Loc - Ark 13960 t4zg7tk0m-1593591145 PDF
Loc - Ark 13960 t4zg7tk0m-1593591145 PDF
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ART OF MAGIC
CONTAINING
ALEXANDER HERRMANN
BY
T. T. TIMAYENIS
MEMBER OP THE ORDER OT THE ROYAL CROSS OF GREECE
NEW YORK
PEESS OF J. J. LITTLE & 00,
10 to 20 Astor Place
1887
COPTRTGHT, 188T, BX
T. T. TIMAYENIS.
* *
TO THE READER.
magic, to which the earlier pages of this little book are de-
general reader.
THE ART OF MAGIC
is
appreciate according to its value. The knowledge of such
rare phenomena and their causes could, therefore, in remote
times, only be known to the wisest sages and rulers. These
as their secret learning and transmitted to
it
preserved
it
their children under the cloak of religion, with which all
their secrets were covered.
Magic derives its name from Magi (Greek jxdyoi), and
the word Mag was used by Jeremiah (629 b. c.) to indicate
Babylonian priest. The magi were men of austere habits
a
Their mode of life was strict and their first law purity.
Twice each day they were obliged to wash ; their garments
were of cotton or linen, and their shoes were made from the
papyrus. Their revenues were derived from farming their
own land, and from offerings voluntarily given. The money
thus derived was placed in a common treasury, from which
the guardians of the temple received their salaries. Their
food consisted principally of vegetables, but also occasionally
of flesh, which was first inspected by properly authorized
persons, and, being found healthy and sound, was marked by
a peculiar seal, for they knew that eruptions, various diseases
of the eyes, and other ailments arose from bad food. Pork
was only eaten once a month, at full moon ; fish, particu-
larly sea-fish, was also forbidden them.
One great characteristic of magic is the fixity with which
magical formulas framed thousands of years ago hold on
almost unchanged to this day. To understand this, it must
be borne in mind that, if there were any practical use in such
rules as those followed by the magi, they would have been
improved by experience into new shapes. But, they being
worthless and incapable of improvement, the motive of
change is absent, and the old precepts have held their ground,
handed down by faithful but stupid tradition from age to
age. We, therefore, venture to say that magic to-day in
Africa, Australia, or any part of Asia, is essentially the same
as it was thousands of years ago. We do not mean that
magic throughout the world is the same, for each nation
has a distinct form of magic peculiar to itself, but the
various forms current to-day, especially in semi-civilized or
barbarous portions of the world, are exactly the same as
they have been from time immemorial.
8 THE ABT OF MAGIC.
HEALING BY WOEDS.
"Is not my word as a fire ? saith the Lord; and like a
hammer that breaketh the rock in pieces ?" (Jer. xxiii. 29.)
Healing by words was common in the early ages, particu-
larly in the Church, and was used not only against the devil
and magic arts, but also against all diseases. Not only did
the early Christians heal by words, but the old magicians
performed their wonders by magical formulas. The Egyp-
tians were great believers in the magic power of words. The
Greeks were also well acquainted with the power of words,
and give frequent testimony of this knowledge in their
poems. Orpheus lulled the storm by his song, and Ulysses
stopped the bleeding of wounds by the use of certain words.
Cato is said to have possessed formulas for curing sprains,
while Marcus Varro is reported to have cured tumors in a
similar fashion.
This is not the place to enter more fully into this subject,
but it may not be superfluous to remember that in every
word there is a magical influence, and that each word is in
itself the breath of the internal and moving spirit. A word
of love, of comfort, of promise, is able to strengthen the
timid, the weak, and the physically ill. But words of
hatred, censure, enmity, or menace lower our confidence
and self-reliance. How easily the worldling, who rejoices
over good fortune, is cast down under adversity ! Despair
only enters where religion is not — where the mind has no
universal and Divine Comforter. But there
is,
probably, no
one entirely proof against curses or blessings.
HANDS.
By the touch of the hands visions and the power of
THE ART OF MAGIC. 11
Not less clearly does the story of Medea and her caldron
typify the witch-doctress with her drugs,, powerful both to
kill and to bring to life.
