K (BLUE) Alphabetical Index

351 Bill Bailey (F) 444 Gao, Gao, Bambina (Q

106 • After YouVe Cone (Q 635 Billie's Bounce (F) 469 • Cielito Undo (Bb)
443 Ah Marie (Cm) 539 Bim Bam Bum (Bb) 432 Clarinet Polka (C)
110 • Ain't Misbehavin
1

(Q 355 • Birth Of The Blues (C) 092 • Close To You (Eb)

358 • Ain't She Sweet (C) 660 Bittersweet (C) 441 Come Back To Sorrento (Cm)
626 Airegan (Ab) 508 • Black Orpheus (Am) 226 • Come Fly With Me (C)
441 Al Di La (Bb) 694 Blue Bossa (Cm) 117 • Come Rain or Come Shine (F)
357 • Alexanders Ragtime Band (F) 059 • Blue Gardenia (G)
413
022 Come Sunday (Bb)
•Alice in Wonderland (Q 060 • Blue Hawaii (Bb) 643 Con Alma (E)
086 • All I Ask of You (Db) 602 Blue in Green (Bb) 643 Confirmation (F)
062 • All My Tomorrows (Eb) 659 Blue Monk (Bb) 219 • Crazy Rhythm (F)
203 • All Of Me (C) 101 • Blue Moon (Eb) 078 • Cry Me A
038 • All Of You (Eb)
River (Cm)
135 • Blue Room (F) 131 • Cute (O
241 • All Or Nothing At All (C) 105 • Blue Skies (F)
204 • All The Things You Are
D
(Ab) 575 • BlueTango (D) 632 Daahoud (Eb)
064 • All The Way (F) 658 BlueTrane (Cm) 466 • Daddy's Little Girt (Q
302 Alley Cat (Q 044 • Blue Velvet (Bb)
215
138 • DancingThe Dark (Eb)
In
• Almost Like Being In Love (Bb) 659 Blues For Alice (F) 1 26 • Dancing On The Ceiling (F)
112 • Alone Together (Dm) 149 • Blues in The Night (Bb) 451 • Danny Boy (Londonderry Air)
247 • Alright Okay, You Win (Eb) 414 Bluesette (Bb)
(Q
403
567 • Dansero (F)
• Always (F)
012 • Body And Soul (Db) 358 • Darktown
556 • Always In My Heart (Bb) 636
Strutters Bali (Q
Bolivia (G) 019 Dam That Dream
• (G)
558 • Amapola (Bb) 354 Bourbon Street Parade (Ab) 205 • Day By Day
554 • Amor (C) (F)
535 • Brazil (Ab)
444 Anema E Core 102 • Days Of Wine And Roses (F)
(C) 244 • Breeze And I, The (F) 409 • Dear Heart (F)
039 • Angel Eyes (Cm) 463 Bridal Chorus (Bb) 227 • Dearly Beloved
462 • • Anniversary Song (Em) 464 (Q
Bunny Hop (F) 051 Deep
462 • Anniversary Waltz (C)
• Purple (F)
013 • But Beautiful (G)
625 Anthropology (Bb)
509 • Desafinado (F)
212 • But Not For Me (Eb)
306 • Anything Goes (Q
634 Dig (Ab)
159 • Button Up Your Overcoat (G)
021 • April
513 • Dindi (Q
In Paris (Q 103 • Bye Bye Blackbird (F)
689 Armando's Rhumba (Cm) 607 Django (Fm)
353 • Bye Bye Blues
(Q
402 • Around The World 202 • Do Nothing Till You Hear (F)
(Q 656 Byrdlike (F)^
442 • Arrivederci Roma 118 • Do You Know What It Means (Q
(C)
456
C 611 Dolphin Dance (Eb)
Artsa Alinu(Dm) 302 •Cabaret (Eb)
003 • As Time Goes By (Eb) 245 • Dont Be That Way (Eb)
512 • Call Me (Bb)
659 Au Privave (F) 023 • Dont Blame Me (Q
136 • Call Me Irresponsible (Ab) 201 • Dont Get Around Much
465 Auld Lang Syne (F)
132 • Canadian Sunset (Bb)
(Q
047 • Autumn In New York 033 • Dont Go to Strangers (Bb)
(F) 568 Caravan (Fm)
105 • Autumn Leaves (Em) 511 • Dont Misunderstand (F)
094 • Cast Your Fate to The Wind (F) 1 58 • Dont Take Your Love From Mc
361 • Avalon (F) 309 • Cecilia
(Q
(Q 642 Donna Lee (Ab)
B 691 Ceora (Ab) 1 57
362 • Baby Face (Q 032
• Don't Worry 'Bout Me (Ab)
• Chances Are (G) 613
355 • Basin Street Blues Doxy (Bb)
(Q 356 Charleston, The (Bb)
410 Baubles, Bangles 054 • Dream (Q
• and Beads (Ab) 233 • Chattanooga Choo Choo
157 • Beautiful Love (F)
(Q 146 • Dream A Little Dream (G)
128 • Cheek to Cheek (Q
244 Bebop (Eb) E
601 Chelsea Bridge (Db)
155 • Because of You (Eb) 028 Early Autumn (Q
228 Cherokee (Bb)
431 • Beer Barrel Polka 049 • East of The Sun (G)
(Q 565 • Cherry Pink and Apple (Eb)
552 • Begin The Beguine (Q 027 • Easy Living (F)
357 • Chicago (F)
614 Bemie'sTune (Dm) 050 • Easy Street (Eb)
466 Chicken Dance (Q
551 • Besame Mucho (Dm) 123 • Easy To Love (G)
601 Child Is Born, A (Bb)
658 Bessie's Blues (Eb)
147 • Ebb Tide (Q
248 • Choo Choo Ch'Boogie
240 • Between The Devil and the
(F) 404 • Edelweiss (Bb)
(F) 485 » Christmas Song (Eb)
063 • Bewitched (Q 673 Elsa (Eb)
492 Christmas Time is Here (F) 005 • Embraceable You (F)
 403 • Emily (Q 469 • Guantanamara (D) 053 • I Will Wait For You (Dm)
076 • End of a Love Affair. The (F) 070 Guess Hang My Tears Out (Q
• I'll 039 • I Wish You Love (F)
1 cpisuopny \%mW) H 1 34 • I Won't Dance (Q
658 Equinox (Cm) 463 To The Chief
Hail (C) 485 • I'll Be Home For Christmas (C)
519 • Estate 633 Half Nelson (Q 155 • 111 Be Seeing You (Eb)
090 • Evergreen (C) 432 Happy Wanderer, The (Bb) 108 • I'll Get By (Q
185 • Everybody Loves Somebody (F) 060 • Harbor Lights (Eb) 222 • I'll Remember April (G)
065 • Everything Happens to Me (Bb) 147 Harlem Nocturne (Dm) 41 1 • I'll Take Romance (F)
008 • Everytime We Say Goodbye (Eb) 61 3 Haunted Ballroom (F) 229 • I'm Beginning To See The
230 • Exactly Lite You (C)
(Q
455 Hava Nagilah (F) 028 • I'm Getting Sentimental (F)
F 203 • Have You Met Miss Jones (F) 068 • I'm Glad There Is You (F)
637 Falling Grace (Ab) 486 • Have Yourself a Merry Xmas (Q 153 • I'm Gonna Down (Q
Sit Right
409 • Falling In Love Again (Eb) 461 • Hawaiian Wedding Song (C) 009 • I'm In The Mood For Love (Q
411 • Falling In Love With Love (Bb) 114 • Heart And Soul (F) 223 • I'm Old Fashioned (F)
220 • Fascinating Rhythm (F) 080 Heather on The
• Hill, The (F) 359 IVe Found A New Baby (D)
401 • Fascination (C) 432 Helena Polka (F) 137 • IVe Got My Love to Keep Me (F)
098 • Feelings (Em) 301 • Hello Dolly (Bb) 210 • IVe Got The World on a (Eb)
515 • Felicidade (Cm) 416 Hello Young
• Lovers (Eb) 225 • IVe Got You Under My Skin (Eb)
305 Fine And Dandy (F) 010 • Here's That Rainy Day (F) 069 • IVe Grown Accustomed to (Eb)
119 • Fine Romance, A (Q 138 • Hey There (Eb) 081 • If Ever Would Leave You
I
(Bb)
352 • Five Foot Two (Q 464 Hokey Pokey (Bb) 608 If You Could See Me Now (Eb)
042 • Flamingo (F) 353 • Honeysuckle Rose (F) 520 • If You Never Come To Me (Eb)
107 • Fry Me To The Moon (Q 434 • Hoop-Dee-Doo (Eb) 066 • III Wind (Bb)
209 • Foggy Day, A (F) 327 Hooray For Hollywood (F) 027 • Imagination (Eb)
053 • Fools Rush In (Q 133 • How About You (G) 639 Impressions (Dm)
048 • For All We Know (F) 062 • How Deep Is The Ocean (F) 1 30 In A Mellow Tone (Ab)
WJ 1 ror ^enumeniai Keasons (r) 212 • How High The Moon (G) 024 In A Sentimental Mood (F)
069 • For You, For Me, Forevermore (F) 506 How Insensitive (Dm)
• 036 • In My Solitude (Eb)
690 Forest Flower (Q 036 • How Long Has This Been (G) 216 In The Mood (Ab)
630 Four (Eb) 676 How My Heart Sings (Q 038 • In The Still of the Night (F)
566 • Frenesi (Ab) I
084 • In The Wee Small Hours (C)
689 Friends (Q 020 • Cant Get Started (Q
I
61 1 In Your Own Sweet Way (Bb)
246 • From This Moment
On (Ab) 129 • Cant Give You Anything
I
(Ab) 356 • Indiana (F)
492 • Frosty the Snowman (Q 040 • I Concentrate on You (Eb) 607 Infant Eyes (Eb)
G 409 • Could Have Danced All (Q
I
224 • Invitation (Cm)
692 Gaviota (Cm) 116 • I Could Write a Book (Q 452 Irish Washerwoman (G)
148 • Gee Baby, Ain't Good to (Cm) 064
1
• I Cover The Waterfront (G) 031 • Isn't It Romantic (Eb)
504 • Gentle Rain (Am) 142 • I Didnt Know What Time (G) 655 Isotope
002 '
«
• Georgia (F)
It
(Q
139 • I Dont Know Why (Bb) 309 • It All Depends On You (C)
306 «»
Get Me to the Church on (G) 037 • Fall in Love Too Easily (Eb)
I
206 • It Could Happen To You (F)
070 • Ghost Of A Chance (C) 227 • I Get A Kick Out Of You (Eb) 210 • It Don't Mean a Thing (Bb)
614 Giant Steps (B) 166 • Get Along Without You (Bb)
I
102 • It Had To Be You (Ab)
657 Gingerbread Boy (Bb) 537 Go To
I Rio (Bb) 054 • It Might As Well Be Spring (G)
501 • Girl From Ipanema (F) 034 • Got It Bad (G) 083 It Never Entered My Mind
I
• (F)
239 • Give Me The Simple Life (Eb) 301 • Got Rhythm (Bb) 674 It's A Raggy Waltz (G)
I

327 Give My Regards To Broadway (Bb) 158 • I Hadn't Anyone Till You (F) 328 • It's Alright With Me (F)
152 • Glory of Love, The (G) 114 • I Hear a Rhapsody (Eb) 307 • It's Delovely (F)
025 • God Bless The Child (Eb) 001 • Left My Heart In San
I
(Bb) 124 • It's Only a Paper Moon (G)
461 Godfather Theme (Cm) 115 • I Let A Song Go Out Of My (Eb) 222 • It's You Or No One (F)
516 • Going Out Of My Head (Bb) 311 • Like The Likes Of You (Eb) 161 It's Been a Long, Long Time
I
• (F)
224 • Gone With The Wind (Eb) 161 • Love Paris
I (C) J
025 • Good Morning Heartache (F) 207 • Love You (F)
I
358 • Jada (F)
055 • Goodnight Sweetheart (C) 641 Mean You
I (F) 578 • Jalousie (Bb)
415 Gravy Waltz (C) 015 • I Only Have Eyes For You (Q 537 -Jazz Samba (Eb)
229 • Green Dolphin Street (C) 604 I Remember Clifford (F) 244 Jeanine (Ab)
553 • Green Eyes (Eb) 010 • I Remember You (G) 217 Jersey Bounce (C)
412 • Greensleeves (Dm) 188 • I Say A Little Prayer For You (Q 491 • Jingle Bells (G)
691 Gregory Is Here (Bb) 044 • I Should Care (Q 491 • Jinglebel! Rock (C)
696 Groove Merchant (Bb) 116 • I Thought About You (Eb) 640 Joshua (Dm)
635 Groovin' High (Eb) 686 I Told You So (F) 634 Joy Spring (F)
 677 ju-ju
688 Manteca (Bb) 567 • Never On Sunday (Eb)
204 • just Friends (C) 443 Maria Elena (C) 071 • Nevertheless (Bb)
109 • Just In Time (Bb) 539 Mas Que Nada 304 • New York, New York
230 • Just One Of Those Things (F)
(F) 074 Masquerade is Over. The (Eb) 637
144 Nica's Dream (Bbm)
• just Squeeze Me (F) 456 Mayim Mayim (Cm) 133 • Nice 'N' Easy (Eb)
K 152 • Mean To Me (F) 111 • Nice Work You can Get
rf
608 Kids Are Pretty People (F) 503
It (G)
• Meditation (Q 211 • Night And Day (Eb)
614 Killer joe (Q 087 • Memory (C) 677 Night Dreamer (G)
576 Kiss Of Fire (Dm) 148 Memphis in June (C) 638 Night Has 1000
L Eyes, The (G)
540 Menina Flor (Eb) 631
132 Night In Tunesia, A (Eb)
• L-O-V-E Love (F) 696 Mercy, Mercy, Mercy (Bb) 082
577 La Cumparsita (Cm)
• Night We Called it A Day, (G)
406 Merry Widow Waltz (F) 042 • Nightingale Sang
577 La Paloma (Q 464
in Berk. Sq. (Eb)
Mexican Hat Dance (F) 145 • No Moon At All (Dm)
468 • La Vie en Rose (C) 359 Midnight In Moscow (C) 514
308 • No More Blues (Chega De
• Lady Be Good (C) 057 • Midnight Sun
(F)

633
(Q 655 Now's The Time (F)
Lady Bird (C) 628 Milestones (Old) (Bb)
209 • Lady Is A Tramp, The (Q O
456 Misirlou (Gm)
602 Lament (F)
507 O Grande Amor (Am)
002 • Misty (Eb)
066 • Last Night When We Were
443 O Sole Mio (Eb)
(C) 626 Moanin' (Fm)
311 • Late, Late Show, The
142 • Oh You Crazy Moon (G)
(F) 627 Moment's Notice (Eb)
018 052 • Old Cape Cod (F)
• Laura (Q 187 • Moments To Remember (Ab) 228 • Old Devil Moon (F)
627 Lazy Bird (C)
029 • Mona Lisa (F)
490 041 • Old Folks (Eb)
• Let It Snow (F) 034 • Mood Indigo (Ab)
151 625 Oleo (Bb)
• Let's Do It (Bb) 052 • Moon Over Miami (G) 104 • On A Clear Day (G)
122 • Let's Fall in Love (C) 401 • Moon River (Q 125 • On a Slow Boat To China (Bb)
150 • Let's Get Away From All (Eb)
It 104 • Moonglow (G)
688 Liberated Brother
305 • On The Street Where You Live
(Gm) 162 • Moonlight Becomes You (F) (Q
433 Liechtensteiner Polka (F)
303 • On The Sunny Side Of The (Q
016 • Moonlight In Vermont (Eb)
510 • Like A Lover
504 • Once Loved (F)
(Q 001 Moonlight Serenade
I

111 • Like Someone "

(F) 017 • Once In Awhile (Eb)
In Love (Bb) 553 • More (G)
160 • LiP Darlin'
303 • One (Eb)
(Eb) 113 • More See You, The (Eb)
I
056
468 • Limbo Rock (F)
• One For My Baby (Eb)
022 • More Than You Know (Q
364 • Limehouse Blues 056 • One More For The Road (Eb)
(Ab) 568 Morning (Bbm)
505 Boat 505 • One-Note Samba (Bb)
Little (Q 130 Moten Swing (Ab)
687 Little Sunflower (Dm)
519 • Only Trust Your Heart
248 • Mountain Greenery
221 • Long Ago And Far Away (Q 216 Opus One (C)
(F) 127 • Mr. Lucky <G) 630 Ornithology (G)
511 • Look Of Love (Dm)
658 Mr. Sims (Q
,517 Look to the Sky 205 • Our Day Will Come (G)
359 Muskrat Ramble (Bb)
237 • Lot Of 201 • Our Love Is Here To Stay
Living To Do, A (Q 236 My Baby Just Cares For Me (G)
•
(F)
235 • Love For Sale (Bb) 109 • Out Of Nowhere (G)
156 • My Blue Heaven (Eb)
085 Love Story (Gm) 017 • Over The Rainbow (Eb)
415 • My Buddy (C)
145 • Love Walked In (Eb) P
412 • My Favorite Things (Em)
165 • Lovely To Look At (F) 150 • Paper Doll (F)
026 • My Foolish Heart (Bb)
413 • Lover 055 • Party's Over, The
(Q 004 • My Funny Valentine (Cm)
(Eb)
243 • Lover, Come Back To Me 602 Passion Flower (G)
(Ab) 694 My Little Suede Shoes (Eb)
043 • Lover Man (Dm) 602 Peace Bb)
444 My Love Forgive Me (Q
687 Lucky Southern (D) 141 • Peg 'O' My Heart (Bb)
058 My Melancholy Baby (Eb) 207
522 Lujon (Dm) • Pennies From Heaven (C)
043 • My Old Flame (G) 217
118 Lullaby of Birdland (Fm) Pennsylvania 6-5000 (G)
011 » My One And Only Love (C) 433
606 Lush Life (Db) Pennsylvania Polka (F)
080 My Own True Love (Tara) (F) 693
M 107 > My Romance (Q
Pensativa (Gb)
208 Mac The 058 • Penthouse Serenade
»
Knife (Q 016 •My Ship (F) (Q
452 MacNamara's Band (F) 067 • People (O
408
097 »
My Way (F) 218 Perdido (Bb)
Mademoiselle de Paris (D)
143
452 My Wild Irish Rose (Bb) 555 • Perfidia
Make Someone Happy (F) (Q
110
N 660 Perhaps
Makin'Whoopee (F) 603 (Q
Naima (Fm) 079
441 Mala Femmena (Bb) • Pieces of Dreams (F)
082 Nancy With The Laughing
308 Mame (Q (F) 408 Pigalle (Q
626 Nardis (Em)
518 Man And A Woman, A (Q 159 • Please Don't ta;k About Me (Eb)
011 Nearness Of You, The (F)
126 Manhattan (F)
554 • Poinciana (G)
520 Never Let Me Go (Db) 007 • Polka Dots & Moonbeams (F)
 4

041 • Poor Butterfly (Ab) 518 • So Many Stars (C) 31 Swinging Shepherd Blues
1
(Q
078 • Portrait of Jenny, A (F) 507 • So Nice (Summer Samba) (F) T
035 • Prelude to a Kiss (Q 639 So What (Dm) o A
£L 1
1 Take Five (Cm)
506 Pretty World (C) 326 • So What's New (Q 747
4*tZ aKe ne A T rain
i i
(C)
310 • Puttin' On The Ritz (Fm) 557 • Softly As In A Morning (Dm) 7A£ • Tangerine (F)
Q 630 Solar (Cm) 447 i aranieua v^m^
536 • Quando, Quando (Bb) 655 Solid (Bb) jOj • I ea tor Two (Ab)
628 Quasimodo (Eb) 164 • Some Enchanted Evening (Q 1 1 3 • leacn Me Tonight (C)
408 Que Sera, Sera (Eb) 660 Some Other Blues (F) 1 40 • enaer rap, he
i i i (Ab)
503 • Quiet Nights (Corcovado) (C) 046 • Some Other Time (Q nn* • i enoeny (to)
605 Quintessence (F) 237 • Somebody Loves Me (C) 41 u
n 1 • Tennessee Waltz (C)
R 401 • Someday My Prince Will (F) ienor Maoness (dd)
186 • Raindrops (F) 026 • Someone To Watch Over Me (Eb) 068 i nanKs ror i ne Memory (r)
517 Recado Bossa Nova 678 Sometime Ago (F) 1 71 • nat kjiq black Magic
i
(Ed)
685 Recordame (Am) 095 • Somewhere (F) 1 55 • That Old Feeling (Eb)
234 • Red Roses (for A Blue Lady) (C) 208 • Somewhere Beyond the Sea (Eb) U ID • That's All (Bb)
061 • Red Sails In The Sunset (C) 402 • Somewhere My Love (C) 470 • That's Amore (F)
656 Relaxin' at Camarillo (Bb) 694 Song For My Father (Fm) 377 That's Entertainment (Bb)
627 Robbin's Nest (Q 685 Song For Strayhom (Eb) 1 • That's Life (G)
363 • Rock-A-Bye Your Baby (Q 231 • Song is You, The (Q Theirs Tears
1 30 Rose Room (Ab) 185 • Song Sung Blue (F) Theme, The (Bb)
328 • Rosetta (F) 032 Sophisticated Lady 214
(Ab) • There Is No Greater Love (Bb)
603 Round Midnight (Ebm) 693 Soul Eyes (Eb) 202 • There Will Never Be Another (Eb)
487 • Rudolph (Q 163 • Sound of Music, The 242
(F) • There'll Be Some Changes (Bb)
467 Russian Dance (C) 690 Spain (D) 1 39 • There's A Small Hotel (G)
S 551 • Spanish Eyes (C) 020 • These Foolish Things (Eb)
211 • SWonderful (Eb) 555 • Speak Low (F) 12/ • They Can't Take That Away (Eb)
522 Sabor A Mi (Eb) 629 Speak No (Cm)
Evil V/D • They Sat Ifs Wonderful (F)
642 Salt Peanuts (F) 657 Speedball (Q 615 Things Ain't What They Used (F)
536 Samba deOrfeu (C) 045 Can Hang You
• Spring Really (Q Mi/ • Things We Did Last Summer, (C)
246 San Francisco (Q 049 • Spring Is Here (Ab) 686 Think On Me (D)
487 • Santa Claus is Coming 354 • St Louis Blues (C) xoo • This Can't Be Love (Ab)
103 • Satin Doll (Q 687 St Thomas (Q • This Could Be The Start (Q
414 Scarborough Fair (Dm) 115 • Star Eyes (Eb) ft7
11 O/ • This Guy's In Love (Eb)
013 • Scotch &
Soda (Eb) 465 Star Spangled Banner (Bb) \j/ j • This Is All 1 Ask (F)
353 Scrapple From The Apple (F) 006 • Stardust (C) , This Is New (Cm)
601 Search For Peace 223 • Stars Fell On Alabama (C) • Those Were The Days (Am)
051 > • Second Time Around, The (Q 035 • Stella By Starlight (Bb) 1 40 • Three Little Words (Q
215 • Secret Love (Eb) 612 Stolen Moments (Cm) • Tico Tico (Am)
093 • Send in the Clowns (Ab) 21 7 Stompin' At The Savoy ^7<
(F) • Tie A Yellow Ribbon (Eb)
129 • Sentimental journey (C) 120 • Stormy Weather (Ab) 30U Tiger Rag (Bb)
077 • September In The Rain (Eb) 659 Straight No Chaser (F) U4 1 • Till There Was You (Eb)
007 • September Song (Q 164 • Stranger in Paradise (F) 1 U 1 • Time After Time (Bb)
629 Serenity (Eb) 094 • Stranger on the Shore (F) Uoo • Time For Love, A (Bb)
625 Serpent' s Tooth (Bb) 557 Strangers In the Night (F) Uo/ • Time On My Hands (F)
639 Seven Steps To Heaven (F) 219 String Of Pearls (Eb) DO 1 Tin Roof Blues (Bb)
501 • Shadow Of Your Smile (C) 465 Stripper, The (F) 43o • Too Close For Comfort (C)
363 • Sheik of Araby, The (Bb) 616 4**
Strollin' (Db) Too Fat Polka (C)
213 • Shiny Stockings (Ab) 613 Sugar (Cm) i^o • Too Marvelous For Words (G)
695 Sidewinder (Eb) 096 • Summer Knows, The (F) 5oZ • Toot Toot Tootsie (C)
489 • Silver Bells (Q 065 • Summer Place, A (Bb) • Triste (Bb)
685 Silver's Serenade (Em) 144 • Summer Wind (Eb) 072 • Try A Little Tenderness (Eb)
677 Simone (F) 004 • Summertime (Am) 635 Tune Up (D)
186 • Sing (Bb) 077 • Sunday Kind Of Love (F) 605 Turn Out The 5tars
695 Sister Sadie (C) 455 • Sunrise, Sunset (Cm) 218 Tuxedo Junction (Bb)
019 • Skylark (Eb) 310 • Surrey With The Fringe. The (C) 088 Twelfth of Never (D)
488 • Sleigh Ride (C) 146 • Sweet and Lovely (C) 033 • Twilight Time (G)
636 Smarter (278) 351 • Sweet Georgia Brown (G) 071 • Two For The Road (C)
075 • Smile (F) 325 Sweet Gypsy Rose (C) 407 • Two Hearts In 3/4 Time (C)
029 • Smoke Gets In Your Eyes (Eb) 119 • Sweet Lorraine (C) 456 Tzena (F)
 U 156 • With A Song In My Heart (Eb)
220 • Undecided (Q 244 • Without a Song (Eb)
405 • Under Paris Skies (Fm) 406 • Wonderful Copenhagen (Q
005 • Unforgettable (F) 247 Woodchopper's Ball (C)
364 • Up A Lazy River (F) 615 • Work Song (Fm)
414 Up jumped Spring (Bb) 245 • Wrap Your Troubles (C)
V 404 • Wunderbar (C)
675 Valse Hot (Ab) Y
673 Very Eaiiy ( 632 Yardbird Suite (Q
009 • Very Thought Of You, The (Ab) 512 • Yellow Days (F)

407 Vienna Life (Bb) 362 • Yes Sir, That's My Baby (Eb)
406 • Vienna, My City Of Dreams (F) 112 • Yesterdays (Dm)
656 Vierd Blues (Bb) 234 • You and the Night and the (Eb)
072 • Violets For Your Furs (F) 556 • You Belong To My Heart (Eb)
442 Volare (Bb) 240 • You Do Something To Me (Eb)
W 095 • You Dont Know Me (Q
236 • Walkin' My Baby Back Home (Eb) 046 • You Don't Know What Love Is (Fm)
675 Waltz For Debby (F) 023 • You Go To My Head (Q
076 Warm Valley (Eb) 604 You Know Care (Bb)1

502 • Watch What Happens (Eb) 106 • You Made Me Love You (Q
696 Watermelon Man (F) 108 • You Make Me Feel So Young (Bb)
502 •Wave (D) 125 • You Stepped Out of a Dream (Q
352 • Way Down Yonder In New 123 You'd Be So Nice to Come
(C) • (Q
089 • Way We Were, The (A) 141 • You're Getting to be a Habit (F)
221 • Way You Look Tonight The (Eb) 153 • You're My Thrill (Fm)
008 • We'll Be Together Again (Q 124 • You're Nobody Till Somebody (F)
091 • WeVe Only Just Begun (F) 059 • You've Changed (Eb)
137 • Weaver of Dreams, A (Q 558 • Yours (D)
463 Wedding March (Dm) z
631 Well You Needn't (F)
674 West Coast Blues (Bb)
018 • What A Difference A Day (F)
014 • What Are You Doing the Rest (Am)
085 • What Did For Love (Q
1

214 • What Is This Thing Called (C)

061 • What Kind of Fool Am (C) 1

>
143 • What Now My Love (F)
678 What Was (Q
415 • What'll Do? (Eb)1

012 • What's New (Q

089 • When Fall in Love (F)
1

451 • When Irish Eyes Are Smiling (C)

117 • When Lights Are Low (F)
024 • When Sunny Gets Blue (F)
050 • When You Wish Upon A Star (Q
304 • When You're Smiling (Bb)
162 • When Your Lover Has Cone (Ab)
521 • Where Do You Start (Eb)
407 Where Is Your Heart (Eb)
048 •Where or When (Eb)
612 Whisper Not (Cm)
307 • Whispering (Eb)
486 • White Christmas (Q
063 • Who Can 1 Turn To (Eb)
122 • Will You Still Be Mine (Ab)
030 • Willow Weep For Me (G)
676 Windows (Bb)
490 • Winter Wonderland (Eb)
629 Witch Hunt (Cm)
120 • Witchcraft (F)
 y

THE GREAT GIG BOOK (BLUE) — Style Index

068 • I'm Glad There Is You (F) 0^7
U3Z oopnisticated Lady (Ab)
RAI i Anc 009 • I'm In The Mood For Love (C) 045 • opnng can Keaily Hang (C)
069 • IVe Grown Accustomed (Eb) • ^pnng is Here (Ab)
062 • All My Tomorrows (Eb) 081 • If Ever Would Leave (Bb)
1 V/V/O • otarausi i^c )
038 • All Of You
vl 1 UU f*FFA
VwU/ 066 • Wind (Bb)
III • Stella By Starlight (Bb)
064 • All The Wav 027 • Imagination (Eb) nrc
UOj • bummer Place, A (Bb)
039 • Angel Eyes (Cm) 024 In A Sentimental Mood (F) 004 • Summertime (Am)
021 • April In Paris (C) 036 • In My Solitude (Eb) 077 • ounaay i^ino Ur Love (F)
003 038 • In The Still of the Night (F) 003 lenaeny ^to^
047 • Autumn In New York (F) 031 • Isn't It Romantic (Eb) VOO • i nanics i*or The Memory (F)
063 • Bewitched (O 054 • It Might As Well Be (G) 015 • That'* fRh\
All \DO)
iiai > ami
i

059 • Blue Gardenia (G) 083 • It Never Entered My Mind (F) 020 i nese rooitsn i nings \tu)
060 • Blue Hawaii ffthri 066 • Last Night When We (G) 075 • 1 ney oat it s wonderful (F)
044 • Blue Velvet (Bb) 018 • Laura (C) 037 1nings we lmo Last
012 • Boriv AnH ^mil rr^l^ 043 • Lover Man (Dm) 073 m THic lc All Art \r) SC\
1 niS IS All ASK 1
1

013 • But Beautiful (C\ 074 * Masquerade is Over. The (Eb) 071 m Till Tkara \A/-mr V**.. /TU\
• 1 ui nere was you (Ed)
1
.

032 • Chanrp* Aic

Are
v».i icii iv. ff*.}
^vj 057 • Midnight Sun (C) 067
J • 1 ime un My lianas (F)
022 002 • Misty (Eb) 07? • iry A Little Tenderness (Eb)
078 • C IV
^»»/ k>f
nric A
P A Ri\/or
Vcf
l\l /{"m\
\V»TTl 029 • Mona Lisa (F) n** • twilight Time (G)
019 • Dam That Dream (CV\ 034 • Mood Indigo (Ab) 071 • Two For The Road (C)
051 052 • Moon Over Miami (G) on ^ • uniorgettable (F)
023 • Don't Blame Me TO 016 • Moonlight In Vermont (Eb) uuy • very Thought Of You, The (Ab)
033 001 Moonlight Serenade (F) U/Z • violets For Your Furs (F)
054 022 • More Than You Know (Q 076 warm valley (cd)
028 Fariv Autumn r/*^
winy /^uiuifill 026 My Foolish Heart (Bb)
• nnft • we 11 Be Together Again (C)
049 • East of The St in (CT\ 004 • My Funny Valentine (Cm) • wnat a umerence A Day (F)
027 • Easy Living (F) 058 My Melancholy Baby (Eb) 014 • What Are You Doing the (Am)
050 • Easv Street (Eh) 043 • My Old Flame (G) 061 • What Kind of Fool Am (C) 1

005 • Embraceable You (F) 011 • My One And Only Love (Q 012 • What's New (Q
076 • End of a Love Affair. The (F) 080 • My Own True Love (Tara) (F) 024 • When Sunny Gets Blue (F)
065 • Everything Happens to (Bb) 016 • My Ship (F) 050 • wnen you wish Upon A (C)
008 • Everytime We Say (Eb) 082 • Nancy With The (F) 04R • wnere or wnen (co)
042 •• Flamingo (F) 011 • Nearness Of You, The 063
(F) • wno can urn To (Eb) I 1

