is queued up to play at the quantization break. This
MIDI Notes to
rectangle is replaced with a blue progress bar when the sequence starts to play.
Blackbox Sequences
The bar will turn into a white rectangle again when the sequence is playing out
after deactivation
To Play Notes and Use Common MIDI Modulation Signals with a Specific Pad or Pads:
You can also configure a specific pad to respond to MIDI notes by assigning a MIDI channel to the pad on the
pad’s parameters screen. How the pad responds will depend on the Pad mode.
1. Push PADS, and select the pad you want to control with the MIDI Device.
2. Push INFO twice to see the Pad Parameter screen, and then touch MIDI at the bottom of the screen to see
the MIDI related parameters.
3. Turn the knob next to MIDI In to assign a specific channel to this pad and now your MIDI device transmitting
on this channel will play this pad. If the pad is in sample (single), granular or clip mode, each MIDI note will
play the pad pitch shifted in the same way the Keys screen works. If the pad is a Slicer, each MIDI note will
play a slice of the file in the same way it works on the Keys screen. If the pad is using multi-sample, the notes
will trigger the appropriate sample based on root note or sample mapping.
Note:
• You can have more than one pad mapped to a specific MIDI channel. In this case, blackbox will play
all mapped pads when a note is received on that channel.
• If you are using a modulation source other than MIDI CC for this pad, then the corresponding MIDI
Modulation signals received on this pad’s MIDI In channel (e.g. MIDI Velocity) will be applied as
configured for this pad.
To Play Notes and Use Common MIDI Modulation Signals with the Currently Selected Pad:
This is a more global version of the procedure described in the previous section. The difference is that here you are
setting up a MIDI channel that is not pad specific. Whichever pad is currently selected will respond to the MIDI
channel specified as the MIDI Keys channel. As with the MIDI Pads setting, you can select OMNI for the MIDI Keys
channel to have blackbox respond to all channels in this way. However, any channel that is assigned to anything
else is pulled from the pool of MIDI channels that blackbox responds to in Omni mode.
1. Push TOOLS and then touch MIDI In to see the global MIDI input settings.
2. Turn the knob next to MIDI Keys to select the MIDI Channel blackbox will use as the global keys channel.
3. Connect a MIDI Device to blackbox and set the device to use the channel assigned to MIDI Keys.
4. Go to the Pads screen and select a pad to play via MIDI. Play notes on the MIDI Device and you will see
and hear the currently selected pad respond to the MIDI notes. Select a different pad and play notes on
the MIDI Device and you will see and hear the new pad respond.
Note:
• If you have the same channel assigned to both a specific pad and to the MIDI Keys setting, the
assigned pad and the currently selected will both respond to the MIDI input.
2. Push INFO until you see the MIDI parameter. Select a MIDI channel to be used to modulate this pad.
3. Push INFO until you see the parameter you want to modulate.
4. Touch one of the three black boxes below the parameter to display the Modulation Parameters screen.
5. Use the control knobs to select a value for the Source parameter. This parameter specifies which signal will
be used to control this parameter. Available values are:
• VEL – MIDI Velocity or the Velocity slider on the Pads screen. This is note specific.
6. Use the control knobs to select the Amount of modulation that will be applied. This is used to increase or
decrease the amount of impact the modulation will have on this parameter.
Note:
• The Modulation sources described in this section only impact the pad if the modulation signal is
received on the MIDI In channel for this pad.
• Modulation is currently only available for pad and effect parameters. Sequence and section
parameters cannot be modulated.
Note:
• Different parameters work differently with MIDI CC inputs. For example, for the Filter parameter, the
values are bi-polar with 0 at the middle of the range for the control by default. But with the Start
parameter, the values only move in one direction.
• You can map the same MIDI control to more than one parameter on more than one pad or effect.
• MIDI CC controls use the on-screen parameter value as a starting point. Blackbox then maps the
range of the controller to values from the starting point to the value of Starting Point +/- the Modulation
Amount parameter. For example, if the Filter parameter is set to 20%, and you set the Modulation
Amount to 15%, then the lowest value of the control will map to 5% (20% - 15%), and the highest value
of the control will map to 35% (20% + 15%).
• MIDI CC mappings are recorded in the blackbox preset as a mapping to a specific MIDI CC number
on a specific MIDI Channel. If you swap out MIDI controllers, and the new controller uses the same MIDI
CC number and channel, it will continue to modulate the assigned parameter.
• The MIDI channel assigned to a pad does not need to match the MIDI channel used for MIDI CC
modulation.
• There is a maximum of 8 MIDI CC mappings per pad.
