Chinese Art

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FINE CHINESE PAINTINGS

AND SOUTHEAST ASIAN ART


中國書畫及東南亞藝術
Sunday 29 May 2016
星期日 2016年5月29日 下午一時
香港邦瀚斯藝術廊
INTERNATIONAL CHINESE PAINTINGS TEAM

Colin Sheaf Dessa Goddard Asaph Hyman

ASIA AND AUSTRALIA

Vincent Wu Victoria Huang Yvett Klein


Hong Kong Singapore Sydney

USA

Bruce MacLaren Nicholas Rice Amelia Chau Tiffany Chao


New York New York San Francisco Los Angeles

ASIA REPRESENTATIVES

Summer Fang Bernadette Rankine


Taipei Singapore
FINE CHINESE PAINTINGS
AND SOUTHEAST ASIAN ART
中國書畫及東南亞藝術
Sunday 29 May 2016 at 1pm
Bonhams Hong Kong Gallery
Suite 2001, One Pacific Place, Admiralty, Hong Kong

星期日 2016年5月29日 下午一時
香港邦瀚斯藝術廊
金鐘太古廣場一期2001室

ENQUIRIES EUROPE SALE NUMBER PAYMENT


HONG KONG Asaph Hyman 23345 For an overview of the payment
Chinese Paintings +44(0) 207 468 5888 process, please refer to the Clause
+852 2918 4321 [email protected] ILLUSTRATIONS 9 of the “NOTICE TO BIDDERS”
[email protected] Front Cover: Lot 130 (detail) section at the back of this
NORTH AMERICA Back Cover: Lot 157 (detail) catalogue.
Vincent Wu Dessa Goddard Inside Front Cover (left): Lot 161 (detail)
+852 3607 0016 +1 415 503 3333 Inside Front Cover (right): Lot 162 (detail) CUSTOMER SERVICES
[email protected] [email protected] Inside Back Cover (left): Lot 156 (detail) Monday to Friday 9:00 - 18:00
Inside Back Cover (right): Lot 156 (detail) +852 2918 4321
BEIJING VIEWING Opposite Sale Information: Lot 185
Iris Miao (Senior Consultant, 拍賣品之狀況
Chinese Paintings) HONG KONG
26 May 2016 10am to 7pm BIDS
+86 1371 879 9947 請注意:本目錄並無說明任何拍賣品
27 May 2016 10am to 7pm +852 2918 4321
[email protected] 之狀況。按照本目錄後部份所載之
28 May 2016 10am to 8pm +852 2918 4320 fax
「競投人通告第 15 條」,準買家必須
SINGAPORE [email protected]
於拍賣前親自確定拍賣品之狀況。
Bernadette Rankine Bonhams Hong Kong Gallery To bid via the internet, please visit
純為方便準買家,本公司如在拍賣開
+65 6701 8038 Suite 2001, One Pacific Place www.bonhams.com
始前 24 小時收到準買家的要求 , 本公
[email protected] 88 Queensway, Admiralty 司可提供書面上的狀況報告。狀況報
Hong Kong Please note that bids should be
告同時可於本公司網頁下載。該報告
Victoria Huang (Chinese Paintings) submitted no later than Saturday 30
是依據「競投人通告第 1.6 條」提供。
+65 6701 8038 香港邦瀚斯藝術廊 May. New bidders must also provide
[email protected] 金鐘太古廣場一期 2001 室 proof of identity and address when
submitting bids. Failure to do this PHYSICAL CONDITION OF LOTS
+852 2918 4321 IN THIS AUCTION
TAIWAN may result in your bids not being
Summer Fang processed. Bidders of accepted bids
+886 2 8758 2898 PREVIEW PLEASE NOTE THAT THERE
will receive a Bid Confirmation.
[email protected] TAIPEI IS NO REFERENCE IN THIS
7-8 May 2016 CATALOGUE TO THE PHYSICAL
AUSTRALIA CONDITION OF ANY LOT.
Yvett Klein Fubon International Convention INTENDING BIDDERS MUST
+61 2 8412 2231 Center SATISFY THEMSELVES AS TO
[email protected] Basement 2nd Floor THE CONDITION OF ANY LOTS
No. 108, Sec. 1, Dunhua S.Rd. AS SPECIFIED IN CLAUSE 15
Songshan District, Taipei City 105 OF THE NOTICE TO BIDDERS
Taiwan (R.O.C.) CONTAINED AT THE END OF
THIS CATALOGUE.
富邦國際會議中心
地下二樓 As a courtesy to intending
台灣台北市敦化南路 1 段 108 號 bidders, Bonhams will provide a
written indication of the physical
condition of lots in this sale if
a request is received up to 24
hours before the auction starts.
Such report is also available
for download from Bonhams
website. This written indication
is issued subject to Clause 1.6
of Appendix 2 to the Notice to
Bidders.

Bonhams (Hong Kong) Ltd. Trading Office Bonhams 1793 Ltd Directors Bonhams (Hong Kong) Limited Directors
Suite 2001, One Pacific Place Robert Brooks Co-Chairman, Colin Sheaf Chairman Asia
Malcolm Barber Co-Chairman, Malcolm Barber, Matthew Girling
88 Queensway Colin Sheaf Deputy Chairman, Dessa Goddard, Asaph Hyman, Edward Wilkinson.
Admiralty Matthew Girling CEO,
Hong Kong Patrick Meade Group Vice Chairman,
Geoffrey Davies, James Knight,
Caroline Oliphant.

Bonhams (Hong Kong) Limited Registered No. 1426522 Registered Office: Room 5501 / 55F, Central Plaza, 18 Harbour Road, Wanchai
SALE
INFORMATION

AFTER SALE COLLECTION Hong Kong dollar personal cheque drawn on Our Client Account details are as follows:
a Hong Kong branch of a bank: all cheques 客戶賬戶詳情如下:
All sold lots will be available for collection after must be cleared before you can collect your
10am on Monday 30 May from: purchases; Account Name 賬戶名稱
Bonhams Hong Kong office Bonhams (Hong Kong) Ltd - Client A/C
Suite 2001, One Pacific Place, Bankers draft: if you can provide suitable
88 Queensway, Admiralty, proof of identity and we are satisfied as to the Account Number 賬戶號碼
Hong Kong genuineness of the draft of cheque, and that the 808-870174-001
funds have originated from your own account,
SHIPPING we will allow you to collect your purchases Bank Name 銀行名稱
immediately; HSBC
For sale collection information and estimates
on domestic and international shipping as well Cash: you may pay for Lots purchased by you at Bank Address 銀行地址
as export licenses please contact the Chinese this Sale with notes, coins or travellers cheques Head Office
Paintings department on in the currency in which the Sale is conducted 1 Queens Road
Tel: +852 2918 4321 (but not any other currency) provided that the Central
Fax: +852 2918 4320 total amount payable by you in respect of all Lots Hong Kong
[email protected] purchased by you at the Sale does not exceed
HK$80,000. If the amount payable by you for Swift Code 國際匯款代碼
STORAGE CHARGES Lots exceeds that sum, the balance must be HSBCHKHHHKH
paid otherwise than in coins, notes or travellers
Storage charges will commence one month cheques; If paying by bank transfer, the amount
after the date of the auction at the following received after the deduction of any bank
rate: Bank Transfer: you may electronically transfer fees and/or conversion of the currency of
HK$800 per lot per month funds to our Client Account. If you do so, please payment to Hong Kong dollars must not be
quote your paddle number and invoice number less than the Hong Kong dollars amount
拍賣後提貨 as the reference. payable, as set out on the invoice.

所有售出的拍品將可於2016年5月30日上午十時 付款 Debit cards issued by a Hong Kong Bank:


後提貨。提貨地址如下:. there is no additional charge for purchases
邦瀚斯拍賣行 買家須將成功所購得之全部拍賣品的總額悉數付 made with these cards;
香港金鐘道88號 清後(包括所有費用),才可提取拍賣品。為確
太古廣場一期20樓2001室 保拍賣會後七個工作天內所有款項可全部過賬, Credit cards: American Express, Visa,
請於拍賣會後第二個工作天的下午四點半前付 Mastercard and UnionPay.
運輸事宜 款,如買家希望把所購得之拍賣品運至香港以外
的地方,以及需要或可能需要申請出口執照,這 Please note there is a 2% surcharge on the
有關提貨、運輸費用、出口證等事宜的查詢,請 條款依然適用。在競投之前,請準買家確保所需 total invoice value when payments are made
聯繫邦瀚斯中國書畫部。 資金,並可利用下述任何一種方式付款。除事前 using credit cards. It may be advisable to notify
電話:+852 2918 4321 雙方有協議外,登記買家以外的其他人仕之付款 your card provider of your intended purchase in
傳真:+852 2918 4320 將不會被接納。 advance to reduce delays caused by us having
[email protected] 我們接受以下各種付款方法: to seek authority when you come to pay.

存放費用 所有香港銀行及其分行的港幣個人支票: For CUP debit card:


提取拍賣品前,所有支票必須巳全部過帳。 No surcharge on the first HK$1,000,000
拍賣結束一個月後每件拍賣品每月將向買家徵收 支票的抬頭人請寫上 2% surcharge on the balance over
存放費用800港元。 「Bonhams (Hong Kong) Ltd - Client A/C」 HK$1,000,000

PAYMENT 銀行匯票:在確認有效身份證明及匯票後,買家 If you have questions with regard to payment or


可立刻提取所購之拍賣品 settlements of vendor proceeds please contact
Purchases can only be released when full our Customer Service Department.
settlement (inclusive of all charges) of all 現金:如所購得的拍賣品總值不超過HK$80,000
invoices issued to the buyer is received in ,買家可以現金或港幣(不接受其他貨幣)為單 如果閣下通過銀行轉賬付款,我們所收的款額
cleared funds. If you are a successful Bidder, 位之旅行支票付款。如所購得的拍賣品總值超過 經扣除任何銀行費用,以及/或者款項經兌換
payment will be due to be made to us by HK$80,000,HK$80,000以外的金額,必須以現 成港幣後,必須不少於如發票所的應付款額。
4:30pm on the second working day after the 金及旅行支票以外的方式支付
Sale so that all sums are cleared by the seventh 由香港銀行發出的扣賬卡:以此方法付款,將
working day after the Sale. This applies even if 旅行支票:假若所購得的拍賣品總值不超過 不收取額外的費用
the buyer wishes to export the lot and an export HK$80,000,買家可以旅行支票付款,但必須出
license is (or may be) required. Before bidding 示有效之身份證明。 信用卡:美國運通卡,Visa , Mastercard卡及
you should ensure that you have the necessary 海外扣帳卡均可使用。請注意,以信用卡付款
funds available and be able to pay according to 銀行轉賬:買家可利用電子轉賬至我們的銀行賬 的話,將收取發票總額2%的附加費。我們建
one of the methods set out below. All cheques 戶,請注意把競標牌號碼及發票資料寫上,以作 議,閣下在拍賣前可預先通知發卡銀行,以免
should be made payable to Bonhams (Hong 參考。 您於付款時,由於需要確認授權而造成延誤。
Kong) Ltd - Client A/C. Unless agreed by us in
advance payments made by anyone other than 中國銀聯(CUP)借記卡: 如閣下使用中國銀
the registered buyer will not be accepted. We 聯借記卡1,000,000港元之內將不收取附加費,
accept the following methods of payment: 超過 1,000,000港元之後的餘額將收取
2%的附加費。  
Current scholarship in the field of Chinese Paintings
and Calligraphy does not permit unqualified statements
as to Authorship or date of execution. The limited right
of rescission contained in the ‘Buyer’s Agreement’
of Appendix 2 does not apply to Chinese Paintings.
Nonetheless, if within twenty-one days of the sale of any
such lot, the original purchaser gives written notice to
Bonhams that the lot is a forgery and within fourteen days
after giving such notice, the original purchaser returns the
lot to us in the same condition as at the time of sale and
demonstrates to our satisfaction that the lot is forgery,
Bonhams will rescind the sale and refund the purchase
price received. For this purpose a ‘forgery’ is defined as a
work created with the intent to deceive.

目前有關中國書畫之研究,不允許對畫家及完成日期,作無
懷疑的聲明。附件二「買家協議」裡所包含的有限權利之購
買取消條文,於中國書畫無效。不論上述任何,若二十一日
之內,買方以書面通知邦瀚斯該畫為贋品,以及在提供該通
知書後十四日之內,將物品以出貨時之狀況交還邦瀚斯及
證明至邦瀚斯滿意為止該畫為偽造物時,邦瀚斯將取消該
交易並退回購買價。「贋品」在上述指為蓄意欺騙之目的而
作的作品。
INDEX OF ARTISTS 畫家索引

Anonymous 佚名 133,135 Ma Heng 馬衡 104

Bao Xi 寶熙 118 Pu Hua 蒲華 170


Pu Ru 溥儒 148, 155, 156
Cao Zhenyong 曹振鏞 111 157, 159
Chen Baochen 陳寶琛 140
Chen Da 陳達 151 Qi Baishi 齊白石 145, 146
Chen Dingshan 陳定山 199 Qian Songyan 錢松喦 180
Chen Jieqi 陳介祺 116 Qianlong Emperor 乾隆 129
Chen Yanning 陳衍寧 215, 216
Cheng Duoduo 程多多 166 Ren Xun 任薰 139
Cheng Shifa 程十發 166, 167, 186, 186 Ruyi 如一 165, 214

Deng Erya 鄧爾雅 113 Shen Congwen 沈從文 109


Deng Fen 鄧芬 195 Shen Yinmo 沈尹默 177
Ding Yanyong 丁衍庸 202, 203, 205, 206 Sheng Maoye 盛茂燁 127
207, 211 Su Manshu 蘇曼殊 179
Dong Zuobin 董作賓 101, 115, 143 Sun Yunheng 孫雲生 199, 200
Tai Jingnong 臺靜農 103, 105, 106
Fang Zhaolin 方召麐 208 153
Fu Shan 傅山 125 Tang Yun 唐雲 175
Tao Shoutong 陶壽桐 139
Gao Cai 高採 121
Guan Shanyue 關山月 183, 184, 193 Wan Chengshi 萬承栻 140
Wang Duo 王鐸 124
He Baili 何百里 213 Wang Hui (Attributed to) 王翬(傳) 134
He Shaoji 何紹基 139 Wang Jiqian (C.C. Wang) 王己千 164
Hu Nianzu 胡念祖 212 Wang Yusi 王璵似 142
Hu Shi 胡適 144 Weng Tonghe 翁同龢 122
Hua Yuan 花元 123 Wu Zhihui 吳稚暉 114
Huang Binhong 黃賓虹 171
Huang Jun 黃均 150 Xia Hui 夏翬 136
Huang Junbi 黃君璧 154, 192, 194 Xiang Yu 項煜 120
Huang Zhou 黃胄 189 Xie Zhiguan 謝之光 174
Xie Zhiliu 謝稚柳 178
Jin Nong 金農 117 Xu Beihong 徐悲鴻 168
Ju Lian 居廉 191 Xu Shichang 徐世昌 112

Kong Xiaoyu 孔小瑜 176 Yang Buzhi 楊補之 137


Yao Hua 姚華 147
Lan Yinding (Ran In-ting) 藍蔭鼎 201 Yongqi 永琪 141
Lan Ying 藍瑛 126 Yu Ming 俞明 173
Lang Jingshan 郎靜山 198 Yu Youren 于右任 107, 108
Li Ciming 李慈銘 132 Yuan Yao 袁耀 130
Li Keran 李可染 149, 185
Li Ruiqing 李瑞清 119 Zhang Daqian 張大千 158, 160, 161
Liang Qichao 梁啟超 110 162, 163
Liu Guosong (Liu Kuo-sung) 劉國松 204, 209, 210 Zhang Jinqi 張金錡 166
Liu Haisu 劉海粟 152 Zhang Ling 張翎 131
Liu Yong 劉墉 128 Zhang Shanzi 張善孖 172
Lu Hui 陸恢 169 Zhang Zhidong 張之洞 138
Lu Runxiang 陸潤庠 138 Zhao Shao’ang 趙少昂 190, 196
Lu Yanshao 陸儼少 181, 182 Zhu Qizhan 朱屺瞻 188
Luo Zhenyu 羅振玉 102
Lü Shoukun (Lui Shou-kwan) 呂壽琨 196

6 | BONHAMS
FINE CHINESE PAINTINGS
中國書畫
Lots 101-216

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 7


101

102
101 102
DONG ZUOBIN (1895-1963) LUO ZHENYU (1866-1940)
Poem in Oracle Bone Script Calligraphy in Seal Script
Ink and cinnabar on paper, fan leaf mounted as hanging scroll Ink on paper, mounted on Japanese cardboard, framed
Inscribed and signed Dong Zuobin, with one seal of the artist Inscribed and signed Luo Zhenyu, with two seals of the artist
Dated jiawu year (1954) 33cm x 94cm (13in x 37in).
18cm x 51cm (7in x 20in).
HK$60,000 - 80,000
HK$30,000 - 50,000 US$7,700 - 10,000
US$3,900 - 6,400
Provenance:
董作賓 漁歌子 水墨硃砂紙本 扇面裱為立軸 一九五四年作 Sotheby’s Hong Kong, Fine Chinese Paintings, 7 October 2013,
黃陽題簽 lot 1274

題簽:董作賓先生朱書甲骨文扇面。黃陽。 羅振玉 智仁勇 水墨紙本 裱於日本紙板 鏡框
鈐印:陽
款識:智仁勇。山口先生屬,羅振玉。
款識:漁家樂,舟來去,不識人生羈旅。得魚買酒即歸,休莫問 鈐印:上虞羅振玉印、歲寒得雪
風風雨雨。
甲午(1954)七夕,寫一厂《集契集》「漁歌子」,應敬之方家 來源:香港蘇富比,中國書畫拍賣,2013年10月7日,編號 1274
雅命。董作賓。 號
鈐印:作賓

上款人「敬之」,或為何應欽(1890-1987)。

「一厂」即汪怡(約1875-1960),浙江杭州人,語言學家。民
國三十九年(1950),汪一厂根據彥堂先生所提供之甲骨文字撰
成《集契集》,其中集聯一百八十二聯,詩九十一首,詞七十七
首,又北曲小令六首。

此扇面所錄「漁歌子」,可參見汪怡、董作賓撰《集契集》,卷
下,頁34-35。

8 | BONHAMS
103
TAI JINGNONG (1902-1990)
Poem in Clerical Script
Ink on paper, hanging scroll
Inscribed and signed Jingzhe, with one seal of the artist
110.5cm x 26.5cm (43½in x 10¼in).

HK$50,000 - 70,000
US$6,400 - 9,000

臺靜農 書乙瑛碑廿六字 水墨紙本 立軸

款識:經緯天地,幽讚神明,故特立廟,褒成侯四時來祠,出王
家錢,犬酒直。以敗筆書乙瑛碑廿六字,臺北市龍坡靜者。
鈐印:臺靜農

103

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 9


104

104
MA HENG (1881-1955)
Calligraphy in Seal Script
Ink on paper, mounted
Inscribed and signed Ma Heng, with two seals of the artist
Dated [minguo] twenty-fourth year (1935)
36.5cm x 110cm (13½in x 43¼in).

HK$40,000 - 60,000
US$5,200 - 7,700

馬衡 食德廔 水墨紙本 鏡心 一九三五年作

款識:食德廔。紫佩先生屬書,廿四年(1935)二月,馬衡。
鈐印:無咎無恙、馬衡叔平

上款「紫佩」或為宋琳(1887-1952),字克強,號紫佩,浙
江紹興人。早年就讀於浙江兩級師範,為魯迅學生,南社社
友。1913年3月經魯迅推薦,籌備京師圖書館分館,後於國家圖
書館工作。1951年受聘任中央文史研究館館員。

馬衡(1881-1955),字叔平,別署無咎、凡將齋主,浙江鄞縣
人。金石學家,篆刻家,西泠印社第二任社長。1933年至1952年
擔任故宮博物院院長。

「食德」一詞,謂享受先人的德澤。語出《周易·訟》「六三,食
舊德」。杜甫《奉送蘇州李長史丈之任》詩有「食德見從事,克
家何妙年」句。古代中醫亦有「惟人為物之靈,故能備萬物養,
以飲天和,以食地德,化津液而潤五臟」。

105

10 | BONHAMS
105
TAI JINGNONG (1902-1990)
Poem in Cursive Script
Ink on paper, hanging scroll
Inscribed and signed Tai Jingnong, with three
seals of the artist
65cm x 34cm (25½in x 13½in).

HK$25,000 - 35,000
US$3,200 - 4,500

Provenance:
This work was dedicated to Chiu Liu Man
(Singaporean, b.1937) who first knew Tai
Jingnong at National Taiwan University, then
took calligraphy and painting lessons with him
privately from 1983 to 1985. The artist gave the
current lot and the couplet (lot 106) to Chiu in
1983, thence by descent.

臺靜農 草書唐詩 水墨紙本 立軸

款識:長卿牢落悲空舍,曼倩詼諧取自容。見買
若耶溪水劍,明朝歸去事猿公。尋章摘句老雕
蟲,曉月當簾掛玉弓。不見年年遼海上,文章何
處哭秋風。柳漫弟清屬,臺靜農於臺北。
鈐印:淮南、臺押、靜農無恙

來源:
上款人邱柳漫,於國立台灣大學得識臺靜農,並
於1983年至1985年期間,私下拜其為師習字作
畫。〈草書唐詩〉和〈書法對聯〉(lot 106)乃
臺靜農1983年贈與邱氏,隨後由其子女繼承。

106
TAI JINGNONG (1902-1990)
Calligraphy Couplet in Running Script
Ink on patterned paper, pair of hanging scrolls
Inscribed and signed Tai Jingnong, with three
seals of the artist
100cm x 22cm (39½in x 8½in) each. (2).

HK$30,000 - 50,000
US$3,900 - 6,400

Provenance:
Refer to lot 105

臺靜農 行書七言聯 水墨團花紙本 立軸一對

款識:柳塘春水無邊碧,花塢斜陽幾度紅。柳漫
弟清屬,臺靜農於龍坡丈室。
鈐印:龍坡、臺靜農印信、淮南

來源:
見編號105

106

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 11


107

107
YU YOUREN (1879-1964)
Calligraphy in Running Script
Ink on paper, mounted
Inscribed and signed Yu Youren, with one seal of the artist
17.5cm x 21cm (6¾in x 8¼in).

HK$20,000 - 30,000
US$2,600 - 3,900

于右任 世有令名 水墨紙本 鏡心

款識:世有令名。清水先生,于右任。
鈐印:右任

108
YU YOUREN (1879-1964)
Poem by Gong Zizhen
Ink on paper, hanging scroll
Inscribed and signed Yu Youren, with one seal of the artist
68.5cm x 34cm (27in x 13¼in).

HK$50,000 - 70,000
US$6,400 - 9,000
108
于右任 行草龔自珍詩 水墨紙本 立軸
黃陽題簽

題簽:于右任行草龔自珍詩,黃陽署。
鈐印:見山堂

款識:陶潛酷似臥龍豪,萬古潯陽松菊高。莫信詩人竟平淡,二
分梁父一分騷。名達先生。于右任。龔自珍詩。
鈐印:右任

12 | BONHAMS
109
SHEN CONGWEN (1902-1988)
Three Self-composed Poems
Ink on paper, two leaves mounted together
Inscribed and signed Congwen, with one seal of the artist
Dated seventy-four years old (1975)
29.5cm x 19.5cm (11½in x 7¾in) each.(2)

HK$50,000 - 70,000
US$6,400 - 9,000

沈從文 草書自作詩三首 水墨紙本 斗方二幅裱於鏡心

款識:古有陶先生,千載知姓名,作官不遂意,還住栗里村。為人
極隨便,幹活也還成。上了點年紀,要求不宜深。幾間小茅屋,
倒還講衛生。院垻干干淨,種菊十多盆。有時喝酒後,手揮無絃
琴。高興作作詩,意思極率真。回首望南山,後人称 高明。越注越
糊塗,秀才白用心。南山四老漢,朝廳保駕臣。老陶意有托,並
不忘高升。能哄學生子,難騙莊稼人。事情不奇怪,既是宰相孫,
常想朝廷事,階級烙印深。我說話直率,不對莫多心。真正莊稼
人,長年忙不停。耕田隨下種,出工天未明。累得真惱火,躺倒綠
樹蔭。遠聽雞生蛋,擔心豬翻盆。天晴盼下雨,久雨厭天陰。生產
歸第一,全家要生存。那有大老官,酒肉送上門。千年就這樣,代
代忙到人。有了毛主席,農民才翻身。管理國家事,自己作主人。
社會時時變,農村事事新。一切為支農,化肥上山屯。當家不容
易,處處要公平。群眾提意見,就得好好聽。還要懂形勢,不作馬
後塵。主席深深囑,反覆意思深。世界要革命,真理蓋顯明。打擊
帝修反,時時有鬥爭。自己頭腦主,也多身存。稍微失警惕,毛病
就發生。試心不同者,下問安什心。肯離大城市,理合受歡迎。必
需爭三同,我像自家人。初來難習慣,改造要(堅)決。鬥爭尚複
雜,凡事莫粗心。老陶生現代,詩筆會暫停。今年收成明,會計正
需人。社會主義好,鞏固在基礎。學習幹勁足,主席才放心。(廬
山下新栗里村,六一年作。)
依依宮墙柳,默默識廢興。不語明得失,搖落感秋收。日月轉雙
丸,倏忽千萬巡。盈虧尋常事。飄萍徒自驚。(宮墙柳,七二年
作。)
穆王西遊思歸久,八駿散辔 碧潭滨。千峰鐵色如奔赴,谷中青鳥自
呼名。綠樹茸茸山鳥歌,谿谷清潤秀色多。船上花豬睡容美,岸邊
水牛爭過河。(漓江詩。)
從文七十進四。
鈐印:從文

109

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 13


COLLECTION OF MR. SHI ZHIQUAN
石志泉珍藏楹聯
Lots 110-112

石志泉 (1885-1960),字友漁,號友儒,湖北孝感人。幼有救國 石氏為民事訴訟法權威學者,生前著作等身。1914年歸國後任職


救民大志。十八歲時,由湖北省派赴日本留學,經過預備學校及 法界,先後任大理院推事、修訂法律館副總裁,1922年任司法
高等學校,入東京帝國大學,獲法學士學位。留學期間加入中國 部次長,代理部務。1924年後專於講學,繼梁啟超之後任司法
同盟會,辛亥武昌革命時毅然回國參加革命,翌年再赴日本重修 儲才館館長,嗣歷任朝陽大學法學院院長,國立法政大學,北平
學業。抗戰時期留居北平,拒絕出任偽職,對於愛國人士之為敵 大學教授、系主任、教務長、院長,及北京大學講師,培養了大
偽構陷者,辄 為設法營救。其時敵偽對於電臺廣播,控制極嚴,違 批法律人才。1931年再入法界,任國民政府司法行政部常務次
者處以極刑。先生竟以忘我決心,每於深夜偷聽中央及外國電臺 長。1948年任司法院副院長。赴台後,任總統府資政、司法官訓
廣播,將有利消息於我之消息,告之同志,傳之國人。 練所所長、中國民主社會黨副主席。1954年代表中國民主社會黨
參選副總統。1960年病逝,于右任為《石友儒先生榮哀錄》題封
面,總統蔣中正、行政院院長陳誠特為之頒發總統令。
本輯三副楹聯由石氏親屬珍藏至今。

110
LIANG QICHAO (1873-1929) 此幅對聯,據落款「丁卯清明後一日」可知,乃梁任公於1927
Calligraphy Couplet in Regular Script 年4月6日寫贈石志泉先生。詳考《梁啟超年譜長編》與《司法
Ink on paper, pair of hanging scrolls 儲才館初考》等,1926年冬,應各國代表向中國提出司法改良
Inscribed and signed Liang Qichao, with two seals of the artist 一事,北洋政府司法部發起設立司法儲才館,擬把即將進入司法
Dated dingmao year (1927) 實務界的法科畢業生聚集在一起,進行為期兩年的養成教育,使
167cm x 27.5cm (65¾in x 10¾in) each. (2). 他們在司法程序、司法信念等方面達成共識,然後由司法部統一
分派到各地法院或檢察院,從而為司法獨立事業打下堅實基礎。
HK$80,000 - 120,000 於是,司法部根據司法儲才館章程,聘前司法總長梁啟超為司法
US$10,000 - 15,000 儲才館館長,余紹宋為學長,石志泉等18位各法律學校教授為
教員,並於1927年1月17日正式行開館禮。據《司法儲才館教員
Provenance: 名錄》,石志泉位列名錄首位,負責授「民事訴訟法規及判例」
Acquired directly from the artist in 1927 一科。1928年6月北伐成功,北京被國民政府接收。同年10月,
Collection of Shi Zhiquan (1885-1960), thereafter by descent 國民政府重新聘請石志泉接任該館館長,將本屆儲才館辦理完
畢。1929年1月,司法儲才館第一屆也是最後一屆學員畢業,共
梁啟超 楷書十一言聯 水墨紙本 立軸一對 一九二七年作 135名學員參加了最後分派,並全部分發到各地法院、檢察院。自
此,儲才館也完成了其歷史使命。根據以上歷史的梳理,可知丁
款識:小院春寒,海燕一雙窺畫棟;空江日晚,柳花無數送歸 卯清明前後,也就是梁啟超為石志泉寫贈此幅對聯之時,梁啟超
舟。友儒吾兄正,集詞句謝勉仲《浪淘沙》、馮正中《蜨戀花》 任職司法儲才館館長,石志泉則任司法儲才館核心教員,二人正
、周草窗《三姝媚》、秦淮海《虞美人》。丁卯(1927)清明後 齊心協力為國家的司法改良培養優秀人才。
一日,梁啟超。
鈐印:新會梁啟超印、任公四十五歲以後所作

來源:
1927年直接得自藝術家本人
石志泉(1885-1960)舊藏,並由其親屬珍藏至今

14 | BONHAMS
FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 15
111
CAO ZHENYONG (1755-1835)
Calligraphy Couplet in Regular Script
Ink on red gold-flecked paper, pair of hanging
scrolls
Inscribed and signed Cao Zhenyong, with two
seals of the artist and three seals of the collector
179cm × 34.5cm (71½in × 13½in) each. (2).

HK$15,000 - 25,000
US$1,900 - 3,200

Provenance:
Collection of Song Xiaolian (1864-1926)
Collection of Shi Zhiquan (1885-1960), thereafter
by descent

曹振鏞 楷書八言聯 水墨灑金紅箋紙本 立
軸一對

款識:聽訟庭間階連碧草,行春車潤路渥甘膏。
書奉遠峰二兄大人雅鑒,儷笙弟曹振鏞。
鈐印:曹振鏞印、儷笙
藏印:鐵梅真賞、吉林宋氏古歡室主人圖書記、
宋季子玩

包首題簽:清曹文正公楷書聯,上。清曹文正公
楷書聯,下。古歡室藏。
鈐印:古歡室主(二印)

來源:
宋小濂(1864-1926)舊藏
石志泉(1885-1960)舊藏,後由其親屬收藏
至今

宋小濂(1864-1926),字鐵梅、友梅,吉林永
吉人。官至黑龍江巡撫,辛亥革命後任黑龍江都
督兼民政長,參政院參政。在抗擊沙俄,保衛國
家領土完整方面做出了重要貢獻。工詩善書,被
譽為「吉林三傑」之一。

16 | BONHAMS
112
XU SHICHANG (1855-1939)
Calligraphy Couplet in Running Script
Ink on paper, pair of hanging scrolls
Inscribed and signed Shuizhu Cunren, with two
seals of the artist
132.5cm x 32.5cm (52in x 12¾in).

HK$15,000 - 25,000
US$1,900 - 3,200

Provenance:
Collection of Shi Zhiquan (1885-1960), thereafter
by descent

徐世昌 行書七言聯 水墨紙本 立軸一對

款識:日作大草數行字,閒寫名花三兩枝。水
竹邨人。
鈐印:世昌弢齋、水竹邨人

來源:
石志泉(1885-1960)舊藏,後由其親屬收藏
至今

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 17


113
DENG ERYA (1884-1954)
Calligraphy Couplet in Seal Script
Ink on paper, pair of mounted calligraphy
Inscribed and signed Deng Erya, with two seals
of the artist
Dated jiaxu year (1934)
92.5cm x 20.5cm (36½in x 8in) each. (2).

HK$40,000 - 60,000
US$5,200 - 7,700

鄧爾雅 篆書五言聯 水墨紙本 鏡心一對 
一九三四年作

款識:小康大同世,商甲周金文。篆有左右相
同、正反如一者,集韻為聯婁見之。陳東塾先生
考始自吳山尊也。山口先生屬篆,茲寄呈博咲。
甲戌(1934)寒食節,鄧尔疋。
鈐印:爾雅私鉨 、鄧萬歲

18 | BONHAMS
114
WU ZHIHUI (1865-1953)
Calligraphy Couplet in Seal Script
Ink on gold-flecked red paper, pair of mounted
calligraphy
Inscribed and signed Wu Jingheng, with two
seals of the artist
Dated wuzi year (1948)
170cm x 35.5cm (67in x 14in) each. (2).

HK$40,000 - 60,000
US$5,200 - 7,700

吳稚暉 篆書七言聯 灑金紅箋紙本 鏡心一對
一九四八年作

款識:碩人所處安以樂,君子之車庶而多。志賢
先生正瑑,戊子(1948)二月弟吳敬恆集石鼓
字,時年八十有四。
鈐印:敬恆金石長壽、稚暉八十以後書

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 19


115
DONG ZUOBIN (1895-1963) 董作賓 山木齋 水墨銀箋紙本 鏡心 一九四八年作
Calligraphy on Silver Paper
Ink on silver paper, mounted 款識:山木齋。
Inscribed and signed Dong Zuobin, with two seals of the artist 崔巍濃郁,李桃競春。山木齋下,才子佳人。
Dated [minguo] thirty-seventh year (1948) 崔瑰珍夫人、李抱忱博士伉儷名其居曰山木齋,為集契文,並題
19.5cm x 25.5cm (7½in x 10in). 俚語博粲。卅七年(1948)九月廿八日於新港,董作賓。
鈐印:平盧、董作賓
HK$70,000 - 90,000
US$9,000 - 12,000 來源:
1948年直接得自藝術家本人
Provenance: 音樂家李抱忱博士(1907-1979)、崔瑰珍夫人舊藏
Acquired directly from the artist in 1948
Formerly in the collection of Dr. Li Bao-Chen (1907-1979) and Mrs
Tsui Huai-Chen

20 | BONHAMS
116 117

116 117
CHEN JIEQI (1813-1884) JIN NONG (1687-1764)
Calligraphy Couplet in Seal Script Calligraphy Couplet in Clerical Script
Ink on paper, pair of mounted calligaphy Ink on paper, pair of mounted calligraphy
Inscribed and signed Fuzhai, with two seals of the artist Inscribed and signed Jin Nong, with two seals of the artist
70cm x 17cm (27½in x 6½in) each. (2). 72.5cm x 21cm (28½in x 8¼in).

HK$40,000 - 60,000 HK$350,000 - 450,000


US$5,200 - 7,700 US$45,000 - 58,000

陳介祺 篆書四言聯 水墨紙本 鏡心一對 金農 隸書四言聯 水墨紙本 鏡心一對

款識:雌黃千卷,牡丹一枝。簠齋。 款識:閉門謝轍,忍飢誦經。用先民語意秉燭書,錢唐金農。
鈐印:簠齋、齊東陶父 鈐印:古泉、金吉金印

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 21


118
BAO XI (1871-1942)
Calligraphy Couplet in Running Script
Ink on paper, pair of hanging scrolls
Inscribed and signed Baoxi, with three seals of the artist
Dated xinhai year (1911)
118.5cm x 19 cm (46½in x 7½in).

HK$25,000 - 35,000
US$3,200 - 4,500

寶熙 行書八言聯 水墨紙本 立軸一對 一九一一年作

款識:落葉半牀狂花滿屋,小山持蓋大雅扶輪。乾隆以前書家,
所書屏聯多用純紫穎。自梁山舟學士始專用羊毫,由是風行,至
今無人善製紫穎矣。頃令南方筆客試仿造之,殊乏剛柔相濟之
妙。以之戲書此聯,不值一觀。仲勛賢友幸勿以示人也。辛亥
(1911)春分節,沈盦寶熙集庾子山文。承蓋誤書作持蓋。
鈐印:沈堪翰墨、臣熙私印、強恕齋

119
LI RUIQING (1867-1920)
Calligraphy Couplet in Clerical Script
Ink on paper, pair of framed calligraphy
Inscribed and signed Li Ruiqing, with two seals of the artist
143cm x 39cm (58½in x 15¼in) each. (2).

HK$100,000 - 150,000
US$13,000 - 19,000

Published: Zhu Jia, Shufa Sanyao, Shanghai People’s Fine Art


Publishing House, 2015, p.39

李瑞清 五言對聯 水墨紙本 鏡框一對

款識:穜成皆寶樹,道合即金蘭。野秋賢弟雅鑒,小兄李瑞清。
鈐印:楳庵主人、臨川李氏

出版:祝嘉,《書法三要》,上海人民美術出版社,2015年,頁
39

118

22 | BONHAMS
119

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 23


120

121

120 121
XIANG YU (1598-1644) GAO CAI (16TH-17TH CENTURY)
Poem by Ouyang Xiu Poem by Li Mengyang in Running Script
Ink on gold paper, fan leaf Ink on gold paper, fan leaf
Inscribed and signed Xiang Yu, with one seal of the artist Inscribed and signed Gao Cai, and with three seals of the artist
16.5cm x 50cm (6½in x 19½in). 16cm x 52.5cm (6½in x 20¾in).

HK$35,000 - 55,000 HK$35,000 - 55,000


US$4,500 - 7,100 US$4,500 - 7,100

項煜 行書歐陽修詩 水墨金箋紙本 扇面 高採 行草李夢陽詩 水墨金箋紙本 扇面

款識:琳館清晨藹瑞氛,玉旒朝罷奏韶鈞。綠槐夾路飛黄蓋,翠 款識:遠電明江夜,官舟野泊稀。山鐘天外落,林火雨中微。水
輦鳴鞘向紫宸。金闕日高猶泫露,綵旗風細不驚塵。自慙白首追 立黃龍鬬 ,沙霑白鷺飢。平生萬里志,可柰夢西歸。書為瑞臣年
時彥,行近儲胥忝侍臣。為鶴嶺老先生書,項煜。 翁。高採。
鈐印:項煜之印 鈐印:高採之印、(二印漫漶不辨)

項煜,字仲昭,號水心,祖籍安徽歙縣人。生於明萬曆二十六年 此作所錄五言律詩,出自明代李夢陽五言律詩《野泊》。
戊戌年(1598),天啟五年(1625)乙丑進士,授庶吉士,歷任
詹事府少詹,詩集文稿著述甚豐。卒清順治元年甲申(1644)。

此扇面所錄詩文,出自北宋歐陽修《景靈朝謁從駕還宮》詩。

24 | BONHAMS
122

123

122 123
WENG TONGHE (1830-1904) HUA YUAN (1898-1957)
Calligraphy in Running Script Red Cliff
Ink on paper, fan leaf Ink and colour on paper, fan leaf
Inscribed and signed Weng Tonghe, with one seal of the artist Inscribed and signed Hua Yuan, with one seal of the artist
18.5cm x 52cm (7¼in x 20½in). Dated wuyin year (1938)
18cm x 51.5cm (7in x 20¼in).
HK$60,000 - 80,000
US$7,700 - 10,000 HK$25,000 - 30,000
US$3,200 - 3,900
翁同龢 節臨書譜 水墨紙本 扇面
花元 赤壁懷古 設色紙本 扇面 一九三八年作
款識:不揆庸昧,輒效所明;庶欲弘既往之風規,導將來之器
識,除繁去濫,覩跡明心者焉。代有《筆陣圖》七行,中畫執筆 款識:自來赤壁舟前過,周郎孟德橫心胸。灰飛櫓滅雖已矣,勲 業
三手,圖貌乖舛,點畫湮訛。頃見南北流傳,疑是右軍所製。翁 自比山蔥蘢。古今忽忽誠若夢,江月年年似舊客。物我不變究安
同龢臨。 在,歷劫往往訪遣蹤。飛仙傲遊藝語耳,生世看作號寒蛩。是何
鈐印:龢 識見高且遠,攀巖據石興味濃。夢魂化作江頭鶴,精神自爾人中
龍。戊寅(1938)九秋,應召棠先生雅屬即請正之,虞山劼莽花
元畫于滬上庽樓。
鈐印:劼盦

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 25


FROM A JAPANESE PRIVATE COLLECTION
日本私人收藏
Lots 124-125

124
WANG DUO (1592-1652)
Calligraphy in Running Script
Ink on paper, hanging scroll
Inscribed and signed Wang Duo, with three seals of the artist
169.5cm x 44cm (66¾in x 17¼in).

HK$120,000 - 180,000
US$15,000 - 23,000

Provenance:
Private collection, Japan

王鐸 草書 水墨紙本 立軸

款識:旾城歌管日悠悠,寂寞雙蛾掩畫樓。漫把新詞唱楊柳,一
聲聲似漢宮龝。孟津王鐸。
鈐印:王鐸之印、宗伯圖書、(漫漶不辨)

函盒蓋內題識:惠存中村文雄先生。為慶賀被授經濟學博士號贈
之。昭和癸丑(1973)春,日本瓦斯工業部長一同,小林孝正書
之。
鈐印:小林孝正之章

來源:日本私人收藏

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125
FU SHAN (1607-1684) 傅山 草書七絕詩 水墨絹本 立軸
Calligraphy in Running Script
Ink on silk, hanging scroll 款識:儒仙難易葛翁籌,自可長生志士羞。一劍橫腰雲夢去,青
Inscribed and signed Zhenshan, with one seal of the artist and 柯獨頷藏經樓。存士老詞宗政。真山。
four seals of the collectors 鈐印:傅山印
224cm x 64cm (88¼in x 25½in). 藏印:王養度印、愙齋鑒藏書畫、吳湖颿珍藏印、十髪

HK$150,000 - 250,000 來源:


US$19,000 - 32,000 王養度(19世紀)舊藏
吳大澂(1835-1902)舊藏
Provenance: 吳湖帆(1894-1968)舊藏
Collection of Wang Yangdu (19th century) 程十髪髪(1921-2007)舊藏
Collection of Wu Dacheng (1835-1902) 日本私人收藏
Collection of Wu Hufan (1894-1968)
Collection of Cheng Shifa (1921-2007)
Private collection, Japan

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FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 29
FROM AN AMERICAN PRIVATE COLLECTION
美國私人收藏
Lots 126-130

126
LAN YING (1555-1686) 藍瑛 溪山積雪 設色金箋 扇面 一六五三年作
Snowy Landscape
Ink and colour on gold paper, fan leaf 款識:溪山積雪。癸巳(1653)秋日於鵝湖客舍,蜨叟藍瑛。
Inscribed and signed Diesou Lan Ying, with one seal of the artist 鈐印:藍瑛之印
and one seal of the collector 藏印:千劫經眼
Dated guisi year (1653)
18.5cm x 54cm (7¼in x 21¼in). 來源:
Dorothy Dunlop Cahill
HK$150,000 - 250,000 高居翰教授(1926-2014)舊藏
US$19,000 - 32,000 曾借展於伯克萊大學美術館

Provenance: 出版:
Dorothy Dunlop Cahill 戶田禎佑和小川裕充編,《中國繪畫總合圖錄(續編)》,第一
Professor James Cahill (1926-2014) 卷,東京大學出版會,1998年,圖A57-109
Formerly on loan to the Berkeley Art Museum

Published:
Teisuke Toda and Hiromitsu Ogawa comp. Comprehensive
Illustrated Catalogue of Chinese Paintings Second Series, Volume
1, University of Tokyo Press, 1998, A57-109

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127
ATTRIBUTED TO SHENG MAOYE (17TH CENTURY) 盛茂燁(款) 山水 水墨絹本 立軸 一六三八年作
Landscape
Ink on silk, hanging scroll 款識:崇禎戊寅(1638)秋日,寫於雲息齋,盛茂燁。
Inscribed and signed Sheng Maoye, with two seals of the artist 鈐印:與華、(一印漫漶不辨)
Dated wuyin year (1638)
153cm x 73.5cm (60¼in x 28¾in). 註:盛茂燁,明代萬曆至崇禎年間長洲(今江蘇蘇州)人,號念
庵、研庵、與華。畫承吳門派緒,大概以師法謝時臣為多。《圖
HK$300,000 - 500,000 繪寶鑑續篡》稱其:「擅山水,樹木槎丫,山頭高聳,雖無宋元
US$39,000 - 64,000 遺意,較後吳下之派,又過善矣。」上海博物館藏其所畫〈泰山
松圖〉。南京博物館、故宮博物院等藏有其所畫山水冊。

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 31


128
LIU YONG (1719-1804)
Calligraphy in Running script
Ink on gold-flecked paper, hanging scroll
Inscribed and signed Shi’an with three seals of the artist and one
seal of the collector
76.5cm x 29cm (30in x 11¾in).

HK$70,000 - 90,000
US$9,000 - 12,000

Provenance:
Previously in the collection of Wang Nanping (1924-1985)
On long-term loan to the Iris & B. Gerald Cantor Center for Visual
Arts at Stanford University

劉墉 行書唐詩二首 水墨灑金紙本 立軸

款識:香閣東山下,煙花象外幽。懸燈千嶂夕,捲幔五湖秋。畫
壁餘鴻雁,紗窗宿斗牛。更疑天路近,夢與白雲遊。野橋連寺
月,高竹半樓風。水净 魚吹浪,枝閒鳥下空。數峯相向綠,日夕郡
城東。石菴。
鈐印:劉墉之印、石菴、御賜獨坐看泉
藏印:南屏

來源:長期借藏於美國加州史丹福大學 Iris & B. Gerald Cantor


Center for Visual Arts 美術舘

該行書所錄詩文,出自唐代孫逖《宿雲門寺閣》、趙嘏《越中寺
居》。

129
THE QIANLONG EMPEROR (1711-1799)
Self Composed Poem
Ink on painted paper, hanging scroll
Inscribed and signed Yubi, with two seals of the Qianlong Emperor
185cm x 91cm (72¾in x 35¾in).

HK$200,000 - 300,000
US$26,000 - 39,000

Provenance:
On long-term loan to the Iris & B. Gerald Cantor Center for Visual
Arts at Stanford University

乾隆 遊平山堂即景雜詠 水墨紙本 立軸

款識:去時春仲來春暮,真是春光馬上看。祗有風流賢太守,千
秋名在碧峯端。北瞻昆軸廣陵南,園倚虹橋镜 影涵。設使武夷徵
故事,便當九曲自兹探。綠柳陰濃曲岸頭,缓 移畫舸惠風柔。青
琅玕館凝神盼,誰道尋常竹有秋。侍衛銀牌賜老人,渴恩便奪亦
情真。可知半日行春舫,不為閒遊為省民。暖香明艷正含嘉,幾
架雲棚護惜加。不讀盧陵歐氏序,誰知天下有真花。麗日輕風喜
朗晴,麦田吐穗待秋成。今朝功德山頭望,始覺吾心暢快生。御
筆。
鈐印:乾隆御筆、長誼明道

來源: 長期借藏於美國加州史丹福大學 Iris & B. Gerald Cantor


Center for Visual Arts 美術舘

《遊平山堂即景雜詠》詩文可參見《御製詩》三集卷五十。
128

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129

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 33


130
YUAN YAO (ACTIVE CA. 1720-1780) 袁耀 五柳歸庄 設色絹本 立軸 一七五六年作
Returning to the Village
Ink and colour on silk, hanging scroll 款識:五柳歸庄。丙子(1756)春月,擬王摩詰筆意,邗上袁
Inscribed and signed Yuan Yao, with two seals of the artist 耀。
Dated bingzi year (1756) 鈐印:袁耀之印、昭道氏
176.5cm x 122cm (69½in x 48in).
來源:
HK$700,000 - 1,000,000 蘇富比紐約1989年5月31日,拍賣編號5862,拍品90號
US$90,000 - 130,000 長期借藏於美國加州史丹福大學 Iris & B. Gerald Cantor Center
for Visual Arts 美術舘
Provenance:
Sotheby’s New York, Sale No. 5862, 31 May 1989, lot 90
On long-term loan to the Iris & B. Gerald Cantor Center for
Visual Arts at Stanford University

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FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 37
131
ZHANG LING (18TH CENTURY)
Birds and Flowers
Ink and colour on silk, hanging scroll
Inscribed and signed Shiqiao Ling, with two seals of the artist
Dated wuchen year (1748)
277cm x 142cm (109in x 55¾in).

