Avoiding Symmetry in The Italian Game
Avoiding Symmetry in The Italian Game
Avoiding Symmetry in The Italian Game
by Mihail Marin
Although Black usually does not find himself under immediate pressure in the Giuoco Pianissimo setup of
the Italian Game, it certainly is irritating that he cannot obtain active counterplay easily in the almost
symmetrical positions that arise. For decades, Black's main hope for generating winning chances has
been considered the somewhat experimental variation 1.e4 e5 2.¤f3 ¤c6 3.¥c4 ¤f6 4.d3 h6!? with the
idea of continuing with ,,,d6 and ...g6, aiming for a Pirc or deferred Steinitz RL type of position. I have
been playing this line with relative success over the past few years, but recently I lost a crushing game
which made me wonder whether Black can really afford to spend a whole tempo on a move like ...h6 in an
open game. In the notes to Zambrana,O - Marin,M 1-0, where the game continued with 5.0-0 d6 6.¦e1 g6
7.d4 £e7 8.¤c3, I have indicated the type of positions Black is aiming for as well as the concrete problems
in the diagram below.
Although this had been played before, I feel that Zambrana's handling of the position, based on rapid and
harmonious developing of pieces, casts some doubt on the viability of Black's plan.
Immediately after the game, I started thinking about possible ways to save playing the move ...h6 and I
found out that 3...d6 might be worth a try. I was surprised to discover that the move had been played in
serious games over the decades already, although there is almost no mention of it in opening books.
By keeping the h4-d8 diagonal open (no ...¤f6 yet), Black prevents the knight move to g5 and plans to
develop with ...g6, ...¥g7 and finally ...¤f6 and ...0-0. This is the starting point of our article. Theory is not
too well developed here and I have aimed to examine White's main tries to question the viability of Black's
slow way of developing. From Black's point of view, I have only considered the plan based on ...g6 and ...
¥g7, consistent with the initial idea, expressed in the introduction.
A) Since Black has not put the enemy centre under pressure yet with ...¤f6, the active 4.d4 looks logical.
After 4...exd4 5.¤xd4 Black is at a crossroads.
If he intends to develop the bishop by fianchetto, he is best advised to do so immediately, because in the
event of the seemingly natural 5...¤f6 6.¤c3 g6?! the force of the Italian bishop is revealed after 7.¤xc6
bxc6 8.e5! with a favourable opening of the position. See Boe,M - Nielsen,P 0-1.
After the more cautious 5...g6, White's attempts to prepare the same kind of operation fail, although he
can choose between different move orders.
For instance, 6.0-0 (or 6.¤c3) 6...¥g7 7.¥e3 ¤f6 8.¤xc6 bxc6 9.e5 is strongly met by 9...¤g4, attacking the
e3-bishop, as in Hoiberg,N - Jacobsen,B 0-1.
Another premature attempt to put Black under pressure was seen in Darnstaedt,F - Dreev,A 0-1.
If White intends to prevent ...¤f6 because of the threat e5, he has to play 6.0-0 ¥g7 7.¤xc6 (this is the
point where White refrains from ¥e3) 7...bxc6 8.¤c3. Now, indeed, 8...¤f6 9.e5! is to be avoided, but
White's move order implies a double commitment. First of all, he has deprived himself of the possibility of
castling long, which reduces the chances of a kingside attack. Secondly, he has prematurely exchanged
on c6, increasing Black's control in the centre and reducing his own influence in this important area.
Therefore, Black can deviate with 8...¤e7, with an entirely viable position, as in Browne,W - Larsen,B ½-
½. A similar situation can be seen if White plays 8.¦e1 instead of 8.¤c3, as in Pouw,P - Werle,J 0-1.
A more consistent plan looks to be castling long - 6.¤c3 ¥g7 7.¥e3 ¤f6 8.£d2 0-0 9.0-0-0 ¦e8 10.f3.