Medea was the daughter of iEetes,
king of the Colchians, who are said to have founded a set-
tlement on the east of the Black Sea and to the south of the
Caucasus. Medea was one of the " wise women " (witches
or sorceresses) of antiquity, and she took terrible revenge on
Jason for his desertion of her for another bride. Medea
may be considered one of the oldest witches in the magic
art. Her witchcraft, as mentioned by Greek authors who
lived about 600 b. a, was "old" even in their time. The
worship of Hecate, the moon-goddess, sender of midnight
phantoms, lent itself especially to the magicians. Hecate
was the chief goddess who presided over magic arts and
spells, for all incantations were performed by the light of
the moon. Medea is in this respect closely associated with
her worship. It is in an ancient Greek writer, Theocritus,
where we really find the "original recipe" employed by the
witches of Shakespeare. Theocritus, in one of his idyls,
represents a passionate witch crying to Hecate, the moon,
to shine clear while she compels, by sacrifice, her faithless
lover, and goes through the magic ritual of love and hate,
striving to bring her beloved one back to her by whirling
the brazen rhomb, scattering bones with the scattered bar-
ley, melting him to love by the melting wax, casting into
the fierce flames a torn shred of his cloak and laurels, to
crackle and blaze and be consumed, that his flesh shall be
consumed likewise. This ancient witchcraft ascribed magic
power to such filth as pounded lizards and the blood of
creatures untimely dead, revolting messes made familiar to
moderns, as it has been stated, by Shakespeare.
THE ART OF MAGIC. 17
There
popular beliefs respecting magic, sorcery, demonology, nec-
romancy, airy spirits, nymphs, etc., were so deeply rooted
as in Scotland and England.
o'
a
AEROMANCY.
This name was given to divination through certain ap-
pearances in the air. Besides the observation of meteors it
included the study of the clouds, both those in process of
formation and those that assume a variety of shapes ; for
itwas believed that the cloud-forms foretold the happy and
unhappy aspect of the planets. It was claimed that the
four elements were peopled with spirits called sylphs,
nymphs, gnomes, salamanders, etc. The gnomes were de-
mons which lodged in the earth and were always intent upon
doing mischief. Water was the home of the nymphs, while
fire was that of the salamanders. The sylphs, peopling the
air, were the most beautiful and lovable creatures in the
world. We are told that one could easily approach them,
yet on one condition, which rendered it well-nigh impossi-
ble — it was, to be absolutely chaste.
ALECTRYOMANCY.
Alectryomancy was an ancient kind of divination which
attempted to foretell events by means of a cock, and was
employed among the Greeks in the following manner : A
circle was made on the ground and divided into twenty-four
equal portions or spaces ; in each space was written one of
the letters of the Greek alphabet, and upon each of these
letters was laid a grain of wheat. This being done, a cock
T&E ART OF MAGIC. 25
ALEUROMANCY.
From the Greek word aleuron, meaning flour, is a sort of
26 THE ART OF MAGIC.
ANTHROPOMANCY.
ASTROLOGY (JUDICIAL).
Astrology is generally divided into natural astrology, the
science which predicts the motions of heavenly bodies and
eclipses of the sun and moon, and judicial astrology, which
studies the influence of constellations on the destiny of men
and empires. The latter has taken root so deeply in the
human mind that neither experience, nor the falsity of its
predictions, nor the progress of civilization have been able
to totally extirpate it. To this day, a few may be found
who, from a superstitious reverence for the past, or the
spirit of contradiction, pride themselves on their adherence
to the belief in stellar influences. Even if the said science
were exact, it is difficult to see the advantage which would
result to the world at large for men to know their future ;
for they could not fight against the laws of destiny, while
they would have a premature source of sorrow in case an
ominou3 fate awaited them. What pleasure could such
knowledge have brought to Socrates, Phocion, Caesar, Pom-
pey, Charles I., Henry III., IV., Louis XVI., and many
others, whose names are inscribed on the bloody pages of
history ?
Mars over the blood and nostrils ; Venus over the flesh ;
the moon over all the members, but principally over the
brain, lungs, stomach, and left eye.
Hence the nature of every man is in direct rapport with
the planet under which he is born. Thus, he who is born
under the domination of the sun is beautiful, frank, gener-
ous ; he who has been dominated by Venus is rich and fond
of pleasure ; by Mercury, clever, intelligent, and gifted with
an excellent memory ; by Saturn, unfortunate ; by Jupiter,
just and famous ; by Mars, happy and valiant. Colors even
belonged to the different planets : black to Saturn ; blue to
Jupiter ; red to Mars ; gold to the sun ; green to Venus;
white to the moon ; and mixed colors to Mercury.
The horoscope of a child newly born may be predicted as
follows : Let us suppose that it is born under the domina-
tion of the sun. According to the astrologers, the progression
which this planet accomplishes from the moment of the
birth of the child forms, day by day, the principal deter-
mination of its fortune for every year. Thus, a child being
born at ten minutes past one in the afternoon, its genea-
logical figure is computed upon that moment ; for it is the
root of its life, and the general figure we are always to fol-
low. But by computing the figure of the state in which
the sun and all planets find themselves the following day
at the same hour, and comparing this second figure with the
first, we obtain the fortune of the second year of the life of
30 THE ART OF MAGIC.
AXINOMAISTCT.
Prom the Greek axe, a hatchet, divination by the axe.
This instrument was placed in equilibrium upon a stake.
Thereupon the names of suspected persons were pronounced.