053 * Fools Rush In (C) 071 * Nevertheless, (Bb) 030 • wiiiow \A/oan
Will/tut/ weep ror
C#>r
Me
048 «
> For All We Know (F) 082 • Night We Called it A (G) 046 p iou L/on i wiow wnat (Fm)
03> «•
For
* Sentimental Rea<nm
wt «<».hmiiiwiiuii ncojui ij (FS
ir J 042 * Nightingale Sang 073
in (Eb) \JJmJ • tou vjO io My Head (C)
069 «•
For You, For Me, (F) 052 • Old Cape Cod (F) 05Q <
tou ve cnangeo (tD^
002 « Georaia
WVWI Uld (Ft
\*/ 041 • Old Folks (Eb)
070 «
Ghost Of A Chance (C\ 017 Once In Awhile (Eb)
•
NEWER BALLADS
025 « God Bless The Child fFK> 056 • One For My Baby (Eb)
025 • Good Momina Heartarhe
^*www iviiiuiy ivQl WWllv lil i
056 <
» One More For The Road (Eb) 0A6
vOO All Aft Ot V^.. /rxL_.\
4»1
'
All 1
1 ASK YOU (LSD)
055 • GooHninht ^wAethAairtL
wvuuiii^ui JVVCCUICdl t(~\
\V»y 017 «
• Over The Rainbow (Eb) HQ A m
' Cast Your Fate to The (F)
070 • Guess I'll
« 99 Hana
ituiiy Mv Tears
%wiywill ^
i (C\
V^»y 055 «
Party's Over, The (Eb) Close To You (Eb)
060 • Harbor Lights (Eb) 058 Penthouse Serenade oon
«*
(Q m
Evergreen (C)
080 Heather
i Ul The
i«au ici on IIIC The
IIIC Hill ft\ 067 People
I 11111, \'J «
(O Feelings (Em)
010 • Here's That Rainv Dav rT^ 079 «> Pieces of Dreams C*<Nr\/ /r.m\
(F) 085 Also oiury
luvc
1
^vjm)
062 • How Deeo Is The Ocean 007 « Polka Dots Moonbeams OR7
8c (F) • Memory (C)
036 • How Lona Has This &een fC.\ 041 Poor Butterfly (Ab) O07 My /r\
m way
kA\/ \A/->v>
(F)
020 • Cant Get Started (C) 078 CpnH in
1 •
Portrait of Jenny, A (F) 093 • jciiu hi th«
uic r'invAmr
uiowns /AK\
\f\Lj)
040 • 1 Concentrate on You (Eb) 035 « Prelude to a Kiss (C) 095 • Somewhere (F)
064 • Cover The Waterfront (G) 061 Red
1
Sails In The Sunset (G) 094 • Stranger on the Shore (F)
037 • 1 Fall in Love Too Easily (Eb) 013 • Scotch & Soda (Eb) 096 • Summer Knows, The (F)
034 • 1 Got It Bad (G) 051 Second Time Around, The (C) 088 • Time For Love, A (Bb)
001 Left My Heart In San (Bb) 077 •
1
September In The Rain (Eb) 088 Twelfth of Never (D)
015 • Only Have Eyes For You (Q 007 • September Song (C)
1
089 • Way We Were, The (A)
010 • 1 Remember You (G) 019 • Skylark (Eb) 091 We've Only Just Begun (F)
044 • 1 Should Care (C) 075 • Smile (F) 085 • What 1 Did For Love (Q
053 • 1 Will Wait For You (Dm) 029 • Smoke Gets In Your Eyes (Eb) 089 • When 1 Fall in Love (F)
039 • 1 Wish You Love (F) 046 • Some Other Time (C) 095 • You Don't Know Me (C)
028 • I'm Getting Sentimental (F) 026 • Someone To Watch Over (Eb)
 EASY SWING 118 Lullaby of Birdland (Fm) 186 • Raindrops (F)
143 • Make Someone Happy (F) 186 • Sing (Bb)
After You've Cone (C) 110 • Makin' Whoopee (F) 1 85 • Song Sung Blue (F)
Ain't Misbehavin' (C) 126 • Manhattan (F) 187 • This Guy's In Love (Eb)
Alone Together (Dm) 152 • Mean To Me (F)
Autumn Leaves (Em) 148 Memphis in june (C) MEDIUM/UP SWING
Beautiful Love (F) 104 • Moonglow (G)
Because of You (Eb) 162 Moonlight Becomes You
• (F) 203 • All Of Me (C)
Blue Moon (Eb) 113 • More See You, The
I (Eb) 241 • All Or Nothing At All (C)
Blue Room (F) 130 Moten Swing (Ab) 204 • All The Things You Are (Ab)
Blue Skies (F) 127 • Mr. Lucky (G) 215 • Almost Like Being In (Bb)
Blues in The Night (Bb) 156 • My Blue Heaven (Eb) 247 • Alright, Okay, You Win (Eb)
Bye Bye Blackbird (F) 107 • My Romance (Q 240 • Between The Devil and (F)
Call Me Irresponsible (Ab) 133 • Nice 'N' Easy (Eb) 244 • Breeze And The
I, (F)
Canadian Sunset (Bb) 111 • Nice Work You can Get (C) 212
if
• But Not For Me (Eb)
Cheek to Cheek (Q 145 • No Moon At All (Dm) 233 • Chattanooga Choo Choo (C)
Come Rain or Come (F) 142 • Oh You Crazy Moon (G) 228 Cherokee (Bb)
Cute (C) 104 • On A Clear Day (G) 248 • Choo Choo Ch'Boogie (F)
Dancing The Dark (Eb)
In 25 On a Slow Boat To China
1 • (Bb) 226 • Come Fly With Me (C)
Dancing On The Ceiling (F) 109 • Out Of Nowhere (G) 219 • Crazy Rhythm (F)
Days Of Wine And Roses (F) 150 • Paper Doll (F) 205 • Day By Day (F)
Do You Know What It (Q 141 • Peg 'O' My Heart (Bb) 227 • Dearly Beloved (Q
Don't Take Your Love (C) 130 Rose Room (Ab) 202 • Do Nothing Till You (F)
Don't Worry 'Bout Me (Ab) 103 • Satin Doll (C) 245 • Don't Be That Way (Eb)
Dream A Little Dream (G) 129 Sentimental Journey
• (Q 201 • Don't Get Around Much (Q
EasyTo Love (G) 64 • Some Enchanted Evening
1
(Q 230 • Uke You (Q
Exactly
Ebb Tide (C) 163 • Sound of Music, The (F) 220 • Fascinating Rhythm (F)
Fine Romance, A (Q 115 • Star Eyes (Eb) 209 • Foggy Day, A (F)
Fly Me To The Moon (C) 120 • Stormy Weather (Ab) 246 • From This Moment On (Ab)
Gee Baby, Ain't I Good (Cm) 64 • Stranger in Paradise (F)
1
239 • Give Me The Simple Ufe (Eb)
Glory of Love, The (G) 144 • Summer Wind (Eb) 224 • Gone With The Wind (Eb)
Harlem Nocturne (Dm) 146 • Sweet and Lovely (G) 229 • Green Dolphin Street (Q
Heart And Soul (F) 119 • Sweet Lorraine (G) 203 • Have You Met Miss Jones (F)
Hey There (Eb) 131 Swinging Shepherd Blues (Q 212 • How High The Moon (C)
How About You (G) 113 • Teach Me Tonight (C) 227 • I Get A Kick Out Of You (Eb)
ICan't Give You (Ab) 140 • Tender Trap, The (Ab) 207 • I Love You (F)
I Could Write a Book (Q 121 • That Old Black Magic (Eb) 222 • I'll Remember April (G)
I Didnt Know What (G) 135 • That Old Feeling (Eb) 229 • I'm Beginning To See (C)
I Don't Know Why (Bb) 154 • That's Life (G) 223 • I'm Old Fashioned (F)
Get Along Without You (Bb)
I
139 • There's A Small Hotel (G) 210 • IVe Got The World on a (Eb)
I Hadn't Anyone Till You (F) 127 • They Can't Take That (Eb) 225 • IVe Got You Under My (Eb)
I Hear a Rhapsody (Eb) 128 • Three Little Words (C) 216 In The Mood (Ab)
I Let A Song Go Out Of (Eb) 101 • Time After Time (Bb) 224 • Invitation (Cm)
Love Paris (Q
I
137 • Weaver of Dreams, A (Q 206 • It Could Happen To You (F)
1 Thought About You (Eb) 143 • What Now My Love (F) 210 • It Don't Mean a Thing (Bb)
I Won't Dance (Q 117 • When Lights Are Low (F) 222 • It's You Or No One (F)
I'll Be Seeing You (Eb) 162 When
• Your Lover Has (Ab) 217 Jersey Bounce (Q
I'll Get By (Q 122 • You
Will Still Be Mine (Ab) 204 • Just Friends (G)
I'm Gonna Sit Right (Q 120 • Witchcraft (F) 230 • JustOne Of Those Thing; (F)
IVe Got My Love to Keep (F) 156 • With A Song In My Heart (Eb) 209 • Lady Is A Tramp, The
(Q
In A Mellow Tone (Ab)
112 • Yesterdays (Dm) 221 • Long Ago And Far Away (F)
It Had To Be You (Ab) 106 • You Made Me Love You (Q 237 • Lot Of Living To Do, A (Q
It's Only a Paper Moon
(G) 108 • You Make Me Feel So (Bb) 235 • Love For Sale (Bb)
Its Been a Long, Long (F) 125 • You Stepped Out of a (Q 243 Come
just In Time (Bb)
• Lover, Back To Me (Ab)
123 • You'd Be So Nice to (Q 208 • Mac The Knife (C)
Just Squeeze Me (F) 141 • You're Getting to be a (F) 248 • Mountain Greenery (Q
L-O-V-ELove (F) 153 • You're My Thrill (Fm) 236 • My Baby Just Cares For (G)
Let's Do It (Bb) 124 • You're Nobody (F)
Till 211 • Night And Day (Eb)
Let's Fall in Love (Q 228 • Old Devil Moon (F)
Let's Get Away From (Eb)
It
NEWER EASY 216 Opus One (G)
Like Someone In Love (Bb)
205 • Our Day Will Come (G)
Lif Darlin' (Eb) 185 • Everybody Loves (F) 201 • Our Love Is Here To Stay (F)
Love Walked In (Eb) 188 • ISay A Little Prayer For (Q 207 • Pennies From Heaven (Q
Lovely To Look At (F) 187 • Moments To Remember (Ab) 217 Pennsylvania 6-5000 (C)
 Perdido (Bb)
407 • Two Hearts In 3/4 Time (C)
218
A DIXIE 405 • Under Paris Skies (Fm)
234 • Red Roses (for Blue (Q
• S*Wonderful (Eb)
414 Up jumped Spring (Bb)
211
358 • Ain't She Sweet (C) 407 Vienna Life (Bb)
246 San Francisco (Q
• Secret Love (Eb) 357 • Alexanders Ragtime Band (F) 406 • Vienna, My City Of (F)
215
• (Ab) 361 • Avalon (F) 415 • What'll 1 Do? (Eb)
213 Shiny Stockings
Baby Face (C) 407 Where Is Your Heart (Eb)
237 • Somebody Loves Me (C) 362 •

355 • Basin Street Blues (Q 406 • Wonderful Copenhagen (C)

208 • Somewhere Beyond the (Eb)
351 • Bailey (F) 404 • Wunderbar (G)
231 • Song is You, The (C) Bill

223 • Stars Fell On Alabama (Q 355 • BirthOf The Blues (Q

217 Stompin' At The Savoy (F) 354 Bourbon Street Parade (Ab) POLKAS
353 • Bye Bye Blues (C)
219 StringOf Pearls (Eb)
431 • Beer Barrel Polka (C)
242 Take The "A" Train (C) 356 Charleston, The (Bb)

• Tangerine 357 • Chicago (F) 432 Clarinet Polka (C)

206 (F)
358 • Darktown Strutters Ball (C) 432 Happy Wanderer, The (Bb)
214 There Is No Greater Love (Bb)
• 352 • Five Foot Two (Q 461 • Hawaiian Wedding Song (Q
202 There Will Never Be (Eb)
242 • There'll Be Some Changes (Bb) 353 • Honeysuckle Rose (F) 432 Helena Polka (F)

434 • Hoop-Dee-Doo
238 • This Can't Be Love (Ab) 359 IVe Found A New Baby (D) (Eb)

232 • ThisCould Be The Start (Q 356 • Indiana (F) 433 Liechtensteiner Polka (F)

• Too Close For Comfort (Q 358 • Jada (F) 433 Pennsylvania Polka (F)
238
364 • Limehouse Blues (Ab) 433 Too Fat Polka (C)
239 • Too Marvelous For Words (C)
218 Tuxedo Junction <Bb) 359 Midnight In Moscow (Q
220 • Undecided (C) 359 Muskrat Ramble (Bb) ITALIAN
236 • Walkin' My Baby Back (Eb) 363 • Rock-A-Bye Your Baby (O
vy /rL\
Sheik of Araby, The (Bb) 443 Ah Marie (Cm)
Way You Look *r •
• • 1—
221
1

Tonight,
1
(Eb)
a.
363
• What This Thing 354 • St. Louis Blues (G) 441 Al Di La (Bb)
214 Is (C)
244 Without a Song (Eb) 351 iweet oeorgia Drown 444 Anema E Core (G)

360 Tiger Rag (Bb) 442 • Arrivederci Roma (G)

247 Woodchopper's (Q Ball

245 • Wrap Your Troubles (Q 361 Tim

1 in koot RliiA<
Or\f\f Diues ypoj 444 Ciao, Ciao,Bambina (Q

234 • You and the Night and (Eb) 362 • Toot Toot Tootsie (Q 441 Come Back To Sorrento (Cm)
Up A Lazy River (F) 461 Godfather Theme (Cm)
240 • You Do Something To Me (Eb) 364 •

352 • Way Down Yonder In (G) 441 Mala Femmena (Bb)

SOCIETY/MISC 362 • Yes Sir, That's My Baby (Eb) 443 Maria Elena (Q
415 Gravy Waltz (Q 444 My Love Forgive Me (Q
302 Alley Cat (Q 443 O Sole Mio (Eb)
442 Tarantella (Am)
306 • Anything Goes (Q WALTZ
302 • Cabaret (Eb) 470 • That's Amore (F)

309 • 413 • Alice in Wonderland (Q 442 Volare (Bb)

Cecilia (Q
305 Fine And Dandy (F) 403 • Always (F)
306 • Get Me to the Church on (G) 402 • Around The World (Q IRISH
327 Give My Regards To (Bb) 410 • Baubles, Bangles and (Ab)

301 • Hello Dolly (Bb) 414 Bluesette (Bb) 451 • Danny Boy (Londonderry (C)

327 Hooray For Hollywood (F) 409 • Dear Heart (F) 452 Irish Washerwoman (G)

404 • Edelweiss (Bb) 452 MacNamara's Band (F)

301 • 1 Got Rhythm (Bb)
311 • 1 Like The Likes Of You (Eb) 403 • Emily (Q 452 My Wild Irish Rose (Bb)

309 • It All Depends On You (Q 409 • Falling In Love Again (Eb) 451 -
• When Irish Eyes Are (Q
328 • It's Alright With Me (F) 411 • Falling In Love With (Bb)

307 * It's Delovely (F) 401 • Fascination (C) IEWISH

308 • Lady Be Good (G) 412 • Greensleeves (Dm)
311 • Late, Late Show, The (F) 416 • Hello Young Lovers (Eb) 456 Artsa Alinu (Dm)
308 Mame (Q 409 • 1 Could Have Danced All (Q 455 Hava Nagilah (F)

304 • New York, New York (F) 411 • I'll Take Romance (F) 456 Mayim Mayim (Cm)
413 • Lover (C) 456 Misirlou (Gm)
305 • On The Street Where You (Q
408 Mademoiselle de (D) 455 • Sunrise, Sunset (Gm)
303 • On The Sunny Side Of (C) Paris

303 • One (Eb) 406 Merry Widow Waltz (F) 456 Tzena (F)

310 • Puttin' On The Ritz (Fm) 401 • Moon River (C)

328 • Rosetta (F) 415 • My Buddy (G) MISC-SPECIAL

326 So What's New (C) 412 • My Favorite Things (Em)
408 Pigaile (C) 462 • Anniversary Song (Em)
310 Surrey With The Fringe. (G)
408 Que Sera, Sera (Eb) 462 • Anniversary Waltz (C)
325 Sweet Gypsy Rose (Q
327 That's Entertainment (Bb) 414 Scarborough Fair (Dm) 465 Auld Lang Syne (F)

325 • Tie A Yellow Ribbon (Eb) 401 • Someday My Prince Will (F) 463 Bridal Chorus (Bb)

304 • When You're Smiling (Bb) 402 • Somewhere My Love (G) 464 Bunny Hop (F)
• Whispering (Eb) 410 • Tennessee Waltz (C) 466 Chicken Dance (C)
307
 3
1 )

469 • Cielito Lindo (Bb) 507 • So Nice (Summer Samba) (F) 607
466 • Daddy's Little Girl (Q 540 Theirs Tears 604 1 Rpm^mh^r Clifford r
i P^

469 • Cuantanamara (D) 508 • Triste (Bb) 608 If Ynn

iuu ^oa
frtiilH jcc
v.uuiu Mo Mrw
inow
rvic v^*'/
463 Hail To The Chief (C) 502 • Watch What Happens (Eb) 607 Infant
iiiiaiii Fvpc
cyci (th\
^ cjjy

464 Hokey Pokey (Bb) 502 • Wave (D) 608 Aro Prpttv
muj mic
KifU PAnnl a
rrciiy reopic /C\
^r^
468 • La Vie en Rose (C) 521 • Where Do You Start (Eb) 602 Lament
LaillClll r"C^
\r

468 • Limbo Rock (F) 512 • Yellow Days (F) 606 L.UMI LUC \\J\j)

464 Mexican Hat Dance (F) 603 iNalllla frilly

467 Russian Dance (C) j AM VI Dn 602 Dacf inn riower

rdision C Aii/ar 1 ( (~"\
\>»»/

465 Star Spangled Banner (Bb) 602 Pear* Rh\

465 Stripper, The (F) 539 Bim Bam Bum (Bb) 605 vuiniessence (rj
467 • Those Were The Days (Am) 535 • Brazil (Ab) 603 Round Midnight (Ebm)
463 Wedding March (Dm) 537 1 Go To Rio (Bb) 601 jearcn ror reace
537 • JazzSamba (Eb) 693 juui Ev«* fPh^
Soul eyed VCv)J
CHRISTMAS 539 • Mas Que Nada 605 ui M vui
i 1 1 ic jlaii

540 Menina Flor (Eb) 604 You Know 1 Carp ^Rrrt

485 • Christmas Song (Eb) 536 • Quando, Quando (Bb)

492 • Christmas Time is Here (F) 536 Samba de Orfeu (Q IA77 cacv
492 • Frosty the Snowman (Q 538 Tico Tico (Am)
486 • Have Yourself a Merry (Q 614 DCI I IIC 5 1 ill IC ^Lyl 1 1
/
485 • Be Home For (C)
I'll RHUMRA
iuitida
rvi 61 L/uipnin L/allQc I CD J
491 • jingle Bells (G) 61
491 • Jinglebell Rock (Q 556 Atwavs In
«»I»»WT^ III ItIT Mv Heart
1 1 W wJ
^ tit I y(Bb\ railing orace IAD;
490 • Let It Snow (F) 558 Amapoia (Bb) 61 nduiucu Da room yr) II

487 Rudolph (C) 554 Amor (Q UUI Own

•
611 in Ynur
In I
Cu/Mt \A/a\/
uwn JWCCl Way V,DDy
487 • Santa Claus is Coming 552 Begin The Beguine (C) 614 Killer
IMIICI Iop
JUC /n
\\»)
489 • Silver Bells (C) 551 Besame Mucho fDnrrt 61 7 Stolen Moments (Cm)
488 • Sleigh Ride (G) 553 * wiccri tyci \Z>OJ O o
1 btrollin (Db)
486 • White Christmas (Q 553 More (O O J
1
c,l^-— _ /r~»-%\
ougar (L.m)
490 • Winter Wonderland (Eb) 555 # Perfidia (C) 614 a*e rive
•
V>-"*/
554 # Poinciana (G) 615 i nings Mint wnai iney \r)
BOSSA NOVA 557 Softlv As In A Mnrninn fDnrri 61 7 vvnisper Not v^-^/
551 S Danish Eves (CS 61 J
O 1
5 •
• \A7/-kf4^ Can/.
wonc oong ^rm^ /r_\
508 • Black Orpheus (Am) 555 Sneak Low (Fl
512 • Call Me (Bb) 557 Stranaers In the Niaht (Pi
•

509 • Desafinado (F) 556 You Belonn To Mv Hpart fPh'S Airegan (Ab)
513 • Dindi (Q 558 Yours (D) 625 Mfiinropoiogy \du^
511 • Don't Misunderstand (F)
uaanoua (cu)
519 • Estate
uig (AD)
515 • Felicidade (Cm) 630 Pour rPh\
504 • Gentle Rain (Am) 565 • Cherrv Pink and Annl* (PbA 63^ vjroovin nign (cb)
501 • Girl From Ipanema (F) 567 • Dansero Half NJ aI r/\n (v-^
(F) UJJ nan iNeison
516 • Going Out Of My Head (Bb) 566 • Frenesi f^Ah^ 63Q Impressions (Dm)
506 • How (Dm)
Insensitive 567 • Never On Sundav f"Fh^ jeanine (AD)
520 • If You Never Come To Me (Eb) 565 • Tea For Two (Ab) 640 josnua \Ufu)
510 • Like A Lover (Q 634 Joy Spring (F)
505 Little Boat (C) TANGO 633 //^
RirH (V.^
arlv/ Dliu
LaOy
1

511 • Look Of Love (Dm)

Milestones (Uio; {po)
517 Look to the Sky 575 • Blue Tango (D) OZu iNarais vtm/
522 Lujon (Dm) 578 • Jalousie (Bb) 637 rMica s L/ream (Dumj
518 Man And A Woman, A (Q 576 • Kiss Of Fire (Dm) 631 iNignt in lunesia, a (ld)
503 • Meditation (C) 577 La Cumnarsita (drrxS 67$ <jieo /DM
OIa#> {po)
520 • Never Let Me Go (Db) 577 La Paloma (C) *3n terminology (G)
514 • No More (Chega De
Blues (F)
vjuasimodo (to)
507 O Grande Amor (Am) OTHER LATIN 677 KODDin s Nest (V.J
504 • Once 1 Loved (F)
scrapple From The Apple (F)
505 • One-Note Samba (Bb) 568 Caravan
^»**' fFrrrt &7<
1 yi Illy serpent s lootn (dd)
519 • Only Trust Your Heart 568 Morning (Bbm) 639 Seven Steps To Heaven (F)
506 Pretty World (G) 639 So What (Dm)
503 • Quiet Nights (Q IAZZ BALWP 630 Solar (Cm)
517 Recado Bossa Nova 625 Theme, The (Bb)
522 SaborAMi (Eb) 602 Blue In Green (Bb) 635 Tune Up (D)
501 • Shadow Of Your Smile (G) 601 Chelsea Bridge (Db) 631 Well You Needn't (F)
518 • So Many Stars (C) 601 Child Bom, A
Is (Bb) 632 Yardbird Suite (Q
 689 Armando's Rhumba (Cm)
IAZZ MED/UP 694 Blue Bossa (Cm)
691 Ceora (Ab)
244 Bebop (Eb) 690 Forest Flower (Q
636 Bolivia (C) 689 Friends (C)
643 Con Alma (E) 692 Gaviota (Cm)
643 Confirmation (F) 691 Gregory Is Here (Bb)
642 Donna Lee (Ab) 686 I Told You So (F)
641 Epistrophy (C#) 688 Liberated Brother (Gm)
614 Giant Steps (B) 687 LittleSunflower (Dm)
641 I Mean You (F) 687 Lucky Southern (D)
627 Lazy Bird (C) 688 Manteca (Bb)
626 Moanin' (Fm) 694 My Little
Suede Shoes (Eb)
627 Moment's Notice (Eb) 693 Pensativa (Gb)
638 Night Has 1000 Eyes, The (C) 685 Recordame (Am)
642 Salt Peanuts (F) 685 Silver's Serenade (Em)
629 Serenity (Eb) 694 Song For My Father (Fm)
636 Smatter (278) 685 Song For Strayhom (Eb)
629 Speak No (Cm) Evil 690 Spain (D)
638 This Is New (Cm) 687 St Thomas (Q
629 Witch Hunt (Cm) 686 Think On Me (D)
696 Groove Merchant (Bb)
IAZZ BLUES 696 Mercy, Mercy, Mercy (Bb)
695 Sidewinder (Eb)
659 Au Privave (F) 695 Sister Sadie (G)
658 Bessie's Blues (Eb) 696 Watermelon Man (F)
635 Billie's Bounce (F)
660 Bittersweet (O
659 Blue Monk (Bb)
658 BlueTrane (Cm)
659 Blues For Alice (F)
656 Byrdlike (F)
658 Equinox (Cm)
657 Gingerbread Boy (Bb)
655 Isotope (C)
658 Mr. Sims (C)
655 Nov/s The Time (F)
660 Perhaps (C)
656 Relaxin' at Camarillo (Bb)
655 Solid (Bb)
660 Some Other Blues (F)
657 Speedball (C)
659 Straight No Chaser (F)
655 Tenor Madness (Bb)
656 Vierd Blues (Bb)

IAZZ WALTZ
673 Elsa (Eb)
676 How My Heart Sings (Q
674 It's A Raggy Waltz (C)
677 Ju-ju
677 Night Dreamer (G)
677 Simone (F)
678 Sometime Ago (F)
675 Valse Hot (Ab)
673 Very Early (

675 Waltz For Debby (F)

674 West Coast Blues (Bb)
678 What Was (C)
676 Windows (Bb)

IAZZ LATIN
 J

I LEFT MY HEART IN SAN FRANCISCO

(Tony Bennett) Cross/Cory 54

Verse - Quick Rubato

C-7 F7 D-7 G-7 C-7 F7 B^7 A-7^ 5 D7^9 G"7 C7

The lov-li-ness of Par-is is some- how sad- ly gay. The glo-ry

m
that was Rome was ofanother

7 E^6 F/C D7 G-7 C7 F

J""l ^ j
J ,^zj * -i** — J J— 1

day. I've been ter- tfly a- lone and for -got-ten in Man - hat-ten, I'm go-ing home to my ci - ty by the bay.

Tempo Bt E^7»"d-7 Dt°7 C-7 Q7t9

Set '
C- C- <47 C-7 F7 >

i Jl5

I left my heart- in San Fran

P
-
1

kJ
cis-co,-
"ibJ i
high on a hill, it calls to
My love waits there- in San Fran - cis- co. a - bove the

Bl>A7B°7 C-7 F7 |B)bI>a7 E-7t5 A7 ^9 D .7 C#°7 D-7 D7

me. To be where lit- tie cab-le cars climb half-way to the stars, themorn-ing

>7 B°7 F/E^ A-7/D

fog may chill the air, I don't care. My love waits blue. and win - dy sea,-

D7 JG+7 D- G7 C7 G-7 C7 C-7 F7 Bl»

When I come home to you San Fran - cis-co your gold- en sun will shine on me.

MOONLIGHT SERENADE
Glenn Miller 1939
 MISTY Erroll Garner/Johnny Burke 1954

&L1 Bt>-7 f|»7

Ei»7 A^7

i
Look at me, I'm as helpless as a kit- ten up a tree, affdl feel like I'm cling-ing to a cloud; I

Walk my way, and a thou- sand vi - o- lins be-gin to play, or itmightbethe sound of your hel-lo, that
On my own,would I wan-der thru this wonder-land a- lone, nev-erknowing my right footfrom my left, my

F>7 3 . C-7 F-7 G-7 C9 F-7

can't un - der- stand, I get mis-ty just hold - ing your hand, Walk my
mus - ic I hear, I get mis-ty the mo - ment you're
hat from my glove, I get mis-ty and too much in love.

B Bl>-7 AtA7

i o iipi
near. You can say that you're lead- ing me on, but it's just what I want you to do.

Al>6 A-7 D7 C-7 F7 G-7^5 C^ 9 F-7 Bl>7

D.C. ai 2nd End

Don't you no-tice how help- less- ly I'm lost, that's why I'm fol- low-ing you. On my

GEORGIA Hoagy Carcnlchael/ Stuart Gorrell 1930

F G7/B Bl»-6 F^7 D7

i t J
r
J m
Geor- gia,- Geor- gia,. the whole day through, just an old sweet song keeps
Geor- gia,- Geor- gia,- a song of you, comes as sweet and clear as
Geor- gia,- Geor- gia,- no peace I find, just an old sweet song keeps

G-7 C7 A-7 Al>7 G-7 C+7 2. G-7 C7 F6

- 3
Geor- gia on my mind (Geor- gia on my mind) 2. moon - light through the pines,
3. Geor - gia on my mind.
B D-7 G-7 D-7 Bl>7 D-7 G-7 D-7 G7

i Fine
J i J 1

j J> .i i
j» j J? .J J i (i J
y7
Oth - er arms reach out to me, oth - er eyes smile ten - der - ly,

D-7 G-7 D-7 E7 A-7 D7 t9 G-7 C7 t9

I ±
D.C. a) 2nd End Fine
still in peace ful dreams I see the road leads back to you.-
 AS TIME GOES BY
Herman Hupfield 1931 (Casablanca)

A (Al>7 G-7 C7)

BEE
You
F-7

must
mi re - mem-ber
Bl>7

this, a
F -7t5

kiss is still a
Bt7

kiss, a
E\>

sigh is still a
F-7

sigh;
F# 7 Et/G C-7

the
when two lov- ers woo, they still say "I love you", on thatyou can re - ly; No
still the same old story, a fight for love and glory, a case of do or die; the

9
1 z
F &°7 F-7 '
EtA7 6 E°7 Ei> Bt-/F F»°7 £t7/G
f M 1
1

mm >

,o II

fun « da-ment- al things ap - ply as time goes by.- And by..

mat - terwhat the fu - ture brings as time goes by.-

world will al - ways wel- come
B
G-7^ A-7^ D7 t9 c-/G

rr i

cJm* ( r r i

LiiY i

Moon- light and love songs nev-erout of date, hearts full of pass- ion, jeal-ous-y and hate; worn- an needs man and

F7 Bi>7 E° F-7 B^o.c.aiccdP'G^ C^ 9 F-7Bt>B Et

s—# ;5

man must have his mate, that no one can de - ny. It's lov- ers, as time goes by.

Often played as a wattz

TENDERLY Walter Gross/Jack Lawrence 1946

E^7 At>7*u E^7

S 1
The eve - ning breeze ca- ressed the trees ten - der ly
The shore was kissed by sea and mist ten - der ly

At7 F-9 At-6 E^7

The trem-bling trees em -braced the breeze n - aer

ten aer
I can't for - get how two hearts met breath - less iy

Bl>7 B°7 C-7

The shore was op - ened wide and closed me in

,
F9 F|°7 G-7 C+7 F-7 _B^7 El»6 o
side, you took my lips, you took my love so ten- der - ly.
 * # #

MY FUNNY VALENTINE RodgCrs/Hart 1937

Q.iLi) c _7 c _6 a^7 aIvg F-7 f-/eI>

My fun-ny val-en-tine, sweet com - ic val-en-tine, you make me smile with my

G7« C- C' (A7) C-7 C-6

heart.. Your looks are laugh - a - ble, un - pho - to - graph - a - ble,

A^7 Al>/G F-7 F-/F> Bl»7W E^7 F-7 G"7 F-7

<jjA J J i —
5 • —
yet you're my fav- 'rite work of art Is your fi - gure less than greek, is your

EU7 f-7 G-7 F-7 J&tn G7 C- B^- A7 A^7 D-7^ 5 G7 19

+ — -9- -9 — u ~ | » — —»— — » » *i v —
mouth a lit - tie weak, when you o - pen it to speak, are you smart? But

C~ C~ (A7) C-7 C-6 Al>A7 D"7 t5 G7 W

don't change a hair for me, not if you care for me, stay fun-ny val-en-tine

C-7 B9 Bl»-7 A7 A^7 F-7 B^9 e\>

1
stay,- each day is val - cn - tine's day..

SUMMERTIME G Gershwin/DuBose Heyward 1935

A-6 B-6 A-6 B-6 A-6 B-6 A-6 B~6 D- F

Sum-mer time . — and the liv-in' is ea - sy,.

Tr fish are
i

jump
p
in

One of these morn - in's you goin' to rise up sing - in' r then you'll spread your wings

D- E7 F7 E7 A-6 A-6 B-6

m and the cot- ton is high., Your dad - dy's

B-6

rich- and your mam-my's good

and you'll take to the sky.. But till that mom - in — there's a no - thin' can

A-6 B-6 A - D7 c /G a-7 r)7 D-7 A-

gum so hush lit - tie ba - by don't you cry.-

harm you- with dad - dy and mam - my stand - in' by.-

 EMBRACEABLE TOU Ira /George Gershwin 1930

El
J J 1
J / v-
r- " ' '
w 1

r r i

Em- brace me, my sweet em- brace - a - ble you. Em- brace me,
I love all the ma - ny charms a- bout you, a - bove all

-7^ D7^9
1.

G6 A-7 G/B B7 l

v ,3
9
IB]e- E-7/D CH 15 F#7t9
r *, N

you ir - re- place - a- ble you Just one look at you, my heart grew
I want my
B- B-7/A G»-7'5 G-6 Fi-7 B7« E-7 A7 D7 B^7 A-7 A^«u

tip - sy m me.. You and you a - lone bring out the gyp - sy in me.
2
'
G7 A-7 Bl>-6 G7/B C C6 Fj. 7 i5 fi7 l9 E. E .(A7)
9 *
arms a- bout you.. Don't be a naugh-ty ba- by, come to pa- pa, come to

E-7 A7 G/D E7^ A-7t5 D 7K> Q6

4
pa - pa do. My sweet em - brace - a - ble you.

UNFORGETTABLE Gordon Irving 1951 (Nat Cole)

G G6 G*7 G6 CJf-715
p|7t9 C C6 CA7 ^3 1

Un-for- get - ta- ble,_ that's what you are.. Un-for-get-ta- ble, tho' near so
Un-for- get- tq-_hfr% in ev - 'ry way. And e- ver- more
for that's how you'll
B
1
7 B- C°7A7/C| -
FA7 F-7 Bl>7 C B7^9 E-7 A7

far- Like a song of love that clings to me, how the thought of you does things tome,
stay..

D9 Et>9 D9 Al>7 F^7 F-6

nev-er be- fore has some- one been more That's why dar-ling, it's in-cre - di-ble,

CA7 B7^9 E-7 _ A9 D7 D-7 G7 C6 (A-7D7)

that some -one so un-for- get - ta-ble, thinks that I am un-for- get - ta-ble too.
 «

Verse
STARDUST Hoagy Carmlchael 1929

F9 E7

»J J ' l'
And now the pur - pie dusk of twi- light time, steals a - cross the mea- dows of my
You wan- dered down the lane and far a - way. Leav- ing me a song that will not

A7 D- E- A- 1
B7

9 1

'd 1
J
— Lf =J—*3 a
lit- tie stars climb. al - ways re - mind- ing me that
Love is now the star- dust of yes - ter - day,

won - der why I spend the lone - ly night- dream - ing of a song. The
side a gar - den wall when stars are bright, you are in my arms. The

C D-7 E-7 A7» D- A7» D- D-7^Al>

me - lo- dy haunts my rev-er - ie, and I am once a - gain with you. When our
night- en- gale tells his fai-ry tale of par- a - dise, where ros - es

G7 G° G7 G+ C D-7 E^°7 C/E

love was new, and each kiss an in - spi ra - tion,-

A-7 D9 A-7 D9 G7 DzL

main,. my star- dust mel - o - dy,_ the mem-o-ry of love's re-frain.-

 SEPTEMBER SONG Kurt Weill 1938

C-6 A\>~l , , 07 D-7 E-7 A-7

3=

Oh it's a long, long time, from May to Dec - em - ber, but the days grow
the au-tumn wea - ther, turns the leaves to flame, one has- n't got
And these few pre - cious days, I'll spend with you, these pre- cious

short when you reach Sep - tern - ber. When the au-tumn time for the wait- ing

C G7sus4 C6 B F-6 fl°7 X F-6

game.. Oh the days dwin-dle down, to a prec-iousfew,_ Sep- tern - ber,

°7 C A7/G D.C.atCoda D7 D-7»5 D 1,47 C6

p r J
i

Nov- em - ber, and these few days I'll spend with you.

POLKA DOTS AND MOONBEAMS

Van Heusen/Burke 1940

F^7 D-7 G-7 C7 A-7 D-7

A coun-try dance was be - ing held in a gar- den, I felt a bump and heard an
The mus-ic start- ed
and was I the per-plexed one, I held my breath and said "may
Now in a cot- tage built of li - lacs and laugh - ter I know the mean- ing of the

G-7 E-7 A7 D-7 El>7 7

A-7 A^-7

"oh, beg your par - don," sud- den - ly I saw Pol - ka Dots and Moon - beams
I have the next one?" In my fright - ened arms Pol- ka Dots and Moon - beams
words "ev - er af - ter," and ways Po -
1*11 al - see ka Dots and Moon - beams
1
G C7 A-Al»7G-7GWN 2.
G-7
i ^ C7 F6 E7
9 m'

f '""d
optuiv- 1WU Ull a pUg- UU5CU UiCOill. There were
when I kiss my pug- nosed dream.
AA7 B-7 E7 AA7 Fjbl 3 __ B-7 E7

ques- tions in the eyes of oth- er dan - cers as we float- ed ov-er the floor. There were
AA7 B-7 E7 A7 D7 G-7 C7

O.C. al 2nd Ending

ques -tions but my heart knew all the ans-wcrs, and per- haps a few things more
 —

8 EVERYTIME WE SAY GOODBYE Cole Porter 1944

A^7 E^7
E^7

Ev - 'ry
M F-7

time-
—J
G--7
1

we
J

say
J

good-
G--7

bye,
C7

I
F-7

die
Bl>7

a lit- tie, ev- 'ry

Gl>7

time
When you're near there's such an air of spring a- bout it, I can hear

BA7 E7 F>7^9
1
Al>-7 J)t>9 Et>/G Gt>°7 F-7 BW

r" r r r r '
f
i ill I
we say good - bye, I won-der why a lit- tie, why the gods a- bove me who
a lark some - where be - gin to

Bt-7 E^Ti9, A^7 Dl>9 G+7 C-7 G^-7 B7

i
must be in the know,
r
think so
p r r
lit- tie
i
*r
of
r
me, they
^ al - low you to go..

B^^ B^9 2-A^7

^At»^7 _ Dl>9
^9 El»/G Gt»°7 F-7 Bl»7 Bt-7 F>7aI>A7

sing a- bout it. There's no love song fin-er,

q
but how
i
f
strange the change from
* r

A^-7 D^9 El»A7 C7 19 F-7 B^sus4 B^7» El»6

5
5
ma - jor to mi - nor, ev - 'ry - time- we say good - bye..

WE'LL BE TOGETHER AGAIN Fisher/Laine 1945

C6 At7 D -7 G7 A- A D7««

4=J m No
1-

1 'f
J =$='=$= 1
#
tears, no fears, re -mem - ber there's al - ways to - mor - row, so
Your kiss, your smile, are mem-'rics I'll trea- sure for - ev - er, so
Some day, some way, we both have a life - time be - fore us, for

B^7 E^7 A^7 D-715 A l, 7 W G7 >

2
C6
4 r f r *r
J 1
po
part,
1
1

we'll
'i
be
1

to-geth-er
Tv\ a - gain.
J
Your
bin gam.
try think- ing with your heart,
part - ing is not good - bye

Akl_ 3 _ G7* 9 C-6 G+7 C-6

i Times when I know you'll be lone- some, times when I know you'll be sad,

A>7 ^ G7 G^ in F7 D -7 l5
A^7 G7su S4 G9

don't let temp -

m ta - tion
5
sur - round you, don't let the blues make you
—jF
bad. Some
D.C.al 2nd End (Fine)
 THE VERY THOUGHT OF YOU
Ray Noble 1934

The ve-ry thought of you, and I for- get to do. — the lit- tie or - din - ar -
y
Themere i - dea of you, the long-ing here for you You'll nev-er know how slow the

B°7 AlVC, F-9 B!>9 Bi>-7 E^7 C7 F-7 F-7/E^

things that ev-'ry-one ought to do. I'm liv-ing in a kind of day- dream, I'm hap-py as a
mo - ments go 'till I'm near to you. I see your face in ev- flow
'ry - er; your eyes in stars a-

F-9 Bt>9 B^7

king, and fool-ish tho' it may seem, to me that's ev-'iy- thing. The mere i -

B^-7

bove Its just the thought of you, ve-ry

the thought of you, my love

I'M IN THE MOOD FOR LOVE

Jimmy McHugh/Fields 1935
13 A-7 D-7 G7 D-7 3 G7 C°7 C

I'm in the mood for love, sim - ply be - cause you're near me.
Hea - ven is in your eyes! bright as the stars we're un -
If der.
there's a cloud a - bove' if it should rain we'll let it

Fun - ny, but when you're near Ftne

me, I'm in the mood for love.
Oh, is an - love.
it
y won der, I'm in the mood for
But for to - night for get it, I'm in the mood for
D-7 G7 Q7V9

Why stop to think of wheth - er, this lit - tie dream might fade.

F|-715 B7t9 E _7 A-7 e>7 d-7^5 G 7W

We've put our hearts to - geth - er, now we are one, I'm not a - fraid.

D.C at 2nd ending(Fine)

 — y

10 HERE'S THAT RAINY DAY

Johnny Burke/Jimmy Van Heusen 1949

G D/FU Bl>7/F E7«u El>A7 , 3 — A^7 , A-7 D7 D7^

p B-

—^ ^ ^ — .

r *—v w
May- be I should have saved those left ov-er dreams, fiin-ny but here's that rain-
Where is that worn out wish that I threw a- side, af-ter it brought my lov-er

D-7 G7

!<?
G^7
3 -7

r
5
7sus
4 F9
F* i
B^7
r »|J
E^7

day Here's that rain -

y day they told me a - bout, and I
near?
2
A-7 D9 C7«n B+7 E9 A-7 D7^ '
-

C*7

i
laughed at the thought that it might turn out this way. Fun - ny how

D7 W G6
pa D9/C

love be- comes a

B-7 E-7

cold rain-y
A 13

day,
A-7/D

fun-ny that
D7

rain-y
s
day is here..

