Indian Constitution Art Work
Indian Constitution Art Work
Indian Constitution Art Work
T H E B LO G
Kala Bhavan, the centre for fine arts was set up under the stewardship of Acharya
Nandalal Bose. Bose, who was a nationalist and very close to Mahatma Gandhi,
created a home-spun curriculum of art education that incorporated Tagore's notions about
creativity and experimentation.
Bose identified new and indigenous sources of inspiration, and evolved a new
aesthetic language. He added to his own creative genius the grand artistic
traditions of ancient India (particularly the Ajanta and Bagh murals and Rajasthan and
Mughal traditions) and that of Indian folk art. He had already imbibed influences of Sino-
Japanese art under his teacher Abanindranath Tagore and was enriched further through
his interactions with visiting Japanese artists at Shantiniketan.
Earlier, in 1909-11, when Christine Herrington, a force in the English mural movement,
visited India in order to copy the rapidly deteriorating Ajanta murals, Nandalal Bose and
other artists from Calcutta (students of Abanindranath Tagore) had gone along to assist
her. The impact of the Ajanta murals on Bose was staggering. Later, Bose and other
Shantiniketan artists -- Asit Haldar and Surendranath Kar -- were sent to copy the exquisite
but rapidly deteriorating murals of the ancient Bagh caves in present-day Madhya
Pradesh.
Inspired by the Ajanta and Bagh experiences, Nandalal Bose and his students later
initiated a program in fresco and murals at Kala Bhavan. The art of modern Indian
fresco and mural was thus born in Shantiniketan.
Shantiniketan and the Constitution of India
The original handcrafted Constitution of India was exquisitely designed and executed. The
fine calligraphy in the book was done by Prem Behari Narain Raizada using a holder and
nib (nib no. 303). He did not charge any fee for this work.
In Shantiniketan, along with his students, Nandalal Bose completed the art work. The
"Preamble" page was done by Beohar Rammanohar Sinha. Another Kala Bhavan artist
associated with the artwork was Kripal Singh Shekhawat from Rajasthan, who after
returning to his home state, subsequently went on to revive Jaipur blue pottery from near
extinction.
Many pages of the Constitution are embellished with highly stylised decorative borders,
headers and backdrops. The complex patterns in the borders and in the front and back
covers, embossed in gold on leather, are reminiscent of the Ajanta murals.
At the beginning of each part of the Constitution, Nandalal Bose has depicted a
phase or scene from India's national experience and history. The artwork and
illustrations (22 in all), rendered largely in the miniature style, represent vignettes from the
different periods of history of the Indian subcontinent, ranging from Mohenjodaro in the
Indus Valley, the Vedic period, the Gupta and Maurya empires and the Mughal era to the
national freedom movement. By doing so, Nandalal Bose has taken us through a veritable
pictorial journey across 4000 years of rich history, tradition and culture of the Indian
subcontinent.
Other important figures from India's history include Akbar, Shivaji, Guru Gobind Singh, Tipu
Sultan, and Lakshmibai. The freedom movement is depicted by Mahatma Gandhi's Dandi
march and his tour of Noakhali as the great peacemaker; Netaji Subhash Chandra Bose
makes an appearance too. Scenes of the Himalayas, the desert and the ocean are also
included.
The illustrations and the decorative borders are quintessential of the
Shantiniketan/Kala Bhavan style, which in turn was greatly influenced by the cave
paintings of Ajanta and Bagh. In many ways, the original handcrafted Constitution of India,
as a work of exquisite aesthetic expression, represents one of the triumphs of
Shantiniketan and Kala Bhavan.
Source of Constitution images: World Digital Library
You will find Shumon Sengupta's posts and albums from his travels across the continents
at "Tales from the Trails of a World Citizen".)
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