When the axe made some movement during the pronuncia-
tion of any of these names, it was deemed a certain proof
that the name was that of the guilty one.
BELOMANCY.
BOTAMANCY.
CAPNOMANCY.
CATOPTROMANCY.
CEPHALOMANCY.
This operation consisted in burning upon coals the head
of a donkey. This sacrifice was made to demons, and com-
pelled them to respond to the questions addressed to them.
CEROMANCY.
CHIROMANCY.
CLEKOMANCY.
CLEDOKISM.
COSCISTOMAKCY,
As the word implies, is the art of diyination by a sieve.
The sieve being suspended, after the repetition of a cer-
tain formula, is taken between two fingers only, and the
names of the persons suspected repeated. He at whose
name the sieve turns, trembles, or shakes, is reputed guilty
of the charge in question. This doubtless must be a very
ancient practice. Theocritus, in his Third Idyllion, men-
tions a woman who was very skilful in it. It was sometimes
also practised by suspending the sieve by a thread, or fixing
it to the points of a pair of scissors, giving it room to turn,
and naming, as before, the parties suspected. In this man-
ner coscinomancy is still employed in some parts of Eng-
land. From Theocritus it appears that it was not only used
to find out culprits, but also to discover secrets,
DACTYLOMANCY.
This issort of divination performed by means of a ring.
a
It was done by holding a ring, suspended by a fine thread,
over a round table, whose edge contained a number of
marks with the 24 letters of the Greek alphabet. The
ring, in shaking or vibrating over the table, stopped over
certain letters, which, being joined together, composed the
required answer. But this operation was preceded and ac-
companied by several superstitious ceremonies. The ring
was to be consecrated with a great deal of mystery. The
person holding it was to be clad in linen garments to the
very shoes, his head was to be shaven all round, and he was
to hold vervain in his hand.
The whole process of this mysterious rite is given in the
29th book of Ammianus Marcellinus.
THE ART OF MAGIC. 39
EXTISPICIUM.
(From exta and spicere, to view, consider.) The name of
the officer who examined the entrails of the victim was
Extispex.
This method of drawing presages relative to futurity was
much practised throughout Greece, where there were two
families consecrated and set apart particularly for the exer-
cise of it.
Among the Etruscans in Italy, likewise, the art was in
great repute. Lucian gives us a fine description of one of
these operations in his first book.
GASTKOMAKCY.
This species of divination, practised among the ancients,
was performed by means of ventriloquism.
There is another kind of divination called by the same
name, which is performed by means of glasses, or other
round transparent vessels, within which certain figures ap-
pear by magic art. Hence its name, in consequence of the
figures appearing as if in the interior of the vessel.
GEOMAXCY.
Was performed by means of a number of little points or
dots, made at random on paper, and afterwards considering
the various lines and figures which these points present,
thereby pretending to form a judgment of futurity, and
deciding-^ proposed question.
Polydore Virgil defines geomancy as a kind of divination
performed by means of clefts or chinks made in the ground,
and he takes the Persian magi to have been the inventors
of it.
40 THE ART OF MAGIC.
HYDKOMAXCY.
OKOMANCY.
OSTEJKOCEITICS.
PYROMANCY.
A
species of divination performed by means of fire.
The ancients imagined they could foretell futurity by in-
specting fire and flames. For this purpose they considered
its direction, or which way it turned. Sometimes they
it,
PSYCHOMANCY, OR SCIOMAKCY.
SIBYLS.
THE GENII.
The ancients gave the name of genius (plural genii), to
good or evil spirits, supposed to preside over every person,
place, and thing, and especially to rule over a man's destiny
from his birth.
In Oriental tales genii are constantly mentioned and seem
to constitute a family as numerous as it is multifarious.
GHOSTS.
PUCK.
Puck is a little imp who had his domicile among the Do-
minicans (a religious order of St. Dominique), at Scheverin.
Notwithstanding the tricks which he played upon strangers,
he was often very useful to them. Under the form of a
monkey, he turned the gridiron, drew the corks off the wine-
bottles, swept the kitchen, etc. We find him in England in
the form of Eobin Goodfellow. Puck in Sweden is called
Wissegodreng or Wisse, the good fellow. He lives on good
terms with Tomtegobie, or the Old Nick of the farm-houses,
who is a devil much of the same sort. In Denmark, Puck
possesses rare talent as a musician.
TRIAL BY FIRE.
This method of trial seems so dangerous that one is
tempted to think that those subjected to it must have pos-
sessed some chemical substance to protect them against the
action of heat. The following story will give an idea of the
manner in which the trial was made : Emma, mother of Ed-
ward III., was accused of improper relations with the Bishop
of Winchester, whereat the credulous and superstitious
king wished that she should be justified by the trial of fire.