I REMEMBER YOU Johnny Mercer 1942

a a y
G6 Cf-715F|7 G6 D-7 G7 CA7 C-7 F7

I re-mem-ber you, you're the one who made my dreams come true, a few kiss - es a -

I re-mem-ber you, you're the one who said "I love you too", I do, did - n't you

I re - mem - ber too a dis - tant bell,

know?.
B7 E*7 E-7 A7 DA7 A-7 D7 G6

and stars that fell like rain out of the blue When my life is

CH WF *
7
G6 CA7 E7» A-7 C~6 F7

through and the an - gels ask me to re - call the thrill of them

GA7 E-7 cH k5
C-6 B-7 bI>7*h A-7 D7 G6

then I shall tell them I re - mem - ber you.-

 — r

MY ONE AND ONLY LOVE 11

Wood/Mellin 1953
cm A-7 D-7 G7 ^fSL, A-7 F A7

m he ve - ry thought of you makes my heart sing like an Ap - ril breeze on the

The sha-dows fall and spread their mis - ty charms, in the hush of light while you 're
You fill my ea - ger heart with such de - sire, ev- 'ry kiss you give, sets my
E-7 A7 us4 A7» D-7
S G7 E/Gjt A-7 D7 G7
1
wings of Spring, and you ap - pear in all your splen- dor- my one and on-ly
in my arms, I feel your lips so warm and ten- der,- my one and on-ly
soul on fire. I give my - self in sweet sur ren- der,-

1
E-7A7D-7G7 C6 Ff-7i5B7lBjE- F|-7k> B719

m —
J> JL J J'

m .~m
love love. The touch of your hand is like hca-ven, a
E- i
3 — ,C|-7 jL-sl
— ,
F»-7'5 B7» E- . E-/DI E-/D,— 3^ Cf-7"

hea - ven that I've nev-er known.

j»
The
1

blush
^ i

on your cheeks when ev - er I speak

D^_, A}7_ 3 G7sus4 G7 DCalCoda D-7 G7» C6

* — i
tells me that you are my own. my one and on - ly love.

THE NEARNESS OF YOUHoagy Carmichael/Washington 1937

FA7 C-7 F7 B^7 B^°7

It's not the pale moon that ex - cites me, that thrills and ex - cites me, oh
It is - n't your sweet con - vcr - sa - tion, that brings this sen - sa - tion, oh
I need no soft lights to en - chant me, if you'll on-ly grant me the

A-7 D7» G-7 C7 1 -

A-7 Al>9 G-7 C7sus4 2.F6 E^9 p
\

no,— it's just the near-ness of you It is- n't you. whenyou'rein my
no,— it's just the near-ness of
righu to hold you ev - er so
G-7 C7W FA7 F7sus4 C-7 B7 B^7 £7» A-7 D7

arms,- and I feel you so close to me,- all my wild - est dreams come
G-7 rtWCI^Cl^aJb- A-7«El-7«ii D7» G7*, s< G9 G-7 C7» F6 F«

true.. I need no tight,.

mm
and to feel in the night the near-ness of you..
12 WHAT'S NEW? Burke/Haggart 1939

What's new?. How is the world treat- ing you You have- n't changed a
What's new?. How did that t°- mance come through?- We have- n't met since
A - dieu,. Par- don my ask - ing what's new Of course you could - n't

O El>7/Bl> A^7

bit, love - ly as e - ver, I must ad - mit. What's new? What's new?

then, gee but it's nice to see you a - gain.
Fins
know, I have- n't changed, I love you so.

Prob - a - bly I'm bor-ing you, but see - ing you is

F- At7/El>Dl>A7 C7^ p- El>7 D-7« qi&

grand and you were sweet to of- fer your hand I un - der - D.CaiFine
stand.

BODY AND SOUL Hetman/Sour/Eyton/John Green 1930

B^9 E^7 D9 D^6 Gt>7 F-7 E°7

My heart is sad and lone - ly, for you I sigh, for you dear on - ly.
I spend my days in long - ing, and won-d'ring why it's me you're wrong- ing,
My life a wreck you're mak - ing, you know I'm yours for just the tak - ing;

E^-7 E^7/D^

Why have - n't you seen it? I'm all for you, Bo-dy and Soul.
I tell you I mean it,
Fine
I'd glad - ly sur ren - der

C7 Fjf-7 B-7 A7 DA7

I can't be-lieve it, it's hard to con-ceive it, that you'd turn a- way ro-manceT

I>7 G7 E-7 E^7 D-7 G7 C7 B7B^7 D.C.alFme

Are you pre- tend- ing, it looks like the end- ing, un - less I could have one more chance to prove dear,
 BUT BEAUTIFUL
13
Johnny Burke/ Jimmy Van Hcusen
G6 C7«l E7 19 A -7
C |-7l5F#7t9 B _7 CA7

fun-ny or it's sad, or it's qui - et or it's mad, it's a good thing or it's

Love is tear-ful or it's gay, it's a prob-lem or it's play. It's a heart- ache eith - er

E7 t9 A7 E _ 7/B c .(A7) C |- 7 t5 D7 D/C B-7 E-7

bad, but beau - ti- ful!- Beau - ti - ful to take a chance and
way but beau - ti - fill.- And I'm think - ing if you were mine I'd

G6 B7» E- E- (A7) A-7 D7

fall you fall. and I'm think - ing I would - n't mind at ve is

nev-er let you go, and that would be but beau -ti- fill I know..

SCOTCH AND SODA Dave Guard 1959

G-7 C7

Scotch 'n' so - da, mud in your eye, ba - by do I feel high, oh me oh

Dry mar- ti - ni, jig-ger of gin. Oh what a spell youVe got me in, oh
All All I need one of your smiles,
is sun- shine of your eyes oh me oh my

Peo-ple don't be - lieve me, say that Tm just brag -

tfcey gin' But
F9 C-7 F9 C-7 F-7 B^7

could DIC.alCoda
I feel the way I do and still be on the wag - on

G-7 C7 F-7 Bl>7 A^7 E^

high-er than a kite could fly Give me lov-ing ba-by I feel high..
14 WHAT ARE YOU DOING THE REST OF YOUR LIFE
Legrande/Bergman 1969

A-/GI A-/G

What are you do-ing the rest of your life?- North and South and East and

All the sea- sons and the times of your days,- all the nick - les and the
Those torn- mor- rows wait - ing deep in your eyes,- in a world of love you

FA7 E-7 D-7

i
West of your life,- I have on - ly one re quest for your life,

dimes of your days,- let the rea- sons and the rhymes of your days

keep in your eyes,- I'll a - wa - ken what's a sleep in your eyes,

that you spend it all with me All the sea-sons and the mc„ I want to

all be - gin and end with

it may take a kiss or

see your face in ev- 'ry kind of light, in fields of dawn and for-ests of the

AA7 G^7

night. And when you stand be - fore the can - dies on the cake, Oh let me be the

G-7 C7» F*7

DC aJ-Coda
one to hear the si - lent wish you make. Those torn mor - rows wait - ing

E7sus4 E7 F9 B-7^ E7

i
two.. _ Thru all
m
of my life, Sum - mer, Win - ter, Spring and

FA7 F7*u A-/E B-7 E7 A-

Fallof my life, all I ev- er will re - call in my life, is all my life with , you.
 I ONLY HAVE EYES FOR YOU
Warren/Dublin 1934
15
D-7 A7& D-7 G7 , D_iZ_, A7^_ 3 _ D-7 G+7,

„#
—r
stars out to - night? I don't care if it's clou - dy or bright, cause I
moon may be high, but I can't see a thing in the sky, cause I

here so am I, may - be mill- ions of peo-ple go by, but they

2.
07 .
3
D-7D|°7 E-7
1

F13 E-7 A7 El>-7Al>7 E-7 &\>9 A 13 El>7

on - ly have eyes, for you. you_

on - ly have eyes-
all dis - ap - pear- from

D-7 G7 F°7 E-7 A-7 G-7 C7^ p-6 Bl»7 E-7 A-7

I don't know if I'm in a gar - den,. or on a crowd- ed a- ve - nue..

E^-7 A^7 D.CalCoda-fy- g^m A? D-7 D-7« G7« c

You are view- and I on-ly have eyes- for you-

THAT'S ALL Alan Brandt/Bob Haymcs 1952

yB k7 C-7 D-7 C-7 F7 BU7 e1»9

I can on- ly give you love that lasts for- ev - er, and the pro-mise to be near each time you
I can on- lv give you country walks in spring-time, and a hand to hold when leaves be - gin to
If you re won-d ring what I'm ask-ing in re- turn dear, you'll be glad to know that my de-mandsare

D-7 G7 C-7 G7 W

call; and the on - ly heart I own, for you and you a - lone that's all, that's
tall; and a love whose burn-ing light will warm the win-ter night, that's all, that's
small; say its me that you a - dore for now and ev - er- more, that's all, that's

Ek7 C7^

all. I can all. There are those, T am sure, who have told you, they would give you the world for a
Ek7 _ G-7 ^ C7 _ FA7 D7|l, G-7 _ C7 F7sus4 F7 D.C.alFme

toy. All I have are these arms to en - fold you and a love time can nev-er des - troy, If you're
16 MY SHIP Kurt Weffl/Ira Gershwin 1941

Fs D7 W G9 C7sus4 C7 Ft D7*9 G7 C7^

5
My
i J J
"

ship has sails that are

r
1
f—^=3
made of
*
silk,
* V
the
; "
*
decks are trimmed with gold,
1 1
^ P3^
and of
My ship's a- glow with a mil- lion pearls, and rub - ies fill each bin. The
I do not care if that day ar- rives, that dream need nev - er be, if the

F6E^7 D7*9 G-9 E -7t5 A 7t9 1

D-7 G7 G-7 C7 W 2-D-7 G"7C7 t9 F6

lii r r I
jam and spice there's a par - a - dise in the hold My ship comes in. I can
sun sits high in a sap-phire sky when my
ship I sing does - n't

B C7 G-7/CC7 G-7 FA7 B-7«E7 A-7 D-7

t
G-7/C

wait
m
the years till it ap- pears, one fine day one spring.
xj'
But the
i

pearls
r t
and
J

such,
^ they

W
A- D;7 A-7 D7 G7sus^G9 CTsus* qfft -orf G-7 E-7^A7 D-7 C7

^ r V
won't mean much
J
u
if there's
1
r
V
miss -ing just one thing.
p I
m al- so bring my own true love to

F A7Fj°7G-7 C7 F*9 B7«" B^9 Et>7i^7A-7 A^ 7 D^7 C7» Fl

^ r r
* J-

me,
p

If the
p ii p f

ship I sing does-n't

T i

al- so bring
r p p
my
i

own
f
f

true love to me.

Suessdorf/Blackbum 1939
MOONLIGHT IN VERMONT
IS El>6 C-7 F-7Bt7 C-7 Di>7 F-7 Bl»7
1a
eI» F-E7V

Pen- nies in a stream,.

r
fall -
p
ing leaves, a
J -

sy - ca-more,
^ J'M
Moon- light inVc* mont.
J
ft)
I-cy fin-ger waves,- ski trails on a moun- tain- side, snow- light inVep mont.
Ev'-ning sum-mer breeze,- warb-ling of a mea-dowlark, Moon- light in Ver
B
3 3
r _i.

--=#=£-
1
1

Te-lc- graph ca-bles, they sing down the high -way and tra-vel each bend in the road

B^7 r- 3 ,
E^7
%• 3« ,
A^7 3 »
F7» r- >
B^-7
r- 3 n
A7^ 1 *1
A^7 1

3^ ^ |

|^

J J J J J U % J i

I'
y
Peo-ple who meet in this ro- man- tic set- ting are so hyp-no-tized by the love - ly,

e
mont. You and I and moon - light in Ver - mont.
 OVER THE RAINBOW Harold Arlen/Harburg 1938
17
El> C-7 G-7 El»7 A^7 D7 G-7 C7» F-7 Dl»7

Some - where, ov - er the rain - bow, way up high,- there's a

Some - where ov - er the rain - bow, skies are blue,- and the
Some - where ov - er the rain - bow, blue - birds fly,- birds fly

1
E^7 C7 F7 F-7 Bt>7 El>6 F-7 F>6

* — *
land that I heard of once in a lul - la - by. true. Some
Fine
dreams that you dare to dream real - ly do come
ov - er the rain - bow, why then, oh why can't I?
B F-7 Bl>7 E°7
El>6 F-7 Bl>7

r r i

r
day I'll wish up - on a star and wake up where the clouds are far be - hind me Where
D7» G-7 G^°7 F-7 B^7
'

I r r _r [_ r i D.CJaJFine
trou- bles melt like le-mon drops, a - way a- bove the chim-ney tops, that's where you'll find me.

Tag-Last X only El> F-7 Bl>7 E^6

If hap-py lit- tie blue- birds fly be - yond the rain- bow, why oh why, can't I?

ONCE IN AWHILE Green/Edwards 1919

EI Et El>6 E^7 _ El>6 G-7 C9 G-7 C9

Once in a - while will you try to give one lit - tie thought to me?
Once in a - while, will you dream of the mo - menu I shared with you?
I know that I'll be con - ten - ted with yes - ter - day's mem - o

F-7 Bl>7 G-7 C7 F-7 Bl>7, "El>6 A^-7 E^6 D7

Though some- one else may be near - er your heart part. In

Mo ments be - fore
- we two drif - ted a while. F,no
know - ing you think of me once in a

QA7 F -7 A-7 D7^

f

love's smol - der - ing em ber, one spark may re - main, if

GA7 E-7 A-7 D7^9 G13 C7^ 9 F-7 B^7

D.C.aJ2nd End
love still can re - mem - ber, the spark may burn gam.
 )

18 LAURA D. Raskin 1945

A-7 D7^ GA7 ( C9 ) G6 (C9) G-7

Lau - ra- is the face in the mis - ty light,— foot - steps.

Lau - nu on the train that is pass - ing through,. those eyes,-

C7» 3 I?A7 (B^13) F6 (B^13) 1-F-7 I^7sus4 Bt7», E^7

J
!»= I * J 'i J uJ J J .= J- J> i

that you hear down the hall, The laugh that floats on a sum-mer night,
how fam - il - iar they seem.-

A~7 15 D7alt D7 G A7 B-7 F>9 2-F-7

~^|» m f ;
90
that you can nev - er quite re - call And you see She gave
6^S) (A-7) (D7 ) (Al>7
P-7W Q7W., 07 d-7 E-7 A-7^ D7» G7sus4 (£7_ C6

* your ver - y first kiss to you,- that was Lau - but she's on-ly
ra,- a dream-

WHAT A DIFFERENCE A DAY MADE

Grever/Adams 1934

G-7 C7susl3 FA7 B^9 A-7 Al>7<ii,

~m w Z^* r
What a difference a day made, — twen- ty- four lit- tie ho - urs,- brought the sun and the
What a cliff-' rence a day makes, — there's a rain- bow be- fore me, skies a - bove can't be

flow
stor -
- ers,

my
— where there used to
since that
be rain
mo- men t of
My yes- ter- day was blue dear, to- day I'm part of

D- D-7 G7sus4 G7 C7Sus4

*
you dear, my lone-ly nights are through dear,- since you said you were mine.

What adiff-'rence a r
bliss, that thrill- ing kiss. It s hea-ven when you- find ro-mance on your

A-7 A^°7 ^ G-7 C7 F6

me
# — #-
- nu,- what a diff-'rence a day made, and the dif- 'rence is you..
 .

DARN THAT DREAM Van Heusen/De Lange 1939

19
G*7 Bl>-7El>7 A-7 Balt7 E-7 C|-7^ £ B-7^ 5 E7 19

9+
Darn that dream I dream each night, you say you love me and you hold me tight,
Dam your and
lips darn your eyes, they lift me high a - bove the moon - lit skies.
Darn that dream and bless it too, with -out that dream I nev - er would have you.

B-7 Bl> 7 1
-
A -7 A I>7*11 G6 D7^ ^

em* but when I a- wake you're out

J

of
4
sight,
i
,i
&0
oh,
d
darn that dream.
J
:
1

Then I turn - ble out of par - a - dise oh

But it haunts me and it won't come true, oh
2
A-7 Al>7*iiG6 la
b^^LSJe^ C-7 F-7

Fine
darn that dream. Darn that one- track mind of mine, it can't un-der- stand that

^
F-7 Bl»7^ E\>6 C -7 A-7 A-7 D7 &9 D7^
l,r
4 t
you don't care.
'i
3 -''

Just to change the mood I'm in, I'd welcome a nice old
1

t
night -
t
mare.
11

D.C.al 2nd End (Fine)

SKYLARK Hoagy Carmichael/J. Mercer 1941

El> F-7 G-7 A7W A^7 _ E^/G

Sky - lark, -have you an - y- thing to say to me?— Won't you tell mewheremy
Sky - lark, .have you seen a val-ley green with spring- where my heart can go a
Sky - lark, I don't know if you can find these things,- - but my heart is rid- ing

C-7 F7 F-7 Et F7^ B l>9 x

i
love can be? Is there a mea-dow in the mist where some-one's wait- ing to be kissed?
jour - ney ing - ov-er the sha-dows and the
on the wings,-

7 IBJ A^7 A B^-7 El»L_

, fi , I.
3

fL V
vr
\.

j
'

J J t r
r
T~
r —
'
l i
*
rain, to a blos-somed covered lane? And in your lone - ly flight have-n't you heard the mus-ic

B^7 fJh-7 Al>6

in the night,. won-der- ful mus- ic, faint as a will- 'o- the- wisp, cra-zy as a loon,
Qta G6 A7D7 G B^ocaico^^ _ B^7Bl»7alt F>

sad as a gyp - sy ser-en - ad- ing the moon Oh, where, won't you lead me there?
 +

20 I CAN'T GET STARTED

Ira Gershwin /Vernon Duke 1935

(B-7 E7 E^7 A-7 DTA^Dty

I've flown a- round the world in a plane, I've set- tied re- vo- lu - tions in Spain, the North Pole
A- round a golf course I'm un-der par, and all the mov-ies want me to star, I've got a
In nine- teen twen - ty nine I sold short, in En- gland I'm pre-sent - ed at court, but you've got

C^7 A-7 D-9 G7 W 1

Bl»7«iiA9 D9 G7sus4 2
C G7alt C FA7
\
W=
Ol, J +
— , - £> wfc " iul J A -round the you. You're so su-
house, a show- place, but I get no place with

E-7 A7 E-7 A7 D*9 G13 pf-7 E-7 D-7 G7 D-7 G7

preme, ly-rics I write of you, scheme just for the sight of you, dream both day and night of you,
^E-7 A9 D7 SU s
4 D7WG7sus4 aa *a&C*7 Bl7 A 7 D-9 G^9 C6

and what good does it do? In nine- teen me down- heart- ed 'cause can't get start -
I ed with you.

THESE FOOLISH THINGS

A rig - a - rette that bears a lip- stick's tra-ces, an air -line tick - et to ro
A tink-ling pia - no in the next a - part-ment, those stum-bling words that told you
The winds of March that make my heart a dan-cer, a te - le- phone that rings but

F9 Bl>7 < B^-7

man- tic pla-ces, and still my heart has wings, these fool-ish things re- mind me of.
what my heart meant, a fair- ground's paint - ed wings, these fool-ish

Oh, how the ghost of you clings, these fool-ish things re- mind me of you.
 APRIL IN PARIS Vernon Duke/Harburg 1932
21
BA7 C^7 C6 A^7 G13 C^7
g
B/C C

J J J J J
A - pril in Par- is, chest - nuts in bios - som,- hoi - i-day tab-les

CA7 G- G- (A7) G-7 G^ tn F6 EA7 F A7 F6 B-7^ 5 E7 W

3

un-der the trees A- pril in

PP
Par- is, this is a feel-ing

A-7 A-7/G Ft-715 B7^ E+7 E7 E-7^5 A7^?G

r r r ^ r
no one can ev - er- re prise-

F#-7t5 F o7 C/E F>7 D-7 D^7 C6 A-7 B-7^ E7 W

I ne - ver knew the

U I
r r r
charm of spring, nev - er met it face to face- I nev- er knew my

A- A-7/G Fft-7is B7^ EA7 G7 D-7^ 53 B^7C^7 G6

§ r r r
heart could sing, nev - er missed a warm em- brace; 'till A- pril in Par- is,-

b\,7*u a 13 Et7« D13 C|7 D-7 15 q*

-3 , , I
3-

whom can I turn to,- what have you done to- my heart?-

TILL THERE WAS YOU Meredith Wilson 1950

H 9 E°7 F-7

UK P m
There were bells on the hill,but I
p
nev-er heard them
i

r
ring-ing,
J
no I nev-er heard them at
There were birds in the sky, but I nev-er saw them wing-ing, no I nev-er saw them at
There was love all a - round, but I nev-er heard it sing-ing, no I nev-er heard it at

F-7
-3-
i-Eb E°7 F-7 J&J E^7 B A^7

all 'till there was you There were you- And there was mus-ic and

A°7 ,
3 t
E^6 B7C7 F-7 F7 Bk7 Bln-7 ac al 2nd End

there were won- der-ful ros-es, they tell me, in sweet fra- grant mea-dows of dawn and dew. There was
22 MORE THAN YOU KNOW ho^^ 1929

Verse O A-715 B+7 C. A^5 A fy n Qli9

Wheth-er you are here or yon-der, whcth - er you are false or true,
E - vcn though your friends for - sake you, e - ven though you don't sue- ceed,

C- El>7 A^7 G7» 1-

D-7 a1>7*U G7 19 2.
c-/^-715 £)-7

o 1

wheth-er you re- main or wan-der, I'm grow-ing fonder of you. break you need.
wouldn't I be glad to take you, giveyouthe

% [A]
C6 G+7 G.9 C7l9
3—
pA7 E-7 A7"> D-7 F-73 Bt7
' i i
i

More than you know, more than you know, man of my heart I love you late - ly
Wheth - er you're right wheth - er vou're wrong, man of mv heart T'll strina * .
so,
i™« ~~-a ™ I

cry,

1
D-9 At7*u
3
D-9/G G7»3 E-7 A7» D-7 G7 3
2 -
E-7 A7W3
I
1
. , , 1 1 \ l 1

J 6
' '
J «J J 1

find, you're on my mind, more than you know.

ev - er know, Lov-ing you the way that do, there's noth-ing

I I can do a - bout it
ev - er know.
A-715 D7 G*7

D.S. al 2nd End (Fine)

Lov-ing may be all you can give, but hon-ey I can't live with- out it Oh how I

m COME SUNDAY Duke Ellington 1946

1^1 - F7 Et>7«u F7 D+7 G9 C-9

Lord dear Lord a - bove, God Al - might- y, God of love, please look down and
F9 Bl>6 E^/Bt B^7 Ed7 El»7 D7 G-7

see myJ peo -

f
~
* pie
.

through.. be-lievethat God put sun and moon up in the

C9 F7 C-7 F7 D7*9 G+7 C9 F+7 D.C.alFme

I don't mind the gray skies, 'cause they're just clouds pass-ing by..
 .
YOU GO TO MY HEAD rill /r t
GUlespie/Coots
f 1<MR
1938
23
I

IM G-7 A^7 Dt»7» G^7 C-7^ 5 p-7 15 B^alt

i 5
You go to my head and you lin-ger like as haunt-ing re-frain, and I find you spin- ning
You go to my head like a sip of bur-gun-dy brew, and the ve - ry
You go to my head, with a smile that makes my tern- p'ra-ture rise, like a sum-mer with a

E^-7 B^alt ^ E^7 c-7 1

F-7E7 , U
lBt-7A7

—
'round in my brain, like the bub-bles in a glass of cham-pagne.
^7
You The
men - of you,
tion like the kick- er in a ju - lep or two.
thou -sand Ju - lys, you in - tox - i - cate my
A^6 A°7 E^A7/B^ G-7 C-7

thrill of the thought that you might give a thought to my plea casts a spell o-ver me. Still I

G Gin- F6 E7*u
D,G at Co

say to my- self "get a hold of your- self, can't you see that it nev-er can be." You
E^7 C-7 B^-7 El>7» A^7 A^6 T>\>1 G-7/D

soul with your eyes. Though I'm cer-tain that this heart of mine has- n't a ghost of a

C-7
3
A^jy? G-7C7 F-7 B^7 Gt^7G^7 F-7 E7«* $>6

chance in this cra-zy ro- mance, you go to my head, you go to my head,

DON'T BLAME ME Fields/McHugh 1932

® C6 E-7^ A7» D-7^ D-715 G7

Don'tblame me for fall - ing in love with you, I'm un - der your spell, but
Can't you see, when you do the things you do, if I can't con - ceal the
Blame your kiss, as sweet as a kiss can be, and blame all your charms that
y
E-7^5 A7 i D-7 G+ C6 G7 z-D-7 G7 C6

/ Fine
how can I help it, don't blame me don't blame me. I can't help it
thrill that I'm feel - ing,
melt in my arms but

E7 A-7 D7
m*mmammm
=
if that dog- gone moon a-bove makes me need some - one like you to love.
24 WHEN SUNNY GETS BLUE Fisher/Segal 1956

G-I C7 B^L Et7 F*7 G-7

When Sun - ny gets blue, her eyes get gray and cloud - y, then the rain be - gins to
When Sun - ny gets blue, she breathes a sigh of sad- ness, like the wind that stirs the
But mem-'ries still fade, and pret - ty dreams will rise up, where her oth - er dream fell

A-7 D7 B-7^5 fit-7 E^7 A-7 A^-7 Dl»7

faU Pit - ter, pat-ter, pit- ter, pat-ter, love gone

-
is so what can mat-ter,
trees. Wind that sets the tree to sway-ing, like some vi - o - lins a - play-ing,
through. Hut - ry new love, hur - ry here to kiss a - way each lone - lv tear and

no sweet lov - er man comes to call. When dies

wierd and haunt - ing mel • o

E-7 A7^ DA7

Peo-ple used to love to hear her laugh, see her smile, how
that's she got her name.
D-7 G+7 CA7 a-7 fa7 r>- m a-i n
Aft\*ICcda „

LastXgoon
hold her near when Sun- ny gets blue hold her near when Sun- ny gets blue

El D-
IN A SENTEMDENTAL MOOD ^ Ellington 1935

D- (A7) D-7 D-6 G- G- (A7) G-

 GOOD MORNING HEARTACHE 25
Higginbotham /Drake / Fisher 1945
C-7 , —— 3 , F . G-7

Good morn- ing heart- ache you old gloom- y sight- Good morn-ing heart-ache, tho' we
Wish I'd for- get you, but you're here to stay.- It seemed I met you when my
Good morn-ing heart- ache, here we go a- gain.- Good mom- ing heart-ache, you're the

D7» G-7 ^ B ^6 A-7 A^-7

-j

— ^
said good-bye last night- I turned and tossed un - til it seemed you had gone,-
love went a - way- Now ev - 'ry - day I start by say - ing to you,—
one who knew me when.. Might as well get used to you hang - ing a - round,-

r
,#

A+7
G-7

m
but here you
C-7

n J"^
are with the dawn..

D- A+7
F C° G-7

Good mom- ing

DA7 G-6 D-7

C-7 C7W

heart- ache, what's

G7
new?
F6

C A7 C7

Stop haunt- ing me now, can't shake you no- how. Just leave me a - lone,- I've

G^7 C-7 F7 D.C.alCoda G-7 Gl>7«l F6

got those mon - day blues, straight thru sun - day blues. Good morn-ing heart-ache sit down.

GOD BLESS THE CHILD Herzog Jr/Billie Holiday 1941

£l>A7 E^7 A^6 E^7 E^7 A^A7 El>7

Them that's got shall get, them that's not shall lose, so the Bi - ble said, and it still is news,
Yes the strong gets more, while the weak ones fade,emp-ty pock-ets don't ev - er make the grade.
Rich re - la - turns give, crust of bread and such, you can help your- self, but don't take too much.
Al>-6 G-7 C7» F-7^ B^7 El>6

fin*

2
''F-7 . Bt7 D-715G7" C- >
C- (A7 >
C-7 C-6 G-7

crowd- in' 'round the

D-715 G 7» C _ C-CA7) C _7 C .6
G-7 C7 F-7^ B^c 9
alFhe

door When you're gone and spend-in' ends, they don't come no more. Rich re -
 «

26 MY FOOLISH HEART Young/Washington 1950

Bl»A7 El>A7 D-7 G7 C-7 C-7/Bt A7sus4 A7

3
The night is like a love - ly tune, be - ware my fool - ish heart. How
Her lips are much too close to mine, be - ware my fool - ish heart, but

D "7
E >7I9
G-7 D^7
i.
C -7 07W F7«
oi
'
-V J 1
—
white the ev - er con - stant moon, take care my fool - ish heart. There's a
should our eag - er lips com - bine then

B^7 F-7 Bl>7< 9 E^7 A-715 D7^

line bc-tween love and fas-ci- na - tion that's hard to see on an ev-en- ingsuch as this, for they

G-7 D72? G-7 C7 C-7 G+7 C-7 F7

both give the ve - ry samesen - sa - tion when you're lost in the mag-ic of a kiss. Her
imL A-715 D 7» G-7 (
Et-7 .
a!»7
9 m

let the fi - re start. For this time it is - n't fas-ci - na - tion, or a

B^7 Et>A7 Al>7 G7 C-7 G7 Cl3 C+7 F7sus4 F7W b!>A7

D» 1
I w
dream that will fade and fall a - part, it's love, this time it's love, my fool - ish heart.

SOMEONE TO WATCH OVER ME

George/Ira Gershwin 1926

Et/G G-7/F E°7

There's a some- bo - dy I'm long-ing to see, I hope that he, turns out to be,
I'm a lit - tie lamb who's lost in the wood, I know I could, al-ways be good,
Won't you tell him please to put on some speed, fol-low my lead, Oh how I need,

Fine
some- one who'll watch ov-er me. mc.- Al- though he may not be the
to one who'll watch ov-er
some- one to watch ov-er me.

A°7 E^/Bt G7/B C-7 A-7^ D7 G7 C9 F9 B^ 9

D.C. al 2nd End (Fine)

man some girls think of as hand- some, to my heart he car-ries the key..
 _ IMAGINATION Van Heusal/Burke 1939
27
EU7 E°7 F-7 Bl»7 F>7 A^9 G~7^ C7
5
* * r i

r r r r
I - ma- gi na- tioi> is- fun - ny, it makes a cloud- y day sun - ny,
I - ma- gi na- tioi* is- era - zy, your whole per- spec- tive gets ha - zy,
I - ma- gi na- tion- is- sil - ly, you go a - round wil - ly - nil-- ly r

7 . -0-F-7 1
C37 C7 F-7 Bt»7
— P- 1 |
| p" ^ ^
JP J^t I

m l 4 m
think of you. I - ma- gi
starts you ask - ing a dai- sy what to do,
for ex - am - pie, I go a - round want- ing

1
2
-E^7 E^7 [0^7 F-7 A-7 D7 G-7

what, to do?_ Have you ev-er felt a gen- tie touch and then a kiss and
A7^ D-7 G-7_ C-7 FJ_ 3 — , bIh-7 D.C.alCoda

then, and then find it's on-ly your i -ma- gi - na-tion a -gain? Oh well, I-ma-gi-
F-7 T^l>7
3 , G7 Dl»7*llC7 F-9 B7»U
3
Bl»7 F>6

go a- round want- ing you. and yet I can't i - ma- gine that you want me too

BAST LIVING Robin/Granger 1937

A^7, F7 B^7 fJ>7

y°U
riinir'ff
illnev-er
fOT
re- gret. J
the years
s
""JP liv "?ng
I mgrv-ing,
-
?' s
they're
^-sy t0
ea-sytogive,
Uve> when you're in
when you're in
love ano.
love and I'm

2
F B^-7 F>"7 Al»7

may- be a fool but it's peo-ple say you rule me with

715 C7 -3. D.C.aJFine

wave grand, they just don't un - der - stand.

Repeat 1st verse
28 I'M GETTING SENTIMENTAL OVER TOU b»» 1933

m '
F9
. .
E9 pl>9

was just a notherwho laughecfat ro mance, I said it was not

I

Thenyoumadeyouien- trance^nd rightat a glance. I knew this was

I>7 C}7

1
«f * ft
1
1
C7

for
I7A7

me_
P7^
2

meant
G7

to
C7

be.
C7/E

D7 G7
p r * j
Nev- er thoughtl'd fall r but now O hear you callr I'm feet- tin' sen - ti-
Things you and do,— say just thrill me through and through, Fm get- tin* sen - ti

Won't you please be kind and just make up your mine that you'll be sweet and
2
1
G-7 C7 F G-7 C7/g F Bl» F E7
'

h i .hi
- m
L_
i

J
J- ' y J.
men- tal ov - er you. men - tal ov - er you,
B7^ E7
3fe
i I thought I was hap - •py, - I - could live with - out love,
B-7 E7 A-7 D7 19
G-7 C7

now I must ad - mit, -love

Mr
IS- all I'm
r r
think *
-
ie
ing of..
D.S.alCoda

C7 F Et D7 G7 G-7 Q7& F

gentle, be gen-tlewithme Be cause- I'm sen --ti -men -tal -ov - -er you

EARLY AUTUMN Woody Herman/Ralph Burns 1949

L L El
B7 B^7 A7 Al»A7

1-CA7 E^9 D-9 A^ABhB ^|^CA7aU7B^7 07

D.C. alFine
 Johnny Mathis SMOKE GETS IN YOUR EYES 29
Jerome Kem/Habach 1933

F-7 B^13

=*=m 1
They asked me how I knew my true love was true? I of course re -

They said some- day you'll find, all who love are blind, when your heart's on
Now laugh- ing friends de ride- tears- I can- not hide, so I smile and

Bt>9 2
C-7 1
G-7 C7 F -7

m
F>*7/bI> F-7 Bi>7 F>6 Gt>7
^
* J
'r
e - 41 —ee 1

Fine
piied,something here in -side,- can- not -be de - nied. eyes,
fire, you must re - a - lize, -smoke gets -in your eyes.
say, when a loveljflame dies, smoke gets in your

? GJ-7 Ff7/Cf C°7 C|-7 Ff7

i
So I chaffed them and I gay-ly laughed, to thinkthey would doubt my love.

BA7 G|-7 F-7 Bl>7 F>6 C7 F-7 B^7

5
D.S. ai 2nd Ending
Yet to-day my love has flown a- way, I am with - out- my love.

MONA LISA Livingston/Evans 1949

Mo-na Li-sa, Mo- na Li- sa men have named you, you're so like the la- dy with the mys-tic
Do you smile to tempt a lov-er Mo-na Li - sa, or is this your way to hide a brok-en

1
G-7/F C7 G-7 r— 3— C7
rn
,

* smile. Is it
ULXJ Lf
on- ly 'causeyou'relone- ly they have blamed you,
i
J

for that Mona Li-sastrange-ness inyour

2.i
F Fj|° G-7 c 13 fit Bl» f C7

smile? Do you heart? Man-y dreamshavebeen brought to your doorstep, they just lie there, andthey

F F7 Bl» B°7 F/C C2 F

die there, are you warm are you real Mo-na Li-sa, or just a cold and lone- ly, love- ly work of art?
30 WILLOW WEEP FOR ME Ann Roncll 1932
Verse j)9 G13 C9

g
Oh Lord, why did you send the darkness to me? Arc the sha- dows for - e-ver to

B\>9 F> C+7 F6 C7 B7

Where's the light I'm long- ing to

3p
see?
m
Oh

love, once we met by the old wil - low tree, now you've gone and left nothing to

C7 F9 D+7 G6 A -7 D7

V me,
1
J

noth -
llj

ing
u
but a sweet mem o - ry. Oh

G C7 G C7 G Gf> A -7 B^7 ^Qh

Wil - low weep for me, wil- low weep for me, bend youibrancbes green a - long the stream
Gone my lov- er's dream, love-ly sum- mer dream, gone and left me here to weep my tears
weep- ing wil- low tree, weep in sym-pa- thy, bend yourbrancb-es down a - long theground

G/B D^7 C7sus4 C9 C-9

that runs
in - to
to
the stream,
sea.

Sad
Lis - ten
as
to
I
my
can
plea,
be,
m
lis

hear
-ten
me
wil- low and
wil- low and
weep for
weep for
me.

and cov - er me. When the sha- dows fall, bend oh wil- low and weep for me
GA7 C9 1. G7D+ lc- At>9 G-7 G7

me. Whis-per to the wind and say that love has sinned, to

C-7 F7 Bl>7 F>7 Al>7 * G7 O "

A^
£ ' "

leave my heart a - break- ing and mak-ing a moan. Mur - mur to the night, to

G- G7 C-7 F7 B^7 F>7 Al>7 A-7 Al>7

_
m^^m
1

j
r3 ,
D.S. aJ Ftne

hide her star - ry light, so none will find me sigh- ing and cry - ing a - lone. Oh
 ISN'T IT ROMANTIC Rodgers/Hart 1932
31
Et6 C- F-7 Bt»7 El»A7 E° F-7 Bt7

Is- n't it ro- man-tic, mus-ic in the night, a dream that can be heard. Is - n't it ro-
Is- n't it ro- man- tic, mere-ly to be young on such a night as -
this? Is n't it ro-
E^6 C7 F-7 Bl>7

man - tic, morn - ing sha- dows write the old est mag - ic word,
man - tic, Ev - 'ry note that's sung is like a lov - er's kiss.

