A Code For Life Emphasizing Tolerance, Inclusion and Optimism
A Code For Life Emphasizing Tolerance, Inclusion and Optimism
A Code For Life Emphasizing Tolerance, Inclusion and Optimism
Desiderata is a p
rose poem that retains poetic elements like
imagery and emotion, but in ‘prose’ or natural speech form.
There is no undue embellishment in rhythm or tone. In
Desiderata’s case, its beauty stems solely from its clear meaning
and tender intent. This simple telling of universal wisdom is
perhaps what will continue it for generations to come. In its
wisdom, the poem is comparable to Rudyard Kipling’s famous
poem ‘If–’.
Perhaps one of the most subtle ways anyone has said ‘Don’t rest
on your laurels’. The poet tells us to allow ourselves credit where
it is due – ‘enjoy your achievements’. Savoring the fruits of one’s
labor makes the effort worth it. Yet at the same time, he tells us
to enjoy our ‘plans’. This is a gentle nudge to go onward, plan
ahead to move onto greater things; don’t just rest on past
achievements.
The poet’s words are a warning. Be discreet and keep your own
counsel in matters of income and work. There are people who
would manipulate a person’s opportunities, strengths and
weakness or failures to their benefit. The world can be a
scheming place and you should not give your faith blindly. You
never know who will take advantage of your reputation or your
earnings. Be on guard and keep your counsel secret is what the
poet is trying to say.
The world might be a tricky place, but as the poet points out –
there is also another side to it. You can find heroism in equal
measure. Angels walk alongside the demons. There are people
with morals and values – those who ‘strive for high ideals’. In
watching your back, the poet counsels, don’t ignore the people
who have got your back – who are there to support you. As the
poem reads, ‘let this not blind you to what virtue there is’. Give
your trust and respect to people who have earned it.
The poet portrays Age as a teacher here. Each of the years we
live makes us wiser through all we live through. ‘Counsel of the
years’ includes our own individual experiences as well as the
experience and wisdom of the elders. On the other hand, youth
is marked by inexperience, passion and restlessness. When
people are young, they are often guided by impulsion. The poet
here urges us to give up those emotions of the youth and be
guided by the wisdom that mankind has gathered over the
ages. Use of the words ‘kindly’ and ‘gracefully’ reminds us to stay
humble to life’s lessons without losing our dignity..
‘Strength of spirit’ is an inner force that is your own. Nurturing
this strength is a disciplined decision to build character. To the
poet, this is important because it allows only you to be in charge
of your life and happiness. Especially when trouble strikes, more
often than not we are caught unawares. Help then is not usually
available readily. In times like this, the strength of spirit that you
cultivated will stand you in good stead. You are not helpless or
at another’s mercy. You know that you can rely on yourself.
Sometimes our minds can be our worst enemy. The poet speaks
of ‘dark imaginings’ or negative thoughts that could come from
unnecessary worrying, distrust or anger. The poem identifies the
root of most fears stemming from tiredness and isolation.
Therefore he directs us to consciously steer away from
depressing situations and rein our minds in. The ‘strength of
spirit’ the poet just spoke about particularly comes in handy
here.f.
Then again, the poet reminds us that we are human. Life being
the unpredictable teacher that it is, can push us into grey areas
– circumstances where a rigid adherence to our principles may
not be possible. Then the poet reminds you to ‘be gentle with
yourself’ – don’t be too hard on yourself. When life demands, we
must find the grace to forgive ourselves and take comfort
knowing we did our best in a particular situation.
Don’t lose sight of the beauty of the world. Sure, bad things
happen. The poet admits there are fraud (sham), drudgery
(boring, hard work) and unfulfilled dreams. No one can pretend
otherwise. But the sweeter parts of Life are also a reality that
need to be acknowledged. The poet does not want the bad bits
to blind the reader to the good that exists side by side. The
world is truly a beautiful place, if you will allow yourself to see it.
In the final word, less is more. Few simple words to provide the
most impact. The poet of ‘Desiderata’ tells us to ‘be cheerful;
strive to be happy’ – look for the bright side of life. Count your
blessings. There is a lot in life to be grateful for. There are things
to look forward to.
This includes how to keep what’s important in front of mind, balance
one’s career, inner peace, and aspirations. While also striving to be a
good person in a world that doesn’t always treat you fairly.
‘Desiderata’ by Max Ehrmann is a prose poem that in its original form
was contained within one long paragraph or stanza. In later years,
without the consent of the author, it was separated out into stanzas. As
a prose poem, this piece has some of the attributes of prose, or
structured, purposeful writing that is focused on outcomes and plots,
and some of poetry. The latter is seen through the use of stanzas, line
breaks, e njambment, and other poetic techniques.
This piece does not rhyme, nor does it conform to a specific metrical
pattern. The lines read more like sentences, albeit with breaks in places
that make them poetic, than they do lines of verse. It is easy to approach
this piece as a speech, a kind of manifesto on how to live one’s life.
Despite being a prose poem, there are several poets techniques at work
in ‘Desiderata’. T
hese include but are not limited to enjambment,
sibilance, and alliteration. The first of these, enjambment, is a very
prominent technique in this poem. It occurs when a line is cut off before
its natural stopping point. Enjambment forces a reader down to the next
line, and the next, quickly. One has to move forward in order to
comfortably resolve a phrase or sentence. For example, the transition
between lines three and four as well as that between lines twenty-five
and twenty-six.