It was decided that she would walk nine steps barefooted
over nine red-hot pieces of iron, and then take five more
steps
" for the Bishop of Winchester." She consented to
the trial and spent the night in prayer. At daybreak the
usual ceremonies took place, and then, in the presence of
the king and all the dignitaries of the kingdom, the queen
walked between two bishops over the red-hot pieces of iron.
The fire caused her so little pain that she asked how long it
THE ART OF MAGIC. 57
it,
up, but she could not do and the doctor who held her
replied " This devil has no feet and cannot stand upP
:
a
ject of conversation, finally attracted the attention of the
government. On the 2d of April the attorney-general said
before the court. "A few days ago there arrived in this
city girl who they say possessed of the wicked spirit
is
a
;
at the church of Sainte-Genevieve she has been seen and
visited by physicians and other persons who are well assured
of the imposition practised, wherefrom much evil ensues."
The court, therefore, decided that the girl be turned over
to the custody of the police until her trial should take place.
The Bishop of Paris at once went and declared to the
attorney-general that not later than the day before he had
believed that the possession of Martha Brossier was fla-
a
and begged for delay of two or three days ere the decree of
a
5
66 THE ART OF MAGIC.
ok EXOKCISMS.
spectable
"
spirit. They to this end asked Antoinette de
Groslee what she thought the spirit might be. She replied
that having often dreamed of Sister Alix de Tisieux, she could
not think otherwise but that it was the soul of the said sister
which manifested itself to her. They then conjured the
spirit to dissipate the doubt they entertained upon that sub-
ject, and the spirit spoke. It said that it really was Sister
Alix de Tisieux. Immediately the sister superior summoned
her council, which deliberated for a long time, and finally
decided that the body of the said sister should be exhumed
from the spot where it reposed and be transported into one
of the chapels of the nunnery. This translation was made
with great pomp, and the spirit manifested its joy by strik-
ing more loudly than eyer under the feet of the young and
beautiful possessed one. The ceremony being now ended,
it was decided that the soul of poor Sister Alix should be
delivered, if possible, from the pains of purgatory, and to
make "assurance doubly sure" that the devil had not em-
ployed this subterfuge to torment these good sisters.
It was on Friday, the 22d of February, 1526, that the
Bishop of Lyons, accompanied by several priests, visited the
nunnery in order to discover whether it was really the soul
of the defunct nun or an evil spirit that caused all the
trouble. When everything had been prepared for the exor-
cisms, and those present swore under pain of excommunica-
tion to reveal nothing of what they might see or hear, the
bishop and the sister superior proceeded into the meeting-
room, where the bishop took his seat upon a throne that
had been prepared for him. Following came the abbess and
the sisters, each according to her rank and age. When
everything was ready, the bishop rose and sprinkled the
THE ART OF MAGIC. 71
room with holy water, invoking the Supreme aid. Then the
abbess, followed by one of the oldest sisters, brought forth
the one possessed, who knelt upon a marble step in a man-
ner so that the noise which the spirit might make should be
easily heard. The bishop asked her first how she was,
" Very well, thank God ! " she replied. Then he spoke to
her about the spirit which manifested its presence by tap-
ping under her feet. The bishop thereupon made the sign
of the cross upon her forehead, stretching his hands over
her head, and spoke in the following manner to those pres-
ent :
" My dear lords and brethren, it is a notorious fact that
the angel of darkness transforms himself often into an angel
of light, and by some means deceives and astounds the ig-
norant. From fear, therefore, lest by reason of some wicked
motive, he, the devil, may have lodged in the building occu-
pied by these good religious women, we first of all wish to
smite him and drive him out if he is in this place, armed as
we are with the spiritual sword, that he in no way disturb
our holy meditations and intentions ! "
Having thus spoken, the reverend bishop addressed him-
self directly to the spirit in the following terms :
" Come forward, if you dare, spirit of darkness, if it be
true that thou hast taken thy habitation in the midst of
these simple-minded sisters ; hear my voice, prince of false-
hood, grown old in reprobation, destroyer of virtue, in-
ventor ofrniquities ; hear what a sentence we pronounce
against thy frauds. Thou art ashamed of us, and thou
breathest forth madness and rage against us, for thou wilt
be obliged to go hence and abandon to us this paradise ;
thou triest to deceive us, but we are on the watch against
72 TEE ART OF MAGIC.
it,
The bishop therefore anew armed himself against and
proceeded in the following terms
" Cursed spirit
:
may be thy tartareous (from tartar os, the hell of the ancient
Greeks) hierarchy and the pleasure thou takest in deceiv-
ing these excellent nuns, we invoke the Father, we suppli-
cate the Son, we claim the assistance of the Holy Spirit,
that its resistless might prevent thee from following the
steps of our sister, Antoinette. We anathematize thee, oh,
ancient serpent We interdict thee these places, and also
1
E. Yes.
Qu. Tell me, whether any angel is near thee ?