D-7^5 G7 O G7 B^-7E^7 A^7C7 F- D-7^5 G7

hear the bree-zes play-ing in the -

trees a bove, while all the world is say- ing

F- F-7/Eb D-7^5 G7 w c_ C _ 7/B J,

you were meant for love. Is - n't it ro - Sweet sym-bols in the moon-light, do you mean that
C-6/A G-7 G^7 F-7 B^7

I will fall in love per chance?. Is - n't it ro - man - tic?-

FOR SENTIMENTAL REASONS Watson/Best 1945

F D-7 G-7 C7 D-7 G-7 C7

love you,. for sen- men -

ti- tal rea - sons, I hope you do be
I love you,- and you a- lone were meant forme, please give your lov- ing

F G-7Gjf° F/A

I'll give you my

me, and say we'll nev - er
I've giv - en you my heart
G-7 C7 F At° G-7 C7

think of you ev - ry mora - ing,

S' dream of you ev - 'ry
E-715
I 3
G9

- ling, I'm nev - cr lone - ly when ev - er you re m sight

D.C.a/Fme
I
32 CHANCES ARB StiUman/Allen 1957

C6 G+7 C*L F7 G B-7 E7sus4 E7

Chances are, 'cause I wear a sil-lygrin, the moment you come in - to view,
Just be- cause my com - po- sure sort of slips, the mo-ment that your lips meet mine,

A-7 ,A/Cf
1
D7sus4 D7 G D-7G+7 D7 G EW

chan-ces are you think that I'm in love with you Just be- heart's yourval-en - tine-
chan-ces are you think my
D-7 G+7 C-7 A-7^5 D7i9 G- E-7^ 5

In thema-gic of moonlight, — when I sigh"hold me close dear", chan-ces are you be- lieve the stars that

.A7SUS4 A7 El»9 D9 G7sus4 G+7 C6 G+7 C*7 F9

fill the skies are in my eyes. Guess you feel you'll al-ways be the one and on-ly one for me, and

G*> C7« B-9 E7 A- G/B C^AJCt D7 G G+7

O.C. (Coda lastX)

if you think you could,- — well, chan-ces are yourchan-ces are aw-' fly good.. Changes
D7su S4D7 E7 » A _7 D7sus4 D7 G6
4
1
1
1 i
m i iii' ji
are aw-'fly good, the chan-ces are your chan-ces are aw-*fly good.

SOPHISTICATED LADY
Dule Ellington/Mills/Parish 1933

J>7 F7 E7 El»7 Al»A7 Al»7 G7 G^ F7

 TWILIGHT TIME Nevis/Ram 1944
33
H B7 E->

Hea-ven-ly shades of night are fall-ing, it's twi- light time, out of the mist yourvoice is calling,
Deep-en-ing sha-dows ga- thersplender, as day is done, fin- gers of night will soon sur-ren-der,
Deep in the dark your kiss will thrill me, like days of old, light- ing thespark of lovethatfillsme,

G7 c- G r E7

it's twi - light time, When pur - pie col - ored cur- tains mark the end of day, I
the set - ting sun. I count the mo- ments, dar- ling, till you're here with me, to-
with dreams un - told. Each day I pray for ev- 'ning just to be with you, to-

A9 A-7 D7 2-A7 D7 GCG

* hear you, my dear, at twi- light time.
I mm ge-ther,; at last at twi- light time.

B7 E- O E- C° E-
i 3
Here, in the af- ter- glow of day, we keep our ren-de-vous be-neatE
J" 3 'J
'
the
I \J
blue
A7 D7 B- DC al 2nd End (Final

Here, in the sweet and same old way, I fall in love a- gain as I did then.

DON'T GO TO STRANGERS Kent/Mason/Evans 1954

E-7^ A7»

your dreams Hie

to stars a- bove, but when you need some- one true to love,
Play with fire tillyour fin - gers burn, and when there's no place for you to turn,
Make your mark for your friends to see but when you need more than com- pa- ny,
1
D-7 3 F-6 G7sus4 G7 E-7 A7 D-7G7 |
2
<j7sus4 Ql Q6 G7sus4 C6

Fine
don'tgb to stran-gers, dar- ling come to me dar- ling come to me. -'•Tft
For when

w i
^ ' 9 |

y \
w w w.
you hear a call to fol- low your heart, you'll fol- low your heart I know I've

G7sus4 G9
D.C. ai 2nd End

been through it all for I'm an old hand and I'll un-der- stand it you go. So
34 I GOT IT BAD Duke Ellington 1941

® G*7 C7 B-7 E-7 A7sus4 A7 A-7 F7*u E7 E^M D7

tfev - cr treats me sweet and gen - tie the way he should, I got it bad and that ain't
My poor heart is sen - ti- men- tal not made of wood,
He don't love me like I love him, no - bo - dy could,

good. good. But when the week - end's o - ver and

C-6 F7 GA7 F7<u CH 15

Ff7» B-7 E7 A-7 D7

iD.C. al 2nd End

mon-day rolls a- round, I end up like I start out just cry- in' my heart out

like a lovely weeping willow, lost in the wood, I got it bad and that ain't good.
And the wings mu pillow, no woman should, I got it bad and that ain't good.
I tell
Though folks with good intentions tell me to save my tears, I'm glad I'm mad about him, I can't live without him.
Lord above me make him love me, the way he should, I got it bad and that ain't good.

MOOD INDIGO Duke Ellington/Mills 1931

® &U7 C7 F F+7 B^7 B^7 C7

You ain't been blue, You ain't been blue,

GW F7

you've had that mood in-di-go.

'till
That feel- in' that goes steal- in' down to my shoes, while

B^7 C7 F7 F+7 Bl> HI B^7 G7

I sit and sigh "Go long blues'

1

. Al-ways get that

CI - C-7 F7 Bl> F7 G7 C7F

mood in - di-go, since my !>y said good - bye» In the ev - 'ning when lightsare low,

I'm so lone-some could

I cry. 'Cause there's no- bo-dy who cares a- bout me, I'm just a soul who's

A^7 b^A7 G7 CI ^ c-7 F7 Bt

blu-er than blue can be. When get mood in-

I that di-go, I e down and die.
 STELLA BY STARLIGHT
Victor Young/Ned Washington
35
v^H*t

£-715 A7 » C _7 p7 F .7 B J,
7l9

The son g a ro-bin sings, through years of end-less springs^— the

B^6 E-7« A7» D-7 E^7 F^7 E-715 A7 a~7^ D7 w

mur-mur of a brook at ev- en- tide, by a nook where two

that rip-pies lov-ers hide A

great sym-pho-nic theme, by

that's Stel- la star- light and not a dream. My
E-715 A7 W D .7 k5
G7 W C .7 l5 p 7 l9 B (,a7

heart and I a - gree, she's ev- *ry - thing on earth to me..

PRELUDE TO A KISS Duke Ellington

D7 G+7 C7 FA7 B7» E7 A7» D-7

V you hear a song in blue, like a flow- er cry - ing for the dew,
If you hear a song that grows from my sen - ti - men - tal woes, that was
How my love song gent-ly cries for the ten - der- ness, -
with in your eyes, my

that was my heart ser - en - ad - ing you, my pre- lude to a kiss.

my heart try - ing to com - pose,
love is a pre - lude that nev - er dies,

B7 g#-7

a pre- lude to a kiss. Though it's just a sim-ple md-o-dy, with noth-ing fan-cy,
F|-7 F7«U EA7 Cl-7 Ff-7* B7 g A7 Ali9 D-7D|-7E-7Et7*ll
D.C.aii

noth- ing much,

J. »J
1
* * 4 L> 4 4 4 l ==
you could turn it to a sym-pho-ny, a Shu-bert tune with a Gersh- win touch, Oh!
 — -

36 HOW LONG HAS THIS BEEN GOING ON?

George/Ira Gershwin 1927
13 G|°7 D7su S4 D9 D-7 G7 C7 F9
or in IS
I could cry— sal- ty tearSr- where have you been all these years?-
Therovere chills r up my spine^ and some thrills I can'tde - fine—
Kiss me once,- thenonce more^ what a dunce I was be - fore,—

cm A-7 D7 G7 1,
C7 El»7 D7 GA7
. .

wowr
m -V
me now,
* +
how
rrn ^ j
lit- tie tell long has this been go-ing on?.
Lis- ten sweet,, I re - peat, how
what a break- leaven's sake, how
2.
07 07
*
C7 El>7 D7 G6

Fine
G7
h
F7
Jii. n F7
j
C^7 F7

long has this been go-ing on?- Oh I feel that I couldmelt, in- to Hea- ven I'm

u
07 Cf-7Wp|7 B- E-6 B- C|-7^ F|7 B- E-6 B-7 Bl>7

D.C. al 2nd End (Fine)

hurled. find-ing an-oth - er world.

#2) I could cry, sal-ty tears, where have I been all these years?Listen you, tell me do, how long has this been going on?
Whata kick! how I buzz, Boy, you click as no one does, hear me sweet, I repeat how long has this been going on?
Dear when in your arms I creep, that divine rendevous,don't wake me if I'm asleep, let me dream that it's true.
Kiss me twice, then once more, that makes thrice, let's make, it four, what a break, for heavens sake, how long has this been goi

IN MY SOLITUDE Ellington/DcLange/Mllls 1934

El>A7 F-6 G-7 C-7 F-7 (F7 2ndX) B^s4 B^7

In my sol - i - tude. you haunt. me, with re - ver- ies

In my sol - i - tude- you taunt. me, with mem- or - ies
In my sol - i - tude- I'm pray— ing, - Dear Lord a-bove

B^sus4 Bl>7 El*7

1
-
Bl>7
z
Et>7 MA \,
A o

'
€ i

In my I sit in my chair, I'm filledwithdes-pair,there's

that nev- er die_
sendback my love-

E^/B^ Bl>7 E^7 A^7 A°7 E^/B^ G^°7 F-7 B^7

no onecould be so sad. With gloom ev- ' ry- where, I sit and I stare, I know that Til soon go mad. In my
D.C. al 2nd End (Fine)
 _ THINGS WE DID LAST SUMMER, THE 37
Sammy Cahn/Styne 1946
|A| ^ _
E7 A-7 D7 07
3 4
4
T^e
J J
boat rides we wouldtake, the
mid- way and the
J- P
moonlight on the lake, the way wedancedandhummedour fav-'rite
The fun, the kew- pie dollswe won, the beU you rang to prove that you were
The leaves be-gan to fade,like pro- mis- es wemadejiow could a love that seemed so right go

B-7t5£7t9 a-7 D7 -0-B-7 E-7 D7 G

3p
song,
E5
the things we did last sum- mer,
j m
111 re
1.A-7

^
-mem- ber - all -win- ter
G|»A-7D7

long,
>ng. The
strong,
wrong?

*Z7*
" u * * T = *^-J ^ * 1» ' "gl
mem- ber all win- ter long. The ear-ly morn- ing hike, the rent-ed dou- ble bike, the

C G+7 C E-7 A7 E-7 A7

lun-ches that we used to pack, we nev-er could ex- plain, that sud-den sum- mer rain, the

D7 Go D7

looks we got when we got back. The

J
sum- mer,
J u
Til re mem- ber ail win-ter long.

I FALL IN LOVE TOO EASILY

I fall in love too eas- i - ly, I fall in love too fast.

D-7^ G^ 9
c- C'7/Bl> A-7^ D7^

I fall in love too ter-ri-bly hard, for love to e-ver last

%
C-7 A-7^5 D7« G7 C6 C7 F- F- (A7 >

My heart should be well schooled, 'amseFvebeen fooled in the past. And still I

F-7 Bi>7 G-7 C7 F-7 Bl>7» E^6

1
3 ~ 3

m 1
O
38 ALL OF YOU Cole Porter 1954

I love the looks of you, the lure of you, the sweet of you, the
gain com -plete con - trol of you, and han - die

F-715 B ^9 E^6/G Gt>°7 F-7 B^7 E^7 E^/D G~7^ C7

pure of you, the eyes, the arms, the mouth of you, the East, West, North and the

B^7 E^7

South of you. I'd love to ev-en the heart and soul of you. So love at least, a

A-7^ D7^ G-7 C7^ p- C7 F-7 B^7 E^6

small per-cent of me, do, for I love all of you.

IN THE STILL OF THE NIGHT Cole Porter 1937

In the still of the night, as gaze from my win dow,

I - at the moon in it's
In the still of the night,. while the world is in

C7 F A^7 G-7 C7 2
-Bt9 E7 A- Fj}-7^

flight, my thoughts all stray to you slum - ber Oh, the times with- out

B-7 E7 A- At" G-7 C7 F F+7 b\> G-7 C7

num-ber, dar- ling when I say to you.. Do you love me. as I love you?
*Are you my life to be, my dream come
2.
B^-7 E^7A-7^ D7^ G- B^-6 E^7 E^/D^ F/C B°7

true?- or will this dream of mine fade out of sight, like the moon, grow - ing

C9/Bl> F/A A^7 G-7 C7 F

dim on the rim of the hill, in the chill, still of the night
 — 1 , #

I WISH YOU LOVE 39

Trenet/Beach (French) 1946

£)7l9 G-7 C7 G-7 C7 F A7 B^n A-7 A^7

— 3—
m « —
I wish you blue - birds in the spring, to give your heart a song to sing, and then a
And in Ju - ly a lem - o - nade, to cool you in some leaf - y glade, I wish you
I wish you shel - ter from the storm, a co - zy fire to keep you warm, but most of

G-7 ,
3
c7 ,— 3 — F6 F7

4 b

kiss,
J
but
J
more than
J —
this, I
z.

wish you
4 1

love, And in Ju-

bis*
wealth, I wish you love.
health and more than
all, when snow-flakes

[B] b^7 Bl>-6 F C-7 D7 G-7

My ach-ing heart and I a - gree, that you and I could nev-cr be, so with my best, myve-ry

G7 I
.
3
C7 ( 3
acarcadk -0- C7 , , , F6
J
r* r r
best, I set you free. I wish you fall I wish you love.

ANGEL
V* A EYES
" * *-fW
* -'*"
Matt Dennis/Brent 1946

H.C-7 D7^ G7 W C- A^9 G7»C-7 A-7* D .7 G7

Try to think that love's not a- round, still it's un-com- rort-'bly near_
An- gel eyes that old dev - il sent^. they glow un-bear- a - bly bright^,
Par- don me, but I got-ta run,- the fact's un-com- mon-ly clear.—

D7»G7».C-

My old heart ain't gain - in' no ground be- cause my an- gel eyes ain't here- So
Need I say that my love's mis - spent, mis- spent with an- gel eyes to- night-
Got- ta find who's now num-ber one and why my an- gel eyes ain't here..
B F>7^ Ak7 C-7F7W B l»-9 E^7» A^9 A-9 D7^

drink up all you peo - pie, or- der an- y- thing you see Have fun you happy

G*7 G6/D Ci-7 F|7« D-7 Q7» $a\>9 G7 19 C-9

D.CalCoda
peo- pie, the drink and the laugh's on me.. 4
scuse me while I dis-ap-pear.
 -

40 I CONCENTRATE ON YOU coie porter 1939

El-9 Cl-7 Ff7 B6

Whenev-cr skies look grey tome,- and trou-ble be- gins to brew,-
Whenfortune cries "nay, nay" tome,. and peo-ple de- clare "you're through"

i-F-7 —— 3 , Bl»7 C#-7 p|7 B7«u

when ev-er the win-ter winds be- come to strong, I con- cen

Bl»7 E^6 Al>6

> 1 r—r3 1 1
G^sus4

trate on you when ev-er the blues be- come my on - ly

El>-7 F7*5> Bl»7 El»6 Al»6 E^6 Al>A7

song. I con- cen- trate on you On your smile so

A^-7 &\>1 Gl>su S4 Gl>A7 E^-7 F-7 Bl>7 pJ»A7

sweet, so ten - der, when my

at first kiss you de- cline,_

El»7 Al»A7 G^G^ E^-7 C-7

on the light in your eyes when you sur - ren - der and once a - gain our

F7 fiU7 Bt7 El* Al»7*U G-7

arms in- ter - twine. And so when wise men say to me,

C7sus4 G^7«ii F-7 B^s4 A^_ G7 C7sus4 C7^

that love's young dream nev-ercoines true, to prove that

C+7 F-9 F7SU s4 F9 B7*n Bl>7 E^6

cv - en wise men can be wrong, I con-cen- trate on you..

 POOR BUTTERFLY Golden/Hubbel 1916
41
C7 B7*u a |,a7
*
"
D^9
1 1

^
I
Bl>-

°~
B^-7

it r
c
r
r
El»7W

r
i
' r
r
I
i
r
r
—
r ^
?
aI>6

J
j s
Poor but - tcr - fly 'neath the blos-soms wait - ing, poor but-
but - ter
The moon and I know that she is faith - fill, I'm sure he

G7»

come
E° F-
mm
C+7

to

F-7
me bye and
1C-7

Bl»7
F7 Bl>7

F>7
El>7

V\>9 C7B7*n
J

j
r cj r it
pass in-to years, and as she smiles thru her tears, she mur-murs low. The moon and

2. F9 B^-7 B^ A^sus4 At Dt7«n

5
bye. But if he don't come back, then I nev - er sigh or cry,

C-7

I just mus' Poor but - ter - fly.

OLD POLKS Robison/Hill 1938

D-7^5 G7» C-7 B-7 B^-7 A7 A^7 Dt7 G-7 C7

Ev- 'ry-one knows him as old folks, like the sea- sons he'll come and he'll go, just as
leav-ing his spoon in his cof- fee, puts his nap
- kin up un - der his chin and that
quite un- der- stand a - bout old folks, did he fight for the blue or the grey? For he's

free as a bird and as good as his word, that's why ev- 'ry- bo-dy loves him so. Al- ways
yel- low cob pipe, it's so mel-low it's ripe, but
so dip- lo - ma - tic and so dem - o - era - tic,

2.

I
p-7
3
B^7 El.6 1 1 E^7/bI> B^7 eW Al>A7

LJ r he J 1

we al- ways let him have his way.

F-7 E^-7

how he held the speech at Get- tys- burg for Lin-coln that day, j know ^ onc sowc\i
D.C. aJ
Don't
2nd End.
 r —

42 A NIGHTINGALE SANG IN BERKELEY SQUARE

Sherwin/Maschwitz 1940

EU7 C-7 G-7 B^7 F>7 A^7, D^72f,_G7 w C-

That ccr- tain night, the

m
night
f
wc
r
nis
met, thcrcwas mag-ic a- broad in the air, there were
I may be right I may be wrong, but I'm per- feet- ly will-ing to swear, that

The streets of town were paved with stars, it was such a ro- man- tic af - fair, and

E^7/Bt> F-7 E^7/G T$>1 E^7 C-7 F-7 B^7 &tn C-7

I'
1

'

i
i
'i |
i

i
ni n ,

an -gels din - ing at the Ritz, and a night- in- gale sang in Ber- k'ley square.
when you turned and smiled at me a
as we kissed and said good- night, a

F-7 Bl>7 ^A-^ 5 D7 W G^7 F-7 A-7 D7 B-7 B^°7

1
I
1
'

J
I The moon that lin-gercd over Lon-don town, poor puz-zlcd moon, he

A-7 D7 G A7 F-7 A-7 D7 B-7 E-7 F-7

• wore a frown, how could he know we two were so in love, the whole darn world seemed up- side down. The

FLAMINGO Grouya/Anderson 1941

F*7 D-7 G-7 C7 F-7 B^9

j (
Ha - mm - go r a flame in the
like sky,- fly - ing o - ver the
Fla - min - go. your tro - pi - cal
in hue,- speak of pas-sion un •

Fla - min - go, when the sun meets the sea, say fare - well to my

is - land to my lov - cr near by.- Fla - true.

dy -ing and a love that is
lov - er
FA7 B7'u Bt>~7 E^9 Ak7 B^-7 c-7 F7W Bt-7
o

The wind. — sings a song to you as you go,

G-7 Ql D.C.alCoda G-7 C7 3, ~? to repeat pA7 G-7C7

>l
'
—e 1

u
1 1

b
J -E-
4 r r

the mur- mur- ing palms Fla

* f
and has- ten to me
LastXpA7 7V u
-e?
F*7 G-7 l>7 G-9 C7^ Gi»7»n pj
 MY OLD FLAME Coslow/Johnston 1934
43
GA7 F9 £7 t9 A-7 A-7 15 D7 19 C9 F9

(r r i
ii.u" J -
n J
r r 4 \
+
My Old Flame, I can't ev-enthink of his name, But it's fiin-nynowandthen,how my
My Old Flame my new lov - ers seem so tame. For I haven't met a gent so mag
My Old Flame, I can't ev-en think of his name, but I'll nev-er be thesame un- til

1
Bl>9 El>9 0-A-7D7 'A-7^D7W C-7 F7 B^7
i
thoughts go flash- ing back a- gain to my old flame,
ne. flame. I'vemet so man - y who had
ni - fi - cent or el - e-gant as my old flame
I dis- co-verwhat be- came of my old flame

t 3 D7 k9 A t/7 G+7 C7sus4 C7» F7sus4 F9

fas- ci-na- ting ways, a fas-ci- na-tin' gaze m their eyes Some who tookme up to the skies,

D7 G-7

but their
E-7
rm at- tempts at
A7

love
.

were
A-7 D7

on-ly im-i- ta-tions

D.C.alCoda&.

of
4
A-7 D+7

My Old
G6

Flame.

LOVER MAN Davis/Ramirez/Sherman 1941

D-7

I don't know why, but I'm feel- ing so sad I long to try some- thing I've nev- er had.
The night is cold and I'm so all a- lone, I'd give my soul just to call you my own
Some day we'll meet and you'll dry all my tears, then whis-pcr sweet lit- tie things in my ears

B^-7 El>7 G-7 C7

Nev - er had no kiss- in' oh, what I've been miss- in' Lov-er Man oh where can^you be?
Got a moon a- bove me, but no one to love me,
Hug- gin' and a- kiss- in', oh what I beep miss- in',

be? Fve heard it said that the thrill of ro-mance can be like a hea-ven-ly dream.

G- G- (A7 >
G-7 F*7 e-7^ A 7W
i

I go to bed with a D.C.aiFtne

prayer that you'll make love to me, strange as it seems.
44 BLUE VELVET Wayne /Moms

D-

* She
She
m
wore
wore
blue.
blue-
vel-vet,
vel-vet,
blu-er than
blu-cr than
vel
vel
-

-
vet
vet
was
were
the
her
night,
eyes,
Blue- vel-vet, but in my heart there'll a! - ways be,

C-7
V- 1 3-
1-
F7 B^7 G7« C-7 F7 2- C-7 F7

soft - er than sat - in was the light from

m
the stars, She wore sighs, love was
warm - er than May her ten - der
pre - cious and warm, a mem - o

ours. Ours, a love I held tight -ly, feel - ing the rap - tore

Bl>7 E^-7 D-7 . C-7 ^ F7 D.C.alCoda

grow, like a flame burn- ing bright- ly, but when she left, gone was the glow of

-7 F7 F- F7&
Bl>9 B^6

ry through the years. and I still can see blue velvet through my tears.

I SHOULD CARE Cahn/Stordahl/Weston 1943

-7 G7sus4 E-7 A9 D-7

I should care, I should go a- round weep- ing. should care,

I should care, I should let it up - set me, should care,

D-7 F-7 B^9 C A7 1

B-7^ E7 G-7 , C7

I should go witb-out sleep-ing Strange- ly e-nough I sleep well, 'cept for a dream or
but it just does-n't get me May - be I won't find

two, but then I count my sheep well, fun-ny how sheep can lull you to sleep. So
2
B-7^ 5 E7 A-7 D7 D-7 G7 C6

some-one as love - ly as you, but I should care and I do.

 SPRING CAN REALLY HANG YOU UP THE MOST ^5
^
[A]
CA7 B ^7 07 B^7 C42 A-7
Landesman/Wolf 1955

1. Spring this year has got me feel- ing like a horse that nev - er left the
Morn - ing's kiss, wakes trees and flo. wers, and to them I'd like to drink a
2. Spring is here, there's no mis - tak- ing, ro-bins buid-ing nests from coast to
Col - lege boys are writ-ing son- nets, in the ten - der pas - sion they're en -
E-7 A7 19 Fjf-7^ F-7 E-7 A-7 D7

post, I lie in my room star - ing up at the ceil ing,

toast, I walk in the park just to kill the lone - ly hours,
coast, my heart tries to sing so they won't hear it break ing,
grossed, but I'm on the shelf with last year's Eas - ter bon nets,

D-7 G7sus4 G7 c B^7 D-7 G7 07

XT
Spring can real - ly hang you up the most Spring can real - ly hang you up the most
G-7/C 07 G-7/C CA7 G-7/C 07 G-7/C 07

All af- ter- noon those birds twit- ter twit, I know the tune, "this is love, this is it",
Love came my way I hoped it would last, we had our day, now that's all in the past
C-7 F A7 C-7 Fjb7_3_B7 EA7, A-7 D7

Heard
Spring
it

came a-
K
£c- ™v ^ I know tic score and I've de - cid - ed that Spring is a bore,
long, a sea- son of song, full of sweet prom - ise but some- thing went wrong,
G*7 F A7 07 C4L A-7 D-7 G7 E-7 A7W

Love seemed sure a - round the New Year, now A-pril, love
it's is just a ghost
Doc - tors once pro - scribed a ton ic, sul-pha and mo - las- ses was the dose,

F-7 & E-7 A-7 E-7 A7«

Spring can reaMy hang you up the most di - don must be chron - ic, Spring can reaHy hang you up the
E-7 A7W D-7 CA7 D-7 C A7 fi-7^ fil>7 A-7 D7sus4 D7

most. All a - lone, the par- ty's o - ver, old man Win- ter was a grac-ious host, but when
D-7 Bl>7 E-7 A7 D-7 Dl>7 C A7

you keep pray- ing for snow to hide the clo- Spring can real-ly
ver, hang you up the most
46
YOU DON'T KNOW WHAT LOVE IS Raye/DePaul 1941

.F-7 Dl>9 C7» F- Cl» Dk7 G-7^5

You don't know what love is, un you've learned the mean- ing of the blues,
til
un
You don't know how hps hurt, un you've kissed and had to pay the cost,
til
un
You don't know how heart's burn, for love that can -not live yet nev-er dies, un

i . 1., l
G-7^
r-=-i — C7»
=
P
_
W \
F-6
p.
At7
M 1)1 1 1 _] 1

til you've flipped your heart and you were lost,' you
til you've faced each dawn with sleep- less eyes, you

don't know what love is. Do you know how a lost heart fears the thought of rem -in
At>A7 D-7 G7 CA7 D^9 C7» D.C.a!2ndEnd

is -ing, and how lips that taste of tears lose their taste for kiss- ing? You

SOME OTHER Tl IE
Bemstdn/Comdon/Green 1944

CA7 G7sus4 G7sus4

C*7 CA7 G 7sus4

Where has the time all gone to, have n't done half the
This day was just a tok cn, too ma - ny words are
There's so much more em - brae ing still to be done but

G-7 D/F# F-6 E-7 A7sus4 D-7 E-7 FA7 G7sus4 CA7 G7sr-4

things we want to, Oh Qh Well, we'll catch up some oth-er time.

still un - spo - ken

'
CA7 G7sus4 Ak7 eW„,4 A^7 &lm* A^7
N e^7»
-B— m m-m. —
1
iJ j 1
L .

Just when the fun is start - ing comes the time for

A^7 AA7«D A^7 G+7 CA7 E-7 A-7 E^7 D7sus4 D7„
D.C.alFtne

it
pan - ing, but let's be glad for what we've had and what's to come.
 AUTUMN IN NEW YORK 47
Vernon Duke 1934

G-7 A-7 B^6 C7 C+7 FA7 G-7 A-7 D7»

Au-tumn in New York, why does it seem so in - vit ing?

Au-tumn in New York, the gleam-ing rooftops at sun down.

Au-tumn in New York, it spells the thrill of first night - ing.

Au-tumn in New York, it lifts you up when you're run down.

G-7 B^-7 El>7 A^7 B^-7 C-7 D-7^G7^

Glit-ter- ing crowds and shim- mer- ing clouds in can-ybns of steel r they're
Jad- ed rou - es and gay di - vor- cces who lunch at the Ritz,. will

C-7 D-7 G7^ C A7 G-7 C+7

Au-tumn in New York, that brings the promise of new love,

Au-tumn in New York trans-forms the slums in - to May fair,

B^- Bt-7/At

Au-tumn mNew York is of- ten mingled with pain.-

Au-tumn in New York, you'll need no cas-tlcs in Spain.

F-7

au- tumn in New York, it's good to live it gam.

Au-tumn in New York, it's good to live it gain.
48 WHERE OR WHEN Rodgers/Hart 1937

F6 F^7 Bl»/A

It seems we stood and talked like this be - fore, we looked at each oth - er in the
The clothes you're wear- ing are the clothes you wore, the smile you are smil - ing you were

C7sus4
1
B^/G Bl>/F Bl> bIva G-7 FA7 "G-7 C7« E-7 A7

f ' r j i
j J J J J
i
i
j.
i
same way then, but I can't re- mem - ber where or when
smil - ing then but I can't re- mem - ber where or when
D-7 G-7 E-7 A7 D-7 G-7

Some things that hap-pened for the first time,- seem to be hap- pen- ing a

G7/D C7^ p F6 E-7^5 A7 D-7 F7 B^7

gain And so it seems that we have met be - fore, and laughed be

A-715 D7W G-7 A-7^ D7^ Q-7 C7 G^* u F6

fore, and loved be - fore, but who knows where or when.

FOR ALL WE KNOW Coots/Lewis 1934

For all we know we may nev-er meet a- gain, be - fore you go make this
For all we know, this may on-ly be a dream,- we come we go, like a

G-7 < .At>°7

mo- ment sweet a - gain We won't say good - night un - til the last
rip - pie on a stream.. so love me to

E-715 A7 W D . D .(A7) D-7 G7 G-7 C7 G^ B-7^E7^

min-ute, I'll hold out my hand and my heart will be in For

it. night, to

A7_ 3
£l>7«ll D7sus4 D7 G-7 C7 F6

mor - row was made for some, -mor row may nev-er
to - come for all we know..
 EAST OF THE SUN 49
Brooks Bowman 1934
GA7

East of the sun and west of the moon,- we'll build a dream- house of
C-7 F7 D7 Fj(=2L 3_, 5
B7 E-7

love dear.. — Near to the sun in the day,. near to the moon at night, we'll

A2- E-7 A7 Azl 3 _ D7 GA7 C7

live in a love-ly way dear, liv-ing on love and pale moon- light Just you and h- for

B-7 E7 A-7 C-I F7

ev - er and a day, love will not die, we'll keep it that way,

A-7 Ff-7^ B7 E-7 A7 Aj2 3 — , A-7^ D7

up a-mong the stars we'll find, a har-mo-ny of life to a love-ly tune, east of the sun and west of the
B-7 E7 Blp7 Et»7 a^-7_ 3 i
D7 Q

moon, — dear,- east of the sun and west of the moon.

SPRING IS HERE Rodgers/Hart 1938

Ak7 A^6 A^°7 r 3 1

Al>6 C-7^ F7^

Spring is here, why does- n't my heart go danc-ing? Spring is

Spring is here, why does- n't the breeze de - light me? Spring is

Bl>-7 F7» B^7 ($9 A^7 A^G F-7 F-/E^

here, why is - n't the waltz en - tranc - ing? No de- sire, no am - bi - tion
here, why does- n't the night in- vite me? May-be it's be - cause no - bo - dy

B-7 E7 B^-7

loves me, Spring is here, I hear.-

 -

50 EASY STREET Alan Jones 1941

EU7 C7 F-7 Bl>7 El»7 Bt>7

Ea- sy street- I'd love to live on ea- sy street,- No - bo - dy works on

Life is sweet- for folks who live on ea - sy street,- no week - ly pay - ments
Ea- sy street, I'm tell - in' ev- 'ry - one I meet- if I could live on

Ek7 C7 1
-
E^A7 F7 F- B^7

ca - sy street, just sit a - round all day Oust sit and play the hors - es)
you must meet. that make your hair turn
Ea - sy street, I would - n't want no
2
-Et>A7 B^7 E^7 A^7 A^-7 D^7

grey.. When op- por- tun- i-ty comes knock- in', you just keep on with your rock-in', 'cause you

E^7 B^-7 £^7 A^A7 _ A |,.7

D^7

know your for-tune's made. and if the sun makes you per- spire, there's a man that you can hire to plant

C-7 F7W F .7 B ^7 ^ B7 B ^7 fit D^7 fit

D.C.aJCoda
trees, so you can have shade on I would- n't want no job to - day, so please go way.

WHEN YOU WISH UPON A STAR

Harline/Washington 1940

C C/E fik>7

When you wish up on a star, makes no diff- who you

'rcnce are. An -
y - thing your
If your heart is in your dream, no re -quest is too ex-treme, when you wish up
Lika a bolt out of the blue, fate steps in and sees you thru, when you wish up -

Fine
heart de- sires will come to you. do. Fate is kind,
on a star as dream - ers
on a star your dream comes true.

D-7 G7 O C A-7 D7 D-715 G719

D.C.alFme
she brings to those who love, the sweet ful -fill-ment of their sec- ret long - ing.
 THE SECOND TD S AROUND 51
Van Hcusen/ Cahn 1945
G7sus4 07 F13 E-7 Et°7 D-7 G7 07

Love is love - li - er the se- cond time a - round,- just as won - der - ful with
Love's more comf'-ta-ble the se-cond time you fall,— a
like friend- ly home the

A7 D-7 B-7^5 £7» A -7

G-7 C7

both feet on the ground that se cond

It's - time you hear your love song
se - cond time you call Who can say what led us to this

'•pA7 F/C A-7

Dt>7 D7 G7

sung,. makes you think per-haps, that love like youth is wast - ed on the young. Love's more

mir-a-cle we found? There are those who'll bet love comes but once and yet,
A7 A-7 D7 G7sus4 c

I'm oh so glad we met the se - cond time a - rouncL

DEEP PURPLE De Rose/Parish 1934

When the deep pur- pie falls, ov - er sleep - y gar - den walls, and the
In the still of the night, once a - gain Til hold you tight, though you're
FA7 A-715 D7 C/E F°7 D7/F| G-7

stars be - gin to flick - er in the sky^ through the mist of a

gone, your love lives on when moon- light beams- and as long as my

mem - o - ry, you wan - der back tome, breath - ing my name with a
heart will beat, lov - er we'll

C7suS4 C+7
52 OLD CAPE COD Rothrock 1956

B^ ^E^

If

If
you're fond of sand dunes and
you like the taste of a
salt- y air,
lob-ster stew,
quaint
PS
served by
lit- tic

a
vil - lag - es
i
here and
win- dow with an o-cean
1
there,

view,
If you spend an eve - ning, you'll want to stay, watch- ing the moon- light on Cape Cod bay,

E^7 F7 1
F-7 6^9 ^ B^7 Et7 At Bl>7

rrnrrji r r r f f r
you're sure to fall in love with old Cape Cod Cod.. Wind- ing roads that seem to

El> E° F-7 Bt7» El»7 At E^Bt C7

beck- on you, miles of green be-neath the skies of blue, church bells chim-ing on a Sun- day mom, re -

F-7 F7 B^s4 B\*T naicodfr F7 Bl>7 E^

* mind you of the town where you were born.

old Cape Cod.

MOON OVER MIAMI

® G
m D7
A-7 sus* C/G

Moon
mm
ove Mi
- r a- mi,
r
shine
r
on my
r
love
r
and me, so
—^
we can
Moon ov - er Mi a- mi, shine on as we be gin, a dream or
Moon ov - er Mi a- mi, you know we're wait- ing for a lit - tie

D7W C e!,7
1
G E7 >
2
G F|7

roll of the roll - ing sea. in.

two that may come true when the tide comes
love, a lit - tie kiss, on Mi* a - mi's shore.

Hark to the song of the smil-ing trou - ba- dours, hark to the throb- bing gui - tars,

B- E- B- G-/Bl> DZA.3 JBVt_ A-7 D7

hear how D.C.alFme

the waves of-fer thun-der-ous applause af - ter each song to the stars.
 I WILL WAIT FOR YOU 53
Michel Legrand/Gimbel 1965

D7 G -7 C 1
m
-7 G-7

1^" »
J '
e
If it takes for - ev - er I will wait for you, for a thou - sand
An- y - where you wan - der, an - y - where you go, ev- 'ry day re
If it takes for - ev - er I will wait for you, for a thou - sand
1 Ql Fsus^ F E-715 A7 D--7 D7

mm sum -
j
mers
Y
I will
r
wait for you, "111 you're back be
1

-
J
side
'

Jmm
me, 'til
f

I'm
mem - ber how I love you so, in your heart be - lieve what in my
sum - mers I will wait for you, 'Til you're here be - side me, 'til I'm

E -7t5 A 7t9 A7^ D-7 G-7 i.

m m
G-7 D-7 E-7^ D- D-7
3 —o—
r
hold- ing
r '

you,
r
'til I hear you sigh here in
f
my arms.
Fine
_
An-y The
heart I know that for - ev - er- more Til wait for you.
touch-ing you, and for - ev - er- more shar- ing your love.