HK$300,000 - 400,000
US$39,000 - 52,000

Provenance:
Private collection, Australia

張翎 繁花禽鶴圖 設色絹本 立軸 一七四八年作

款識:戊辰(1748)冬十一月寫於古桂堂,石樵翎。
鈐印:張翎、鵬年

來源:澳洲私人收藏

張翎,字鵬年,清代康熙乾隆年間錢塘人,與妻丁瑜均善畫,名載
《國(清)朝畫徵續錄》。

海外曾見有一幅〈賞古圖〉,設色絹本,款署「乾隆十三年歲次戊
辰冬十二月望前五日,石樵山人張翎寫於古桂堂」,鈐朱文「石
樵」、「張翎」、白文「鵬年」三印。

張翎作品極稀,目前僅見本幅並海外私藏設色絹本人物畫〈賞古
圖〉,款署「乾隆十三年歲次戊辰冬十二月望前五日,石樵山人張
翎寫於古桂堂」,書法與本幅相類,所鈐朱文「張翎」、白文「鵬
年」印亦與本幅所鈐匹配,故本件署年定為乾隆戊辰(1748)
。本幅尺寸鉅大,構圖排佈得宜,敷色濃麗沈穩,豔而不俗,繁花
樹石層層皴染,鮮活生動,堪比乾嘉時期名家聖手。

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132 李慈銘 致潘祖蔭書信 水墨花箋 九十頁 兩冊
LI CIMING (1830-1894)
Two Albums of Letters from Li Ciming to Pan Zuyin 款識:各開署「弟慈」、「慈」、「弟慈銘」、「慈銘」不一。
Ink on decorative woodblock printed letter paper, two albums,
ninety leaves 兩冊共收入李慈銘寫給潘祖蔭書信、便簽八十七頁,另寫給潘父曾
Various sizes. (2). 綬(紱庭)信箋一頁。內容繁雜,詩書互贈、年節問候、相約小
飲、身體狀況、甚至家僕發瘋病,事無巨細,俱修書為報,潘李同
HK$50,000 - 70,000 為清流,引為知己,可見一斑。信中潘氏官銜由「中丞」、「侍
US$6,400 - 9,000 郎」到「宮保尚書」,考潘氏初任都察院左副都御史為同治三年
(1864),工部右侍郎為同治四年(1865),而後歷任刑部、工
部、吏部、戶部侍郎,光緒改元(1875),補禮部右侍郎,後遷工
部尚書,加太子少保。丁憂歸起權兵部尚書,光緒十四年(1888
)大婚禮成,晉太子太保。自1875年起,潘氏即為宮保尚書。兩
冊信札時間跨度超過十年,所用花箋也各色各樣,反映一時風氣,
頗可把玩。

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 47


133
ANONYMOUS (MING DYNASTY) 就中國美術史而言,〈搜山圖〉無疑是十分奇異少見的。這種描
Searching for Demons in the Mountains 繪神將鬼卒討伐山精水怪的圖畫,不僅是中國敘事畫中唯一以民
Ink and colour on silk, handscroll 間文學作為文本的畫作,而且它所描述的場景,也是中國藝術中
Frontipiece and colophon inscribed by Chen Chaobao (b.1948) 最暴力的,在本質上不同於傳統追求天人合一的山水畫,或一般
48.5cm x 205cm (19¼in x 80¾in). 歌功頌德的人物畫。其圖像功能最早或來自繪製寺廟壁畫的樣
稿,後被畫家重新組合轉變為長卷畫作,藉以表達對搜捕者的崇
HK$400,000 - 700,000 敬,又在後代的不斷摹作過程中根據時代需要被賦予新的內涵,
US$52,000 - 90,000 轉而表達對被搜捕者的悲憫和同情。

Provenance: 有關〈搜山圖〉的文獻記載,最早見於北宋郭若虛《圖畫見聞
Acquired from a French private collector in the spring of 1988 誌》,書中提到一位叫高益的人畫有一幅〈搜山圖〉,進貢給宋
Collection of Chen Chaobao (b.1948) 太宗後被授翰林待詔。《宣和畫譜》亦記載了黃荃〈搜山天王
像〉,范寬〈四聖搜山圖〉,但皆未描述具體內容。至明代《西
明 佚名 搜山圖 設色絹本 手卷 遊記》作者吳承恩的文集《射陽先生存稿》卷二有〈二郎搜山圖
歌〉,該詩詳細描述了明宣宗時期畫家李在所繪〈搜山圖〉的內
引首:搜山圖。朝寶。 容,包括指揮搜山行動的主神「清源公」,以及諸神兵與各種動
藏印:阿寶、朝寶書畫之章、藏寶徒、朝寶曾經擁有 物妖怪激戰的情景。此後,《秘殿珠林》、《式古堂書畫匯考》
等亦有其它相關記載。
跋尾:(前文略)一九八四秋,旅居法國巴黎。前後十九載,潛
心探索繪畫,藝術氛圍每每徘徊東西文化比較之融合與衝突之 關於〈搜山圖〉的主題,過去不少學者認為它是以《二郎神醉射
中,然擇其優而摒其劣,畢竟受西方自由浪漫無拘無束創作心態 锁魔镜 》、《灌口二郎斬健蛟》等二郎神傳說為文本的敘事畫卷,
所影響,以致形成我現時風格,或許算是有所得吧。但閒遐之 但近些年的研究推翻了這種單一假設,並認為因應不同時代的社
餘,我喜歡逛巴黎古董文物店、跳蚤市場、舊貨市集,才發現老 會、文化、民間信仰的轉變,搜山主角由十世紀開始,經歷了毗
祖宗流散歐美文物之有令人驚嘆。惜個人乃處人生奮鬪階段,錯 沙門天王、四聖、二郎神、關羽等不同身分的轉變;而各種捉妖
失機緣,走寶現象頻頻。 場景的組合,除了源自原有文本之外,後來亦可能受其它流行本
一九八八年春,無意間走訪法國藝術家協會,發現此搜山圖卷, 文的影響,如《白猿傳》、《白蛇傳》、《揭缽圖》等。
人物描繪生動,山景佈局巧妙,心喜動容,遂購藏之。猶記得元
人有一〈搜山圖卷〉保存完整,與此藏本略仿,每兩相比較,妙
趣無窮。昔洋人有把長卷分割出售習慣,而後數年,遍尋餘卷不
著,甚為可惜。惟本段乃此藏本中最精彩部分,甚可告慰。
二〇一五初秋朝寶謹識,時手肘痠麻,無能使力,字跡呆滯且
拙,甚憾。
藏印:年如意歲平安、樂、率性、阿寶珍藏、寶、鼠(肖形印)、朝寶

包首題簽:搜山圖。元/明。朝寶。

來源:
1988年春購自於法國私人藏家
陳朝寶(b.1948)收藏

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圖1:北京故宮博物院藏南宋〈搜山圖〉(局部)

圖2:普林斯頓大學藏明代〈灌口搜山圖〉(局部)

圖3:紐約大都會博物館藏明代鄭重本(局部)

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陳朝寶題引首

陳朝寶題跋

從現存的情況來看,目前傳世的〈搜山圖〉畫作約有十餘本,分 同。相比於內容更完整的普林斯頓大學藏本,此本右端已經提前
藏於各大博物館及私人手中。主要包括: 出現部分海景,說明此本可能比普林斯頓大學藏本更為精簡,而
1. 克里夫蘭美術館藏宋代〈道子墨寶〉(無款,白描冊 此本缺失的前段應該也是主神指揮和海中作戰的場景。
頁,37.7 x 33.5cm)
2. 北京故宮博物院藏南宋〈搜山圖〉(蘇漢臣款,設色絹本, 從畫風上看,此本〈搜山圖〉的山石畫法採斧劈皴,人物多用高
殘本,53.3 x 533cm) 古游絲描,左端二女妖的開臉和服飾畫法頗有〈搗練圖〉遺意,
3. 波士頓美術館藏元/明代本(無款,設色絹本,殘本,61 x 且設色妍麗古雅,勝過普林斯頓大學藏水墨本,更勝過紐約大都
806cm) 會博物館藏明代鄭重本(圖3)。雖山石草木等背景部分不如北
4. 普林斯頓大學藏明代〈灌口搜山圖〉(丁野夫款,水墨絹 京故宮博物院藏南宋本豐富精彩,但亦見風吹樹動,自西而東,
本,48.2 x 935.9cm) 令畫幅貫串一氣,構思妙密,為其它大多數存本所鮮見。
5. 羅原覺藏明代本(無款,水墨絹本,49 x 1008cm)
6. 伯克萊加州大學藏明代本(無款,設色紙本,37.5 x 參考資料:
910.5cm) 李霖燦,搜山圖卷的探討,中國名畫研究(上),藝文印書館,
7. 雲南博物館藏明代本(無款,設色絹本,44.3 x 606cm) 台北,1973年,頁217-221
8. 山東省博物館藏明代本(設色絹本,40.5 x 468cm) 黃苗子,記〈搜山圖〉,故宮博物院院刊,1980年,第三期,頁
9. 紐約大都會博物館藏明代本(鄭重本,設色紙本,27 x 17-18
847cm) 楊福、郭宗宣,明摹本〈搜山圖〉,故宮博物院院刊,1980年,
10. 佛利爾美術館藏明代本(李嵩款,水墨紙本,46.9 x 第四期,頁66-68
807.2cm) 劉欣宜,〈搜山圖〉抓妖圖像研究,2009年,國立台灣師範大學
11. 雲南省博物館藏清代〈義勇武安王像〉(金粉白描紙本) 美術學研究院碩士論文
Pao-chen Chen, ‘Searching for Demons on Mounts Kuan-k’ou’,
本次拍品〈搜山圖〉,當屬現存諸本之中較早較好但不完整的藏 Wen Fong ed, Images of the Mind: Selections from the Edward L.
本之一。跟北京故宮博物院藏本的情況相似,此本〈搜山圖〉同 Elliott Family and John B. Elliott Collections of Chinese Calligraphy
樣缺少了主神指揮搜山行動的部分,主要描繪神兵鬼卒在山林 and Painting at The Art Museum, Princeton University, Princeton:
間跟各種妖精激戰的情景,但這也正是〈搜山圖〉中最精彩的 Art Museum, Princeton University in association with Princeton
部分。就畫面敘事順序而言,北京故宮博物院藏本的模式為自 University Press, 1984, pp.323-330
左往右,而此本則屬於以普林斯頓大學藏本為代表的自右往左的
模式。具體從場景組合進行分析,此本依序描繪了神兵抓鹿、齊
捕牛妖、倒背黑狗、單手倒提狐妖、擒蛇、捉拿猴精、網捕四蟾
蜍、二神兵簇擁女妖、扛豹等場景。這些場景,大多可在宋本〈
道子墨寶〉上找到原型,而具體造型略有改變。其中,二神兵
簇擁女妖、扛豹兩個場景亦可見於北京故宮本(圖1)等諸本之
中。但同樣的擒蛇場景,卻僅見於普林斯頓大學藏本,而其各場
景的整體組合更幾乎與普林斯頓大學藏本的後段(圖2)完全相

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 53


134
ATTRIBUTED TO WANG HUI (1632-1717)
Blue and Green Landscape
Ink and colour on silk, hanging scroll
Bearing the signature of Wang Hui, with one seal of the collector
166cm x 50.5cm (65¾in x 19¾in).

HK$100,000 - 150,000
US$13,000 - 19,000

王翬(款) 青綠山水 設色絹本 立軸

款識:耕煙散人王翬。
鈐印:王翬之印、石谷子
藏印:衡齋珍藏圖書

135
ANONYMOUS
Riding Donkey in the Snowy Mountains
Ink and light colour on silk, mounted
With a partial seal at lower left
24.5cm x 21cm (9½in x 8¼in).

HK$120,000 - 200,000
US$15,000 - 26,000

Provenance:
An American private collection

佚名 雪嶺行旅圖 設色絹本 鏡框

鈐印:(殘留半印)

來源:美國私人收藏

134

54 | BONHAMS
135

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 55


136
XIA HUI (18TH-19TH CENTURY)
Bamboo Grove
Ink on paper, hanging scroll
Inscribed and signed Yugu Xia Hui, with two seals of the artist and
one seal of the collector
142cm x 39.3cm (55¾in x 15½in).

HK$65,000 - 95,000
US$8,400 - 12,000

Provenance:
An American private collection

夏翬 竹澗幽遠圖 水墨紙本 立軸

款識:倣倪高士筆意。羽谷夏翬。
鈐印:夏翬、云山野叟
藏印:何可弌日無此君

木盒题 簽:夏羽谷倪法竹澗幽遠圖。
木盒款識:雲山野史此幅全法倪高士,而清幽淡遠,别 有一種種妙
致。展觀屢次,遂题 画面以表眼福之意云。 天正二年癸丑臈月於高
風閣中。竹霞山人悳。
木盒鈐印:字明卿、竹霞

來源:美國私人收藏

137
ATTRIBUTED TO YANG BUZHI (1087-1169)
Branch of Blossoming Plum
Ink on silk, hanging scroll
With three seals, all illegible
137.2cm x 79.1cm (54in x 31in).

HK$320,000 - 480,000
US$41,000 - 62,000

Provenance:
Date collection, Sendai
Collection of Yamanaka Sadajiro (1866-1936)

Published:
Dai Ni kai Sendai Dateke Gozohin Nyusatsu (“Second Sale of
Objects Collected by Date of Sendai”), Tokyo Bijutsu Club, August,
1930, cat. 40

舊傳 楊補之 梅花 水墨絹本 立軸

鈐印:(三印漫漶不辨)

來源:
日本仙台伊達氏收藏
山中定次郎(1866-1936)收藏

出版:《仙台伊達家藏品拍賣第二回》,東京美術俱樂部,1930
年8月,圖版40

136

56 | BONHAMS
137

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 57


138
ZHANG ZHIDONG (1837-1909), LU RUNXIANG(1841-1915) 張之洞/徐郙/張百熙/陸寶忠/陸潤庠 行楷書詩 水墨金箋
ET AL 扇面 一八九四年作
Poems in Regular and Running Scripts
Ink on gold-flecked paper, fan leaf 款識:
Inscribed and signed Zhang Baixi (1847-1907), Xu Fu (1836- (一)
1907), Zhang Zhidong (1837-1909); on the reverse, inscribed and (南宋吳文英《鶯啼序 ·殘寒正欺病酒》,詳文不錄)光緒二十
signed Lu Baozhong (1850-1908), Lu Runxiang (1841-1915), and 年(1894)仲夏上浣,臣張百熙書。
with a total of six seals 鈐印:臣、張百熙
Dated twentieth year of the Guangxu reign (1894) (二)
18cm x 51cm (7in x 20in). (「朝霞夕露耐探尋,高出雲霓暑不侵」七律一首,詳文不錄)
臣徐郙書。
HK$80,000 - 120,000 鈐印:臣徐郙印
US$10,000 - 15,000 (三)
(宋桑正國回文詩《春日湖上書事》,詳文不錄)臣張之洞敬
書。
鈐印:張之洞印

另面
(一)
(唐代嚴武詩《軍城早秋》、杜甫《奉和嚴鄭公軍城早秋》、
《院中晚晴懷西郭茅舍》、《宿府》及《絕句四首》之三,詳文
不錄)臣陸寶忠恭書。
鈐印:臣陸寶忠
(二)
(何良俊《四友齋書論》節錄「王初寮履道論東坡書」,詳文不
錄)臣陸潤庠敬書。
鈐印:陸潤庠

58 | BONHAMS
139
HE SHAOJI (1799-1873), REN XUN (1835-1893), TAO (何紹基)
SHOUTONG (19TH CENTURY) 款識:詩七月「禾麻菽麥」,則禾專名也。「十月納禾稼」,則
Calligraphy in Running Script; Crabs; Landscape 禾又總名也。一章之中,兩義皆見,然毛氏似有誤。以場為圃,
Ink or ink and color on paper, folding fan 北方間亦有之,然春耕之種菘,至夏即平復為場,不能待九月,
(He) Inscribed and with two seals of the artist 且經典中築字皆指垣墉言,故曰築殿、築囿、築臺。
(Ren) Inscribed and signed Fuchang Ren Xun, and with one seal 鈐印:子貞、蝯
of the artist. Dated guiyou year (1873) of Tongzhi reign
(Tao) Titled, inscribed and signed Tao Shoutong, and with one seal (任薰)
of the artist. Dated guiyou year (1873) 款識:同治癸酉(1873)春仲,阜長任薰寫於蘓臺寓次。
17.5cm x 48.5cm (6¾in x 19in). 鈐印:任薰

HK$80,000 - 120,000 (陶壽桐)


US$10,000 - 15,000 款識:倣耕煙散人。癸酉(1873)秋九月,呈笙魚太守大人教
正,陶壽桐。
何紹基/任薰/陶壽桐 行書/秋蟹圖/山水 水墨/設色紙本 鈐印:桐
成扇 一八七三年作
陶壽桐,字問琴。浙江秀水(今嘉興)人。父溶與叔淇皆有畫
名。擅山水。早卒。

上款「笙魚」乃李嘉福(1829-1894),字笙魚,一字北溪,號
石佛庵主。浙江石門(今崇德)人,寓居吳縣,嘗為蘇州知府。
精鑒賞,收藏頗豐,築阿寶閣藏項氏天籟閣舊物。畫從戴熙學,
山水蒼潤厚重,構圖能出新意,極富個人色彩。嘗問字於何紹
基。書與篆俱工。
FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 59
140

140
CHEN BAOCHEN (1851-1935) & WAN CHENGSHI 陳寶琛/萬承栻 行書自作七律/雨後品茗圖 水墨紙本/設色
(1879-1933) 紙本 成扇 一九二八年作
Tasting Tea After Rain
Ink or ink and colour on paper, folding fan 〈 陳寶琛 〉
Inscribed and signed Baochen or Xiyuan Shi, each side with one 款識:恨人又閱一星終,公等年華正及中。莫但刻舟傷往跡,要
or two seals of the artist 知磨鐵恃深功。鴻嗷不集民安託,龍戰能貞道未窮。倚杵張弓誰
Dated wuchen year (1928) 料得,衰殘任喚信天翁。戊辰(1928)竹醉日,徯園招飲,同愔
19.5cm x 53cm (7½in x 20¾in). 仲韻。叔誠仁兄屬書,扇背徯園畫即是年作,感而錄此,八十七
叟寶琛。
HK$20,000 - 40,000 鈐印:陳寶琛印
US$2,600 - 5,200
萬承栻
款識:雨後新涼透綠紗,挑燈試品雨前茶。拈毫隨意添生趣,閒
寫東籬處士花。戊辰(1928)七月雨夜,寫似叔誠仁兄雅屬,徯
園栻。
鈐印:萬生、閒邪

註:扇骨為民國竹刻名家湯岱山丙寅(1926)所製,一書一畫,
刀法工妙,頗堪把玩。

60 | BONHAMS
141

141
AISIN GIORO YONGQI (1741-1766) 永琪印匯 鈐印百十五方 綾本 手卷
Handscroll of Seals
On satin, handscroll 引首:瑤林寶籒 。
Imprint of 115 seals of Yongqi, the fifth son of Emperor Qianlong 鈐印:瀏陽李鴻球字韻清鑒藏
Frontispiece 22cm x 98cm (8½in x 38½in).
Colophon 22cm x 192cm (8½in x 75½in). 本手卷收錄乾隆第五子永琪所用印共計115方。

HK$30,000 - 50,000 來源:


US$3,900 - 6,400 曾為李鴻球所藏。李鴻球(1899-1978),字韻清,湖南瀏陽
人。齋名海棠書屋、劍花樓。早年習經濟,任北京、漢口、鄭
Provenance: 州、上海等地銀行及信託公司經理、總經理。富收藏,尤好董香
Previously in the collection of Li Hongqiu(1899-1978) 光。曾藏多件《石渠寶笈》著錄作品。去臺後,擔任世界書局總
經理,又創辦大中書局。著有《海棠書屋力學雜錄》、《劍花樓
書畫錄》等。

永琪(1741-1766),字筠亭,號藤琴居士。自幼勤勉好學,多
才多藝,熟諳滿蒙語文、天文、地理,尤精天文算法,有《蕉桐
膡稿》傳世。永琪能畫能詩,書法與十一弟永瑆齊名,亦擅長騎馬
射箭,深得乾隆鍾愛。惜天不假年,罹患骨結核病,未及而立即
殁。病中受封為榮親王。

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 61


142
WANG YUSI (ACTIVE CIRCA MID-LATE 17TH CENTURY) 王璵似 奚師去青圖 水墨紙本 手卷
Farewell to My Mentor
Ink on paper, Handscroll 款識:九仙山高見岱宗,西下龍潭中有龍。我昨曾到九仙上,赤
Inscribed and signed Wang Yusi, with three seals of the artist. 日燒顏月盪胸。先是夜半下龍潭,摸崕跌足深千重。天明始知
Annotations by ten of the artist’s contemporaries including Li 在地底,一線青天無來踪。去潭十丈驚欲墜,但聞續蔓之水聲淙
Yaochen (1643-?), Zhang Duqing (1642-1715), and Pan Yingbin 淙。張公結菴積水處,津延千里幽人住。往歲楊君辭雲門,今年
(1653-after 1708) 又送奚公去。莫謂看雲宜豔裝,莫謂看䔪 宜素裳。龍潭龍供白雲
18cm x 364.5cm (7in x 143in). 冷,象山象設百花香。奚公與我忘年友,來往城陰歲時久。拄杖
芒鞋忽欲東,我心蘊結君知否。十五年來一夢過,人生會少別離
HK$30,000 - 50,000 多。隔手便是不相見,雲樹千重可奈何。野鶴孤鴻無定景,師若
US$3,900 - 6,400 言歸應俄頃。雲根云葉杜鵑紅,揤攊擔來真奪境。揮手去去遠山
陲,綠楊花撲東風吹。此情此日隨流水,百折千回東去時。 書
此之次日,閒坐弄筆硯,偶思渠立道上,忽成一畫,遂添一僧其
間,以為奚師去青圖。傷會面之無期,悲雲山之阻斷,以為萍葉
鴻踪之志,畫之合法與否不計也。五龍弟王璵似及男弟子佛照頓
首拜贈。
鈐印:王璵似印、魯珍氏、夢遊常續心遊

題跋:
(一)
踈樹籠煙,遠山如畫,有人策蹇,悠然其中,真是逍遙境界,直
令觀者有塵外之想。香嚴惟豫題。
鈐印:聊復爾爾、此中仌 泠、晴嵐主人

(二)
去青圖於尺幅中寓纏綿無已之情於筆墨之外,真不啻陽關三疊
也。第奚公深入佛海,本無去住,而魯珍乃欲以丹青留之,亦猶
拘拘於雪上鴻爪矣。丁丑(1697)子月般陽法弟李堯臣題。
鈐印:約菴、李堯臣印、希梅

(三)
紅幅如掌,點染人物如豆,眉目不辨,知他是誰。然雲樹逢迎
中,一和尚在驢子背上,若有構思、若有吟哦,大似奚公,六真
曰是奚公去青圖,余亦曰是。稷下畢曰澪題。
鈐印:曰澪私印

62 | BONHAMS
(四) 「奚師」應為成博,字奚林,山東諸城人。俗姓蔡。個性消散不
南無賈島佛皈依,奚大士去去去,人在青林煙雨處,不是閒敲月 羈,乃山左詩壇著名詩僧,蒲松齡《聊齋文集》卷五中有《為武
下圖,浪仙卻向瀛洲去。張篤慶題。 定州知州請奚林和尚開堂啓》,王士禎則為其題寫墓塔銘。奚林
原為行腳僧,康熙八年(1669),得青州法慶寺大和尚元中(字
(五) 靈轡)賞識,數年間拔為首座。後以過失加之同門進讒,於康熙
蔥蘢兮踈 林,蒼翠兮遙岑,不向塵囂步趨,獨從荒寂追尋,豈無本 二十八年(1689)被病中的靈轡逐出寺門。彼時「孤裝病蹇,藤
之衝節,仿灞橋之思吟,伊何人斯?曰此奚師去青,寫行踪於煙 杖芒鞋,茫茫逆旅,未審厥居」,境況狼狽。不知魯珍此卷,是
雲,以寄窈紏之情深。棣弟訒庵氏題。 否即指其事,若是,則畫成於1689年。奚林晚年入放鶴園,張侗
嘗為其作傳略,引其言「彼何人斯?即不持戒,又不誦經。有來
(六) 問他,指出一峰。倘或沉吟,唱得耳聾。是所謂奚公也耶?」頗
庚戌(1670)客鶴園,座中宋生出便面,蒼壁苔披,下有潭湛碧 能道其風貌。《國朝山左詩鈔》曾選其詩三首。另有《登岱草》
萬丈,縷縷白雲欲起,一僧叉俛首,意看倒景潭中,心悸魂寒, 詩,張侗序謂「讀之清音越朗,若雲璈發響,雖勺水拳石,一一
恐苔滑失足墮潭狀,余為之呌絕。既又揭笥,出兩破扇,一策黑 解語」,惜今不傳。奚林好古博雅,可算有清一代碑學先驅。藏
蹇赴村,兩腳斜垂,斷虹發彩,射人眸子,真古來畫工亦不及, 有宋拓《乙瑛》、《張遷》,以及為何紹基奉為至寶的孤拓《張
始嘆才思奇特,能人所不能。如此幅茂林晻翳,口氣玲瓏,而一 黑女墓誌》。該拓後有魯珍題跋,子貞有「誰解奚林文字禪,魯
僧閉睫作矇瞪狀,古堞荒塹,意思無窮,誰能生動,若是也耶? 珍題罷復雲泉」句即指此,《張黑女》現藏上海博物館,亦是奚
己卯(1699)春仲,題於淄角古佛剎西方丈,墨海。 林與魯珍忘年之交的佐證。

(七) 王璵似在諸城遺民中以詩書畫知名,晚年客居放鶴園,與石民、
披霜為呌絕,恍去覩青時。霽色休中靄,請吟蹇背詩。褒衣無雪 蓬海及遠近名士結社賦詩,潑墨揮毫,後張氏兄弟選菁勒石,刻
虛,短杖有童持。九點蒼煙在,何煩訂後期。無棣弟子劉佐沛題 石現藏於諸城市博物館。其傳世墨跡據目前所考,此卷為僅見。
於清涼丈室。 題跋者以放鶴園主人張侗墨跡為珍,張篤慶、李堯臣、紀炅、潘
應賓諸人皆以詩文名世,當為放鶴園座上賓。清初山左詩壇與放
(八) 鶴園遺民諸家的唱和交遊,向研究者眾,本卷藝術價值之外,無
蒼然一路踏殘暉,別有禪棲隔翠微。爭向雪中尋爪跡,誰從天外 疑為文學研究提供了寶貴的墨跡資料。
看鴻飛。雲內弟之民侗拜題。
鈐印:同人、侗印、石民 張篤慶(1642-1715),字歷友,號厚齋,別號崑崙山人。山東
淄川(今淄博)人。崇禎首輔至發曾孫。康熙丙寅(1686)拔
(九) 貢。著有《八代詩選》、《班范肪截》、《五代史肪截》、《崑
九仙五龍何去何住,驢背行吟千重雲樹,潭底日紅峰頭雪冱,展 崙山房集》。王士禎《漁洋詩話》稱其文章淹薄華贍,千言可
卷諦觀恍然如晤,參文字之上乘,即禪門之正路。癸未(1703) 立就,詩尤以歌行擅場。晚年退居崑崙山下,閉門卻掃,嘯歌自
首夏題奚大師去青圖後,七十九歲紀炅書。 適。
鈐印:紀炅之印、朏菴、山納
李堯臣(1643-?),字希梅,號約庵。山東淄川人。諸生。著
(十) 有《百四齋》文集十卷、詩集一卷,《筆勢》一卷、《明書譜》
煙雨寔濛見遠山,踈踈 澹澹碧雲間,本來去住原無相,一任空林自往 二卷。
還。古任城潘應賓題。
鈐印:應賓、雪石、松壑 張侗(1634-1713),字同人,號石民,山東諸城普慶人。有
孝行,多奇節。總角遭兵燹,家財蕩盡,無錢買筆墨,常以炭
註:王璵似,亦作嶼似,字魯真,一字六真。明諸生。山東益都 習字。及長,詩、書、畫冠絕一邑。與族兄張衍(蓬海)、佳(
人。父玉生,順治間以歲貢為湖州通判,遷懷慶府同知,以廉介 子雲)、傃(白峰)合稱「張氏四逸」。石民為四逸之首,乃諸
聞。《青州府志·人物傳》云:「嶼似善隸書,工詩畫。鼎革後 城遺民的思想領袖。常聚四方文士,酬唱於放鶴園。康熙九年
不復與試,學使出其籍。晚年主諸城張衍,居放鶴園,日嘯傲 (1670)與張衍於九仙山中闢臥象山,隱居不仕。著有《放鶴村
山水間。」其人曠達不羈,《諸城縣志·僑寓傳》載其「善八分 文集》五卷、《其樓詩集》一冊、《臥象山誌》一卷等傳世。生
書,畫學黃子久。至京師,謁同鄉權貴不得達,毆閽者而去。出 平見著《諸城縣誌·文苑傳》及《青州府誌·孝友傳》。
居庸關,騁目塞上,畫益奇。歲校,吏呼其名,故不應。除名,
牌出,大笑曰,足矣。晚年攜小妻幼女寓放鶴園,嘯傲輕座客。 紀炅(約1624-1703後),字朏庵,號仲霽,文安人。諸生。康
大雪中,每攜榼出遊,至無所投宿。卒後張衍歸其櫬於益都,葬 熙十八年(1679)舉博學鴻詞。有《桂山堂》集。
之。」 《清畫家詩史》謂其畫入逸品,詩學櫟下老人(周亮工)
,然僅錄其五律一首。本卷所錄七言古詩,奇崛浪漫,具太白遺 潘應賓(1653-1708後),字鑾客,號雪石,山東濟寧人。康熙
風,可補《清畫家詩史》之遺。生卒未詳,王士禎(1634-1711 十八年(1679)進士,康熙四十四年(1705)升翰林侍講學士。
)在《池北偶談》卷二十三「鄭刺史祠」一則記魯珍為其門生, 中國文物研究所藏有《潘雪石生平圖傳》,乃潘氏後人潘耀星裝
以張衍(1634-1710)卒年計,則其卒年在1710年之前。 池成冊,載其曾參與校對《會典》,編篡《明史》,奉敕修《大
清一統誌》。冊中第四十四圖繪康熙四十六年(1707),康熙最
後一次南巡時,潘氏在江南接駕的情景,彼時潘氏已於此前一年
辭官歸里。其題跋殿於卷後,推算應為歸里之後所作。

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 63


COLLECTION OF DR. GEORGE & MINNIE SHAOSHEN KENT
坎特教授與夫人余小仙女士收藏
Lots 143-145 A Los Angeles native, Dr. Kent was an outstanding scholar in
Chinese studies, and he was a man with many linguistic talents. He
obtained a bachelor’s degree from University of Southern California
in 1950, with concentrations in Germanic languages and philosophy.
He went on to study classical Chinese at Claremont College in
Claremont, California, where he earned a master’s degree. Shortly
thereafter, he became PhD candidate at the University of California,
Berkeley, and he received a coveted Ford Foundation Grant to travel
and live in Hong Kong in 1957-1958 to source materials for his PhD
dissertation. During those two years, Dr. and Mrs. Kent travelled
extensively and met many burgeoning students, flourishing artists,
and preeminent local scholars. He made an indelible impression
on one Chinese scholar in particular, and the scholar gave the Qi
Baishi painting to the couple in 1958 in Hong Kong as an expression
of friendship, gratitude and respect. After they returned to the U.S.,
Dr. Kent finished his studies and was awarded a PhD in Oriental
Languages from UC Berkeley in 1961. From 1962-1966, Dr. Kent
founded the Oriental Languages Department at the University
of Rochester. The couple then transitioned to the University of
California, Irvine, and Dr. Kent again helped the school to establish
its first ever Oriental Languages Department. Today, it is known as
the East Asian Languages & Literatures Department, an integral part
of a world-class humanities department. Dr. Kent was professor
emeritus at UC Irving until his death in 1995, and Mrs. Kent is offering
the property in his honour.
喬治 ·坎特1928年生於洛杉磯,1950年畢業於南加州大學,主修日耳
曼語系語言及哲學,隨後入加州克萊蒙特大學,獲得古代漢語碩士學
位。繼而入加州大學柏克萊分校研讀博士,並獲得夢寐以求的福特基
金會研究經費,於1957-58年間,寓居香港蒐集博士論文資料。期間,
坎特夫婦大量旅行,遇到許多孜孜向上的學生、藝術家和當地傑出的
學者。其中一位中國學者還將其珍藏的齊白石畫作贈予坎特伉儷,以
示交好。返美後,坎特先生於1961年獲得柏克萊大學東方語言博士學
位。1962-66年,他為羅切斯特大學創建東方語言系。隨後轉至加州
大學艾爾文分校,創建東方語言系。該系發展為今天的東方語言文學
系,乃國際知名的人文科系之一。坎特博士在艾爾文分校擔任榮譽教
授,直至1995年辭世。邦瀚斯書畫部很榮幸獲坎特夫人委託,上拍其
珍藏,以茲紀念。

143
DONG ZUOBIN (1895-1963)
Calligraphy in Oracle Bone Script
Ink on paper, framed
Inscribed and signed Dong Zuobin, with two seals of the artist
Dated [minguo] forty-seventh year (1958)
56cm x 20.5cm (22in x 8in).

HK$55,000 - 70,000
US$7,100 - 9,000

Provenance:
Acquired directly from the artist in 1958
Collection of Dr. George Kent (1928-1995), and hence by decent

董作賓 甲骨文書法 水墨紙本 鏡心 一九五八年作

款識:吉日逢三月,幽花媚一林。川前有女正遊春,燕子自來自去,
解依人。
康佐治先生遊港紀念,謹以舊作奉贈。中華民國四十七年(1958)二
月廿一日丁巳寫《集契集》「南歌子」於臺北,董作賓。
鈐印:董作賓、彥堂

來源:
1958年直接得自藝術家本人
Dr. George Kent(1928-1995)舊藏,後由其夫人余小仙女士珍藏至今
64 | BONHAMS
144
HU SHI (1891-1962) 胡適 飛行小讚 水墨紙本 鏡心
Ode to Travelling by Airplane
Ink on paper, mounted 款識:看盡柳州山,看遍桂林山水,天上只消半日,地上已千
Inscribed and signed Hu Shi, with one seal of the artist 里。古人辛苦學神仙,要守百千戒。看我不修不鍊,也騰雲無
29.8cm x 35cm (11¾in x 13¾in). 礙。小仙女士。胡適。
鈐印:胡適
HK$400,000 - 600,000
US$52,000 - 77,000 來源:余小仙女士(b.1927)與胡適先生1960年相識於美國加
州大學柏克萊分校,別後適之先生書此見貽,並由余小仙女士珍
Provenance: 藏至今
Mrs. Kent met the artist at University of California, Berkeley in
1960, and acquired the calligraphy directly then

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 65


145
QI BAISHI (1864-1957)
Millet and Mantis
Ink and color on paper, framed
Inscribed and signed Baishi Laoren, with one seal of the artist
Dated eighty-eight years old (1948)
101cm x 33cm (39¾in x 13in).

HK$480,000 - 600,000
US$62,000 - 77,000

Provenance:
Received as a gift from the neighbouring Chinese scholar in Hong
Kong in 1958
Collection of Dr George Kent (1928-1995) and Mrs Kent

齊白石 螳螂金粟 設色紙本 鏡框 一九四八年作

款識:八十八歲白石老人。
鈴印:借山翁

來源:
1958年居港期間,得自比鄰而居的中國學者之饋贈
Dr George Kent(1928-1995)夫婦收藏

66 | BONHAMS
146
QI BAISHI (1864-1957)
Fat Duck and Mandarin Fish
Ink and colour on paper, framed
Inscribed and signed Baishi Laoren Qi Huang, and with one seal of
the artist
Dated eighty-seven years old (1947)
100cm x 33.5cm (39¼in x 13¼in).

HK$300,000 - 500,000
US$39,000 - 64,000

Provenance:
Formerly in the collection of Professor Yuan Chu Jhen (1912-1999)

齊白石 肥鴨鱖魚 設色紙本 鏡框 

款識:白石老人齊璜八十七歲。
鈐印:白石

來源:袁樞真教授(1912-1999)舊藏

此幅〈肥鴨鱖魚〉作於1947年,以江南美食為畫題,在齊白石的
創作中甚為難得。此前一年,即1946年,國土光復,齊白石恢復
了賣畫刻印生涯。據《白石老人自述》載,該年「十月,南京方
面來人,請我南下一遊,是坐飛機去的,我的第四子良遲和夏文
珠同行。先到南京,中華全國美術會舉行了我的作品展覽;後到
上海,也舉行了一次展覽。我帶去的二百多張畫,全部賣出。」
肥鴨、秋鱖,皆是南京、蘇州、上海等吳越菜系的絕美風物。「
秋有肥鴨冬有蔬」,秋季正是享用此二食材的最佳季節。久居北
方的白石老人從南京上海舉辦畫展歸來後,定是憶起自己前一年
秋冬遊歷江南時品嚐的江南美味,方得以畫出〈肥鴨鱖魚〉這一
佳作。

此後兩年,物價飛漲,法幣貶值幾成廢紙。而囤積倒把之人,更
是異想天開,將白石老人的畫也當作貨物一樣,囤積起來。拿著
一堆廢紙似的「金圓券」,訂購白石的畫件,一訂就是幾十張幾
百張。以至後來齊白石只得嘆一口氣,掛出「暫停收件」的告示
了。

此作上款因故已被挖去,現留有落款紀年一行,並鈐朱文「白
石」一方印。據陳奇峰編《齊白石印集》考證,此印為齊白石丙
子年(1936)五月十六日抵成都後自仿前印所刻。

袁樞真,1912年生於浙江天台城關 ,曾赴日本大學研究藝術。
1936年至1940年赴法國巴黎國立美術學院深造,學成回國後任教
於重慶國立藝專。1943年任教於國立重慶師範大學。1949年赴台
灣擔任台灣省立師範學院藝術系副教授,1953年升任教授。1956
年擔任台灣師大藝術系教授,後兼任系主任6年。

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 67


147

147
YAO HUA (1876-1930)
Landscape
Ink on paper, mounted
Inscribed and signed Yao Hua Mangfu, with one seal of the artist
148
Dated jiazi year (1924)
64cm x 29.5cm (25¼in x 11½in).
148
HK$40,000 - 60,000 PU RU (1896-1963)
US$5,200 - 7,700 Scholar in Landscape
Ink and colour on paper, hanging scroll
姚華 山水 水墨紙本 鏡心 一九二四年作 Inscribed and signed Xinyu, with one seal of the artist
76cm x 32cm (30in x 12½in).
款識:甲子(1924)端陽,蓮華盦寫似百里仁兄雅鑒,姚華茫
父。 HK$80,000 - 120,000
鈐印:姚華 US$10,000 - 15,000

上款人蔣百里將軍(1882-1938),名方震,號澹寧,以字行, 溥儒 杖藜還上傍江亭 淺絳紙本 立軸
清浙江杭州府海寧州硤石鎮人。中華民國時期軍事理論家,軍事
教育家,陸軍上將,著有《國防論》。 款識:夕陽西下晚山青,秋水微茫帶遠汀。欲識江南奇絕處,杖
藜還上傍江亭。心畬。
此畫作繪製於清代名紙「梅花玉版箋」。該紙箋創製於清代康 鈐印:溥儒
熙,盛產於乾隆年間,多以皮紙為料,其上施粉、加蠟、砑光,
再以泥金或泥銀繪製梅花圖案,乃宮廷專用紙。此畫所用紙箋左
下角有朱文隸書「梅花玉版箋」長方印記。近而觀之,該紙箋未
以泥金繪冰梅紋,然而全幅紙心卻以暗花形式壓印了整株盛開之
梅樹,雖少了幾分華麗,卻平添了許多雅趣和韻致。

68 | BONHAMS
149
LI KERAN (1907-1989) 李可染 牧童歸去夕陽紅 設色紙本 立軸 一九八九年作
Boy Herding in Mountains
Ink and colour on paper, hanging scroll 款識:牧童歸去夕陽紅。一九八九年歲次己巳(1989)春,晨興
Inscribed and signed Keran, with three seals of the artist 試筆,可染。
Dated 1989 鈐印:李、可染、峰高無坦途
80.5cm x 52cm (31¾in x 20½in).

HK$800,000 - 1,200,000
US$100,000 - 150,000

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 69


150
HUANG JUN (1914-2011)
Ladies in four seasons
Ink and colour on gold paper, set of four framed paintings
Inscribed and signed Maochen Huang Jun, with four seals of the artist
Dated gengchen year (1940)
69.5cm x 26.5cm (27½in x 10½in) each. (4).

HK$180,000 - 250,000
US$23,000 - 32,000

70 | BONHAMS
黃均 四季仕女 設色灑金紙本 鏡框四屏 一九四〇年作

款識:庚辰(1940)秋日寫於六宜書屋,懋忱黃均。
鈐印:黃均畫印(四鈐)

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 71


FORMERLY IN THE COLLECTION OF MR. QIU ZHENXIANG, SINGAPORE
新加坡邱珍祥先生舊藏
Lots 151-152

151
CHEN DA (1900-1969) 陳達 四季山水 設色紙本 鏡心四幅 一九四八年作
Four Seasons Landscape
Ink and colour on paper, set of four mounted paintings (一)
Each inscribed and signed Chen Da or Xiaozhou or Zichao, each 款識:湖水茫茫浪拍天,春風湖上有人煙。小樓半在花林內,簾
with one or two seals of the artist 捲春山看釣船。擬陸包山筆意。海隅覽雲散人陳達作於滬上。
Winter landscape dated wuzi year (1948) 垂柳高低綠,遙山遠近青。一段江湖趣,都來屬釣艇。珍祥先生
68cm x 33cm (16¾in x 13in) each. (4). 雅鑒。小舟又題。
鈐印:覽雲散人、陳小舟、陳達畫
HK$100,000 - 150,000
US$13,000 - 19,000 (二)
款識:誰於松下結孤亭,清曠偏宜逸士情。好把竹煙來坐憩,靜
Provenance: 聽濤雜煮茶聲。倣唐六如筆法。茲超。
Collection of Mr. Qiu Zhenxiang (1911-1988), Singapore, and 鈐印:陳達畫
thence by descent
(三)
款識:琴書都在翠微中,吹斷泉聲半嶺風。盡道此山秋不入,無
霜林葉為誰紅。摹石田翁大意。小舟寫。
鈐印:陳志超印
72 | BONHAMS
(四)
款識:愛此寒林環曲水,騎驢不忍過溪橋。倣文徵仲畫意。戊子
(1948)仲冬小舟作。
鈐印:陳達畫

來源:新加坡邱珍祥先生(1911-1988)舊藏,隨後由其後人繼
承藏品

註:邱珍祥為書畫舫主人,在新馬藝壇非陌生名字。他1940年從
中國龍溪縣南下檳城,後到新加坡,曾為徐悲鴻、劉海粟等人裱
畫,一生專於紙糊字畫間,擁有逾一甲子的裝裱經驗。

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 73


152
LIU HAISU (1896-1994) 劉海粟 岱廟古柏 設色金底紙本 鏡心 一九八三年作
Rustic Pines at Dai Temple
Ink and colour on gold paper, mounted 款識:臨撫散盤瑯玡筆,戲為漢柏一寫真。蒼皮溜雨四十圍,黛
Inscribed and signed Liu Haisu, with five seals of the artist 色參天三千尺。一九八三年九月吉日,泰安岱廟巡禮寫古柏。劉
Dated 1983 海粟年方八十八歲。
98cm x 181cm (38½in x 71¼in). 鈐印:劉海粟、曾經滄海、真手不壞、靜遠堂、石破天驚

HK$300,000 - 500,000 來源:新加坡邱珍祥先生(1911-1988)舊藏,隨後由其後人繼


US$39,000 - 64,000 承藏品

Provenance: 註:邱珍祥為書畫舫主人,在新馬藝壇非陌生名字。他1940年從
Collection of Mr. Qiu Zhenxiang (1911-1988), Singapore, and 中國龍溪縣南下檳城,後到新加坡,曾為徐悲鴻、劉海粟等人裱
thence by descent 畫,一生專於紙糊字畫間,擁有逾一甲子的裝裱經驗。

74 | BONHAMS
153

154
153 154
TAI JINGNONG (1902-1990) HUANG JUNBI (1898-1991)
Plum Blossom and Stone Plum Blossom
Ink on paper, mounted Ink on paper, framed
Inscribed and signed Jingzhe, with one seal of the artist and one Inscribed and signed Huang Junbi, with two seals of the artist
seal of the collector Dated yimao year (1975)
Dated guimao year (1963) 67.5cm x 33cm (26½in x 13in).
51cm x 32.5cm (20in x 12¾in).
HK$40,000 - 60,000
HK$40,000 - 60,000 US$5,200 - 7,700
US$5,200 - 7,700
黃君璧 老樹有餘韻 水墨紙本 鏡框 一九七五年作
Provenance:
Formerly in the collection of Bann Geng-Lu Art Book, Taipei 款識:老樹有餘韻,別花無此姿。乙卯(1975)秋日,黃君璧。
鈐印:黃君璧、白雲堂
臺靜農 梅石圖 水墨紙本 鏡心 一九六三年作
此畫以梅樹為題,細筆勾寫梅花,沒骨表現枝幹,濃淡乾濕,變
款識:癸卯(1963)除夕,靜者。 幻萬千,筆情恣意,墨趣橫生。畫上題詩「老樹有餘韻,別花無
鈐印:靜者 此姿。」既是詠梅,更是贊畫。該詩文出自南宋張道洽《池州和
藏印:半耕盧主人 同官詠梅花》,全文為:「村墅苔為徑,茅檐竹作籬。神清和月
寫,香遠隔煙知。老樹有餘韻,別花無此姿。詩人風味似,夢寐
來源:臺北半耕盧書屋舊藏 也應思。」

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 75


155
PU RU (1896-1963) 溥儒 鍾進士習字圖 設色絹本 立軸
Zhong Kui Practicing Calligraphy
Ink and colour on silk, hanging scroll 款識:心畬。
Signed Xinyu, and with one seal of the artist 鈐印:溥儒
44cm x 19.5cm (17¼in x 7½in).
來源:香港蘇富比,中國書畫拍賣,2010年10月5日,拍品1155
HK$80,000 - 120,000 號
US$10,000 - 15,000

Provenance:
Sotheby’s Hong Kong, Fine Chinese Paintings, 5 October 2010,
lot 1155

76 | BONHAMS
(detail)

156
PU RU (1896-1963) 溥儒 九皋鳴鶴在喬松 設色紙本 鏡心
Cranes and Pine Tree
Ink and colour on paper, mounted 款識:九皋鳴鶴在喬松,僊客驂鸞此處逢。豈識徧生千歲草,祖
Inscribed and signed Xinyu, with one seal of the artist 龍定望羨門東。心畬。
25cm x 66cm (9¾in x 26in). 鈐印:心畬

HK$200,000 - 250,000 來源:


US$26,000 - 32,000 台灣功林實業股份有限公司楊氏家族舊藏,購於1970年代

Provenance:
Formerly in the collection of Yang family of Gonglin Industrial Co.,
Ltd., Taiwan, who acquired the painting in the 1970s

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 77


157
PU RU (1896-1963) 溥儒 瓶花 設色絹本 鏡心
Flowers in a Vase
Ink and colour on silk, mounted 款識:繁英冷綻,漠漠生春怨,小院無人莺 語亂,飛盡殘紅誰見。
Inscribed and signed Xinyu, with three seals of the artist 春風淺淡窗紗,水晶簾外欹斜,從此一杯清酒,不知何處天涯。
55.5cm x 18.5cm (21¾in x 7¼in). 調寄清平樂。心畬。
鈐印:一朵紅雲、舊王孫、溥儒
HK$100,000 - 150,000
US$13,000 - 19,000 來源:新加坡資深華文教育者張玉生(1942-1999)舊藏,後由
其家人繼承至今
Provenance:
Private collection of senior Chinese language educator, Mr. Teo
Geok Seng (1942-1999), Singapore, thereafter by descent

78 | BONHAMS
FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 79
158
ZHANG DAQIAN (1899-1983) AND WANG WEI (1885-1990)
Parrot on the Tree
Ink and colour on paper, framed
Inscribed and signed Daqian, with two seals of the artist in the yihai year (1935)
Parrot painted by Wang Wei in 1945, with two seals of the artist
116.5cm x 28.5cm (45¾in x 11¼in).