E. Yes.
Qu. Tell me, whether that angel is really yery happy ?
E. Yes.
Qu. Does that good angel follow thee everywhere thou
wishest to go ?
E. Yes.
Qu. Has he at any time ever left thee ?
E. No.
Qu. Tell me, if this good angel comforts and consoles thee
in thy afflictions and troubles ?
E. Yes.
Qu. Canst thou see other angels besides thy own ?
E. Yes.
Qu. Dost thou ever see the devil ?
E, Yes.
Qu. Tell me, I adjure thee, by the mighty name of God,
if there is truly any particular spot, called purgatory, where
all souls can remain which are through divine justice con-
demned there ?
E. Yes.
(This question was a shaft aimed against " the damned as-
sertions to the contrary of the Lutheran heretics ")
Qu. Hast thou seen any one in purgatory whom thou
hast known before in the world ?
E. Yes.
Qu. Knowest thou the time when thou wilt be free from
thy pain ?
E. No.
*
Qu. Couldst thou be delivered through fasting, prayer, and
almsgiving ?
76 THE ART OF MAGIC.
E. Yes.
Qu. Tell me, whether a yisit to some holy spot might free
thee ?
E. Yes.
Qu. Can the Pope deliver thee ?
E. Yes.
Having asked these questions and many others which it is
unnecessary to reproduce here, the bishop addressed him-
self to the soul of Alix in the following terms :
'■'-
My dear sister : Thou perceivest here how this honorable
and devoted company has been assembled in order to pray
God the Creator that it may please Him to put an end to the
pains and sufferings thou endurest, and that thou mayst be
received into the company of His good angels and saints
of Paradise."
During all this time, the spirit moaned and groaned aloud
under the feet of Antoinette.
The ceremony being ended, the bishop declared that he
could not completely absolve the soul of Sister Alix, if she
had not obtained beforehand from the abbess and sisters
pardon for the sins she committed while in the abbey. Then
the young Antoinette, who represented the defunct, knelt
before the feet of the abbess and said: " My revered mother,
take pity on me and kindly consent to my absolution," and
the abbess replied: " My daughter, my friend, I pardon you
and consent to your absolution," and thereupon the bishop
pronounced the absolvo.
A month later, it was about midnight when a sweet voice
awoke for the last time Sister Antoinette de Groslee and
said to her: " My dear Antoinette, I come to bid farewell
to you and your companions. Ever since the day the bishop
THE ART OF MAGIC. 77
it,
door. To step upon it, or jump voluntarily oyer
is
deemed sign of bad augury. This custom was universal
a
a
minder that an act of violence had been committed toward
the women.
The Scotch, above all people, avoid marriages in the month
of May. This prejudice was once so deeply rooted among
them, that in 1684 some enthusiastic young men proposed
to form society to advocate the complete cessation of mar-
a
day
evening, the peasants of Asia Minor are wont to pour wine
on the ground.
Neither enlightened Christianity, nor time, nor this
boasted age of progress and civilization has eradicated the
THE ART OF MAGIC. 79
once, and in a few moments the fakir rises and walks away,
somewhat emaciated, indeed, but otherwise as well and vig-
orous as ever.
Another performance equally celebrated and even more in-
explicable is that of spontaneous vegetation. The juggler
takes the seed of a pomegranate, papaw, or some other fruit,
and plants it in the ground. Then extracting from his arm
a drop of blood, he lets it fall upon the spot, and stretching
out both hands over the place where the seed was planted, he
sinks apparently into a deep cataleptic sleep. Presently a
stalk emerges from the ground, shoots up, develops into a
small bush or tree, which blossoms and bears ripe fruit, all
in the space of a couple of hours. The juggler with a sud-
den start recovers possession of his senses, plucks the fruit
and distributes it among the astonished spectators.
The three incidents which follow are taken from the nar-
rative of Jules Jacolliot, Chief Justice of Chandernagore in
the French East Indies. Jacolliot made careful and ex-
tended observation of the fakirs, concerning whose perform-
ances he remarks :
" We assert nothing positively with regard to most of the
facts which we are about to relate. The skill derived from
long experience, charlatanism, and even hallucination itself
may assist to explain them. We are bound to say, however,
as impartial and faithful observers, that, though we applied
the severest tests, to which the fakirs and other initiates in-
terposed no objection whatever, we never succeeded in de-
tecting a single case of fraud or trickery.
" Hue, the missionary, who gives an account of similar
phenomena witnessed by him in Thibet, was equally at a loss
to account for them.
THE ART OF MAGIC. 85
••••••
fakir's legs, crossed beneath him, were distant from the
ground the whole height of the stool.
•
" Taking an ironwood cane which I
had brought from
Ceylon, and resting his right hand upon the handle, the
fakir rose gradually about two feet from the ground. His
legs were crossed beneath him, and he made no change in
his position, which was yery like that of those bronze
statues of Buddha that tourists bring from the far East.