B^7 G-7 D-7

n~n i

p_
.ra
clock will tick a- way the hours one by one and then the time will come when all the wait-ing's done. The
E-7W A7^ B-7^ B^7 A7sus4 A7 D.C.aJRne

time when you re -turn and find me here and run straight to my wait- ing arms If it

FOOLS RUSH IN Bloom/Mercer 1940

D-7 G7 C A7 C/E Ek D-7 A+7

Fools rush in where an - gels fear to tread,, and so I come to you, my love,
Fools rush in where wise men nev-er go,_ but wise men nev - er fall in love,

D-7 G2 B-7^ E7 A- A-<A7A-7

my heart a- bove my head, though I see the dan-gcr there, if there's

so how are they to

D9

chance for me
m
A-7

then
D7

I don't
D-7

care.
G7 A7 2.31,7

know?
A7
.

When
D-7

we
^—zr-
met

F-6 c/G A-7 D-7 G7

I felt my life be- gin, so op- en up your heart, and let this fool rush in.
54 IT MIGHT AS WELL BE SPRING
Rodgcrs/Hammcrstcin 1945
G C9 G D+7 n
9 9 \ • V *
Fmas rest-less as a wil- low in a wind-storm, I'm as jump-y as a pup-pet on a
I am eyed and vague- ly dis-con
Fmas
star-ry
bu-sy as a spi - dcr spin-ning
- tent - ed,
day-dreams, I'm as
like a night- in- gale with- out
gid-dy as a ba-by on
a song to
a
|
S
D-7 G7 v Qtn D7/C G/B B^9
1.
A-7 D7» B-7 E7»A-7At7»n|

string. I'd say that I hadspring fev-er, but I know -n't

it is Spring. I am
sing,
swing,
Oh
I
whyshouldl havcspring fev-er, when it 1
*A-7 D7 G G7 C A-7 D-7 G7 D-7 G7 I
is - n't ev-cn Spring? I keep wish-ing I were somewhere else walk- ing down a strange new fi
C E7 A-7 A-7/G E-7 A7 D7sus4 D7
P C al Cn

street, hear- ing words that I have nev-er heard from a girl I've yet to meet. I'm as

C B7 E- A-7 D7 B7 £7» A7 I
have- n't seen a crocus or a rose-bud, or a ro-bin on the wing, but I feel so gay in a
I
A-7 D7 G E-7 Cl-7^5 c-6 G/B E-7 A-7 D7» G
I
ly way, that it might as well be Spring, It might as well be Spring.

P
DREAM Johnny Mercer 1944

Fjt-7 B7 C6 E-7
I

Dream —- when
when
you're
the
feel
day
-

is
in* blue,
thru,
dream
dream
that's the ig to do.. P
and th ey might come true,

A7» D-7 F-7 CA7 A-7 D7

P
Just watch the smoke rings rise in the air, you'll find your share

P
of mem - o - ries there So so dream, — dream, — dream.
 THE PARTY'S OVER 55
Styne/Comdon 1956

F-7 fit>7

The par- ty's o - vert - n's time to call it a day, they've burst your
The par- ty's o - vei- the can - dies flick- er and dim, you danced and

prct - ty bal- loon and ta - ken the moon a - way. It's time to wind up
dreamed thru the night, it seemed to be right just

e!> D-7 G7 C7 F7 Bl>7

the mas-quer- ade, just make your mind up, the pi -per must be paid. Tte par- ty'<
2
B^-7 E^7 F-7 B^7 G-7^ C7

be - ing with him. Now you must wake- up, all dreams must end, take off your
F-7 B^7 El>A7 C-7 F-7 B^7

make - up, — the Par- ty's o- ver,

my friencL

GOODNIGHT SWEETHEART
Ray Noble/Rudy Vallce 1931

C B C F/C C D-7 G7

Good - night sweet - heart, till we meet torn - mor - row,

good - night
Good - night sweet - heart though Tm not be - side you, food - night
Gl> G7 Gl> G G D-7 G7 A-<A7)
'•A- A .7 A .6
sweet - heart, sleep will ba - nish sor - row, tears and
sweeet
^
1 part - ing may
- heart still my love will guide you,
D-7 G7 C*7 G7

make us for- lorn, but with the daWST— a new day is bom
- So I'll say
'
dreams en
A -(A7) A _7 D7 Et»°7 E-7 A7 D-7 G7

fold you, in each one I'll hold you, good- night sweet- heart, good- night
56 ONE FOR MY BABY Harold Arlen/J. Mercer 1943

E^7 B^sus4 Ei»A7

5
It's quar - ter to three,- there's no- one in the place ex-cept you and me,— so
4
So, set em up Joe,— I've got a lit- tie sto- ry you ought- a know..
2.
Et7sus4 E^7 A^7 GU7 A^ a7 D^9 E^7 E^7/D

r '
r
i
We're drink- in' my friend,. to the end— of a brief ep - i - sode.

Dt 7 fiiC7«9 G+7 C7*9 F-7G-7 A^B^s4 El»6 A-7^ 5 D7

J i i- -
i
i
I

make it one for my ba - by and one more for the road. I

Well,
G42 D-7 G A7 D7sus4 G A7 D-7 G7su$4D7sus4

got the rou - tine,

mm
— so drop
1an-oth - cr nick-
P
the ma- chinc
] J I 1 ,Ji

I'm
that's how it goes, — and Joe, I know you're get- ting
el in
anx-ious to close,. so

G*L D-7 G A7 D7sus4 G A7 D-7 G7sus4 G7

feel - in' so bad, I wish you'd make the mus - ic dream - y and sad. Could
thanks for the cheer, I hope you did - n't mind my bend - ing your ear- This

07 B^ A7 07 . F9 G A7 G A7/Fjl F7*u E 7i9

tell you a lot,. but you've got to be true to yourcode,- make it

torch that I've found— must be drowned or it soon might ex-plode^ make it

B+7 E7« A-7 B-7 C6 D7sus4 ^ G6 D-7 G7

one for my ba - by and one more for the road. You'd

C7sus4

nev - er
C7

know
mit, but
C7,sus

bud - dy I'm
m
a kind of
C7

po-et 've
B+

&
got a lot
E7

r
-
p
ta
A7
J

things
D7sus4

to
i
G6 G7
J-

say,
n
and

C7sus4 C7 C7SUS S C7 G-7 A7 El>7 D+7

 ^ —

MIDNIGHT SUN 57
Burke/Hampton/Mercer 1947

07 C-6

i( I
!i f j ^ J u J
— ~ J -J 1
1

Your lips were like a red and ni-by chal- ice, warm - er than the sum - mcr night,.
I can't ex -plain the sil- ver rain that found me, or was that a moon-light vcil?_
The flame of it may dwin- die to an em - ber, and the stars for - get to shine,-

the clouds were like an al - a - bas - ter pal - ace ris - ing to a
The mus - ic of the un - i - verse a round me, or was that a
and we may see the mea- dow in Dec em - ber, ic - y white and

Bt>-6

snow -
y height- each star its own au-ro-ra bo-re
night - in - gale?— And then your arms mi - rac - u - lous - ly
cry - stal - ine, but oh my dar - ling al - ways I'll re

A^6

a - lis, sud - den - ly you held me tight,. could

I see the
found me, sud - den - ly the sky turned pale,- I could see the
mem - ber when your lips were close to mine,- and we saw the

Mid - night Sun Mid • night Sun-

E^7 E-7 A7 DA7 E-7 A7

Was there such a night? it's a thrill I still doat quite be - lieve, but

D*7 D-7 G7 E-7 El»7 d-7 Dl>7«u

D.C.alFme

3 i
af-ter you were gone, there was still some star- dust on my sleeve The
58 PENTHOUSE SERENADE W.B. Jason 1931

C6 Ek>7

Just pic-ture a pent -house way up in the sky, with hing - es on chim-neys for
From all of so - ci - e - ty we'll stay a - loof, and live in pro - pri - e - ty
In our lit- tie pent- house, we'll al - ways con- trive to keep love and ro - mance for

stars to go by, a sweet slice of hea - ven for just you and when
I, we're a
there on the roof, two hea- ven - ly her - mits we will be in truth when
e - ver a - live, in view of the Hud- son just o - ver the drive, when
D-7 G7 i l; u+ c a7 n-7 a iw D-7G+

We'll see life's mad pat - tern,

as we view Man - hat - tan, then we can thank our -

luck y stars,

G7 D-7 Ql D.C.aJCoda -0- Q B^7 C

that we're liv - ing as we arc. In we re a lone.

MY MELANCHOLY BABY Burnett/Norton 1911

F> Ffl° G- E^7 eI>7 D7 Dte CI F- F-7 C7

Come to me my mel- an-chol -

y ba by, cud- die up and don't be
Ev - 'ry cloud must have a sil - ver lin ing, wait un - til the sun shines

blue, all your fears *are fool - ish fan - cy, may be,
through,.
 YOU'VE CHANGED 59
Fisher/Carey 1942

G-715 C+7

You've changed, that spar-kle in your eye is gone, your smile is just a care- less

You've changed, your kiss - es now are so bla - se, you're bored with me in ev -
'ry

You've changed, you're not the an - gel I once knew, no need to tell me that we're

F9 B9 Bl>9 El> C-7 F- 7 Bl-7

i J ' f )
yawn, you're break- ing my heart, you've change You've
way, I I

through, it's

2
B9 B^9 Bl»-7 El»7 At A7
rhV l—cl: J m—i —J
can't un-der- stand, you've changed. You've for- got- ten the words "I love you",

G-7 E^7 Bt-7 El>7 A k7^ A^-7 D^7

each
mm
mem- o-ry that we shared. You ig- nore ev-'ry star a - bove you, I can't

n-_7 g^-7 F-7 B\*laaalCodfr B9 Bl»9 &6

re - a-lize
^
you ev- er
p
i

cared..
r r
You've all ov-er now, you've changed.

BLUE GARDENIA Russell/Lee 1953

A-7 D7 G A7 CH* F|7 FA7 B-7 E7

m Blue
you,
Gar
Gar
-
-
den -
den -
ia,
ia,
now I'm
once I
a -
was near her
lone with you,
heart,
and I am al - so
af - ter the tear-drops
blue,
start

Dl_ 3 QA7 E7» v A-7D7»G D° D9

i
she has tossed us a - side. And like hide? I lived for an ho - ur, what more can I
where are tear - drops to

Cl-7F|7 B47 GI-7 F|7 B7 E7W E-7 A7 A-7 D9

4
r "i- i
'r r p P
tell, love bloomed like a flow - er, then the pe-tals fell. Blue Gar - den-ia,

G A7 C9 B-715 E7W A-7 D7su$4 Al»7 G6

i thrown by
m a pass-ing breeze, but pressed
hp*
in my book of mem - o nes.
60 BLUE HAWAII Robin/Rainger 1937

Bl>7 f> D Bt .... At G+7 C7

Night and you and blue Ha - wa ii. the night is hea- ven - ly
Love - ly you and blue Ha - wa ii, with all this love - li - ness,
Dreams come true in blue Ha - wa ii, and mine could all come true

C-7 F7 3 ,G7» C-7 F7& C-7 F7 Bl> E^-ZBt Bl©l>7

and you are hea- ven to me.. there should be love

B
F> Bl> Bl»7 C7

Come with me. while the moon is on the sea. the night is young

C-7 F7 D.C. al Coda -Q- C-7 F7 Bt F>/Bt

J' -
J' J'

and so are we.-

I

r f
this mag - ic night of nights with you.

HARBOR LIGHTS

I saw the har - bor lights, they on - ly told me we were part - ing,
I watched the har - bor lights, how could I help if tears were start - ing?
Now I know lone - ly nights, for all the while my heart is whis - p'ring,

the same old har - bor lights that once brought you to me. I watched the
Good - bye to ten - der nights
some oth - er har - bor lights

2.
Bl>7
B
E^7 At A^7 Dl>7

be - side the sil - v'ry sea. I longed to hold you near and
Fine
kiss you just once
will steal your love from me.

Bt7 D.C. al 2nd End (Fine)

more, but you were on the ship and I was on the shore. Now I know
 WHAT KIND OF FOOL AM I? 61
Bricusse/Newiey 1961
Glm* G7» O? F A7 E-7 A7su S4 D-7 G7«4 E -7

one that I have been think- ing of. What kind of man is thisT-^_ An emp-ty shell.
A" 7 D7 B-7 E-7 A-7 D7 G7

lips are these?

whis - pered emp-ty words of
clown am I? What do I know of life? Why can't I cast a - way the
G/B B^7 A 7W A7/G F|-715 F-7

love that left me a - lone like this, why can't I fall in love? like oth - er
mask of play and my
live life? Why can't I fall in love, till I don't
C/E El*>7 D7 D-7 G7sus4 G7«

peo-ple can, and may- be then I'll know what kind of fool I am.
give a damn

RED SAILS IN THE SUNSET

Williams 1935

G G^7 D-7 Q7 CA7 £2_ 3 G A7G|c

1
A-7 D7

Red sails in the sun - set,

wav out on the sea, oh car- ry my
He sailed at the dawn- ing, all day I've been
loved one
blue, red sails in the sun - set,

Swift wings you must

S^tiJgS bor-row make straight for the shore,

C rr^ii G E7 A7
1
D7 D.CalFine

we mar - ry to - mor - row and he goes sail - ing no more.

62 ALL MY TOMORROWS Van Heusen/Cahn 1959

(C|-7 W *** )
A-7 C-6 G/B

To- day I may not have a thing at all, ex -cept for just a dream or two, but
Right now it may not seem like spring at all, we'e drift - ing and the laughs are few' but
As long as I've got arms that cling at all, it's you that I'll be cling- ing to,' and

D7^ -0-

I've got lots of plans for to-all mor- row and

my to-mor-rows be - long to you Right
I've got rain -bows planned mor- row, and all
for to- my to-mor-rows be - long to
all the dreams I dream, beg, or bor-row, on some bright to- mor- row they'll all
come

E-7 CH 15
C- (A7 >

you. No one knows bet- ter than I, that love keeps pass- ing me by, that's fate.

G/B E-7 A-7 D7 B7ait £7 A>7 D7 D.C.alCoda

But with you here at my side, I'll soon be turn -ing the tide, just wait As
B-715 £7^ A-7 E7^ A-l^
. D7 G

true, and all my bright to - mor - rows be - long to you..

HOW DEEP IS THE OCEAN? Irving Berlin 1932

How much do I love you? I'll tell you no lie, how deep is the o - cean,
How far would I tra - vel to be where you are? How far is the jour-ney,
F-7 B^7 B^7 El>7 E^7 Al>7

how high is the sky? How ma-ny times a day, do I think of you?.
from here to a star?

B9 G^-7 B7 F7W Bl>7 Q1^9 ^|>_7 E 7 Q_7t 5

{,
C7 t9

How ma-ny ros es, are sprin-kled with dew?. And if I ev- er lost you.
F-7 A^-7 Dl»7 F>/Bl> C-7
-a ,
F9 F-7 Bl»7

how much would

how high is the
 1

WHO CAN I TURN TO? 63

Bricusse/Newley 1964
El>6 C-7 F-7 Bl>7

3E 1
r
J J J
Who can I turn to,- when no - bo - dy needs mcl My
may - be to - mor- row- I'll find what I'm af - ter,- I'll

E^7

heart wants
,J

to
F-7

know and
J
G-7

r
so
^
I
r
Al>A7

r
must go where
1
B^-7
I
1

des -
»
L,
ti -
-

ny
*

leads
=F=3

mc
LJ > J
With
11

throw off my sor - row, beg, steal or bor - row, my share of laugh- ter.. With

A°7 D7*9 G-7 C7 F-7 D-7^

r
no
ur
star
r
to guide me,- and no -one be- side me,-
m Fll
i

r
go on
Lir r
J

my way and
:

af- ter the day the dark-ness will find me. — And you I could learn to, with

C-9 F7 F|°7 Ekj d>°7 F-7 B^7 E^6

you on a new day- but who can I turn to if you turn a - way?

BEWITCHED Rodgers/Hart 1941

C|°7 D-7_ Df°7 C/E E+ F6 F-6

sing to him, each spring to him, and long for the day when I'll cling to him,
Could- n't sleep, would- n't sleep, when love came and told me I should -n't sleep, be -

C/E il>o7 D-7 A7« D-7 "G7/D C7 FA7 E-7 A7

Lost my heart but what of it? He is cold I a - gree, he can laugh but I

D "7
G7 E-7 Ek7 D-7 G7 D-7 G7 c

love al- though

it, the laugh's on me. I'll wild- ered am L
 >

64 ALL THE WAY Van Heusen/Cahn 1957

FA7 E-7i* A7^ D-7 G9

When some- bo- dy loves you, it's no good un-less they love you, all the way.
When some- bo- dy needs you, it's no good un-less she needs you all the way.

C7 BlfffiL__ DjK C7/E FA7 C-7 F7

Hap - py to be near you, when you need some- one to cheer you, all the way.
Through the good and lean years and for all the in be-tween years, come what may.

B^7 C7 G-7 E-7« A7« T>"7 G7 C-7 F7

Tall - er than the tall - est tree is, that's how it's got to feel,
Who knows where the road will lead us, on - ly a fool would

'I'
B^7
1

deep- er
M'U than the
— C7

deep blue sea

A7

is,
i
D "7

that's
=
,—
m
how deep
—4
it goes
D-7/C

if it's real.
F>7 s

say, But

F4Z A+7 D7W B-7^ C9/Bt A-7^D7^G-7 C7» F

if you let me love you, it's for sure I'm gon-na love you all the way, all the way.

I COVER THE WATERFRONT

John Green/Heyman 1933
A-7 D7^ G C*7 B-7 Bl> 7 A-7

I cov-er the wat- er - front,- I'm watch- ing the sea, will the one I love be
I cov- er the wat - er - front,- in search of my love, and I'm cov- ered by a
I cov-er the wat - er - front,- I'm watch- ing the sea, for the one I love must

D7sus4 D7 G A7 B-7^5 £7 W G D7sus4 G

p r p r i Fhe
com mg back to me?_ bove-
star less sky a me_
soon come back
B to

A-7 D7 B- Bl>7 D7 ,G6

i J i
r r
Here am I pa-tient - ly wait- ing, hop- ing and long- ing.. Oh, how I yearn,

B-7 E7 Cjb2_ 3 pt? E7

DiC. al 2nd End (Fine)

where are you? Are you for- get- ting, do you re-mem-ber, will you re- turn?
 EVERYTHING HAPPENS TO ME 65
Matt Dennls/Adair 1941

m C-7 F7 D-7 D\>7 C-7 F7

s JTj ]i
I make a date for golf and you can bet your life it rains, I try to give a par- ty and the
I nev- er miss a thing, I've had the mea- sles and the mumps, and ev- 'ry time I play an ace, my
I've te - le-graphed and phoned, I sent an air- mail spe-cial too, your ans-wer was good-bye, and there was

G7» C-7 Al>7 D-7

guy up- stairs com- plains, guess Fll go thru life just catch-in* colds and miss- in' trains,
part-ner al - ways trumps, guess I'm just a fool who nev-er looks be- fore he jumps,
ev-en post- age due, fell in love just once and then it had to be with you,

ev- 'ry- thing hap - pens to me ev-'ry- thing hap - pens to me At

B
F-7 &\>1** Ei>A7 C7^ F-7 BkliL

first my heart thought you could break this jinx for me, that love would turn the trick to end des-
E!>A7 E-7 A7*9 DA7

pair, but now I just can't fool this head that thinks for me, I've

G-7 CI C-7 FT aatcodfr C-7 F7» b\>6

mort- gaged all my cas-tles in the air. I've ev-'ry- thing hap - pens to me~

A SUMMER PLACE/ Max Stciner/Disaint 1959

G-7 C-7 Fsus4 B^ G-7 C-7 F7sus4 B^A7 C-7 F7 _ B^7 C-7 F7

There's mer
a sum- place where it may rain or storm, yet I'm safe and warm, for with-
m that sum- mer place your arms reach out to me and my heart is free from all
of a sum- mer place is that it's* a - ny- where when two peo - pie share all their

Bl G-7 C-7 F7 Bl> G-7 C-7 F7 G-7 C-7 B^/D G-7

fit C-7 E^-6

care, "Tor it knows ere are no 'gloom- y skies when seen thru the eyes of
hopes, all their dreams, all their .

Bb/F F7sus4 C7 D.C.aJCoda

t^ose"^ who are blessed with love, aid tie swSet se- cret love.
 3 ,

66 LAST NIGHT WHEN WE WERE YOUNG

Arlen/Harburg 1937

G*7 C7*n B-7 E?— G/A A9 El»7 C/D I^Z_ 3 ,

Last night when we were young, lovewas a star, a song un -sung.- Life-was so
To - day- the world is - old, you flew a - way and time grew cold, where is that

G6 A-7^5 EHk%_, i-B-7 A-7 z-qaj Gj}°7 A-7

Gfl°7 A\>7** D7

new,
star

B-7W
that
so real
seemed so
so

_
bright,
bright

E7»
a-ges a
a-ges a----------
A^ B^
- go -

bIh-7
last night

A9 9
go

B+7
last night?

9
A^ 9
To

i
think that Spring had de pend-ed - on mere- ly this, a look a kiss. To
D-(A7) D_£L B-7^5 E-7^5 A^ 3— 9 El>9 D9 Al>7»ll

think that some-thing so splen-did could slip a - way- -in one lit- tie day-break. So

GA7 A-7 B^°7 B-7 E7 B-7^ £7 F9 E7 E7^

'J J T7 I

5
now, let's re-mi -nisce - and re-eol -lect - the sighes and- the - kiss-es, the arms that

E-7^A r A7 Rt, ° 7
A-7 D^ 9 G

clung when we were young last night.

ILL WIND Arlen/Koehler 1934

Bk A-715 D7« d-7 G7 Al>7 D-7 G7 C-7^ 5 F7» B^6 G7^

Blow, ill wind, blow a way, let merest to - day* you're blow- in' me no good, no
Go, ill wind, go a way, skies am oh so gray a - round my neigh- bor hood no

1-C-7F7 2fit6A7» D7 E~7 F°7 D/F| G7sus4

good. good. You're on-ly mis- leading the sun- shine I'm need- in', ain'tthat ashameZ.
GB D7 E-7 F°7 D/Fjf G7 Dl>7*ii q.jis F 7W

It's
p p
so hard to keep up with
j p i
p j p p
troubles they creep up from
p j i
r ^^
out of no - where, when love's to blame.
D.C. al 1st verse
 —

PEOPLE Jule Styne/Merrill 1963

67
G7sus4 G7 07 G7sus4
CA7

Peo- ple r
Lov- ers- are
"*

ver- y
m •

people who need

spe-cial
* ^
people,
people,
are
they're the
the luck- i- est

luck- i-est peo- pie

peo- ple_ in
in
P
the
the

E7 A-
B-7

world We're
pas
chil- dren need- ing oth-er chil- dren-
m rTLT
and yet let- ting
f
our grown-up
GA7 A/CL C-6 G/B Bt»°7 A-7 D7 D-7 G7

i
pride hide all the need in - side, -act- ing more like chil- dren than chil- dren.
2
G-7 C7 F G7/F F- C/E G-7 C7 I

>
J iJ II J .1. I J 4
f
world- With one person, one ver-y spe-cial per- son, a feel- ing deep in your soiid
G7/F C/E C/G. A-7 D-7 G7
m Ff-715

3
says you were half, now you're whole^ No more hun- ger and thirst, but first, be a per- son who needs
C C7 F F- G7su4 D-7G7sus4 C
r i
r>pr i rr
peo-ple,- peo- pie who need peo- pie- are the luck- i-est pea- pie in the world-

E ON MY HANDS Vincent Youmans/Adamson 1930

FA7 B-715 E7 G-7 G-715

Tune on my hands, you m my arms noth-

uui - ing but
qui lovel
love in
Then if you TM1 j
fall once and for all— I'll see my dreams come
C7 G-7 C7 A7 D+2 D7W G7

view. true- Mo - ments to spare. for some - one you care

G-7 C7 FA7 D-7 G7 G-7 C7 FA7

for, one love af - fair. for two. With time on my hands,

D+7_3 G-7 C7 F6

and you in my arms, and love in my heart, all for you-

 —

68 I'M GLAD THERE IS TOU Maidcra/J Dorsey 1945

FA7 F-7 G-7

6» 1
# J 1
\>J J-

In this world. of or- di - na- ry peo- ple r extra- or- di-na-ry

In this world. wherema- ny, raa-ny play at love, — and hard- ly an-y stay
peo-ple^
at love r

C7 FA7 aI>7 G-7 C7 FA7 A- G-7

o ^— 3 ~n At>°7

I'm glad there is you. In this world. of ov-er-rat-ed plea-sures

I'm glad there is

C7 FA7 A-7" D, G-7 C7 F7 B^7

5 J~3. A
of un-deF-rat-ed
I
J J
I
trea- sures, I'm glad there is you FU live to love,- FU love to

El»7 F^7 E -7l5 A+7 D~7 G7 G-7 C7

« =_j * - '

o
U ve with you be - side me r this role so new, FU muddle thru with you to guide me.
2
El>9 D7« g-7 F/A ftl>A7 C7^ p6

1
«l
you- more than ev- en. Fm glad there is you.

THANKS FOR THE MEMORY Rainger/Robin 1937

G-7 C7 F6 C+7 F6 .jJfoJ C7/G F/A

Thanks for the mem- o- ry, of can - die- light and wine,- cas-tles on the Rhine, the
Thanks for the mem- o- ry, of rain - y af - ter- noons r swing- y Har-lem tunes, and
Thanks for the mem- o- ry, of sun- bums at the shore,. nights in Sing- a - pore, you

C7,.-4 '

Par - the-non and mo-ments on the Hud- son Riv- er Line, how love-ly it was.
mot - or trips and bum - ing hps and bum- ing toast and prunes,
might have been a head- ache but you nev - gr were a bore, so

At> Bt>-7 Et>7

Ma-ny'sthe time that we feast- ed and ma- ny's the time that we fast- ed, oh, well it was swell while it

D- 7 G7 G-7 c+7 nnmtnnHm # G-7 C7 F

last- ed, we did have fun and no harm done. And thank you so much.
 I'VE GROWN ACCUSTOMED TO HER FACE 69

I've grown ac eus- tomed to her face

she al- most makes the day be-gin,
T ve grown ac cus- tomed to her face Tvegrownac-
she al- most makes the day be-gin,
Tve got- ten
C7 At>6 G°7

Eb AH3 G-7 c-7 F-7 B ^7 F -7 B l>7

na-ture to me now, like breath- ing out and breath- ing in,
na-ture to me now, like breath- ing out and breath- ing
I was se-
ml I'm ve - ry
A^6 a°7 Et/Bt C+7 f-7 D^9 C+7

^ttftTlr^^«^«>«*
A
A-715
^
aL7
A^-7 G "7
get,rath-er S ^f
bkea
d * -^
ha-bit one can al- ways
breatandyetj'vegrownac-
yetTvegrownac-

C?» F _7 B |,
7sus4 ^

01 some- thing in the

' air, ac -cus-temed to her- face.

FOR YOU, FOR ME, FOREVERMORE

George/Ira Gershwin 1946
F6 A-7 Al»°7 G-7 C7 F6 A-7 Al»°7 G-7

For
I'm JSL w-JS*
yours, you'remine,
f0r
and
.
'v-er-more,
in "our" heitsTZ
Vs bound to be for ev-er-more,

C-7 F7 C-7 F7^

«^
plain to^^jve found By find- ing each oth-er, the love we wait - ed
Bl>A7 ^7^4 pj, 7 p A7 D7l9

I'm hap - end

py - ing starts. what a love-ly world this
G-7 C7 pA7 D-7 G7 G-7 C7sus4 C7 F6

world will be, with a

world of love in store, for you, for me, for ev- er more.
 * —

70 GUESS I'LL HANG MY TEARS OUT TO DRY

Jule Stync/Cahn 1944
® E-7 F>7 G7 07 FA7 B-7Bt7*HA7A^7«

*4 When
* —
I want rain I get sun-ny wea-ther, I'm just as blue as the sky,-
Friends ask me out, I tellthem I'm bu - sy, must get a new al - i - bi,_
Some-bo- dy said just for- get a -bout her, I gave that treat- ment a try,.

G-7

since love is gone,

I stay at
C7 W

home,
m can't
and
pull my- self
ask my- self where
J
to
Bl»7

-
J'
geth-er,
is she,
J-
I
A-7

guess
J J
I'll
D7

hang
J J
my
D-7

J
G7sus4

J J J
tears out to dry?!
C G7sus4

strange - ly e- nough,

G-7 C7 G-7 C7 FA7 F6

i
5
r
Dry
u
lit- tie
r r
tear-drops,
i

t
my
u
lit- tie
r
tear- drops,
r
bang-ing on a string of dreams.

mn E-7

Fly lit- tie

A7
h
mem-
j

'ries,
E-7

my lit- tic
A7

mem-'ries, re -
D-7
1

mind
—
her
r i

of
j
our
A\>1

j
era- zy
j
G7suS4ft

o
schemes.
G7
D.CTal Coda

C 07/B C/G, FH B7 E-7 &-7 G7sus4

V
•
A-7 t5

[
r
i '
J rj
then one day she passed
i

me
1
1

right by.
r
Oh
i
r

well,
r

I
i

guess
TT] I'll hang my
J
jtj
tears out to dry.

GHOST OF A CHANCE Victor Young/Washington 1931

I need your love so bad - ly, I love you oh so mad - ly, but
I thought at last I'd found you, but oth - er loves sur - round you,
But what's the good of schem - ing, I lnow I must be dream - ing, for

07 A-7 G+7
1
E-7 A7» D-7 G7 C F- C A7»

I don't stand a ghost of a chance with you you.

B
G+7 , 07
— *
3
If you'd sur - ren - der just for a en
ten - de;r kiss or two r
F|=7il B7 . E7 A7 D7 G7

p r i

[ v
i
you might dis - cov - er that I'm the lov-er meant for you, and I'd be true. But
D.C.ai 2nd End (Fine)
 1

TWO FOR THE ROAD 7

Mancini/Bricusse 1967

C7

5
If you're feel- ing
* fan- cy
i' J
free,
Li- J' !
come wan-der the world with me,— and an- y- place we
thru
In sum- mer- time the sun will shine, — in win- ter we'll drink sum- mer wine, and ev-'ry- day that

A-7 A-/G D/Fjt A°7/G G*7 E-7

i 3
chance to be_ will be our ren- dez- vous, two for the road, we'll tra-vel down the
you are mine will be a love- ly day
A7/C| D-7 D-/C G7/B

years, col- lect-ing pre-cious mem - o - ries T se- lee t- ing sou- ven - irs. and liv- ing

2
Q7» C A7
D-715
"1" C7 G7/F E- E-/D Cl-7^5 c-6

life the way we please — In summer- time the

J
J) r r r
As long
r
as
u love
Ji1

still
J

wears a
j i

smile,
r
J

G/B CA7 B-7 Bl>7 a-7 D7^ q

know that we'll be two for the road, and that's long, long while-

NEVERTHELESS Ruby Kalmar 1931

(j
Bk

May- be
rm Fm
i h
|
D k°7
n~n.
and may- be I'm wrong,
j
F7/C F9 D-715 Q7t9

right and may- be I'm weak, and may- be I'm strong, but
May- be Til win, and may- be I'll lose, and may- be I'm in for cry- ing the blues,
May- be I'll live a life of re- gret, and may- be I'll give much more than I get,

nev- er- the- less, Fm in love for you. love with you.
Fine

Bl>7 f-7 Bl>7 Ei>A7

Some- how, I know at a glance, the ter-ri-ble chan - ces I'm tak ing,

G-7 C7 G-7 C7 F7 D.C. a) 2nd End (Fine)

fine at the start, then left with a heart that is break ing.
 VIOLETS FOR YOUR FURS Matt Dennis/Adair

I bought you vi - o- lets for your fursT^ and it was spring for a- while, re - mem-ber?
I bought you vi-o-lets for your furs, and there was blue in the win -try sky.

G;7 FA7 A-7 D7 G-7

,

* I bought you vi-o-lcts for your furs?

You pinned the vi-o-lets to your furs
and there was
and gave a
A-
lift
pril

to the
in Dec
crowds pass- ing
-
p
em -
rn
ber. Hie

C7 _ FA7 G-7 <$>1 F6 C7

snow drift- ed down on the flow - ers and melt- ed where snow looked
it lay, the like dew on the

G-7 Dl»7 B!>A7 eI>7 F^7 A-7 15

blos-somsas on a sum- mer's day. by. You smiledatmeso sweet-ly, since thenonethoughtoc-

D7 B|s73rn C+7 F6 G-7 02^3—, F6

curs, that we fell in love com-plete- ly, the day that I bought you vi- o- lets for your furs.

TRY A LITTLE TENDERNESS

She may be wea- ry, wo- men do get wea- ry wear- ing that same shab-by dress,
You know she's wait- ing, just an - ti - ci - pa- ting things she may nev - er pos - sess.-
You won't re - gret it, wo- men don't for- get love their whole
it, is hap- pi - ness-

And when she's wea- ry, try a lit- tie ten-der - ness. ness.. It's
While she's with- out them, try a lit- tie ten-der
It's all so ea-sy, try a lit- tie ten-der
A^A7 D-7t5 Q 7 t9 C-7

not just sen - men

ti - tal, she has her grief and care, and a
F-7 G-7^5 C 7W p.? F7 Bt7
 n

THIS IS ALL I ASK 73

Gordon Jenkins 1958
Verse

F6 FjK G-7 _ C7 G~7 C7 F°7 p6

As I ap-proach the prime of my find have the

life, I I time of my life,

FA7/A A^7 g-7 F|°7 G~7 B^-7 Ei>7

leam-ing to en - joy at my lei- sure all the sim-ple plea- sures, and so I hap-pi-ly con-

A13 E^9 A-7^5 D7 t9 D - 7 G7^ D (, 9 C7^ p6 D7'*

Beau - ti - ful girls, walk a tieslow-er when you

lit- walk by
Wan-der-ing rainbows leave a bit of col- or for my heart to

fl
F6 G^_ 3
.
, FA7 D-7 G-7 G|°7
1
FA7/A
fj. f —

me. Lin - ger- ing sun - sets, stay a lit- tie long- er with the lone
own. Stars in the sky make my wish come true be- fore the night has
B-7^ E7 19 A -(A7) A -7

sea. Chil dren ev

- - <ry - where, when you shoot at bad men, shoot at me,

A-7 D+7 G7 C|o7 D -7 G7 C7

take me to that strange, en- chant- ed land grown- ups sel-dom un-der-

B-715 E7 t9

stand- flown, and let the mus- ic play as long as there's a

A- A-7 D 7& g-7 C 7sus4 F6

song to sing and I will stay young- er. than spring.

74 THE MASQUERADE IS OVER
Wrubcl, Magidson 1938

Verse
f> f>*7 C7 F-7 B^**4 Bt>7

r r r
1

r p r i
"i" r
My blue ho n - zon is turn - ing gray. and

G-7 C 7l9

* my dreams are drift - ing way- Your

Your
You
%

mm F>

eyes
words
don't
don't
G7

shine
mean
—
—
like
what
they
they
C-7

used
used
to
to
B^-7

shine,
mean,
El»7

and
they were
the thrill

once
D7

is

in -
look the same, — you're a lot the same, but my heart says

G-7 C7 F7 _
r »
r Fr'~j
-3
F-7
.i. n El> ^*E^7

P
gone when your lips meet mine, I'm a - fraid the mas- que - rade is
spired, now they're just rou - tine,
no, no you're not the same",

Al>A7 i-
G-7 F-7

i
ov - er^ and so is love r and so is love.

Bt7 2.
G-7 C7 F-7 Bl>7 F>6
EE
Your love, and so is love.