HK$80,000 - 120,000
US$10,000 - 15,000

Provenance:
Private collection of senior Chinese language educator, Mr. Teo Geok Seng (1942-
1999), Singapore, thereafter by descent

張大千/王偉 鸚鵡樹石 設色紙本 鏡框

款識:倣老蓮筆。補於江戶旅居時乙亥(1935)正月,大千居士。師子寫白鸚
鵡。
鈐印:張爰之印、大千、句容王偉長壽、墨翁六十以後畫

來源:新加坡資深華文教育者張玉生(1942-1999)舊藏,後由其家人繼承至今

159
PU RU (1896-1963)
Scholar Playing the Lute
Ink and colour on paper, mounted
Inscribed and signed Xinyu, with three seals of the artist
100.5cm x 32cm (39½in x 12½in).

HK$300,000 - 500,000
US$39,000 - 64,000

Provenance: private collection of Mr. Chan Yim Lam, Singapore, thereafter by


descent

溥儒 高士撫琴 設色紙本 鏡心

款識:蕉竹高寒石壁青,闌干紫袷午風輕。披殘一卷黃庭訣,不見人聲有鶴聲。
心畬。
鈐印:舊王孫、溥儒、松巢客

來源:新加坡陳炎林先生(1907-1989)舊藏,後由其家人繼承至今

158

80 | BONHAMS
159 160

160
ZHANG DAQIAN (1899-1983) 張大千 日暮倚修竹 水墨紙本 鏡心 一九三五年作
Lady in a Bamboo Grove
Ink on paper, mounted 款識:夢鯉吾兄屬。乙亥(1935)大千弟爰。
Inscribed and signed Daqiandi Yuan, with two seals of the artist 鈐印:張爰私印、蜀客
and two seals of the collectors 藏印:夢鯉心賞、陳炎林
Dated yihai year (1935)
94.5cm x 40cm (37in x 15¾in). 來源:新加坡陳炎林先生(1907-1989)舊藏,後由其家人繼承
至今
HK$250,000 - 350,000
US$32,000 - 45,000

Provenance: private collection of Mr. Chan Yim Lam, Singapore,


thereafter by descent

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 81


161
ZHANG DAQIAN (1899-1983) 張大千 青綠山水 設色紙本 立軸 一九四三年作
Blue and Green Landscape
Ink and colour on paper, hanging scroll 款識:江靜潮平豈偶然,一山終週一山連。釣臺近處行當緩,何
Inscribed and signed Zhang Daqian Yuan, with five seals of the 用風牽上瀨船。七里瀧「有風七里、無風七十里」之謠。張大千
artist 爰。
Dated guiwei year (1943) 癸未(1943)六月寫似,英堂仁兄法家正之。大千張爰於蜀中。
97cm x 48cm (38¼in x 18¾in). 鈐印:張爰、大千大利、張爰之印、大千、長年湖海

HK$1,500,000 - 2,000,000 來源:


US$190,000 - 260,000 據現藏家回憶,本幅乃八十年代購於干城畫廊。干城畫廊東主蔣
干城乃張大千晚年好友,畫廊代為經手大千作品頗夥,且多精
Provenance: 品。
By repute acquired from Gancheng Gallery in Taipei in the 1980s.
Gallery owner Jiang Gangcheng was a good friend of the artist,
and had sold many of his fine works.

82 | BONHAMS
FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 83
162

162 張大千 克密爾勝景 設色紙本 鏡心 一九六八年作
ZHANG DAQIAN (1899-1983)
Scenery in Carmel 款識:五十七年戊申(1968)重陽,健工老兄自洛杉磯見過克密
Ink and colour on paper, mounted 爾寓齋,诘 此間景物之勝,去城十里而近有海岸,榜曰「中國澗」,
Inscribed and signed Yuan, with three seals of the artist 不知緣何得名也。因寫以為贈,並求法正,爰。
Dated wushen year (1968) 鈐印:張爰之印、大千居士、大千世界
53cm x 104cm (20¾in x 40¾in).
來源:
HK$2,600,000 - 3,600,000 1968年直接得自畫家本人
US$340,000 - 460,000 邵華(1901-1973)舊藏

Provenance: 邵華,字建工,原名邵子英,安徽潁上人。1924年於安徽省立
Acquired directly from the artist in 1968 第三師範畢業,考入南京工業學校,隨後轉入上海大夏大學教育
Formerly in the collection of Shao Hua (1901-1973) 科。1925年五卅慘案發生時,邵氏積極投入學生愛國運動,成
為上海學生運動骨幹,並加入共產主義青年團。26歲更名邵華,
任國民革命軍第二十七軍政治部主任,為軍政大員。1928年國民
政府建立後,脫離共青團而轉入改組派,任國民黨中央宣傳部幹
事。後又轉到CC系,成為陳立夫手下大將。1935年當選國民黨
中央監察立法委員、安徽省黨部委員。西安事變後,1937年5月
28日,邵氏奉國民黨最高當局派為「中央考察團」成員赴陝北考
察,受到毛澤東、周恩來、葉劍英等紅軍高級將領的熱烈歡迎
(附圖一、附圖二)。1948年赴台。

84 | BONHAMS
圖1:邵華在延安與中共領導人毛澤東、朱德、葉劍英等人的合照,其
中左二為邵華

圖2:合照背面備註,邵友中題寫

邵華與張大千為多年老友,兩人在大陸時期便已熟稔。1968年10
月下旬,邵華先生攜其子友中、友理暢遊美國加州,應邀前往張
大千克密爾寓居,共聚一堂,相見甚歡。恰逢重陽佳節,張大千
特意為邵華父子三人繪製〈克密爾勝景〉、〈蒼松虯舞〉、〈香
遠益清〉佳構三幅,並分別題上款相贈,籍此存念。

此幅〈克密爾勝景〉即為張大千於重陽節當日為邵華所作。此畫
尤為特別之處,在於畫題為張大千與邵華先生同遊克密爾勝景,
共賞「此間景物之勝,去城十里而近有海岸,榜曰『中國澗』」。
乍看好似中國山水,細心觀察則可見畫面右側驚濤拍岸,捲起千
堆雪,溯流而左穿過峽岸,水面遂又轉為平靜。再看峽岸兩邊植
被,近岸灌木遍布,遠岸高樹蔥茂,這正是美國加州海岸的獨特
景緻。詳考美國加州克密爾地區勝景,由城區(Carmel-By-The-
Sea)驅車往南約5公里,位於Point Lobos State Natural Reserve
圖3:位於克密爾地區的中國澗實景
南面海灣確有一處風景名勝曰China Cove,該景勝實地風貌與
張大千此幅〈克密爾勝景〉甚合,應當正是張大千畫題所言之「
中國澗」。大師筆下勝景與克密爾實地景緻,兩相參看,饒有趣
味。

進一步欣賞畫中細節,只見在岸邊高處,畫有高士二人,賞景相
談,不亦樂乎。細辨之,執杖者正是大千本人!背手立於大千身
旁者,不正是上款人邵華先生麼?再細讀畫上題款,此情此景娓
娓道來,書與畫相應成趣,頗為耐人品味。

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 85


163
ZHANG DAQIAN (1899-1983)
Summer Mountains
Splashed ink and colour on foamboard, mounted
Inscribed and signed Yuanweng, with two seals
of the artist and one seal of the collector
Dated jiyou year (1969)
50cm x 75cm (19½in x 29½in).

HK$800,000 - 1,200,000
US$100,000 - 150,000

Provenance:
From the collection of the artist’s student Li
Shunhua

張大千 夏山圖 潑墨潑彩泡沫板 鏡心

款識:爰翁。己酉(1969)製。
鈐印:大千唯印大幸、下里巴人
藏印:百千之一

來源:張大千弟子李順華收藏

86 | BONHAMS
FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 87
PROCEEDS TO SUPPORT THE BERKELEY ART MUSEUM ASIAN ART ACQUISITIONS FUND
IN MEMORY OF PROFESSOR JAMES CAHILL
拍賣款項淨額將支持加州大學柏克萊分校博物館之亞洲藝術購藏,以緬懷高居翰教授
Lots 164-166

Following the successful sale on 31 May 2015 at Bonhams Hong 繼香港邦翰斯於2015年5月31日,以相關拍品之成交所得,為加州


Kong in support of the establishment of the Cahill Study Center at 大學柏克萊分校博物館與太平洋電影資料庫新館內之高居翰亞洲藝
the UC Berkeley Art Museum and Pacific Film Archive, Bonhams is 術研究中心籌得資金,本公司很榮幸再次推出本輯拍品,所得款
honoured to offer the following four lots. All net proceeds from the 項淨額將用於該館亞洲藝術之購藏,以紀念高居翰教授。
sale of these works will benefit the Museum’s Asian art acquisition,
as a tribute to Professor James Cahill.

164

164
WANG JIQIAN (C.C. WANG 1907-2003) 王己千 書法 水墨紙本 立軸二幅 一九九二年作
Calligraphy
Ink on paper, two hanging scrolls (一)
Inscribed and signed Jiqian and Wang Jiqian, with a total of four 款識:如意。己千。
seals of the artist 鈐印:無人無我非古非今、CCWANG、羊(肖形)
Dated renshen year (1992)
Zen: 61cm x 34cm (24in x 13¼in); (二)
Auspicious: 45cm x 65.5cm (17¾in x 25¾in). 款識:禪。壬申(1992)王己千。
鈐印:無人無我非古非今
HK$12,000 - 18,000
US$1,500 - 2,300 來源:
九十年代直接得自畫家本人
Provenance: 美國私人收藏
Acquired directly from the artist in the 1990s
An American private collection

88 | BONHAMS
165
RUYI (B.1966)
Rock Landscape
Ink on paper, mounted
Inscribed and signed Ru Yi, with five seals of the
artist
Dated yiwei year (2015)
139cm x 71cm (54¾in x 28in).

HK$40,000 - 60,000
US$5,200 - 7,700

Provenance:
An American private collection

如一 太湖石 水墨紙本 鏡心 
二〇一五年作 

款識:阮公詩,「有風傳雅韻,無雪試幽姿」。
阮公玩石,有清一代當屬第一。其功在石上銘
刻,解意深矣。歲次乙未(2015)如一畫並記。
鈐印:如一、香榭山房、明月前身、放下便是、
家在山右介休古綿山

來源:美國私人收藏

165

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 89


166
CHENG SHIFA (1921-2007), ZHANG JINQI (1918-1993),
CHENG DUODUO (B.1947)
Morning Glory
Ink and colour on paper, mounted
Inscribed and signed by Cheng Duoduo, Zhang Jinqi and Cheng
Shifa, with four seals of the artists
Dated dingmao year (1987)
41.5cm x 109cm (16¼in x 42¾in).

HK$80,000 - 120,000
US$10,000 - 15,000

Provenance:
Acquired directly from the artists
Collection of Mrs. Sally Yu Leung

Published:
Paintings of Madam Zhang Jinqi, Timeless Collection, United
States, April 1994, pp.12-13

程十髪髪/張金錡/程多多 朝韻圖 設色紙本 鏡心 一九八七
年作

款識:丁卯(1987)七月之吉,寫贈翠雁壽辰留念,程多多、張
金錡、程十髪髪合作於上海。
鈐印:十髪髪、金錡、多多、程

來源:
直接得自藝術家本人
余翠雁女士收藏

出版:《張金錡夫人畫集》,美國無盡藏藝術公司,1994年4
月,頁12-13

167
CHENG SHIFA (1921-2007)
Chicken and Flowers
Ink and colour on paper, hanging scroll
Inscribed and signed Cheng Shifa, with one seal of the artist
65.5cm x 43.5cm (25¾in x 17¼in).

HK$80,000 - 120,000
US$10,000 - 15,000

Provenance:
Acquired directly from the artist
Collection of Mrs. Sally Yu Leung

程十髪髪 富貴長春 設色紙本 立軸 一九八三年作

款識:翠雁留存,程十髪髪於神石軒。來居紐約再於金門橋畔題
寫。
鈐印:十髪髪

來源:
直接得自藝術家本人
余翠雁女士收藏

166

90 | BONHAMS
167

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 91


168
XU BEIHONG (1895-1953) 徐悲鴻 奔馬 設色紙本 鏡框 一九四三年作
Running Horse
Ink and colour on paper, framed 款識:壽徵老友存念。卅二年(1943)春日,悲鴻。
Inscribed and signed Beihong, with two seals of the artist 鈐印:徐、東海王孫
Dated [minguo] thirty-second year (1943)
62.5cm x 70.5cm (24½in x 27¾in). 來源:
1943年直接得自畫家本人
HK$1,200,000 - 1,500,000 馬壽徵教授舊藏
US$150,000 - 190,000
上款人馬壽徵先生,留法博士、浙江大學農學院教授,乃徐悲鴻
Provenance: 多年密友,並曾為徐悲鴻的民事糾紛出庭作重要證人。
Acquired directly from the artist in 1943
Formerly in the collection of Professor Ma Shouzheng 民國三十二年(1943),即徐悲鴻繪製此幅奔馬的這一年,馬壽
徵教授著有《中法比瑞文化協會叢書:土壤肥料實驗》一書,其
後由商務印書館印行。據該書自序,「馬壽徵序於民國三十二年
十月十日四川省立教育學院土壤肥料研究室」,院址位於沙坪壩
區磁器口街道金沙正街(現重慶市第二十八中學校內),可知該
年徐悲鴻與馬壽徵均生活居住於重慶。

又考《徐悲鴻年譜》,此年三月十八日,徐悲鴻在重慶中央圖書
館舉行個人畫展預展,計有國畫、油畫、素描等作品百餘件。三
月二十一日,主持個人畫展正式開幕。可見此幅〈奔馬〉的創作
時間,正當畫家在重慶舉行個人畫展前後。此畫作是否在這次個
人畫展之中,尚待有心人進一步考證。

92 | BONHAMS
FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 93
COLLECTION OF MR. MARK PRATT, WASHINGTON D.C., USA
美國華盛頓班立德總領事收藏
Lots 169-170

169
LU HUI (1851-1920) 陸恢 繁花集錦 設色紙本 立軸六幅
Flowers
Ink and color on paper, set of six hanging scrolls (一) 空谷幽蘭
Each inscribed and signed Lu Hui or Lianfu or Hui, each with one 款識:蘭生空谷兮,不以無人而不芳。吳江廉夫陸恢寫。
or two seals of the artist 鈐印:廉夫、廬山真面
Peony dated wuzi year (1888)
62.8cm x 25.4cm (24¾in x 10in). (6). (二) 牡丹富貴 一八八八年作
款識:君子處富貴之境如此。戊子(1888)十一月倣李复堂法,
HK$40,000 - 60,000 以奉藻卿五兄法家先生正之。廉夫弟恢。
US$5,200 - 7,700 鈐印:廉夫詩画

Provenance:
From the collection of Mr. Mark Pratt, Washington D.C., USA
See detailed introduction, refer to Bonhams Hong Kong, Fine
Chinese Paintings, 31 May 2015, Lots 122-131

94 | BONHAMS
(三) 五色靈芝 (六) 海棠嬌紅
款識:五色芝,白石巔巅,採之須煩四皓僊。寒夜無聊,取青藤老 款識:只恐夜深花睡去,高燒銀爥照紅粧。井南舍主陸恢。
人作此,為賞音者壽。 鈐印:廉夫詩画、廬山真面
鈐印:廉夫画印、顧陸丹青
來源:美國華盛頓班立德總領事之收藏介紹,詳見香港邦瀚斯
(四) 金桂飄香 2015年5月31日,中國書畫拍賣,拍品122-131號
款識:今夜月明人盡望,不知秋思在誰家。陸恢客吳 , 在井南
舍所作。
鈐印:廉夫画印、陸恢摹古

(五) 玉蘭高潔
款識:姜學在先生鼎革後隱扵 吳,嘗倣倪高士画,题 曰「虎丘背後
玉蘭樹,余凡両見焉。殆取此花之能自潔歟,涂此以誌景仰。」
廉夫陸恢記於井南舍中。
鈐印:廉夫詩画、顧陸丹青

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 95


170
PU HUA (1832-1911)
Landscape
Ink and colour on paper, hanging scroll
Inscribed and signed Pu Hua, with one seal of
the artist
122cm x 58cm (48in x 22¾in).

HK$50,000 - 70,000
US$6,400 - 9,000

Provenance:
Refer to lot 169

蒲華 春日讀書圖 設色紙本 立軸

款識:山光照檻水繞廊,舞雩歸詠春風香。好鳥
枝頭亦朋友,落花水面皆文章。磋砣莫遣韶華
老,人生惟可讀書好。讀書之樂樂何如,綠滿窗
前草不除。朱子春日讀書樂。蒲華寫。
鈐印:作英

來源:
詳見拍品169號

170

96 | BONHAMS
171
HUANG BINHONG (1865-1955)
Hong Kong Landscape
Ink and colour on paper, fan leaf
Inscribed and signed Binhong, with one seal of the artist
Dated yihai year (1935)
18.5cm x 51.5cm (7¼in x 20¼in).

HK$80,000 - 120,000
US$10,000 - 15,000

黃賓虹 香港清水灣 設色紙本 扇面 一九三五年作

款識:乙亥(1935)之秋,長玲女士同游清水灣寫此,賓虹。
鈐印:黃賓虹

1935年,黃賓虹七十二歲,應廣西省教育廳之邀,赴南寧講學,
乃重游桂林,且覽粵西山水。歸途經香港小憩,暢遊香港、九
龍。此幅〈香港清水灣〉,即為此期間所創作。

參考圖片:黃賓虹1935年到訪香港寫生創作時的留影

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 97


172

172 174
ZHANG SHANZI (1882-1940) XIE ZHIGUAN (1900-1976)
Three Tigers Portrait of Fang Huizhen
Ink and color on silk, mounted Ink and colour on paper, hanging scroll
Inscribed and signed Zhang Shanzi, and with two seals of the Inscribed and signed Zhiguang, with one seal of the artist
artist Dated guiyou year (1933)
Dated jisi year (1929) 108cm x 47cm (421⁄2in x 181⁄2in).
30cm x 71.5cm (11¾in x 28in).
HK$30,000 - 50,000
HK$70,000 - 90,000 US$3,900 - 6,400
US$9,000 - 12,000
謝之光 靜坐讀書圖 設色紙本 立軸 一九三三年作
張善孖 三虎圖 設色絹本 對開冊頁一開 一九二九年作
款識:癸酉(1933)秋日,之光作。
款識:天倫樂事重含飴,生得男兒骨格奇。虎兒如人能教子,依 鈐印:之光
依孺慕不相離。己巳(1929)冬,虎癡張善孖。
鈐印:善孖長壽、虎癡 簽條:為慧珍寫真。之光署。

173 本幅乃畫家為其第二任夫人方慧珍所繪小像。
YU MING (1884-1935)
Lady and Flowers
Ink and colour on silk, mounted
Inscribed and signed Difan, with one seal of the artist
70.5cm x 31cm (27¾in x 12¼in).

HK$50,000 - 70,000
US$6,400 - 9,000

俞明 仕女賞花圖 設色絹本 鏡心

款識:滌煩仿古。
鈐印:俞明

98 | BONHAMS
173 174

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 99


175
TANG YUN (1910-1993)
Blessings
Ink and colour on paper, framed
Inscribed and signed Tang Yun, with five seals of the artist
Dated xinsi year (1941)
95.5cm x 41cm (37½in x 16in).

HK$130,000 - 150,000
US$17,000 - 19,000

Provenance:
Prominent Singaporean timber businessman, Mr. Kho Bak Weng,
specially commissioned Tang Yun to paint this picture as a 30th
birthday gift for Mr. Felix Lim, who was born in the year of the Rat.
The work is a rare piece in its subject matter and has been in Lim’s
private collection ever since.

唐雲 祝壽圖 設色紙本 鏡框 一九四一年作

款識:桃實如斗,天下罕有。千秋萬歲,與君上壽。辛巳(1941)
九月,明為先生卅大慶,鄭梅清倩杭人唐雲寫祝。
鈐印:敝帚、尺盦、唐雲、離隱、寶朱堂

來源:
此拍品為新加坡知名木材商人 Kho Bak Weng 先生特邀唐雲,為祝
賀林夏冰先生三十歲生日所繪之作。此拍品題材少見,故被屬鼠之
林氏珍藏至今。

176
KONG XIAOYU (1899-1984)
Spring Flowers
Ink and colour on paper, hanging scroll
Inscribed and signed Kong Xiaoyu, with two seals of the artist
Dated jiashen year (1944)
135.5cm x 68.5cm (53¼in x 27in).

HK$30,000 - 50,000
US$3,900 - 6,400

孔小瑜 春日融和 設色紙本 立軸 一九四四年作

款識:春日融和。甲申(1944)春二月,曲阜孔小瑜畫於海上味
青盧。
鈐印:孔英書印、小喻

176

100 | BONHAMS
176 177

177
SHEN YINMO (1883-1947) 沈尹默 行書孟浩然題大禹寺詩 水墨泥金紅箋 立軸
Poem in Running Script
Ink on gold-flecked red paper, hanging scroll 款識:義工習禪處,結宇依空林。戶外一峰秀,階前眾壑深。夕
Inscribed and signed Yinmo, with two seals of the artist 陽連雨足,空翠落庭陰。看取蓮花淨,方知不染心。孟襄陽題《
77cm x 35cm (30¼in x 13¾in). 大禹寺義工山房》,伯元先生雅鑒。尹默。
鈐印:沈尹默印、竹谿沈氏
HK$50,000 - 70,000
US$6,400 - 9,000

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 101


178
XIE ZHILIU (1910-1997), CHEN PEIQIU (B.1923)
Lotus Pond and Calligraphy Couplet
Ink or ink and colour on paper, three hanging scrolls
Lotus: inscribed and signed Zhuangmuweng Zhiliu, with two seals
of the artist
Dated dingmao year (1987)
Colophon and scroll label inscribed by Chen Peiqiu with four seals,
dated gengyin year (2010)
Calligraphy couplet: inscribed and signed Jianbi, with three seals
of the artist
Dated renchen year (2012)
Two scroll labels inscribed and signed by the artist, each with two
seals, dated guisi year (2013)
Lotus pond 96.5cm x 62.5cm (38in x 24½in);
Calligraphy couplet 136.5cm x 34cm (53¾in x 13¼in) each. (3).

HK$180,000 - 250,000
US$23,000 - 32,000

Published: Xie Dingkun eds., Yanjiang Qiulan: Xie Zhiliu, Chen


Peiqiu Zuopinji, Shanghai People’s Fine Arts Publishing House,
2015, p.150

謝稚柳/陳佩秋 書畫一堂 設色/水墨紙本 立軸三幅

(一)
謝稚柳 荷塘過雨圖 設色紙本 立軸 一九八七年作
陳佩秋題邊跋、題簽

款識:丁卯(1987)新秋,寫荷塘過雨,壯暮翁稚柳。
鈐印:稚柳、壯暮翁

邊跋:謝稚柳荷塘過雨圖,庚寅(2010)十月,截玉軒健碧題。
鈐印:健碧、陳氏

包首題簽:謝稚柳荷塘過雨圖,庚寅(2010)秋日健碧簽。
鈐印:陳、健碧

(二)
陳佩秋 行書七言聯 水墨紙本 立軸一對 二〇一二年作
陳佩秋自題簽

款識:泥根玉雪原無染,風葉青蔥亦自香。壬辰(2012)冬十二
月,健碧。
鈐印:佩秋、陳氏、大樂

包首題簽:
陳佩秋書范成大荷詩聯。上。癸巳(2013)健碧簽。
陳佩秋書范成大詩聯句。下聯。癸巳(2013)健碧。
鈐印:陳、佩秋、健碧、佩秋

出版:謝定琨主編,《烟江秋蘭:謝稚柳、陳佩秋作品集》,上
海人民美術出版社,2015年,頁150。

102 | BONHAMS
178

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 103


179

180

179 180
SU MANSHU (1884-1918) QIAN SONGYAN (1899-1985)
Landscape Appreciating Bamboo Teapot
Ink on paper, album leaf, mounted Ink and colour on paper, fan leaf
Signed Manshu with one seal of the artist and one seal of the Inscribed and signed Qian Songyan, with two seals of the artist
collector Dated jiaxu year (1934)
Colophon inscribed twice by Deng Erya (1894-1964) 17.5cm x 52cm (7in x 20½in).
30cm x 40.5cm (11¾in x 15¾in).
HK$60,000 - 80,000
HK$100,000 - 150,000 US$7,700 - 10,000
US$13,000 - 19,000
錢松喦 竹鑪清韻 設色紙本 扇面 一九三四年作
蘇曼殊 山水 設色紙本 冊頁裱為鏡心
鄧爾雅題識二次 款識:竹鑪清韻忽依然,位置仍宜水石邊。書訊有僧來穀雨,鬢
絲如鶴伴茶煙。家山夢去忘為客,故國詩成感紀年。冷暖此君須
款識:曼殊。 自覺,無勞更試醒心泉。
鈐印:印禪 明洪武間,慧山二泉旁聽松庵僧編竹為鑪以煮茗,王孟端為繪圖
藏印:五石齋藏(鄧之誠藏印,字文如,1887-1960) 賦詩,海內名流前唱後和,一時傳為佳話。清咸豐兵燹後,庵雖
燬而復興,但鑪與王畫則蕩然無存。余友梁谿顧攬清先生之尊
題識:曼殊上人墨妙。余弱冠時親目上人作畫,眼鈍而莫知其 人,重拓辟疆園,疊石鑿泉,泉甘洌與二泉同,因追溯竹爐故
好。今客文如鄧先生京寓處,見案頭猶存上人所作之山水,既剏 事,截竹仿製,廣徵題詠,以踵美先哲流風餘韻,賴以勿替焉。
是圖,氣撲眉宇,沈雄清逸,且筆墨奇佳,始方知妙入造化,信 茲為攬清先生圖入便面,並錄顧氏先賢梁汾先生《重製竹爐告成
此為當世無雙者。東官鄧尔疋並題。 志喜》詩一律於其端,惟余筆墨拙陋,未足上窺孟端,是為愧
藏印:鄧、爾 耳。
甲戌(1934)暮春,弟錢松喦記。
題識:想象高風笠屐圖,領南今又見髯蘇。人間七體書咸讀,島 鈐印:松岩畫記、喦翁詩畫
上初逢美且都。應是此心無所住,別開生面孰能橅。癸酉(1933
)四月廿六日,尔疋又題。
藏印:尔疋私鉨 、鄧萬歲
104 | BONHAMS
181

181
LU YANSHAO (1909-1993) 陸儼少 黃山三絕 設色紙本 立軸 一九七七年作
Beauty of Mount Huang
Ink and colour on paper, hanging scroll 款識:黃山三絕,曰松、曰石、曰雲,三者相映帶而成奇景,使
Inscribed and signed Lu Yanshan, and with five seals of the artist 登覽者目暢神移、驚叫歎絕而不能遽去。蓋宇宙之大,皆在霄之
Dated dingsi year (1977) 上、峰之巔,以其高,故常在雲霧中。其雲霧乃其所自出,而黃
68cm x 41cm (26¾in x 16in). 山賴是以靈。蓋無雲而他山無有是也,不足以盡黃山之勝,故三
者備而後為黃山。沈耀我兄正之。丁巳(1977)秋十月,陸儼少
HK$300,000 - 500,000 並記。
US$39,000 - 64,000 鈐印:陸儼少、宛若、嘉定、穆如館製、儼少無恙

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 105


182
LU YANSHAO (1909-1993) 右陸儼翁〈溪山佳勝圖〉,據懷菊山民有「陸家山水爍古今」之
Scenery of Streams and Mountains 論。明清以降及至近現代山水畫的美學理念和表現形式又有極
Ink and colour on paper, handscroll 大的豐富與發展。指顧當代畫壇,上海陸儼少、北京李可染兩位
Inscribed and signed Lu Yanshao, with five seals of the artist 大師代表著南北兩派山水畫的最高水準,可謂雙峰並峙,各領風
Dated wuwu year (1978) 騷,成就之大,影響之廣,絲毫不亞於歷代大師。陸儼少在《山
Frontispiece titled by Chen Peiqiu (b.1922), dated xinmao year 水畫六論初討》中寫道:運用多變無礙而不易尋找的規律,以達
(2011) 到筆墨的靈與變,靈變兩者是筆墨運用的最高要求。自古大家無
Four colophons after the painting inscribed by Chen Peiqiu 有不靈不變者,做到靈氣往來,變化莫測,不見規律而自有規律
(b.1922), Lu Heng (b.1938), Che Pengfei (b.1951) and Xu Yixuan 在,藝術魅力所以能夠抓住人,主要是這點。證之先生畫作,深
(b.1941) 感此言不虛。他初習四王,上溯宋元,下逮明清,師古人之心,
Frontispiece 38.5cm x 99cm (15in x 38¾in). 不蹈古人之跡,尤以作王蒙、唐寅一路最為精彩。謀篇縝密開
Painting 38.5cm x 111.5cm (15in x 43¾in). 張,筆致松秀凝煉,著色和順雅逸,無意於工而無不工,著力於
Colophons various sizes. 韻而韻自靈出。又六十歲後,變法創新,獨創臥筆中峰法,即筆
桿雖橫臥,但筆尖仍具點劃的墨痕中間,不偏離墨痕邊緣,從而
HK$1,200,000 - 1,800,000 取得有別於豎筆中峰的沉著、厚實、圓潤、含蓄效果。古稀之年
US$150,000 - 230,000 又完成勾雲、勾水、墨塊、留白的畫法,為傳統所未有、時人所
未達,震古爍今,遐邇聞名,藝界譽其為陸家山水,極大地拓展
Published: Lu Heng eds., Feng Liu Jin Jian: Lu Yanshao Zuo Pin 了當代山水畫的表現手法和審美時尚,成為前無古人的全新文化
Ji, Shanghai People’s Fine Arts Publishing House, 2015, p.142 坐標。則此一論述,陸儼翁實能當之。辛卯(2011)九月截玉軒
健碧記。
陸儼少 溪山佳勝 設色紙本 手卷 一九七八年作 鈐印:佩秋、陳氏、無絕、長年
陳佩秋題簽、引首
陳佩秋、陸亨、車鵬飛、徐一軒題跋 〈陸亨〉
〈溪山佳勝圖〉為家父陸儼少於一九七八年所作,時值四人幫徹
款識:溪山佳勝。畫為靜山仁弟,戊午(1978)秋,陸儼少。 底粉碎,全國上下一片歡騰。
鈐印:宛若、儼少、戊午歲七十、儼老不老、穆如館 回憶起父親自一九五八年反右運動開始直至文化大革命結束,這
廿多年來受到了極不公平的待遇,受盡了折磨和精神上的摧殘,
引首:溪山佳勝。辛卯(2011)中秋,健碧耑。 由於歷次運動的衝擊,父親的哮喘肺氣腫已轉化為嚴重的肺心
鈐印:佩秋、陳氏、無絕 病。友人潘華信醫生說,陸先生能從文革走過來真是個奇蹟。潘
醫生的這段話,使我久久不能忘懷。究竟是什麼力量在支撐著父
題跋: 親的生命!是藝術!這是他生命的全部。因為上蒼賦予他的使命
〈陳佩秋〉 還未完成,他為了藝術要頑強地活著,要變法,要和西方傲慢的
藝術家叫板,要使中國的藝術屹立於世界藝術之林。
106 | BONHAMS
我深切感受到,四人幫的粉碎,國家政策的開放,父親的心情從 〈徐一軒〉
來沒有像現在這樣舒暢過,他可以大膽地放開手腳,盡情地在藝 吾師陸公宛若先生是近代已有定論的中國畫大師。其所創的陸家
術的這個王國中大幹一場。 山水堪与張大千、傅抱石、李可染等大師創作的山水畫比肩,各
父親常說,一位藝術家風格的演變,是一個漫長的文化內涵豐富 具風貌,面目迥異,同為廿世紀中國山水畫的顛峰之作。陸家山
的積累,師法造化與時代俱進的過程,是水到渠成、順其自然的 水風格的形成和創立,是傾其一生辛勤的藝術耕耘所得,是其天
結果,而不是刻意揉造,似一夜春風梨花開。父親深厚的傳統文 才學力等多重因素綜合所成。先生于詩書畫等多方面均有極高的
化修養,熔詩書畫於一爐,一生注重畫外功夫的錘煉。縱觀他整 造詣,故所作山水畫,意境深遠,氣息高古,耐人品味。謝稚柳
個藝術風格的演變,可以說在七十年代末至八十年代初是父親在 先生曾評曰,「予嘗謂宛翁山水雖源出乎元人,而多詩人之旨。
藝術上達到了極其成熟和爐火純青的境界。〈溪山佳勝圖〉就是 」今觀此卷〈溪山佳勝〉,尋常丘壑在陸老筆底下風生雲起,
這個時期最具代表性的父親合意之作。圖中留白墨塊,雲氣的穿 意境開闊深遠,留白墨塊加勾雲有機組合,節奏明快,虛實相
插,前呼後擁、婀娜多姿,墨色的干、濕、濃、淡表現得淋漓盡 生,使覽者產生無盡的遐思和美感。先生筆墨功力深厚,精熟宋
至,大膽落筆一氣呵成,而於細微處精妙極臻,潤物細無聲,於 元諸家。尤可貴者,學而能化,化為自己的面貌。故謝稚柳先生
無聲處聽驚雷,整幅畫面氣韻通靈,章法千變萬化,跌宕有致, 又評曰:儼少山水縝密而不失渾厚,娟秀而不失老辣,山動水流
駕輕就熟地馳騁於藝術的自由王國。圖中線條蒼莽老練,畫面細 雲飛,庶讀者一見生機,古今畫苑殊不多見。此卷作於一九七八
膩而緊密,純粹是父親自己的風格,更趨抽象化、個性化。圖中 年,是先生創作盛期的愜心之作。該時期作品,筆墨更趨老辣蒼
任何一個局部,都可以與西洋的抽像畫媲美,都是一個藝術的王 勁,而不失靈動秀逸,圖式風格已成定型,但仍靈變無常,是一
國,所以我們從〈溪山佳勝圖〉的整體來看,父親的藝術在這個 件不可多得的精品佳製,殊宜寶藏之。
時期已經昇華到了一個新的階段。抽象的中國畫筆墨,和師法造 甲午(2014)之秋,弟子徐一軒拜觀敬題。
化的時代意境,標新立異地出現在近現代的畫壇上,陸派山水將 鈐印:徐氏、一軒、辛巳人
如波瀾壯闊的江河萬古長流。
己丑(2009)二月,陸亨於海上之穆如館。 包首題籤:陸儼少溪山佳勝卷。辛卯(2011)歲健碧海上簽。
鈐印:陸亨之印、嘉會、嘉定 鈐印:健碧、陳

〈車鵬飛〉 出版:陸亨主編,《風流今見:陸儼少作品集》,上海人民美術
此〈溪山佳勝圖〉為宛翁夫子七十歲所作。其時夫子筆墨煙火 出版社,2015年,頁142
純青,構圖出神入化,信手拈來,婓然成章,揮毫寫去,妙趣
橫生。觀其畫如夢如幻,可癡可醉,鋒端百變,不知其所始,不 上款人吳靜山,順德人,本名九如,字靜山,號靜者,以字行,
明其所終,或疾或緩,或疏或密,或濕或枯,或濃或淡,筆由心 中國美術學院客座教授、中國書法家協會會員、廣東省文史研究
生,墨從意發,滿幅淋漓,盡得風流。藏者有此佳製,人生一樂 館館員。
事也。
癸巳(2013)金秋,海上車鵬拜觀後敬題於遲悟堂之南窗。
鈐印:車、鵬飛、萊陽

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 107


FORMERLY IN THE COLLECTION OF PROFESSOR DOMINIC MAN-KIT LAM
林文傑教授舊藏
Lots 183-189

林文傑教授 (b.1947),生於潮陽,長於香港。十六歲赴加拿大
深造,醫學生物物理博士,二十四歲即任教哈佛 。1982年與奧比
斯眼科飛行醫院創辦人佩頓教授首次赴中國交流。1985年成立美
國德州第一間生物科技公司,並於1988年上市。次年獲「美國高
科技企業家大獎」和「美國總統勳章」。又獲邀為美國總統藝術
人文委員會委員,是第一位獲此殊榮的亞裔。1999年成立「世界
眼科組織」(WEO),為窮人防盲治盲。

林氏早年隨周士心、趙少昂、楊善深等學習中國書畫,並於1980
年偶然發明「折光畫」,用不同攝影液體在黑白相紙上顯現不同
顏色與效果。1982至1983年曾與中港臺三地藝術家張大千、趙少
昂、關山月合繪《梅蘭竹芝》圖。本輯得其舊藏七件作品,既有
李可染、關山月精心寫贈,也有黃冑所贈墨錠與硯台,頗能見證
一段以藝會友的佳話。

183

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183
GUAN SHANYUE (1912-2000) AND MAN-KIT LAM (B.1947)
Plum Blossoms and Orchid
Ink on cardboard, mounted
Inscribed and signed Guan Shanyue, with one seal of Guan and one
seal of Lam
Dated 1990
34.5cm x 49.5cm (13½in x 19½in).

HK$30,000 - 50,000
US$3,900 - 6,400

The painting will be sold as a set with a signed catalogue Vol. 2 of


Guan Shanyue’s Serial Albums: A Eulogy of Our Beautiful Land, a
catalogue for ‘Exhibition on the Recent Work of Guan Shanyue’ in
Hong Kong, published in Taipei in 1992, which Guan Shanyue signed
and sent to Professor Dominic Man-Kit Lam as a gift.

關山月/林文傑 鐵骨幽香 水墨卡紙 鏡心 一九九〇年作

款識:鐵骨幽香。一九九〇年十一月重遊休士頓,與文傑合畫於幽
蘭居燈下,關山月並記。
鈐印:林、關山月

本拍品隨附關山月簽名贈與林文傑之1992年10月31日-11月22日香
港「關山月近作展」的展覽圖錄《關山月畫輯第2集:山河頌》,台
灣國風出版社1992年出版。

註:林文傑自幼喜繪蘭花並親手培植,一九八四年秋,關山月應邀
訪美,客於林氏植有數千盆蘭花的居所,為其命名「幽蘭居」。

184
GUAN SHANYUE (1912-2000)
Plum Blossoms
Ink and colour on paper, mounted
Inscribed and signed Hanyang Guan Shanyue, and with three seals
of the artist
Dated yichou year (1985)
138cm x 47cm (54¼in x 18½in).

HK$60,000 - 80,000
US$7,700 - 10,000

關山月 梅花香自苦寒來 設色紙本 鏡心 一九八五年作

款識:梅花香自苦寒來,不是爭春先獨開。借重羅公茅龍筆,神似
墨痕沁香哉。乙丑(1985)歲冬並錄近作,奉文傑、張笠兄嫂賢伉
儷粲政。漠陽關山月於珠江南岸隔山書舍作。
鈐印:漠陽、關山月印、山月畫梅

184

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 109


185
LI KERAN (1907-1989)
Splendid Spring
Ink and colour on paper, mounted
Inscribed and signed Keran, and with five seals of the artist
Dated 1984
68.5cm x 45.5cm (27in x 17¾in).

HK$900,000 - 1,500,000
US$120,000 - 190,000

Provenance:
Acquired directly from the artist in 1984
Formerly in the collection of Professor Dominic Man-Kit Lam
(b.1947)

The painting will be sold as a set with Chinese Paintings of Li


Keran Exhibition, a catalogue published in Tokyo in 1983, which Li
Keran signed and gifted to Professor Dominic Man-Kit Lam.

李可染 春花燦若霞 設色紙本 一九八四年作

款識:春花燦若霞。一九八四年歲次甲子春三月,可染師牛堂。
文傑藝友屬畫,即請指正。
鈐印:孺子牛、李、可染、可染畫、陳言務去

來源:
1984年直接得自畫家本人
林文傑教授(右一)與李可染於師牛堂 林文傑教授(b.1947)舊藏

本拍品附有李可染1984年簽名贈予林文傑教授《李可染中國畫
展》圖錄一冊,日本朝日新聞東京本社企画部1983年出版。

本幅作於1984年春,佈局疏密有致,春花爛漫,燦若紅霞,牧童
騎於牛背之上,與老牛皆引頸向後,視線被繁花吸引,牧童額前
幾縷亂髮,似被春風吹起,一派恬靜怡然,渥然紙上。《春花燦
若霞》乃可染先生鍾愛的題材之一,與李可染基金會等公私所藏
同名題材相較,就筆墨、構圖及保存狀況而言,本幅可謂同類題
材中的上乘之作。

110 | BONHAMS
FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 111
186
CHENG SHIFA (1921-2007) (一)
Various Subjects 款識:十髪髪。
Ink and colour on paper, album of twelve leaves 鈐印:十髪髪
Each signed Shifa or Cheng Shifa, nine leaves inscribed, titleslip
by the artist himself, and with a total of thirteen seals of the artist. (二)
Dated gengshen year (1980) 款識:長春。程十髪髪漫筆。
42.5cm x 31.5cm (16¾in x 12½in) each. (12). 鈐印:十髪髪

HK$700,000 - 1,000,000 (三)


US$90,000 - 130,000 款識:程十髪髪漫筆。
鈐印:十髪髪
Provenance:
Formerly in the collection of Professor Dominic Man-Kit Lam (四)
款識:濠樂圖。十髪 寫。
程十髪髪 花鳥人物冊 設色紙本 冊頁十二開 一九八〇年作 鈐印:十髪髪

簽條:程十髪髪花鳥人物冊。辛酉(1981)裝成後題。 (五)
鈐印:十髪 款識:庚申(1980)二月之朔,程十髪髪寫雜畫十髪二種。
鈐印:十髪髪

112 | BONHAMS
(六) (十一)
款識:程十髪髪漫寫於上海。 款識:程十髪髪寫桃花乳鳩,時庚申(1980)春日。
鈐印:十髪髪 鈐印:十髪髪

(七) (十二)
款識:十髪髪。 款識:十髪髪漫筆於滬西。
鈐印:十髪髪 鈐印:十髪髪

(八) 來源:
款識:庚申(1980)新春,十髪髪寫。 林文傑教授(b.1947)舊藏
鈐印:十髪髪

(九)
款識:十髪髪寫意。
鈐印:十髪髪

(十)
款識:程十髪髪漫筆。
鈐印:十髪髪

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 113


187 188

187 188
CHENG SHIFA (1921-2007) ZHU QIZHAN (1892-1996)
Girl and Deer Morning Glory
Ink and colour on paper, hanging scroll Ink and colour on paper, mounted
Inscribed and signed Cheng Shifa, with three seals of the artist Inscribed and signed Zhu Qizhan, and with two seals of the artist
66.5cm x 43cm (26in x 16¾in). Dated bingyin year (1986)
83.5cm x 50.5cm (32¾in x 19¾in).
HK$80,000 - 120,000
US$10,000 - 15,000 HK$50,000 - 70,000
US$6,400 - 9,000
Provenance:
Formerly in the collection of Professor Dominic Man-Kit Lam Provenance:
(b.1947) Formerly in the collection of Professor Dominic Man-Kit Lam
(b.1947)
程十髪 雄鹿少女 設色紙本 鏡心
朱屺瞻 牽牛花 設色紙本 鏡心 一九八六年作
款識:程十髪寫。
鈐印:十髮、雲間程潼、雲間 款識:夢祺先生教正,丙寅(1986)春,朱屺瞻年九十五。
鈐印:朱屺瞻、師造化
來源:
林文傑教授(b.1947)舊藏 來源:
林文傑教授(b.1947)舊藏

114 | BONHAMS
189

189
HUANG ZHOU (1925-1997) 黃冑訂製 岱麓藏英 化石硯連錦盒 一方
Pair of Ink Sticks; Fossil Ink stone      油煙墨錠兩塊連錦盒 一九八二年作
Pair of ink sticks in brocade box; Ink stone in brocade box
Ink sticks commissioned by Huang Zhou, signed Huang Zhou, (化石硯連錦盒)
and dated renxu year (1982). Inscribed on the inner box, signed 款識:岱麓藏英。
Huang Zhou, dated jiazi year (1984) 題跋:文傑小弟存念,古生物化石硯,一九八五年五月二十五
Ink stone titled Dailu Cangying. Inscribed on the inner box by 日,奧比斯眼科飛機醫院訪問北京。黃冑。(硯盒內蓋)
Huang Zhou, signed Huang Zhou, with three seals of the artist, 鈐印:黃冑之印、雨石居、雨石堂珍藏
and dated 1985
Ink sticks box 15cm x 10.5cm x 4cm (5½in x 7¼in x 1¼in). (墨錠)
Ink stone box: 14cm x 18.5cm x 3.5cm (5¾in x 4in x 1½in). (2). 題跋:文傑老弟存念。黃冑。甲子(1984)初夏。

HK$20,000 - 30,000 來源:林文傑教授(b.1947)舊藏


US$2,600 - 3,900

Provenance:
Formerly in the collection of Professor Dominic Man-Kit Lam
(b.1947)

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 115


190
ZHAO SHAO’ANG (1905-1998)
Bird on Oleander Tree
Ink and colour on paper, mounted
Inscribed and signed Shaoang, with two seals of the artist
Dated xinwei year (1931)
80cm x 32.5cm (31½in x 12¾in).