For more than twenty minutes I tried to see how he could
thus fly in the face and eyes of all the known laws of gravity ;
it was entirely beyond my comprehension ; the stick gaye
him no visible support, and there was no apparent contact
between that and his body, except through his right hand.
"As
the Hindoo was about to leave me, he stopped in the
embrasure of the door leading from the terrace to the outside
stairs, and crossing his arms upon his chest, lifted himself
up gradually, without any apparent support or assistance,
to the height of about ten or twelve inches. At the com-
mencement of his ascension I had seized my chronometer ;
the entire time from the moment when the fakir commenced
to rise until he touched the ground again was more than
eight minutes.
"As he was making his parting salaam, I asked if he
could repeat the last phenomenon whenever he pleased.
" "The fakir/ answered he, emphatically, 'can lift him-
self up as high as the clouds.'
"
A ludicrously grotesque variation of this performance is
recorded by another traveller as occurring in a different
locality. The trick was performed with a coil of rope, and
was one which it will be admitted required skill of no ordi-
THE ART OF 3IAGIC. 87
nary kind. The juggler took the coil in his hand and threw
it upward by a quick movement. The rope was seen to un-
wind itself as it ascended until it assumed a perpendicular
position, as straight as a rod. Grasping it firmly with both
hands, the juggler began to climb, until at length he reached
the top, pulled the rope up after him and disappeared.
How absurd ! exclaims the reader. Absurd or not, this
performance, as well as that with the pomegranate seed, and
others quite as incredible, are Touched for by responsible per-
sons, who claim to have witnessed them. Did they really
do so, or were they deceived by a cleverly devised illusion ?
The question is well worth a brief consideration.
Since there is no reason for suspecting the honesty and
truthfulness of the witnesses, it is evident that one of two
alternatives must be accepted ; either through the exercise
of some unknown and mysterious power the feats recorded
were actually performed, or the beholders were the victims
of a most vivid and marvellous hallucination. Arguments
are not wanting in support of either theory.
The Hindoo fakirs themselves ascribe their peculiar power
to a certain "spirit force," or vital fluid that pervades all
nature. Whoever possesses an excess of this spirit force
acquires power both over inanimate things and over crea-
tures less highly endowed, more subtle by far than electri-
city, heat, or magnetism, which are, indeed, but its grosser
forms. This vital fluid permeates all existing things and
serves as arrmeans of communication between them.
William Crookes, a distinguished scientist, and member
of the Eoyal Society, has so far convinced himself of the
existence of some such occult principle, that he is making
extended investigations with a view to the discovery of its
88 THE ART OF MAGIC.
is said, if
inhaled when burning so affects the imagination
of those present that whatever is described in words seems
to occur before their eyes with all the vividness of reality.
May not the fakirs make secret use of some similar prepara-
tion ?
Another curious drug, extensively employed in Arabia,
Persia, and India, is hashish, a resinous substance extracted
from the Indian hemp plant. It is smoked, made into a
decoction, and eaten in the form of confectionery. Taken
in moderation, it awakens in the mind a succession of pleas-
ing thoughts and images ; but an overdose creates the most
startling and life-like hallucinations, and plunges the
imagination into alternate scenes of ecstasy and horror.
This was the drug employed to delude his followers by
Hassan Sabah, the " Old Man of the Mountains," founder
of the famous sect of the assassins. When a recruit was
wanted, some promising youth was invited to a banquet and
the conversation turned upon the joys that awaited the
faithful in Paradise. Then a cup of wine, drugged with
hashish and some quick narcotic, was handed to the youth,
who forthwith sank into a deep sleep and*was conveyed
into a valley whose natural beauty was enhanced by every
device that art could suggest. Birds of brilliant plumage
sang amid the foliage of exotic plants, rare fruits of unknown
flavor hung from the loaded trees, here and there gushed
forth fountains of choicest wines, while through the groves
flitted troops of maidens whose natural loveliness the glamour
of hashish rendered truly angelic. After a few hours spent
in this paradise, the neophyte was again drugged to sleep,
and carried back to the banquet hall. When he awoke he
was informed that he had been absent just one minute —
90 THE ART OF MAGIC.
" Hitherto," says an author, " magic has been dealt with
on its delusive and harmful side, this being that which
most practically manifests itself in history ; yet it must be
borne in mind that in its early stages it has been a source of
real knowledge. Its imperfect arguments have been steps
toward more perfect reasoning." . . . Erom this point
of yiew the intellectual position of magic is well expressed
by Adolphe Bastian : " Sorcery, or in its higher expression,
magic, marks the first dawning consciousness of mutual con-
nection throughout nature, in which man, feeling himself
part of the whole, thinks himself able to interfere for his
own wishes and needs. So long as religion fills the whole
horizon of culture, the vague groping of magic contains the
first experiments which lead to the results of exact science.
