Revolutionary Literature
Revolutionary Literature
Revolutionary Literature
Revolutionary period in our Philippine literary journey marked a drastic period of inflamed emotions and
fiery rhetoric on the account of achieving freedom from the shackles of tyranny. Revolutionary period
likewise saw various literary masterpieces written as ammunition and shield in the ever-changing tide of
war to independence. Periodicals and magazines were likewise continued to flourish as both avenue for
idea propagation and vehicle for literary initiatives. So, hang on as we explore this very significant
revolutionary period of our nation’s history and literary tradition.
Historical background
The Filipinos did not get the reforms demanded by the propagandists.
The government turned deaf ears to the oppression and abuses of the colonial officials.
The good intention of Mother Spain was reversed by the friars.
Many Filipinos affiliated with Rizal’s La Liga Filipina (The Filipino League).
Events which triggered the outbreak of Revolution include:
1) The Banishment of Rizal to Dapitan, Zamboanga del Norte;
2) The establishment of the then secret society KKK (Katipunan);
3) The execution of Jose Rizal; and
4) The discovery of Katipunan and arrest of its members.
REVOLUTIONARY WRITERS
Andres Bonifacio
Emilio Jacinto
Apolinario Mabini
Jose Palma
Jose Rizal
He is well-known for being a propagandist and his way of fighting the Spanish Government through his writing by
His works and his words made him a major target during the revolution, and he was put on trial and executed for
He chose to have a silent war and not a bloody war because he thinks that it is the only way to gain freedom.
Through that, other Filipinos were motivated to get that freedom. They started many revolts against the Spanish
Government.
He was born in Calamba, Laguna, Philippines. He died on December 31, 1896 in Bagumbayan Manila, Philippines.
EL FILIBUSTERISMO
El Filibusterismo was written in dedication to the three martyred priests Mariano Gomez, Jose Burgos, and Jacinto Zamora,
Like Noli Me Tangere, Fili aims at enlightening the society, at bringing the Filipinos closer to the truth. But whereas in the
first novel, we are encouraged to ask and aspire for change and liberation, in this novel, the society is urged to open its eyes
to reality and rebel against the Spanish government for its oppression and abuse.
In Noli, there is aspiration, beauty, romance, and mercy. In Fili, all the reader will feel is bitterness, hatred, and antipathy.
The romance and aspirations are gone. Even the characters' personalities seem to have undergone radical change. This is how
different Rizal's second novel is. Considering that both were written by the same author, the plots are poles apart.
Outright scorn and bitterness may already be felt at the beginning of the story, where Simoun promotes abuse and tyranny in
the Spanish government, in the hope that the people will reach the limits of their endurance and declare a revolution.
Simoun, who is actually Noli's Ibarra in disguise, conveys an entirely different personality in Fili. While Ibarra is trusting,
aspiring, and loving, Simoun is now cunningly careful in his dealings, distrusting, and extremely bitter. Something changed
in Rizal; and this is reflected in the personalities he gave his El Filibusterismo characters.