HK$120,000 - 180,000
US$15,000 - 23,000

趙少昂 花鳥 設色紙本 鏡心 一九三一年作

款識:化松先生方家教正。辛未(1931)冬初,少昂。
鈐印:少昂畫記、家住沙園松柏坊

上款人呂鎔(1898-1982),字化松,廣東番禺人,嶺南畫家。
早年東渡日本,探研美術於白馬會。歸國後,益致力於畫,歷任
廣東省立師範、及各中學文史國畫教席,凡三十餘年。來港後亦
從事美術教育。香港中國美術會成立後,被選為執委及監察委
員。

191
JU LIAN (1828-1904)
Insects and Flowers
Ink and colour on silk, a set of four mounted paintings
Each signed Guquan or Ju Lian, each with one seal of the artist
33.5cm x 54cm (13¼in x 21¼in). (4).

HK$60,000 - 80,000
US$7,700 - 10,000

Provenance:
Private collection of Mr. Chan Yim Lam (陳炎林先生 1907-1989),
Singapore, thereafter by descent

居廉 花卉草蟲 設色絹本 鏡心四幅

(一)
款識:古泉廉。
鈐印:居廉私印

(二)
款識:愷臣四兄大人鑒正。灋甌香館賦色。隔山樵子古泉廉。
鈐印:居廉私印

(三)
款識:倣甌香館意。隔山樵叟古泉。
鈐印:古泉父

(四)
款識:灋元人用筆。隔山老人居廉寫生。
鈐印:古泉

來源:新加坡陳炎林先生(1907-1989)舊藏,後由其家人繼承

190

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FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 117
192

附圖:連平原(後排右一)與家人在家中合影,攝於七十年代,
本拍品即為懸掛客廳正中之畫作

192
HUANG JUNBI (1898-1991) 黃君璧 雙瀑圖 設色紙本 鏡心 一九七一年作
Double Waterfalls
Ink and colour on paper, mounted 款識:辛亥(1971)冬日,黃君璧。
Inscribed and signed Huang Junbi, with three seals of the artist 鈐印:黃君璧、君翁、白雲堂
Dated xinhai year (1971)
66.5cm x 107.5cm (26¼in x 42¼in). 來源:台灣連氏家族連平原舊藏

HK$150,000 - 200,000
US$19,000 - 26,000

Provenance:
Formerly in the collection of Lien Ping-Yuan, Lien’s clan in Taiwan

118 | BONHAMS
193

193
GUAN SHANYUE (1912-2000) 關山月 小憩/雪景 設色紙本 鏡框二幅
Seated Figures and Snow Landscape
Ink and colour on paper, two framed paintings (一) 小憩
Each signed with one or two seals of the artist 款識:嶺南關山月。
34cm x 44.5cm (13¼in x 17½in) each. (2). 鈐印:關山月

HK$250,000 - 350,000 (二) 雪景


US$32,000 - 45,000 款識:(不辨)
鈐印:嶺南人、關山月
Provenance:
From an American private collection 來源:
Acquired in Hong Kong in the 1940s-1950s 美國私人收藏
1940-1950年代購自香港

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 119


194

194 195
HUANG JUNBI (1989-1991) DENG FEN (1894-1964)
Visiting Friends with Qin Lotus Pond
Ink and coulour on paper, framed Ink and colour on paper, hanging scroll
Inscribed and signed Huang Junbi, with three seals of the artist Inscribed and signed Tanshu Jushi Fen, with one seal of the artist
Dated jiawu year (1954) Dated bingshen year (1956)
65cm x 135cm (25½in x 53in). 66cm x 27cm (26in x 10¾in).

HK$150,000 - 250,000 HK$40,000 - 60,000


US$19,000 - 32,000 US$5,200 - 7,700

Provenance: 鄧芬 夏荷 設色紙本 立軸 一九五六年作
Formerly in a Korean private collection
款識:丙申(1956)初夏四月,率為文雧 書店主人張君寫此,曇
黃君璧 攜琴訪友圖 設色紙本 鏡框 一九五四年作 殊居士芬。
鈐印:鄧芬
款識:暇日攜琴思訪友,登峰繞道不辭勞。甲午(1954)春日畫
於臺北白雲堂,黃君璧。
鈐印:黃君璧印、君翁、白雲堂

來源:韓國私人舊藏

120 | BONHAMS
195 196

196
LÜ SHOUKUN (1919-1975) 呂壽琨 舟 設色紙本 鏡框 一九六二年作
Landscape
Ink and colour on paper, framed 款識:壬寅(1962),呂壽琨。
Inscribed and signed Lü Shoukun, with one seal of the artist 鈐印:呂壽琨印
Dated renyin year (1962)
85.5cm x 30cm (33¾in x 11¾in). 來源:香港蘇富比,中國書畫拍賣,2010年10月5日,拍品1165號

HK$40,000 - 60,000
US$5,200 - 7,700

Provenance:
Sotheby’s Hong Kong, 5 October 2010, lot 1165

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 121


197
ZHAO SHAO’ANG (1905-1998) 趙少昂 吼風/行草書七言聯 設色/水墨紙本 鏡框一幅/立
Lion and Calligraphy Couplet in Running / Cursive Script 軸一對
Ink and colour or ink on paper, one framed painting and a pair of
hanging scrolls (一) 吼風
Each inscribed and signed Shaoang, each with four or three seals 款識:吼風。趙少昂舊作,年九十歲題。
of the artist 鈐印:趙、趙、少昂、嶺南藝苑
Calligraphy dated yisi year (1965)
Lion 130cm x 58 cm (51¼in x 22¾ in). (二) 行草書七言聯 一九六五年作
Calligraphy couplet 121.5cm x 27.5cm (47¾in x 10¾in) each. (3). 款識:春雨一簾蘇子竹,秋煙半榻米家山。世光仁弟屬書,乙巳
(1965)春三月,少昂於嶺南藝苑。
HK$280,000 - 320,000 鈐印:趙、少昂、佛(肖形印)
US$36,000 - 41,000
來源:趙世光(1916-2007)舊藏
Provenance:
Formerly in the collection of Zhao Shiguang (1916-2007) 趙世光,原籍廣東澄海,1939年到港考入中國新聞學院,受教於
喬冠華、金仲華等名師。1948年拜趙少昂教授為師,為嶺南畫派
第三代傳人。1961年,趙氏協助其師籌組「今畫會」,並任首屆
主席,組織師生聯展和其他活動。同時,他協助其師有關出版之
事宜,例如《實用繪畫學》一書,趙世光為其作編輯及整理圖片
達數年之久。除此之外,趙氏成立多個藝術團體,推廣藝術,不
遺餘力,並率先與國內藝壇作交流,在中港澳享有盛名。

122 | BONHAMS
FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 123
198
LANG JINGSHAN (LONG CHIN-SAN, 1892-
1995)
Pavilion by Pine Tree
Silver gelatin print, framed
With one seal of the artist
Executed in 1963
38.5cm x 28cm (15in x 11in).

HK$20,000 - 30,000
US$2,600 - 3,900

Published:
Chin-san Long’s Photography, Collection of Hwa
Kang Museum, Hwa Kang Museum, Chinese
Culture University, Taipei, 1998 (another mirror
edition)
Selections from the Permanent Collection of
Hwa Kang Museum XIV, LANG Jing-shan’s
Photographies, Hwa Kang Museum, Chinese
Culture University, Taipei, 2011, p.69 (another
mirror edition)

郎靜山 幽亭古松 銀鹽相紙 鏡框 一九六
三年作

鈐印:郎靜山

出版:
《華岡博物館珍藏:郎靜山先生集錦攝影》,
中國文化大學華岡博物館,台北,1998年
(另一反向版本)
《華岡博物館珍藏選輯(十四)郎靜山攝影》,
中國文化大學華岡博物館,台北,2011年,
頁69(另一反向版本)

199
SUN YUNSHENG (1918-2000), CHEN
DINGSHAN (1897-1987)
Scholar and Calligraphy
Ink and colour or ink on paper, two mounted
198 Inscribed and signed Yunsheng Sun Jiarui or
Dingshan, each with two or one seal
Painting: 67cm x 35cm (26¼in x 13¾in);
Calligraphy: 39cm x 68cm (15¼in x 13¾in). (2).

HK$42,000 - 62,000
US$5,400 - 8,000

孫雲生/陳定山 人物/書法 設色/水墨紙本
鏡心二幅

(一) 孫雲生 人物

款識:樹聲先生法正。庚子(1960)秋孟,雲
生孫家瑞。
鈐印:孫家瑞、雲生

(二) 陳定山 書法

款識:白石嚴扉碧蘇滋,上清淪謫已多時。一生
夢雨常飄瓦,盡日靈風不滿旗。綠萼華(來)無
定所,杜蘭香去未移時。玉郎會去通仙藉,總奈
相思事不知。樹聲先生正。定山書。
鈐印:定山

上款人袁樹聲,前台灣糖業公司總經理,現逾
九秩
124 | BONHAMS
199 200

200
SUN YUNSHENG (1918-2000) 孫雲生 潑彩山水 設色紙本 立軸 一九七八年作
Splashed Colour Landscape
Ink and colour on paper, hanging scroll 款識:戊午(1978)冬日,孫雲生家瑞。
Inscribed and signed Sun Yunsheng Jiarui, with two seals of the 鈐印:孫家瑞、雲生
artist
Dated wuwu year (1978)
59cm x 29.5cm (23¼in x 11½in).

HK$20,000 - 30,000
US$2,600 - 3,900

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 125


201
LAN YINDING (RAN IN-TING, 1903-1979) 闕漢騫(1901-1972),字撥雲,湖南寧遠人,黃埔軍校第四期
Remote View of Yushan (Valley After Rain) 步科畢業,中華民國陸軍中將。抗日戰爭期間指揮淞滬羅店、粵
Ink and colour on paper, framed 北等重要戰役,率遠征五十四軍攻克騰沖,戰功彪炳,被稱為猛
Inscribed and signed Yinding, with two seals of the artist 將,1949年赴台。先後曾任第十四師師長,第五十四軍軍長,廣
Dated jiachen year (1964) 州衛戍司令,台灣防衛副總司令兼東部防守區中將司令,澎湖防
94cm x 59cm (37in x 23¼in). 衛司令官。闕氏平生嗜好書法,造詣不凡,其書法被稱為「撥雲
體」,受到于右任、吳稚暉的推重。
HK$150,000 - 250,000
US$19,000 - 32,000 玉山瑞色是藍蔭鼎創作中的重要畫題。他屢被邀請出國,均以描
繪台灣名山勝景的畫作當作交流禮物,玉山即是其中的常見畫
Provenance: 題,例如他贈給美國總統艾森豪的畫作〈玉山瑞雪〉。他曾說:
Acquired directly from the artist in 1964 「登上玉山主峰,真有已登絕頂我為峰之感......看山如讀畫。」
Formerly in the collection of Que Hanqian (1901-1972) 他又曾多次在其所繪玉山題材畫作上題詩:「玉山之高高峻極,
Christie’s Taipei, 23 April 2000, lot 75 群峰兒孫環其側。坐鎮大地觀四海,伸頭天邊彩雲間。」由此足
見畫家對玉山的眷戀和對鄉土的情懷。
藍蔭鼎 玉山遠眺(雨霽天晴) 設色紙本 鏡框 一九六四年
作 此幅〈玉山遠眺〉,尺幅較大,94cm x 59cm,乃藍蔭鼎1964年
畫予闕漢騫將軍的佳作。與常見的小幅水彩畫不同,有觀點認為
款識:雨霽天晴。闕將軍漢騫清玩,甲辰(1964)初冬吉日。蔭 此畫作當屬水墨畫,「因為在他的畫作上有畫題者均稱水墨畫。
鼎,寫於玉山遠眺。 」該畫上除有其常見的簽名和朱文「蔭鼎」鈐印以外,右上角還
鈐印:蔭鼎、看山如看畫 鈐有長方形朱文「看山如讀畫」一印。此枚朱文印章,很可能是
畫家用於玉山題材畫作上的專用章。黃光男著《鄉情美學:藍蔭
來源: 鼎》一書中,收錄有兩幅〈玉山瑞色〉大畫,分別作於1971年和
1964年直接得自畫家本人 1978年,尺幅相仿或更大,皆有畫題,且同樣鈐有長方形朱文
闕漢騫(1901-1972)舊藏 「看山如讀畫」一印,可資參考。
臺北佳士得拍賣,2000年4月23日,拍品75號
參考:黃光男,《鄉情美學:藍蔭鼎》,藝術家出版社,
台北,2011年,頁41,103,130-131

126 | BONHAMS
FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 127
COLLECTION OF EAST & WEST ART GALLERY, AUSTRALIA
澳洲東西畫廊收藏
Lots 202-208

202 203

202 203
DING YANYONG (1902-1978) DING YANYONG (1902-1978)
Bird on Rock Scholar and Boy on Bridge
Ink and color on paper, framed Ink and colour on paper, hanging scroll
Signed Ding Yanyong, with one seal of the artist Inscribed and signed Ding Yanyong, and with one seal of the artist
69cm x 46cm (27in x 18in). 69.5cm x 34.5cm (27¼in x 13½in).

HK$40,000 - 60,000 HK$30,000 - 50,000


US$5,200 - 7,700 US$3,900 - 6,400

Provenance: Provenance:
Acquired directly from the artist Acquired directly from the artist
Formerly in the collection of East & West Art Gallery, Australia, Collection of East & West Art Gallery, Australia, established in
established in 1973 1973

丁衍庸 鳥石圖 設色紙本 鏡框 丁衍庸 亂寫溪山作應酬 設色紙本 立軸

款識:丁衍庸。 款識:亂寫溪山作應酬。丁衍庸。
鈐印:虎(肖形印) 鈐印:虎(肖形印)

來源: 來源:
直接得自畫家本人 直接得自畫家本人
澳洲東西畫廊舊藏(成立於1973) 澳洲東西畫廊收藏(成立於1973)  

128 | BONHAMS
204

204
LIU GUOSONG (LIU KUO-SUNG, B.1932) 劉國松 抽象之一 設色紙本 鏡心 一九六六年作
Abstract
Ink and colour on paper, mounted 款識:劉國松。一九六六。
Signed Liu Guosong, and with one seal of the artist 鈐印:鐂 國松
Dated 1966
57cm x 94cm (22¼in x 37in). 來源:
直接得自畫家本人
HK$280,000 - 350,000 澳洲東西畫廊收藏(成立於1973)  
US$36,000 - 45,000

Provenance:
Acquired directly from the artist
Collection of East & West Art Gallery, Australia, established in
1973

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 129


205

206
205 206
DING YANYONG (1902-1978) DING YANYONG (1902-1978)
Cat and Bird Crane
Ink on paper, hanging scroll Ink on paper, hanging scroll
Inscribed and signed Ding Yanyong, with one seal of the artist Inscibed and signed Ding Yanyong, with one seal of the artist
Dated dingsi year (1977) 69cm x 34.5cm (27in x 13½in).
68cm x 46cm (27in x 18in).
HK$30,000 - 50,000
HK$50,000 - 80,000 US$3,900 - 6,400
US$6,400 - 10,000
Provenance:
Provenance: Acquired directly from the artist
Acquired directly from the artist Collection of East & West Art Gallery, Australia, established in
Collection of East & West Art Gallery, Australia, established in 1973
1973
丁衍庸 仙鶴 水墨紙本 立軸
丁衍庸 貓雀圖 水墨紙本 立軸 一九七七年作
款識:丁衍庸寫於思文堂。
款識:丁巳(1977)長夏,丁衍庸。 鈐印:牛君
鈐印:庸之鉨
來源:
畫家自題簽:丁衍庸貓雀圖。No.25。 直接得自畫家本人
澳洲東西畫廊收藏(成立於1973)
來源:
直接得自畫家本人
澳洲東西畫廊收藏(成立於1973)
130 | BONHAMS
207 208

207 208
DING YANYONG (1902-1978) FANG ZHAOLIN (1914-2006)
Boating at Ease Tranquil Village Life
Ink and colour on paper, framed Ink and colour on paper, hanging scroll
Inscribed and signed Ding Yanyong, and with one seal of the artist Inscribed and signed Zhaolin, and with three seals of the artist
Dated bingchen year (1976) Dated 1973
96.5cm x 35.5cm (38in x 14in). 74cm x 49cm (29in x 19¼in).

HK$60,000 - 90,000 HK$60,000 - 80,000


US$7,700 - 12,000 US$7,700 - 10,000

Provenance: Provenance:
Acquired directly from the artist Acquired directly from the artist
Formerly in the collection of East & West Art Gallery, Australia, Collection of East & West Art Gallery, Australia, established in
established in 1973 1973

丁衍庸 一葉扁舟 設色紙本 鏡框 一九七六年作 方召麐 南京蕪湖所見 設色紙本 立軸 一九七三年作

款識:一葉扁舟。丙辰(1976),丁衍庸。 款識:壹仟玖百柒拾叄 年,南京蕪湖歸後作。召麐。


鈐印:丁貞 鈐印:召麐、爾來書外有功夫、放眼世界胸懷祖國

來源: 來源:
直接得自畫家本人 直接得自畫家本人
澳洲東西畫廊舊藏(成立於1973) 澳洲東西畫廊收藏(成立於1973)

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 131


FROM THE MONTEREY MUSEUM OF ART, CALIFORNIA, USA
美國加州蒙特雷博物館藏品
Lots 209-210

209

209
LIU GUOSONG (LIU KUO-SUNG, B.1932) 劉國松 雲海 設色紙本 鏡框 一九六七年作
White Cloud and White Sea
Ink and colour on paper, framed 款識:劉國松,一九六七。
signed Liu Guosong
Dated 1967 來源:美國加州蒙特雷博物館藏品,拍賣所得將歸於博物館基金
51.5 x 85.1cm (20¼ x 33½in).

HK$250,000 - 350,000
US$32,000 - 45,000

Provenance:
Property from the Monterey Museum of Art, auction proceeds to
benefit Museum funds

132 | BONHAMS
210

210
LIU GUOSONG (LIU KUO-SUNG B.1932) 劉國松 墨之趣 設色紙本 鏡框 一九六八年作
The Agreeable Flavour of Ink
Ink and colour on paper, framed 款識:劉國松,一九六八。
Signed Liu Guosong, and with one seal of the artist
Dated 1968 來源:美國加州蒙特雷博物館藏品,拍賣所得將歸於博物館基金
58.4 x 66.7cm (23 x 26¼in).

HK$150,000 - 200,000
US$19,000 - 26,000

Provenance:
Property from the Monterey Museum of Art, auction proceeds to
benefit Museum funds

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 133


211
211 212
DING YANYONG (1902-1978) HU NIANZU (B.1927)
Bamboo, Orchid and Insect Mount Huangshan
Ink and colour on paper, mounted Ink and color on paper, mounted
Inscribed and signed Ding Yanyong, with two seals of the artist Inscribed and signed Hu Nianzu, with three seals of the artist
Dated bingchen year (1976) Dated gengwu year (1990)
46cm x 124cm (18in x 48¾in). 60cm x 121.5cm (23½in x 47¾in).

HK$100,000 - 150,000 HK$80,000 - 120,000


US$13,000 - 19,000 US$10,000 - 15,000

丁衍庸 蘭竹草蟲 設色紙本 鏡心 一九七六年作 胡念祖 諸峰高下護晴嵐 設色紙本 鏡心 一九九〇年作

款識:寫成清幽竹,終日看不足。幸得湘水蘭,消受兼納福。行 款識:時在庚午(1990)盛夏,憶寫黃山景色於森林山居,石牛
方女弟清玩,丙辰(1976)春日丁衍庸畫並題。 老牧胡念祖。
鈐印:丁、虎 鈐印:石牛老牧、胡念祖、直蹋飛鴻閱九江

上款人趙行方(b.1941),成長於台灣,1970年代跟隨丈夫、台
灣著名歷史學者王曾才到香港中文大學講課而旅居香港數年,於
藝術系進修期間獲丁衍庸指教,得其真傳,並收藏大量丁衍庸繪
畫精品。

213
134 | BONHAMS
212

213
HE BAILI (B.1945) 何百里 清秋泉韻 設色紙本 鏡框 二〇一二年作
Autumn Symphony
Ink and colour on paper, framed 款識:壬辰(2012)中秋前三日於自在軒,百里畫並題。
Inscribed and signed Baili, with four seals of the artist 鈐印:百里、何、何家山水、自在軒
Dated renchen year (2012)
20cm x 84cm (8in x 33in).

HK$80,000 - 120,000
US$10,000 - 15,000

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 135


214
RUYI (LI YONG, B.1966) 如一 胸中丘㕡 設色卡紙 冊頁八開裱為鏡心 二〇一六年作
Mindful Landscapes
Ink on paper, eight album leaves, mounted 款識:(各開)丙申(2016)。如一製。
Each signed Ruyi, with a total of forty-four seals of the artist 鈐印:如一(八鈐)、如一(八鈐)、介園(四鈐)、竹籟(二
Dated bingshen year (2016) 鈐)、墨汁因緣(八鈐)、大吉(四鈐)、隨園賞鑑章(五鈐)、
37.5cm x 63.5cm (14¾in x 25in) each. (8). 賜硯堂書畫記(二鈐)、玉玲瓏山居之記、生百軒(二鈐)

HK$60,000 - 90,000
US$7,700 - 12,000

136 | BONHAMS
FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 137
215
CHEN YANNING (B.1945) 陳衍寧 渡船 油彩帆布 一九九〇年作
Ferry
Oil on canvas, framed 簽名:CHEN YAN NING
Signed ‘CHEN YAN NING’ in Pinyin at the lower left 內框背面簽名:Ferry. BY:CHEN YAN NING
Titled and signed on the reverse of the strecher
Painted in 1990 來源:
57cm x 72.5cm (22½in x 28½in). 蘇格蘭 Syllavethy 畫廊(歐洲地區獨家代理陳衍寧畫作)
英國重要私人收藏家,購自上述來源
HK$140,000 - 200,000
US$18,000 - 26,000

Provenance:
Syllavethy Gallery, Alford, Aberdeenshire, Scotland
Acquired by an important British private collector from the above

138 | BONHAMS
216
CHEN YANNING (B.1945) 陳衍寧 拉小提琴的少女 油彩帆布 一九八三年作
Girl Playing Violin
Oil on canvas, mounted 簽名:衍寧
Signed Yanning in Chinese at the lower left
Painted in 1983 來源:
89.5cm x 60cm (35¼in x 23½in). 蘇格蘭 Syllavethy 畫廊(歐洲地區獨家代理陳衍寧畫作)
英國重要私人收藏家,購自上述來源
HK$140,000 - 200,000
US$18,000 - 26,000

Provenance:
Syllavethy Gallery, Alford, Aberdeenshire, Scotland
Acquired by an important British private collector from the above

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 139


140 | BONHAMS
SOUTHEAST ASIAN ART
東南亞藝術
Lots 251-266

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 141


INDEX OF ARTISTS 畫家索引

A
Adrien Jean Le Mayeur de Merprés 勒邁耶 255, 256
Anak Agung Gede Sobrat 258
Antonio Maria Blanco 253
Arie Smit 阿里 · 斯密特 254

B
Bui Xuan Phai 裴春派 260

C
Chen Wen Hsi 陳文希 262, 263, 264, 265, 266

D
Dang Xuan Hoa 鄧春化 261

S
Seah Kim Joo 佘金裕 251
Soedibio 257

T
Tan Swie Hian 陳瑞獻 259
Ton That Dao 尊室陶 252

142 | BONHAMS
251
SEAH KIM JOO (SINGAPOREAN, B.1939) 佘金裕 女子與小鳥 峇迪蠟染 鏡框 
Two Ladies with Bird
Batik painting, framed 簽名:Seah Kim Joo
Signed Seah Kim Joo
88cm x 60cm (34½in x 23½in). 來源:
美國私人藏家於1960年代購自新加坡 Batik Art Gallery Seah Kim
HK$30,000 - 40,000 Joo,後由其家人繼承至今
US$3,900 - 5,200

Provenance:
Purchased by a private American collector at Batik Art Gallery
Seah Kim Joo, Singapore, in the mid 1960s, thereafter by descent

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 143


252
TON THAT DAO (VIETNAMESE, 1910-1979) A former member of the Hue royal family, Ton That Dao was
Vietnamese Beauty also known for his lyrical and romantic silk paintings. He began
Ink and colour on silk, framed his artistic education at the École Supérieure des Beaux Arts
Dated 1950 de l’Indochine which was established by the French colonial
Signed Ton That Dao in English and Zun Shitao in Chinese, with a government in Hanoi, 1925. After graduation, Ton continued his
seal of the artist experimentation on silk, wood and Do paper (paper made from
68cm x 46cm (26¾in x 18in). the bark of the Rhamnoneuron balansae traditionally produced
in many villages in Vietnam, playing an important role in folk art),
HK$40,000 - 60,000 using various mediums such as ink and colour, oil and pencil. In
US$5,200 - 7,700 1957, he was appointed the first rector of the newly established
Hue College of Art, which afforded him opportunities to gather
Provenance: contemporaries such as Thiem Quoc Hung and Phan Xuan Sanh
Acquired by a private Singaporean collector from Yi Gallery Pte to train a new generation of young artists, who subsequently
Ltd, Singapore, on 3 February 2001 made significant contributions to the development of modern
Vietnamese art.
尊室陶 越南美人 設色絹本 鏡框
Ton That Dao portrayed here a quintessentially Vietnamese female
款識:尊室陶。 figure clad in traditional ao dai. The solitary composition imbues
鈐印:尊室陶 the work with a poetic melancholy, which is further reinforced by
the aerial antenna tower in the background.
簽名:Ton That Dao 1950

來源:新加坡私人藏家於2001年2月3日購於新加坡一品畫廊

144 | BONHAMS
(reverse)

253
ANTONIO MARIA BLANCO (FILIPINO, 1912-1999) Antonio Maria Blanco 我女Ni Tjempaka之肖像 混合媒材紙本 
Portrait of My Daughter Ni Tjempaka 鏡框
Mixed media on paper, in original matching frame
Signed Antonio Blanco 簽名:Antonio Blanco
53cm x 43cm (20¾in x 17in).
來源:
HK$35,000 - 55,000 1982年購自峇厘島魯達那藝廊
US$4,500 - 7,100 西班牙私人收藏

Provenance: 出版:
Purchased from Rudana Art Gallery, Bali, in 1982 峇厘島魯達那藝廊簡章
Private collection, Spain

Published:
Rudana Art Gallery brochure

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 145


254
ARIE SMIT (DUTCH BORN INDONESIAN, 1916-2016)
Boy
Oil on canvas, framed
Signed Arie Smit
Dated 1987
38.5cm x 48.5cm (15in x 19in).

HK$45,000 - 65,000
US$5,800 - 8,400

Provenance:
Private collection, Singapore

阿里 · 斯密特 男孩 油彩畫布 木框 

簽名:arie smit ‘87

來源:
新加坡私人收藏

146 | BONHAMS
255
ADRIEN-JEAN LE MAYEUR DE MERPRÈS
(BELGIAN, 1880-1958)
Farm
Oil on canvas, framed (signature)
Dated ca. 1900
Signed J. Le Mayeur
50.5 x 70.5cm (19¾in x 27¾in).

HK$120,000 - 180,000
US$15,000 - 23,000

Provenance:
出版:
Purchased from Agung Rai Gallery, Bali, in the early 1990s
Jop Ubbens 及 Cathinka Huizing, Adrien Jean Le Mayeur de
Private collection, Spain
Merprès: Painter-Traveller/Schilder-Reiziger, Pictures 出版社,
荷蘭,1995年,頁15
Published:
Jop Ubbens and Cathinka Huizing, Adrien Jean Le Mayeur de
As one of the most renowned Indo-European painter-travellers
Merprès: Painter-Traveller/Schilder-Reiziger, Pictures Publishers,
of early 20th century Indonesian art, Adrien-Jean Le Mayeur de
The Netherlands, 1995, p.15
Merprès spent much of his artistic career in search of beauty from
far corners of the world including Morocco, Madagascar, India,
勒邁耶 農莊 油彩畫布 木框 約1900年作
Tahiti and most importantly Bali. Whilst he rendered countless
impressions of his muse, later wife Ni Wayan Pollok Tjoeglik
簽名:J. Le Mayeur
(1917-1985, nicknamed Ni Pollock), alongside her graceful
Legong dancer friends in the garden of their Sanur home, his early
來源:
paintings showed traditional characteristics. This lot encapsulates
於1990年代前期,購自峇厘島 Agung Rai 畫廊
this early approach in style, theme and use of pigment, which
西班牙私人收藏
adds to our understanding of his oeuvre and stylistic development
from traditionalism to a more impressionistic idiom.

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 147


256
ADRIEN JEAN LE MAYEUR DE MERPRÉS 勒邁耶 峇厘紡織女 炭筆、蠟筆和水彩紙本 原峇厘式鏡框
(BELGIAN, 1880-1958)
Balinese Girls 簽名:J. Le Mayeur
Charcoal, crayon and watercolour on paper, in original Balinese
frame 來源:
Signed J. Le Mayeur 前上尉 David Gordon Goodwin (1912-1999) 於1939年4月直接購
21cm x 26cm (8¼in x 10¼in). 自畫家;其當時服務於英國皇家海軍鷹號航空母艦,分別於畫作
背面簡述和以下日記手稿詳述其峇厘島之行和與藝術家見面的經
HK$50,000 - 70,000 過,之後由其子繼承藏品
US$6,400 - 9,000

Provenance:
Purchased directly from the artist in April 1939 by then Lieutenant
David Gordon Goodwin (1912-1999), Royal Navy, when he served
on HMS Eagle. He documented his Bali visit and encounter with
the artist briefly on this note at the reverse of the painting and in
detail, on these pages of his journal. Thence by descent to the
private British collector’s son.

(reverse)

148 | BONHAMS
(HMS Eagle)

(David Gordon Goodwin, circled in red)

2 4
(journal pages)

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 149


COLLECTION OF JOHN AND BERTHA EWING, OREGON, USA
美國奧勒岡州之約翰和貝爾塔 ·尤英伉儷收藏
Lots 257-258
Mr. Ewing worked for the U.S. State Department from 1954 to 尤英先生於1954年至1974年任職於美國國務院。以下兩件為其駐
1974. The following two lots were purchased in 1970 in Java 派亞洲期間,於1970年購自爪哇之藏品。
during their posting in Asia.

(signature)
257
SOEDIBIO (INDONESIAN, 1912-1980) Born in Madiun, East Java, Soedibio was a member of the
Dreamtime PERSAGI group of revolutionary artists and, with Indonesian
Oil on canvas, framed maestro S. Sudjojono (1913-1986), established the Young
Signed Soedibio Indonesian Artists’ Association. Early in his career, he painted in
Dated 1970 the realist style, often with revolutionary themes. After his release
91.5cm x 78.5cm (36in x 31in). from Dutch military detention in 1950, he adopted a less politicised
artistic language, painting reclusively for almost 16 years until 1966.
HK$30,000 - 50,000
US$3,900 - 6,400 As a pioneer generation artist, Soedibio’s oeuvre has yet to gain its
rightful place in Indonesian art history largely because, during this
Provenance: period of reclusion, he inevitably missed the art discourse in which
Collection of John and Bertha Ewing, Eugene, Oregon other Indonesian artists participated.

Soedibio 夢境 油彩畫布 木框 一九七〇年作 Best known for his intricate and almost decorative style of art
inspired by Javanese mysticism and folklore, Soedibio was also
簽名:Soedibio ‘70 influenced by Cubism and Fauvism. This lot is an exemplary
example in which highly stylised and deconstructed human figures
來源: are set against distinct colour planes and tree-like geometric
美國俄勒岡州尤金市 John 及 Bertha Ewing 伉儷收藏 shapes to denote the co-existence of human and nature, inviting
the viewer to enter his world of dream-like rhapsody.

150 | BONHAMS
(signature)
258
ANAK AGUNG GEDE SOBRAT (INDONESIAN, 1911-1992) Born in Padangtegal, Gianyar, Bali, Anak Agung Gede Sobrat
Market Scene was mesmerised by wayang kulit (traditional shadow puppetry)
Oil on canvas, framed when he was a child. His grandfather, a well-known wayang
Signed A.A. Gd. Sobrat. Ubud Bali puppeteer, taught more than carving rawhide puppets as he
102cm x 66cm (40in x 26in). introduced Sobrat to a world of Hindu epics: the Ramayana and
Mahabharata.
HK$50,000 - 80,000
US$6,400 - 10,000 Sobrat subsequently joined the Pita Maha group and became
one of the first Balinese painters to adapt Western aesthetics
Provenance: into his paintings. He studied under German artist Walter Spies
Collection of John and Bertha Ewing, Eugene, Oregon (1895-1942) and Dutch painter Johan Rudolf Bonnet (1895-1978).
Spies’ legendary style of magical-realism and mastery of light
Anak Agung Gede Sobrat 市集 油彩畫布 木框 captured his imagination, and later from Bonnet, Sobrat honed his
techniques of portraiture. His style hence evolved from traditional
簽名:A.A. Gd. Sobrat. Ubud. Bali. compositions such as the use of the Malat scene of the landing
at Tuban to pseudo-anatomical realism. (See Vickers, Adrian,
來源: Balinese Art: Paintings and Drawings of Bali 1800-2010, Tuttle
美國俄勒岡州尤金市 John 及 Bertha Ewing 伉儷收藏 Publishing, Singapore, 2012, pp.118-119, 182.)

Sobrat was best known for his depictions of village life and
Balinese dance. This market scene aptly demonstrates his interest
in appropriating bodily anatomy and space.

His works are in the collections of the Neka Art Museum (Ubud,
Bali), Museum Sonobudoyo (Yogyakarta, Java) and Rijksmuseum
voor Volkenkunde (Leiden, Holland).
FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 151
259
TAN SWIE HIAN (SINGAPOREAN, B.1943) 陳瑞獻 曼德拉團結系列 亞克力、水墨和鉛筆於單色石版畫上 
The Nelson Mandela Unity Series 鏡框 二〇〇四年作
1. Struggle
2. Imprisonment (一)抗爭
3. Freedom (二)繫獄
4. Unity (三)自由
5. Future (四)團結
6. Motivation (五)未來
Acrylic, ink and pencil over monochrome lithography, framed as a (六)感言
cohesive series
All signed Chen Ruixian (Tan Swie Hian) and NMandela, with 簽名:NMandela、陳瑞獻(於每幀);5浮水印(於每幀背面)
one seal of the artist on ‘Motivation’ and five watermarks on the
reverse of every litho-painting 款識:「這幾幅速寫涉及我的國家多於涉及我的生活。我畫手,乃因
Dated 2004 手是有力工具;手可傷害,或療治、懲罰或提昇。手可被綁住,但對
正直的追尋永不能被壓制。我們終久掙脫不公平之枷鎖。我們攜手越
‘Motivation’ bears the following inscription: 過社會之隔離以及國界。在洲陸之間,在海洋之上,我們攜手越過。
而如今我們仰望未來,明了縱然年歲讓我們變成更明智的引導者,但
‘These sketches are not so much about my life as they are about 青年還是我們對愛、信任以及生命的價值的提醒人-曼德拉。」
my country, I draw hands because they are powerful instruments, 陳瑞獻 04 譯,曼德拉感言。
hands can hurt or heal, punish or uplift. They can also be bowed 鈐印:獻(於〈感言〉)
but a quest for righteousness can never be repressed. In time, we
broke lose (sic) the shackles of injustice, we joined hands across 來源:
social divides and national boundaries, between continents and 納爾遜 · 羅利拉拉 · 曼德拉(1918-2013)收藏
over oceans and now we look to the future, knowing that if ever 隨後由現藏家瑪卡齊薇 · 芙米婭 · 曼德拉博士直接繼承
age makes us wiser guards, it is the youth that reminds us of love,
of trust, and the value of life.’ 展覽:
「曼德拉團結系列」,世界經濟論壇大會,瑞士達沃斯,
65.5cm x 50cm (25¾in x 19¾in) each. (6). 2005年1月26日
「南非共和國第22屆自由日」,文華大酒店,新加坡,
HK$700,000 - 1,000,000 2016年4月28日
US$90,000 - 130,000
出版:
Provenance: Kingham, Paula 編,曼德拉團結系列,Umzantsi 出版社,南非,
The collection of Nelson Rolihlahla Mandela (1918-2013) 2005年,頁84-85
By direct descent to the current owner, Dr. Pumla Makaziwe
Mandela 鄭英豪,《畫筆寫春秋》,早報星期天,新加坡,2005年2月20日,
頁23
Exhibited:
The Nelson Mandela Unity Series, World Economic Forum, Davos, 王一鳴,《用佛家手印襯托曼德拉手印》,聯合早報,新加坡,
Switzerland, 26 January 2005 2016年4月23日,頁3

Reception of the 22nd Freedom Day of the Republic of South 附原裝特製盒,方便收納和運輸


Africa, Mandarin Orchard Hotel, Singapore, 28 April 2016

Published:
Kingham, Paula ed., The Nelson Mandela Unity Series, Umzantsi
Publishers, South Africa, 2005, pp.84-85

Zheng, Yinghao, ‘Huabi Xie Chunqiu (Wielding the Brush to Paint


Life)’ in Lianhe Zaobao Sunday, Singapore, 20 February 2005,
p.23

Wang, Yiming, ‘Yong Fojia Shouyin Chentuo Mandela Shouyin


(Buddhist Mudras Complemented Mandela Hand Signs)’ in Lianhe
Zaobao, Singapore, 23 April 2016, p.3

With a customised box for easy storage and transportation

(reverse watermarks) (customised box)

152 | BONHAMS
FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 153
154 | BONHAMS
FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 155
(Copyright: Charlie Lim, 2015)

Tan Swie Hian Nelson Mandela

Tan Swie Hian is Singapore’s most celebrated multi-disciplinary That Nelson Mandela was a fine and talented artist is an often
artist, who has received global recognition for his poetry and overlooked fact and understandably overshadowed by his other
paintings. momentous achievements. Following his retirement from public
life, he produced a number of artworks in pastel and charcoal, of
‘I create to show how a free mind functions. It’s like a hummingbird which some were reproduced as prints and sold with a proportion
flying forward, backward and sideways, soaring, swooping or of the proceeds supporting his personal charity initiatives in South
hovering in mid-air,’ says Dr. Tan. The polymath and versatile poet, Africa.
writer, translator, painter and calligrapher first gained recognition
in the local scene in 1968 with The Giant, a collection of poems Mandela’s first works, known today as the ‘Struggle Series’, were
considered the culmination of the Chinese modernist literary drawn in June 2001. He embraced this new found talent and in
movement in Singapore and Malaysia. Tan has since published 39 May 2002 began work on a collection of images in pastel and
works of poetry, essays, stories, criticisms and translated works. charcoal titled ‘My Robben Island’, some of which have been
published in the two series known as Robben Island and Robben
Equally well-known to the public are his paintings in oil, Chinese Island II. Later that year in December 2002, he also produced
ink and acrylic, his sculptures, calligraphy, prints and seal ‘Impressions of Africa’ based on imprints of his hands.
engravings that have been exhibited in Singapore, Asia and around
the world, winning him countless honours including the Gold The ‘Struggle Series’ set of six charcoal drawings produced in
Medal in Salon des Artistes Francais, Paris (1985), the Singapore 2001 was reproduced in lithograph as a limited edition of 500
Cultural Medallion (1987), the Seoul International Calligraphy Gold sets, of which Mandela signed 75 sets. In his own words Mandela
Medal (2002) and the Crystal Award from the World Economic said, ‘They reflect not only my life or that of my country, but they
Forum (2003). The Crystal Award was given for his contributions bear testimony to all the people who have endured life’s greatest
to cross cultural understanding across the globe. He was also challenge: the quest for freedom.’
conferred the Meritorious Service Medal (2003) by the President
of Singapore, and the Honorary Degree of Doctor of Letters from
Nanyang Technological University (2003).

陳瑞獻 納爾遜 ·曼德拉

陳瑞獻是新加坡最負盛名的多元藝術家,其詩歌與畫作廣受國際 納爾遜 ·曼德拉作為藝術家的深厚造詣與才華,是經常被人忽略


上的肯定。 的事實,且難免被他其他方面的輝煌成就所掩蓋。曼德拉自淡出
政治生涯以後,畫過一些粉彩及炭筆畫。其部分畫作曾以版畫形
「我創作是為了表現自由心是如何運作的。它猶如一隻蜂鳥,八 式複製賣出,所得收益有一部份用於支持曼德拉名下的南非慈善
方正反都能飛行;它或騰飛,或降落,或靜止不動。」 機構。

這位博學多能的詩人、作家、翻譯家、畫家兼書法家,於1968年 曼德拉最早的一組作品,今稱〈抗爭系列〉,繪於2001年6月。
憑藉一部《巨人》,首次蜚聲於本地藝文界。該詩集被視為新馬 他當時接受了在自己身上發掘出來的才藝,於2002年5月著手創
一帶華文現代主義文學運動的高峰。此後,陳瑞獻共出版了 39部 作一組粉彩及炭筆畫,題為〈我的羅本島〉,其中部分作品發表
著作,包括詩集、散文集、小說集、評論集以及譯作。 於〈羅本島〉及〈羅本島(二)〉兩個系列之中。到了2002年
12月,曼德拉更以自己的手印製成〈非洲印象〉。
同樣廣為人知的,還有陳瑞獻所創作的油畫、中國水墨畫、膠彩
畫、雕塑、書法、版畫及篆刻。這幾類作品曾在新加坡、亞洲及 曼德拉曾為〈抗爭系列〉,年份為2001年的六幅炭筆素寫複製成
世界各地展出,為他贏得無數的榮譽和認可,包括巴黎的法國藝 石版畫,推出限量版500套,並在當中的75套上簽名。曼德拉本
術家沙龍金質獎(1985年)、新加坡文化獎(1987年)、漢城國 人表示:「這組作品不僅反映了我的人生或者我的國家,更可為
際書法金獎(2002年),以及就環球跨文化交流有所貢獻而獲頒 所有熬過人生最大之挑戰──即追求自由──的人們作見證。」
的世界經濟論壇水晶獎(2003年)。此外,他也曾榮獲新加坡總
統所頒發的卓越功績服務勳章(2003年),以及南洋理工大學的
名譽文學博士學位(2003年)。

156 | BONHAMS
The Nelson Mandela Unity Series 曼德拉團結系列

It was these ‘Struggle Series’ lithographs that formed the original 〈曼德拉團結系列〉,原本的基礎畫作即是出自曼德拉之「抗爭系
base artworks for the current lot, ‘The Nelson Mandela Unity 列」。此拍品項目乃曼德拉與從世界各地選出的39位當代藝術家
Series’. The project was proposed as a collaboration between 之間的一項合作計劃,而陳瑞獻是當中唯一的東南亞藝術家。
Nelson Mandela and 39 contemporary artists were chosen from
around the world, of which Tan Swie Hian was the only Southeast 參與的藝術家每人都獲得〈抗爭系列〉的6幅石版畫,以此運用各
Asian artist represented. 自的風格和媒介進行再創作,自行詮釋「曼德拉」對自己所代表
的意義。陳瑞獻於2004年4月接獲曼德拉簽名的這組石版畫,花
Each artist was given a set of the six lithographs from the ‘Struggle 了一個月的時間進行再創作,於同年五月將畫作歸還南非,以作
Series’ whereon they created, in their own style and medium, an 為〈團結系列〉的一部分。
interpretation of what Mandela meant to them. These lithographs,
signed by Nelson Mandela, were delivered to Tan Swie Hian in 該項目當時的原意,是要將完成的作品限量製成版畫賣出,並將
April 2004. Tan spent a month working on the images, returning 部分的所得收益歸於曼德拉名下的慈善機構。然而,由於2004年
them to South Africa to form part of ‘The Unity Series’ in May of 5月曼德拉法律顧問之間發生了糾紛,該項目不得不暫時中止,以
the same year. 待所涉及之各種問題得以解決。

The intention was then to produce an edition of prints from these 納爾遜 · 曼德拉逝世後,其長女瑪卡齊薇·芙米婭·曼德拉博士便負
works that would be sold with a proportion of the proceeds going 起了重任,意欲將此獨一無二的藝術項目,呈獻予世人,以光耀
to Mandela’s personal charity initiatives. However, in May 2004, a 其亡父。曼德拉博士此舉,將實現其父對各方所做出的承諾,且
dispute between Mandela’s legal advisers caused the project to be 向每一位參與計劃的藝術家以及項目所將支持的各慈善機構達成
put on hold until various issues could be resolved. 圓滿初衷。

Since Nelson Mandela’s passing, it has fallen on his eldest 陳瑞獻即興中譯了曼德拉第六幀之〈感言〉,以中國草書書寫,


daughter, Dr. Makaziwe Mandela, to honour her father by 並聚焦於文中的一句話。如畫家本人所言:「『我畫手,乃因手
presenting this unique project to the world. In doing so, 是有力工具;手可傷害,或療治、懲罰或提昇。』──這一句是
Dr. Mandela will be fulfilling the commitment her father made to 〈團結系列〉畫面的背景,以藍、綠、黃三色塗寫。我借用了佛
each of the participating artists as well as to the various charity 教經論中所謂最高成就者的『金剛不壞之身心』, 作為貫穿曼德
initiatives that the project will support. 拉筆下所有手勢的母題,並且依照蓮花生大士老虎坐騎的皮毛顏
色,用上金、橙、粉紅和紅色。我還以佛教的五種手印配合曼德
Tan Swie Hian spontaneously translated Mandela’s manifesto on 拉的手勢,隱喻他在艱苦的奮鬥中獲得了上天的庇佑與加持。」
‘Motivation’ into Chinese cursive script, focusing especially on (參見Kingham, Paula 編,曼德拉團結系列,Umzantsi 出版社,
the line – ‘I drew hands because hands are powerful instruments, 南非,2005年,頁84;鄭英豪,《畫筆寫春秋》,早報星期天,
hands can hurt or heal, hands can punish or uplift’ – which 新加坡,2005年2月20日,頁23;及王一鳴,《用佛家手印襯托
serves as the background for his ‘Unity Series’ in blue, green and 曼德拉手印》,聯合早報,新加坡,2016年4月23日,頁3)
yellow. In the artist’s own words, “I employed a line from Buddhist
scripture ‘The indestructible diamond - body and mind of a living Credit Line
being who has gained the highest attainment’ as a motif for all
Mandela’s gestures, using gold, orange, pink and red to resemble English excerpts on the following 2 pages are from Kingham,
the colour scheme on the skin of a powerful divine tiger. I have Paula ed., The Nelson Mandela Unity Series, Umzantsi Publishers,
complemented Mandela’s hand signs with five Buddhist mudras South Africa, 2005, pp.7-12, 84. The layout is adapted from pp.3-
(hand signs), suggesting that throughout his struggle, he received 4 of Ch’ng Poh Tiong’s English essay, ‘The Legacy of Nelson
divine support, intervention and blessings.” (See Kingham, Paula Mandela’.
ed., The Nelson Mandela Unity Series, Umzantsi Publishers, South
Africa, 2005, p.84; Zheng, Yinghao, ‘Huabi Xie Chunqiu (Wielding A lawyer by training, Ch’ng Poh Tiong also holds a Postgraduate
the Brush to Paint Life)’ in Lianhe Zaobao Sunday, Singapore, Asian Art Course Certificate from the School of Oriental & African
20 February 2005, p.23 and Wang, Yiming, ‘Yong Fojia Shouyin Studies, University of London, with a specialisation in Chinese
Chentuo Mandela Shouyin (Buddhist Mudras Complemented Art. He is the founder of ‘Chinese Art Weekend’, an annual series
Mandela Hand Signs)’ in Lianhe Zaobao, Singapore, 23 April of complimentary lectures delivered by international scholars in
2016, p.3.) Singapore since 2012. Ch’ng is also the first Asian ambassador
of TEFAF (The European Fine Art Foundation). He is the author of
My Friendship with Singapore’s Greatest Painter, the first English
biography of Tan Swie Hian, published in 2015.

