Architectural Designs in Camarines Sur
Architectural Designs in Camarines Sur
Architectural Designs in Camarines Sur
DESIGNS IN
CAMARINES SUR
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It
Gabaldón Schoolhouse
These
was designed by architect Gian Paololegacy
early 1900’s school buildings are the lasting of theand
P. Priela Nueva Ecijañon Assemblyman,
completed under theIsauro Gabaldón,
direction of
who sponsored the act in 1907. It Designed by William “Willie” Parsons, a Yale and French École des Beaux-Arts.
engineer Noriel L. Villar. The Porta Mariae was blessed and inaugurated by
They designed buildings of warmth, efficiency and engaging simplicity. Parsons’ buildings had plain, broad
Archbishop
surfaces of solid pastel colours and wereLeonardo Legaspi
usually topped on 9 September
by handsome tile roof. They 2010
employed key elements from
the Spanish era designs, like the use of ’tisa’ for roofing. Rather than breaking away from the Philippine Spanish
tradition, the two architect accomplished a “creative transition well rooted in the Spanish heritage, drawing on
American public models and expressing the grand conceptions and practical spirit of the new imperial regime.
Founded on March 7, 1793 by Archbishop Antonio Gallego of Manila, When the seminary building opened in
1793 it was made of wood, bamboo and nipa which a certain bishop noted as "combustible and of non-durable
materials”. In 1865, Nueva Caceres Bishop Francisco Gainza, O.P. rebuilt and expanded the new seminary
building. Holy Rosary Minor Seminary underwent repairs and improvements in the past but somehow it has
retained its distinct colonial style and Spanish period ambiance. Evoking wisps of nostalgia is its age-old building
with its arcaded facade, visual bands of cornices and pilasters, its stream of French windows and balconies of
delicately wrought iron grilles. The first story has floors and walls paved with plain and brightly colored tiles,
while its arcaded corridors often glimpse of its quiet garden-soothing areas for peace and contemplation. Winding
up to the upper floor is its balustrade staircase paved in black and white checkerboard pattern. Its second story was
built of Philippine hard wood as seen in its flooring, beams and trusses. Its roof of galvanized iron sheet was once
a bright cap of red tiles which was the style of the period. It was declared as a National Historical Landmark on
June 11, 1978 by then National Historical Institute
St. Michael Archangel Church
This 16th century old church, founded in 1619 by Franciscan missionaries, holds its own unique and endearing
charm. This red brick church found in the quaint town of Caramoan has withstood countless natural calamities and
even the devastation of World War II. It started as a chapel built out of indigenous materials like nipa, bamboos and
wood. Thereafter, the chapel underwent several repairs/renovations and a permanent structure was finally
constructed only after almost 200 years. The building was constructed by slave labor out of adobe, local stones and
clay under the supervision of well-known artisans and masons. its walls are made of bricks punctured by arched
doors and windows.
The Carmen
A modern and contemporary hotel located in Naga City. The hotel’s facade made distinct by metal cladding
fashioned to evoke the flow of the Naga River. It is designed by WTA architecture and design studio. One can’t
help but notice how the designers effectively made use of contrasting elements to create one cohesive space. The
hotel is a study of contrasts. In addition to wood, stone and fabric are used. Furthermore, varying hues of yellow,
brown, grays, and black bring the hotel area to life. Designer lighting highlights and enhances. And contrasting
patterns and textures reinforce the contemporary vibe.