Gīta Govinda: January 2018
Gīta Govinda: January 2018
Gīta Govinda: January 2018
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Gīta Govinda
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Amitabhvikram Dwivedi
Shri Mata Vaishno Devi University
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that Gita Govinda is an adulteration of divine with dedications to Lord Krishna. The poem helps the
the profane, eternal with the ephemeral, and pas- devotees to move from the physical and to reach
sion with bodily possession. Though this popular to the mystical: the devotees cultivate mental dis-
and influential poem with its frank and tender crimination and physical relish; two opposite
lyricism explores many carnal themes, such as traits fill the readers with the sweetness of
sexual passion, fierce regrets and jealousies, and experiences.
satisfaction through bodily means, on the whole, it Following the poetic tradition of Sanskrit
celebrates the majestic nature’s regeneration poetry, Gita Govinda is sonorous, repetitive, orna-
through the sexual union, the deep mystery of mental, and ambiguous. Linguistically speaking,
erotic experience, and the interplay of human syllables are long and vowels elongate [4]. Gen-
and divine. erally, more than one consonant precedes vowels.
The heroine of Gita Govinda, Radha, is a Aspiration is rampant, and aspirated consonants
proud possessor of physical attributes like heavy are pronounced as the breathy one. Long vowels
breasts and hips which are considered to be a are chiefly stressed. Notably, in Gita Govinda, we
hallmark of beauty in the classical Sanskrit poetry. will not find a single line that indicates poet’s
Radha longs for Krishna, and the adjectives, jeal- desire to be one with Krishna as Radha has;
ous, sulking, playful, tempestuous, and despairing Jayadeva simply sings in praise of Krishna. Also
inform us about her psyche. On the other hand, many orthodox pundits reject the religious status
Krishna is the eternal male, charming and uncom- of the text. However, majority of critics affirms
mitted, and he is desirous by all women. Radha the central position of the text within the Hindu
completely submits herself to Krishna but feels religious tradition and recognizes Jayadeva as a
derelict when Krishna returns to other women. mystical poet of the Medieval India.
There are ten long sections of the poem that sep-
arates Radha’s initial submission to her final rec-
onciliation with her lover Krishna. Jayadeva, like
References
a love guru, explores and analyzes the changing
moods of attraction and the lovers; Krishna and 1. Arnold E, Jayadeve (1890) Poems: containing the light
Radha become his mouthpiece, and they declaim, of Asia; pearls of the faith, or Islam’s rosary; and the
despair, and appear to say few words. Indian song of songs. To which is added Indian poetry:
Krishna makes Radha jealous; Radha sulks and from the Sanskrit of the Gita Govinda of Jayadeva; two
books from “the Iliad of India” (Mahabharata); “pro-
despairs. Krishna pines for Radha, and Radha verbial wisdom” from the Shlokas of the Hitopadesa,
finds bliss in his company. Krishna commiserates and other oriental poems. Hurst, New York
with Radha’s distress and waits for her, whereas 2. Chandra M, Jayadeva (1980) Gīta Govinda. Published
Radha flies into tempers and rails at Krishna. by R.L. Bartholomew for Lalit Kalā Akademi, New
Delhi
Krishna importunes and praises Radha; he enjoys 3. Greenberg YK (2008) Encyclopedia of love in world
and assures her of his love; Radha consents and religions. ABC-CLIO, Santa Barbara
finds contentment in Krishna. These carnal plea- 4. Jayadeva, Vācutēvacāstiri K (1989) Gita Govinda with
sures are the focus of the entire poem [5]. Further Abhinaya. Thanjavur Maharaja Serfoji’s Sarasvati
Mahal Library Society, Thanjavur
research can be conducted how and when such 5. Tripathy AK, Tripathy PC, Jayadeva (2006) The Gita
erotic sentiments came into prominence became a Govinda of Sri Jayadev. Publication Division, Ministry
part of religious sect in India. Jayadeva, in fact, of Information and Broadcasting, Govt. of India, New
invented the aesthetic experience of desire and Delhi
love; however, the song generally ends with