Broadway Baby Gotes

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Lynette Marshall

Julio Matos

Singing and Dancing

17 April 2014

“Broadway Baby”

Name: Lynette Marshall

Song: “Broadway Baby”

Musical: Follies

Book Writer: James Goldman

Composer: Stephen Sondheim

Lyricist: Stephen Sondheim

Choreographer: Michael Bennett

OUT OF CONTEXT

Relationship:

My scene partner is the panel of producers and casting directors at the audition.

Goal:

I need the casting directors and producers to choose me to star in their new hit musical.

Obstacle:

I have never auditioned at this level before so it’s a very nerve racking environment. I

have made no name for myself, which means no reputation for better or worse. The producers

have been sitting watching auditions for the entire day already and they seem to be getting antsy

to finish up the day. I was told to wear something comfortable to dance in, but my clothes got
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wrecked by my cat, who peed on half my clean laundry. I also didn’t have much time to speak to

the accompanist before I had to sing.

Tactics:

to smile, to dance, to sing, to charge, to wiggle my toes, to believe, to speak clearly, to

joke

Environment:

I am in Pearl Studios, 500 8th Ave, New York, NY 10018, on the twelfth floor. It is mid

October and it’s just nice enough where you only need a light jacket. There were about seventy-

five girls, who wore better clothes and had better hair and nicer teeth than me, that have gone

before me. I feel like Cathy Hyatt singing, “Climbing Uphill” from The Last Five Years. In the

studio there is a long gray fold out table lined by twelve balding men and one mousy looking

girl, probably an intern. The accompanist is sitting behind a keyboard and looking like he wants

to kill himself. There are two windows to the right of me and I can look across and see the

opposite building from where I stand in the middle of the studio. I have been asked to take my

heels off so I’m standing in my stocking feet looking even more like a short fat hobbit than I did

before.

Stakes:

If I do book this job, my life will be turned upside right. My parents won’t have to be

worried about supporting me and I can quit my job at Barney’s. My dreams of originating a role

on Broadway would be fulfilled and I could finally tell everyone who’s been rooting for me since

day one, that I’ve done something with my talent.


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If I don’t end up booking this job, I need to take on another survival job, my parents will

keep calling me asking how I’m holding up, my self esteem will take a minor hit, but ultimately

it’s on to the next audition!

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