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    M Usic Theory Review: N Am E

    Uploaded by

    Lee Condakes
    This document provides figured bass lines for a music theory assignment on mode mixture and secondary functions. Students are asked to realize the figured bass lines, marking any instances of mode mixture with an asterisk. Three figured bass lines with varying chord progressions and notes are given for the assignment.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    M Usic Theory Review: N Am E

    Uploaded by

    Lee Condakes
    31 views1 page
    This document provides figured bass lines for a music theory assignment on mode mixture and secondary functions. Students are asked to realize the figured bass lines, marking any instances of mode mixture with an asterisk. Three figured bass lines with varying chord progressions and notes are given for the assignment.

    Original Description:

    derp

    Original Title

    Assignment 3

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    © © All Rights Reserved

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    This document provides figured bass lines for a music theory assignment on mode mixture and secondary functions. Students are asked to realize the figured bass lines, marking any instances of mode mixture with an asterisk. Three figured bass lines with varying chord progressions and notes are given for the assignment.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    31 views1 page

    M Usic Theory Review: N Am E

    Uploaded by

    Lee Condakes
    This document provides figured bass lines for a music theory assignment on mode mixture and secondary functions. Students are asked to realize the figured bass lines, marking any instances of mode mixture with an asterisk. Three figured bass lines with varying chord progressions and notes are given for the assignment.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 1

    Name: ________________

    Music Theory Review


    Assignment 3 - Mode Mixture and Secondary Functions, through figured bass

    Realize the following figured bass lines.


    ***Wherever you encounter mode mixture, mark it with a *.

    ###
    & œœœ
    ? ### œ œ œ ˙
    { 6
    #œ
    6
    5
    ˙
    6
    4
    5
    3
    œ œ
    4
    2
    œ
    6
    œ
    6
    5
    ˙
    7
    ˙

    §3

    & b œœœ
    ?
    { bœ œ
    6
    4
    œ
    6
    œ œ
    6
    4
    œ
    4
    2
    ˙
    6
    ˙ œ
    6
    œ
    4
    3
    w
    b5

    b œ
    & b b œœ
    ? bb œ œ #œ œ
    { b nœ
    6
    5
    œ œ
    6
    w
    6
    5
    8
    œ
    7
    w
    §
    §
    §3

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