So Good-5 PDF
So Good-5 PDF
So Good-5 PDF
CHRISTOPHE ADAM
HE DISCOVERS A TASTE FOR THE SWEET IN LEGRAND, IN
QUIMPER. HE GOES THROUGH A CREATIVE AWAKENING AT
THE LONDON RESTAURANT LE GAVROCHE. Back in Paris, Christophe Felder and
Laurent Janin open the doors to Le Crillon to him and teach him luxury, the philosophy of a great establishment, but also its rigors and demands.
Three years later, he leads a team of seven pastry chefs in Beau Rivage Palace, in Lausanne. He returns to Paris in 1996 and goes into Fauchon,
with Michel Guadard, before Pierre Hermé’s departure. Michel Ducros, president of the company, begins to give him more and more responsibi-
lity and independence. Today he is the establishment’s creative director. We are talking about Christophe Adam, one of the biggest promoters of
current Haute Pâtisserie, a trend that far from battling the classic principles of French patisserie, it revises them, updating them and turning them
into authentic avant-garde. HE DEFINES HIS PASTRY AS PLAYFUL, INNOVATIVE, GENEROUS AND
CHEERFUL, AND WE WOULD ADD LUXURIOUS, TRENDY, FRESH, AND SEDUCTIVE.
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Christophe Adam
How did you arrive at the concept Haute What are your greatest professional challenges?
Pâtisserie? Fauchon is a constant challenge for me: excellence,
Many of my pastry chef friends and I thought it was creativity, taste, flavor, knowing exactly what you want
essential to reaffirm the master lines of pastry, paying in the composition and creation of a cake. All of this is
close attention to rehabilitating the great values of a challenge.
French patisserie. That’s how we came up with the
idea of creating the concept Haute Pâtisserie: a level of What most motivates you daily?
excellence in flavor and creativity, in line with what What excites me is seeing the reaction of the people
Fauchon had introduced through the concept “unique who stand in front of the shop window. It’s like a child-
boutique” in his establishment at Madeleine square. It hood dream, and above all it’s quite accessible. What
was meant to create French exemption! really distinguishes this haute pâtisserie is that it’s avai-
lable to everyone – reaching luxury and entering in the
How do you define your patisserie? exclusive world of the exceptional for a few euros, isn’t
Playful, innovative, generous, and cheerful. But also it magical?
very respectful with French patisserie values. We are
talking about rum baba, the macaroon, and of course, Is creating good pastry without French influence
the éclair and all the other famous French specialties. possible?
Of course it is! And fortunately, since this is what the
What are some of the most important concepts richness of gastronomy and patisserie consist of, there
in your creations? are all kinds of possible universes and infinite interpre-
What most satisfies me is revisiting the classics, crea- tations! We will discover tastes, flavors, textures, and
ting ruptures and surprises. Patisserie should surprise, incredible combinations! This is why travelling is of vital
seduce, amuse, and make our mouths water. It is a importance: travelling, tasting, and enjoying what is
labor of sensorial seduction. eaten in each place is the undisputable base of our cul-
ture. We are more authentic and committed to the
values we uphold when we know the difference of
others. The French haute pâtisserie style begins with
Fauchon in France but is enriched by the impulse given
by other great pastry chefs.
What excites me is seeing the reaction of the people who How do you see the evolution of haute pâtisserie
in France and the rest of the world?
stand in front of the shop window. It’s like a childhood dream, We are in the infancy of high level pâtisserie in France.
All of this is new and beautiful, and we are slowly pre-
and above all it’s quite accessible. What really distinguishes this senting new focuses on taste, new proposals. It’s a win-
haute patisserie is that it’s available to everyone – reaching dow which opens to a new gastronomy style. Sugar
becomes elegant, subtle, refined, and always synony-
luxury and entering in the exclusive world of the exceptional mous with pleasure.