隨後2頁之英文原意摘自 Kingham, Paula 編,《曼德拉團結系列,


Umzantsi 出版社,南非,2005年,頁7-12、84 。此排版構思取自
莊布忠先生名為 《納爾遜·曼德拉的遺風》之英文文章,頁3-4。

法律專業出身的莊布忠,持有倫敦大學亞非學院亞洲藝術研究生證
書,主修中國藝術,為新加坡「中國藝術周末」的創辦人。該免費
講座系列由國際學者主講,自2012年以來每年舉辦一次。
莊先生亦是歐洲藝術基金會 (TEFAF) 的首位亞洲大使,並為《我與
新加坡最偉大的畫家為友》一書的作者。此作為新加坡第一部英文
版陳瑞獻傳記,出版於2015年。

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 157


Struggle Imprisonment Freedom
‘The Struggle for justice has been one ‘From the 1960s to the 1980s, many ‘On Sunday 11th February 1990, prisoner
fought for many centuries. Some fighters political prisoners were jailed on Robben 466/64 was released after serving 27
have become African legends, while many island. They were not alone in their years of life sentence. It was the beginning
remained faceless – their voices heard suffering. Families were destroyed and of a new life for Nelson Mandela, and a
in songs reverberating with longing and communities torn apart. Exiles fled to rebirth for his country. Where repression
hope. But institutionalized Apartheid strange worlds, while, back home, black and ignorance had ruled before, South
brought the Struggle to a head. Nelson South Africans were imprisoned by unjust Africa’s new constitution brought about the
Mandela voiced a challenge at his 1964 laws and the Apartheid government democracy, equality and understanding
Rivonia Trial: “I have cherished the ideal of controlled through irrational fear. And for which Nelson Mandela, and so many
a democratic and free society in which all the youth, as is so often the case, were others, had sacrificed most of their lives.’
persons live together in harmony and with embroiled in a war that was none of their
equal opportunities. It is an ideal which making.’
I hope to live for and to achieve. But if
needs be, it is an ideal for which I am
prepared to die”’.

抗爭 繫獄 自由
尋求正義的抗爭,已歷時數百年。抗爭的 從1960至1980年代,羅本島上曾囚禁了 1990年2月11日,星期天,編號466/64的
鬥士,有的成為非洲的傳奇,更多的成為 不少政治犯。他們的痛苦並非僅限於己 囚犯在被判終生監禁、身陷囹圉27年後獲
無名英雄,在充滿渴望和希望的歌謠中留 身。當時,多少家庭遭受毀壞,多少族群 得釋放。這是納爾遜 · 曼德拉新生之始,
下他們震撼人心的聲音。這場抗爭,因制 被撕裂。流亡者逃到陌生的世界,而留在 亦是其祖國重生之始。往昔壓倒性的壓抑
度化的種族隔離而尖銳化。納爾遜 · 曼德 家鄉的南非黑人則被不公正的法律送入監 與無知已去,南非的新憲法帶來了民主、
拉在他1964年的瑞佛尼亞審判中,提出 牢,見證了實施種族隔離政策的政府如何 平等及相互了解。此結果,正是納爾遜 ·
了這樣的挑戰:「我所珍視的理想,是人 利用非理性的恐懼控制一切。如歷史所常 曼德拉和無數義士犧牲大半生所追求的。
人和諧共處且機會平等的民主自由社會。 見的,青年人被捲入了並非由他們所發起
我希望能夠為此理想而生活,並且將它實 的戰爭。
現。我已做好準備—若有必要,可為此理
想獻上我的性命。

Tan Swie Hian Tan Swie Hian Tan Swie Hian


The mudra for subduing devils. The mudra that grants one the state of The mudra of a king bird with golden wings,
having no fears. which celebrates freedom.

陳瑞獻 陳瑞獻 陳瑞獻


怖魔印 施無畏印 禮贊自由的金翅鳥王印

158 | BONHAMS
Unity Future Motivation
‘When Nelson Mandela retired on South ‘The youth led the struggle against ‘These sketches are not so much
Africa Youth Day, 16th June 1999, as Apartheid, and it is the youth who will about my life as they are about my own
the first president of a democratic South realise Nelson Mandela’s dream of a truly country. I drew hands because they are
Africa, he reflected on the events that united South Africa. When asked about powerful instruments, hands can hurt or
brought him to office, “Together, with the Robben Island, former prisoners said that heal, punish or uplift. They can also be
peoples of the world, we celebrated a the sound they came to dislike was the bound, but a quest for righteousness can
victory that belongs to the world. It was screeching of the seagulls. And the sound never be repressed. In time, we broke
a victory that flowed from, and affirmed, they missed the most, the shouts and open the shackles of injustice, we joined
a shared commitment to our common laughter of children. For, while age can hands across social divides and national
humanity”’. offer the counsel of wisdom and guidance, boundaries, between continents and over
it is the youth who remind us of love, trust, oceans. And now we look to the future,
and the value of life.’ knowing that even if age makes us wiser
guides, it is the youth that remind us of
love, of trust, and the value of life.’

團結 未來 感言
納爾遜 · 曼德拉作為民主南非的首任總 反對種族隔離的抗爭由青年領導,而納爾 這幾幅速寫表現我的國家多於我的生活。
統,於1999年6月16日南非青年節退休 遜 · 曼德拉所夢想的真正團結的南非,也 我畫手,乃因手是犀利的工具;手可致
時,回顧將自己推向總統之職的歷史事況 將由青年來實現。曾繫獄於羅本島的囚犯 傷,亦能療傷、懲罰或提昇。手可被綁,
時,表示:「我們與世界人民一道,共同 被問及島上的情況時,說他們當年逐漸厭 但對正義的尋求永不能被壓制。最終,我
慶祝屬於世界的勝利。這場勝利的本源以 惡的聲音是海鷗的尖叫,最想念的聲音則 們掙脫了不公平之枷鎖;我們攜手跨越社
及它所肯定的,是我們對人權的共同承 是孩童的吵鬧及歡笑。畢竟,歲月雖可帶 會之隔離和國界,在洲陸之間,在海洋之
擔。」 來智慧與引導,予人建言,但提醒我們何 上。而如今我們瞻望未來,明瞭縱然歲月
謂愛、何謂信任、何謂生命之價值的,始 讓我們變成更睿智的導師,只有青年才能
終是青年。 提醒我們何謂愛、何謂信任以及何謂生命
的價值。

Tan Swie Hian Tan Swie Hian Tan Swie Hian


The mudra of a wish come true. The mudra of universal offerings. ‘I have produced in a smaller dimension at
the bottom, the mudra of a king bird with
golden wings so as to balance the whole
composition of the work, and also as a mark
of celebration’.

陳瑞獻 陳瑞獻 陳瑞獻


如願印 普供養印 我在下方以較小的尺寸重現了金翅鳥王印,用
以平衡構圖,並標示禮贊之意。

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 159


260(1)

260
BUI XUAN PHAI (VIETNAMESE, 1920-1988) Published:
Hanoi Street Scene and Female Nude (1) Hanoi Street Scene
Oil on paper and watercolour on paper, two framed paintings Manh Phuc ed. Bui Xuan Phai (1920-1988), Fine Arts Publishing
Both signed Phai House, Hanoi, 1997, p.27 and back cover book jacket
Female Nude dated 1985 (2) Female Nude
Hanoi Street Scene 10cm x 10cm (4in x 4in); Manh Phuc ed. Bui Xuan Phai (1920-1988), Fine Arts Publishing
Female Nude 18cm x 23cm (7in x 9in). (2). House, Hanoi, 1997, p.80

HK$50,000 - 70,000 With a copy of the publication


US$6,400 - 9,000

Provenance:
Acquired by London-based private collector, Ms. Evelyn Quek,
from art curator and collector, Mr. Manh Phuc (b.1935), in Hanoi in
the 1990s

160 | BONHAMS
260(2)

裴春派 河內街景和裸女 油彩紙本和水彩紙本 鏡框兩幅 
裸女 一九八五年作

(一)河內街景
簽名:Phai

(二)裸女
簽名:Phai 85

來源:
旅居倫敦之私人藏家 Evelyn Quek 女士,於1990年代在越南河
內,購自於藝術策展人及藏家 Manh Phuc 先生(1935-)

出版:
(一)河內街景
Manh Phuc 編,《裴春派 (1920-1988)》,Fine Arts 出版社,
河內,1997年,頁27和書套封底
(二)裸女
Manh Phuc 編,《裴春派 (1920-1988)》,Fine Arts 出版社,
河內,1997年,頁80

附以上著錄一冊

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 161


(signature) (signature)

261
DANG XUAN HOA (VIETNAMESE, B.1959) Provenance:
My Relationship and In Front of Easel Acquired by a private collector at Apricot Gallery, Ho Chi Minh City,
Oil on canvas, two framed paintings Vietnam, in 2008
Both signed Hoa
My Relationship dated 2006 Both with signed certificates of authenticity from Apricot Gallery
In Front of Easel dated 2007
My Relationship 154cm x 67cm (60½in x 26¼in). 鄧春化 我的關係/於畫架前 油彩畫布 木框兩幅
In Front of Easel 63cm x 48cm (24¾in x 18¾in).
(一) 我的關係
HK$40,000 - 60,000 簽名:Hoa 5/2006
US$5,200 - 7,700
(二) 於畫架前
NO RESERVE 簽名:Hoa 11/2007
不設底價
來源:
私人藏家於2008年,購自越南胡志明市杏畫廊

均附杏畫廊簽名保證書

162 | BONHAMS
262
CHEN WEN HSI (SINGAPOREAN, 1906-1991) 陳文希 魚樂圖 設色紙本 指畫扇面 鏡心
Goldfish at Play
Ink and colour on paper, finger painting, mounted fan leaf 款識:文希指頭生活。
Inscribed and signed Wenxi, with one seal of the artist 53.5cm 鈐印:陳文希
(21in).
來源:
HK$30,000 - 50,000 陳文希弟子於1970年代,在新加坡直接得自畫家
US$3,900 - 6,400 美國加州私人收藏

Provenance:
Acquired directly from the artist in the 1970s in Singapore by his
student
Private collection, California

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 163


COLLECTION OF JACK AND WILMA ROOT, OREGON, USA
美國奧勒岡州之捷克和薇爾瑪 ·如特伉儷收藏
Lots 263-266
Mr. and Mrs. Root are enthusiastic art collectors who travelled 如特先生及夫人對藝術收藏滿懷熱情,曾於1981年遊歷亞洲,同
to Asia in 1981. They met Chen Wen Hsi at Old and New Gallery, 年2月26日在新加坡古今畫廊與陳文希見面。他們目睹陳氏以指
Singapore, on 26 February 1981 and watched him apply quick, 頭、指甲和手掌蘸水墨和顏料在紙上飛舞。本輯四幀乃直接自藝
gestural applications of ink and colour on paper using his 術家之愉快購得,珍藏至今。
fingertips, hands and fingernails. The following four lots were
happy acquisitions directly from the artist and have been in their
treasured collection ever since.

263
CHEN WEN HSI (SINGAPOREAN, 1906-1991) 陳文希 麻雀 設色紙本 指畫 鏡框
Sparrows
Ink and colour on paper, finger painting, framed 款識:文希指頭生活。
Inscribed and signed Wenxi, with one seal of the artist 鈐印:文希指畫
32cm x 43cm (12½in x 17in).
來源:
HK$30,000 - 50,000 美國奧勒岡州之捷克和薇爾瑪 ·如特伉儷收藏
US$3,900 - 6,400

Provenance:
Collection of Jack and Wilma Root, Oregon, USA

164 | BONHAMS
264
CHEN WEN HSI (SINGAPOREAN, 1906-1991) 陳文希 公雞 設色紙本 指畫 鏡框
Rooster
Ink and colour on paper, finger painting, framed 款識:文希指畫。
Inscribed and signed Wenxi, with one seal of the artist 鈐印:文希指畫
32cm x 43cm (12½in x 17in).
來源:
HK$30,000 - 50,000 美國奧勒岡州之捷克和薇爾瑪 ·如特伉儷收藏
US$3,900 - 6,400

Provenance:
Collection of Jack and Wilma Root, Oregon, USA

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 165


265
CHEN WEN HSI (SINGAPOREAN, 1906-1991) 陳文希 公母雞 設色紙本 指畫 鏡框
Rooster and Hen
Ink and colour on paper, finger painting, framed 款識:文希指畫。
Inscribed and signed Wenxi, with one seal of the artist 鈐印:文希指畫
32cm x 43cm (12½in x 17in).
來源:
HK$30,000 - 50,000 美國奧勒岡州之捷克和薇爾瑪 ·如特伉儷收藏
US$3,900 - 6,400

Provenance:
Collection of Jack and Wilma Root, Oregon, USA

166 | BONHAMS
266
CHEN WEN HSI (SINGAPOREAN, 1906-1991) 陳文希 雙鴨 設色紙本 指畫 鏡框
Ducks
Ink and colour on paper, finger painting, framed 款識:文希指頭生活。
Inscribed and signed Wenxi, with one seal of the artist 鈐印:陳氏
32cm x 43cm (12½in x 17in).
來源:美國奧勒岡州之捷克和薇爾瑪 ·如特伉儷收藏
HK$30,000 - 50,000
US$3,900 - 6,400

Provenance:
Collection of Jack and Wilma Root, Oregon, USA

FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 167


AFRICA NOW: EL ANATSUI
(GHANAIAN, BORN 1944)
ENQUIRIES
+44 (0) 20 7468 8355
MODERN AFRICA Bomboy [email protected]
Wednesday 25 May 2016 manganese body clay & glass
New Bond Street, London 31 x 24cm (12 3/16 x 9 7/16in).
£40,000 - 60,000
$58,000 - 86,500

bonhams.com/africanow
Fine Chinese CeramiCs Provenance: PreVieWs
The Tsui Museum of Art, Hong Kong 7 to 8 May, Taipei
and Works oF art The Jingguantang Collection 30 May to 1 June, Hong Kong
Thursday 2 June 2016 Christie’s Hong Kong, 3 November 1998, lot 956
Bonhams Hong Kong Gallery The Gerald M. Greenwald Collection, no.88 enQUiries
Suite 2001, One Pacific Place Christie’s Hong Kong, For Imperial Appreciation: Hong Kong
Hong Kong Fine Chinese Ceramics from the Greenwald Collection, +852 2918 4321
1 December 2010, lot 2816 [email protected]
an imPeriaL eXCePtionaLLY rare An important Asian private collection
Pair oF doUCai ‘CLoUd sCroLL’
WaterPots
Published and Illustrated:
Yongzheng six-character marks and of the
Catalogue of the 7th Annual Exhibition of Porcelain
period (1723-1735)
of Ch’ing Dynasty. K’ang-hsi, Yung-cheng and
Each: 5.3cm (2 1/8in) high
Ch’ien-lung Periods (From 1662 to 1795AD),
Min Chiu Society Exhibition, Hong Kong, 1968,
HK$10,000,000-15,000,000
cat.no.57
An Anthology of Chinese Ceramics, Min Chiu Society
Exhibition, Hong Kong Museum of Art, Hong Kong,
1980, cat.no.144
The Tsui Museum of Art, The Tsui Museum of Art,
Hong Kong, 1991, pl.112
Chinese Ceramics. Vol.IV, The Tsui Museum of Art,
Hong Kong, 1995, pl.131
Fine Chinese CeramiCs an aLBUm With seVen seCtions
oF a PaintinG
PreVieWs
7 to 8 May, Taipei
and Works oF art Early 18th century 30 May to 1 June, Hong Kong
Thursday 2 June 2016 Ink and colour on silk, comprising seven album
leaves depicting scenes of the Qing military enQUiries
Bonhams Hong Kong Gallery Hong Kong
expedition to Tibet of 1720, leaf four with
Suite 2001, One Pacific Place accompanying separate leaf with a kaishu +852 2918 4321
Hong Kong inscription, detached album cover. [email protected]
Each: 46cm (18 1/8in) x 39.5cm (15 1/2in) (9).

HK$150,000-200,000
US$19,000-26,000

Provenance:
Lieutenant-Colonel T.S.Cox and thence by descent
VIEWING
7 - 10 June

rt
Hong Kong

A
ENQUIRIES

y
[email protected]

r
16 r a
ne m &
Bonhams

20 po
Suite 2001, One Pacific Place
Ju te r n Admiralty, Hong Kong
11 o n e
C od
M

LI SHAN B. 1942
Rouge Series
1995
mixed media on canvas
109 x 156cm
HK$1,000,000 - 1,600,000

bonhams.com/hongkong
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agent on its behalf and, save where we expressly make it value of a Lot. this.
clear to the contrary, Bonhams acts only as agent for the
Seller. Any statement or representation we make in respect Estimates are in the currency of the Sale. Where a Reserve has been applied to a Lot, the Auctioneer
of a Lot is made on the Seller’s behalf and, unless Bonhams may, in his absolute discretion, place bids (up to an amount
sells a Lot as principal, not on our behalf and any Contract Condition reports not equalling or exceeding such Reserve) on behalf of the
for Sale is between the Buyer and the Seller and not with us. In respect of most Lots, you may ask for a Condition Report Seller. We are not responsible to you in respect of the
If Bonhams sells a Lot as principal this will either be stated on its physical condition from Bonhams. If you do so, this presence or absence of any Reserve in respect of any Lot.
in the Catalogue or an announcement to that effect will be will be provided by Bonhams on behalf of the Seller free of
made by the Auctioneer, or it will be stated in a notice at the charge. Bonhams is not entering into a contract with you in If there is a Reserve it will normally be no higher than the
Sale or an insert in the Catalogue. respect of the Condition Report and accordingly does not lower figure for any Estimate in the Catalogue, assuming that
assume responsibility to you in respect of it. Nor does the the currency of the Reserve has not fluctuated adversely
Bonhams does not owe or undertake or agree to any duty Seller owe or agree to owe you as a Bidder any obligation against the currency of the Estimate.
or responsibility to you in contract or tort (whether direct, or duty in respect of this free report about a Lot which is
collateral, express, implied or otherwise). If you successfully available for your own inspection or for inspection by an The Buyer will be the Bidder who makes the highest bid
bid for a Lot and buy it, at that stage Bonhams does enter expert instructed by you. However, any written description acceptable to the Auctioneer for any Lot (subject to any
into an agreement with the Buyer. The terms of that contract of the physical condition of the Lot contained in a Condition applicable Reserve) to whom the Lot is knocked down by the
are set out in our Buyer’s Agreement save for those varied Report will form part of the Contractual Description of the Lot Auctioneer at the striking of the Auctioneer’s hammer. Any
by announcement given out orally before and/or during the under which it is sold to any Buyer. dispute as to the highest acceptable bid will be settled by the
Sale, which you will find at Appendix 2 at the back of the Auctioneer in his absolute discretion.
Catalogue. This will govern Bonhams’ relationship with the The Seller’s responsibility to you
Buyer. The Seller does not make or agree to make any All bids tendered will relate to the actual Lot number
representation of fact or contractual promise, guarantee or announced by the Auctioneer.
2. LOTS warranty and undertakes no obligation or duty, whether in
Subject to the Contractual Description printed in bold letters contract or in tort (other than to the eventual Buyer as set An electronic currency converter may be used at the Sale.
in the Entry about the Lot in the Catalogue (see paragraph 3 out above), in respect of the accuracy or completeness This equipment is provided as a general guide as to the
below), Lots are sold to the Buyer on an “as is” basis, with of any statement or representation made by him or on his equivalent amount in certain currencies of a given bid. We
all faults and imperfections. No reference is made in the behalf which is in any way descriptive of any Lot or as to the do not accept any responsibility for any errors which may
Catelogue to any defect, damage or restoration of the Lot. anticipated or likely selling price of any Lot. Other than as occur in the use of the currency converter.
Please see paragraph 15. set out above, no statement or representation in any way
descriptive of a Lot or any Estimate is incorporated into any We hereby give you notice that we may use video cameras to
Illustrations and photographs contained in the Catalogue Contract for Sale between a Seller and a Buyer. record the Sale and may record telephone calls for reasons
(other than photographs forming part of the Contractual of security and to assist in solving any disputes which may
Description) or elsewhere of any Lots are for identification Bonhams’ responsibility to you arise in relation to bids made at the Sale.
purposes only. They may not reveal the true condition of the You have the opportunity of examining the Lot if you want
Lot. A photograph or illustration may not reflect an accurate to and the Contract for Sale for a Lot is with the Seller and At some Sales, for example, jewellery Sales, we may use
reproduction of the colour(s) of the Lot. not with Bonhams; Bonhams acts as the Seller’s agent only screens on which images of the Lots will be projected. This
(unless Bonhams sells the Lot as principal). service is provided to assist viewing at the Sale. The image
Lots are available for inspection prior to the Sale and it is for on the screen should be treated as an indication only of the
you to satisfy yourself as to each and every aspect of a Lot, Bonhams undertakes no obligation to you to examine, current Lot. It should be noted that all bids tendered will
including its authorship, attribution, condition, provenance, investigate or carry out any tests, either in sufficient depth or relate to the actual Lot number announced by the Auctioneer.
history, background, authenticity, style, period, age, at all, on each Lot to establish the accuracy or otherwise of We do not accept any responsibility for any errors which may
suitability, quality, roadworthiness (if relevant), origin, value any descriptions or opinions given by Bonhams, or by any occur in the use of the screen.
and estimated selling price (including the Hammer price). It person on Bonhams’ behalf, whether in the Catalogue or
is your responsibility to examine any Lot in which you are elsewhere. 5. BIDDING
interested. We do not accept bids from any person who has not
You should not suppose that such examinations, completed and delivered to us one of our Bidding Forms,
It should be remembered that the actual condition of a investigations or tests have occurred. either our Bidder Registration Form, Absentee and Telephone
Lot may not be as good as that indicated by its outward Bidding Form before the Sale. You may be asked for proof of
appearance. In particular, parts may have been replaced or Bonhams does not make or agree to make any identity, residence, financial details and references, which, if
renewed and Lots may not be authentic or of satisfactory representation of fact, and undertakes no obligation or duty asked for, you must supply if your bids are to be accepted by
quality; the inside of a Lot may not be visible and may not (whether in contract or tort) in respect of the accuracy or us. Please bring your passport, Hong Kong Identity Card (or
be original or may be damaged, as for example where it is completeness of any statement or representation made similar photo proof of identity) and a debit or credit card. We
covered by upholstery or material. Given the age of many by Bonhams or on Bonhams’ behalf which is in any way may request a deposit from you before allowing you to bid.
Lots they may have been damaged and/or repaired and you descriptive of any Lot or as to the anticipated or likely selling
should not assume that a Lot is in good condition. price of any Lot. We may refuse entry to a Sale to any person even if that
person has completed a Bidding Form.
Electronic or mechanical parts may not operate or may not No statement or representation by Bonhams or on its
comply with current statutory requirements. You should behalf in any way descriptive of any Lot or any Estimate is Bidding in person
not assume that electrical items designed to operate on incorporated into our Buyer’s Agreement. You should come to our Bidder registration desk at the
mains electricity will be suitable for connection to the mains Sale venue and fill out a Bidder Registration Form on (or, if
electricity supply and you should obtain a report from a Alterations possible, before) the day of the Sale. The bidding number
qualified electrician on their status before doing so. Such Descriptions and Estimates may be amended at Bonhams’ system is sometimes referred to as “paddle bidding”. You

HK/NTB/MAIN/01.16
will be issued with a large card (a “paddle”) with a printed the Sale. You will be liable to pay the Purchase Price, which Please note there is a 2% surcharge on the total invoice
number on it. This will be attributed to you for the purposes is the Hammer Price plus any Tax. value when payments are made using credit cards. It may
of the Sale. Should you be a successful Bidder you will be advisable to notify your card provider of your intended
need to ensure that your number can be clearly seen by the At the same time, a separate contract is also entered into purchase in advance to reduce delays caused by us having
Auctioneer and that it is your number which is identified as between us as auctioneers and the Buyer. This is our Buyer’s to seek authority when you come to pay. If you have any
the Buyer’s. You should not let anyone else use your paddle Agreement, the terms of which are set out in Appendix 2 questions with regard to payment, please contact our
as all Lots will be invoiced to the name and address given on at the end of the Catalogue. Please read the terms of the Customer Services Department.
your Bidder Registration Form. Once an invoice is issued it Contract for Sale and our Buyer’s Agreement contained in
will not be changed. the Catalogue in case you are the successful Bidder. We China UnionPay (CUP) debit cards: No surcharge for
may change the terms of either or both of these agreements in using CUP debit cards will apply on the first HK$1,000,000
If there is any doubt as to the Hammer Price of, or whether advance of their being entered into, by setting out different terms invoiced to a Buyer in any Sale; a 2% surcharge will be
you are the successful Bidder of, a particular Lot, you must in the Catalogue and/or by placing an insert in the Catalogue and/ made on the balance over HK$1,000,000.
draw this to the attention of the Auctioneer before the next or by notices at the Sale venue and/or by oral announcements
Lot is offered for Sale. The decision of the Auctioneer is before and during the Sale. You should be alert to this possibility
10. COLLECTION AND STORAGE
considered final and conclusive. of changes and ask if there have been any.
The Buyer of a Lot will not be allowed to collect it until
payment in full and in cleared funds has been made (unless
At the end of the Sale, or when you have finished bidding 7. BUYER’S PREMIUM AND OTHER CHARGES
we have made a special arrangement with the Buyer). Details
please return your paddle to the Bidder registration desk. PAYABLE BY THE BUYER
relating to the collection of a Lot, the storage of a Lot and our
Under the Buyer’s Agreement, a premium (the Buyer’s
Storage Contractor after the Sale are set out in the Buyer’s
Bidding by telephone Premium) is payable to us by the Buyer in accordance with the
Agreement as set out in Appendix 2 of the Catalogue.
If you wish to bid at the Sale by telephone, please complete terms of the Buyer’s Agreement and at rates set out below,
an Absentee and Telephone Bidding Form, which is available calculated by reference to the Hammer Price and payable in
11. SHIPPING
from our offices or in the Catalogue. Please then return it to addition to it. Storage charges and Expenses are also payable
Please refer enquiries on this to our customer services
the office which is responsible for the Sale at least 24 hours by the Buyer as set out in the Buyer’s Agreement.
department dealing with the Sale.
in advance of the Sale. It is your responsibility to check with
our Bids Office that your bid has been received. Telephone For this Sale the following rates of Buyer’s Premium will be
12. EXPORT/TRADE RESTRICTIONS
calls may be recorded. The telephone bidding facility is a payable by Buyers on each lot purchased:
It is your sole responsibility to comply with all Hong Kong
discretionary service and may not be available in relation to all 25% up to HK$800,000 of the Hammer Price
export and overseas import regulations relating to your
Lots. We will not be responsible for bidding on your behalf if 20% from HK$800,001 of the Hammer Price
purchases and also to obtain any relevant export and/or
you are unavailable at the time of the Sale or if the telephone 12% from HK$15,000,001 of the Hammer Price
import licence(s).
connection is interrupted during bidding. Please contact us
for further details. 8. TAX
The need for export and import licences varies from country
The Hammer Price and the Buyer’s Premium payable by
to country and you should acquaint yourself with all relevant
Bidding by post or fax the Buyer is exclusive of any goods or service tax or other
local requirements and provisions.
Absentee and Telephone Bidding Forms can be found in the Tax (whether imposed by Hong Kong or otherwise). If any
back of this Catalogue and should be completed and sent such Tax was to be paid under Hong Kong laws or any other
The refusal of any import or export licence(s) or any delay in
to the office responsible for the Sale. It is in your interests laws, the Buyer shall be solely responsible to pay such Tax
obtaining such licence(s) shall not permit the rescission of any
to return your form as soon as possible, as if two or more and at the rate and time as required by the relevant law, or
Sale nor allow any delay in making full payment for the Lot.
Bidders submit identical bids for a Lot, the first bid received if such Tax is to be paid by us, we may add such Tax to the
takes preference. In any event, all bids should be received Purchase Price payable by the Buyer.
13. CITES REGULATIONS
at least 24 hours before the start of the Sale. Please check
Buyers are advised to check the regulations applicable to
your Absentee and Telephone Bidding Form carefully before 9. PAYMENT
Hong Kong exportation and overseas importation when
returning it to us, fully completed and signed by you. It is It is of critical importance that you ensure that you have
exporting any goods from Hong Kong to the place of
your responsibility to check with our Bids Office that your bid readily available funds to pay the Purchase Price and the
importation. Buyers should also be aware that the export
has been received. This additional service is complimentary Buyer’s Premium (plus Tax and any other charges and
from Hong Kong of any items made of or incorporating
and is confidential. Such bids are made at your own risk Expenses to us) in full before making a bid for the Lot. If you
ivory, whalebone, tortoiseshell, rhinoceros horn, coral and
and we cannot accept liability for our failure to receive and/ are a successful Bidder, payment will be due to be made to
other restricted materials is prohibited unless a CITES
or place any such bids. All bids made on your behalf will be us by 4.30 pm on the second working day after the Sale so
export licence is obtained from the Agriculture, Fisheries
made at the lowest level possible subject to Reserves and that all sums are cleared by the seventh working day after
and Conservation Department of Hong Kong. A period of 8
other bids made for the Lot. Where appropriate your bids the Sale. Payment will have to be by one of the following
weeks may be required for the purposes of obtaining such
will be rounded down to the nearest amount consistent with methods (all cheques should be made payable to Bonhams
export licence.
the Auctioneer’s bidding increments. New Bidders must also (Hong Kong) Limited). Bonhams reserves the right to vary
provide proof of identity when submitting bids. Failure to do the terms of payment at any time. Unless agreed by us
Please note that Lots marked in the catalogue with a Y
this may result in your bid not being placed. advance payments made by anyone other than the registered
next to the lot number contain one or more of the aforesaid
buyer will not be accepted.
restricted materials. However, the omission of such letter Y
Bidding via the internet
does not automatically mean that the Lot is not subject to
Please visit our Website at http://www.bonhams.com for Hong Kong dollar personal cheque drawn on a Hong
CITES regulations. Buyers are advised to obtain information
details of how to bid via the internet. Kong branch of a bank : all cheques must be cleared
from the relevant regulatory authorities regarding export and
before you can collect your purchases.
import restrictions, requirements and costs prior to bidding.
Bidding through an agent
Bids will be accepted as placed on behalf of the person Bankers draft cheque: if you can provide suitable proof
14. THE SELLERS AND/OR BONHAMS’ LIABILITY
named as the principal on the Bidding Form although we may of identity and we are satisfied as to the genuineness of the
Other than any liability of the Seller to the Buyer of a Lot
refuse to accept bids from an agent on behalf of a principal draft or cheque, and that the funds have originated from your
under the Contract for Sale, neither we nor the Seller are
and may require written confirmation from the principal own account, we will allow you to collect your purchases
liable (whether in negligence or otherwise) for any error
confirming the agent’s authority to bid. Nevertheless, as the immediately;
or misdescription or omission in any Description of a Lot
Bidding Form explains, any person placing a bid as agent
or any Estimate in respect of it, whether contained in the
on behalf of another (whether or not he has disclosed that Cash: you may pay for Lots purchased by you at this Sale
Catalogue or otherwise, whether given orally or in writing
fact or the identity of his principal) will be jointly and severally with notes, coins or travellers cheques in the currency in
and whether given before or during the Sale. Neither we
liable with the principal to the Seller and to Bonhams under which the Sale is conducted (but not any other currency)
nor the Seller will be liable for any loss of Business, profits,
any contract resulting from the acceptance of a bid. provided that the total amount payable by you in respect
revenue or income, or for loss of reputation, or for disruption
of all Lots purchased by you at the Sale does not exceed
to Business or wasted time on the part of management or
Subject to the above, please let us know if you are acting on HK$80,000. If the amount payable by you for Lots exceeds
staff, or for indirect losses or consequential damages of any
behalf of another person when bidding for Lots at the Sale. that sum, the balance must be paid otherwise than in coins,
kind, irrespective in any case of the nature, volume or source
Equally, please let us know if you intend to nominate another notes or travellers cheques;
of the loss or damage alleged to be suffered, and irrespective
person to bid on your behalf at the Sale unless this is to be
of whether the said loss or damage is caused by or claimed
carried out by us pursuant to an Absentee and Telephone Bank transfer: you may electronically transfer funds to
in respect of any negligence, other tort, breach of contract (if
Bidding Form that you have completed. If we do not approve our Client Account. If you do so, please quote your paddle
any) or statutory duty, restitutionary claim or otherwise.
the agency arrangements in writing before the Sale, we are number and invoice number as the reference. Our Client
entitled to assume that the person bidding at the Sale is Account details are as follows:
In any circumstances where we and/or the Seller are liable
bidding on his own behalf. Accordingly, the person bidding at Bank : HSBC
in relation to any Lot or any Description or Estimate made
the Sale will be the Buyer and will be liable to pay the Hammer Address : Head Office
of any Lot, or the conduct of any Sale in relation to any Lot,
Price and Buyer’s Premium and associated charges. If we 1 Queen’s Road Central, Hong Kong
whether in damages, for an indemnity or contribution, or for
approve the identity of your client in advance, we will be in a Account Name: Bonhams (Hong Kong) Limited. -
a restitutionary remedy or otherwise, our and/or the Seller’s
position to address the invoice to your principal rather than Client A/C
liability (combined, if both we and the Seller are liable) will be
you. We will require proof of the agent’s client’s identity and Account Number: 808 870 174001
limited to payment of a sum which will not exceed by way
residence in advance of any bids made by the agent on his SWIFT Code: HSBCHKHHHKH
of maximum the amount of the Purchase Price of the Lot
behalf. Please refer to our Conditions of Business and contact
irrespective in any case of the nature, volume or source of
our Customer Services Department for further details. If paying by bank transfer, the amount received after the
any loss or damage alleged to be suffered or sum claimed as
deduction of any bank fees and/or conversion of the currency
due, and irrespective of whether the liability arises from any
6. CONTRACTS BETWEEN THE BUYER AND SELLER of payment to Hong Kong dollars must not be less than
negligence, other tort, breach of contract (if any) or statutory
AND THE BUYER AND BONHAMS the Hong Kong dollars amount payable, as set out on the
duty or otherwise.
On the Lot being knocked down to the Buyer, a Contract invoice.
for Sale of the Lot will be entered into between the Seller
Nothing set out above will be construed as excluding or
and the Buyer on the terms of the Contract for Sale set out Debit cards issued by a Hong Kong bank: there is no
restricting (whether directly or indirectly) our liability or
in Appendix 1 at the back of the Catalogue save for those additional charge for purchases made with these cards;
excluding or restricting any person’s rights or remedies in
varied by announcement given out orally before and/or during credit cards: American Express, Visa and Mastercard only.
respect of (i) fraud, or (ii) death or personal injury caused by

HK/NTB/MAIN/01.16
our negligence (or by the negligence of any person under our Estimated Weights Corks and Ullages
control or for whom we are legally responsible), or (iii) acts or If a stone(s) weight appears within the body of the Ullage refers to the space between the base of the cork
omissions for which we are liable under the Occupiers Liability Description in capital letters, the stone(s) has been and the wine. Ullage levels for Bordeaux shaped bottles are
Ordinance (Chapter 314 of the Laws of Hong Kong), or (iv) unmounted and weighed by Bonhams. If the weight of the only normally noted when below the neck and for Burgundy,
any other liability to the extent the same may not be excluded
stone(s) is stated to be approximate and does not appear Alsace, German and Cognac shaped bottles when greater
or restricted as a matter of law or (v) our undertakings under
paragraph 9 of the Buyer’s Agreement. The same applies in in capital letters, the stone(s) has been assessed by us than 4 centimetres (cm). Acceptable ullage levels increase
respect of the Seller, as if references to us in this paragraph within its/their settings, and the stated weight is a statement with age; generally acceptable levels are as follows:
were substituted with references to the Seller. of our opinion only. This information is given as a guide Under 15 years old – into neck or less than 4cm
and Bidders should satisfy themselves with regard to this 15 to 30 years old – top shoulder (ts) or up to 5cm
15. DAMAGE AND RESTORATION information as to its accuracy. Over 30 years old – high shoulder (hs) or up to 6cm
Bidders should note that there is no reference to any defect, It should be noted that ullages may change between
damage or restoration in this Catalogue. A detailed Condition Signatures publication of the Catalogue and the Sale and that corks may
Report can be provided by Bonhams up to 24 hours before 1. A diamond brooch, by Kutchinsky fail as a result of transporting the wine. We will only accept
the Sale. When providing Condition Reports, we do not
When the maker’s name appears in the title, in Bonhams’ responsibility for Descriptions of condition at the time of
guarantee that there are no other defects present which have
not been mentioned. Bidders should satisfy themselves by opinion the piece is by that maker. publication of the Catalogue and cannot accept responsibility
inspection, as to the condition of each Lot. Please see the 2. A diamond brooch, signed Kutchinsky for any loss resulting from failure of corks either before or
Contract for Sale printed in this Catalogue. Has a signature that, in Bonhams’ opinion, is authentic but after this point.
may contain gemstones that are not original, or the piece
16. BOOKS may have been altered. Options to buy parcels
As stated above, all Lots are sold on an “as is” basis, subject 3. A diamond brooch, mounted by Kutchinsky A parcel is a number of Lots of identical size of the same
to all faults, imperfections and errors of Description save as Has been created by the jeweller, in Bonhams’ opinion, but wine, bottle size and Description. The Buyer of any of these
set out below. However, you will be entitled to reject a Book using stones or designs supplied by the client. Lots has the option to accept some or all of the remaining
in the circumstances set out in paragraph 11 of the Buyers Lots in the parcel at the same price, although such options
Agreement. Please note that Lots comprising printed Books, 19. PICTURES will be at the Auctioneer’s sole discretion. Absentee Bidders
unframed maps and bound manuscripts are not liable to VAT Explanation of Catalogue Terms are, therefore, advised to bid on the first Lot in a parcel.
on the Buyer’s Premium. The following terms used in the Catalogue have the following
meanings but are subject to the general provisions relating to Bottling Details and Case Terms
17. CLOCKS AND WATCHES Descriptions contained in the Contract for Sale: The following terms used in the Catalogue have the following
All Lots are sold “as is”, and the absence of any reference • “Jacopo Bassano”: in our opinion a work by the artist. meanings:
to the condition of a clock or watch does not imply that When the artist’s forename(s) is not known, a series of CB – Château bottled
the Lot is in good condition and without defects, repairs or asterisks, followed by the surname of the artist, whether DB – Domaine bottled
restorations. Most clocks and watches have been repaired in preceded by an initial or not, indicates that in our opinion EstB – Estate bottled
the course of their normal lifetime and may now incorporate the work is by the artist named; BB – Bordeaux bottled
parts not original to them. Furthermore, Bonhams makes • “Attributed to Jacopo Bassano”: in our opinion probably BE – Belgian bottled
no representation or warranty that any clock or watch is in a work by the artist but less certainty as to authorship is FB – French bottled
working order. As clocks and watches often contain fine expressed than in the preceding category; GB – German bottled
and complex mechanisms, Bidders should be aware that • “Studio/Workshop of Jacopo Bassano”: in our opinion a OB – Oporto bottled
a general service, change of battery or further repair work, work by an unknown hand in a studio of the artist which UK – United Kingdom bottled
for which the Buyer is solely responsible, may be necessary. may or may not have been executed under the artist’s owc – original wooden case
Bidders should be aware that the importation of watches direction; iwc – individual wooden case
such as Rolex, Frank Muller and Corum into the United • “Circle of Jacopo Bassano”: in our opinion a work by oc – original carton
States is highly restricted. These watches may not be a hand closely associated with a named artist but not
shipped to the USA and can only be imported personally. necessarily his pupil; SYMBOLS
• “Follower of Jacopo Bassano”: in our opinion a work by THE FOLLOWING SYMBOLS ARE USED TO DENOTE
18. JEWELLERY a painter working in the artist’s style, contemporary or Y Subject to CITES regulations when exporting these
Ruby and Jadeite nearly contemporary, but not necessarily his pupil; items outside the EU, see clause 13.
Ruby and jadeite gemstones of Burmese (Myanmar) origin • “Manner of Jacopo Bassano”: in our opinion a work in the ≈ Please note that as a result of recent legislation ruby
may not be imported into the US. Rubies and jadeite of style of the artist and of a later date; and jadeite gem stones of Burmese (Myanmar) origin
non–Burmese origin require certification before import • “After Jacopo Bassano”: in our opinion, a copy of a may not be imported into the US. Rubies and jadeite of
into the US and it is the Buyer’s responsibility to obtain all known work of the artist; non-Burmese origin require certification before import
relevant and required export/import licences, certificates • “Signed and/or dated and/or inscribed”: in our opinion the into the US.
and documentation before shipping. Failure by the Buyer to signature and/or date and/or inscription are from the hand ○ The Seller has been guaranteed a minimum price for
successfully import goods into the US does not constitute of the artist; the Lot, either by Bonhams or a third party. This may
grounds for non payment or cancellation of Sale. Bonhams • “Bears a signature and/or date and/or inscription”: in our take the form of an irrevocable bid by a third party, who
will not be responsible for any additional costs in this regard opinion the signature and/or date and/or inscription have may make a financial gain on a successful Sale or a
howsoever incurred. been added by another hand. financial loss if unsuccessful.
▲ Bonhams owns the Lot either wholly or partially or may
Gemstones 20. PORCELAIN AND GLASS otherwise have an economic interest.
Historically many gemstones have been subjected to Damage and Restoration Ф This lot contains or is made of ivory. The United States
a variety of treatments to enhance their appearance. For your guidance, in our Catalogues we detail, as far as Government has banned the import of ivory into
Sapphires and rubies are routinely heat treated to improve practicable, recorded all significant defects, cracks and the USA.
their colour and clarity, similarly emeralds are frequently restoration. Such practicable Descriptions of damage cannot
be definitive, and in providing Condition Reports, we cannot 22. LANGUAGE
treated with oils or resin for the same purpose. Other The Notice to Bidders is published in both Chinese and
treatments such as staining, irradiation or coating may have Guarantee that there are no other defects present which
English. If there is any dispute in its interpretation, the English
been used on other gemstones. These treatments may have not been mentioned. Bidders should satisfy themselves
version will prevail.
be permanent, whilst others may need special care or re- by inspection, as to the condition of each Lot. Please see
treatment over the years to retain their appearance. Bidders the Contract for Sale printed in this Catalogue. Because of DATA PROTECTION – USE OF YOUR INFORMATION
should be aware that Estimates assume that gemstones the difficulty in determining whether an item of glass has As a result of the services provided by us, we obtain personal
may have been subjected to such treatments. A number been repolished, in our Catalogues reference is only made to data about you (which expression for the purposes of this
of laboratories issue certificates that give more detailed visible chips and cracks. No mention is made of repolishing, paragraph only includes your employees and officers, if any).
severe or otherwise. You agree to our use of it as follows.
Descriptions of gemstones. However there may not be
consensus between different laboratories on the degrees, We may use your data to notify you about changes to our
or types of treatment for any particular gemstone. In 21. WINE
services and to provide you with information about products
the event that Bonhams has been given or has obtained Lots which are lying under Bond and those liable to VAT may
or services that you request from us or which we feel may
certificates for any Lot in the Sale these certificates will be not be available for immediate collection. be of interest to you. Data about you may be analysed to
disclosed in the Catalogue. Although, as a matter of policy, Examining the wines identify your potential preferences for these purposes. We
Bonhams endeavours to provide certificates from recognised It is occasionally possible to provide a pre-Sale tasting for may disclose your data to any member of our group (which
laboratories for certain gemstones, it is not feasible to obtain larger parcels (as defined below). This is generally limited to means our subsidiaries, our ultimate holding company and
certificates for each Lot. In the event that no certificate is more recent and everyday drinking wines. Please contact the its subsidiaries as defined in section 1159 and schedule
department for details. 6 of the Companies Act 2006, including any overseas
published in the Catalogue, Bidders should assume that the
It is not our policy to inspect every unopened case. In the subsidiary). Subject to this, we will not disclose your data to
gemstones may have been treated. Neither Bonhams nor any third party, but we may from time to time provide you
the Seller accepts any liability for contradictions or differing case of wines older than 20 years the boxes will usually
with information about goods and services provided by third
certificates obtained by Buyers on any Lots subsequent to have been opened and levels and appearance noted in
parties which we feel may be of interest to you. Any member
the Sale. the Catalogue where necessary. You should make proper of our group may use your data for similar purposes.
allowance for variations in ullage levels and conditions of
corks, capsules and labels.