• If the MIDI In channel is assigned on a pad, that pad will always respond to MIDI notes received on that
channel.
• The currently active pad will always respond to MIDI notes on a given MIDI channel if that channel has
been specifically assigned as the MIDI Keys channel on the TOOLS screen.
• Pad hits and sequences will be triggered by notes on an incoming MIDI channel if that channel has been
specifically assigned as the MIDI Pads channel on the TOOLS screen.
• If the MIDI Keys parameter is set to Omni, and the incoming notes are on a MIDI channel that has not been
specifically assigned to anything else (a pad’s MIDI In, or the MIDI Pads parameter), then the currently
selected pad will respond to notes on this channel.
• If the MIDI Pads parameter is set to Omni, and the incoming notes are on a MIDI channel that has not been
specifically assigned to anything else (a pad’s MIDI In or the MIDI Keys parameter), then the incoming notes
will trigger pad hits and sequences.
As a result, if you, for example, assign the same MIDI channel to both a specific pad’s MIDI In parameter and to the
MIDI Pads parameter on the TOOLS screen, notes on that channel will be played by that specific pad and they will
trigger pad hits and sequences. This gives you lots of flexibility but could result in confusing results if you aren’t
careful.
mind that when you change presets, even with a program change, blackbox does not save your changes. So be
sure to save your preset if needed before initiating a program change.
Because of the potential for data loss, blackbox has a Tools parameter that allows you to control whether or not the
device responds to program change signals. By default, this is set to off.
2. Push Info until you see the MIDI PC parameter. Set the value as desired.
Now when you initiate a MIDI Program change on any connected MIDI Channel, blackbox will change to the
corresponding Preset.
Note:
• Blackbox supports using MIDI Program Changes to access the first 128 presets. This limit is the result of
how MIDI manages program banks.
• Blackbox does not pass through or send out MIDI Program Changes.
2. Create a sequence you want to use to drive the MIDI device. You can use any WAV file in the pad used to
play the sequence, and then mute the pad on the Mix screen if you don’t want blackbox to generate
sound for that pad.
3. Push SEQS and select the sequence you want to use to drive the MIDI device.
4. Push INFO until you see the parameters screen with the MIDI Out parameter.
5. Set the MIDI Out parameter to the MIDI channel used by the MIDI device.
6. Activate the sequence and push PLAY on blackbox. Blackbox will now send the note events from the
configured sequence to the MIDI device.
2. Configure a pad you want to use to drive the MIDI device. You can use any WAV file in the pad, and then
mute the pad on the Mix screen if you don’t want blackbox to generate sound for that pad.
3. Push PADS and select the pad you want to use to drive the MIDI device.
4. Push INFO twice and then touch MIDI at the bottom of the screen to bring up the MIDI parameters for that
pad.
5. Set the MIDI Out parameter to the MIDI channel used by the MIDI device that will receive the signal.
6. Trigger the pad on the blackbox by touching the pad, or playing it in a sequence. Blackbox will now send
the note events from the configured pad to the MIDI device on the same MIDI channel.
Note:
• You can configure more than one sequence and pad to send MIDI out on the same channel.
• Blackbox does not send out or pass through MIDI Program Change messages.
Loop Mode Off We will turn off looping for this example.
Slice 3 This doesn’t impact how the MIDI device or Keys screen
plays the slices.
MIDI Choose a MIDI We want to see the difference between the default
Channel not used by MIDI behavior on the GlobalMIDI Channel and using
other pads or the MIDI to trigger slices, so we need to use a separate
GlobalMIDI setting. channel. MIDI notes received on the channel you
select here will choose a slice to play.
Slice Seq None We will not use the Slice Sequencer in this example.
3. Connect a MIDI device for input that uses the MIDI Channel you selected for the MIDI parameter. Play MIDI
note 36 (usually C2). You will hear that slice 1 is played.
4. Play MIDI Note 39 and slice 4 will be played. MIDI Notes 36 and up are now mapped to Slices 1 and up for
playback.
The steps above show a simple example of using MIDI alone to trigger different slices within one pad. You can use
this with Loop Mode ON with Launch Modes of Gate or Toggle to achieve different effects.
MIDI Input via USB When a MIDI signal is connected to the Device USB jack on the 2
Device port back of the case, blackbox will follow MIDI Start, Stop and Clock
messages.
MIDI Input via MIDI TRS When a MIDI signal is connected to the MIDI In TRS jack on the 2
In port back of the case, blackbox will follow MIDI Start, Stop and Clock
messages.
Blackbox Internal When no other clock input is provided, blackbox will use its own 3
Clock internal clock. Set the BPM on the Song screen to adjust the clock
speed.