F-7 Bl>7 G-7 C7^ F-7 Bl>7 F>*7

guess I'll have to play Pag - liac- ci and get my- self a clown's dis - guise, and

A-7^5 D7^ G A7 G7 C-7 F7 B7*U Bl>7

D.S.alCoda

P
leam to laugh like Pag - liac - ci with tears in my eyes. You

F>7 Al> D^9 G-7 C7W F-7 B^ F>6

i 3 P^P
rade is ov - er, and so is love r and so is love-
 THEY SAY IT'S WONDERFUL 75
living Berlin 1946

.G-7 G -7t5 C7 A-7 A^°7 G-7^5

In*! They say that fall - ing in love is

r p
won- der- ful r
J i
J o
It's won- der- ful,
And with the moon a - bove, it's won- der- fuL it's won- der- ful r

-C7W FA7 A-7 D7» C 7t9 F7 F+7

so they say- so they tell me I

B^7

can't re - call who

Bl>-6

said it, I
F/A

know I nev- er
A-7

r
read
^
it,
Al>°7

t
I
1
G-7

r
on -
r
ly
s
A-7/G

know they

F9 E7 A-7 D7 fib-l D^7 G-7 G-7t5 C7 W

tell me that love is grand, and the thing that's known as ro-mance is

A-7 El>9 D9 D-7 G7 G-7 C7 F6

won- der- ful, won- der- fill in ev- 'ry way, so they say-

SMILE Chaplin/Turner 1954

Smile, tho' your heart is ach - ing, smile e - ven tho' it's break- ing,
Light up your face with glad - ness, hide ev - 'iy trace of sad - ness,

A-7 Al*>7

when there are clouds in the sky, you'll get by. If you smile though your
al - tho' a tear may be e - ver so near. That's the time you must

B^-7 E^9 F6

fear and sor - row, smile and may be to - mor- row, you'll see the
keep on try - ing, smile, what's the use of cry - ing, you'll find that

D+7 -7
F

sun come shin- ing thru for you you'll just smile.
life is still worth - while, if
 r

76 THE END OF A LOVE AFFAIR Edward Redding 1950

[Al
10 G-7 C2_, FA7 F-7 Bt7 F>A7

I
J J'TT
J— P«
So I walk a lit- tie too fast, and I drive a lit- tie too fast, and I'm
So I talk a lit- tie too much, and I laugh a lit- tie too much, and my
So I smoke a lit- tie too much, and I drink a lit- tie too much, and the

reck- less it's true, but what else can you do at the end of a love af - fair? So I
voice is too loud when I'm out in a crowd, so that peo - pie are apt to

*F [ SD-7 G7 D -7 G7 D-7 G7

stare. Do they kno

J J! J 1
j n n 1

D-7 G7 C A7 A-7 D7 D-7 G7 G-7 C7

be? And the smile on my face is- n't real - ly a smile at all So I

C-7 F7^ B^7 , 3 p>9 FA7

blare. So I go at a mad- den- ing pace, and I pre - tend that it's tak- ing her

At>°7 G-7 C7 G-7 C7 F6

place. But what else can you do at the end of a love af - fair.

WARM VALLEY Duke Ellington 1943

FJ>A7 E°7 F-7 U

Bl>7su
r S4
'MiS G7
\J •
1
— 3
3__, )
C7 F-7 Dl>7

m 1

r r &3
1 2
El»6 -E- F> Bl>7 v f> C-7-3 B°7 B^-7 F>7

ii fr rrjj-i J| i
1 FTP
i

j i
1

D^7 Ff-7 B7 Bi>9 E° F-7 B^7. ^F>

IP
 A SUNDAY KIND OF LOVE 77
Louis Prima/B. Belle 1946

F6 A-7 A^7 G-7 C7W F6 D719

I want a Sun - day kind of love^I a love to last past Sat - ur- day night,
I want a love that's on the square can't seem to find some bo dy to - - care,
My arms need some- one to en-fold- to keepme warm when Mon-day's are cold,

G-7 B^-6 El>7 A-7 D 719 G-7

I'd like to know it's more than love at first sigli£_ I want a Sun- day kind of love.
I'm on a lone- ly road that leads me no- where^
a love for all my life to have and to hold,—
1
F6 D7 G-7 G^7 ^6 G^9 F6 C-7 F7

Fine
I do my Sun - day drearring and

C-7 F9 Bl>6 At7*UG2 D-7

all my Sun- day scheming ev- 'ry min-ute,ev- 'iy hour, of e^'iy day. I'm hop^ ing to dialer
G9 Dt7 C9 Ff°7 G -7 C7

cer - tain kind of lov-er, who will show me the way? My arms netai

SEPTEMBER IN THE RAIN

Warren/Dublin 1937

G-7 C7 F-7 F-7/E^ D^tn B7 B^7

The leaves of brown came tumbling down, re - menber?- in Sep - temberr in the
The sun went out just like a dy - ing em-ber^ -
thatSep
Though spring is here, to me it's Sep - tem-ber,-
%
still thatSep -

ram The To ev - 'iy word of love I heard you

Al*7 D^7 C-7 F7 C-7 F7 F-7 B^7

whis- per, the rain- drops seemed to play a sweet re frain. Though
 i

78 PORTRAIT OF JENNIE Robinson/Burdgc 1948

A por- trait of Jcn-nie^ more love- ly to see r . a

than
The por- trait of Jen-nie. is etched on my hear^ -where her
the por- trait of Jen- nie,. I nev - er will parV - for there
1
A~7 D-7 Gzl
r 3 _ q7^ i 3 t
A+7 D9 G-7 q7» 2.
A-7 D-7

mas - ter- piece, how-ev-er fa-mous it be. The por- trait of fea - tures have been

G-7 C7» F6 E^9 F6 G7

sketched from the start Ah the co- lor and beau - ty of line and the glow of her

g£_3 ,
F7 E-7 A7» D-7 At9 G9 G^ 9
G-7 C7^ 2£*J2?

spi - rit di- vine,. all cast in Hea- ven's own de - sign. With the por- trait of

A-7 D-7 Cp7_ 3 , ,

3 , C7sas4 C719 F6

is - n't an - y por- trait of Jen- nie, ex - cept in my heart.

CRT ME A RIVER Arthur Hamilton 1953

H O C-6 C-7 F-7 Bl»7 Ei»A7 D-7 G7

* Now. you say you're lone-ly,_ you cry the whole night thru r well you can
Now_ you say you're sor- ry,- for be- ing so un - true r well you can
Now_ you say you love me r well just to prove you do,- come on and

Fine
cry me a nv-er, cry me a riv-er, I cried a riv-erov-er you.

G- i
3 ,
a-7^5 D 7l9 G- 3 _ A-7^5 D 7t9

You drove me, near- ly drove me out of my head, while you nev-ershed a tear,.

G" r~3— A - 7tS

D 7^9 q D-7
_ G7 D.C.aJFtne

re- member? I re-memberall that you said; told me love was too ple-bi- an, told me you were thru with me and
 PIECES OF DREAMS 79
Michel Lcgrandc /Bergman 1970

F6 G-7 a-7 D-7 G-7 G-7/F CUE CI

Lit- tie boy lost in search of Lit- tie boy founcE you go a -

Lit- tie boy false- in search of lit - tie boy true r will you be

FA7 G-7 C|°7 A7/C#

won- der- ing,

ev- er done
wan- der- ing,
I
I

U
stum - bl -
I

ing,
u
turn- bl - ing, round, round,
tra-vel-ing, al - ways un - rav - el - ing you, you?

When will you find what's on the tip of your mind?_

BU7 F/A G-7 C7 A-7 D7 G-7 C7

Why are you blind to all you ev - er were, nev- er were, real- ly are, near- ly are?
2
D-7 Bl»/D G-7^ C7 F/C B-715

run- rung a - way could lead you fur-ther a - stray, and as for
F7/c C7sus4 C9 F7sus4 C-7 B7«n B k7 B^-7 El»7

fish- ing in streams for pie- ces of dreams those

FA7 D-7 G-7 C7 F6 G-7 A-7 D-7

pie- ces wiD nev-er what the

fit, is sense of it? Lit- tie boy blue~I don't let your

G-7 G-7/F C7/E C7 F A7

% G -7

lit - tie sheep roam it's time come blow your horn, meet the morn,
A-7 B-7^5 C-7 C7» F6 B\>6 F6

look and see, can you be far from home-

80 THE HEATHER ON THE HILL Loewe/Lerner 1947

F6 G-7 C7 F6 C£7 F7

The mist of May is in the gloam - in', and all the clouds are hold- in' still,-
The mom- in' dew is blink- in' yon - der, there's la - zy mus- ic in the rilL
That when the mist is in the gloam - in' and all the clouds are hold- in' stilL-

A-7 D7 G-7

so take my hand and let's go roam- in' thru the hea- ther on the hill,
and all I want to do is wan- der
if you're not there I won't go roam- in'

hill. There may be oth - er days as rich and rare, there may be oth- er springs as fall and

A^7 D-7 G7 CA7 qf°7 D-7 G7 C^sas4 C7

D.C.alCoda
fair, but they won't be the same they '11 come and go, for this I know.

D-7 G-7^?Dl> F/C D-7 G-7 C7 F6

MY OWN TRUE LOVE (TARA'S THEME)

Stdner/David 1941

G-7 C7 G-7 C7 Fsus4 F F/A

My own true love, my own true love, at last I've found you,
No lips but yours, no arms but yours, will ev - er lead me
And by your kiss, you've shown true love, I'm yours for - ev - er,

my own Fine
true love thru hea-ven's doors, I roamed the earth
my own true love.
A-7 G-7

in search of knew f d know

this, I you, know you by your kiss.
 IF EVER I WOULD LEAVE YOU 81
Locwe/Lerner 1960

C-7 F7 Bi»A7

if
But
ev
if
- er
I'd
T
ev
would
- er
i
leave
leave
you^
you^
Wit

it
would-
could- n't
n't be
be
in
in
sum
au -
- mer,
tumn,—
If ev - er I would leave you?- how could it be in spring - time?_
G-7 C-7 F7 B^7

see - ing you in sum - mer, I nev - er would go

how I'd leave in au - tumn I nev - er will know
know - ing how in spring I'm be - witched by you so,-.- -

3
FL— 3,
B^7
' ' — ^
Your hair streaked with sun - lights- your lips red as flame,
I've seen how you spar - kle r when fall nips the air,-
Oh No! not in spnng - time r

-0-

your face with a lus ter_ that puts gold to shame.

I know you in au tumn

But if I'd ev- er and I must be there. And could I

D D+ G A7 E-7 A7 DA7 D6

leave you run - ning mer - ri - ly thru the snow?- Or on a

Ft F#+ B E-7 A7 D6 D.CalCoda

win - try eve - ning when you catch the> fi - re's glow. If ev - er T would

Bl>6 C9 F9

sum - mer, win - ter or fall no, nev - er could I leave you
C-7 p7» B^6 BA7 Bl>6

at
82 NANCY WITH THE LAUGHING FACE
Van Hcuscn/Phil Silvers 1944

G-7 C7 G-7 C7 FA7 G-7

If I don't see her each day I miss her, Gee, what a thrill each
She takes the win - and makes
ter it sum - mer, sum- mer could take some
I swear to good-ness you can't re - sist her, sor - ry for you she

D-7 G7
1

m
on Nan- cy with the laugbing faceT
les- sons from her. Pic- tare a torn- boy in lace, that's
has no sis - ter. No one could ev - er re-place my

G-7 D7^ D-7 B^7 El>7 F6 A+7 D-7 A+7

She takes the Nan-cy with the laugh- ing face. ' "~ Do you ev- er hear mis- sion bells ring-

D-7 A+7 D-7 A+7^ D-7 G7 C7

ing? weU, she'll give you the ve - ry same glow. When she

FA7 D-7 G-7 A7» D-7 G7 G-7 C7 D^ 9

speaks you would think it was sing ing, just to hear her say "Hel - lo" I swear to
D.C. al 2nd End (Fine)

THE NIGHT WE CALLED IT A DAY

Matt Dennis/Tom Adair 1942

A-715 D7^ G A7 B7^ E-7 Ci-7^

There was a moon out in space, but a cloud drift- ed ov - er its face, you
I heard the song of the spheres a min - or
The moon went
like la- ment in my ears, I
down, stars were gone, but the sun did - n't rise with the dawn, there

kissed me and went on your way, the night we called it a day. I heard the day
had- n t the heart left to pray,
 THE NIGHT WE CALLED IT A DAY (pg 83
2)

07 D-7 Df°7 cm A-7i5 E-7 A7

Soft thru the dark, the hoot of an owl in the sky,

A7 r- 3-
El>7*ll D7sus4 H7tj > D. CalCoda

sad tho' his song, no blu - er was he than I. The moon went

F-(a7)
I I
3
E-7 E-6 B-7 Bt7 A~7Al>7 qa7

was- n't a thing left to say, the night we called a

it day.

IT NEVER ENTERED MY MIND

Rodgers/Hart 1940

FA7 Bl>A7 FA7 Bl»A7 A-7 G-7 F6 G-7

Once I laughed when I heard you say - ing that I'd be play-ing so - li-taireT
Once you told me I was mis tak - en,
- that I'd a- wak- en with the sun
Once you warned me that if you scorned me, I'd sing the maid-en's pray'r a- gain,

un - ea - sy in my ea - sy chair, it nev-er en-tered my mind.

and or - der or - ange juice for one,-
and wish you were
2
G-7 G7 G-7 C7 F6 G-7 C7sus4 FA7

it nev-er en-tered my mind „ You have what I lack my- selfr

G-7 C7 FA7 G-7 A-7 .^7 G"7 C7su $4 C7

and now ev-en D.CalCoda

I have to scratch my back my- self-

A-7t5^D7 l9 g-7 C7sus4 A -7 D7 G _7 cw F6

there a- gain, to get in - to my hair a-gain_ it nev-er en-tered my mind

84 IN THE WEE SMALL HOURS
David Mann/Bob Hilliard 1955

07 D-7 C^7 D-7 C A7 G7sus4 07 C7

jj'M J II '
J J N n l
1

J J J I
.I

J
When the sun is high in the af- ter- noon sky, you can al- ways find some- thing to do, but from

E-7 B7«9 E-7 F|~7^B7^e-7 A719 D7 G7

dusk to dawn, as the clock ticks on, some- thing hap - pens to you. In the

07 C7 F A7 F-6 Bl»7*u qli Cj|°7 D-7 G7

wee small ho-urs of the mom- ing, — while the whole wide world is fast a - sleep, you

D-7 G7 GIF E-7^5 A7 19 Ff-7^ B7^ E-7 D-7 G7

lie a- wake and think a- bout the girl, and nev-er, ev - er think of count- ing sheep. When your

07 C7 FA7 F-6 Bl»7*u C^7 G-7 CJ& A7/E

lone - ly heart has learned its les-son^ — you'd be her's if on- ly she would call, in the

D-7 Df°7 C6/E Bt9 A7^ D-7 G7^ C6 G7sus4

wee small ho- urs of the morn- ing, — that's the time you miss her most of all.

D-7 D7 G7 t9 C6

^
*

'jj J 1
J J i e-
time you miss her most of al£
 WHAT I DID FOR LOVE 85
Chorus Line
^6
Asus4 A7 D-7

Kiss to - day good - bye, the sweet- ness and the sor - row,,
Look my eyes are dry, the dream was ours to bor- row.,
Kiss to - day good - bye, and point me t'ward to- mor-row..
F- C G/B # D9 F-

we did what we had to do,. and I can't re - gret what I did for love,
It's as if we al - ways knew,- but I won't for- got what I did for love,

D- 715 G G/F 1
G7 \
* E- G/D
i

4 4 t r
:

love.. Look my eyes are dry

what I did for love..

A- A-/G FA7 Esus4 E7 A- A-/G Ff-7W Bsus4 B7 £- G/A A7

love is nev-er gone, _ as we tra-vel on,. love's what we'll re-

acaicoda ^A- A-/G D7/Ff A-7/E D7 F C/E

mem-ber. Kisstoday goodbye you — Won't for- get, can't re- gret what I did
D-7 G7sus4 C C/Bt F-/A^ C C/Bt F-/Al> C

what I did for love, what I did for love..

LOVE STORY 1970

D7

D.C.alCoda D7SUS4 D7 G- El>A7 G-

 —

86 ALL I ASK OF YOU

Phantom of the Opera 1987

I* D^7
put No more talk of
m
dark-nesfcr'
I 1
* 1
« W *
for - get those wide-eyed fears,
^
I'm
1 « «
here,noth-ing canharmyou, my
Let me be your shel- ter, let me be your light, you're safe no- one will find you, your

words will warm and calm you. Let me be your free- doiftr' let day- light dry your tears, I'm
fears are far be- hind you. All I want is free-dom, a worldthat's warm and bright, and

H
here with you be- side me,
($>6

to
b
rm r
guard you and to guide you.
Dl-

Say you
Bl

love me ev-'iy
you, al - ways be- side me, to hold me and to hide me. Then say you'll share with me one

win - ter morn - ing, turn my head with talk of sum- mer- time,-
love, one life - time, let me lead you from your sol - i - tude,-

*say you need me with you now and al - ways,, pro-mise me that all you say is
say you need me with you, here be - side you- an - y - where you go, let me go

D\>/A\>

All I ask for is one love, one life - time say the word amd I will

Al>7sus4 Dl> Al»7

3=£ I r r j j
fol - low you, share each day with me, each night, each mom-ingT

D^/F Gl> DkA> Al>7sus4 A^9

you feel the way I love me, that's all I ask of you..
 1

MEMORY 87
Webber/Nunn 1981 Cats 82
A- F

Mid-night,
Mem- 'ry,
not
all
a
a -
Uj
sound from the
lone in the
i
r
pave-ment
r
moon-light,
m has the
I
Uj
moon
can smile
lost her
at the
1

mem-
1

old days,
1

'ry.
n
She
I
"

is
1

was beau-
r
smil-ing
ti
1

a-
- rul
1

Day- light I must wait for the sun- rise, I must think of a new life and I must- n't give

E- D-7 A-

lone. In the lamp - light where with - ered leaves col - lect at my feet and the
then. I re - mem - ber the time I knew what hap - pi- ness was let the
in when the dawn comes to - night will be a mem - o - ry too and a

wind be - gins to moan, Ev - 'ry street lamp seems to beat a

mem 'ry live a - gain, Burnt out ends of smok ey days the
new day will be - gin.

C D

fa - ta - list - ic warn - ing. Some one mut-ters and a street lamp sput-ters
stale cold smell of the morn- ing. The street lamp dies a - noth-er night is o - ver,

D.C.alCoda

and soon it will be morn - ing.

a - noth - er day is

mm
Bl>7 C-

mem- 'ry of my days in the sun. If you touch me you'll un-der- stand what

Ftne
hap - pi - ness is, look! a new day has be - gun
88 A TIME FOR LOVE
Johnny Mandel /Webster 1966
3rdX- g|,A7 D7t9
A-715 q_9
IT] 2nd x- G-9 AH3/Gl> Bl»/F
C13

c-r r r
A time for sum-mcr skies for bum -ming birds and but - ter- flies, for
A time for climb- ing hills, for lean - ing out of win- dow sills ad -

As time goes drift- ing by, the wil - low bends and so do I, but

C-7 El>A7/Bl> D7sus4 D7 A-715 D7 »

ten-der words that har - mo-nize with lover bove. A time for
mi- r- ing the daf - fo-dils a
oh my friends what ev - er sky a

G-7 D7 G-7 C9 D-7/F A7 D-7 D7^ G-7 F-

hold- ing hands to-geth-er, a time for rain- bow col- ored wea-ther, a time of make be- lieve that

E-715 A7 DA7 C-7 F7W aaa/Coda -$- A -7 A -7l5 D7 »

we've been dream - ing of. As bove, I've known a

G-7 C9 C-7 F7sus4 F7» B^6

time for spring, a time for fall, but best of all a time for love.

TWELFTH OF NEVER
 THE WAY WE WERE
Hamlisch/Bcrgman 1973
89
C
j

Mem -
E-7

*ries
I
wr^m
FA7

light the corn- er of my

a-7 A-/G

mindr
FA7

mis - ty
E-

wa-
J
E7

ter col- or
I
A-

f
A-/G

mem-'ries
pic - aires of the smiles we left be -hincH- smiles we gave to one an - oth- er -

Mem - 'ries may be beau - ti- ful and yet^

Can it be that it was all so sim- pie then, or has time re- writ- ten ev-'iy line?
D '7
G7 CA7 G 7sus 4 Gl D.CaiCoda

If we had the chance to do it all a - gain, would we? could we?.

FA7 E7sus4 E7 A- A-/G F A7 E-7 F A7 E-7

we sim- ply choose to for - get^ =. So it's the laugh- ter we will re -mem-ber,-
F A7 E-7 A-7 D-7 G7sus4 07 F A7 G7sus4 07

when- ev- er we re mem- ber_= the way we were

WHEN I FALL IN LOVE Young/Heyman 1952

F D719 G-7C7sus4 F D7^ g-7 C*9 F Bl>9 &i D7

When I fall in love it will be for - ev- er, or nev -

I'll er fall in
When I give my heart, it will be com -plete-ly, or I'll nev - er give my
1
F D7^ g-7 C^ 9 FA7 El>7 _ A-7^5 D7^

love In a rest-less world like this, love is end - ed be- fore it's be- gun, and too ma-
hearty and the
G-7 E-7^5 e!»7*ii D7W g-7 C7 F^7 B7*ii

ny moon-Ught kiss es seem te

- cool- in the warmth of the sun. mo- ment I can
Bk7 E7 19 A-7^5 D7^ g-7 eJ, 7 p D?t9 G -7
Q1 u p6

feel that you feel that way too, is when I fall in love with you
 EVERGREEN
Barbara Streisand/Paul Williams 1972

D-7/C

Love- soft as an ea - sy chair. Lovc r fresh as the

C/B A- E-7

morn - mg air.- One, love that is shared by two,

D-7 G G7sus4 C

I have found. with you Like a rose,- un - der the

F/G D-7 F/G c Nichols/Williams 1970

ap - ril snow, was

I al - ways cer-tain that love would grow..
A-7 E-7 F^7

Love, age - less and e v - er - green,-

i sel - dom seen by
E^7 Bl»/C C7 Ofa7 F6 E-7

two.. You and I will make each night a first

F*7 G/F E-7 Bl>/C C7 FA7 B7suS4 B7

Ev- 'ry day a be - gin - ning Spir - its rise and their

E-7 p-3— . El»A7 C/D D2 F/G

dance is un - re- hearsed. They warm and ex - cite us, 'cause we have the bright - est
CA7 Bk: D-7 F/G

love Two lights that shine as one. Morn - ing glo ry and the
 EVERGREEN (pg. 2)
91
cm A-7 E-7

ft 'in" T 3"
r r i
r h 0^ r=&

mid - night sun.. Time,. we've learned to sail a - bovc

Bt/C FA7_3

Time- won'tchange the mean - ing of, one love,. age- less and

D/C ct/c c cue

ev - er,- ev - er- green-

D/C EttfC D/C ci/c c

WE'VE ONLY JUST BEGUN

Nichols/Williams 1970

We've on - ly just be - gun to live, white lace and prom - is - es,

Be - fore the ris - ing sun we fly, so ma - ny roads to choose,
And when the eve- ning comes we smile, so much of life a - head,

a luck and we're on

kiss for our way. andyes,we'vejustbe- gun.
we out walk- ing
start and learn to run,
we'll find a place where there's room to grow,

Shar-ing hor- i-zons that are new to us, watch- ing the signs a- long the way,

we've on- ly just be- gun.

 —
92 CLOSE TO YOU
Hoffman 1933

. A^7 G7sus4 G7 G-7 C-7

Why do birds sud - den - ly ap - pear ev- *ry time you are near? Just like me,
Why do stars fall down from the sky, ev-'ry time you walk by?
That is why all the boys in town foMow you all a - round,

F-7 4 E^A7
B!>7sus At

they want to be, close to you.. Why do On the day that you were born the

C7sus4 C7

an- gels got to-gcth-er and de - ci-ded to ere- ate a dream come true, so they

At AtA7 At6 Bt D.C.aJCoda

sprin-kled moon dust in your hair of gold and star- light in your eyes of blue. That is

a I
•0\At
1
y , 3 , F-7 EtA7

close to you.-
 SEND IN THE CLOWNS 93
Stephen Sondheim 1973

E^ 4 ^ Ab E^sus4 E^sus4 h\>

Is- n't it rich? Are we a pair? Me here at last on the ground, you in the

bliss? Don'tyou ap -prove? One who keeps tear- ing a- round, one who can't
Is-n't it

1. E>/Al> E^sus4 E^/A^ E^sus4 ! 2. El> E^sus4

Send in the clowns, Is - n't it clowns. Send in the

air.

move where are the

C- G-

when I'd stopped op - en- ing doors, fin - al - ly

clowns. Just

c- F-7 C Bt>7/D Dirt

know- ing the one that I want-ed was yours, mak-ing my en -trance a- gain with my u - su- al

C7SU 4 s C-7/El> E^sus4 El>M> E^sus4 ElVA!> E^jus4

Ij , U m»i I v 1 1

flair. sure of my lines, no one is there.

Is - n't it

A^ E^sus4 At E^sus4

farce? My fault I fear. I thought that you'd want what I want Sor-ry my
rich? Is - n't it queer? los - ing my tim - ing this lat in my ca-

D^7 E^/A^

dear. but where are the clowns? Quick send in the clowns, don't both- er they're

reer. and where are the clowns? There ought to be

At Ei?7sus
4 Al>

here. Is- n't it clowns. Well, may-be next year...

94 CAST YOUR FATE TO THE WIND^c Guaraldi/Werbcr

c - F c _ B\>

A month of nights, a year of days, Oc - to-ber drift - ing in- to Mays, I

I shift my course a long the breeze,
- won't sail up- wind on me- mo- ries, the
There nev - er was, *~ could- n't ube,
there ~ a Place in time for men like
So now I'm me,' who'd
old, I'm wise. I'm smart, I'm just a man with half a heart, I

set my sail wE tide comes in and I just cast my fate

emp-ty to the wind
sky is my best friend, and I
drink the dark and laugh at day, and let their wild- est dreams blow a - way.
won-der how might have had
it been, I not cast my fate to the wind.

time has such a way ofchang-ing a man through-out the years. And now I'm re - -
ar

& F C F D.C. al 3rd/4th verse

rang- ing my life through all my tears.. a- lone. There's

STRANGER ON THE SHORE Acker Bilk

G-7 C7 F F7 Bl> Bl» F _ D-7

Here I standr watch- ing

watched
the tide go ou£ so all a - lone and
your ship- as it sailed out to sea^
Why oh why,.
tak-ing all my
must I go on like this?. shall I just be a
1
G9 G-7 C7 F/A F7 B> C7^ F F7

blue, just dream- ing dreams Fine

of you dreams and tak-ing all of me
lone ly Strang- er on the shore?.

F G-7 C7 F7

The sigh - ing of waves,

Bl>
A-

D.C.al 2nd End (Fine)

tears in my eyes burn, plead - ing, my love, re - turn.-
 — i

SOMEWHERE Bernstein / Sondheim 1957

95
m \
c

j
There's
There's
There's
cm
r
a
a
a
F7

place for us,

time for us,
place for us,
6 r

some- where
some - day
a
r

time
r

and
a
a place for us,
time for us,
place for us,
' d
peace and qui
time to - geth
-

-
et
er
and
with

h
D
3>
1
A-7 C
i

At Bl»
\
4 t=*==l
«
—1=5=1 F 1

9
'

1
o
time to
- pen air
spare,
wait for
time to learn,
us some -where — time to care, some -day, some- where..

half- way there,

E-2-3— B>7_3— , G-7 B^7_,_,Eil,_ A> G E-7

-*
—k '

* We'll find a
i
r

new way of
i
i

i p
r
liv-ing,
r
we'll find a way of for - giv-ing, some- where
Bt Ei- 3 — , C- Al> _F7
-
Bl>/F
v
f
be-

hold my hand and I'll take you there, — some -how, some -day, some - where

YOU DON'T KNOW ME

Cindy Walker/Eddie Arnold
C7

You give your hand to me, and then you say hel - lo, and I can hard - ly speak, my heart is
No you don't know the one, who dreams of you at night and longs to kiss your lips and longs to
You give your hand to me and then you say good-bye, I watch you walk a - way, be- side the

beat- ing so, and an - y - one can tell you think you know me well, but you don't
hold you tight, to you I'm just a friend, that's all I've
luck - y guy, to nev- er, nev- er know the one who

C C7

know me. Fme

No, you don't ev - er been, but you don't know me., For
loves you so,

mm nev-er knew the

C
n
of mak-ing
C|«7

j r- j
D-7 r
.
3

I I
^ i»l ,h
I art love, though my heart ached with love for you A-
A~ E- D7 G? D.C.al 2nd End (Fine)

fraid and shy, I let my chance go by, the chance you might have loved me too. You give your
96 THE SUMMER KNOWS Michel Legrand /Bergman 1971

F-/F>

The sum- mer smiles, the sum- mer knows, and un - a- shamed, she sheds her clothes. The

sum-mer smoothes the rest- less sky, and lov-ing-ly, she warms the sand on which you lie. The

F BU/F F F7sus4

sum-mer knows, the sum - mer's wise, she sees the doubts with - in your eyes, and

so she takes her sum-mer time, tells the moon to wait and the sun to lin-ger,

A^A7 El»7» . Ak7 D7 G G-715

twists the world 'round her sum-mer fin-ger, lets you seethe won-der of it all. And

F/C B^-6/C F/C

if you've learned your les-son well, there's lit- tie more for her to tell, one

F-/C Bt-6/C

it's
 MY WAY 97
Francois /Thibault/Anka 1967

F A-/E D7
i
And now the end is near, and so I face the fin- al cur- tain, my
Re - grets, I've had a few, but then a - gain, too few to men-tion, I

I've loved, I've laughed and cried, I've had my share of los-ing, and

G-7 C7

t friend, Til say it clear, Til state my case, of which I'm cer- tain, I've
did what I had to do, and saw it thru with- out ex - emp-tion. I

now as tears sub- side, I find it all so a - mus-ing. To

F7 B^6
t
r r p
lived a life that's full, I trav-e ed each and ev- 'ry high- way, and
planned each chart- ered course, each care- ful step a -long the by-way, and
think I did all that and may I say, "not in a shy way", oh

m
FA7 G-7 £7_ s
F6

I
more, much more than this, I did it my way. Re -

more, much more that this, I did it my

no, oh no not me, I did it my

*F6 ,
F7 B^7
7
1'

way. Yes, there were times, I'm sure you knew, when I bit off more than I could
For what b man? what has he got, if not him - self, then he has

G-7 C7 A-7
a

chew, but thru it all, when there was doubt, I ate it up, and spit it

not, to say the things he tru- ly feels, and not the words of one who

G-7 C7 C7»
G-7
.
—F6
o—

out, I faced it all, and I stood tall, and did it my way.

kneels, the re- cord shows I took the blowsw, and did it my way.
98 FEELINGS

met vou SVl you'll nev-er come a - gain.

C C/B A-7 D7 B- E7

Feel- ings, feel- ings like I nev- er lost you, and feel- ings like I'll

A-7 D7 G D-7 G7

nev - er have you - gam in my heart

 — J

BLUE MOON Rodgers/Hart 1934

101

4" r (
El» C- F-7
m
B\>1 El» C- F-7 Bl>7

i
Blue moon^. you saw me standing a- lone, with- out a dream in my heart,
Blue moon^ you knew just what I was there for,- you heard me say- ing a prayer
Blue moon - r now I'm no long- er a- lone, with- out a dream in my heart,

e\> c- F-7 Bt7s,, s< 1.

Bt>7
N
2.
el,

4^ 1
— i

with- out
j j
a love of
n 1

my
J
own
J P—^

And
#I
J
then there
for, some- one I real-ly could care for_
with- out a love of my own
F-7 Bl>7 C-7 F-7 Bt

J^J J J J
sud-den-ly ap-peared be- fore me, the on-ly one my arms will e- ver hold. I heard some-
Al»-7 Di>7 d> C-7 F7 F-7 Bl»7

3
bo- dy whis- per "please a -
»1
dore me w
, and when
^ ^_
I
^
looked, the
^
moon had
^
turned to gold. Blue
D.C.alFine

TIME AFTER TIME Sammy Cahn/Jule Styne 1947

07 A-7 D-7 G9 07 A-7 D-7 G9 07

I

lime
J.
af -
J
ter
I

i
time,
J
I
I

tell
J
my - self
I

that
I

i
Tm so
J U luck - y to be
know what I know, the pass - ing years will show, you've kept my love so

A-7 A-7/G Fl-715 B7» E-

lov - ing you So luck - y to be the one you run to

E-7t5 A 7W D -7 Bl»13 A7^ a1»7*M qj

young so new. And time af - ter time, you'll

E-7 A-7 D7 D-7^5 c/G A-7 D-7 G7» Cl

hear me say that Tm so luck - y to be lov - ing

 V
102 THE DATS OF WINE AND ROSES
Henry Mancini/Johnny Mercer 1962

F*7 El>7 D? t5 D9 G-7

? J J
r i

r r r
The
My
days
lone
of wine and
\y heart dis- -
roses,
clo- ses,-
laugh and
just a
run a
pas- sing breeze,
- way,
*

m B^6 1
E^7 A-7 D-7 G-7

IPiii
like a child at play- Through the mea-dow land to - ward a elo-smg door, a
filled with mem - or- ies,_ of the

A7 W D-7 G7 G-7 C7
2.
A-7

5 * —*—
door marked ne- ver- more, that was- n't there be- fore The gol - den smile that

D-7 D-7/C B-7^ 5 E7^ A-7 D-7 G"7 C7 F6 v

2 i
in - tro- duced me to. the days of wine and ros- es and you.
Fine f
IT HAD TO BE YOU i
Isham Jones/Kahn 1924
EIh-7 At E^7 aI»A7 F7

$ ^ ? j r.
It had to be you,
Some oth- ers Fve seen, might nev-er be meanr -might nev - er be cross,

Bt7 F-7 B^7 F-7 1- Bt7 B^7

i r r [_ r r J I

and fi-naMy found- some - bo - dy who- couldmakeme be true r

or try to be boss, but they would-n't do v
El>7 C7 F-7 C+7 F-7 _ fil>7 E^7 E7

could make me be blue r and ev-eh be glad, — just to be sad, think- ing of you.

2.
E^7 eIh-7 Bl>7 D^7 Dl>-6

i
Some oth- ers I've seen do For no-bo- dy else gave me a thrill, with allyourfaults

A^7 C7 F-7 El>7 Bl>- E^7 a\>

I
I love you still. It had to be you, won-der-ful you, had to be you-
I
 SATIN DOLL 103
Ellington/Strayhorn/Mercer 1953

D-7 G7 D-7 G7 E-7 A7 E-7 A7

Cig - a - rette hold er, which wigs me, o- ver her shoul der, she digs me,
Ba-by shall we go out skip -pin*, care- -
fill a mi go, you're flip -pin',
Tel - le - phone num bers, well, you know, do - in' my rhum bas with u - no,

D7 A^-7 Dl>9 cl

no - bo - dy's fool, so I'm play - cool

in' it as can be.
ni
A-7 D7_ A-7 D7 D-7 G7 A7W

give it a whirl, but I ain't for no girl catch - ing me, (Switcb-a-roony) O.C.alFme

BYE BYE BLACKBIRD Henderson/Dixon 1926

Bl>-7 F/A At>°7

Pack up all my cares and woes, here I go sing- ing low, Bye, Bye,
G-7 C7 A-7 E 719 G- G-<*7) G -7
Black - bird. When some- bo - dy waits for me, sug-tfs sweet, so is she,
G-7 C7« F6 G-7 C7 F7 c-7 F7

Bye, Bye, Black - bird. No one here can love and un - der
Ek7«u D7 g- (A7 >
G- G-7 Q 7 i9
stand me, oh what hard luck sto - ries they all hand me.
F A-7^5 D7 G-7 C7

my bed and light the light, Til ar-rive late to-night. Black- bird, Bye, Bye.
104 ON A CLEAR DAY Lemer/Lane 1965

G^7 C7«u GA7 b-7

9 TT^ —— pi
On a clear day, rise and look a- round you, and you'll see who you are.

E7» A-7 _ F 7*u b-7 B ^7

On a clear day. how it will as -tound you,. that the glow of your be-ing out-
(A7)
A- A- A-7 D9 D-7 G7 D-7 G7 C A7

shines ev-'ry star. You feel part of. ev-'ry moun-tain, sea and shore You can hear, from far and
A7 D7 GA7 b-7

near, a world you've nev - er heard be- fore — And on a clear day, n that clear day,

E7 A-7 G/B C G/B l

1
A-7 D7 G

MOONGLOW Hudson/DeLange/Mills 1934

It must have been moon- glow, way up in the blue, it must have been
I still hear you say - ing "dear one, hold me fast", and I start in
And And now when there's moon- glow, way up in the blue, I al- ways re -

D7 G/B B^7 A- Bl* G/BG7 IB G 7 F#7 F7

moon- glow, that led me straight to you. We-

fr/ne seemed to float right thru the
pray - ing, "oh lord, please let this last." -{Tag 3Xs)
mem - ber, that moon- glow gave me you.

El>7 D7 D^7

hea- ven- songs D.C.alFme

ly seemed to come from ev 'ry- where.
 —

AUTUMN LEAVES 105

Joseph Kosma/Johnny Mercer 1947

A-7 D7 G A7 CA7 F|-7^ 5

i r r 1

7 j j
The fall - ing leaves, drift by my win- dow,. the au - tumn leaves
I see your lips, the sum- mer kiss - es,_ the sun - burned hands

1
-
B7 E- 2-
B7 E-

Ol tiJ 4

I see your I used to > hold.. Since you

B
F#-7t5 B 7t9 E- A-7 D7 GA7

went a- way, the days grow long and soon I'll hear. old win-ter's song. But I

FJI-715 B 7» E- A7 D-7 G7 CA7 B7» E-

miss you most of all, my dar-ling,. when au - tumn leaves start to fall..

BLUE SKIES

noth - ing but

Blue
noth - ing but
Blue days,- them gone r noth - ing but

do I see.,
blue - birds- all day long
blue skies- from now on

z-er saw the sun shin- ing so nev

bright, - er saw things go - ing so right,
No-ti-cing the days hur-ry-ing when you're
by, in love, my how they fly.

D.C.alFtne
106 YOU MADE ME LOVE YOU J.V.Monaco 1913

C/E F>7 D-7 G7 D-7 G7 D-7 G7

You made me love you, I did- n't want to do I did- n't want do
it, to it You made me
You made me sigh for, I did-n't wan-na tell you, I did-n't want to tell you. I want some

want you, andallthetime Iknewit, Iguessyou al-waysknewit. You made me hap -

py sometimes,
D? D-7 G7 G+7

you made me glad, but there weretimes dear, you made me feel so bad.