HK/NTB/MAIN/01.16
We will keep your data for a period of five years from the 3 DESCRIPTIONS OF THE LOT 7 COLLECTION OF THE LOT
date of your last contact with us so as to simplify any future 3.1 Paragraph 2.1.5 sets out what is the 7.1 Unless otherwise agreed in writing with you by
registration. The data may be transferred to and stored outside Contractual Description of the Lot. In particular, Bonhams, the Lot will be released to you or to
Hong Kong, and you agree to this transfer. You have the right the Lot is not sold as corresponding with that your order only when Bonhams has received
to request us not to use your information for these purposes part of the Entry in the Catalogue which is not cleared funds to the amount of the full Purchase
by contacting Bonhams (Hong Kong) Limited (which for the printed in bold letters, which merely sets out Price and all other sums owed by you to the
purpose of the Personal Data (Privacy) Ordinance (Chapter (on the Seller’s behalf) Bonhams’ opinion about Seller and to Bonhams.
486 of the Laws of Hong Kong) is the data user) at Montpelier the Lot and which is not part of the Contractual
Galleries, Montpelier Street, London, SW7 1HH, United Description upon which the Lot is sold. Any 7.2 The Seller is entitled to withhold possession
Kingdom or by e-mail at [email protected]. statement or representation other than that from you of any other Lot he has sold to you
part of the Entry referred to in paragraph at the same or at any other Sale and whether
APPENDIX 1 2.1.5 (together with any express alteration to currently in Bonhams’ possession or not until
it as referred to in paragraph 2.1.5), including payment in full and in cleared funds of the
CONTRACT FOR SALE any Description or Estimate, whether made Purchase Price and all other sums due to the
IMPORTANT: These terms may be changed in advance of orally or in writing, including in the Catalogue Seller and/or Bonhams in respect of the Lot.
the Sale of the Lot to you, by the setting out of different terms or on Bonhams’ Website, or by conduct, or 7.3 You will collect and remove the Lot at your own
in the Catalogue for the Sale and/or by placing an insert in otherwise, and whether by or on behalf of the expense from Bonhams’ custody and/or control
the Catalogue and/or by notices at the Sale venue and/or by Seller or Bonhams and whether made prior to or from the Storage Contractor’s custody in
oral announcements before and during the Sale at the Sale or during the Sale, is not part of the Contractual accordance with Bonhams’ instructions or
venue. You should be alert to this possibility of changes and Description upon which the Lot is sold. requirements.
ask in advance of bidding if there have been any.
3.2 Except as provided in paragraph 2.1.5, the 7.4 You will be wholly responsible for packing,
UNDER THIS CONTRACT, THE SELLER’S LIABILITY IN Seller does not make or give and does not handling and transport of the Lot on collection
RESPECT OF THE QUALITY OF THE LOT, ITS FITNESS agree to make or give any contractual promise, and for complying with all import or export
FOR ANY PURPOSE AND ITS CONFORMITY WITH ANY undertaking, obligation, guarantee, warranty, or regulations in connection with the Lot.
DESCRITION IS LIMITED. YOU ARE STRONGLY ADVISED representation of fact, or undertake any duty of
TO EXAMINE THE LOT FOR YOURSELF AND/OR OBTAIN AN care, in relation to any Description of the Lot or 7.5 You will be wholly responsible for any removal,
INDEPENDENT EXAMINATION OF IT BEFORE YOU BUY IT. any Estimate in relation to it, nor of the accuracy storage or other charges or expenses incurred
or completeness of any Description or Estimate by the Seller if you do not remove the Lot in
1 THE CONTRACT which may have been made by or on behalf accordance with this paragraph 7 and will
1.1 These terms govern the Contract for Sale of the of the Seller including by Bonhams. No such indemnify the Seller against all charges, costs,
Lot by the Seller to the Buyer. Description or Estimate is incorporated into this including any legal costs and fees, expenses
Contract for Sale. and losses suffered by the Seller by reason of
1.2 The Definitions and Glossary contained in your failure to remove the Lot including any
Appendix 3 in the Catalogue are incorporated 4 FITNESS FOR PURPOSE AND charges due under any Storage Contract. All
into this Contract for Sale and a separate copy SATISFACTORY QUALITY such sums due to the Seller will be payable on
can also be provided by Bonhams on request. 4.1 The Seller does not make and does not demand.
Where words and phrases are used which are agree to make any contractual promise,
in the List of Definitions in it, they are printed in undertaking, obligation, guarantee, warranty, 8 FAILURE TO PAY FOR THE LOT
italics. or representation of fact in relation to the 8.1 If the Purchase Price for a Lot is not paid to
satisfactory quality of the Lot or its fitness for Bonhams in full in accordance with the Contract
1.3 Seller sells the Lot as the principal to the any purpose. for Sale the Seller will be entitled, with the prior
Contract for Sale, such contract being made written agreement of Bonhams but without
between the Seller and you through Bonhams 4.2 The Seller will not be liable for any breach of further notice to you, to exercise one or more of
which acts in the sole capacity as the Seller’s any undertaking, whether implied by the Sale of the following rights (whether through Bonhams
agent and not as an additional principal. Goods Ordinance (Chapter 26 of the Laws of or otherwise):
However, if the Catalogue states that Bonhams Hong Kong) or otherwise, as to the satisfactory
sells the Lot as principal, or such a statement is quality of the Lot or its fitness for any purpose. 8.1.1 to terminate immediately the Contract for Sale
made by an announcement by the Auctioneer, of the Lot for your breach of contract;
or by a notice at the Sale, or an insert in the 5 RISK, PROPERTY AND TITLE
Catalogue, then Bonhams is the Seller for the 5.1 Risk in the Lot passes to you when it is knocked 8.1.2 to re-sell the Lot by auction, private treaty or
purposes of this agreement. down to you on the fall of the Auctioneer’s any other means on giving seven days’ written
hammer in respect of the Lot. The Seller will notice to you of the intention to resell;
1.4 The contract is made on the striking of the not be responsible thereafter for the Lot prior to
Auctioneer’s hammer in respect of the Lot when you collecting it from Bonhams or the Storage 8.1.3 to retain possession of the Lot;
it is knocked down to you. Contractor, with whom you have separate
contract(s) as Buyer. You will indemnify the 8.1.4 to remove and store the Lot at your expense;
2 SELLER’S UNDERTAKINGS Seller and keep the Seller fully indemnified from
2.1 The Seller undertakes to you that: and against all claims, proceedings, costs, 8.1.5 to take legal proceedings against you for any
expenses and losses arising in respect of any sum due under the Contract for Sale and/or
2.1.1 The Seller is the owner of the Lot or is duly injury, loss and damage caused to the Lot after damages for breach of contract;
authorised to sell the Lot by the owner; the fall of the Auctioneer’s hammer until you
obtain full title to it. 8.1.6 to be paid interest on any monies due (after
2.1.2 save as disclosed in the Entry for the Lot in the as well as before judgement or order) at the
Catalogue, the Seller sells the Lot with full title 5.2 Title to the Lot remains in and is retained by annual rate of 5% per annum above the base
guarantee or, where the Seller is an executor, the Seller until the Purchase Price and all other rate of Standard Chartered Bank (Hong Kong)
trustee, liquidator, receiver or administrator, with sums payable by you to Bonhams in relation to Limited from time to time to be calculated on
whatever right, title or interest he may have in the Lot have been paid in full to, and received in a daily basis from the date upon which such
the Lot; cleared funds by, Bonhams. monies become payable until the date of actual
payment;
2.1.3 except where the Sale is by an executor, 6 PAYMENT
trustee, liquidator, receiver or administrator 6.1 Your obligation to pay the Purchase Price arises 8.1.7 to repossess the Lot (or any part thereof) which
the Seller is both legally entitled to sell the Lot, when the Lot is knocked down to you on the has not become your property, and for this
and legally capable of conferring on you quiet fall of the Auctioneer’s hammer in respect of the purpose you hereby grant an irrevocable licence
possession of the Lot Lot. to the Seller by himself and to his servants or
agents to enter upon all or any of your premises
2.1.4 the Seller has complied with all requirements, 6.2 Time will be of the essence in relation to (with or without vehicles) during normal
legal or otherwise, relating to any export or payment of the Purchase Price and all other Business hours to take possession of the Lot or
import of the Lot, and all duties and Taxes in sums payable by you to Bonhams. Unless part thereof;
respect of the export or import of the Lot have agreed in writing with you by Bonhams on the
(unless stated to the contrary in the Catalogue Seller’s behalf (in which case you must comply 8.1.8 to retain possession of any other property sold
or announced by the Auctioneer) been paid with the terms of that agreement), all such to you by the Seller at the Sale or any other
and, so far as the Seller is aware, all third parties sums must be paid to Bonhams by you in the auction or by private treaty until all sums due
have complied with such requirements in the currency in which the Sale was conducted by under the Contract for Sale shall have been
past; not later than 4.30pm on the second working paid in full in cleared funds;
day following the Sale and you must ensure that
2.1.5 subject to any alterations expressly identified as the funds are cleared by the seventh working 8.1.9 to retain possession of, and on three months’
such made by announcement or notice at the day after the Sale. Payment must be made written notice to sell, Without Reserve, any
Sale venue or by the Notice to Bidders or by to Bonhams by one of the methods stated in of your other property in the possession of
an insert in the Catalogue, the Lot corresponds the Notice to Bidders unless otherwise agreed the Seller and/or of Bonhams (as bailee for
with the Contractual Description of the Lot, with you in writing by Bonhams. If you do not the Seller) for any purpose (including, without
being that part of the Entry about the Lot in the pay any sums due in accordance with this limitation, other goods sold to you) and to apply
Catalogue which is in bold letters and (except paragraph, the Seller will have the rights set out any monies due to you as a result of such
for colour) with any photograph of the Lot in the in paragraph 8 below. sale in satisfaction or part satisfaction of any
Catalogue and the contents of any Condition amounts owed to the Seller or to Bonhams; and
Report which has been provided to the Buyer.

HK/NTB/MAIN/01.16
8.1.10 so long as such goods remain in the possession Seller’s negligence (or any person under the 11 GOVERNING LAW AND DISPUTE
of the Seller or Bonhams as its bailee, to rescind Seller’s control or for whom the Seller is legally RESOLUTION
the contract for the Sale of any other goods responsible), or (iii) acts or omissions for which 11.1 Law
sold to you by the Seller at the Sale or at any the Seller is liable under the Occupiers Liability All transactions to which this agreement applies
other auction or by private treaty and apply any Ordinance (Chapter 314 of the Laws of Hong and all connected matters will be governed
monies received from you in respect of such Kong), or (iv) any other liability to the extent the by and construed in accordance with the
goods in part or full satisfaction of any amounts same may not be excluded or restricted as a laws of Hong Kong. Bonhams has a disputes
owed to the Seller or to Bonhams by you. matter of law. procedure in place

8.2 You agree to indemnify the Seller against all 10 MISCELLANEOUS 11.2 Language
legal and other costs of enforcement, all losses 10.1 You may not assign either the benefit or burden
and other expenses and costs (including any of the Contract for Sale. The Contract for Sale is published in both
monies payable to Bonhams in order to obtain Chinese and English. If there is any dispute in its
the release of the Lot) incurred by the Seller 10.2 The Seller’s failure or delay in enforcing or interpretation, the English version will prevail.
(whether or not court proceedings will have exercising any power or right under the
been issued) as a result of Bonhams taking Contract for Sale will not operate or be deemed APPENDIX 2
steps under this paragraph 8 on a full indemnity to operate as a waiver of his rights under it
basis together with interest thereon (after as except to the extent of any express waiver given BUYER’S AGREEMENT
well as before judgement or order) at the rate to you in writing. Any such waiver will not affect IMPORTANT: These terms may be changed in advance of
specified in paragraph 8.1.6 from the date upon the Seller’s ability subsequently to enforce any the sale of the Lot to you, by the setting out of different terms
which the Seller becomes liable to pay the same right arising under the Contract for Sale. in the Catalogue for the Sale and/or by placing an insert in
until payment by you. the Catalogue and/or by notices at the Sale venue and/or by
10.3 If either party to the Contract for Sale is oral announcements before and during the Sale at the Sale
8.3 On any re-sale of the Lot under paragraph 8.1.2, prevented from performing that party’s venue. You should be alert to this possibility of changes and
the Seller will account to you in respect of any respective obligations under the Contract for ask in advance of bidding if there have been any.
balance remaining from any monies received by Sale by circumstances beyond its reasonable
him or on his behalf in respect of the Lot, after control or if performance of its obligations would 1 THE CONTRACT
the payment of all sums due to the Seller and by reason of such circumstances give rise to a 1.1 These terms govern the contract between
to Bonhams, within 28 days of receipt of such significantly increased financial cost to it, that Bonhams personally and the Buyer, being the
monies by him or on his behalf. party will not, for so long as such circumstances person to whom a Lot has been knocked down
prevail, be required to perform such obligations. by the Auctioneer.
9 THE SELLER’S LIABILITY This paragraph does not apply to the obligations
9.1 The Seller will not be liable for any injury, loss or imposed on you by paragraph 6. 1.2 The Definitions and Glossary contained in
damage caused by the Lot after the fall of the Appendix 3 to the Catalogue for the Sale are
Auctioneer’s hammer in respect of the Lot. 10.4 Any notice or other communication to be given incorporated into this agreement and a separate
under the Contract for Sale must be in writing copy can also be provided by us on request.
9.2 Subject to paragraphs 9.3 to 9.5 below, except and may be delivered by hand or sent by first Where words and phrases which are defined in
for breach of the express undertaking provided class post or air mail or fax transmission, if the List of Definitions are used in this agreement,
in paragraph 2.1.5, the Seller will not be liable to the Seller, addressed c/o Bonhams at its they are printed in italics. Reference is made
for any breach of any term that the Lot will address or fax number in the Catalogue (marked in this agreement to information printed in the
correspond with any Description applied to it for the attention of the Company Secretary), and Notice to Bidders, printed at the beginning of
by or on behalf of the Seller, whether implied by if to you to the address or fax number of the the Catalogue for the Sale, and where such
the Sale of Goods Ordinance (Chapter 26 of the Buyer given in the Bidding Form (unless notice information is referred to it is incorporated into
Laws of Hong Kong) or otherwise. of any change of address is given in writing). It this agreement.
is the responsibility of the sender of the notice
9.3 The Seller will not be liable (whether in or communication to ensure that it is received in 1.3 Except as specified in paragraph 4 of the
negligence, other tort, breach of contract or a legible form within any applicable time period. Notice to Bidders the Contract for Sale of the
statutory duty or in restitution or under the Lot between you and the Seller is made on the
Misrepresentation Ordinance (Chapter 284 of 10.5 If any term or any part of any term of the fall of the Auctioneer’s hammer in respect of
the Laws of Hong Kong), or in any other way) for Contract for Sale is held to be unenforceable the Lot, when it is knocked down to you and at
any lack of conformity with, or inaccuracy, error, or invalid, such unenforceability or invalidity will that moment a separate contract is also made
misdescription or omission in any Description of not affect the enforceability and validity of the between you and Bonhams on the terms in this
the Lot or any Entry or Estimate in relation to the remaining terms or the remainder of the relevant Buyer’s Agreement.
Lot made by or on behalf of the Seller (whether term.
made in writing, including in the Catalogue, 1.4 We act as agents for the Seller and are not
or on the Website, or orally, or by conduct or 10.6 References in the Contract for Sale to Bonhams answerable or personally responsible to you
otherwise) and whether made before or after this will, where appropriate, include reference to for any breach of contract or other default by
agreement or prior to or during the Sale. Bonhams’ officers, employees and agents. the Seller, unless Bonhams sells the Lot as
principal.
9.4 The Seller will not be liable for any loss of 10.7 The headings used in the Contract for Sale
Business, Business profits or revenue or income are for convenience only and will not affect its 1.5 Our personal obligations to you are governed
or for loss of reputation or for disruption to interpretation. by this agreement and we agree, subject to the
Business or wasted time on the part of the terms below, to the following obligations:
Buyer or of the Buyer’s management or staff 10.8 In the Contract for Sale “including” means
or, for any indirect losses or consequential “including, without limitation”. 1.5.1 we will, until the date and time specified in the
damages of any kind, irrespective in any case Notice to Bidders or otherwise notified to you,
of the nature, volume or source of the loss or 10.9 References to the singular will include reference store the Lot in accordance with paragraph 5;
damage alleged to be suffered, and irrespective to the plural (and vice versa) and reference to
of whether the said loss or damage is caused any one gender will include reference to the 1.5.2 subject to any power of the Seller or us to
by or claimed in respect of any negligence, other genders. refuse to release the Lot to you, we will release
other tort, breach of contract, statutory duty, the Lot to you in accordance with paragraph
restitutionary claim or otherwise; 10.10 Reference to a numbered paragraph is to a 4 once you have paid to us, in cleared funds,
paragraph of the Contract for Sale. everything due to us and the Seller;
9.5 In any circumstances where the Seller is liable to
you in respect of the Lot, or any act, omission, 10.11 Save as expressly provided in paragraph 10.12 1.5.3 we will provide a guarantee in the terms set out
statement, or representation in respect of it, or nothing in the Contract for Sale confers (or in paragraph 9.
this agreement or its performance, and whether purports to confer) on any person who is not
in damages, for an indemnity or contribution a party to the Contract for Sale any benefit 1.6 We do not make or give and do not agree
or for a restitutionary remedy or in any way conferred by, or the right to enforce any term of, to make or give any contractual promise,
whatsoever, the Seller’s liability will be limited to the Contract for Sale. undertaking, obligation, guarantee, warranty,
payment of a sum which will not exceed by way representation of fact in relation to any
of maximum the amount of the Purchase Price 10.12 Where the Contract for Sale confers an Description of the Lot or any Estimate in relation
of the Lot irrespective in any case of the nature, immunity from, and/or an exclusion or restriction to it, nor of the accuracy or completeness of any
volume or source of any loss or damage alleged of, the responsibility and/or liability of the Seller, Description or Estimate which may have been
to be suffered or sum claimed as due, and it will also operate in favour and for the benefit made by us or on our behalf or by or on behalf
irrespective of whether the liability arises from of Bonhams, Bonhams’ holding company and of the Seller (whether made orally or in writing,
any negligence, other tort, breach of contract, the subsidiaries of such holding company and including in the Catalogue or on Bonhams’
statutory duty, bailee’s duty, restitutionary claim the successors and assignees of Bonhams and Website, or by conduct, or otherwise), and
or otherwise. of such companies and of any officer, employee whether made before or after this agreement or
and agent of Bonhams and such companies, prior to or during the Sale. No such Description
9.6 Nothing set out in paragraphs 9.1 to 9.5 above each of whom will be entitled to avail itself of the or Estimate is incorporated into this agreement
will be construed as excluding or restricting same relevant right at law. between you and us. Any such Description or
(whether directly or indirectly)any person’s Estimate, if made by us or on our behalf, was
liability or excluding or restricting any person’s (unless Bonhams itself sells the Lot as principal)
rights or remedies in respect of (i) fraud, or made as agent on behalf of the Seller.
(ii) death or personal injury caused by the

HK/NTB/MAIN/01.16
2 PERFORMANCE OF THE CONTRACT FOR premises storage fees at our current daily rates from time to time to be calculated on a daily basis
SALE (currently a minimum of HK$50 plus Tax per from the date upon which such monies become
You undertake to us personally that you will Lot per day) will be payable from the expiry of payable until the date of actual payment;
observe and comply with all your obligations the period referred to in paragraph 4.2. These
and undertakings to the Seller under the storage fees form part of our Expenses. 7.1.6 to repossess the Lot (or any part thereof) which
Contract for Sale in respect of the Lot. has not become your property, and for this
4.5 Until you have paid the Purchase Price and any purpose you hereby grant an irrevocable licence
3 PAYMENT Expenses in full the Lot will either be held by us to us, by ourselves, our servants or agents, to
3.1 Unless agreed in writing between you and us or as agent on behalf of the Seller or held by the enter upon all or any of your premises (with or
as otherwise set out in the Notice to Bidders, Storage Contractor as agent on behalf of the without vehicles) during normal business hours
you must pay to us by not later than 4.30pm on Seller and ourselves on the terms contained in to take possession of any Lot or part thereof;
the second working day following the Sale: the Storage Contract.
7.1.7 to sell the Lot Without Reserve by auction,
3.1.1 The Purchase Price for the Lot; 4.6 You undertake to comply with the terms of any private treaty or any other means on giving you
Storage Contract and in particular to pay the three months written notice of our intention to
3.1.2 A Buyer’s Premium in accordance with the rates charges (and all costs of moving the Lot into do so;
set out in the Notice to Bidders on each lot, and storage) due under any Storage Contract. You
acknowledge and agree that you will not be able 7.1.8 to retain possession of any of your other
3.1.3 If the Lot is marked [AR], an Additional Premium to collect the Lot from the Storage Contractor’s property in our possession for any purpose
which is calculated and payable in accordance premises until you have paid the Purchase (including, without limitation, other goods sold
with the Notice to Bidders together with VAT on Price, any Expenses and all charges due under to you or with us for sale) until all sums due to
that sum if applicable so that all sums due to us the Storage Contract. us have been paid in full;
are cleared funds by the seventh working day
after the Sale. 4.7 You will be wholly responsible for packing, 7.1.9 to apply any monies received from you for any
handling and transport of the Lot on collection purpose whether at the time of your default
3.2 You must also pay us on demand any Expenses and for complying with all import or export or at any time there after in payment or part
payable pursuant to this agreement. regulations in connection with the Lot. payment of any sums due to us by you under
this agreement;
3.3 All payments to us must be made in the 4.8 You will be wholly responsible for any removal,
currency in which the Sale was conducted, storage, or other charges for any Lot not 7.1.10 on three months’ written notice to sell, Without
using, unless otherwise agreed by us in removed in accordance with paragraph 4.2, Reserve, any of your other property in our
writing, one of the methods of payment set payable at our current rates, and any Expenses possession or under our control for any purpose
out in the Notice to Bidders. Our invoices will we incur (including any charges due under the (including other goods sold to you or with us for
only be addressed to the registered Bidder Storage Contract), all of which must be paid sale) and to apply any monies due to you as a
unless the Bidder is acting as an agent for a by you on demand and in any event before any result of such sale in payment or part payment
named principal and we have approved that collection of the Lot by you or on your behalf. of any amounts owed to us;
arrangement, in which case we will address the 7.1.11 refuse to allow you to register for a future Sale
invoice to the principal. 5 STORING THE LOT or to reject a bid from you at any future Sale or
We agree to store the Lot until the earlier of to require you to pay a deposit before any bid
3.4 Unless otherwise stated in this agreement all your removal of the Lot or until the time and is accepted by us at any future Sale in which
sums payable to us will be subject to the Tax date set out in the Notice to Bidders (or if no case we will be entitled to apply such deposit in
at the appropriate rate and such Tax will be date is specified, by 4.30pm on the seventh payment or part payment, as the case may be,
payable by you on all such sums. day after the Sale) and, subject to paragraphs of the Purchase Price of any Lot of which you
6 and 10, to be responsible as bailee to you are the Buyer.
3.5 We may deduct and retain for our own benefit for damage to or the loss or destruction of the
from the monies paid by you to us the Buyer’s Lot (notwithstanding that it is not your property 7.2 You agree to indemnify us against all legal and
Premium, the Commission payable by the Seller before payment of the Purchase Price). If you other costs, all losses and all other expenses
in respect of the Lot, any Expenses and Tax do not collect the Lot before the time and date (whether or not court proceedings will have
and any interest earned and/or incurred until set out in the Notice to Bidders (or if no date is been issued) incurred by us as a result of our
payment to the Seller. specified, by 4.30pm on the seventh day after taking steps under this paragraph 7 on a full
the Sale) we may remove the Lot to another indemnity basis together with interest thereon
3.6 Time will be of the essence in relation to any location, the details of which will usually be set (after as well as before judgement or order) at
payment payable to us. If you do not pay the out in the Notice to Bidders. If you have not paid the rate specified in paragraph 7.1.5 from the
Purchase Price, or any other sum due to us in for the Lot in accordance with paragraph 3, and date upon which we become liable to pay the
accordance with this paragraph 3, we will have the Lot is moved to any third party’s premises, same until payment by you.
the rights set out in paragraph 7 below. the Lot will be held by such third party strictly
to Bonhams’ order and we will retain our lien 7.3 If you pay us only part of the sums due to us
3.7 Where a number of Lots have been knocked over the Lot until we have been paid in full in such payment shall be applied firstly to the
down to you, any monies we receive from accordance with paragraph 3. Purchase Price of the Lot (or where you have
you will be applied firstly pro-rata to pay the purchased more than one Lot pro-rata towards
Purchase Price of each Lot and secondly pro- 6 RESPONSIBILITY FOR THE LOT the Purchase Price of each Lot) and secondly
rata to pay all amounts due to Bonhams. 6.1 Only on the payment of the Purchase Price to the Buyer’s Premium (or where you have
to us will title in the Lot pass to you. However purchased more than one Lot pro-rata to the
4 COLLECTION OF THE LOT under the Contract for Sale, the risk in the Lot Buyer’s Premium on each Lot) and thirdly to any
4.1 Subject to any power of the Seller or us to passed to you when it was knocked down to other sums due to us.
refuse to release the Lot to you, once you you.
have paid to us, in cleared funds, everything 7.4 We will account to you in respect of any balance
due to the Seller and to us, we will release the 6.2 You are advised to obtain insurance in respect we hold remaining from any monies received by
Lot to you or as you may direct us in writing. of the Lot as soon as possible after the Sale. us in respect of any sale of the Lot under our
The Lot will only be released on production of rights under this paragraph 7 after the payment
a stamped, paid invoice, obtained from our 7 FAILURE TO PAY OR TO REMOVE THE LOT of all sums due to us and/or the Seller within 28
cashier’s office. AND PART PAYMENTS days of receipt by us of all such sums paid to us.
7.1 If all sums payable to us are not so paid in full
4.2 You must collect and remove the Lot at your at the time they are due and/or the Lot is not 8 CLAIMS BY OTHER PERSONS IN RESPECT
own expense by the date and time specified in removed in accordance with this agreement, OF THE LOT
the Notice to Bidders, or if no date is specified we will without further notice to you be entitled 8.1 Whenever it becomes apparent to us that the
by 4.30pm on the seventh day after the Sale. to exercise one or more of the following rights Lot is the subject of a claim by someone other
(without prejudice to any rights we may exercise than you and other than the Seller (or that such
4.3 For the period referred to in paragraph 4.2, the on behalf of the Seller): a claim can reasonably be expected to be
Lot can be collected from the address referred made), we may, at our absolute discretion, deal
to in the Notice to Bidders for collection on 7.1.1 to terminate this agreement immediately for with the Lot in any manner which appears to us
the days and times specified in the Notice to your breach of contract; to recognise the legitimate interests of ourselves
Bidders.Thereafter, the Lot may be removed and the other parties involved and lawfully to
elsewhere for storage and you must enquire 7.1.2 to retain possession of the Lot; protect our position and our legitimate interests.
from us as to when and where you can collect Without prejudice to the generality of the
it, although this information will usually be set 7.1.3 to remove, and/or store the Lot at your discretion and by way of example, we may:
out in the Notice to Bidders. expense;
8.1.1 retain the Lot to investigate any question raised
4.4 If you have not collected the Lot by the date 7.1.4 to take legal proceedings against you for or reasonably expected by us to be raised in
specified in the Notice to Bidders, you authorise payment of any sums payable to us by you relation to the Lot; and/or
us, acting as your agent and on your behalf, to (including the Purchase Price) and/or damages
enter into a contract (the “Storage Contract”) for breach of contract; 8.1.2 deliver the Lot to a person other than you; and/or
with the Storage Contractor for the storage
of the Lot on the then current standard terms 7.1.5 to be paid interest on any monies due to us (after 8.1.3 commence interpleader proceedings or seek
and conditions agreed between Bonhams and as well as before judgement or order) at the annual any other order of any court, mediator, arbitrator
the Storage Contractor (copies of which are rate of 5% per annum above the base lending rate or government body; and/or
available on request). If the Lot is stored at our of Standard Chartered Bank (Hong Kong) Limited

HK/NTB/MAIN/01.16
8.1.4 require an indemnity and/or security from you in or omission in any Description of the Lot or 11.3 If either party to this agreement is prevented from
return for pursuing a course of action agreed to any Entry or Estimate in respect of it, made by performing that party’s respective obligations
by you. us or on our behalf or by or on behalf of the under this agreement by circumstances
Seller (whether made in writing, including in the beyond its reasonable control or if performance
8.2 The discretion referred to in paragraph 8.1: Catalogue, or on the Bonhams’ Website, or of its obligations would by reason of such
orally, or by conduct or otherwise) and whether circumstances give rise to a significantly
8.2.1 may be exercised at any time during which we made before or after this agreement or prior to increased financial cost to it, that party will
have actual or constructive possession of the Lot, or during the Sale. not, for so long as such circumstances prevail,
or at any time after such possession, where the be required to perform such obligations. This
cessation of such possession has occurred by 10.2 Our duty to you while the Lot is at your risk paragraph does not apply to the obligations
reason of any decision, order or ruling of any court, and/or your property and in our custody and/or imposed on you by paragraph 3.
mediator, arbitrator or government body; and control is to exercise reasonable care in relation
to it, but we will not be responsible for damage 11.4 Any notice or other communication to be given
8.2.2 will not be exercised unless we believe that to the Lot or to other persons or things caused under this agreement must be in writing and may
there exists a serious prospect of a good by: be delivered by hand or sent by registered post
arguable case in favour of the claim. or air mail or fax transmission (if to Bonhams
10.2.1 handling the Lot if it was affected at the time marked for the attention of the Company
9 FORGERIES of sale to you by woodworm and any damage Secretary), to the address or fax number of
9.1 We undertake a personal responsibility for any is caused as a result of it being affected by the relevant party given in the Contract Form
Forgery in accordance with the terms of this woodworm; or (unless notice of any change of address is given
paragraph 9. in writing). It is the responsibility of the sender of
9.2 Paragraph 9 applies only if: 10.2.2 changes in atmospheric pressure; nor will we the notice or communication to ensure that it is
be liable for: received in a legible form within any applicable
9.2.1 your name appears as the named person to 10.2.3 damage to tension stringed musical time period.
whom the original invoice was made out by us instruments; or
in respect of the Lot and that invoice has been 11.5 If any term or any part of any term of this
paid; and 10.2.4 damage to gilded picture frames, plaster picture agreement is held to be unenforceable or invalid,
frames or picture frame glass; and if the Lot is such unenforceability or invalidity will not affect
9.2.2 you notify us in writing as soon as reasonably or becomes dangerous, we may dispose of it the enforceability and validity of the remaining
practicable after you have become aware that without notice to you in advance in any manner terms or the remainder of the relevant term.
the Lot is or may be a Forgery, and in any event we think fit and we will be under no liability to
within one year after the Sale, that the Lot is a you for doing so. 11.6 References in this agreement to Bonhams
Forgery; and will, where appropriate, include reference to
10.3 We will not be liable to you for any loss of Bonhams’ officers, employees and agents.
9.2.3 within one month after such notification has Business, Business profits, revenue or income
been given, you return the Lot to us in the same or for loss of Business reputation or for disruption 11.7 The headings used in this agreement are
condition as it was at the time of the Sale, to Business or wasted time on the part of the for convenience only and will not affect its
accompanied by written evidence that the Lot Buyer’s management or staff or, if you are buying interpretation.
is a Forgery and details of the Sale and Lot the Lot in the course of a Business, for any 11.8 In this agreement “including” means “including,
number sufficient to identify the Lot. indirect losses or consequential damages of without limitation”.
any kind, irrespective in any case of the nature,
9.3 Paragraph 9 will not apply in respect of a volume or source of the loss or damage alleged 11.9 References to the singular will include reference
Forgery if: to be suffered, and irrespective of whether the to the plural (and vice versa) and reference to any
said loss or damage is caused by or claimed one gender will include reference to the other
9.3.1 the Entry in relation to the Lot contained in in respect of any negligence, other tort, breach genders.
the Catalogue reflected the then accepted of contract, statutory duty, bailee’s duty, a
general opinion of scholars and experts or restitutionary claim or otherwise. 11.10 Reference to a numbered paragraph is to a
fairly indicated that there was a conflict of such paragraph of this agreement.
opinion or reflected the then current opinion of 10.4 In any circumstances where we are liable to
an expert acknowledged to be a leading expert you in respect of a Lot, or any act, omission, 11.11 Save as expressly provided in paragraph 11.12
in the relevant field; or statement, representation in respect of it, or nothing in this agreement confers (or purports to
this agreement or its performance, and whether confer) on any person who is not a party to this
9.3.2 it can be established that the Lot is a Forgery damages, for an indemnity or contribution or for agreement any benefit conferred by, or the right
only by means of a process not generally a restitutionary remedy or in any way whatsoever, to enforce any term of, this agreement.
accepted for use until after the date on which our liability will be limited to payment of a sum
the Catalogue was published or by means of which will not exceed by way of maximum the 11.12 Where this agreement confers an immunity
a process which it was unreasonable in all the amount of the Purchase Price of the Lot plus from, and/or an exclusion or restriction of, the
circumstances for us to have employed. Buyer’s Premium (less any sum you maybe responsibility and/or liability of Bonhams, it will also
entitled to recover from the Seller) irrespective operate in favour and for the benefit of Bonhams’
9.4 You authorise us to carry out such processes in any case of the nature, volume or source of holding company and the subsidiaries of such
and tests on the Lot as we in our absolute any loss or damage alleged to be suffered or holding company and the successors and assigns
discretion consider necessary to satisfy sum claimed as due, and irrespective of whether of Bonhams and of such companies and of any
ourselves that the Lot is or is not a Forgery. the liability arises from negligence, other tort, officer, employee and agent of Bonhams and such
breach of contract, statutory duty, bailee’s duty, a companies, each of whom will be entitled to avail
9.5 If we are satisfied that a Lot is a Forgery we will restitutionary claim or otherwise. itself of the same relevant right at law.
(as principal) purchase the Lot from you and
you will transfer the title to the Lot in question You may wish to protect yourself against loss by 12 GOVERNING LAW
to us, with full title guarantee, free from any obtaining insurance. 12.1 Law
liens, charges, encumbrances and adverse
claims, in accordance with the provisions of 10.5 Nothing set out above will be construed as All transactions to which this agreement applies
Sections 14(1) (a) and 14(1)(b) of the Sale of excluding or restricting (whether directly or and all connected matters will be governed by
Goods Ordinance (Chapter 26 of the Laws of indirectly) any person’s liability or excluding and construed in accordance with the laws of
Hong Kong) and we will pay to you an amount restricting any person’s rights or remedies in Hong Kong. Bonhams has a disputes procedure
equal to the sum of the Purchase Price, Buyer’s respect of (i) fraud, or (ii) death or personal in place.
Premium, Tax and Expenses paid by you in injury caused by our negligence (or any person
respect of the Lot. under our control or for whom we are legally 12.2 Language
responsible), or (iii) acts or omissions for which
9.6 The benefit of paragraph 9 is personal to, and we are liable under the Occupiers Liability The Buyer’s Agreement is published in both
incapable of assignment by, you. Ordinance (Chapter 314 of the Laws of Hong Chinese and English. If there is any dispute in its
Kong) , or (iv) any other liability to the extent the interpretation, the English version will prevail.
9.7 If you sell or otherwise dispose of your interest same may not be excluded or restricted as a
in the Lot, all rights and benefits under this matter of law, or (v) under our undertaking in DATA PROTECTION - USE OF YOUR INFORMATION
paragraph will cease. paragraph 9 of these conditions. As a result of the services provided by us, we obtain personal
data about you (which expression for the purposes of this
9.8 Paragraph 9 does not apply to a Lot made up 11 MISCELLANEOUS paragraph only includes your employees and officers, if
of or including a Chinese painting or Chinese 11.1 You may not assign either the benefit or burden relevant). You agree to our use of it as follows.
paintings, a motor vehicle or motor vehicles, a of this agreement.
Stamp or Stamps or a Book or Books. We may use your data to notify you about changes to our
11.2 Our failure or delay in enforcing or exercising services and to provide you with information about products
10 OUR LIABILITY any power or right under this agreement will not or services that you request from us or which we feel may
10.1 We will not be liable whether in negligence, operate or be deemed to operate as a waiver be of interest to you. Data about you may be analysed to
other tort, breach of contract or statutory duty of our rights under it except to the extent of any identify your potential preferences for these purposes. We
or in restitution or under the Misrepresentation express waiver given to you in writing. Any such may disclose your data to any member of our group (which
Ordinance (Chapter 284 of the Laws of Hong waiver will not affect our ability subsequently to means our subsidiaries, our ultimate holding company and
Kong) or in any other way for lack of conformity enforce any right arising under this agreement. its subsidiaries as defined in section 1159 and schedule 6 of
with or any inaccuracy, error, misdescription the Companies Act 2006, including any overseas subsidiary).

HK/NTB/MAIN/01.16
Subject to this, we will not disclose your data to any third party Lot for sale, storage charges, removal charges or costs of levies or other assessments.
but we may from time to time provide you with information collection from the Seller as the Seller’s agents or from a “Terrorism” means any act or threatened act of terrorism,
about goods and services provided by third parties which we defaulting Buyer, plus Tax. whether any person is acting alone or on behalf of or in
feel may be of interest to you. Any member of our group may “Forgery” an imitation intended by the maker or any other connection with any organisation(s) and/or government(s),
use your data for similar purposes. person to deceive as to authorship, attribution, origin, committed for political, religious or ideological or similar
authenticity, style, date, age, period, provenance, culture, purposes including, but not limited to, the intention to
We will keep your data for a period of five years from the source or composition, which at the date of the Sale had influence any government and/or put the public or any
date of your last contact with us so as to simplify any future a value materially less than it would have had if the Lot section of the public into fear.
registration. The data may be transferred to and stored outside had not been such an imitation, and which is not stated to “Trust Account” the bank account of Bonhams into which all
Hong Kong and you agree to this transfer. be such an imitation in any description of the Lot. A Lot relevant sums received in respect of the Purchase Price of any
will not be a Forgery by reason of any damage to, and/or Lot will be paid, such account to be a distinct and separate
You have the right to request us not to use your information for restoration and/or modification work (including repainting or account to Bonhams’ normal business bank account.
these purposes by contacting Bonhams (Hong Kong) Limited over painting) having been carried out on the Lot, where that “Website” Bonhams website at www.bonhams.com.
at Montpelier Galleries, Montpelier Street, London, SW7 1HH, damage, restoration or modification work (as the case may “Withdrawal Notice” the Seller’s written notice to Bonhams
United Kingdom (which for the purpose of the Personal Data be) does not substantially affect the identity of the Lot as one revoking Bonhams’ instructions to sell a Lot.
(Privacy) Ordinance (Chapter 486 of the Laws of Hong Kong) is conforming to the description of the Lot. “Without Reserve” where there is no minimum price at which
the data user) or by e-mail at client.services@ bonhams.com. “Guarantee” the obligation undertaken personally by a Lot may be sold (whether at auction or by private treaty).
Bonhams to the Buyer in respect of any Forgery and, in the
APPENDIX 3 case of specialist Stamp Sales and/or specialist Book Sales, GLOSSARY
a Lot made up of a Stamp or Stamps or a Book or Books as The following expressions have specific legal meanings with
DEFINITIONS and GLOSSARY set out in the Buyer’s Agreement. which you may not be familiar. The following glossary is
Where these Definitions and Glossary are incorporated, the “Hammer Price” the price in the currency in which the intended to give you an understanding of those expressions
following words and phrases used have (unless the context Sale is conducted at which a Lot is knocked down by the but is not intended to limit their legal meanings:-
otherwise requires) the meanings given to them below. The Auctioneer.
Glossary is to assist you to understand words and phrases “Hong Kong” the Hong Kong Special Administrative Region “artist’s resale right”: the right of the creator of a work of
which have a specific legal meaning with which you may not of the People’s Republic of China. art to receive a payment on sales of that work subsequent to
be familiar. “Loss and Damage Warranty” means the warranty the original sale of that work by the creator of it as set out in
LIST OF DEFINITIONS described in paragraph 8.2.1 of the Conditions of Business. the Artists Resale Right Regulations 2006.
“Additional Premium” a premium, calculated in accordance “Loss and Damage Warranty Fee” means the fee “bailee”: a person to whom goods are entrusted.
with the Notice to Bidders, to cover Bonhams’ expenses described in paragraph 8.2.3 of the Conditions of Business. “indemnity”: an obligation to put the person who has
relating to the payment of royalties under the Artists Resale “Lot” any item consigned to Bonhams with a view to its sale the benefit of the indemnity in the same position in which
Right Regulations 2006 which is payable by the Buyer to at auction or by private treaty (and reference to any Lot will he would have been, had the circumstances giving rise to
Bonhams on any Lot marked [AR] which sells for a Hammer include, unless the context otherwise requires, reference to the indemnity not arisen and the expression “indemnify” is
Price which together with the Buyer’s Premium (but excluding individual items comprised in a group of two or more items construed accordingly.
any VAT) equals or exceeds 1000 euros (converted into offered for sale as one lot). “interpleader proceedings”: proceedings in the Courts to
the currency of the Sale using the European Central Bank “Motoring Catalogue Fee” a fee payable by the Seller to determine ownership or rights over a Lot.
Reference rate prevailing on the date of the Sale). Bonhams in consideration of the additional work undertaken “knocked down”: when a Lot is sold to a Bidder, indicated
“Auctioneer” the representative of Bonhams conducting the by Bonhams in respect of the cataloguing of motor vehicles by the fall of the hammer at the Sale.
Sale. and in respect of the promotion of sales of motor vehicles. “lien”: a right for the person who has possession of the Lot
“Bidder” a person who has completed a Bidding Form. “New Bond Street” means Bonhams’ saleroom at 101 New to retain possession of it.
“Bidding Form” our Bidder Registration Form, our Absentee Bond Street, London W1S 1SR. “risk”: the possibility that a Lot may be lost, damaged,
and Telephone Bidding Form. “Notional Charges” the amount of Commission and Tax destroyed, stolen, or deteriorate in condition or value.
“Bonhams” Bonhams (Hong Kong) Limited or its successors which would have been payable if the Lot had been sold at “title”: the legal and equitable right to the ownership of a Lot.
or assigns. Bonhams is also referred to in the Buyer’s the Notional Price. “tort”: a legal wrong done to someone to whom the wrong
Agreement, the Conditions of Business and the Notice to “Notional Fee” the sum on which the Consignment Fee doer has a duty of care.
Bidders by the words “we”, “us” and “our”. payable to Bonhams by the Seller is based and which is
“Book” a printed book offered for sale at a specialist book calculated according to the formula set out in the Conditions
sale. of Business. SALE OF GOODS ORDINANCE (Chapter 26 of the Laws
“Business” includes any trade, business and profession. “Notional Price” the latest in time of the average of the of Hong Kong)
“Buyer” the person to whom a Lot is knocked down by the high and low estimates given by us to you or stated in the The following is an extract from the Sale of Goods Ordinance
Auctioneer. The Buyer is also referred to in the Contract of Catalogue or, if no such estimates have been given or stated, (Chapter 26 of the Laws of Hong Kong):
Sale and the Buyer’s Agreement by the words “you” and the Reserve applicable to the Lot.
“your”. “Notice to Bidders” the notice printed at the front of our “Section 14 Implied undertaking as to title etc.
“Buyer’s Agreement” the contract entered into by Catalogues.
Bonhams with the Buyer (see Appendix 2 in the Catalogue). “Purchase Price” the aggregate of the Hammer Price and (1) In every contract of sale, other than one to
“Buyer’s Premium” the sum calculated on the Hammer Tax which subsection (2) applies, there is-
Price at the rates stated in the Notice to Bidders. on the Hammer Price. (where applicable) the Buyer’s
“Catalogue” the catalogue relating to the relevant Sale, Premium (a) an implied condition on the part of the seller
including any representation of the catalogue published on and VAT on the Buyer’s Premium and any Expenses. that in the case of the sale, he has a right to sell
our Website. “Reserve” the minimum price at which a Lot may be sold the goods, and in the case of an agreement to
“Commission” the commission payable by the Seller to (whether at auction or by private treaty). sell, he will have a right to sell the goods at the
Bonhams calculated at the rates stated in the Contract Form. “Sale” the auction sale at which a Lot is to be offered for time when the property is to pass; and
“Condition Report” a report on the physical condition of a sale by Bonhams.
Lot provided to a Bidder or potential Bidder by Bonhams on “Sale Proceeds” the net amount due to the Seller from the (b) an implied warranty that the goods are
behalf of the Seller. sale of a Lot, being the Hammer Price less the Commission, free, and will remain free until the time when
“Consignment Fee” a fee payable to Bonhams by the Seller any Tax chargeable thereon, Expenses and any other amount the property is to pass, from any charge or
calculated at rates set out in the Conditions of Business. due to us in whatever capacity and howsoever arising. encumbrance not disclosed or known to the
“Contract Form” the contract form, or vehicle entry form, “Seller” the person who offers the Lot for sale named on buyer before the contract is made and that the
as applicable, signed by or on behalf of the Seller listing the the Contract Form. Where the person so named identifies on buyer will enjoy quiet possession of the goods
Lots to be offered for sale by Bonhams. the form another person as acting as his agent, or where the except so far as it may be disturbed by the owner
“Contract for Sale” the sale contract entered into by the person named on the Contract Form acts as an agent for a or other person entitled to the benefit of any
Seller with the Buyer (see Appendix 1 in the Catalogue). principal (whether such agency is disclosed to Bonhams or charge or encumbrance so disclosed or known.
“Contractual Description” the only description of the Lot not), “Seller” includes both the agent and the principal who
(being that part of the Entry about the Lot in the Catalogue shall be jointly and severally liable as such. The Seller is also (2) In a contract of sale, in the case of which there
which is in bold letters, any photograph (except for the colour) referred to in the Conditions of Business by the words “you” appears from the contract or is to be inferred
and the contents of any Condition Report) to which the Seller and “your”. from the circumstances of the contract an
undertakes in the Contract of Sale the Lot corresponds. “Specialist Examination” a visual examination of a Lot by a intention that the seller should transfer only such
“Description” any statement or representation in any specialist on the Lot. title as he or a third person may have, there is-
way descriptive of the Lot, including any statement or “Stamp” means a postage stamp offered for sale at a
representation relating to its authorship, attribution, condition, Specialist Stamp sale. (a) an implied warranty that all charges or
provenance, authenticity, style, period, age, suitability, quality, “Standard Examination” a visual examination of a Lot by a encumbrances known to the seller and not
origin, value, estimated selling price (including the Hammer non-specialist member of Bonhams’ staff. known to the buyer have been disclosed to the
Price). “Storage Contract” means the contract described in buyer before the contract is made; and
“Entry” a written statement in the Catalogue identifying the paragraph 8.3.3 of the Conditions of Business or paragraph
Lot and its lot number which may contain a description and 4.4 of the Buyer’s Agreement (as appropriate). (b) an implied warranty that neither-
illustration(s) relating to the Lot. “Storage Contractor” means the company identified as (i) the seller; nor
“Estimate” a statement of our opinion of the range within such in the Catalogue. (ii) in a case where the parties to the contract
which the hammer is likely to fall. “Tax” means all taxes, charges, duties, imposts, fees, levies intend that the seller should transfer only
“Expenses” charges and expenses paid or payable by or other assessments, and all estimated payments thereof, such title as a third person may have, that
Bonhams in respect of the Lot including legal expenses, including without limitation income, business profits, branch person; nor
banking charges and expenses incurred as a result of profits, excise, property, sales, use, value added (VAT), (iii) anyone claiming through or under the
an electronic transfer of money, charges and expenses environmental, franchise, customs, import, payroll, transfer, seller or that third person otherwise than
for insurance, catalogue and other reproductions and gross receipts, withholding, social security, unemployment under a charge or encumbrance disclosed
illustrations, any customs duties, advertising, packing or taxes, as well as stamp duties and other costs, imposed by or known to the buyer before the contract
shipping costs, reproductions rights’ fees, Taxes, levies, the Hong Kong government applicable from time to time and is made, will disturb the buyer’s quiet
costs of testing, searches or enquiries, preparation of the any interest and penalty relating to such taxes, charges, fees, possession of the goods.

