Supplemental Learning Activity No. 1 Music of The 20 Century
Supplemental Learning Activity No. 1 Music of The 20 Century
Supplemental Learning Activity No. 1 Music of The 20 Century
1
Music of the 20th Century
TABLE OF CONTENTS
MUSIC
11.Table of Contents 2
V111.Lesson 3 Primitivism 10
1X.Lesson 4 Neo-Classicism ` 12
3. Relates 20th century music to other art forms and media during the same
time period;
Pre-Test
DIRECTION: Read and understand the questions carefully. Select the best answer
Write your answer on your Music activity notebook
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1. Which of the following musical style introduces extensive use of colors andeffects, vague
melodies leading to mild dissonances?
a. Avant garde
b. Impressionism
c. Chance Music
d. Electronic Music
2. Which Russian composer created the music for the ballet The Firebird?
a. Bela Bartok
b. Igor Stravinsky
c. Claude Debussy
d. Maurice Ravel
3.Who is considered the foremost impressionist?
a. Claude Debussy
b. Igor Stravinsky
c. Bela Bartok
d. Philip Glass
4. What kind of musical style is attributed to Schoenberg and Stravinsky?
a. Nationalism c. Primitivism
b. Neo-classicism d. Avant-garde
5.Who was the target audience of Prokofieff’s Peter and the Wolf?
a. adult b. children c. adolescent d. old
6.One of the best compositions of Claude Debussy was the _____________.
a. Bolero b. Miroirs c. Claire de Lune d. Firebird
7. What is the English translation of “Claire de Lune”?
a.sunlight b. moonlight c. twilight d. dawn
8. Which composer used Hungarian folk themes and rhythms in his musical
composition?
a Maurice Rave
b. Claude Debussy
c.. Bela Bartok
d. Sergei Prokofieff
9. The music “Bolero” was popularized by -----------------
a.Murice Ravel
b. Claude Debussy
c. Bela Bartok
d. Sergei Prokofieff
10. It refers to a style wherein the piece always sounds different at every
performance because of the random techniques of production, including the
use of ring modulators or natural elements that become a part of the music
a. Electronic Music b. Modern Art c. Chance Music d. Concrete Music
Introduction:
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The start of the 20th century saw the rise of distinct musical styles that reflected a
move away from the conventions of earlier classical music. These new styles were:
Impressionism, Expressionism, Neo-classicism, Avant-garde music and Modern
Nationalism.
The distinct musical styles of the 20th century would not have developed if not for the
musical genius of individual composers like Claude Debussy, Maurice Ravel, Arnold
Schoenberg, Bela Bartok, Igor Stravinsky, Sergei Prokofieff, and George Gershwin
stand out as the moving forces behind the innovative and experimental styles
mentioned above.
Lesson 1: Impressionism
Learning Objective: Appreciate the music during this period.
Discussion of Concept:
One of the earlier forms clearly declaring the entry of 20 th century music was known as
impressionism. This was based on an art movement started by 19 th century Paris-based visual artists
especially Claude Monet through his painting Impression Sunrise. The term found its way to music
in the late 19th and early 20th century among French composers. The sentimental melodies and
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dramatic emotionalism of the preceding Romantic Period had themes and melodies that were easy to
recognize and enjoy.
In impressionism, they were being replaced in favor of moods and impression. There
was an extensive use of different timbres (tone color or tone quality) and effects, vague melodies and
innovative chords and progressions leading to mild dissonances through orchestration, texture or
harmonic usage.
Sublime moods and melodic suggestions replaced highly expressive program music or
music with preconceived visual imagery. Impressionism was an attempt to suggest reality not to
depict it. It was meant to create an emotional mood rather than a specific pictures. In terms of
imagery, impressionistic forms were translucent and hazy as if trying to use through a rain-drenched
window.
Most of the impressionistic works centered on nature and its beauty, lightness and
brilliance. A number of outstanding impressionists created works on this subject like Debussy’s La
Mer and Claire de Lune. The impressionist movement in music had its foremost proponents in the
French composers Claude Debussy and Maurice Ravel.Both had developed a particular style of
composing adopted by many 20th century composers. Among the most famous impressionist
composers in other countries were Ottorino Respighi (Italy), Manuel de Falla and Isaac Albeniz
(Spain) and Ralph Vaughan Williams (England)
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composers. He changed the course of musical development by evolving traditional rules and
conventions into a new language of possibilities in harmony, rhythm, form, texture and color.