Magic is the physics of mankind in the state of nature. It
rests in the beginning on induction, which remains without
result only because in its imperfect judgments by analogy it
raises the post hoc to the propter hoc, etc. Lastly, the his-
tory of medicine goes back to the times when primitive sci-
ence accepted demoniacal possession as the rational means
of accounting for disease, and magical operations with herbs
originated their more practical use in materia medica."
White magic is "the art of performing tricks and exhibit-
ing illusions by ai<^ of apparatus, excluding feats of dexter-
ity in which there is no deception, together with the per-
formances of such automatic figures as are actuated in a
secret and mysterious manner." White magic is the good
son — the Abel of sorcery, so to speak — while black magic
is the Cain of sorcery, and last of all legerdemain is the off-
spring of Abel.
White magic may be also termed " natural magic." The
92 THE ART OF MAGIC.
beads, his hand, and his dress, upheld the body. In 1849
Eobert Houdin reproduced the idea under the title of ethe-
real suspension, — professedly rendering his son's body de-
void of weight by administering to him vapor of ether,
and then, in sight of the audience, laying him in hori-
a
jointed iron frame under the boy's dress, with cushions and
belts passing round and under the body.
There_js no reason for supposing that the ancient magi-
cians were more proficient in the art than their modern suc-
cessors. As Eobert Houdin has pithily observed, (i If anti-
quity was the cradle of magic, because the art was yet in
it
is
a
juggler he an actor playing the part of magician, an
is
a
;
is
a
it,
while glance
a
at the hand which performing some operation that should
is
study."
by
a
!
camarade."
102 TEE ART OF MAGIC.
cannon was taken into the middle of the stage, where it really
caused a moment of panic in the upper galleries, followed
by a precipitous flight. The cannon was fired and the hat
appeared on the roof of the theatre, from which Mr. Herr-
mann caused it' to drop in its original shape by firing his
pistol."
hotel, nor would he come back into the room for his bag-
gage."
This trick is an easy and simple one, since it consists
only in fitting to the arm a knife made for that purpose, the
blade of which is divided into two parts, joined together by
a spring of the horse-shoe shape. When the arm is placed
between the two halves of the blade and the spring con-
cealed by the cuff, it appears as if the arm was pierced.
The performer makes faces and contortions, as if he felt the
sharpest agony. The blood is an innocent preparation
which, by the quickness of the movement, appears to drop
from the wounded wrist, while in reality it comes from the
palm of the hand which holds the hilt.
A few years ago Mr. Herrmann appeared in Bruxelles.
What he did there is best described in the words of the
leading newspaper of that city :
" We considered ourselves biases as regards prestidigita-
tion. We have seen so many of those dexterous men who
made us suppose a pair of spectacles to be real lanterns.
Ever since the time of Bosco —let us acknowledge also that
we have known Bosco personally, although this fact does not
render us any the younger — as well as Conte, whose tricks
with cards have remained almost legendary ; in a word, we
can remember the beginning of modern magic art in Europe.
We can recall Philippe, the inventor of the trick of the
fishes, so well perfected since, and Eobert Houdin, and
Eobin, 'the man of ghosts/ and Cazenave, and twenty
others ; yes, a hundred others who have been successively
pronounced more surprising than their predecessors, and
cited as having reached the Herculean columns of prestidi-
gitation. But where are the columns that do not give way
106 THE ART OF MAGIC.
is,
lippe, Eoberfc Houdin, Brunet, Verly, Kobin, Cazenave,
tutti quanti, Herrmann has appeared to prove to us that we
were wrong in believing ourselves biases as regards omelets
transformed into living doves and handkerchiefs restored
more immaculate than before after having been burned
under our eyes.
" We knew this unparalleled Herrmann twenty years
ago
in Bruxelles, and he has seemed to us ever since to substan-
tiate the truth of the axiom which we have just mentioned,
to wit, that every prestidigitateur superior to the one seen
is
before. Herrmann has done in fact better he has risen
;
above himself. The Herrmann of to-day superior to the
is
Herrman of twelve or fifteen years ago, just as he to-day
is
superior to all who have preceded him.
" First of all, he true gentleman. To see him in silk
is
a
same time, the address and the dexterity of the hands cause
you to pass from surprise to surprise. Perhaps all the feats
of Herrmann are not new, although many are of his own in-
vention but the best known are performed with grace,
a
;
ness.
" Who
!
••••••
" However, seance of prestidigitation cannot be told in
words. One must go and see for himself/'
•
" ' My I
am yeery much deestressed.
dear sare, must go I
I —
to Kayala, and am too late too late. The guard has gone
without me, and I now find I
cannot get a — a — what do
you call it ? — a conveyance, yes, a conveyance.'