HK/NTB/MAIN/01.16
競投人通告 任何人士損毀拍賣品須承擔所導致的損失。 本公司亦保留權利,可全權酌情拒絕任何人士進入
本公司物業或任何拍賣會,而無須提出理由。本公
本通告乃由邦瀚斯致任何可能對拍賣品有興趣的人 3. 拍賣品的說明及成交價估計 司可全權決定銷售所得款項、任何拍賣品是否包括
士,包括競投人或潛在競投人(包括拍賣品的任何 於拍賣會、拍賣會進行的方式,以及本公司可以按
最終買家)。為便於提述,本文稱該等人士為「競 拍賣品的合約說明 我們選擇的任何次序進行拍賣,而不論圖錄內所
投人」或「閣下」。 載的拍賣品編號。因此,閣下應查核拍賣會的日期
圖錄內載有每項拍賣品的資料。賣家僅按資料內以 及開始時間,是否有拍賣品撤銷或有新加入的拍賣
本競投人通告 附有釋義及詞彙。該等釋義及詞彙載 粗體刊載的部份以及(除顏色外,該等顏色可能未 品。請注意有拍賣品撤銷或新加入均可能影響閣下
於圖錄後的附錄三內,釋義內所收錄的詞語及用詞 有準確重現拍賣品的顏色)圖錄內所載的任何照 對其有興趣的拍賣品的拍賣時間。
在本文內以斜體刊載。 片,向買家相應出售每項拍賣品。資料內其餘並非
以粗體刊載的部份,僅為邦瀚斯代表賣家就拍賣品 本公司可全權決定拒絕任何出價,採用我們認為適
重要事項﹕有關拍賣會的額外資料可載於拍賣會的 提供的意見,並不構成合約說明一部份,而賣家乃 合的出價增幅,將任何拍賣品分開拍賣,將兩項或
圖錄、圖錄的插頁及/或於拍賣會場地展示的通 根據合約說明出售拍賣品。 以上拍賣品合併拍賣,撤銷於某個拍賣會上拍賣
告,閣下亦須參閱該等資料。本公司亦可於拍賣會 的任何拍賣品,以及於有爭議時將任何拍賣品重
前或於拍賣會上以口頭形式發出會影響拍賣會的公 成交價估計 新拍賣。
佈,而毋須事先給予書面通知。閣下須注意此等可
能變動的情況,並於競投前查詢是否有任何變動。 在大部份情況下,成交價估計會刊載於資料旁邊。 拍賣速度可超過每小時100項拍賣品,而出價增幅
成交價估計僅為邦瀚斯代表賣家表達的意見,而邦 一般約為10%。然而,這些都可因不同的拍賣會及
1. 本公司的角色 瀚斯認為拍賣品相當可能會以該價成交;成交價估 拍賣人而有所不同,請向主辦拍賣會的部門查詢這
計並非對價值的估計。成交價估計並無計及任何應 方面的意見。
作為拍賣品的拍賣人,邦瀚斯 純粹代賣家及為賣家 付稅項或買家費用。拍賣品實際成交價可能低於或
的權益行事。邦瀚斯 的職責為於拍賣會以可從競投 高於成交價估計。閣下不應依賴任何成交價估計為 倘若拍賣品有底價,拍賣人可按其絕對酌情權代表
人取得的最高價格出售拍賣品。邦瀚斯 並非以這角 拍賣品實際售價或價值的指標。 賣家出價(直至金額不等於或超過該底價為止)。
色為買家或競投人行事,亦不向買家或競投人提供 本公司不會就任何拍賣品設有底價或不設底價而向
意見。邦瀚斯 或其職員就拍賣品作出陳述或若邦瀚 成交價估計採用拍賣會所用的貨幣單位。 閣下負責。
斯提供有關拍賣品的狀況報告時,邦瀚斯 或其職員
乃代表賣家行事。本公司強烈建議本身並非有關拍 狀況報告 倘若設有底價,並假設底價所用的貨幣單位對成交
賣品之專家的買家或競投人須於競投前尋求並取得 價估計所用貨幣單位的匯率並無出現不利變動,底
有關拍賣品及其價值的獨立意見。 就大部份拍賣品而言,閣下可要求邦瀚斯提供拍賣 價通常不會高於圖錄所載的任何最低成交價估計。
品的狀況報告。若閣下提出該要求,則邦瀚斯會免
賣家已授權邦瀚斯 作為其代理及其代表出售拍賣 費代賣家提供該報告。邦瀚斯 並無就該狀況報告與 任何拍賣品的買家為出價最高者(在符合任何適用
品,除非本公司明確表示並非如此,邦瀚斯 僅作為 閣下訂立合約,因此,邦瀚斯並不就該報告向閣下 的底價的情況下)並為拍賣人以敲打拍賣人槌子形
賣家的代理行事。除非邦瀚斯 作為主事人出售拍賣 承擔責任。對此份供閣下本身或閣下所指示專家查 式接納其出價的競投人。任何有關最高可接受出價
品,本公司就拍賣品所作的任何陳述或申述均為代 閱的免費報告,賣家向閣下作為競投人亦不承擔或 的爭議由拍賣人以絕對酌情權決定。
表賣家作出而非代表本公司作出,而任何銷售合約 並無同意承擔任何義務或責任。然而,狀況報告內
乃買家與賣家訂立而非與本公司訂立。倘若邦瀚斯 有關拍賣品的書面說明構成拍賣品的合約說明一部 所有競投出價須就拍賣人宣佈的實際拍賣品編號
作為主事人出售拍賣品,本公司會就此情況於圖錄 份,賣家乃根據合約說明向買家出售拍賣品。 作出。
內說明或由拍賣人作出公佈,或於拍賣會的通告或
圖錄的插頁說明。 賣家對閣下的責任 拍賣會上可能會使用電子貨幣換算機。該設備乃為
採用若干貨幣的出價而提供與其相等幣值的一般指
邦瀚斯 毋須對閣下承擔亦概無向閣下承諾或同意 就賣家或其代表所作出以任何形式說明拍賣品或有 引,本公司不會就使用該等貨幣換算機的任何錯誤
任何合約或侵權法下的義務或責任(不論直接、間 關拍賣品預測售價或可能售價的任何陳述或申述的 而負責。
接、明示、暗示或以其他方式)。在閣下成功投得 準確性或完備性,賣家並無或並無同意作出任何事
並購買拍賣品時,邦瀚斯 會在其時與買家訂立協 實陳述或合約承諾、擔保或保證,亦不就其承擔不 本公司謹此知會閣下,本公司可能為保安理由以及
議,該合約的條款載於買家協議,除非該等條款已 論合約或侵權法上的任何義務或責任(除對上述對 協助解決拍賣會上可能在出價方面產生的任何爭
於拍賣會前及/或於拍賣會上以口頭公佈形式被修 最終買家的責任除外)。除以上所述外,以任何形 議,而以攝錄機錄影拍賣會作為記錄及可能將電話
訂,閣下可於圖錄後的附錄二查閱該協議。邦瀚斯 式說明拍賣品或任何成交價估計的陳述或申述概不 內容錄音。
與買家的關係受該協議所規管。 納入賣家與買家訂立的任何銷售合約內。
在某些例如拍賣珠寶的拍賣會,我們或會在銀幕上
2. 拍賣品 邦瀚斯 對閣下的責任 投射拍賣品的影像,此服務乃為便於在拍賣會上觀
看。銀幕上的影像只應視為顯示當時正進行拍賣的
在圖錄內有關拍賣品的資料內以粗體刊載的合約說 如閣下擬查看拍賣品,閣下會獲得有關安排。有關 拍賣品,閣下須注意,所有競投出價均與拍賣人實
明所規限下(見下文第3段),拍賣品乃以其「現 拍賣品的銷售合約乃與賣家訂立而非邦瀚斯;邦瀚 際宣佈的拍賣品編號有關,本公司不會就使用該等
況」售予買家,附有各種瑕疵及缺點。在圖錄內並 斯 僅作為賣家的代理行事(邦瀚斯作為主事人出售 銀幕的任何錯誤而負責。
無就拍賣品的任何瑕疵、損壞或修復提供指引。請 拍賣品除外)。
參考第15段。 5. 競投
邦瀚斯 概不向閣下承擔任何對於每件拍賣品進行查
圖錄內或其他地方有關任何拍賣品的插圖及照片 驗、調查或任何測試(足夠深入或完全不進行), 參加競投的任何人士,必須於拍賣會前填妥並交回
(屬合約說明一部份的照片除外)僅供識別之用, 以確定邦瀚斯或代表邦瀚斯的任何人士在圖錄內或 本公司的競投表格,競投人登記表格或缺席者及電
可能並不反映拍賣品的真實狀況,照片或插圖亦可 其他地方作出的任何說明或意見的準確性或其他 話競投表格),否則本公司不會接受其出價。本公
能未有準確重現拍賣品的顏色。 的責任。 司可要求閣下提供有關身份、住址、財務資料及介
紹人的證明,閣下必須應本公司要求提供該等證
拍賣品於拍賣會前可供查看,閣下須自行了解拍賣 閣下不應假定已經進行該等查驗、調查或測試。 明,否則本公司不會接受閣下出價。請攜帶護照、
品的每個和各個方面,包括作者、屬性、狀況、出 香港身份證(或附有照片的類似身份證明文件)及
處、歷史、背景、真實性、風格、時期、年代、適 就邦瀚斯 或其代表所作出以任何形式說明拍賣品或 扣賬卡或信用卡出席拍賣會。本公司可要求閣下交
合性、品質、駕駛性能(如適用)、來源地、價值 有關拍賣品預測售價或可能售價的任何陳述或申述 付保證金,方接受競投。
及估計售價(包括成交價)。對閣下有興趣的任何 的準確性或完備性,邦瀚斯 並無或並無同意作出任
拍賣品進行審查乃閣下的責任。 何事實陳述,亦不就其承擔任何(不論合約或侵權 即使已填妥競投表格,本公司仍有權拒絕任何人士
法上的)義務或責任。 進入拍賣會。
敬須注意拍賣品的實際狀況可能不及其外觀所顯示
的狀況。尤其是可能有部件已置換或更新,拍賣品 邦瀚斯 或其代表以任何形式說明拍賣品或任何成交 親自出席競投
亦可能並非真品或具有滿意品質;拍賣品的內部可 價估計的陳述或申述概不納入買家協議內。
能無法查看,而其可能並非原物或有損壞,例如為 閣下須於拍賣會舉行當日(或,如可以,之前)前
襯裡或物料所覆蓋。鑑於很多拍賣品出品年代久 修改邦瀚斯可於拍賣會前或於拍賣會上以口頭或書 往拍賣會的競投人登記櫃檯填寫競投人登記表格。
遠,故可能有損毀及/或經過修理,閣下不應假設 面形式給予通知下,不時按邦瀚斯的酌情權決定修 所採用的競投編號制度可稱為「舉牌競投」。閣下
拍賣品狀況良好。 改說明及成交價估計。 會獲發一個註有號碼的大型牌子(「號牌」),以
便閣下於拍賣會競投。要成功投得拍賣品,閣下須
電子或機械部件或會不能操作或並不符合現時的法 拍賣品可供查看,而閣下必須自行對拍賣品作出判 確保拍賣人可看到閣下號牌的號碼,該號碼會用作
定要求。閣下不應假設其設計為使用主電源的電器 斷。本公司強烈建議閣下於拍賣會前親自或委託他 識別閣下為買家。由於所有拍賣品均會按照競投人
物品乃適合接上主電源,閣下應在得到合格電工報 人代閣下查看拍賣品。 登記表格所載的姓名及地址發出發票,故閣下不應
告其適合使用主電源後,方可將其接上主電源。不 將號牌轉交任何其他人士使用。發票一經發出後將
適合接上電源的物品乃僅作為擺設物品出售。 4. 拍賣會的規則 不予更改。

若閣下對拍賣品並無專業知識,則應諮詢有該等知 本公司舉行的拍賣會為公開拍賣,各界人士均可參 若對於成交價或閣下是否成功投得某項拍賣品有


識人士的意見。本公司可協助閣下安排進行(或已 加,閣下亦應把握其機會。 任何疑問,閣下必須於下一項拍賣品競投前向拍
進行)更詳細的查驗。詳情請向本公司職員查詢。 賣人提出。拍賣人的決定得視為最終及不可推翻
的決定。
拍賣會結束後,或閣下完成競投後,請把號牌交回 7. 買家費用及買家須支付的其他收費 10. 領取及儲存
競投人登記櫃檯。
根據買家協議,買家須按照買家協議條款及下文所 拍賣品的買家須待全數以已結清款項付款後,方可
電話競投 列的費率向本公司支付費用(買家費用),該費用 領取拍賣品(本公司與買家另有安排除外)。有關
按成交價計算,並為成交價以外的收費。買家亦須 領取拍賣品、儲存拍賣品以及本公司的儲存承辦商
若閣下擬用電話於拍賣會競投,請填妥缺席者及電 按照買家協議的規定支付儲存收費的開支。 詳情載於圖錄後的附錄二之買家協議。
話競投表格,該表格可於本公司辦事處索取或附於
圖錄內。請於拍賣會舉行前最少24小時把該表格交 買家須就本次拍賣會所購買的每件拍賣品按以下費 11. 運輸
回負責有關拍賣會的辦事處。閣下須負責查核本公 率支付買家費用:
司的競投辦事處是否已收到閣下的出價。電話內容 成交價首800,000港元的25% 有關這方面的問題,請向本公司負責拍賣會的客戶
可能被錄音。電話競投辦法為一項視情況酌情提供 成交價800,001港元或以上部分的20% 服務部門查詢。
的服務,並非所有拍賣品均可採用。若於拍賣會舉 成交價15,000,001港元或以上部分的12%
行時無法聯絡閣下,或競投時電話接駁受到干擾, 12. 出口/貿易限制
本公司不會負責代表閣下競投。有關進一步詳情請 8. 稅項
與我們聯絡。 閣下須單獨承擔符合與閣下購買拍賣品有關的香港
買家支付的成交價及買家費用並不包括任何商品或 所有出口及從海外進口的規例以及取得有關出口
以郵遞或傳真方式競投 服務稅或其他稅項(不論香港或其他地方是否徵收 及/或進口許可證的責任。
該等稅項)。若根據香港法例或任何其他法例而須
缺席者及電話競投表格載於本圖錄後,閣下須填妥 繳納該等稅項,買家須單獨負責按有關法例規定的 各國對發出進出口許可證有不同的規定,閣下應了
該表格並送交負責有關拍賣會的辦事處。由於在有 稅率及時間繳付該等稅項,或如該等稅項須由本公 解所有有關的當地規定及條文。
兩個或以上競投人就拍賣品遞交相同出價時,會優 司繳付,則本公司可把該等稅項加於買家須支付
先接受最先收到的出價,因此,為閣下的利益起 的買價。 倘若閣下未能或延誤取得該等許可證,閣下不可撤
見,應盡早交回表格。無論如何,所有出價最遲須 銷任何銷售,亦不容許閣下延遲全數支付拍賣品。
於拍賣會開始前24小時收到。請於交回閣下的缺 9. 付款
席者及電話競投表格前,仔細檢查該表格是否已填 13. 瀕危野生動植物種國際貿易公約(「CITES」)
妥並已由閣下簽署。閣下須負責查核本公司的競投 於出價競投拍賣品前,閣下必須確保擁有可動用資
辦事處是否已收到閣下的出價。此項額外服務屬免 金,以向本公司全數支付買價及買家費用(加稅項 建議買家在需要從香港出口任何貨物到進口地時,
費及保密性質。閣下須承擔作出該等出價的風險, 及任何其他收費及開支)。若閣下為成功競投人, 了解適用的香港出口及海外進口規例。買家亦須注
本公司不會就未能收到及/或代為出價而承擔任何 閣下須於拍賣會後第二個工作日下午四時三十分前 意,除非取得香港漁農自然護理署發出的CITES出
責任。所有代閣下作出的出價會以盡可能最低的價 向本公司付款,以便所有款項於拍賣會後第七個工 口證,香港禁止出口任何以象牙、鯨魚骨、龜甲、
格作出,惟須受拍賣品的底價及其他出價的規限。 作日前已結清。閣下須以下列其中一種方法付款 犀牛角、珊瑚及其他受限制物品所做成的物品或包
在適當時,閣下的出價會下調至最接近之金額,以 (所有支票須以Bonhams (Hong Kong) Limited)。 含該等原素的物品。辦理該等出口證可能需時八
符合拍賣人指定的出價增幅。新競投人在遞交出 邦瀚斯保留於任何時間更改付款條款的權利。除非 個星期。
價時須提供身份證明,否則可導致閣下的出價不 本公司事先同意,由登記買家以外的任何人士付款
予受理。 概不接受。 請注意在圖錄內拍賣品編號旁附有Y的拍賣品包含
一個或多個上述的限制物品。但沒有附有Y字母
網上競投 由一家銀行的香港分行付款的私人港元支票:須待 的,並不自動地表示拍賣品不受CITES規例所限。
支票結清後,閣下方可領取拍賣品。 本公司建議買家在出價前從有關監管機構取得關於
有關如何在網上競投的詳情,請瀏覽本公司網站 進出口管制的資料、規定及費用。
http://www.bonhams.com。 銀行匯票/本票:如閣下可提供適當身份證明,而
這些資金源自您自己的帳戶,且本公司信納該匯票 14. 賣家及/或邦瀚斯的責任
透過代理人競投 屬真實,本公司可容許閣下即時領取拍賣品;
除根據銷售合約賣家須對買家承擔的責任外,本公
本公司會接受代表競投表格所示主事人作出的出 司或賣家(不論是疏忽或其他)概不對拍賣品說明
價,惟本公司有權拒絕代表主事人的代理作出的出 現金:如所購得的拍賣品總值不超過HK$80,000, 或拍賣品的成交價估計的任何錯誤或錯誤說明或遺
價,並可能要求主事人以書面形式確認代理獲授權 閣下可以鈔票、錢幣為這次拍賣會上所購得的拍賣 漏負責,而不論其是載於圖錄內或其他,亦不論是
出價。儘管如此,正如競投表格所述,任何作為他 品付款。如所購得的拍賣品總值超過HK$80,000 於拍賣會上或之前以口頭或書面形式作出。本公
人代理的人士(不論他是否已披露其為代理或其主 ,HK$80,000以外的金額,敬請閣下使用鈔票、錢 司或賣家亦不就任何業務、利潤、收益或收入上的
事人的身份),須就其獲接納的出價而根據因此 幣以外的方式付款; 損失,或聲譽受損,或業務受干擾或管理層或職工
而產生的合約與主事人共同及個別向賣家及邦瀚 浪費時間,或任何種類的間接損失或相應產生的損
斯負責。 害而承擔任何責任,而在任何情況下均不論指稱所
銀行匯款:閣下可把款項電匯至本公司的信託帳 蒙受損失或損害賠償的性質、數量或來源,亦不論
在上文規限下,倘若閣下是代表他人於拍賣會競投 戶。請註明閣下的號牌編號及發票號碼作為參考。 該等損失或損害賠償是否由於任何疏忽、其他侵權
拍賣品,請知會本公司。同樣,倘若閣下擬委託他 本公司信託帳戶的詳情如下: 法、違反合約(如有)或法定責任、復還申索或其
人代表閣下於拍賣會競投,亦請知會本公司,但根 銀行: HSBC 他而產生或就此而申索。
據閣下所填缺席者及電話競投表格而由本公司代為 地址: Head Office
競投除外。假若本公司並無於拍賣會前以書面形式 1 Queen’s Road Central, Hong Kong 在任何情況下,倘若本公司及/或賣家就任何拍賣
認可有關代理安排,則本公司有權假定該名於拍賣 帳戶名稱:Bonhams (Hong Kong) Limited-Client A/C 品或對任何拍賣品的說明或成交價估計,或任何拍
會上競投的人士是代表本身進行競投。因此,該名 帳號: 808 870 174001 賣品有關拍賣會的進行而須承擔責任,不論其是損
於拍賣會上競投的人士將為買家,並須負責支付成 Swift code: HSBCHKHHHKH 害賠償、彌償或責任分擔,或復還補救責任或其
交價及買家費用以及有關收費。若本公司事先已認 他,本公司及/或賣家的責任(倘若本公司及賣家
許閣下所代表的當事人,則我們會向閣下的主事人 若以銀行匯款支付,在扣除任何銀行費用及或將付 均須負責,雙方聯同負責)將限於支付金額最高不
發出發票而非閣下。就代理代表其當事人作出的出 款貨幣兌換為港元後的金額,本公司所收到的金額 超過拍賣品買價的款項,而不論指稱所蒙受損失或
價,本公司須事先獲得該當事人的身份證明及地 不得少於發票所示的應付港元金額。 損害賠償或所申索應付款項的性質、數量或來源,
址。有關詳情,請參與本公司的業務規則及聯絡本 亦不論該等責任是由於任何疏忽、其他侵權法、違
公司客戶服務部。 香港銀行發出的扣帳卡:以此等卡支付拍賣品不會 反合約(如有)或法定責任或其他而產生。
額外收費;
6. 買家與賣家及買家與邦瀚斯的合約 上文所述不得解釋為排除或限制(不論直接或間
信用卡:美國運通卡,Visa, Mastercard卡及海外 接)本公司就(i)欺詐,或(ii)因本公司疏忽(或因本
於買家投得拍賣品後,賣家與買家須按圖錄後附錄 扣帳卡均可使用。請注意,以信用卡付款的話,將 公司所控制的任何人士或本公司在法律上須代其負
一所載銷售合約的條款,訂立拍賣品的銷售合約, 收取發票總額2%的附加費。我們建議,閣下在拍 責任的任何人士的疏忽)引致人身傷亡,或(iii)根據
除非該等條款已於拍賣會前及/或於拍賣會上以口 賣前可預先通知發卡銀行,以免您於付款時,由於 香港法例第314章佔用人法律責任條例,本公司須
頭公佈形式被修訂。閣下須負責支付買價,即成交 需要確認授權而造成延誤。 負責的作為或不作為,或(iv)任何法律上不可排除或
價加任何稅項。 限制的其他責任或(v)本公司根據買家協議第9段的
承諾,而須承擔的責任,或排除或限制任何人士就
同時,本公司作為拍賣人亦會與買家訂立另一份合 中國銀聯(CUP)借記卡: 如閣下使用中國銀聯 上述而享有的權利或補救方法。此段同樣適用於賣
約,即買家協議,其條款載於圖錄後部的附錄二 借記卡1,000,000港元之内将不收取附加費, 超過 家,猶如本段凡提述本公司均以賣家取代。
內。若閣下為成功競投人,請細閱本圖錄內銷售合 1,000,000港元之後的餘額将收取2%的附加費。
約及買家協議的條款。本公司可於訂立該等協議前 15. 損壞及修復
修訂其中一份或同時兩份協議的條款,修訂方式可
以是在圖錄載列不同的條款,及/或於圖錄加入插 競投人須注意本圖錄並無就任何瑕疵、損壞或修復
頁,及/或於拍賣會場地以通告,及/或於拍賣會 提供指引。邦瀚斯可在拍賣會前24小時提供一份詳
之前或之上以口頭形式公佈。閣下須注意此等可能 細的狀況報告。本公司在提供狀況報告時,不能保
修訂的情況,並於競投前查詢是否有任何修訂。 證並無任何沒有提及的其他瑕疵。競投人應自行審
視拍賣品,以了解其狀況。請參閱刊載在本圖錄的
銷售合約。
16. 書籍 論前面有沒有列出名字的首字母,表示依我們的意 拍賣品時,缺席的競投人最好能從第一批開始競投。
見這乃是該藝術家的作品;
如上文所述,拍賣品乃以其「現況」售予買家,附 酒瓶細節及酒箱詞彙
有以下拍賣品說明所列出的各種瑕疪、缺點及錯誤。 「出自巴薩諾」:我們認為這很可能是該藝術家的
然而,在買家協議第 11 段所列出之情況下,閣下 作品,但其確定程度不如上一個類別那麼肯定; 本圖錄內下列詞彙有以下的意義:
有權拒絕領取書籍。請注意:購買包含印刷書籍、
無框地圖及裝訂手稿的拍賣品,將無須繳付買家費 「巴薩諾畫室/工作室」:我們認為這是該藝術家 CB – 酒莊瓶裝
用的增值稅。 畫室裡不知名人士的作品,是否由該藝術家指導下 DB – 葡萄園瓶裝
創作則不能確定; EstB – 莊園瓶裝
17. 鐘錶 BB – 波爾多瓶裝
「巴薩諾圈子」:我們認為這是由與該藝術家關係 BE – 比利時瓶裝
所有拍賣品均以拍賣時的「現況」出售;對於鐘錶 密切的人士所創作,但不一定是其弟子; FB – 法國瓶裝
狀況並沒有提供任何指引,並不代表該拍賣品狀況 GB – 德國瓶裝
良好、毫無缺陷,或未曾維修、修復。大部份鐘錶 「巴薩諾追隨者」:我們認為這是以該藝術家風格 OB – 奧波爾圖瓶裝
在其正常使用期內都曾維修,並或裝進非原裝的配 創作的畫家的作品,屬當代或接近當代的,但不一 UK – 英國瓶裝
件。此外,邦瀚斯並不表述或保證鐘錶都在正常運 定是其弟子; owc – 原裝木箱
轉的狀態中。由於鐘錶通常包含精細而複雜的機械 iwc – 獨立木箱
裝置,競投人應當知悉鐘錶或需接受保養、更換電 「巴薩諾風格」:我們認為這是該藝術家風格的、 oc – 原裝紙板箱
池或進行維修,以上全是買家的責任。競投人應當 並且屬較後期的作品;
知悉勞力士、法穆蘭及崑崙等品牌的腕錶進口至美 符號
國是有嚴格限制的,或不能經船運而只能由個人帶 「仿巴薩諾」:我們認為這是該藝術家某知名畫作 以下符號表明下列情況:
進。 的複製作品;
Y 當出口這些物件至歐盟以外地方,將受瀕危野
18. 珠寶 「由……署名及/或註上日期及/或題詞」:我們 生動植物種國際貿易公約規限,請參閱第 13 條。
認為署名及/或日期及/或題詞出自該藝術家的手 ≈ 請注意,受最近立法影響,產自緬甸的紅寶石
紅寶石及翡翠 筆; 及翡翠或不能進口美國。非產自緬甸的紅寶石
及翡翠在進口美國前需經過核證。
產自緬甸的紅寶石及翡翠或不能進口美國。非產自 「載有……的署名及/或日期及/或題詞」:我們 ○ 賣家獲邦瀚斯或第三方保證能取得拍賣品的最
緬甸的紅寶石及翡翠在進口美國前需經過核證,買 認為簽署及/或日期及/或題詞是由他人加上的。 低價格。第三方或會因此提供一個不可撤銷的
家有責任在付運前取得所有相關及規定的進出口執 出價;如銷售成功,該第三方將可獲利,否則
照、證明書及文件。買家未能成功將貨品運進美國, 20. 瓷器及玻璃 將有損失。
並不構成不付款或取消買賣的理由。因有關事宜所 ▲ 邦瀚斯全部或部份擁有該拍賣品,或以其他形
招致的額外費用,邦瀚斯概不負責。 損毁及修復 式與其經濟利益相關。
Ф 此拍賣品包含象牙或是象牙製品。美國政府已
寶石 在本圖錄裡,作為閣下的指引,在切實可行的範圍 禁止象牙製品入境。
內,我們會詳細記述所有明顯的瑕疪、裂痕及修復
根據以往經驗,很多寶石都經過一系列的處理去提 狀況。此等實際的損毁說明不可能作為確定依據, 22. 語言
升外觀。藍寶石及紅寶石慣常會作加熱處理以改良 而且提供狀況報告後,我們不保證該物件不存在其
色澤及清晰度;為了類似原因,綠寶石會經過油或 他沒有提及的瑕疪。競投人應當透過親自檢查而自 本競投人通告以中英文刊載。如就詮譯本競投人通
樹脂的處理。其他寶石則會經過如染色、輻照或鍍 行判別每件拍賣品的狀況。請參閱刊載於本圖錄裡 告有任何爭議,以英文條款為本。
膜等的處理。此等處理有些是永久的,有些則隨著 的銷售合約。由於難以鑑別玻璃物件是否經過磨光,
年月需要不斷維護以保持其外觀。競投人應當知悉 本圖錄內的參考資料只列出清晰可看的缺口與裂 保障資料 ﹣閣下資料的用途
估計拍賣品的成交價時,已假設寶石或接受過該等 痕。不論程度嚴重與否,磨光狀況均不會提及。
處理。有數家鑑定所可發出說明更詳盡的證書;但 本公司以提供服務為目的,本公司取得有關閣下的
就某件寶石所接受的處理與程度,不同鑑定所的結 21. 葡萄酒 個人資料(就本段而言,此詞僅包括閣下的僱員及
論並不一定一致。倘若邦瀚斯已取得有關任何拍賣 高級職員,如有)。閣下同意本公司以該等資料作
品的相關證書,此等內容將於本圖錄裡披露。雖然 凡在本公司總部拍賣場的以及需繳納增值稅的拍賣 下述用途。
根據內部政策,邦瀚斯將盡力為某些寶石提供認可 品,或不能立刻領取。
鑑定所發出的證書,但要為每件拍賣品都獲取相關 本公司可利用閣下的資料向閣下發出有關本公司服
證書,實際上並不可行。倘若本圖錄裡並沒有刊出 檢驗葡萄酒 務變動的通知,以及向閣下提供有關產品或服務的
證書,競投人應當假設該等寶石已經過處理。邦瀚 資料,而該等資料乃閣下要求本公司提供或本公司
斯或賣家任何一方在任何拍賣品出售以後,即使買 對於較大批量(定義見下文)的拍賣品,偶爾可進 認為閣下可能對該等產品及服務感興趣。有關閣下
家取得不同意見的證書,也概不負責。 行拍賣前試酒。通常,這只限於較新的及日常飲用 的資料可能用作分析,以了解閣下在這方面的潛
的葡萄酒。 在喜好。本公司可能向本集團任何成員公司(指本
估計重量 公司的附屬公司、本公司最終控股公司及其附屬公
我們一般不會開箱檢驗未開箱的葡萄酒。酒齡超過 司,定義見二零零六年英國公司法第1159條及附表
如該寶石重量在本圖錄內文裡以大寫字母顯示,表 20 年的酒通常已經開箱,缺量水平及外觀如有需要 6,包括任何海外附屬公司)披露閣下的資料。除此
明該寶石未經鑲嵌,並且是由邦瀚斯稱重量的。如 會在本圖錄內說明, 之外,本公司不會向任何第三方披露閣下的資料,
果該寶石的重量以「大約」表示,以及並非以大寫 惟本公司可能不時向閣下提供我們相信閣下可能感
字母顯示,表明該寶石由我們依據其鑲嵌形式評估, 酒塞與缺量 興趣的第三方貨品及服務的有關資料。本集團任何
所列重量只是我們陳述的意見而已。此資料只作為 成員公司亦可以閣下的資料作類似用途。
指引使用,競投人應當自行判別該資料的準確度。 缺量指瓶塞底與液面之間的空間。波爾多酒瓶的缺
量水平一般在瓶頸下才會注意得到;而對於勃艮第、 本公司將保留閣下的資料為期五年,由閣下最後與
署名 阿爾薩斯、德國及干邑的酒瓶,則要大於 4 厘米(公 我們聯繫的日期起計,以便簡化任何日後再辦理登
分)。可接受的缺量水平會隨著酒齡增加,一般的 記時的手續。該等資料可轉移及儲存於香港以外地
1. 鑽石胸針,由辜青斯基製造 可接受水平如下: 方,而閣下同意此轉移。閣下有權要求不以閣下的
當製造者的名字出現在名稱裡,邦瀚斯認為該物件 資料作此等用途,有關要求請聯絡Bonhams (Hong
由該製造者製作。 15 年以下-瓶頸內或少於 4 厘米 Kong) Ltd(就香港法例第486章個人資料(私隱)
條例而言,為資料的使用者)(地址:Montpelier
2. 鑽石胸針,由辜青斯基署名 15-30 年-瓶肩頂部 (ts) 或最多 5 厘米 Galleries, Montpelier Street, London, SW7 1HH,
邦瀚斯認為有署名的該是真品,但可能包含非原裝 United Kingdom)或以電郵聯絡client.services@
的寶石,或該物件經過改動。 30 年或以上-瓶肩高處 (hs) 或最多 6 厘米 bonhams.com。

3. 鑽石胸針,由辜青斯基裝嵌 請注意:缺量水平在本圖錄發行至拍賣會舉行期間 附錄一


邦瀚斯認為物件由該珠寶商或寶石匠創作,但所用 或有所改變,而且瓶塞或會在運輸過程中出現問題。
寶石或設計是由客戶提供的。 本圖錄發行時,我們只對狀況說明出現差異承擔責 銷售合約
任,而對瓶塞問題所招致的損失,不論是在圖錄發
19. 圖畫 行之前或之後,我們概不負責。 重要事項:此等條款可能會於向閣下出售拍賣品前
予以條訂,修訂的方式可以是在圖錄載列不同的條
拍賣品圖錄詞彙解釋 批量購買的選擇 款,及/或於圖錄加入插頁,及/或於拍賣會場地
上以通告,及/或於拍賣會之前或之上以口頭形式
以下詞彙在本圖錄裡有下列意義,但以銷售合約內 批量拍賣品乃指一定數目批次的、包含同款葡萄酒、 公佈。閣下須注意此等可能修訂的情況,並於競投
跟拍賣品說明相關的一般條文為準: 相同瓶數、相同瓶款及相同說明的拍賣品。批量拍 前查詢是否有任何修訂。
賣品內任何某批次的買家,可選擇以同樣價錢購買
「巴薩諾」:我們認為這是該藝術家的作品。倘若 該批量拍賣品其餘部份或全部的拍賣品,雖然該選 根據本合約,賣家對拍賣品的質量、任何用途的適
該藝術家的名字不詳,其姓氏後附有一串星號,不 擇權最終由拍賣官全權酌情決定。因此,競投批量 用性及其與說明是否一致而須承擔有限的責任。本
公司強烈建議閣下於購買拍賣品前親自查看拍賣 賣條例所隱含的承諾或其他,賣家毋就違反 8.1.5 就閣下於銷售合約所欠的任何款項及/或違
品,及/或尋求對拍賣品進行獨立的查驗。 任何承諾而承擔任何責任。 約的損害賠償,向閣下採取法律程序;