F7^E7 F7_ F7 F7 £7 A7 G- A7 G- A7

love that's true, yes I do, 'deed I do, you know I do. Gim-me, gim-me what I cry for, you
D7 FA7 F-6 C A-7 D7 G7 C

know you got the brand of kiss-es that I'd die you know you made
for, me love you

AFTER YOU'VE GONE Creamer/Layton 1918

Af - ter you'vegone and left me cry-in*, af - ter you've gone r there'sno de-ny-ing,
There' llcome a time nowdon'tfor-get it, there'llcome a time,- when you re-gret it.

you'll feel blue, you'll feel sad — i

you'll miss the dear- est pal you've ev-er had
2
D-7 A7 D-7 f-6 C6 E7 A-J D7

Some day, when you grow lone - ly, your heart will break like mine and you'll want me on - ly
C6 G7 C6

af - ter you've gone,

 MY ROMANCE 107
Rodgers/Hart 1935

CA7 D-7 E-7 A-7 D-7 G7 07 Eak7 A- A-<A7 >

My ro - maHce -does- n't have to have a moon in the sky. Myro mance dees-nk
My ro - mance -does- n't need a cas- tie ris - ing in Spain, nor a dance to a
A-7 A7t9 D-7 G7 1
-07 C7 FA7fil'7*ii CA7 C7 F*7 Bl>7*u C>7

need a blue la -goon -stand-ing by. No month of May, no twink-ling stars no

con-stant-ly sur -pris —ing re -

B 7t9 E -7 A-7 D7 D-7 G7 07 C7 FA7 A7*9 d-7 D-7/C

hide a -way, no soft gui tars. - My fo - frain. Wide* - wake, -loan makemymost fan-
B -7t5
E 7W A -7 B I>7«U £-7 A-7 D-7 G7 C6

tas- tic dreams come true, my ro - mance -does- n't need a thing but you.

FLY ME TO THE MOON

Fly me to the moon and let me play a- mong the stars,. let me see what spring
Fill my heart with song and let me sing for - ev - er more. You are all I long
B-715 E7 A-7 A7 D-7 Df°7

is like on ju - pi - ter and mars In oth-er words- hold my

for, all I wor- ship and a - dore, In oth-er words- please be
A7

you-
 —

108 YOU MAKE ME FEEL SO YOUNG Gordon/Myrow 1946

G+7 C-7 F7 B°7 F-7/C F7

Tf^
You make me
—— ^ *
feel so young r you make me feel like spring hassprung,-
The mo- ment that you speaks I wan- na go play hide and seek.
You make me feel so young r you make me feel there's songs to be sung,-

and ev- 'ry-time I see you grin, I'm such a hap - in -

py di-vid - u- al.
I wan-na go and bounce the moon, just like a
2
D-7 G-7 C7 F7 Bt>7 E°7 F-7 B^7 Bt>7 E°7

a toy bal-loon. You and I are just like a cou-ple of tots,

F-7 Bl>7 A-7^5 D 7^9 G -7 C-7D-7 E^6 E°7 F7G- F^/Maaicoda

run-ning a- cross a mea-dowr pick - ing up lots of for get-me-nots-_ -

F7 D-7 G7^

bells to be rung, and a won-der-fulflingto be flung And ev-en when I'm old and gray,.

C-7 F7 E^6 D7 G7^ C-7 D-7 E^A7 F7

I'mgon-na feel the way I do to - day,- 'cause you makeme feel so young

I'LL GET BY Turk/Ahlcrt 1928

G7 C B-7 E7^

I'll get by, as long as have

I- you- Though there be rain-
Pov - er - ty may come to me, that's true,. but
D7 D-7 G7 D7^ G7 G+ C Cjf°7 d-7G7^

and dark-ness too, I'll not com- plain, I'll see it through
2
D -7 B-7^5 E7 E7^9 a- E-7 A+7 D-7 G^ 9 C
*
what care I?_ Say, I'll get by- as long as L have you-
 — — -

JUST IN TIME 109

Comden / Green / Styne 1956
B^7 D7 Al-9 G7

Just
71

in time,
1

I
-*

found you
5 *
— —
c
jf?
just in time,
*
be- fore
— my—time»— —pwas—
p «—you —came, '

jp?
' *-

run-ning

G-7 C7 F7

T3
— p * y. *—jp? s3
low. I was lost, the los-ing dice were tossed, my brid-ges all were crossed,

Al>A7 A-7l-5D7^ G- D7/F| G-7/F

'
i no- where to go. Now you're here, and now
r
I
i

know
r r
just
r
where I'm

C7/E Bt6 At7 G7 C9

Y r r
go-ing, no
r
more doubt or fear, I've found my way- For love came just in time,

F7 Bl»6 G-7 C7 C-7 F7 B^6

4 r
i

r v r n r i

you found me just in time, and changed my lone - ly life, that love- ly day

OUT OF NOWHERE Green/Heyman 1931

m '
GA7

You came
If
.
3

you
a
should
1

-
i

long.
go—
'
'
X
J
from out of
back to your
J ,11
no
no
-

-
B^7

-
where r
wherer
L
F>7

.J- J
and
and
1i
GA7

— — —my
^
you took
leav-ing
« -

me
— heart-
with-

m C7

a
m J 1

and found it free-

me- mo- ry-
B-7 E7 A--7

Won- der-
Fll al-
fill dreams,
ways wait
1
1
37W

won- der- ful schemes from

A-7

no-where r

D7sus4 D7^ E 7W

made ev-'ry hour, sweet as a flow-er, for me_ for your re- turn out of

A-7 C-6 B-7 A-7 D7 G6 X

no • wherev- hop-ing you'll bring your love- to me.

 J

110 MAKIN WHOOPEE 1

Kahn/Donaldson 1928

F|°7 G-7 C7 FA7 Bl>A7 B^6

An - oth - cr bride, an - oth - er June, an-oth-er sun - ny hon-ey -moon,- an- oth - er
A of
lot shoes, a lot of rice, the groom is nervous, he ans-wers twice. It's real - ly
He's wash-ing dishes and ba- by clothes, he's so am bitious- he- ev —en sews, but don't for-

sea - son, an oth er rea son for mak - in* whoop - ee.-
kill - that so
in' he's will - in' to make whoop - ee-
get folks, that's what get folks for mak - whoop -
in* ee.-

He - ture a lit - tie love nest, down where the ros-es

FA7 A-7t5 D? w G-7 G-7^ c"7 w A-7 D7 G-7 C7 D.C.alFine

cling, pic- ture the same sweet love- nest, think what a year will bring. He's wash - ing
Another year, or maybe less, what's this I hear,
or can't you guess. She feels neglected and he's suspected of makin' whoopee.
She sits alone most every night, He doesn't phone her, he doesn't write, He says
he's busy, but she says "is he?" He's makin' whoopee.
He doesn't make much money, only five thousand per. Some judge who thinks he's funny, says "you'll
pay six to her."
He says "now judge, suppose I fail?" the judge says "budge right into jail", you'd better keep
her, I think it's cheaper than makin' whoo

AIN'T MISBEHAVIN' Fats Waller/Razaf 1929

E°7 F-7 F#°7 G7

No one to talk with, all by my- self, No one to walk with, but I'm hap- py on the shelf.
I know for cer- tain, the one I love, I'm thru with flirt - in', it's just you I'm think - in' of,
I don't stay out late, don't care to home
go, I'm a - bout eight, just me and my ra - di - o,

F> C7 F-7 Bl>7 "0-

1-G-7C7 F-7 Bl>7 *-F> At G7
W— 1

p r p L_J U

Ain't mis - be - hav - in' I'm sav-in' my love for you. you.
ain't mis - be - hav - in' I'm sav - in* my % love for
ain't mis - be - hav - in* I'm sav - in' my love for you.

Like Jack Hor - ner in the cor - ner, don't go no - where, what do I care

Bt> B°7 C-7 F7 B l>7 C 7 F-7 Bl>7 D aalCoCa

.

your kiss - es are worth wait - ing lieve me- you.-

 NICE WORK IF YOU CAN GET IT Ill
Ira/George Gershwin 1937

m B7^

•f-r
Hold -

Stroll- ing
Lov - ing
ing
E9

r
hands
with
one
r
at
the
who
A9

mid
one
loves
-
D9

night
girl,

you,
G9

'neath
sigh
and
-
a
ing
the
sigh
C2-

star

tak - ing
-

af -
ry
ter
that
A 13 Bt>°7

sky,
sigh,
vow
(C6, Gfo Bl°, A-7) istx
B-7 E-7 A-7 E-7 A-7 tfW G (Cf-^FfT)
5
nice work if you can get it, and you can get it if you try..

E- C7 E-7 A13

Just i - ma - gine
m some - one_ wait- ing at die
m
cot- tage door^

D-7 E-7 A9 A-7 D+7 C7 iu

V s J .I, J I

|
J, Ji J J 3 I

| [ [
J
i"
D.C.alCoda
where two hearts be - come- one, - who could ask for an - y - thing more?

get it^ won't you let me try?.

LIKE SOMEONE IN LOVE Van Heuson/Burke 1949

E^A7 G7/D C-7 C-7/B^ F7/A Al>7*u G-7 Q^ 9 F-7

Late- ly I find my - self out gaz - ing at stars, hear- ing gui-
Late- ly I seem to walk as though I had wings, bump in - to

B l,7(A-7 D 7) EU7 fit>-7 &7 Al>A7 D-7 G7

tars, like some- one love Some- times the things I do as -

things, like some- one love Each time I look at you I'm

tound me, most-ly when -ev-er you-'re a- -round me.

2 -
07 F7 Ff° G-7 C7 F-7 B^7 E^6

limp as a glove, and feel- ing like some- one in love

112 ALONE TOGETHER Dietz/Schwartz 1932

m D- B-7W Bt7*n A 7W D-6 E-7 A7 D-6

to - geth - eiv- be-yond the crowd r a - bove the

A - lone to - gcth - er,- the blind- ing rain ?_ the star - less

A-7^ D7^ G-6 G-7 C7sus4 B-7 E7» Bl>-7 E^9

world, we're not too proud,- to cling- to - geth- er, we're

night,. we're not in vain,— for were. to - geth- er, and

strong as long as we're to

what is there to fear- to - geth - er

A-715 D7^ G- G- (A7) G-7 G.6 G-7*

is as great as a love- can be. And we. can weath - er-

D-6 E-7 Et>7«u D- B |,7#ii A? w D-

the great un- known,. if we're a- lone to - geth-er-

YESTERDAYS
*^ * ** ^ r r
Jerome Kern/ Otto Harbach 1933

D- E-715 A7» D- A7^ D- D-/CI

mad ro - mance and Then gay

day Fm dream - ing yes - ter
 TEACH ME TONIGHT 113
|A| Gene De Paul/Sammy Cahn 1954
D-7 G7 G+7, 07 F7 E-7 A7sus4 D"7 G7

Did you say I've got a lot to learn r well don't think I'm try - ing not to learn,
C of it,— right down to the X, Y, Z of it,

clear ray love,- should the teach- er stand so near my love,

E -7t5 A2 D-7 G7 1.
07 D-7 G7

since this is the per- feet spot to learn, Teach me to night, Start- ing with the A, B,
I
help me solve the mys-ter - y- of - it, -

grad- u - a - tion's al- ost m here my love,

2
07Bl>9 07 E- D|- I^L-7 G7 CA7 C|°7 D-7 G7

night.
-
F/ne
ru«
The „t~,>„
sky's
" ^
11
a i.
black-board i
high a - bove you?
mm if -a shoot- ing star go
C6 F|-7W B7» E- E-7 A-7 D7 G7 G+7 aaaiRne

by, I'll use that star to write I loveyou, a thou- sand times a- cross the sky. One thing is-n'tve-ry

THE MORE I SEE TOU Warren/Gordon 1945

El> F-7 G-7 C*9 F-7 B^7 F-7

The more I see you, the more want you- Some- how
Can you im - a - gine—= — how much
I
I love you,. — The more
this
I
feel - ing
see you,
1
G"7 C7W F-7 Bl>7 El>- Bl>7/D Dl>-7 G^7

just grows and grows When- ev-er you're gone I be come -more- mad- a-

BA7 A^-7 Bl*7 E^- E^-/D^ C-7 F7 F-7 Bl>7„4

bout you, so lost with -out -you^l_ and so goes- Can you
it im -

as years go by I know the on- ly one for me can on- ly

E^7 F-7 G-7 A^7 F7/A E^/B^ C^ 9

F-7 Bl>7

be you, my arms won't free you, my heart won't try-

114 I HEAR A RHAPSODY Fragos /Baker 1940

. C-7 F-7 Bl>7 F>A7 , E^/D G-7^t C7^.

And when I hear you call,- so soft - ly to me,, - I don't hear a

And when your spar- kling eyes- are smil-ing at me,, then soft thru the
My dar - ling hold me tight- and whis-per to me.- Then soft thru a

My days are so blue when you're a - way

B^7 D"715 G7« g+7 D aalFine
.

My heart looks for you, so won't you stay?- My dar - ling

HEART AND SOUL Hoagy Carmichael/Loesser 1938

m Heart and soul,-

D-7 G-7

I fell in
C7

love with you,

i

Heart and soul,.

l
D-7
l
G-7
i
m i =s C7

the way a fool would do,

Heart and soul, I begged to be a-dored, lost con-trol,- andtum-bled ov - er- board,
Now I see, what one small kiss can do, look at me,- it's got me lov- ing you,

F D-7 n-j C7 ^ p D _7 1
G-7 C7 2.
F7
m
-

i
mad - ly, be- cause you held me tight and stole a kiss in the night. ' moon- mist.
glad - ly, that mag-ic night we kissed there in the there in the
mad - ly, be- cause the kiss you
B
A7 D7 G7 C7 F7 E7 A7 A7 G7

Oh but your lips were thrill - ing, much too thrill - ing Nev-er be-fore were mine so

C7 F7 E7 C7 D.c.sicoda
A7 D7 G-7 CI F
^1
strange - ly But
will - ing. stole held all my heart and souL
 I LET A SONG GO OUT OF MY HEART 115
D. Ellington/Mills 1938
IS El>
G-7 _ C? 19

I let a song go out of myheart, it was the sweet- est mel- o- dy,
Sinceyou and I have drifted a- part life does-n'tmean a thing tome,
I let a song go out of myheart, be - lieveme dar- ling when I say

F-/Al> g- F- Gl* E^/G A^7 ^

I know I lost hea ven 'cause you were the song
come back
-
Am I too
please sweet mus ic,- - 1 know I was wrong,
I won't know sweet mu sie - un -

B^7 El>A7 D- G7 C- C-/B C-/Bl> C-/A

lat to make a -mends? You know that we were meant to

A^7D^7 G^7 B7 BU7 D.C.alCoda

be more than just friends, just friends. til you re- turn some day.

STAR EYES Gene De Paul/Raye 1943

S ^7 C-7 F-7 B\>7 . E^A7 E^7 A^7

Star Eyes, that to me what your

is eyes are, soft as stars in Ap - ril
Star Eyes, flash- ing eyes in which my hopes rise, let me show you where my
Star Eyes, when, e-verwill my
if lips know if it's me for whomthose
Dl>A7 G-715 C7^ FA7 F-715 B^7l9

skies are, tell me some

day you'll ful- fill their prom-ise of a thrill,
heart lies, let me prove that
it a-dores that lov - li - ness of yours,
lips glow? Makes no dif- rrence where you are, your eyes still hold my wish-ing

All my life I've felt con- tent to star-gazeat the skies, now I on-ly want to melt the
Bl7 D-KalCoda G~715 ti>7 C7 F-7 B^ El,6

star-dust in your eyes.

star eyes, how love- ly you arc.
116 I THOUGHT ABOUT YOU Van Heusen/Mercer 1939
A -7t5.
EU7 a^7*ii G7 C+7 F9 Gl>i3 F9

I took a trip on a train. and I thought a - boutyou-

At ev-'iy stop that we made oh I thought a - boutyou-

F-7 n G7 C-7 Bl>-7 El>7

I passeda shad- ow - y lane and I thought a - bout you-

But when I pulled down theshade^ then I real - ly felt blue-

Two or three cars parked un - der the stars,, a wind- ing stream^
peeked through the crack and looked at the tracks the

D7^ A-715 D7t9 G-7 ($7 F-7 B^7

moon shin- ing down on some lit- tie town and with each beam, same old dream

"Ei>A7 A-715 At7«U Q_ 7 ^7 p. 7 B |, 7 ^

one go- ing back to you, and what did I do? I thought a- bout you—

I COULD WRITE A BOOK Rodgers/Hart 1940

CA7 A7 D-7 G7 07 A-7 D-9 G7 C A7

If they asked me I could write a book, a- bout the way you walk and
And the sim - pie sec - ret of the plo^ is just to them
tell that I

G7 1
C/EAl>7/El> D-7 G7 CA7 E^°7

met, so the world would nev-er for - g* t, -

And the world dis -

A-7 A-6 G-7 C7 FA7 B^7 C A7 E+7 F6 G7 (>7

cov-ers as my book ends, how to make two lov-ers of friends

 COME RAIN OR COME SHINE 117
FA7 E-715 A 7W D -7 Mercer/Arlen 1946

I'm gon-na love you like no- bo-dy's loved you, come rain or come shine.
You're gon-na love me like no- bo-dy's loved me,

C-7 B7<U B^6

High as amoun-tain or deep as a riv^er, come rain or comeshine I guesswhenyou

F-6 Bl>-7 G-7 C7 B-7^ E^ 9 -715
4
met me, it was just one of those things,. but
I

don't ev-er
LI M
bet me,
I U
'cause I'm

gon-na be true if you let me. Hap-py to-geth-er, un -hap-py to-geth-eF, and
A 12 E-7 A7 D13 A-7 A^7*u G7 A^ tn

won't it be fine. Days may be cloudy or sun-ny, we're in or we're out of the
G7 A7W D -7
G7 Bl>7'H A9 D .6
( G .7 c? )

mon-ey, but I'm with you alvays, I'm with you rain or shine.

WHEN LIGHTS ARE LOW

|A| Benny Carter/Spence Williams 1936
FA7 G-7 A-7 G-7 FA7 B^7 •
A-7 D7

Sweet mus- ic soft and mel low, sooth - ing and slow,
Dear, we're so close to - geth er, I loveyou so,
Lips meeting soft and ten der, love's all a - glow,
G-7 C7 El>7*ii
G7

strains of a mel - low eel - - lo, - when the lights are low Fin*
why talk a - bout the weath - er,
why shoukh't we sur - ren - der?

Bf^-7 El>7 a^7 c|-7 F#7

118
DO YOU KNOW WHAT IT MEANS TO MISS NEW ORLEANS
1946 Alter/ DeLangc

05 y
C _G+7 C G+7 C A7 A-7

Do you know what it means to miss New Or-leans, and miss it each night and
Miss the moss cov- ered vines, the sug-ar pines
tall where mock-ing birds used
Do you know what it means to miss New Or-leans, when
to
that's where you left your

day? I know I'm not wrong the feel- ing's get- ting strong- er the long - er I stay a- way.
sing, and Td like to see the laz - y Mis- sis - sip - pi a
heart? And there's some-thing more: I miss the one I care for

Miss the hur - ry-

tunc that fills the air; I dream. a -bout mag -no - lias in June, and ^joon Tm
A "7
E> 7 D-7 G7 aa -re*. D-7 c

wish-ing that I was there Do you more than I miss New Or - leans

LULLABY OF BIRDLAND George Shearing 1952

IS
Q 7 19 Q 7 i9 p_ B^-7 E^7

A^7 0^7*11 F9 F7W Et7»

fil>-7 F>9 A^7 C7»

D.C.al 2nd End (Fine)

 A FINE ROMANCE Kern/Fields 1936
119
C6 A-7 G7/D Djt°7 E-7 A-7

romance, my
ro-mance, you
D-7 G7 1
C6 F7 C/E, A7^9 D-7 G7 E-7

friend this is. We should be like a cou-ple of hot to -ma-toes,^

*~" but you're ascoldas
won't wres-tle, I

yes mashed po
- ter-days - ta - -toes—= A might as well play bridge with my old maid
FA7 FfcZ^_ B7 E-7 A7 D-7 3 Q7» C6

aunts I I have-'nt got a chance this is a fine, ro -manceL

A fine romance, my good fellow, you take romance,? 11 take jello!

You recalmerthan the seals in the Artie ocean, at least they
flap their fins to express emonon.
emotion
Afmeromance,withnoquar^
I venevermussed the creasein yourblue serge pants,! neverget
the chance,This is a fine romance!

SWEET LORRAINE
Mitchell Parish/Cliff Burwell 1928
GA7F7E7 A-7 D7 D§°7 E -7 G7/D C7 R7

I've
A
Each
&
St
7
mgnt
^I~' S " l?^?-^
f<

1
l
d
*? ?nmv
pray,
C
tt no- body steals her
that
ba " by
SUn>merskies
u
' wl
Wlth
™
an-oth-er brandnew
^ them you will
heart a - way, just can't wait un - til that
E7 A7 A-7 D7 1
B-7 E7 A-7 2
'

I
"
D7 J QA7 D -7 G7
choochoo toy^ when I'm with my Sweet Lor - raine. raine-
re - a- lize. why I love my Sweet Lor -
when I mar-ry Sweet Lor

A-7 C7/G

When it's rain- ing I don't miss the sun, for it's in my sweetie's smUe.
F? E7 D7 F7 E7 _ ^ D?

lead her down the aisle. D.C.alFine

 »

120 WITCHCRAFT Leigh/Coleman 1957 Sinatra

F6 A^7 G-7 ^ C7
— m • w — i

*
Those fuvgers in my hair, that sly come hith-er stare that strips my consciencebare it's

It's such an an- cient pitch, but one I would-n't switch, 'cause there's no

F6 C-7 B7«» B^6 B^-

—0—U
witch- craft— And I've got no de-fense for it, the heat is too in- tense for it,

F-/Al» G7& C7 FA9

what goodwould common sense for it do?- 'Cause it's witch-craft L Wick - ed

|T -o
|! 7 ,
J

witch- craft,
JU
and
J
al -though I- know it's strict- ly ta -boo.

A- F/A A-7 7 D9 D7^ G-

When you a -rouse- the -need- in me, my heart says "yes, in- deed" in me, "pro- ceed with
El>/G G-7 C7 # C7 F6

^ 1
n 'l

whatyou'relead - in' me to.* nicer witch than you-

STORMY WEATHER Harold Arlen/Koehler 1933

At A°7 B^-7 A^7 D^7

3
Don't know why, there's no sun up in the sky, Storm- y Wea-ther, since my gal and I ain't to-
Life is bare,gloom and mis-'ry ev-*ry-where,storm-y wea-ther just can'tget my poor self to-
Can't go on, ev- 'ry thing I -had is gone, storm- y wea-ther, since my gal and I ain't to-

,
A\>/C F7» Ek7 a\> F-7 h-
B |^7 ^7 J 2 C-7 F7» Fk'^7 A\> Al>7

ge-ther,
ge-ther,
keeps
I'm wear- y
rain- in' all
all
the time
time
\Repeat
Life
last
is
2 bars
time. so weary all the time

ge-ther, keeps rain- in' all the time

Dl> i
— — D°7
3
aME^ Al>7 Dt a — iD°7 A\>f& Al>7

s 3 I J J'p J.UJ 3; J.

When she went a- way the blues walked in and met me. If she stays a- way old rock- in' chair willget me.

F7W
i ? rrj
D°7
ji n i
At/Et
j. j>
At7

p,
r
C-7'5 Bl>7 El>7
D.C.alCoda

All I do is pray the lord a -bove- will tet me walk in the sun once more. Can't go
 — #

THAT OLD BLACK MAGIC Arlen/Mercer 1943

121
:£

That old black mag ic -has me in its spell,

J
that
1

old black mag

'

-
#J
icthatyou
The same old tin gle-that I- feel in - side,. and then that el - e-va-tor

•F-7 Bl>7 F-7 Bl>7 F-7 B^7

weave so well Tflose ^ cy fin - gers up and down my spine, the

2
F-7 Bt*7 G-7 C7 F-7 fit7 -
\)\>1

r P r r i
r r r r ' r p r r i r j ) J- J
same old witch - craft when your eyes meet mine. The starts its ride, and

Ak7 Al>-6 G-7 Gt»°7 F-7 Ai>-6

r ptht — # — i
down and down I go, * round and 'round — I go, like a leaf that's caught in the

G-7 C-7 Al>7«»

tide- — I should stay a- way but what can I do r I hear your

D-7 G7 G-7 C13 F-

i
name- and I'm a -flame-,-
J
a -
" I

flame with such

1
JJJJJ a burn-ing de-

Bl»9 Bl»7^

3
* sire r
P
that on- ly your kiss
J J
6an put
J J
put out the
the fine-
w
For
Ei>6

you're the lov

iiim- er,- 1 have wait - ed
m mmm
for,- the mate that fate had me ere-

B^-7 El»9 a!»a7 At-6

r
ii r n r r
at ed for And ev - 'iy time — your lips meet mine,-

A^A7 G-7 . Gt°7 F-7

dar-ling down and down I go, 'round and 'round I go, in a spin,

lov-ingthe spin I'm in, un-derthat old black mag - ic Galled- love-
122 WILL YOU STILL BE MINE?
2nd X only take mel/ch Matt Dennis/Tom Adair 1940
alt.
(q J
&\>-l El>7 A^7

When lov- ers make no ren- de - veus_ to stroll a - long fifth- av - -

When cabs don't drive a- round the park, no win-dows light the summer
p_7 j When glamour girlshave lost their charms,. when sir - ens just mean false a -
B^Z C719 F-7

nue,- when this fam - i --liar -world is - through r

daikr when love has lost its se - cret spark,—
larms r when lov - ers heed no call to arms r

will you still be mine?. When moon - light

DtA7

on the Hud - son's not re - man- cy^ and spring no long-er turns a

. ,
,
B-7 E7 B^B^ DCaJCoda Bl>-9 El»9 Ak7
ll
1

" I I
I
1

young man's fan - cy. will you still be mine?

LET'S FALL IN LOVE Koehler/Arlen 1933

C6 A7» D-7 G7 C6 A7» D-7 G7

Let's fall in love, why should- n't we_ fall in love? Our hearts are made
Let's close our eyes and make opur own- par - a - dise, Ik - tie we know
Let's fall in love, why should- n't we_ fall in love? Now is the time

E-7 A-7 D-7 G7 :

B-7t5 E7

of it, let'stake a chance,— why be a-fraid of it?_ of it-

of it, still we can try to make a go

A-7 A-<A7 > A-7 D9 Et°7 E-7 A-7 D-7, G7

mm—
might have been meant for each oth - er, to be. or not to be, let our
C« Cj°7 D-7 G7 acuod& E"7 A-7 D-7 GZ C6
1
i
'

'| i ii
[

hearts dis - cov-- er. for it, while we are young, let's fall in love.
 1 J

YOU'D BE SO NICE TO COME HOME TO 122

Cole Porter 1942
F E7 A- A- G-7 c7

'fl"
J
r
i 1

r p
J
*
J H 1

o J— —& — 9 1

You'd be so. nice to come home to r you'd be so nice by the

F D-7 D-/C B-7t5 E7 B-715 £7 W A. A ./G

i
fire r while the breeze on high sang a lul -
r
la
i

r
by,-
p
-you'd
m be
F |- 7 t5 nl9 E7» A- B-715 E7W

all that I could de - sire^ Un - der stars. chilled by the

A G-7 C7 F6

win - ter, un- der an Au- gust moon burn - ing a - Haw you'd be

so nice, you'dbe pa - ra - dise to- come home to and love

EASY TO LOVE Cole Porter 1936

A-7 B-7tf E7» A-7 D7 G^7 07

You'd be so ea - sy to love, so ea - sy to i - do-lize,all

We'd be so grand at the game, so care - free to - getb- er-that k

oth - ers a -hover worth the yearning for, soswell to

does seem a

keepev - 'ryhome fire burn - ing for. -

shame, that you can't see your
GA7 B-7 B^7 A-7 D7 G6

fii - ture with me, 'cause you'd be oh, so ea - sy to love.

124 IT'S ONLY A PAPER MOON Harold Arlcn

GH A -7 D7 A -7 D9

Say it's on-ly a pa- per moon, sail - ing ov-er a card-board sea,
Yes it's on-ly a can-vas sky, hang-ing ov-er a mus-lim tree,
It's a Bamutn and Bai-ley world, just as phoney as can be,

but it wouldi't be make be-lieve if you be-lieved in me. With-

C6 C|o7 QA7/D E+7 A-7 Dl3 G7

out your love, it's a honk - y took par - ade, with

C6 Ci°7 GA7/D B-* 5 E7 _ a-7 D+7

out your it's a

YOU'RE NOBODY TILL SOMEBODY LOVES YOU

Morgan/Stock/Cave 1944

You're no - bo - dy till some bo dy loves you,-

The you're
world is still the same, you'll never change it^_ as

no - bo- dy till some- bo- dy cares You may be king, you may poss-ess the
A-7 D9 A7

world and all its gold, but gold won't bring '
hap-pi^ess when you're growing old!
%

E7 1 A-7 E7/B C6 C6

sure as the stars shine a-bove You're no - W dy till some - bo- AfToves
G/D F7«H E7 A-7 D7 G6
you, so find your - self some. - bo - dy to love
 YOU STEPPED OUT OF A DREAM
Brown/Kahn 1940
CA7 Ei»7 Et6 Et>7

You stepped out of a dreamr you are too won - der- fuL. to be what you
You stepped out of a cloudy I want to take you a- wayr a- way from the

seem. Could there be eyes like yours r could there be lips like yours,

A-7 D7 E^7 Al>7 D-7 G7

crowd And have you all to my - -a--

self, lose and -a- part,

E-7 J\zL^ 3 i
D-7 G7 q±I_ 3 ,
CA7

out of a dream,. safe in my heart.

ON A SLOW BOAT TO CHINA Frank Loesser 1948

G7/B C-7 0o7 B^/D D7

I'd love to get you on a slow boat

Out
to Chi- na, all to my - self, - a-
on the bn-ny with a moon big and shi-ny, melt- ing your heart of
El> G7 C-7

leave all your lov-ers, weep- ing on the far a- way shore Fd love to

A^7 A7 _ fit A^7 Q7» C7 C-7 F7 B\>

get you on a slow boat to Chi- na^ all to my -self- a - lene^s-

126 DANCING ON THE CEILING Rodgers/Hart 1931

A+7 Bl> B°7 F/C A^°7 "0-

G-7 C7

He
*
danc- es
*
ov - er- head, on the ceil - ing
r
near
r
my
t
bed,
I

r
in
^my
I try to hide in vain, un - der-neath my conn- ter- pane, there's my
I love my ceil- ing more, since it is a danc- ing floor

El>7 D7» 1.2.

G-7 C7 Bl»6 El»7*ii

i
sights through the night I whis-per "go a- way my lov-
love r up a - bove
F F7 Bl>6 A-7 D7 C7W

* er, it's not fair*',

m but I'm so
B\>-

grate- fill to dis-cov-er

m
he's still there.
G-7

D.C.aJCoda

G-7 C7 F

just for- my love.

MANHATTAN Rodgers/Hart 1925

Al>°7 G-7 C7 FA7 Bt7 A-7 A^7

We'll have Man- hat - tan, the Bronx and Sta - ten is - land too^ it's love- ly
And tell me what street com- pares with Mott street in Ju - ly,_ sweet push-carts
1
G-7 D7^ G-7 C7» A-7 D7^ G-7 C7 F A^7 G-7 C7

go- in' through the zoo, it's ver-y fan-cy on old De-lan-cy
gent-ly glid - ing

D-7 A7 D-7 G7 D-7 G7 G-7 F|°7 G-7 C7

street you know, the sub- way charms us so r when bal-my breez-es blow to and fro.

2.
A-715 D7 G-7 F D-7

by_ the great big cit- y's a wond- 'rous toy just made for a girl and

G7 A-7 Al>°7 G-7 C7 F

I
boy,. we'll turn Man - hat- tan in - to an isle of joy.
 J J 1 )

THEY CAN'T TAKE THAT AWAY PROM ME 127

Ira/Gcorge Gershwin

7oc4 El F>6 F-7 G-7 d?°l F-7

s 4 —
1
—
1
:
1
L-J 1
—J J J

The way you wear your hat,. the way you sip your tea,
The way yoursmile just beams,. the way you sing off key,.
The way you hold your knife,- the way we danced till three,.

B^IUS4 'Al»A7 G-7 F-7

the mem- 'ry of all that.

?
r
No, No, they
r r i

LUj W
can'ttakethat a-wayfromme.
the way you haunt my dreams No, No, they

B^sus4 2-A^7 F-7 Bt>7 F>6 A-7^D7l9 q-7 C7

0
The wayyour smile
0-

just beams can't take that a- way from me. We may

mm
nev-er, nev-er

G-7 C7 G-7 A7 D7,sus D7 G-7 C7 G-7 G-7^7

=3
r
meet
J r

a- gain
u
on the bump-y road to love. Still I'll al- ways, al-ways
r i

r
>

keep the mem-'ry

r r

F7 B7*ll 31,7^4 D.C.alCoda B^ sus

s*^' 1 F>7sus
4
F>7

jjjj jii
of_ The way you hold- youpknife the way you've changed my life,- No,No,they

A^7 F-7 C- r>9 F>/Bl> G-7/Bl» F-7/Bl' B^ F>6

can't take that a- way from me No, they can't take that a - way - from- me I

MR. LUCKY Henry Mancinl 1959

D7 D-7 G7 C-7 F7 Bl>A7

a =7^
Thy
A
call
luck- y
us luck- y,
rain-bow.
you and
hghts the
I,-
sky,.
luck- y
when we fiss r
luck
when we
- y _
guy-
sigh.
sigl

A-7 D7 B-7 E;7 C-7 A-7 D7 p-7 G7 v

Ji»J- Ji » Jhjjjjj „_LjJ J
jj j i

j i
j, j i

r
When you take my hand or touch my cheek I know I'm on a life- time luck- y streak A luck-y
2
B^7 FJ>A7 A-7 D7 B-7 B^7 A-7 D7sus4 D7 G6
J J J J
t 11
J jiJ i
»
r r r r i

r j j i
They say I'm luck-y, mis-ter luck-y guy- and you're the rea-son why-
128 CHEEK TO CHEEK ^^.^
<: A7» D-7 G7« C A7» D-7 O? D-7 Et-7 c/E

Hea-ven, I'm in hea-ven r and my heartbeats so that I can hard- ly

Hea-ven, I'm in hea-ven y and the cares that hung a - round me -thru the
Bl>7 A7 D7 G7 D-7 G7 D-7 £7

speak and I seem to find the hap - pi - nes I seek,

weekr seem to van - ish like a gam - bier's luck -
y streakr _

Fine
whenwe're out to-geth erdanc
m G7
-

C
ing cheek

G7
to cheek.

G7
Oh I

love to climb a moun taiiv, -and -to reach the high-est peak^ but it does- n't thrill me
love to go out -
fish ing, in -a riv - er or a creels but J_ don't en- joy it

half as much as danc-ing cheek to cheek, Oh I Dance with me,

half as much as danc- ing cheek to cheek.
C-/Bj> A^9 B-7^5 E 7 A-7 D-7 G7

I want my arms a- bout you, the charm a- bout you will car-ry me through to

D.C.alFme

THREE LITTLE WORDS Kalmar/Ruby 1930

D-7 E-7 A7 E^-7 ^ D-7 G7

Three lit- tie words* oh what I'd rive for that won-der-ful phrase-
Three lit- tie words r
Three lit- tie words r
that's all I live for the rest of my days,-
eight lit - tie let- ters which
^ D-7 El>9 D9 D^9 C7 G-7 C7 G-7 C7

hear those feel in my heart they tell sin - cere - ly.

what I

Bl>7A7 A^7G7 ^D-7 G7^ C6

i
no oth-er words can tell it half so cleaMy? /Co<te
sim-ply mean, I love you.
 I CAN T GIVE YOU ANYTHING BUT LOVE 1 29
Jimmy McHugh /Dorothy Fields 1928

I can't give you an - y - thing but love ba - by. That's the on- ly
Gee, Fd like to see you look- ing swell ba - by.

C-7 F7 t9 Bl>-7 El»7 Al>7 El>-7 P^l D^7

Me
i
thing I've plen-ty of, ba - by. Dream a- while, scheme a- while, we're sure to find

D!>6 C7B7Bl>7 F-7 B\>~l El>7 Bl>-7 El>7

3Me 3 5
i
hap - pi- ness, and I guess, all those things you've al - ways pined for.

!
Al>7 Et>-7 Al>7 D^7 \je6 Dl»A7

P=£=i 3
Dia- mond brace- lets, Wool- worth does- n't sell ba- by. Till that luck- y

D°7 F7 Bl»-7 B!»9 Al>6

1
" 1

day,
1
1

you know darned

'

well ba-by, I can't give you

HUPP an- y- thing but love

SENTIMENTAL JOURNEY
Green/Brown 1944

C C A- D-7 G7

Gon-na take a sen -men- tal jour-ney,

ti - gon - na set my heart at ease,
Got my bag, I got my
re - ser- va- tion, spent each dime I could af- ford,
Nev- er thought my heart could be so year- ny, why did I de- cide to roam?