Activity 1:
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CAfter reading the lesson 1: Impressionism, you have to choose a work/ composition that you like and
write a brief profile about the composer and your personal reaction about the music. Fill out and copy
the flow chart provided below in your Music activity notebook.
Learning Objectives: 1. Compare the musical style between the two French
composers.
2. Describes the characteristics of the 20 th composers.
Discussion of Concept:
As the two major exponents of French impressionism in music, Debussy and Ravel had crossed paths
during their lifetime although Debussy was 13 years older than Ravel. While their musical works
sound quite similar in terms of their harmonic and textural characteristics, the two different greatly in
their personalities and approach to music. Whereas Debussy was more spontaneous and liberal in
form, Ravel was very attentive to the classical norms of musical structure and compositional
craftsmanship. Debussy was more casual in his portrayal of visual imagery while Ravel was more
formal and exacting in the development of his motive ideas.
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4.Verklarte Nacht (Transfigured Night, 1899)---one of his earliest successful pieces, which blends the
lyricism, instrumentation and melodic beauty of Brahms with the chromaticism and construction of
Activity 1: You will listen the excerpts of any of the following musical
examples from YouTube: Link will be provided to you.
1. Debussy --- Claire de Lune( http://www.youtube.com/debussy/clairedelune)
2. Ravel -------- Bolero
nacht)
( http://www.youtube.com/ravel/bolero)
3. Schoenberg—VerklarteNacht(http://www.youtube.com/schoenberg/verklarte
4. StravinskyPetrouchkahttp://www.youtube.com/stravinsky/petrouchka)
Activity 2:After listening to the excerpts, choose a composition that you like and
write a short personal reaction about it in your Music activity notebook.
Flow chart is provided for you.
Lesson 3: Primitivism
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Learning Objectives: Identify the different compositions of Bela Bartok.
Discussion of Concept:
Primitivistic music is tonal through the stressing of one note as more important than the others. New
sounds are synthesized from old ones by juxtaposing two simple events to create a more complex new
event. In its purest form, primitivism combines two familiar or simple ideas together creating new
sounds. Primitivism has links to Exoticism through the use of materials from other cultures to
Nationalism through the use of materials indigenous to specific countries and to Ethnicism through
the use of materials from European ethnic groups. Two well-known proponents of this style were Igor
Stravinsky and Bela Bartok. It eventually evolved into Neo-classicism.
1.
2.
3.
4.
www.youtube.com/bartok/six stringquartet
www.youtube.com/bartok/concertofororchestra
www.youtube.com/bartok/allegrobarbaro
www.youtube.com/bartok/mikrokosmos
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Lesson 4: Neo- Classicism
Learning Objectives: Describe the musical characteristics of the 20 th composers
during this period.
Discussion of Concept:
Neo- classicism was a moderating factor betweenthe emotional excesses of the Romantic period and
the violent impulses of the soul in expressionism. It was, in essence a partial return to an earlier style
of writing, particularly the tightly-knit form of the Classical period, while combining tonal harmonies
with slight dissonances. It also adopted a modern, freer use of the seven-note diatonic scale. Examples
of neo-Classicism are Bela Bartok’s Song of the Bagpipe and Piano Sonata. In this latter piece, the
Classical three movement format is combined with ever-shifting time signature, complex but exciting
rhythmic patterns as well as harmonic dissonances that produce harsh chords. The neo-classicist style
was also used by composers such as Francis Poulenc, Igor Stravinsky, Paul Hindemith and Sergei
Prokofieeff.
Poulenc was a successful composer for piano, voice and choral music. His
instrumental works include the harpsichord concerto known as Concert
Champetre (1928), the Concerto for Two Pianos (1932) which combines the classical touches of
Mozart with a refreshing mixture of wit and exoticism in the style of Ravel and a Concerto for Solo
Piano (1949) written for the Boston Symphony Orchestra. Poulenc’s vocal works reveal his strength
as a lyrical melodist. His opera works include Les Mamelles de Tiresias (1944) which explain his
light hearted character, Dialogues des Carmelites (1956) which highlighted his conservative writing
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style and La Voix Humane (1958which reflects his own turbulent emotional life. He died in Paris on
January 30, 1963.
Other Members of “Les Six”
1.Georges Auric (1899-1983) wrote music for the movies and rhythmic music with
lots of energy
2.Louis Durey (1888-1979) used traditional ways of composing and wrote in his own
personal way not wanting to follow form
3.Arthur Honegger (1882-1955) liked chamber music and the symphony. His popular
piece Pacific 231 described a train journey on the
Canadian Pacific Railway.