1 合約 5 風險、產權及所有權 8.1.6 就任何應付款項(於頒布判決或命令之前及


之後)收取由應支付款項日期起至實際付款
1.1 此等條款乃規管賣家向買家出售拍賣品的銷 5.1 由拍賣人落槌表示閣下投得拍賣品起,拍賣 日期止的利息,按渣打銀行
售合約。 品的風險即轉由閣下承擔。不管閣下是否已 (香港)有限公司不時的基本利率加5厘的
向邦瀚斯或儲存承辦商閣下作為買家與儲存 年利率每日計息;
1.2 圖錄內附錄三所載的釋義及詞彙已納入本 承辦商另有合約領取拍賣品,賣家隨即無須
銷售合約,邦瀚斯亦可應要求提供獨立的版 負責。由拍賣人落槌起至閣下取得拍賣品期 8.1.7 取回並未成為閣下財產的拍賣品(或其任何
本。釋義內所收錄的詞語及用詞在本合約內 間,閣下須就拍賣品的任何損傷、遺失及損 部份)的管有權,就此而言(除非買家作為
以斜體刊載。 壞而產生的所有索償、程序、費用、開支及 消費者向賣家購買拍賣品而賣家於業務過程
損失,向賣家作出彌償並使賣家獲得仕數彌 中出售該拍賣品),閣下謹此授予賣家不可
1.3 賣家作為銷售合約的主事人出售拍賣品,該 償。 撤銷特許,准許賣家或其受僱人或代理於正
合約為賣家及閣下透過邦瀚斯而訂立,而邦 常營業時間進入閣下所有或任何物業(不論
瀚斯僅作為賣家的代理行事,而並非額外的 5.2 直至買價及閣下就拍賣品應付予邦瀚斯的所 是否連同汽車),以取得拍賣品或其任何部
主事人。然而,倘若圖錄說明邦瀚斯以主 有其他款項已全數支付並由邦瀚斯全數收到 份的管有權;
事人身份出售拍賣品,或拍賣人作出公佈如 為止,拍賣品的所有權仍然由賣家保留。
此說明,或於拍賣會的通告或圖錄的插頁說 8.1.8 保留賣家於該拍賣會或任何其他拍賣或以私
明,則就本協議而言,邦瀚斯為賣家。 6 付款 人協約向閣下出售的任何其他財產的管有
權,直至根據銷售合約應付的所有款項已以
6.1 在拍賣人落槌表示閣下投得拍賣品後,閣下 結清款項全數支付為止;
1.4 拍賣人就閣下的出價落槌即表示成交時,本 即有責任支付買價。
合約即告成立。 8.1.9 保留由賣家及/或邦瀚斯(作為賣家的受託
6.2 就支付買價及閣下應付予邦瀚斯的所有其他 保管人)因任何目的(包括但不限於其他已
2 賣家的承諾 款項而言,時限規定為要素。除非閣下與邦 售予閣下的貨品)而管有的閣下任何其他財
瀚斯(代表賣家)以書面另有協定(在此情 產的管有權,並在給予三個月書面通知下,
2.1 賣家向閣下承諾: 況下,閣下須遵守該協議的條款),閣下必 不設底價出售該財產,以及把因該等出售所
須最遲於拍賣會後第二個工作日下午四時三 得而應付閣下的任何款項,用於清償或部份
2.1.1 賣家為拍賣品的擁有人或由擁有人正式授權 十分,以拍賣會採用的貨幣向邦瀚斯支付所 清償閣下欠負賣家或邦瀚斯的任何款項;及
出售拍賣品; 有該等款項,閣下並須確保款項在拍賣會後
第七個工作日前已結清。閣下須採用在競投 8.1.10 只要該等貨品仍然由賣家或邦瀚斯作為賣家
2.1.2 除在圖錄內所載有關拍賣品的資料有披露以 人通告所述的其中一種方法向邦瀚斯付款, 的受託保管人管有,撤銷賣家於該拍賣會或
外,賣家出售的拍賣品將附有全面所有權的 閣下與邦瀚斯以書面另有協定除外。倘若閣 任何其他拍賣或以私人協約向閣下出售任何
保證,或如果賣家為遺囑執行人、受託人、 下未有根據本段支付任何應付款項,則賣家 其他貨品的銷售合約,並把已收到閣下就該
清盤人、接管人或管理人,則他擁有因該身 將享有下文第8段所述的權利。 等貨品支付的任何款項,部份或全部用於清
份而附於拍賣品的任何權利,業權或權益。 償閣下欠負賣家或邦瀚斯的任何款項。
7 領取拍賣品
2.1.3 除非賣家為遺囑執行人、受託人、清盤人、 8.2 就因邦瀚斯根據本第8段採取行動而招致賣
接管人或管理人,賣家在法律上有權出售拍 7.1 除非閣下與邦瀚斯以書面另有協定,只可待 家負上的所有法律及其他強制執行費用、所
賣品,及能授予閣下安寧地享有對拍賣品的 邦瀚斯收到金額等於全數買價及閣下應付予 有損失及其他開支及費用(包括為獲發還拍
管有。 賣家及邦瀚斯的所有其他款項的已結清款項 賣品而應付邦瀚斯的任何款項)(不論是否
後,閣下或閣下指定的人士方可獲發放拍賣 已採取法律行動),閣下同意按全數彌償基
2.1.4 賣家已遵從任何與拍賣品進出口有關的所有 品。 準並連同其利息
規定(不論是法律上或其他),拍賣品的所 (於頒布判決或命令之前及之後)向賣家
有關進出口的稅及稅項均已繳付(除非圖錄 7.2 賣家有權保持管有閣下同一或任何另外的拍 作出彌償,利息按第8.1.6段的利率由賣家
內說明其未付或拍賣人公佈其未付)。就賣 賣會向閣下出售的任何其他拍賣品,不論其 應支付款項日期起計至閣下支付該款項的
家所悉,所有第三方亦已在過往遵從該等規 目前是否由邦瀚斯管有,直至以已結清款項 日期止。
定; 全數支付該拍賣品的買價及閣下應付予賣家
及/或邦瀚斯的所有其他款項為止。 8.3 於根據第8.1.2段重新出售拍賣品後,賣家
2.1.5 除任何於拍賣會場地以公佈或通告,或以競 須把任何在支付欠負賣家或邦瀚斯的所有款
投人通告,或以圖錄插頁形式指明的任何修改 7.3 閣下須自費按照邦瀚斯的指示或規定領取由 項後所餘下的款項,於其收到該等款項的二
外,拍賣品與拍賣品的合約說明相應,即在圖 邦瀚斯保管及/或控制或由儲存承辦商保管 十八日內交還閣下。
錄內有關拍賣品的資料內以粗體刊載的部份( 的拍賣品,並將其移走。
顏色除外),連同圖錄內拍賣品的照片,以及 9 賣家的責任
已向買家提供的任何狀況報告的內容。 7.4 閣下須全面負責領取拍賣品時的包裝、處理
及運輸,以及全面負責遵從與拍賣品有關的 9.1 在拍賣人落槌表示拍賣品成交後,賣家無須
3 拍賣品的說明 所有進出口規定。 再就拍賣品所引致的任何損傷、損失或損害
負責。
3.1 第2.1.5段載述何謂拍賣品的合約說明,尤 7.5 倘閣下未有按照本第7段提走拍賣品,閣下
其是拍賣品並非按圖錄內資料當串沒有以粗 須全面負責賣家涉及的搬運、儲存或其他收 9.2 在下文第9.3至9.5段的規限下,除違反第
體刊載的內容出售,該等內容僅載述(代表 費或開支。閣下並須就賣家因閣下未能提走 2.1.5段所規定的明確承諾外,不論是根據
賣方)邦瀚斯對拍賣品的意見,而並不構成 拍賣品而招致的所有收費、費用,包括任何 香港法例第26章貨品售賣條例而默示的條款
拍賣品售出時所按的合約說明的一部份。任 法律訟費及費用,開支及損失,包括根據任 或其他,賣家無須就違反拍賣品須與拍賣品
何並非第2.1.5段所述該部份資料的任何陳 何儲存合約的任何收費,向賣家作出彌償。 的任何說明相應的條款而負責。
述或申述,包括任何說明或成交價做計,不 所有此等應付予賣家的款項均須於被要求時
論是以口頭或書面,包括載於圖錄內或於邦 支付。 9.3 就賣家或其代表於本協議之前或之後或於拍
瀚斯的網站上或以行為作出或其他,不論由 賣會之前或進行期間,所作出(不論是以書
或代表賣家或邦瀚斯及是否於拍賣會之前或 8 未有支付拍賣品的款項 面,包括在圖錄或網站,或口頭形式或以行
之上作出,一概不構成拍賣品售出時所按的 為或其他)的任何拍賣品說明或資料或拍賣
合約說明的一部份。 8.1 倘若閣下未有按照銷售合約向邦瀚斯支付拍 品的成交價估計,出現不符合或不準確、錯
賣品的全數買價,則賣家有權在事先得到邦 誤、錯誤說明或遺漏,賣家均無須承擔任何
3.2 除第2.1.5段的規定外,對於可能由賣家或 瀚斯的書面同意下,但無須另行通知閣下, 相關的責任(不論為疏忽、其他侵權法、違
代表賣家(包括由邦瀚斯)作出有關拍賣品 行使以下一項或多項權利(不論是透過邦瀚 反合約或法定責任或復還或根據香港法例第
的任可說明或其任何成交價估計,賣家並無 斯或其他)﹕ 284章失實陳述條例的責任,或任何其他責
作出或發出亦無同意作出或發出任何合約允 任)。
諾、承諾、責任、擔保、保證或事實陳述或 8.1.1 因閣下違反合約而即時終止銷售合約;
承諾任何謹慎責任。該等說明或戊交價估計 9.4 就買家或買家管理層或職工之任何業務、
一概不納入本銷售合約。 8.1.2 在給予閣下七日書面通知,知會閣下擬重新 業務利潤或收益或收入上的損失,或聲譽受
出售拍賣品後,以拍賣、私人協約或任何其 損,或業務受干擾或浪費時間,或任何種類
4 對用途的合適程度及令人滿意的品質 他方式重新出售拍賣品; 的間接損失或相應產生的損害,賣家均無須
4.1 賣家並無亦無同意對拍賣品的令人滿意品質 承擔任何相關的責任,不論該指稱所蒙受損
或其就任何用途的合適程度作出任何合約允 8.1.3 保留拍賣品的管有權; 失或損害的性質、數量或來源,亦不論該等
諾、承諾、責任、擔保、保證或事實陳述。 損失或損害賠償是否由於任何疏忽、其他侵
8.1.4 遷移及儲存拍賣品,費用由閣下承擔; 權法、違反合約、法定責任、復還申索或其
4.2 對於拍賣品的令人滿意品質或其就任何用途 他而產生或就此而申索;
的合適程度,不論是香港法例第26章貨品售
9.5 在任何情況下,倘若賣家就拍賣品,或任何 11 規管法律 個工作日下午四時三十分向本公司支付﹕
其就拍賣品所作的作為、不作為、陳述、或
申述,或就本協議或其履行而須對閣下負 11.1 法律 3.1.1 拍賣品的買價;
責,則不論其為損害賠償、彌償或責任分
擔,或復還補救,或以其他任何形式,賣家 本協議下的所有交易以及所有有關事宜,均 3.1.2 每件所購買之拍品按照競投人通告規定費率
的責任將限於支付金額最高不超過拍賣品買 受香港法例規管並據其解釋。 的買家費用;及
價的款項,不論該損失或損害賠償或所申索
應付款項的性質、數量或來源,亦不論該等 11.2. 語言 3.1.3 若拍賣品註明[AR],一項按照競投人通告規
責任是否由於任何疏忽、其他侵權法、違反 定計算及支付的額外費用,連同該款項的增
合約、法定責任、受託保管人責任、復還申 本銷售合約以中英文刋載。如就詮譯本銷售 值稅(如適用),所有應付本公司款項須於
索或其他而產生。 合約有任何爭議,以英文條款為本。 拍賣會後七個工作日或之前以已結清款項收
悉。
9.6 上文9.1至9.5段所述不得解釋為排除或限制 附錄二
(不論直接或間接)任何人士就(i)欺詐,或 3.2 根據本協議,閣下亦須應要求向本公司支付
(ii)因賣家疏忽(或因賣家所控制的任何人士 買家協議 任何開支。
或賣家在法律上須代其負責任的任何人士的
疏忽)引致人身傷亡,或(iii)根據香港法例 重要事項:此等條款可能會於向閣下出售拍 3.3 除非本公司以書面方式另行同意,所有款項
第314章佔用人法律責任條例,本公司須負 賣品前予以修訂,修訂的方式可以是在圖錄 必須以拍賣會所用貨幣,按競投人通告所列
責的作為或不作為,或(iv)任何法律上不可 載列不同的條款,及/或於圖錄加入插頁, 其中一種方法支付。本公司發票只發給登記
排除或限制的其他責任,而須承擔的責任, 及/或於拍賣會場地上以通告,及/或於拍 競投人,除非競投人乃作為指明主事人的代
或排除或限制任何人士就上述而享有的權利 賣會之前或之上以口頭形式公佈。閣下須注 理,且本公司已認可該安排,在該情況下,
或補救方法。 意此等可能修訂的情況,並於競投前查詢是 本公司會將發票發給主事人。
否有任何修訂。
10 一般事項 3.4 除非本協議另有規定,所有應付本公司款項
1 合約 須按適當稅率繳付稅項,閣下須就所有該等
10.1 閣下不得轉讓銷售合約的利益或須承擔的責 款項支付稅款。
任。 1.1 此等條款規管乃邦瀚斯個人與買家的合約,
買家即拍賣人落槌表示其投得拍賣品的人 3.5 本公司可從閣下付給本公司的任何款項中,
10.2 倘若賣家未能或延遲強制執行或行使任何銷 士。 扣除並保留有關拍賣品的買家費用、賣家應
售合約下的權力或權利,這不得作為或視 付的佣金、任何開支及稅項以及任何賺得
其作為賣家放棄其根據銷售合約所賦予的權 1.2 拍賣會圖錄內附錄三所載的釋義及詞彙已 及/或產生的利息,利益歸本公司,直至將
利,任何以書面形式給予閣下的明確放棄除 納入本協議,本公司可應要求提供獨立的版 款項付予賣家時止。
外。任何該等放棄並不影響賣家其後強制執 本。釋義內所收錄的詞語及用詞在本協議內
行根據銷售合同所產生任何權利的能力。 以斜體刊載。本協議提述刊印於拍賣會圖錄 3.6 就向本公司支付應付的任何款項而言,時限
開始部份的競投人通告的資料,而該等被提 規定為要素。倘若閣下未能按照本第3段向
10.3 倘銷售合約任何一方,因在合理控制範圍以 述的資料已納入本協議。 本公司支付買價或任何其他應付本公司款
外的情況下而無法履行該訂約方根據銷售合 項,本公司將擁有下文第7段所載的權利。
約的責任,或倘在該等情況下履行其責任會 1.3 於拍賣人落槌表示閣下投得拍賣品時,閣下
導致其增加重大財務成本,則該訂約方只要 與賣家就拍賣品的銷售合約即告訂立,而在 3.7 若閣下投得多項拍賣品,本公司收到閣下的
在該情況仍然持續時,不會被要求履行該等 那時刻,閣下與邦瀚斯亦已按本買家協議條 款項將首先用於按比例支付每項拍賣品的買
責任。本段並不適用於第6段對閣下施加的 款訂立另一份獨立的合約。 價,然後按比例支付應付邦瀚斯的所有款
責任。 項。
1.4 本公司乃作為賣家的代理行事,無須就賣家
10.4 銷售合約下的任何通知或其他通訊,必須以 之任何違約或其他失責而對閣下負責或承擔 4 領取拍賣品
書面形式作出,並可由專人送交或以第一類 個人責任,邦瀚斯作為主事人出售拍賣品除
郵件或空郵或以傳真方式發送,並就賣家而 外。 4.1 在賣家或本公司可拒絕向閣下發放拍賣品的
言,發送至圖錄所載邦瀚斯的地址或傳真號 任何權力規限下,閣下一旦以已結清款項向
碼(註明交公司秘書收),由其轉交賣家; 1.5 本公司對閣下的個人責任受本協議規管,在 賣家及本公司支付應付的款項後,本公司可
而就閣下而言,則發送至競投表格所示的買 下文條款所規限下,本公司同意下列責任﹕ 即向閣下或按閣下的書面指示發放拍賣品。
家地址或傳真號碼(除非已以書面形式通知 領取拍賣品時,必須出示從本公司的出納員
更改地址)。通知或通訊發出人須有責任確 1.5.1 本公司會按照第5段儲存拍賣品,直至競投 的辦公室取得已加蓋印章的發票,方獲發
保其清晰可讀並於任何適用期間內收到。 人通告所指定的日期及時間或另行通知閣下 行。
為止;
10.5 倘若銷售合約的任何條款或任何條款的任何 4.2 閣下須按競投人通告指定的日期及時間,自
部份被裁定為不可強制執行或無效,則該等 1.5.2 在賣家或本公司拒絕向閣下發放拍賣品的任 費領取拍賣品,倘未有指定任何日期,則為
不可強制執行或無效並不影響該合同其餘條 何權力所規限下,本公司會於閣下以已結清 拍賣會後第七日下午四時三十分或之前。
款或有關條款其餘部份的強制執行能力或有 款項向本公司及賣家所須支付之所有款項
效性。 後,即按照第4段向閣下發放拍賣品; 4.3 於第4.2段所述的期間內,可按競投人通告
指定的日期及時間到競投人通告所述地址領
10.6 銷售合約內凡提述邦瀚斯均指,倘適用,包 1.5.3 本公司會按照第9段所載條款提供擔保。 取拍賣品。其後拍賣品可能遷移至其他地點
括邦瀚斯的高級職員、僱員及代理。 儲存,屆時閣下必須向本公司查詢可在何時
1.6 不論於此協議之前或之後或於拍賣會之前或 何地領取拍賣品,儘管此資料通常會列於競
10.7 銷售合約內所用標題僅為方便參考而設,概 之上,對由本公司或代表本公司或由賣家或 投人通告內。
不影響合約的詮釋。 代表賣家所作出的任何拍賣品的說明或其成
交價估計(不論其是以口頭或書面,包括載 4.4 若閣下未有於競投人通告指定的日期領取拍
10.8 銷售合約內「包括」一詞指「包括,但不限 於圖錄內或於邦瀚斯的網站上,或以行為作 賣品,則閣下授權本公司作為閣下代理,代
於」。 出或其他),或對該等拍賣品的說明或其成 表閣下與儲存承辦商訂立合約(「儲存合
交價估計的準確性或完備性,本公司一概不 約」),條款及條件按邦瀚斯當時與儲存承
10.9 單數詞語包括眾數詞語(反之亦然),任何 作出或發出亦無同意作出或發出任何合約允 辦商協定(可應要求提供副本)的標準條款
一個性別的詞語包括其他性別。 諾、承諾、責任、擔保、保證或事實陳述。 及條件儲存拍賣品。倘拍賣品儲存於本公司
該等說明或成交價估計一概不納入閣下與本 物業,則須由第4.2段所述期間屆滿起,按
10.10 凡提述第某段,即指銷售合約內該編號的段 公司訂立的本協議。任何由本公司或代表本 本公司目前的每日收費(目前最低為每項拍
落。 公司作出該等說明或成交價估計,均是代賣 賣品每日50港元另加稅項)支付儲存費,該
家而作出(邦瀚斯作為主事人出售拍賣品除 等儲存費為本公司開支的一部份。
10.11 除第10.12段有明確規定外,銷售合約概無 外)。
賦予(或表示賦予)非銷售合約訂約方的任 4.5 於直至閣下已全數支付買價及任何開支為
何人士,任何銷售合約條款所賦予的利益或 2 履行銷售合約 止,拍賣品將由本公司作為賣家的代理持
強制執行該等條款的權利。 有,或由儲存承辦商作為賣家及本公司的代
閣下個人向本公司承諾,閣下將遵守及遵從 理按照儲存合約的條款持有。
10.12 銷售合約凡賦予賣家豁免、及/或排除或限 閣下根據拍賣品銷售合約對賣家的所有責任
制其責任時,邦瀚斯、邦瀚斯的控股公司及 及承諾。 4.6 閣下承諾遵守任何儲存合約的條款,尤其是
該控股公司的附屬公司,邦瀚斯及該等公司 支付根據任何儲存合約應付的收費(及所有
的後續公司及承讓公司,以及邦瀚斯及該等 3 付款 搬運拍賣品入倉的費用)。閣下確認並同
公司的任何高級職員、僱員及代理的承繼人 意,於直至閣下已支付買價、任何開支及所
及受讓人亦可享有同樣的法律上的有關利 3.1 除非閣下與本公司另有書面協定或競投人通 有儲存合約下的收費為止,閣下不得從儲存
益。 告另有規定外,閣下最遲須於拍賣會後第二 承辦商的物業領取拍賣品。
4.7 閣下須全面負責領取拍賣品時的包裝、處理 售的貨品)而管有的閣下任何其他財產不設 以識別該拍賣品。
及運輸,以及全面負責遵從與拍賣品有關的 底價出售,並把因該等出售所得而應付予閣
所有進出口規定。 下的任何款項,用於支付或部份支付閣下欠 9.3 於下述情況下,第9段不適用於膺品﹕
負本公司的任何款項;
4.8 倘閣下未有按照第4.2段提走拍賣品,閣下 9.3.1 圖錄所載有關該拍賣品的資料已反映當時學
須全面負責本公司涉及的任何搬運、儲存 7.1.11 於日後拍賣會拒絕為閣下登記,或於日後任 者及專家的公認意見,或已公平地指出該等
或其他收費(按照本公司的目前收費率)及 何拍賣會拒絕閣下出價,或於日後任何拍賣 意見有衝突,或已反映公認為有關範疇主要
任何開支(包括根據儲存合約的任何收費) 會在接受任何出價前要求閣下先支付按金, 專家在當時的意見;或
。所有此等款項須於本公司要求時由閣下支 在該情況下,本公司有權以該按金支付或部
付,並無論如何,於閣下或閣下的代表領取 份支付(視情況而定)閣下為買家的任何拍 9.3.2 僅可採用於刊印圖錄日期前一般不會採用的
拍賣品前必須支付。 賣品的買價。 方法才能確定拍賣品為膺品,或採用的確定
方法在所有情況下本公司若採用則屬不合
5 拍賣品儲存 7.2 就因本公司根據本第7段採取行動而招致的 理。
所有法律及其他費用、所有損失及其他開支
本公司同意把拍賣品儲存,直至閣下提取拍 (不論是否已採取法律行動),閣下同意按 9.4 閣下授權本公司在絕對酌情權下決定採取本
賣品或直至競投人通告指定的時間及日期( 全數彌償基準並連同其利息(於頒布判決或 公司認為要讓本公司信納拍賣品並非膺品而
或若無指定日期,則為拍賣會後第七日下午 命令之前及之後)向本公司作出彌償,利息 必需進行的程序及測試。
四時三十分之前)為止,以較早日期為準, 按第7.1.5段訂明的利率由本公司應支付款
並在第6及第10段規限下,作為受託保管人 項日期起計至閣下支付該款項的日期止。 9.5 倘本公司信納拍賣品為膺品,本公司會(作
而就拍賣品的損壞或損失或毀壞向閣下負責 為主事人)向閣下購買該拍賣品,而閣下須
(儘管在支付買價前,拍賣品仍未為閣下的 7.3 倘閣下僅支付部份應付予本公司的款項,則 按照香港法例第26章貨品售賣條例第14(1)
財物)。若閣下於競投人通告所規定的時間 該等付款將首先用於支付該拍賣品的買價( (a)及14(1)(b)條規定,向本公司轉讓有關拍
及日期(或若無指定日期,則為拍賣會後第 或若閣下購買多於一項拍賣品,則按比例支 賣品的所有權,並附有全面所有權的保證,
七日下午四時三十分之前)前仍未領取拍賣 付每項拍賣品的買價),然後支付買家費用 不得有任何留置權、質押、產權負擔及敵對
品,本公司可將拍賣品遷往另一地點,有關 (或若閣下購買多於一項拍賣品,則按比例 申索,而本公司將向閣下支付相等於閣下就
詳情通常會載於競投人通告內。倘若閣下未 支付每項拍賣品的買家費用),再然後用以 拍賣品已支付的買價、買家費用、稅項及開
有按第3段就拍賣品付款,而拍賣品被移送 支付應付予本公司的任何其他款項。 支總數的款項。
至任何第三者物業,則該第三者會嚴格地以
邦瀚斯為貨主而持有拍賣品,而本公司將保 7.4 本公司根據本第7段的權利出售任何拍賣品 9.6 第9段的利益為僅屬於閣下個人的利益,閣
留拍賣品留置權,直至已按照第3段向本公 所收到的款項,於支付應付予本公司及/或 下不能將其轉讓。
司支付所有款項為止。 賣家的所有款項後仍由本公司持有的餘款,
將於本公司收到該等款項的二十八日內交還 9.7 倘若閣下出售或以其他方式出售閣下於拍賣
6 對拍賣品的責任 閣下。 品的權益,則根據本段的所有權利及利益即
告終止。
6.1 待閣下向本公司支付買價後,拍賣品的所有 8 其他人士就拍賣品的申索
權方會移交閣下。然而,根據銷售合約,拍 9.8 第9段不適用於由或包括一幅或多幅中國
賣品的風險則由閣下投得拍賣品之時起由閣 8.1 倘本公司知悉除閣下及賣家外有人就拍賣品 畫、一輛或多輛汽車、一個或多個郵票或一
下承擔。 提出申索(或可合理地預期會提出申索), 本或多本書籍構成的拍賣品。
本公司有絕對酌情權決定以任何方式處理拍
6.2 閣下應於拍賣會後盡快為拍賣品投買保險。 賣品,以確立本公司及其他涉及人士的合法 10 本公司的責任
權益及在法律上保障本公司的地位及合法權
7 未能付款或提取拍賣品及部份付款 益。在不損害該酌情權的一般性原則下,並 10.1 就本公司或代表本公司或賣家或代表賣家於
作為舉例,本公司可﹕ 本協議之前或之後或於拍賣會之前或之上,
7.1 倘若應付予本公司的所有款項未有於其到期 所作出(不論是以書面,包括在圖錄或邦瀚
支付時全數支付,及/或未有按照本協議提 8.1.1 保留拍賣品以調查就拍賣品提出或本公司合 斯的網站上或口頭形式或以行為或其他)任
取拍賣品,則本公司可行使以下一項或多項 理地預期會提出的任何問題;及/或 何拍賣品說明或資料或拍賣品的成交價估
權利(在不損害本公司可以代賣家行使的任 計,出現不符合或不準確、錯誤、錯誤說明
何權利下),而無須另行通知閣下﹕ 8.1.2 向閣下以外的其他人士交付拍賣品;及/或 或遺漏,本公司無須就此而承擔任何責任,
不論是否為疏忽、其他侵權法、違反合約或
7.1.1 因閣下違反合約而即時終止本協議; 8.1.3 展開互爭權利訴訟或尋求任何法院、調解 法定責任或復還或根據香港法例第284章失
人、仲裁人或政府機關的任何其他命令; 實陳述條例的責任。
7.1.2 保留拍賣品的管有權; 及/或
10.2 當拍賣品由閣下承擔風險時及/或當拍賣品
7.1.3 遷移及/或儲存拍賣品,費用由閣下承擔; 8.1.4 就採取閣下同意的行動,要求閣下提供彌償 已成為閣下的財產並由本公司保管及/或控
保證及/或抵押品。 制時,本公司對閣下之責任限於對閣下行使
7.1.4 就閣下所欠的任何款項(包括買價)及/或 合理程度的謹慎,惟本公司無須就因下述原
違約的損害賠償,向閣下採取法律程序; 8.2 第8.1段所述的酌情權﹕ 因對拍賣品或其他人士或物件造成的損害負
責﹕
7.1.5 就任何應付款項(於頒布判決或命令之前及 8.2.1 可於本公司對拍賣品擁有實際或推定管有權
之後)收取由應支付款項日期起至實際付款 時隨時行使,或倘若該管有權因法院、調解 10.2.1 處理拍賣品,倘若於向閣下出售時拍賣品已
日期止的利息,按渣打銀行 人、仲裁人或政府機關的任何裁決、命令或 受到蟲蛀,而任何損壞乃由於拍賣品受蟲蛀
(香港)有限公司不時的基本借貸利率加5 判決而終止,於該管有權終止後隨時行使; 所導致;或
厘的年利率每日計息; 及
10.2.2 大氣壓力改變;
7.1.6 取回並未成為閣下財產的拍賣品(或其任何 8.2.2 除非本公司相信該申索真正有希望成為有良
部份)管有權,就此而言,閣下謹此授予本 好爭辯理據的個案,否則不會行使。 本公司亦不就以下負責﹕
公司不可撤銷特許,准許本公司或其受僱人
或代理於正常營業時間進入閣下所有或任何 9 膺品 10.2.3 弦樂器的損壞;或
物業(不論是否連同汽車),以取得拍賣品
(或其任何部份)的管有權; 9.1 本公司根據本第9段的條款就任何膺品承擔 10.2.4 金箔畫架、石膏畫架或畫架玻璃的的損壞;
個人責任。 而倘若拍賣品構成或變為有危險,本公司可
7.1.7 在給予閣下三個月書面通知,知會閣下本公 以其認為適合的方法予以棄置而無須事先通
司擬出售拍賣品後,以拍賣、私人協約或任 9.2 第9段僅於以下情況適用﹕ 知閣下,而本公司無須就此對閣下負責。
何其他方式按不設底價形式出售拍賣品;
9.2.1 閣下為本公司就拍賣品發出原有發票的抬頭 10.3 就買家管理層或職工之任何業務、業務利
7.1.8 保留由本公司因任何目的(包括,但不限 人,而該發票已被支付;及 潤或收益或收入上的損失,或業務聲譽受
於,其他已售予閣下或交予本公司出售的貨 損,或業務受干擾或浪費時間,或倘若閣下
品)而管有的閣下任何其他財產的管有權, 9.2.2 閣下於知悉拍賣品為或可能為膺品後,在合 於業務過程中購買拍賣品,就任何種類的間
直至所有應付本公司款項已全數支付為止; 理地切實可行範圍內盡快,並無論如何須於 接損失或相應產生的損害,本公司均無須向
拍賣會後一年內,以書面通知本公司拍賣品 閣下承擔任何相關的責任,不論指稱所蒙受
7.1.9 以本公司因任何目的而收到的閣下款項,無 為膺品;及 損失或損害的性質、數量或來源,亦不論該
論該等款項於閣下失責時或其後任何時間收 等損失或損害賠償是由於任何疏忽、其他侵
到,用作支付或部份支付閣下於本協議下應 9.2.3 於發出該通知後一個月內,閣下把拍賣品退 權法、違反合約、法定責任、受託保管人責
付予本公司的任何款項; 回本公司,而拍賣品的狀況須與拍賣會時的 任、復還申索或其他而產生或就此而申索。
狀況一樣,並連同證明拍賣品為膺品的書面
7.1.10 在給予三個月書面通知下,把本公司因任何 證明,以及有關拍賣會及拍賣品編號的資料 10.4 在任何情況下,倘若本公司就拍賣品,或任
目的(包括其他已售予閣下或交予本公司出
何就拍賣品的作為、不作為、陳述,或本協 12 規管法律 投人提供有關拍賣品狀況的報告。
議或其履行而須對閣下負責,則不論其為損 「寄售費」賣家應付予邦瀚斯的費用,按照業務規
害賠償、彌償或責任分擔,或復還補救,或 12.1 法律 則訂明的費率計算。
不論任何形式,本公司的責任將限於支付金
額最高不超過拍賣品買價加買家費用(減除 本協議下的所有交易以及所有有關事宜,均 「合約表格」由賣家或代表賣家簽署的合約表格或
閣下可能有權向賣家收回的款項)的款項, 受香港法例規管並根據其解釋。 汽車資料表(按適用),載有供邦瀚斯提供以作銷
不論指稱所蒙受損失或損害賠償或所申索應 售的拍賣品清單。
付款項的性質、數量或來源,亦不論該等責 12.2 語言 「銷售合約」賣家與買家訂立的銷售合約(見圖錄
任是否由於任何疏忽、其他侵權法、違反合 內附錄一)。
約、法定責任、受託保管人責任、復還申索 本買家協議以中英文刋載。如就詮譯本買家 「合約說明」唯一的拍賣品說明(即圖錄內有關拍
或其他而產生。 協議有任何爭議,以英文條款為本。 賣品的資料內以粗體刊載的部份、任何照片(顏色
除外)以及狀況報告的內容),賣家於銷售合約承
閣下宜購買保險以保障閣下的損失。 保障資料 – 閣下資料的用途 諾拍賣品與該說明相符。
「說明」以任何形式對拍賣品所作的陳述或申述,
10.5 上文所述不得解釋為排除或限制(不論直接 由於本公司提供的服務,本公司取得有關閣下的個 包括有關其作者、屬性、狀況、出處、真實性、風
或間接)任何人士就(i)欺詐,或(ii)因本公司 人資料(就本段而言,此詞僅包括閣下的僱員及職 格、時期、年代、適合性、品質、來源地、價值及
疏忽(或因本公司所控制的任何人士或本公 員(如有))。閣下同意本公司以該等資料作下 估計售價(包括成交價)。
司在法律上須代其負責任的任何人士的疏 述用途。 「資料」圖錄內識別拍賣品及其編號的書面陳述,
忽)引致人身傷亡,或(iii)根據香港法例第 可能包括有關拍賣品的說明及圖示。
314章佔用人法律責任條例,本公司須負責 本公司可利用閣下的資料向閣下發出有關本公司服 「成交價估計」本公司對成交價可能範圍的意見
的作為或不作為,或(iv)任何法律上不可排 務變動的通知,以及向閣下提供有關產品或服務的 的陳述。
除或限制的其他責任,或(v)本公司根據此 資料,而該等資料乃閣下要求本公司提供或本公司 「開支」邦瀚斯就拍賣品已付或應付的收費及開
等條件第9段的承諾,而須承擔的責任,或 認為閣下可能對該等產品及服務感興趣。有關閣下 支,包括法律開支、因電匯而產生的銀行收費及開
排除或限制任何人士就上述而享有的權利或 的資料可能用作分析,以了解閣下在這方面的潛 支、保險收費及開支、圖錄及其他製作及說明、任
補救方法。 在喜好。本公司可能向本集團任何成員公司(指本 何關稅、宣傳、包裝或運輸費用、轉載權費、稅
公司的附屬公司、本公司最終控股公司及其附屬公 項、徵費、測試、調查或查詢費用、出售拍賣品的
11 一般事項 司,定義見二零零六年英國公司法第1159條及附表 預備工作、儲存收費、來自賣家作為賣家代理或來
6,包括海外附屬公司)披露閣下的資料。除此以 自失責買家的遷移收費或領取費用,加稅項。
11.1 閣下不得轉讓本協議的利益或須承擔的責 外,本公司不會向任何第三方披露閣下的資料,惟 「膺品」其製作者或其他人士意圖在其作者、屬
任。 本公司可能不時向閣下提供我們相信閣下可能感興 性、來源地、真實性、風格、日期、年代、時期、
趣的第三方貨品及服務的有關資料。本集團任何成 出處、文化、來源或成份方面進行欺騙的偽造品,
11.2 倘若本公司未能或延遲強制執行或行使任何 員公司亦可以閣下的資料作類似用途。 而該膺品於拍賣會日期的價值大幅低於其若非偽造
本協議下的權力或權利,這不得作為或視其 的價值。且任何拍賣品說明一概無指明其為偽造。
作為本公司放棄根據本協議所賦予的權利, 本公司將保留閣下的資料為期五年,由閣下最後與 拍賣品不會因其損壞、及/或對其進行修復及/或
任何以書面形式給予閣下的明確放棄除外。 我們聯繫的日期起計,以便簡化任何日後再辦理登 修改(包括重畫或覆畫)而成為膺品,惟該損壞或
任何該等放棄並不影響本公司其後強制執行 記時的手續。該等資料可轉移及儲存於香港以外地 修復或修改(視情況而定)並無實質影響拍賣品與
根據本協議所產生任何權利的能力。 方,而閣下同意此轉移。 拍賣品說明符合的特性。

11.3 倘本協議任何一方,因在其合理控制範圍以 閣下有權要求不以閣下的資料作此等用途, 「保証」在任何膺品上邦瀚斯對買家全力承擔的責


外的情況下而無法履行該訂約方根據本協議 有關要求請聯絡Bonhams 1793 Limited(地 任,以及在專門郵票拍賣會及/或專門書藉拍賣會
的責任,或倘在該等情況下履行其責任會導 址﹕Montpelier Galleries, Montpelier Street, 當中,根據買家協議內定立,由郵票或書藉組成的
致其增加重大財務成本,則該訂約方只要在 London, SW7 1HH, United Kingdom)(就香港 拍賣品。
該情況仍然持續時,不會被要求履行該等責 法例第486章個人資料(私隱)條例而言,為資料的
任。本段並不適用於第3段對閣下施加的責 使用者)或以電郵聯絡client.services@bonhams. 「成交價」拍賣人落槌表示拍賣品成交的價格,其
任。 com。 貨幣為拍賣會所採用的貨幣。
「香港」中華人民共和國香港特別行政區。
11.4 本協議下的任何通知或其他通訊,必須以書 附錄三 「遺失或損壞保證」指業務規則第8.2.1段所述的
面形式作出,並可由專人送交或以掛號郵件 保證。
或空郵或以傳真方式(如發給邦瀚斯,註明 釋義及詞彙 「遺失或損壞保證費用」指業務規則第8.2.3段所
交公司秘書收),發送至合約表格所示有關 述的費用。
訂約方的地址或傳真號碼(除非已以書面形 倘納入此等釋義及詞彙,下列詞語及用詞具有(除 「拍賣品」任何託付予邦瀚斯,供以拍賣或私人協
式通知更改地址)。通知或通訊發出人須確 文義另有所指外)以下所賦予的涵義。詞彙乃為協 約形式出售的任何物品(而凡提述任何拍賣品,均
保其清晰可讀並於任何適用期間內收到。 助閣下了解有特定法律涵義的詞語及用詞而設,閣 包括(除非文義另有所指)作為由兩項或以上物品
下可能對該等涵義並不熟悉。 組成的一項拍賣品內的個別項目)。
11.5 倘若本協議的任何條款或任何條款的任何部 「汽車圖錄費」作為邦瀚斯製作汽車的圖錄及就出
份被裁定為不可強制執行或無效,則該等不 釋義 售汽車進行推廣而須承擔額外工作的代價,而應由
可強制執行或無效並不影響本協議其餘條款 「額外費用」按照競投人通告計算的費用,以彌補 賣家付予邦瀚斯的費用。
或有關條款其餘部份的強制執行能力或有效 邦瀚斯須根據二零零六年藝術家轉售權規例支付 「New Bond Street」指邦瀚斯位於 101 New Bond
性。 版權費的開支,買家須就任何註有[AR]且其成交價 Street, London W1S 1SR的拍賣場。
連同買家費用(但不包括任何增值稅)等於或超過 「名義收費」倘拍賣品已按名義價格出售,則為應
11.6 本協議內凡提述邦瀚斯均指,倘適用,包括 1,000歐元(按拍賣會當日的歐洲中央銀行參考匯率 付的佣金及稅項。
邦瀚斯的高級職員、僱員及代理。 換算為拍賣會所用貨幣)的拍賣品。 「名義費用」賣家應付予邦瀚斯的寄售費所依據的
「拍賣人」主持拍賣會的邦瀚斯代表。 金額,該費用按照業務規則訂明的公式計算。
11.7 本協議內所用標題僅為方便參考而設,概不 「競投人」已填妥競投表格的人士。 「名義價格」本公司向閣下提供或載於圖錄的最近
影響本協議的詮釋。 「競投表格」本公司的競投人登記表格、缺席者及 期高、低估價的平均數,或若並無提供或載列該等
電話競投表格。 估價,則為拍賣品適用的底價。
11.8 本協議內「包括」一詞指「包括,但不限 「邦瀚斯」邦瀚斯拍賣有限公司(Bonhams (Hong 「競投人通告」刊印於本公司圖錄前部的通告。
於」。 Kong) Limited)或其後繼公司或承讓公司。於買 「買價」成交價與成交價的稅項相加的總數。
家協議、業務規則及競投人通告內,邦瀚斯亦稱 「底價」拍賣品可予出售的最低價格(不論以拍賣
11.9 單數詞語包括眾數詞語(反之亦然),任何 為我們。 或私人協約形式)。
一個性別的詞語包括其他性別。 「書籍」於專門書籍拍賣會提供以作銷售的印刷
書籍。 「拍賣會」由邦瀚斯提供以作銷售拍賣品的拍賣
11.10 凡提述第某段,即指本協議內該編號的段 會。
落。 「業務」包括任何行業、業務及專業。 「出售所得款項」拍賣品售出後賣家所得的款項淨
「買家」拍賣人落槌表示由其投得拍賣品的人士。 額,即成交價扣除佣金、其任何應繳稅項、開支及
11.11 除第11.12段有明確規定外,本協議概無賦 於銷售合約及買家協議內,買家亦稱為「閣下」。 任何其他應付予本公司的款項不論以何身份及如
予(或表示賦予)非本協議訂約方的任何人 「買家協議」邦瀚斯與買家訂立的合約(見圖錄內 何產生。
士,任何本協議條款所賦予的利益或強制執 附錄二)。 「賣家」合約表格所列明提供拍賣品以作銷售的人
行該等條款的權利。 「買家費用」以成交價按競投人通告訂明的費率計 士。若該列名人士在表格上指明另一人士作為其代
算的款項。 理,或若合約表格所列明人士作為主事人的代理行
11.12 本協議凡賦予賣家豁免、及/或排除或限制 「圖錄」有關拍賣會的圖錄,包括任何於本公司網 事(不論該代理關係是否已向邦瀚斯披露),則
邦瀚斯責任時,邦瀚斯的控股公司及該控股 站刊載的圖錄陳述。 「賣家」包括該代理及主事人,而彼等須就此共同
公司的附屬公司,邦瀚斯及該等公司的後續 「佣金」賣家應付予邦瀚斯的佣金,按照合約表格 及個別負責。業務規則內亦稱賣家為「閣下」。
公司及承讓公司,以及邦瀚斯及該等公司的 訂明的費率計算。 「專家查驗」由專家對拍賣品進行目視查驗。
任何高級職員、僱員及代理的承繼人及受讓 「狀況報告」由邦瀚斯代表賣家向競投人或潛在競 「郵票」指於專門郵票拍賣會提供以作銷售的郵
人亦可享有同樣的法律上利益。
票。 (b) 一項隱含的保證條款︰下列人士不會干擾
「標準查驗」由並非專家的邦瀚斯職員對拍賣品進 買方安寧地管有貨品─
行目視查驗。 (i) 賣方;及
「儲存合約」指業務規則第8.3.3段或買家協議第 (ii) 如合約雙方的意向是賣方只轉讓第三者的所
4.4段(按適用)所述的合約。 有權,則該第三者;及
「儲存承辦商」於圖錄指明的公司。 (iii) 任何透過或藉着賣方或第三者提出申索的
「稅項」指香港政府所實施不時適用的所有稅項、 人,而該項申索並非根據在合約訂立前已向買
收費、關稅、費用、徵費或其他評稅,以及所有其 方披露或已為買方所知的押記或產權負擔而提
估計付款,包括,但不限於,收入、業務利潤、分 出的。
行利潤、貨物稅、財產、銷售、使用、增值(增值
稅)、環保、特許、海關、進口、薪金、轉讓、總
收入、預扣、社會保障、失業稅項及印花稅及其他
收費,以及就該等稅項、收費、費用、徵費或其他
評稅的任何利息及罰款。
「恐怖主義」指任何恐怖主義行為或該等行為的威
脅,無論任何人單獨行動或代表或與任何組織及/
或政府有關而行動,為政治、宗教或思想或類似目
的,包括,但不限於,企圖影響任何政府或使公眾
或任何部份公眾陷入恐慌。
「信託帳戶」邦瀚斯的銀行帳戶,就任何拍賣品所
收買價的所有有關項款均收入該帳戶,該帳戶為與
邦瀚斯正常銀行帳戶有所區別及獨立的帳戶。
「網站」網址為www.bonhams.com的邦瀚斯網
站。
「撤銷通知」賣家向邦瀚斯發出的書面通知,以撤
銷由邦瀚斯出售拍賣品的指示。
「不設底價」指並無規定拍賣品可予出售的最低價
格(不論以拍賣或私人協約形式)

詞彙
以下詞句有特定法律涵義,而閣下可能對該等涵義
並不熟悉。下列詞彙乃為協助閣下了解該等詞句,
惟無意就此而限制其法律上的涵義:

「藝術家轉售權」﹕按二零零六年藝術家轉售權規
例的規定,藝術品作者於原出售該作品後,就出售
該作品而收取款項的權利。
「受託保管人」﹕貨品所交託的人士。
「彌償保證」﹕為保證使該彌償保證受益人回復其
猶如導致須予彌償的情況並無發生時所處狀況的責
任,「彌償」一詞亦按此解釋。
「互爭權利訴訟」﹕由法院裁定拍賣品擁有權誰屬
的訴訟。
「投得」﹕拍賣品售予一名競投人之時,於拍賣會
上以落槌表示。
「留置權」﹕管有拍賣品的人士保留其管有權的
權利。
「風險」﹕拍賣品遺失、損壞、損毀、被竊,或狀
況或價值惡化的可能性。
「所有權」﹕拍賣品擁有權的法律及衡平法上的
權利。
「侵權法」﹕對他人犯下法律上的過失,而犯過者
對該人士負有謹慎責任。

香港法例第26章貨品售賣條例

以下為香港法例第26章貨品售賣條例的摘錄:

「第14條有關所有權等的隱含責任承擔

(1) 除第(2)款適用的售賣合約外,每份售賣合約均
有─

(a) 一項賣方須符合的隱含條件︰如該合約是一
宗售賣,他有權售賣有關貨品,如該合約是一
項售賣協議,則他在貨品產權轉移時,將有權
售賣該等貨品;及

(b) 一項隱含的保證條款︰該等貨品並無任何
在訂立合約前未向買方披露或未為買方所知的
押記或產權負擔,而在產權轉移前亦不會有這
樣的押記或產權負擔;此外,買方將安寧地享
有對該等貨品的管有,但如對該項管有的干擾
是由有權享有已向買方披露或已為買方所知的
任何押記或產權負擔的利益的擁有人或其他有
權享有該等利益的人作出的,則不在此限。

(2) 如售賣合約所顯示或從合約的情況所推定的意
向,是賣方只轉讓其本身的所有權或第三者的
所有權,則合約中有─
(a) 一項隱含的保證條款︰賣方所知但不為買方
所知的所有押記或產權負擔,在合約訂立前已
向買方披露;及
Bonhams Specialist Departments To e-mail any of the below use the first name dot second
name @bonhams.com eg. [email protected]

19th Century Paintings British & European Furniture & Works of Art Motor Cars Scientific Instruments
UK Porcelain & Pottery UK UK Jon Baddeley
Charles O’ Brien UK Guy Savill Tim Schofield +44 20 7393 3872
+44 20 7468 8360 John Sandon +44 20 7468 8221 +44 20 7468 5804 U.S.A.
U.S.A +44 20 7468 8244 U.S.A U.S.A Jonathan Snellenburg
Madalina Lazen U.S.A Andrew Jones Mark Osborne +1 212 461 6530
+1 212 644 9108 Peter Scott +1 415 503 3413 +1 415 503 3353
+1 415 503 3326 EUROPE Scottish Pictures
20th Century British Art Greek Art Philip Kantor Chris Brickley
Matthew Bradbury California & Olympia Pappa +32 476 879 471 +44 131 240 2297
+44 20 7468 8295 American Paintings +44 20 7468 8314
Scot Levitt Automobilia Silver & Gold Boxes
Aboriginal Art +1 323 436 5425 Golf Sporting UK UK
Francesca Cavazzini Memorabilia Toby Wilson Michael Moorcroft
+61 2 8412 2222 Carpets Kevin Mcgimpsey +44 8700 273 619 +44 20 7468 8241
UK +44 131 240 2296 Adrian Pipiros U.S.A
African, Oceanic [email protected] +44 8700 273621 Aileen Ward
& Pre-Columbian Art U.S.A. Irish Art +1 323 436 5463
UK Hadji Rahimipour Penny Day Motorcycles
Philip Keith +1 415 503 3392 +44 20 7468 8366 Ben Walker South African Art
+44 2920 727 980 +44 8700 273616 Giles Peppiatt
U.S.A Chinese & Asian Art Impressionist & +44 20 7468 8355
Fredric Backlar UK Modern Art Native American Art
+1 323 436 5416 Asaph Hyman UK Jim Haas Sporting Guns
+44 20 7468 5888 India Phillips +1 415 503 3294 Patrick Hawes
American Paintings U.S.A +44 20 7468 8328 +44 20 7393 3815
Alan Fausel Dessa Goddard U.S.A Natural History
+1 212 644 9039 +1 415 503 3333 William O’Reilly U.S.A Travel Pictures
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Antiquities +852 3607 0010 +1 323 436 5437 +44 20 7393 3962
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+61 2 8412 2222 +44 20 7468 8249 UK Gareth Williams
Antique Arms & Armour Andrew Mckenzie +44 20 7468 5879
UK Clocks Japanese Art +44 20 7468 8261
David Williams UK UK U.S.A Watches &
+44 20 7393 3807 James Stratton Suzannah Yip Mark Fisher Wristwatches
U.S.A +44 20 7468 8364 +44 20 7468 8368 +1 323 436 5488 UK
Paul Carella U.S.A U.S.A Jonathan Darracott
+1 415 503 3360 Jonathan Snellenburg Jeff Olson Orientalist Art +44 20 7447 7412
+1 212 461 6530 +1 212 461 6516 Charles O’Brien U.S.A.
Art Collections, +44 20 7468 8360 Jonathan Snellenburg
Estates & Valuations Coins & Medals Jewellery +1 212 461 6530
Harvey Cammell UK UK Photography HONG KONG
+44 (0) 20 7468 8340 John Millensted Jean Ghika U.S.A Cherie Wong
+44 20 7393 3914 +44 20 7468 8282 Judith Eurich +852 3607 0012
Art Nouveau & Decorative U.S.A U.S.A +1 415 503 3259
Art & Design Paul Song Susan Abeles Whisky
UK +1 323 436 5455 +1 212 461 6525 Prints and Multiples UK
Mark Oliver HONG KONG UK Martin Green
+44 20 7393 3856 Contemporary Art Graeme Thompson Rupert Worrall +44 1292 520000
U.S.A UK +852 3607 0006 +44 20 7468 8262 U.S.A
Frank Maraschiello Ralph Taylor U.S.A Gary Durso
+1 212 644 9059 +44 20 7447 7403 Marine Art Judith Eurich +1 917 206 1653
U.S.A UK +1 415 503 3259 HONG KONG
Australian Art Jeremy Goldsmith Veronique Scorer Daniel Lam
Merryn Schriever +1 917 206 1656 +44 20 7393 3962 Russian Art +852 3607 0004
+61 2 8412 2222 U.S.A UK
Alex Clark Entertainment Gregg Dietrich Daria Chernenko Wine
+61 3 8640 4088 Memorabilia +1 917 206 1697 +44 20 7468 8334 UK
UK U.S.A Richard Harvey
Australian Colonial +44 20 7393 3844 Mechanical Music Yelena Harbick +44 (0) 20 7468 5811
Furniture and Australiana U.S.A Jon Baddeley +1 212 644 9136 U.S.A
+61 2 8412 2222 Catherine Williamson +44 20 7393 3872 Doug Davidson
+1 323 436 5442 +1 415 503 3363
Books, Maps & Modern, Contemporary HONG KONG
Manuscripts & Latin American Art Daniel Lam
UK U.S.A +852 3607 0004
Matthew Haley Alexis Chompaisal
+44 20 7393 3817 +1 323 436 5469
U.S.A
Christina Geiger Modern Design
+1 212 644 9094 Gareth Williams
+44 20 7468 5879
British & European Glass
UK
Simon Cottle
+44 20 7468 8383
U.S.A.
Suzy Pai
+1 415 503 3343

SD22/3/16
International Salerooms, Offices and Associated Companies (• Indicates Saleroom)

UNITED KINGDOM Representatives: Scotland Italy - Rome Representatives: SOUTH AMERICA


Dorset Via Sicilia 50 Arizona
London Bill Allan Edinburgh • 00187 Roma Terri Adrian-Hardy Brazil
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Bury St. Edmunds +44 131 220 2547 fax De Lairessestraat 154 Central Valley ASIA
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England
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Florida
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20123 Milano New York, NY Toronto, Ontario •
GL8 8AQ AFRICA
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M5R 2E2 +234 (0)7065 888 666
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[email protected]
South Africa -
Montreal, Quebec Johannesburg
David Kelsey Penny Culverwell
+1 (514) 341 9238 +27 (0)71 342 2670
[email protected] [email protected]

G-NET25/04/16
Registration and Bidding Form
(Attendee / Absentee / Online / Telephone Bidding)
Please circle your bidding method above.

Fine Chinese Paintings


Sale title:
and Southeast Asian Art
Sale date: 29 May 2016

Sale no. 23345 Sale venue: Hong Kong


Paddle number (for office use only)
If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours
prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue
This sale will be conducted in accordance with
for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will
Bonhams’ Conditions of Sale and bidding and buying
endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids.
at the Sale will be regulated by these Conditions.
You should read the Conditions in conjunction with General Bid Increments HK$:
the Sale Information relating to this Sale which sets $10,000 - 20,000..............by 1,000s $200,000 - 500,000..........by 20,000 / 50,000 / 80,000s
out the charges payable by you on the purchases $20,000 - 50,000..............by 2,000 / 5,000 / 8,000s $500,000 - 1,000,000........by 50,000s
you make and other terms relating to bidding and $50,000 - 100,000............by 5,000s $1,000,000 - 2,000,000......by 100,000s
buying at the Sale. You should ask any questions you $100,000 - 200,000..........by 10,000s above $2,000,000............at the auctioneer’s discretion
have about the Conditions before signing this form.
These Conditions also contain certain undertakings The auctioneer has discretion to split any bid at any time.
by bidders and buyers and limit Bonhams’ liability to
bidders and buyers.

Data protection – use of your information Customer Number Title


Where we obtain any personal information about you,
we shall only use it in accordance with the terms of our First Name Last Name
Privacy Policy (subject to any additional specific consent(s)
you may have given at the time your information was Company name (to be invoiced if applicable)
disclosed). A copy of our Privacy Policy can be found on
our website (www.bonhams.com) or requested by post Address
from Customer Services Department, Suite 2001, One
Pacific Place, 88 Queensway, Hong Kong or by e-mail
from [email protected].
City County / State
Credit and Debit Card Payments
There is no surcharge for payments made by debit cards issued by Post / Zip code Country
a Hong Kong bank. All other debit cards, CUP cards and all credit
cards are subject to a 2% surcharge on the total invoice price.
Telephone mobile Telephone daytime

Telephone evening Fax


Notice to Bidders.
Clients are requested to provide photographic proof of
Preferred number(s) in order for Telephone Bidding (inc. country code)
ID - passport, driving licence, ID card, together with proof
of address - utility bill, bank or credit card statement
etc. Corporate clients should also provide a copy of their
articles of association / company registration documents, E-mail (in capitals)
together with a letter authorising the individual to bid on
the company’s behalf. Failure to provide this may result in By providing your email address above, you authorise Bonhams to send to this address information relating to Sales, marketing material and news
concerning Bonhams. Bonhams does not sell or trade email addresses.
your bids not being processed. For higher value lots you
may also be asked to provide a bank reference. I am registering to bid as a private buyer I am registering to bid as a trade buyer
If successful Please note that all telephone calls are recorded. Please tick if you have registered with us before
I will collect the purchases myself
Important
Please contact me with a shipping quote When registering, the Bidder accepts personal liability for his/her purchase payment, unless it has been previously agreed in writing
(if applicable) with Bonhams, that a Bidder is acting as an agent for a third party. Any person placing a bid as agent on behalf of another (whether
or not he has disclosed this fact or the identity of his principal) will be jointly and severally liable with the principal to the Seller and
* Any person, bidders and purchasers must be at least 18 to Bonhams under any contract resulting from the acceptance of a bid. By signing this form you agree to be bound by the Notice to
years of age to participate in the Sale of Lots comprising Bidders printed in this Catalogue. You also authorise Bonhams to pursue a financial reference from your bank. Finally, Bonhams may
wine, spirits and liquors. request that you provide proof of identity and permanent address for verification and client administration purposes.

Telephone or MAX bid in HK$


Lot no. Brief description Covering bid*
Absentee (T / A) (excluding premium)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE AND WISH TO BE BOUND
BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, TAX AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding.
NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form.
Please email or fax the completed Auction Registration form and requested information to:
Bonhams, Customer Services, Suite 2001, One Pacific Place, 88 Queensway, Hong Kong. Tel: +852 2918 4321 Fax: +852 2918 4320, [email protected]
Bonhams (Hong Kong) Limited. Suite 2001, One Pacific Place, 88 Queensway, Hong Kong. Company Number 1426522. HK/06/14
登記及競投表格
邦瀚斯
(出席者/書面競投/網上/電話競投) 請選擇競投方法

拍賣會標題: 中國書畫及東南亞藝術 拍賣會日期: 2016年5月29日

拍賣會編號: 23345 拍賣會場地: 香港


號牌 (僅供本公司填寫)
如閣下未能親身出席拍賣會,請最遲於拍賣會前24小提供閣下欲競投的拍賣品詳情。競投將被下調至最
本拍賣會將根據邦瀚斯的「業務規定」進行,在 接近的競投增幅。請參閱圖錄中「競投者須知」內有關指示邦瀚斯代表閣下執行電話、網上或書面競投
拍賣會的競投及購買將由「業務規定」規管。閣 的進一步資料。邦瀚斯將代表閣下盡力執行該等競投,但本公司並不對任何錯誤或未能執行競投承擔責
下閱讀「業務規定」時應一併閱讀有關本拍賣會 任。
的「拍賣會資料」,該「拍賣會資料」載有閣下 一般競投價遞增幅度(港元):
於作出購買時須支付的費用,以及有關在拍賣會 $10,000 - 20,000..............按 1,000s $200,000 - 500,000..........按 20,000 / 50,000 / 80,000s
競投及購買的其他條款。閣下若對「業務規定」 $20,000 - 50,000..............按 2,000 / 5,000 / 8,000s $500,000 - 1,000,000........按 50,000s
有任何疑問,應在簽署本表格前提出。「業務規 $50,000 - 100,000............按 5,000s $1,000,000 - 2,000,000......按 100,000s
定」亦包含由競投人及買家作出的若干承諾及限 $100,000 - 200,000..........按 10,000s $2,000,000以上………....由拍賣官酌情決定
制邦瀚斯對競投人及買家的責任。
拍賣官可隨時酌情決定把任何競投價拆細。
資料保護 - 閣下資料的使用
在本公司獲得任何有關閣下的個人資料時,本公 客戶編號 稱銜
司只會根據本公司的「私隱政策」條款使用閣下
的資料(以閣下披露資料時給予本公司的任何 名 姓
額外特定同意為準)。閣下可透過本公司網站
公司名稱(如適用的話將作為發票收票人)
(www.bonhams.com)、郵寄香港金鐘道88號太古
廣場二座1122室客戶服務部或電郵至hongkong@ 地址
bonhams.com索取「私隱政策」的副本。

信用卡及扣賬卡付款 城市 縣/郡
如閣下透過香港銀行簽發的扣賬卡付款,本公司
將不會徵收附加費。如閣下以其他扣賬卡、銀聯 郵編 國家
卡及所有信用卡付款,本公司將徵收總發票金額
的2%作為附加費。 流動電話 日間電話
夜間電話 傳真
競投者須知
客戶需提供身份證明文件如護照、駕駛執照、身 競投電話號碼(包括電話國家區號)
份證的副本證明,以及住址證明如水電費賬單、
銀行或信用卡結算單等。公司客戶亦需提供公司
章程/公司註冊文件的副本,以及授權個別人士 電郵(大楷)
代表進行競投的函件。如閣下未能提供上述文
件,可能導致本公司未能處理閣下的競投。如閣 閣下倘若提供以上電郵地址,代表授權邦瀚斯可把跟拍賣會﹑市場資料與消息相關的信息發送至此電郵地址。邦瀚
斯不會售賣或與第三方交換此電郵地址資料。
下競投高價的拍賣品,本公司可能要求閣下提供
銀行信用證明。 本人登記為私人客戶 本人登記為交易客戶
請注意所有電話對話將被錄音 以往曾於本公司登記
如成功競投拍賣品
本人將自行提取貨品 重要提示
請向本人提供運輸報價(如適用)  
除非事前另行與邦瀚斯以書面協定競投人以第三方代理人的身份行事,否則一經登記,競投人須對其購買款
項承擔個人責任。任何作為他人代理的人士(不論他是否已披露其為代理或其主事人的身份)須就其獲接納
的出價而產生的合約與主事人共同及個別地向賣家及邦瀚斯承擔責任。透過簽署此表格,閣下同意接受本圖
* 任何人士、競投人及買家必須年滿18歲方可於拍賣會 錄內的「競投者須知」的約束。閣下亦授權邦瀚斯向閣下的銀行查詢閣下的財務狀況。邦瀚斯可要求閣下提
上參與競投葡萄酒、烈酒及酒精飲料等拍賣品。 供身份證明及永久地址供查核及客戶管理用途。

最高港元競投價
電話或書面
拍賣品編號 拍賣品說明 (不包括買家費用) 應急競投價*
競投

閣下簽署此表格,則代表閣下已閱讀圖錄,亦已細閱並理解我們的「業務規定」,並願意受其約束,及同意繳付「競投人通告」內提及「買家費用」﹑增
值稅及其他收費。這影響閣下的法律權利。
簽字: 日期:

* 應急競投價:表示如在競投期間我們未能透過電話與閣下聯絡或電話連線中斷,則只有邦瀚斯可獲閣下授權以應急競投價為最高競投價(不包括買家費用)代閣下進行競投。
進行付款的戶口持有人名稱必須與發票及「拍賣登記表格」上所列的名稱相同。
請將填妥的「拍賣登記表格」及所需資料電郵或傳真至:
香港金鐘道88號太古廣場二座1122室客戶服務部 電話:+852 2918 4321 傳真:+852 2918 4320,[email protected]
香港金鐘道88號太古廣場二座1122室Bonhams (Hong Kong) Limited.公司編號1426522 HK/08/15
192 | BONHAMS
FINE CHINESE PAINTINGS AND SOUTHEAST ASIAN ART | 193
Bonhams
Suite 2001
One Pacific Place
88 Queensway, Admiralty
Hong Kong

+852 2918 4321


+852 2918 4320 fax

International Auctioneers and Valuers – bonhams.com

194 | BONHAMS

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