You can control whether blackbox responds to the USB Device MIDI input, the TRS MIDI Input, or ignores MIDI clock
on the TOOLS screen:
1. Push TOOLS and then touch MIDI In at the bottom of the screen.
2. Turn the knob next to the ClockSource parameter to select which MIDI clock source you want to use. Select
None to ignore the clock signal on both MIDI inputs. Select All if you expect you will only use one clocked
MIDI input at a time, or if you just want the two clocks to fight it out.
Blackbox displays the current clock time in the top left corner of most screens in the format <measure>: <beat>. If
more than one clock input is available, the highest priority clock signal (lowest priority number) will be used.
Blackbox can adjust the timing of the playback of a clip pad to synchronize it with a specified unit of musical clock
time.
Note:
• The Clock input must use 4 pulses per quarter (PPQs), or a pulse per 16th note.
• If MIDI and CLOCK inputs are both used, Blackbox will select the highest priority clock based on the
following order of priority: 1.) CLOCK Input; 2.) MIDI Input; 3.) Internal Clock.
• See
• Work with a Clip Pad above for more information about synchronizing Clips.
Blackbox sends an analog pulse clock through the Clock Out port. It sends a clock pulse signal with 4 pulses per
quarter (PPQs), or a pulse per 16th note.
• Press Play.
• Stop the Clock input for a few seconds and then restart it.
• The power supply provided to plug blackbox into a standard power outlet
• A power adapter that delivers at least 2 amps at 5 volts. Newer iPad adapters
will work.
The following power sources may not reliably provide sufficient power to support
blackbox plus a MIDI device:
If you need to use one of these lower power sources for blackbox, you may be able to use a separate power
supply to power the MIDI device. If the power supplied is insufficient, the MIDI controller may not power up and
blackbox may have unreliable behavior.
A preset template is simply a preset that has pads which have been configured but do not have WAV files
associated with them. Preset templates can also store all of the other information a standard preset has:
Sequences, Song Sections, FX, Mixer settings and more.
2. Push INFO. If the pad is loaded with a WAV file, this will display the WAV screen. In this case, touch the pad
mode icon on the top left of the screen and then select New Recording to remove the WAV file mapping.
You will now see the Load and Record screen.
3. Push INFO again to see the Parameters screen for this pad.
4. Choose the Pad Mode on the Main page of the Parameters screen.
5. Use the buttons across the bottom of the screen to choose the desired page and update the parameters
as you normally.
6. Push PSET and then touch File and Save or Save As to save the changes to this preset.
3. Touch Load if you want to use and existing WAV file. Otherwise, begin recording a new WAV as usual.
Note:
• Not all parameters are available before you add a WAV file to the Pad. For example, you cannot add
loop points to a sample mode pad because blackbox does not know how long the file will be.
• You can use the SEQs, SONG, FX and MIX screens to configure other elements as needed.
4. Open the parameter pages for the pad that is experiencing aliasing.
6. At the top of the screen, to the right of the Exclusive grouping option, is the interpolation algorithm option,
which is set to Normal by default. Touch this to display the options menu. Touch High Q to select the High
Quality algorithm.
Note:
• The High Quality setting uses more processing power. This means you may encounter drop outs or
crackling sooner when this option is selected. See Processor Management Tips below to learn
techniques to avoid drop outs and crackling.
• This option only applies when playing sample, multi-sample and granular pads chromatically. If you are
not playing the pad chromatically, it’s best to leave it set to Normal.
• Configure your pads to run monophonic whenever possible. On most percussion sounds, you won't hear
the difference and this is an easy win.
• Disable the reverb by making sure no pads have FX2 applied on the FX screen. This is an expensive
algorithm that can also be done off board. Keep in mind that the reverb will continue to run for 60 seconds
after you disable it, so you won't get the benefit for a short while.
• Use mono samples instead of stereo where appropriate. Stereo samples are twice the work to load and
play.
• Use 48kHz samples when possible—especially for stuff played at unity pitch. This gives the CPU less work to
do.
• For sample, multi-sample and granular pads, use Normal mode (at top of ADSR screen). The High Q mode
uses more processor cycles.
If you like crackly sounds, by all means do the opposite of what each of the tips above suggest. Have fun!
Remove the microSD card from the front edge of blackbox and insert into your computer. You may need to use a
microSD adapter for your computer (not included).
Copy the files from the microSD card onto your computer.
1. Download the desired firmware onto your computer. You can find the latest firmware images on the forum
at https://forum.1010music.com. You must be a registered user of the forum to access the download files.
Forum registration is free.