"He spoke rapidly and gesticulated in a nervous, jerky
way so characteristic of the French. His story was soon told.
His name was Herrmann, and he was the world-famous con-
jurer. While relating some of his experiences as a traveller
at a dinner given in his honor at St. Petersburg by several
distinguished Eussian officers, he was badgered into accept-
ing a wager with the dashing General Kourropatkin, the
successor of Skobeloff, that he dare not make the venture-
some journey across the steppes to Kayala in midwinter
and be there in time to dine with the general and his staff
on Christmas Day. An escort was promised him, and it
was needed, for the disastrous campaign against the Turco-
mans had just ended, and the country was overrun with
lawless bands of freebooters. Herrmann found that the
escort had gone several days, and hence his dismay expressed
in the exclamation which begins this hurried sketch.
" I was a sort of utility man on a London newspaper, and
was then on my way to the scene of the difficulties in Asia
Minor, bearing important instructions for the intrepid war
correspondent, Edmund O'Donovan, who was then con-
templating that dash to Merv which afterward made him
famous. Poor O'Donovan ! His bones lie bleaching with
those of Hicks and Villiers and the rest of that devoted
band of heroes on the hot sands of the Soudan, where the
life-blood of Burnaby and so many other brave Britons has
ebbed away.
" Herrmann's distress was so genuine that I at once offered
HO THE ABT OF MAGIC.
the lobby, who could not see all the fun, began to call out,
Oh, hire hall Why don't you pay dollar and see
e
'
'
a
!
120 THE ART OF MAGIC.
J
THE ART OF MAGIC. 121
lation, she suddenly discovered that his watch was gone, and
that his chain had gone with it. His purse, too, had dis-
appeared, and the thief had also appropriated his eyeglass
and his pocket-handkerchief. Half an hour afterward the
chief of the Patagonians returned, bringing the missing
articles. The savage from whose nose the rat had been ex-
tracted emptied the conjurer's pockets at the moment when
he was pretending to be overcome with terror."
*.•...
till the screams of the child grew fainter, when the basket
was opened and found to be empty. The child appeared
hidden in the folds of the dress of Mme. Herrmann, who
was seated in the rear of the parlor."
•
much higher than the cone, while the seeds had all van-
ished. The king expressed great admiration and surprise.
...••*
holding the cards to throw the pack up toward the ceiling ;
as the cards fell, he thrust his sword among them and caught
the threajnarked cards on the blade of the sword. He
took them off and passed them to us.
•
When this was done, Herrmann said, " Now shall load
I
it,
"How that?"
is
those present that he had performed this whole trick for the
sole purpose of getting a seat inside of the car, as he felt too
tired to stand on the platform. He begged to be excused for
the liberty he had taken. Everybody laughed heartily ex-
cepting the apple-woman, who was still grumbling about the
loss of her apples, but Herrmann, without being seen, put
a gold-piece into her hand. Fully satisfied, she left the car
with her empty basket.
THE DEVIL'S MIRROR.
Take a square box about six inches long and twelve inches
high, or of any proportionate dimensions. Cover the interior
with four mirrors, locating them perpendicularly to the bot-
tom of the box. Put at the bottom any desired object, as a
tin soldier, paper castles, etc. Put over the box a glass
frame, which must have the form of the base of a pyramid,
and must be arranged in such a way that it falls upon the
box like a cover. The four sides of this frame must be of
glass, or be covered from inside with gauze, in order that the
light may penetrate without being seen through the upper
part, which must consist of transparent glass. On looking
through this glass, beautiful scenery can be seen, and of un-
limited extent. If prepared with care, this mirror affords a
good deal of amusement.
For this trick take two false gold-pieces and two silver
pieces which resemble quarters. Eub the latter upon a stone
until they become only half as thick as they were, and join-
ing each yellow coin with a white one, you will have appar-
ently two pieces of coin, each of them seeming to be a gold
coin on one side and a silver coin on the other. Some
132 THE ART OF MAGIC.
Take a card and tell the person who has chosen it from a
pack to cut off one corner and keep the piece, in order to
recognize again the card chosen. The card is burned to
ashes, and a pistol is loaded with gunpowder mixed with the
ashes of the card. Instead of a bullet put into the pistol a
nail marked by some one in the audience. The pack is then
thrown into the air, the pistol fired, and the card which has
been reduced to ashes is seen nailed to the wall. Take it
down, compare it with the piece in the hands of the person
who chose the card, and show that the card nailed to the wall
is exactly the same, and that also the nail is the same which
had been previously marked. The operation is as follows :
When the magician sees that a corner has been cut from one
of the cards, he goes away under some pretext and makes a
THE ART OF MAGIC, 133
% _ smoke,
and it will become almost white. When the rose has
been cut from the bush for some time, it will be completely
white. Piit.it for a while in water and after a few hours it
will again assume its red color.
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