4.Darius Milhaud (1892-1974) was a very talented composer who wrote in several
different styles.Some of his music uses bitonality and
polytonality (writing in two or more keys at thesame time)
5.Germaine Tailleferre (1892-1983) was the only female in the group. She like to use
dance rhythms. She loved children and animals and
wrote many works about them. She also wrote operas,
concerti and many works for thepiano.
Closely associated with electronic music, the avant-garde movement dealth with the
parameters or the dimensions of sound in space. The avant-garde style exhibited a new
attitude toward musical mobility whereby the order of note groups could be varied so that
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musical continuity could be altered. Improvisation was a necessity in this style, for the
musical scores were not necessarily followed as written. For example, one could expect a
piece to be read by a performer from left to right or vice versa. Or the performer might turn
the score over, and go on dabbling indefinitely in whatever order before returning to the
starting point. From the United States, there were avant-garde composers such as George
Gershwin and John Cage with their truly unconventional compositions techniques, Leonard
Bernstein with his famed stage musicals and his music lectures for young people, and Philip
Glass with his minimalist compositions. Through their works, these composers truly
extended the boundaries of what music was thought to be in earlier periods.
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Waterfront (1954). His musical compositions total around 90. He died in New York
City, USA on October 14, 1990.
Activity 5:Research on the 20th century musical play West Side Story written by Leonard Bernstein.
Watch any video clip of West Side Story on internet or YouTube. Write a reaction paper explaining
the following elements of the performance. Copy and write this in your Music activity notebook.
Here’s the link : Choose one only:
www.youtube.com/westsidestory/leonardbernstein/tonight
Reaction Paper
www.youtube.com/westsidestory/leonardbernstein/america
Name: _________________________ Grade & Section: ___________
www.youtube.com/westsidestory/leonardberstein/maria
_____________________
www.youtube.com/westsidestory/leonardbernstein/somewhere
(Title)
A. Setting: _________________________________________________
B. Musical Compositions: _____________________________________
C. Role of Composer and Lyricist: _______________________________
________________________________________________________
D. Role of performers (actors & actresses): _______________________
________________________________________________________
E. Role of audience (yourself): _________________________________
F. Sound and musical director: _________________________________
G. Script/ Screenplay: _________________________________________
H. Props, Costume, lighting: ___________________________________
________________________________________________________
Reflection: Did you like what you watched? Why or why not? Explain
your answers. _____________________________________________ P a g e 14 | 21
_______________________________________________________
________________________________________________________
Lesson 6: Modern Nationalism
Learning Objectives: Recognize the musical style during the Modern Nationalism.
Discussion of Concept:
A looser form of 20th century music development focused on nationalist composers and musical
innovators who sought to combine modern techniques with folk materials. In Eastern Europe,
prominent figures of this style included the Hungarian Bela Bartok and the Russian Sergei Prokofieff,
who were neo-classicist to a certain extent. Bartok infused Classical techniques into his own brand of
cross rhythms and shifting meters to demonstrate many barbaric and primitive themes that were
Hungarian particularly gypsy in origin. Prokofieff used striking dissonance and Russian themes
colored with humor. Together with Bartok, Prokofieff made extensive use of polytonality, a kind of
atonality that uses two or more tonal centers simultaneously. An example of this style is Prokofieff’s
Visions Fugitive. In Russia, a highly gifted generation of creative individual known as the “Russian
Five”---Modest Mussorgsky, Mili Balakirev, Alexander Borodin, Cesar Cui and Nikolai Rimsky
Korsakov--- infused chromatic harmony and incorporated Russian folk music and liturgical chants in
their thematic materials. French composer and pianist Erik Satie was a colourful figures in early 20 th
century musicspecially avant-garde and modern nationalism.
21st Century Music Trends
Music scholars predict that the innovative and experimental development of 20 th century classical
music will continue to influence the music of the 21 st century. With so many technical and stylistic
choices open today’s composers, the possibilities for “new music” and radical experimentation are
promising. At present, modern technology and gadgets still have a great on all types of music.
However, what remains to be seen is when this trend will shift and what the distinct qualities of
emerging classical works will be.
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Activity 6: Answer the following questions. Write your answer in your Music activity
notebook.