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llenges?
xcellence,
you want
of this is
e people
ke a child-
ble. What
t it’s avai-
ing in the
uros, isn’t
nfluence
what the
of, there
interpre-
ures, and
is of vital
what is
f our cul-
ed to the
rence of
gins with
ulse given
âtisserie
n France.
owly pre-
It’s a win-
yle. Sugar
s synony-
MEGÈVE
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Christophe Adam
Heat the water and syrup. Then add the cocoa powder. PREVIOUSLY SOAKED IN COCOA SYRUP. SMOOTH WITH THE GANA-
CHE AND FREEZE.
UNMOLD AND ROUND OFF THE EDGES WITH THE HELP OF SOME
GLOVES. PLACE THE GREY MARSHMALLOWS ON TOP OF THE CAKE,
FREEZE AND SPRAY TO APPLY A VELVETY EFFECT.
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g
chi-
moli-
uring
over
AT IT
NGE
AND
ORE
AKE,
ANA-
OME
AKE,
MIMA
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Christophe Adam
caramel crémeux
280 g superfine sugar
90 g water sugared paste
50 g glucose 44 g almond powder
100 g cream, hot 104 g potato starch
140 g egg yolks 360 g flour
460 g cream 2 g fleur de sel
4 g vanilla bean 180 g confectioners’ sugar
6 g powdered gelatin 190 g butter
16 g water 104 g whole egg
40 g water for gelatin 2 g powdered vanilla
Make a caramel with the sugar, water and glucose. Take off the Beat the almond, starch, salt, confectioners’ sugar, vanilla and butter
heat by adding the hot cream. Add the other measurement of in the mixer. Add half the amount of eggs and flour. When the
cream and vanilla beans. Let infuse for 3 minutes. Beat the egg eggs are fully integrated, be careful no to overmix, just until all the
yolks and cook to 85ºC. ingredients are combined. Add the remainder of egg and flour.
Add the gelatin, previously hydrated in cold water for 20 minutes. Finish kneading.
Finish with the 16 g water. Pass through a chinois and mix. Place in Store in a fresh place with plastic wrap for a few hours before use.
11cm silicone molds (160 g).
DISPLAY
white velvet ARRANGE 13-CM-WIDE AND 6-CM-HIGE RING MOLDS. LINE WITH
410 g Ivoire couverture SOME RHODOÏD. SLIGHTLY WHIP THE VANILLA GANACHE. POUR A
535 g cocoa butter FIRST LAYER OF GANACHE INTO THE MOLD, INSERT THE CARAMEL
45 g titanium dioxide
CRÉMEUX CENTER AND SPONGE CAKE, COVER WITH ANOTHER
LAYER OF GANACHE AND SEAL WITH THE CRUNCHY PRALINÉ.
Melt the couverture and cocoa butter. Slowly dissolve the dioxide
and mix. Pass through a chinois before use. SMOOTH OUT AND FREEZE.
REMOVE FROM THE MOLD, ROUND OFF THE EDGES WITH THE HELP
OF GLOVES, USE A SPRAY GUN TO APPLY A VELVETY EFFECT AND
GARNISH WITH CHOCOLATE ROCKS AND GIANDUJA ALMONDS
SPRINKLED WITH SILVER POWDER.
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utter
the
use.
m.
and
WITH
UR A
AMEL
THER
LINÉ.
HELP
AND
NDS
LE GALACTIC
christophe adam sg 5 ENG_Maquetación 1 6/4/20 13:10 Página 34
Christophe Adam
MONTAGE
chocolate rolls LINE RING MOLDS WITH RHODOÏD. SPREAD A FEUILLETÉ PRALINÉ
Melt 67% cocoa dark couverture to 50ºC. Heat a stainless steel
LAYER ON THE BOTTOM OF THE RING. REPEAT WITH THE OTHER
sheet pan to 50ºC. Spread the chocolate on the sheet pan with the
TWO MERINGUE DISCS. LEVEL OUT WITH THE MOUSSE AND FREEZE.
help of a rolling pin. Leave to crystallize and put in refrigerator.
When needed, remove the sheet pan from refrigerator and leave UNMOLD AND TOP WITH THE ROLLS.
at room temperature. With the help of a knife, make rolls of the
same size. Allow to crystallize again and store in refrigerator.
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