However, if we compare this with a similar line from the Philidor Defence, the white king's bishop has
been prematurely developed, which allows Black to win time for his counterplay with 10...¤e5. For 11.¥e2
see Palkovi,J - Hammergren,P 1-0 and for 11.¥b3 see Solomon,S - Reinderman,D 0-1.
It should be mentioned that if White castles short, maintaining the tension in the centre, the same plan for
Black remains very effective. See Palacios de la Prida,E - Wojtkiewicz,A 0-1, a game that started as a
Pirc!
We can conclude that the early opening of the centre leads to comfortable (for Black) forms of... the Pirc
Defence.
B) A strategically more consistent plan is to prepare the occupation of the centre with 4.c3, taking
advantage of the fact that White has not been forced to define the intentions of his d-pawn yet (as would
be the case after 3...¤f6 4.d3). After 4...g6 5.d4 we reach an important moment.
Although 5...¥g7 is possible, after the exchange on e5 White's position seems to remain more active, as
in Tomcsanyi,P - Klovans,J 0-1 (please notice the curious move order played in this game).
Therefore, 5...£e7 is safer, when 6.dxe5 ¤xe5 7.¤xe5 dxe5 is entirely safe for Black, as in Mednis,E -
Kortschnoj,V 1-0. If White intends to exchange on e5, he should wait until Black develops his bishop to g7
(6.0-0 ¥g7 7.dxe5). In this case, Black is required to demonstrate greater accuracy, but the position
remains balanced in principle. See Gavrilakis,N - Baumgartner,H ½-½.
The only chance for White to retain a strategic superiority consists of maintaining the tension in the
centre. A logical continuation is 6.0-0 ¥g7 7.¦e1 ¤f6 8.¤bd2 0-0 9.h3.
However, this position is very similar to those aimed for by Black when he plays 3...¤f6 4.d3 h6. The only
difference is that the h-pawn is on its initial square, preventing the manoeuvre ...¤h7-g5. On the other
hand, the black kingside has not been weakened. It is hard to say whether this small difference influences
the overall evaluation of the position, because there is little practical material available. However, my
feeling is that each player has got what he wanted: White retains an advantage in space, while Black is
perfectly regrouped and has no weaknesses, hoping to prepare his counterplay in the long run. See
Morozevich,A - Malaniuk,V ½-½. It is inspiring to notice that the main expert of the 3...¤f6 4.d3 h6 line
also goes for 3...d6.
Although c3 followed by d4 is very sound strategically, it should not prevent Black from playing the
Fianchetto Italian.
C) Finally, we shall examine some games in which White employed more violent means. Since Black has
not covered the g5-square, it is tempting to prepare a knight move there. However, 4.d3 looks harmless
for Black, as in Seret,J - Bricard,E 0-1.
Things are more complicated after the more refined move order 4.0-0 g6 5.d4 exd4.
Now, capturing on d4 would transpose to familiar lines, but White can play more energetically.
6.¥g5 is neutralised by 6...¥e7 as in Yudasin,L - Vorotnikov,V 1-0, while the neo-romantic 6.c3!? is
adequately met by 6...d3! and the Pirc character of the position is not altered in any way. See Fauland,A -
Chernin,A ½-½. Seeing these two games, the reader will understand why I did not suggest 3...g6 as the
main move order. In that case, the absence of the moves ...d6 and 0-0 is likely to favour White after 4.d4
exd4 5.c3 or 5.¥g5.
Shortly before the article was published, Rainer Knaak asked me whether there is a clear refutation of
3...g6 instead of 3...d6, with the idea of transposing to the same lines. Remarkably, I had asked myself
the same question during the Reggio Emilia tournament, while preparing for a speciffic opponent by...
reading my own article. I believe that 3...g6 may be just as good as 3...d6, but, for abstract reasons, the
latter looks a bit safer, by consolidating the centre and opening the diagonal for the c8-bishop before
defining matters regarding the other bishop.
I believe that on the basis of the material examined, we can conclude that 3...d6 followed by ...g6 is
entirely sound. In my opinion, the critical lines are those played in Browne,W - Larsen,B ½-½ and
Morozevich,A - Malaniuk,V ½-½.