1. What group of people inspired many of Bartok’s compositions?
___________________________________________
2. Which Russian composers created the music for the ballet The Firebird?
___________________________________________
3. Who is considered the foremost impressionist?
___________________________________________
4. What kind of musical style is attributed to Schoenberg and Stravinsky?
___________________________________________
5. Who was the target audience of Prokofieff’s Peter and the Wolf?
___________________________________________
Digital video disc (dvd) Compact disc (CD) Videocompact disc cassette tape recorder
( (DVD)
MP3/ipod
MP4
Karaoke player mobile& android
phones
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Synthesizers
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2.Karlheinz Stockhausen (born 1928) is a central figure in the realm of electronic music.Born
inCologne, Germany,he had the opportunity to meet Olivier Messiaen, Arnold Schoenberg and
Anton Webern, the principal innovators at the time. Together with Pierre Boulez, Stockhausen
drew inspiration from these composers as he developed his style of total serialism. Stockhausen’s
music was initially met with resistance due to its heavily atonal content with practically no clear
melodic or rhythm sense. He continued to experiment with musique concrete. Some of his works
include Grappen (1957), a piece for three orchestras that moved music through time and space,
Kontakte (1960), a work that pushed the tape machine to its limits and epic Hymen (1965), an
ambitious two hour work of 40 juxtaposed songs and anthems from around the world.His recent
Helicopter String Quartet in which a string quartet performs while airborne in four different
helicopters, develops his long standing fascination with music which moves in space.
Stockhausen’s works total around 31. He presently resides in Germany.
Activity 7:Create short electronic music pieces using your knowledge of 20 th century musical styles.
Record different sounds that are heard in the environment such as the bustle of traffic, the sound of
the wind, the barking of dogs, the strumming of a guitar, the cry of an infant, or any sound that you
like or hear in the environment on your mobile phone, ipod, tablets, MP3 or MP4 players or any
electronic recording device that you have. Then, arrange or manipulate the sounds in different ways
for example playing the recording device in the fastest or showed mode or any creative arrangement
that you like. Send your output through my Messenger account—Jem Fernandez.
Lesson 8: Chance Music
Learning Objectives: Create your own chance music.
Discussion of Concept:
Chance music refers to a style in which the piece sounds different at every performance became of the
random techniques of production including the use of ring modulators or natural elements that
become a part of the music. Most of the sounds emanate from the surroundings, both natural and man-
made like honking cars, rustling leaves, blowing wind, dripping water or a ringing phone. As such, the
combination of external sounds cannot be duplicated as each happens by chance.An example is John
Cage’s Four Minutes and Thirty Three Seconds (4’33”) where the pianist merely opens the piano lid
and keeps silent for the duration of the piece.
Post- Test
Direction: Read the sentences carefully. Select the correct answer. Write
the letter only. Do this in your Music activity notebook.
1. One of the famous examples of Chance music is ___________________
a. Porgy and Bess
b. Four Minutes and Thirty-Three Seconds
c. Helicopter String Quartet
d. musique concrete
2. It was a moderating factor between the emotional excesses of the Romantic period and
the violent impulses of the soul in expressionism
a. Impressionism
b. Expressionism
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c. Neo-classicism
d. Avant-garde
3. Music style that uses a tape recorder to records different sounds that are heard in the
environment such as the bustle of traffic, the sound of the wind, the barking of dogs and
many more
a. Electronic Music
b. Modern Music
c. Chance Music
d. Concrete Music
5. His musical style challenged the very idea of music by manipulating musical instruments
in order to achieve new sounds
a. Karlheinz Stockhausen
b. Edgar Varese
c. John Cage
d. George Gershwin
6. It was a moderating factor between the emotional excesses of the Romantic period and
the violent impulses of the soul in expressionism
a. Impressionism
b. Expressionism
c. Neo-classicism
d. Avant-garde
7. Which of the following musical style introduces extensive use of colors and effects,
vague melodies leading to mild dissonances?
a. Avant garde
b. Impressionism
c. Chance Music
d. Electronic Music
8. Which Russian composer created the music for the ballet The Firebird?
a.Bela Bartok
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b. Igor Stravinsky
c. Claude Debussy
d.Maurice Ravel
9. Who was the French composer known as the “Father of Electronic Music?
a.Edgar Varese
b. Philip Glass
c. Bela Bartok
d. Maurice Ravel
10. One of the best compositions of Claude Debussy was the _____________.
a.Bolero
b. Miroirs
c. Claire de Lune
d. Tonight
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