2. Unpack the zip file. Some browsers do this automatically for you.
3. Prepare a microSD card with the FAT32, MSDOS Fat, or ExFat format. The card that comes with blackbox is
formatted properly, but you may need to reformat a card that came from somewhere else.
4. If you want to replace the Presets with the factory image, copy the full contents of the zip file onto a
microSD card. If you do not want to overwrite your presets, copy only the BLACKBOX.BIN file to the microSD
card.
5. Unplug blackbox.
7. While plugging in blackbox, hold the BACK and INFO buttons. When you see the words “Blackbox Installer”
on the screen, you can let go of the buttons.
8. When the upgrade finishes in about 15 seconds, the unit will restart with the new software.
1. Download the blackbox firmware onto your computer. You can find the available firmware images on the
forum at https://forum.1010music.com. You must be a registered user of the forum to access the download
files. Forum registration is free.
2. Unpack the zip file. Some browsers do this automatically for you.
3. Find the *.xml file in the unpacked folder that has the same name as the preset you want to restore. Copy
the .xml file onto the microSD card to replace the file on the card. Keep in mind that you will also need the
WAV files that go with that Preset and you may need to copy those over as well.
Technical Specs
On-Board Memory
Blackbox has 64MB of on-board RAM. However, this is a cache--not a hard limit to what can be loaded at once.
Samples Supported
Blackbox supports stereo samples. It can record in stereo and has stereo outputs.
Blackbox supports samples in the WAV file format. It supports 1 or 2 channel files with 16, 24 or 32-bit resolution at
any sample rate. 48kHz is the preferred sample rate. The blackbox engine uses a 24-bit ADC and DAC.
WAV file names may use Alpha Numeric Characters (A-Z, 0-9) and some special characters. The following
characters are NOT allowed: double quotes, forward slash, back slash, question mark, asterisk, less than and greater
than symbols, the colon and the pipe symbol (“ / \ ? * < > : |). File names must be less than 256 characters,
including the path name. Files that do not conform to these naming constraints will not be recognized by
blackbox.
Pin Mapping for Mini TRS Jack to MIDI 5 Pin DIN Connectors
The musical instrument industry currently uses several different ways of mapping MIDI 5 Pin DIN signals to mini TRS
jack connectors. The diagram to the right shows the numbering of the pins on a MIDI connector and the labels of
the connection components of a mini TRS jack. 1010music products are compatible with cables that use the
following mapping of MIDI signals between female MIDI connectors and mini TRS jacks:
For more information on the use of adapters, read the blog post on our
website Mini TRS Jacks for MIDI Connections Compatibility Guide at:
Stay Up to Date
Demonstration Videos and Latest Documentation
You can find links to video demonstrations of blackbox on our website at https://1010music.com/blackboxdocs.
You can also look there for updated versions of this user manual and the Quick Start Guide.
Contact Us
Are you loving blackbox? Have questions? You can contact us through our website at
http://1010music.com/contact-us.
Changes in V 1.5
• Explore KEYS in the Quick Start: Added an introduction to the Grid Keyboard.
• Create a New Preset: Updated to reflect that NEW is now under the File menu. Also the blackbox will now
load the last used preset on this microSD card on power up.
• Work With PADS: updated the Pad Mode summary table. Described how you can use the grid in the top
left corner of the parameters screen to switch pad you are working on. Added description of High Q mode.
• Record a New WAV File: Described changes to where the newly recorded WAV files are stored on the
microSD card. Describe how to record a multi-sample bank.
• Save and Load Parameters in WAV Files: Added names of the tags used in the WAV file to store the
parameters.
• Working with WAV Files on the microSD Card: Updated to reflect changes to where WAV files are stored
when you record them and to talk about packing.
• Packing Presets: This new feature allows you to gather copies of all of the WAVs used in a preset into the
preset’s folder.
• Manage Presets: Updates to discuss the changes to where presets are stored and how legacy presets will
be handled.
• Work with Preset Files on the MicroSD Card: Updated to reflect the change to where presets are stored and
other related features.
Changes in V 1.4
• Pad Parameters table: Added Pad Note parameter.
• Slicer pad parameters table: Added new parameters to support quantization and synching of slices.
• Slicer pad parameters table: Added new parameter to support Slicer Play Through mode.
• Keys Screen Description: Updates throughout this section to describe the new Grid Keyboard and the
ability to glide across keys.
• MIDI Note mapping for Pads: Note that you can override the default values for pad mapping.
• Tools parameters table: Updated descriptions of parameters on the MIDI In page to clarify how blackbox
responds to MIDI program changes. Added parameters on the Metro page to support new metronome
controls.
• Notes under “Work with MIDI Outputs": Specify that blackbox does not support outgoing Program change.