F7 F-6 C A7 G
—f— r
1

! J- J>l 1
• 1

J> *>
J -
1 r J J .J j J
gon- na make a sen - ti- men- tal jour- ney, to re- new old mem - o - nes— Fine
Like a child in wild an - ti - ci - pa- tion, * long to hear that "all a - board/
1

Gon-na take a sen - ti- men- tal jour- ney, sen- ti- men- tal jour - ney home-

Sev- en- that's the time we leave at sev - en, I'll be wait- in' up for

D7 A-7 D7 G7 F/G E"/G G7 D.C.alFine

hea- ven,.
i
count- in' ev- 'ry mile of rail- road track that takes me back-
 r F r

130 IN A MELLOW TONE / ROSE ROOM Duke Ellington 1943?

Hickman 1917

El»7 A^7 E^7

:
*
1i m ~
i

)\ o
|

r*l»A7
A^7
Li?**/

x h K — D°7 gI»7

—-
F7

-i t

4
El>7

._^
F7 D
— l>7

o
4—

D°7 A^7 F7 B^7 El»7

4
I
1

" I

%
MOTEN SWING Benny Moten

(Bl»-7 El»7 C-7 F7 )

At Al>7 Dl>7

J
p r pt lj i

B^ 'At Bl»7 E^
" ^u- i

*At G7 A7

fine
Ms A-7 D-7 G7

D.C. al2nd End. Fine

G7 E^
pa D-7

it »
A-7

»
D-7 G7

'JilJLi " LU
-3

5
1 j 3
 LIL' DARLIN' 131
Neal Hefti/Howard 1959
4
Z>9 G7sus E-7 A7 D9 G7s,- 4
sus^

CUTE Neal Hefti/Styne 1958

D-7 E-7 A7 D-7 G9 C6 A7 D-7 E-7 A7

j. J
J i J J- j^hi t

Mind if say you're cute! In ev - 'ry

I mean like your style, that sly in

D-7 G9 G-7 G-7 C7 FA7 E-7 D-7 F-6

way you're cute! Those big blue eyes,

trigu - ing smile. Your ev - 'ry mood,
C F7 E7 A7 B7 E A7

that turned up nose, that cool and cane - free pose.

your at - ti - tude
IUUC

2
D-7 E-7 A+" D-7 G7 C6

just add up to you're cute!

SWINGIN' SHEPHERD BLUES

 J

132 Kacmpcrt 1964

L-O-V-E
G-7 C7 G-7 C7 F

* i
i
"L" is for the way you look at me, "O" is for the
i
i..
bn-ly one I
Love is all that I can give to you. Love is more than just a game for

F7 G7 D -7 G7
mm see.
two.
"V"
Two
is

in
ve-ry, ve-ry
love can make it,
ex - tra
—
-or-di-na-ry. "F* is
-J
e-ven more than
G-7

a- ny- one that

B°7 C7

you a-dorecan. take my heart and please don't break it, love was made for me and you.

CANADIAN SUNSET Heywood/Gimbel 1956

® F6 F 3 F6
I

t) \
Once^ I was a- lone,, so,— lone - ly and then r
Cold,- cold was the wind- Warm,. warm were your lips,-
Down r down came the sun- Fast, fast beat my heart.

1 2
G9 Bl>7 El»7 F6 -
G-7 F
Ol. ,

you came up from the hills, thrills.

out there- on the ski trail wheneyour kiss- filled me with
I knewr as the sun set- from that day_ we'dnev- er

G-7 -- C7» F F6 G-7 D7'» G-7 C9

A week-end in Ca- na - da^ a change of scene, was the most

m I bar- gained for-
And then I dis -covefedyou. and in your

F6 D-7 E7 A- *
B-7^5 E ?19 A - p^9 ;
G-7 C7

1
1
n mn n
Bass line for first 8 bars of tune

innn jinnnj^
 —

NICE *N' EAST 133

Spence/Bergman 1960

E^6 E^7 F-7

Let's take it nice and ea - sy, it's gon- na be so ea - sy for us to fall

Hey, ba-by, what's your hur - ry? Re- lax and don'tyou wor- ry, we're gon- na fall
The prob-lem now, of course, is to sim-ply hold your hor - ses,

2
*Xj-1 C7 19 F-7 B7 bI»7
^ G-7 C^ 9 F-7 D-7WQ7WC-7 (A7
/B
P

in love. in love. We're on the road to ro-mance,

A^7 E^/G D7 G-7^5 C7 F7 F-7 Bl>7

D.C.alCoda
that's safe to say, but let's make all the stops a- long the way
M> G7 c-7 A-7l5 At7 E^/G C-7 F-7 B^7

to rush would be a crime,

HOW ABOUT YOU Lane, Freed 1941

I like New York in June, how a- bout you?_ I like a Gersb-win tune,
I'm mad a - bout good books, can't get my fill,-

B-7^5 E7 19 A7/CI C-6 G/B_ A-7 Q6 F|7»

how a - bout you?. I love a fi - re- side when a storm is due,

B C°7 Cf-7 F|7 B G|°7 A-7 D7»

I like po-ta- to chips, moon- light and mo- tor trips, how a -bout you?.

and Frank- lin Roose- velt's looks, give me a -

thrill, hold ing hands in the mov-ie show,
jj^7/Bl>__ A-7 A-/G F|-7^b E-7 A-7 D7

when all the lights are low may not be new, but I like it, how a- bout you?
134 I WON'T DANCE Jerome Kern/Hammerstein 1935

M qli
i t*

You
won't
know
J
e-7

what?
J

dance,
D-7

don't
You're
G7sus

ask
love -
me,
ly,
C*7

and
won't
so
E-7

dance,
what,
D-7

don't
you're
G7„ <

ask
love
s

-
me,
ly,
I won't dance, Why should I? I won't dance, How could I?

D-7 G7sus4 07 C7

I won't dance ma - dame with my heart won't

but oh, what you do to me,- I'm like an
I won't dance, mer - ci beau coup r I know that

let my feet do things they should do.

o - cean wave that's bumped on the shore,
mu - sic leads the way to ro - mance,

B^7 Et7

I feel so ab - so - lute - ly stumped on the floor

When you dance you're charm - ing and you're gen - tle r

D^7 A[^7

'spec - ially when you do the uon ti - nen - tal,-

B7 FjR B7 C7

rest us,- I'm not as - bes - tos, and that's why,

C7 F A7 E-7 E^7 D-7 G7sus4

so if I hold you in my arms, I won't dance.

 I

THAT OLD FEELING 135

Fain/Brown 1937

B
El»6 E\> G-7 15 C7 p. p-(A7)
S|

J 1
*5= J J'
J
r
J
f
1 J
r
j i

r f
I saw you last night and got that old feel - ing, when you came in sight,
Once

—
a - gain I seemed to feel that old yearn- ing, and I knew the spark

1-F-7W B^7 C- G7
, j th T , j

I got htat old feel - ing. the mo - ment that you danced by
of love was
F7 F-715 B |,7

I felt a thrill, and when you caught my eye my heart stood still.

F-7

still burn - ing, there'll be no new ro-mance for me, it's fool • ish to

A^-7 Dt>7 C-7 F7 F-715 B t7 M

start, for that old feel - ing, is still in my heart

BLUE ROOM Rodgers/Hart 1926

D-7 G-7 C7 A-7 D-7 G-7 C7 F F7

We 11 have a blue room, a new room, for two room, where ev - 'ry - day's a
Not like a ball - room, a small room, a hall room, where I can smoke my
1 11 wear my trous - seau, and Rob - in - son Cm - soe is not so far from

Ftne
hoi - i - day be cause you're mar - ried to me. knee,
pipe a - way, with your wee * head up - oh my stairs.
world - ly cares as our blue room far a - way up
C7 G-7 C7 F A-7 D7W

We will thrive on, keep a - live on, just noth - ing but kiss - es,

G-7 C7 El>7 D7 D-7 G7 G-7 C7

with D.C.alFtne
mis - ter and chairs.
136 CALL ME IRRESPONSIBLE

Call me ir-re-spon-si-ble, call me un-re- li - a-ble, throw in un-de-pend- a-ble

Well, I'm not too clev- er, I just a - dore-you. - sue Call me

ir-re-spon - si-ble, yes I'm un-re-li - a-ble, but -

it's un-de-ni a-bly
C-715 p 7 l9 B [_9 ^ B J_7l3 ^9 a(>

it - re-spon - si-bly mad for you.

THE GLORY OF LOVE

You've got to give a lit- tie, take a and

lit- tie let your poor heart break a lit- tie,
You've got to laugh a lit- tie, cry a lit- tie, be- fore the clouds roll by a lit- tie,
You've got to win a lose a and
lit- tie, lit- tie al- ways have the blues a lit- tie,

that's the sto- ry of, that's the glo- ry of love You' ve got to love— As
c G G° G G7

long as there's the two of us, weVegotthe world and all its charms. And
C" C-7/Bl> A7 A-715 D7 D .c.ai 2nd End (F

when the world is thru with us, we've got each oth - er's arms. You've got to
 _ «

I'VE GOT MY LOVE TO KEEP ME WARM 137

Irving Berlin 1937

—
>
Ai>°7

—.M
—
f
i—
G-7
& 1

4 J ,)

The snow is snow - ing the wind is blow - ing, but I can
I can't re - mem - ber a worse Dec em - ber just watch those
My heart's on fi - re, the flame goes high - er, so I will

E7 -7^5 £+7 G-7 fi°7

^
i i r r
J j
j
wea - ther the storm, what do I care how much it might storm?
ci - cles form,- what do I care if i - ci - cles form?
wea ther the storm, what do I care how much it may storm?
1

G-7 C9 F D7» G-7 C7 F G-7 C7

Fine
i
Fve got my love to keep me warm..
2.
B-7t5 £719 B A- A-7

Off with my o - ver - coat^ off with my glove.

D7 G- A-7 D7
1

V— !

r J :

I need no o - ver - coat, I'm burn - ing with love. My

A WEAVER OF DREAMS Victor Young/Elliot 1951

07 B-715 E7 W A-7

j ,i. i
r J-
1

J J i
You're a wea- ver of dreams, you and your strange fas ci - - na-tion, you're a wea- ver of
You're a wea- ver of dreams, you and your lips warm and ten-der, just like mag- ic it

G-7 C7 FA7 Bl>7*ll

* o
dreams,
7
you and
U' I

your come hith-cr

Li 1

T
smile,
T
E
just to hear you speak can leave
i
me
seems, thrill- ing. en -chant- ing me too.* I'm in your spell and there's no cure, I'm

weak as a babe in arms. poor lit- tie babe in arms, help- less be- fore your charms.
2.
E-7 At>7 D-7 G9 C*7
j
m
,l>-7 , a ,

'
r r i

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lost for sure, 'cause you're a wea- ver of dreams and I'm in love with you..
138 HEY THERE Adlcr/Ross 1954

El> C-7 F-7 Bt7 C7

Hey there,, you with the stars in your eyes, love nev - er made a fool of you,
get her,— her with her nose in the air, she has you danc-ing on a string,

Bl>7 G /yI7_ 3
E-7
L #
|

—D7
you used to be so wise- Hey there, you on that high - fly - ing
break it and she won't

G E-7 /^I D7 G7 G-7 C7 F-7

cloud, tho' she won't throw a crumb to you, you think some- day she'll come to you,

Bt7 r Fb£-7 Ef7

e!>7 A^7_ 3 A°7
J
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1

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bet- ter for - care Won't you take this ad - vice, I hand you like a

Et/B^ G-7/Bl>G-7i5 C7 F£L 3 , A^6 Ek_ 3 ,

broth- er?- or are you not see- ing things too you
clear, are too much in love to

C7^ F"?2 — a
1 B^7SUS4 9kz_ 3 , D/E^E^

hear, is it all go - ing in one ear and out the oth - er?-

DANCING IN THE DARK Schwartz/Dietz 1931

E^7 E^°7 F-7 F-715

Danc-ing in the dark,. till the tune ends, we're danc-ing in the dark- and soon
Look-ing for the light- of a new love to bright- en up the nighu have
I

Bl>7U 4
E^ El>-7 'G^ 5 C7 19 p-7^5
1
1

1
k»- , -..—^ r-j fn
time hur - ries
you, love, and we can face the mus - ic to

£7*11
B\>7 E^> F7 E^7 E^

by, we're here and gone. geth - er, danc - ing in the dark.
 —

I DON'T KNOW WHY Ahlert/Turk 1931

139
Verse
F>7 G-7 C7

Alldaylongyou'reask-ingme, what I see in you, all day long I'man-swering but whatgooddoes it do?
-7 F7 Bl> F F|°7 n-J CI F7

I have noth-ing to ex- plain, I just love you, love you, and I" tell you once a- gain,

Ch0fUS
bI> , a ,
D-7 Dl»o7 C-7 F7

I don't know why I love you like I do, I don't know why, I just do.

F7/C F7 C-7 ,F7sus4 C-7 F7» B\> Bt>

I
i
don't know why you thrill me like you do, I don't know why,
m you just do. You

Bi> Al>7 G7 C7 F7 b !> C7 C-7 F7

r i

P p r
nev - er seem to want my ro -manc-ing, the on-ly time you hold me is when we're danc- ing,

urns
1

JI
J J I
—J s est
I don't know why I love you like I do, I don't know why, I just do.

THERE'S A SMALL HOTEL Rodgers/Han 1936

G A7 G6 Gta Q6 G^7 C7 B-7 B^7 A-7 D7 §

i —»— _
There's a small no - tel with a wish - ing well, I wish that we
\fe wen
were there to-
There's a bri- dal suite, one room bright and neat, com -plete-for us te share to-
When the stee-ple bell says "good- night, sleep well", we'll thank the small ho - tel to-

G^7 G6 G^7 G6 G^7 D-7 G7 C A7

geth - er_
i r.
geth -
ter.
'
r
Look - ing thru the

D "?
°
7 C*7 E7 A-7
9 t

r r J
'i

you
| j)

can
|

see a
1
I
1

J N
E7 A-7 A-715 D7 o.C.a/CodaVGA7
to 3p i
peo - pie, who wants peo - pie? geth - er..
140 THE TENDER TRAP
Van Heusen/Cahn 1955

You see a pair of laughing eyes- and sud-den- ly you' re sigh- ing sighs,
You're hand in hand be-neath the trees- and soonthere'smus - ic in thebreeze,
And all at once it seems so nice,- the folks are throw- ing shoesand rice,

you're thinking no- thing'swrong, you string a - long, boy, then snap!
you're act- ing kind of smart un - til your heart just goes whap!
you hur- ry to a spot, that's just a dot on the map!
F7 B^7 B^-7 E^7

those eyes, those sighs, they'repart of the ten- der trap L You're
thosetrees, that breeze, they'repart of the ten- der trap~
you won der how it all

Some star - ry night, when her kiss- es make you tin - gle,

C7» F-7 B^7 B\>~7 E^7

she'll hod you tight and you'll hate your- self for be ing sin - gle. And

came a - bout, it's too late now, there's no get - ting out, you fell

in love and love is the ten - der trap.

 • »

YOU'RE GETTING TO BE A HABIT WITH ME 141

Warren, Dubin 1932

G-7

Ev- 'ry kiss, ev-'ry hug seems to act just like a drag, you're get-ting to be a hab-it with me.

i-F/A F7 A-•7 G--7 c7 3

G-7

—
Let me stay in your amis, I'm ad- die- ted to your charms, you're get-ting to be a hab-it with me.

A7 D7^ G-7 Ak»7 G-7 Cs

I used to think your love was some- thing that I could take or leave a

F Fjt°7 G-7 C]_ A-7 D-7 G7sus4 G7

"XT
lone but now I could- n't do with - out my sup - ply, I need you for my

m A7
2.
C7sus4 A7D7 D7

own.
C7

Oh I
E/Gf

i
j
you've
i
rm
G-7

got me in
At>°7

your clut-ches and I can't break free, you're

G-7 C7 F E^7 D7 G-7 _ CI F

get- ting to be a hab-it with me, can't break it, you're get- ting to be a hab-it with me,

PEG O' MY HEART Fisher/Bryan 1913

m '

r V myn,
Peg
j
heart
) 3E5
I love you,
C7
rm
don't let us
-,

part,,
G-7

i
C7

' r r
J

Peg V my heart, your glan - ces make my heart sayr how's chan- ces?,

C-7 F7 1
-
C-7 F7 B Bl>/D Dt>°7

1
I al- ways knew,- it would be yoi^ since I heard your lilt-ing laugh- ter,

m c-•7

MM
it's
—
your I-rish heart
F7
1-
2C--7

come, make your home

F7

in my
=1
 142 I DIDN'T KNOW WHAT TIME IT WAS Rodgers/Hart 1939

B7 E-7 A7 _ F|-7 B7 E-7 A7

4

did - n't know what time it was, thcn- I met you.

did - n't know what day it was, you- held my hand,
did - n't know what year it was, life. was no prize,

Oh_ what a love - ly time it was, how sub - lime it was too. grand.
warm. like the month of May it was, and I'll say it was
I_ want - ed love and here it was shin - ing out of your

Ff-715 E-7 G7

Grand. to be a live, to be young, to be mad, to be yours z lone.

c D7 G
i
Grand to see your
5^
face, feel your
E-7
J ri
A7
j
A-7 D7

D.C.alCoda
touch, hear your voice say I'm all your own.

A-7 A-7^5 G/D B7 C6 D7SU s4

eyes, I'm wise and I know what time it is now..

OH YOU CRAZY MOON v„ Heusen/Burte 1939

A-7 D7 A-7 D7^ G A7 C9 B-7 £7^9

XT
When they met, the way they smiled, I saw that I was thru,
When they kissed they tried to say that it was just in fun,
There they are, they fell in love, I guess you think you're smart,

2
_
M
A7 Bl>7 A-7 D7^ 1

G6 E7 G6 C«-7t5 p| 7
. n ft » . ' 3 i

o 6
Fine
oh, you cra-zy moon,. what did you do?- done..
oh, you cra-zy moon,- look what you*ve heart..
oh, you cra-zy moon,- you broke my

— *
Once
f
you
1
Gl-715
,1

pro - mised
r
1

1
cii-715

'1

me,
L J
you know,
—0
F |7»
#-=

|=fcd
that
m
B-7

lJt
it would
r
ncv -
m

er
— ftJ

end,.
1
E7
O

A- »
B-7^5 E7 A9 A-7 D7

D.C.alFme
you should be a - shamed to show your fun - ny face my friend.
 — —

MAKE SOMEONE HAPPY 143

Styne/Comden 1960
F+ F6 F+ F F+ F6 c-
3= J J J i J

Make- some- one hap-py, make just one — some- one hap- py. make just one
Fame,. if you win it, comes and goes — in a min- ute, where's the real

c- (A7) C-7 F9 Bl» B^6 B^-7

in — pj '

heart the heart you

J
sing
i

one-
-
i
f
u
smile that cheers you,
J ^ #

stuff in life to cling — to,

to?,. Love- is the ans - wer,

one face that
some- one to
1
F>7 -
F*7 B^7 A-7 D7 G-7 C7

lights when it nears you, one girl you're ev - ry -thin| to -

love is the ans - wer,
2.
FA7 Bl»7»u A-9 D 7t9 G-7 C9

once you've found her, build your world a round- her, make. some- one hap- py,
A-7 D^ 9
G-7 C9 F6

make just one some- one hap-py and you- will be hap- py too-

WHAT NOW MY LOVE Becaud/Sigman 1962

F 3 ,b!vf f G-7 C7

1. What now my love? Now that you left me,-. - how can I live— thru a-nother
Watch- ing my dreams turn- ing to ash - es - and my hopes- in- to bits of
2 .What now my love now that it's o -
ver,- I feel the world- closing in on
Here come the stars tum-bling a -roundme-,-. there'sthe sky where- theseasnouldbe.
3. What now my love, now there is no- thing r on- ly my last- good -

day, Watch- ing my l.once I could see r once I could feeU

clay- 2. What now my love,- now that you're gone,.
bye.
D .7 G-7 C7 F F7 B^-7

now I am numb, I've be - come un - reaL I walk the night^

I'd be a fool to go on and on. No one would care^

with- out a goal stripped of my heart, my soul, What now my

no one would cry- if I should live or die-
 —

144 SUMMER WIND Mayer /Mercer 1965

Each Chorus can
modulate up
F-7 B^9

The sum - mcr wind — came blow- ing in

w a - cross the sea,
3E5
p it
Like paint - ed kites the days and nights went fly - ing by,- the
The ail - tumn wind, — the win - ter winds — have come and gone r and
F-7

i ,
h j j) j , ji
i

lin - gered there to touch your hair and walk with me,, all
world was new be - neath a blue um - brel - la sky,, then,
still the days, the lone - ly days go on and on,. and
bI>-7 At

sum - mer long we sang a song and strolled the gold - en sand,
soft - er than a pip - er man one day it called to you,
guess who sighs his lul - la - bies through nights that nev - er end,

E\>/B\>

two sweet use C?to

- hearts and the sum - mer wind, To modulate up 1 step
I lost you to the sum - mer wind,
my fic - kle friend, the sum - mer wind-
Al>9

sum -mer wind, the sum -mer wind, the sum -mer wind.

JUST SQUEEZE ME D. Ellington/Galnes 1946

® F*7 G-7 A-7 G-7 F*7 G-7 A-7 D7W G-7

Treat me sweet and gen tle. when you say good- night, just squeeze- me~
I get sen - ti - men tal. when you hold me tight, just
When I get this feel I'm in ec - sta - cy, so

G-7 C7 ^ KL

sing- ing the blues a- way each day, count- ing the nights and wait- ing for you,

C.alFtne
I'm in the mood to let you know, I nev-er knewl loved you so, please say you love me too.
 .

LOVE WALKED IN 145

George/Ira Gershwin 1938

C-7 F7 F-7 Bl»7

Love- walked right in and drove the sha-dows a - way,— love-

One- look and I for > got the gloom of the past, one-

F-7
— B\>7 El>7

walked right in and brought my sun - ni - est day., One- mag - ic mo- ment
look and I had found my fu - ture at last- One- look and I had

D^9 F7 F-7 B^7

and my heart seemed to know, — that love said "hel- lo," though not a word was spo-ki;en.

found a world com-plete-ly new, when love walked in with you

NO MOON AT ALL
Evans/Mann 1947

D- A7/CI D7^C G7/B

No moon at all.. what a night,- ev- en light- ning bugs have dimmed their light,,
Don't make a sound, it's so dark,- cv - cn H - do is a - fraid to bark^-
No moon at all, this is noth-ing like they told us of,

stars have dis - ap-peared from sight and there's no moon at alL
what a per - chance to
feet park,
just to think we fell in love,

Should we want at - mos - phere. for in - spi - ra - tion dear,.

C7 F6 A7»

one kiss will make— it clear, that to- night is right and bright moon- light might in-ter-fere
146 DREAM A LITTLE DREAM OF ME
Kahn Andre 1931
E^7 D7

Stars shin - ing bright a - bove you, night breez - es seem to whis - per I love you,
Say "night- ic night" and kiss me, hold me
just tight and tell me
you miss me,
Sweet dreams till sun - beams find you, sweet dreams that leave all wor-ries be -hind you,

A-7 D7

birds sing- ing in the sy - ca - more trees, dream a lit- tie dream of me.
while I'm a - lone and blue as can be
but in your dreams what - ev - er thay be,

El>7D7 G Bl>7 C-7 F-7 Bl>7 & C-7

I
3-

dream a lit- tie dream of me. Stars fad- ing, but I lin-ger on, dear, still craving your
F-7 B t>7 & C-7 Fme f-7 B t7 E^ A\> A -7D.C.al2ndEnd
D7
fRne:

kiss, I'm long -ing to lin-ger dawn, dear, -

till just say ing this;

SWEET AND LOVELY Tobias Arnheim 1931

G-7 C7 G-7 C7

Sweet and love - ly, sweet- er than the ros - es in May,-

Skies bove me nev - er were as blue as her eyes,-
Sweet love - ly, sweet-er than the ros - es in May^

sweet and love ly, hea - ven must have sent her my way^
and she loves me, who would want a sweet- er sur- prise.,
and she loves me, there is noth - ing more I can say_ Fine

When she nes-tles in my arms so ten - der- ly there's a thrill that words can-not ex- press.

E^-7 A^7 D-7 G7

In my heart a song of love is taunt -ing me, mel - o - dy, haunt- ing me..
 — - «

EBB TIDE Maxwell, Sigmond 1953

147
A-7 D -7 G7» C \1

ins First the

\ J.
tidS
— ' rush- es
N
in,
— ' plants a
-i —
kiss on the
£J
I
1

J:

shore, then
J
6

rolls
miout to
So I rush to your side like the on coming tide with one burning

D- 7t5
G-W\>

sea and the

'•AJ19

sea is ve-ry still

—— *i

once more. So
G'719
J

I
31- ^-arms o-pen
A7alt

J.

wide?
^
At
thought, will your

D-7 B -7 t5 E 7» A-7 D-7^Al» C/G Al*

last we're face to face, and as we

0-
p
kiss thru an
r
em
i

-
r
brace,
cj
I can
1
1

tell,
u
I can
\ r
feel,
u
you are
\

A-7 D-7 Q7» C6 A-7 D-7^ G7»

love, you are real, real- ly mine in the rain, in the dark, in the sun, like the

07 A-7 D-7 G7sus4 G7 C6

tidS at its ebB;

—^ I'm at peace in the web of your arms.

HARLEM NOCTURNE Earl Hagen 1940

Q-W) g-7
m
D-(A7)

Bl»7«llA7 1 -
D~6
^
Last lime
,

Vamp out
1 1 i
G
ri

D-6 D- D^7
m

D.C.aMstEnd.
148 MEMPHIS IN JUNE H. Carmichacl

"co ttLq t>Lo

Up" AO
A^
Jb^ G+7
Hp 1 rn
r f

r
1

u 1

per 1

W
'fr r r 1 i i

CA7 D-7 E-7 ^-a-jpAT/G C A7 G+ 7 1

c A7 G+7

|J(
07
i
u' 1 '

n"JlLT ^ j
.U " J —eL-
D-7 E-7 ^a^A^G CA7 FA7/G CA7 B7

E- B+7 E-7 A 13 C13 B7^ E- B+7

if 1,1
n nrr 1 1
rp i i

u M n mjfci.TTg J;
D7sos4 D13

2
CA7 G+7 CA7 G-7 C7 pA7 6 CA7 FA^G
pTa -,

i{ i

CA7
'

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1

ill hi,
CA7 C7
i

FA7
h
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LOj n
DU9
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J.

*
|,

GEE BABY, AIN'T I GOOD FOR YOU

Don Redman 1929

B^9

Love makes me treat you the way that I do, Gee ba-by, ain't I good to
noth - in' too good for a girl that's so true,

1. 2.
El>6 G7 El>7

•0 * *
Fine
Bought you a fur coat for christ - mas,

a dia- mond ring, a Cad - il - lac car, an ev - 'ry - thing.

 —

BLUES IN THE NIGHT

Arien/ Johnny
Haroia Arlen/
Harold J onnny Mercer 1941
iy4i
149
5& 1A| gj> -3-

77 W 3
My ma- ma done tol' me, when I was in knee pants, my ma- ma done tol' me, son, —A
From Nat-chez to Mo- bile, from Mem- phis to St. Joe, where - ev-er the four winds blow, — I

El>7 B\>7
l
3 1

1 1
1

m
N
6 4-

been in some big towns an' heard me some big talk, but there is one thing I know.
Fl C7 F7 . Bl>

5 5
XT
Ewom- an's a two- face, — a wor- ri- some thing who'll leave you to sing the blues- in the night.

El»7 . Bl> , a-

i
Now the rain's a- fall- in', hear the train a call-in', whoo- ee, (my ma- ma done tol' me)-
El>7 C-7^5 F7 3-

^ - *-* h 'HI n
Hear dat lone- some whis- tie blow- in' cross the tres- tie, whoo-ee (my ma-ma done tol' me) — a

C7 F7 B\> 3-

5
__who^e^Juh- whoo- ee, Ol click-e-ty clack's a ec-ho-ing back the blues in the
f
night. The eve-nin'

C-715 F7^ Dl,7

mm breeze-
Take
P
'11

my
r
start
word,
p
the
the
trees
mock
to cry - in' and the moon
sad -
- '11

dest
hide
kind
its

of
light,

song,

Q^9 1
G"7t5 C7 F7 C-7^5 F7
J K j K-

wien you get the in the night.

he knows things are

F7/A^ B^7 D.S.alCoda

150 LET'S GET AWAY FROM IT ALL
Matt Dennis/Tom Adair 1941

El* B^ 9 El>6 El»7 Al»6 F|°7 C7 t9

1 n 1
' ' ' '

j '?
3
Let'stake a boat toBepmu da^ let'stake a plane to Saint Paul r
Let'stake a trip in a trail no need to come back at all—
Let's go a-gain to Ni - a grar this time well look at the Tall"
1.
F-7 B^7 ^Dl»9 C9 F9
n F-7 Bl>7

J'i
i
let'stake a kay - ak to Quin-cy or Ny - ack, let's get a- way from it all-
Let'stake a pow - der to Bos-ton for Chow - der,
let's leave our hut dear, get

E^6 E^7
^ Al>6 A-7^D7 G~7 C7 F-7 B^7

J
J
jjij- J " rr r r i
pr p'r r i

y
> r,J

let's get a- way from it all We'll tra- vel 'roundfrom town to town, well vis- it ev - 'ry

El>6 Bl> B°7 C-7 F9 Bl»7 bIh-7 D.C.aJCoda

state, A - las-ka and Ha - wa-ii too then all the for- ty - eight-

D^9 C9 F-7 E7 f » El*

m rrn
out of our rut
p
dear,
r i
r
let's get
r r
a-
r

way from it all.

PAPER DOLL Johnny Black 1915

F EW D7^ G7 C7 F <$° G-7

V 4 "
Im goin' to buy a pa-per doll that I can callmyown, a doll that oth-erfellows cannot steal, andthenthe

F F/A F-/At C/G A7 G7

I

flir-ty, flir-ty
i
i

guys with their

rjl UP
flir- ty, flir- ty eyes,
i

will
i
j

I
H
have
IM
to flirt with dol-lies who are real. When
G-7 C7 FA7 Ff°7 G-7 C7 A7

I come home at night she will be wait-ing,

r r r
she'll
I
n v
be the
v
r^m
tru-est doll in all this world. I'd

Bl> B°7 F/C D7 G7 C7 F

rath - er have a pap-er doll to call my own, than have a fic-kle mind-ed real live girl.
 LET S DO IT 151
Cole Porter 1928

Bl>6 F7/C BlVD F7/C Bl>6

*
When the lit- tie blue- bird, who has nev- er said a word starts to sing "Spring, Spring."
When the lit-tle blue- bell, in the bot-tom of the dell, start to ring "Ding, ding."

z
C-7 F7 ^ Bl>7 &
Ei» Et>-Bl>/D
E^- Bl> C7 F7 Bl>/D B°7
j/- ' i
j } -
1
cj i i
cj r f r
J
J J
Q i

Whenthe Whenthe liMleblueclerk,in the middle of his work,starts a tuneto themoonup a-

C-7 F7 Bl»6_ B^7 E^6 Bl> B°7 C-7 F+7

bove, it is na-ture, that's

j
all,
n
sim-ply
i

j J
.n
tell-ing us to fall in
i
J
f
1
1

love.
1

i
'

And
'

that's why
In Spain, the

Bl>6 C-7 F7 Bt>6

Chinks do it, Japs do it, up in Lap-land, lit- tie Laps do it,

best up - per sets do it, Lith- u - an - i - ans and Letts do it,

old Am - ster - dam do it, not to men - tion the Finns,

El>A7

folks
—m-—
in Si
ii
a!>7

am do
J
it,
J
dU7
h
think
J
of Si
J
-
^
a- mese
C-7

twins. Some
F+7

Ar- gen

Bl>6 C-7 F7 G-7 El>7

tines, with- out means do it, peo- pie say in Bos- ton, ev-en beans do it,

B^6 G-7 C-715 F7^ B^6

let's do it, let's fall in love.

152 MEAN TO Ahlcrt/Turk 1929

Ffl°7 G-7 C9 F6 C-7F7 Bl»A7 $9

mean to me,- why must you be mean to me?_ Gee, hon -

You're
I stay home each night when you say you'll phone, — you don't
ey,
and I'm
it

It must be great fun to be mean to me, you should - n't for

FA7 D7 G-7 C9 a d-7 1

G"7 C+7

LU 1
1

1
IittTi i
seems to me— you love to see me cry - ing, I don't know why-
left a-lone- sing- ing the blues and sigh- ing,

2
C-9 F 719 ]BU7 G-7 C-9 F7^ Bl»6 El>9 D7
i

i' r
i
msmm
You treat me cold - ly each day — in the year, you al- ways

G-9 El>9 D7 G9 C7sus4 C+7

TT 9 3 D.CalCoda
scold me when - ev - er some bo - dy is near, dear.

F^7 D-7 G-9 C9 F6

1

j j j
can't yon see what you mean to me-

THE GLORY OF LOVE Billy Hill 1936

D7 G7

p
You've got to give a lit- tie, take a lit- tie and let your poor heart break a lit- tie,

You've got to laugh a lit- tie, cry a lit- tie, be- fore the clouds roll by a lit- tie,

You've got to win a lit- tie, lose a lit- tie and al-ways have the blues a lit- tie,

G _ E-7 A-7 D7 1
G E- A-7 D7 "G CC-G
I 1
>J13 -HJ Jl>gp^3 3SE w j
Fine
that's the

c
sto-ry of, that's the glo-ry of love. You've got to

G G°
love

G G7
As
i
r
long
7
p
as there's
r
the wo of
two us, we^ve
we~ve got the world and all
w its charms. And
C- C-7/Bl> A7 A-7 D7 D.C.al 2nd End (Fine.

if - . ., m I
rtr

9 W
when the world is thru with us, we've got each oth-er's arms. You've got to

i
 I'M GONNA SIT RIGHT DOWN 1 53
Ahlert/Young 1935

C C*7 C6 G+7 07
m down and
m
write my- a
P^
let- ter,_ and
r
make be-
r
lieve
r '
r»
camefrom
I'm gon-na sit right self it

I'm gon-na smileand say, "I hope you're feel-ing bet-ter,"- and close"witHove"the way you

F A7/E D-7 1
D-7 G7sus4 G7 C6 C7/BI- A7
»
I I

71
- 9-
/
- I

7 f i

Ipiill
you I'm gon-na write words, oh so sweet, they 're gon-na knockme off my feet. A lot of
do-

D7 G7 D-7 FA7

r r ^ r
1

r \ i P P
4
kiss- es on the bot-tom, I'll be glad I got em, I'm gon-na I'm gon-na sit right down and

F6 F|°7 C/GBl>7 A7 D7 D-7 G7 C D- C

*£3
write my - self a let - ter_ and make be- lieve it came from you*.

YOU'RE MY THRILL Washington/Lane 1934

m You're
Where's
my
my
C7W

thrill,
thrill?
G-7^5

how
Why
my
this
pulse
strange
in
de
C7«

creas- es,
si - re
'
C-7^

I
that
r

just
keeps
iP

go
mount-
Y
to
ing
i

Gt7 F7^ 9 G^9 F-7 Dt9 C-7 F7

s 3
i
thru me, and I look at you, 'cause you're my thrill, Mmmm— Mmmm—
pie- ces when I look at you, *
cause you're my thrill.
high- er? When I look at you I can't sit still 'cause

F7 B^7 D-7 G7 C/G

O

noth- ing else could mat- ter, Mmmm, Mmmm, here's my heart on a

<$>9 F9 ac. alCoda G7 CjU7 F-^

o
i
sil-ver plat- ter. you re- my- thrilL
154 THAT'S LIFE Kelly Gordon/Dean Kay 1964

A7

That's Life, that's what peo-ple say, you're rid- ing high in Ap-ril, shot down in May, but I
That's life, fun- ny as it seems, some peo- pie get their kicks, step- pin' on dreamsjmt I

G 07 B7 E-7 1
A9 A;7 D7
6

That's

ol' world keeps go-ing a - round. I've been a pup- pet, a pau-per, a pi- rate, a po-et, a

C6 B t7

pawn, and a king — I've been up and down and ov-er and out and I know one thing,

A7 D7

each time I find my- self flat on my face, pick my-self up and get
I back in the race—That's

H G

life I can't de-ny it, I thought of quit- ting but my heart just won't buy it If I

G F#-715 B7 E-7 ATI* D7 G

did-n'tthink it was worth a try, I'd i roll my-self up in a big ball and die
 -

I'LL BE SEEING YOU 155

Sammy Fain/Irving Kahal 1938

F-7 C7 F-7 C7 F"7 C7

Ei,6 G+7

fa - mil - iar pla-ces that this heart of

be seeing you in all the old
I'll
ev - 'rylove- ly sum- mer's day, in ev - ry- thing that s
I'll be seeing you in

1
El»6 C-7 F-7
Bt»7 D/El>

In that small ca-fe, the park a

day thru.
mine em- brae- es

^
all

aghtandgay.ru

- carous- al, the chest- nut trees, the wish-ing welll

cross the way, the chi dren's

G-7 Dl>9 C7sus^ C7 F- F-7/Et G 7^ C-7

way I'll find you in the morn- ing sun, and when the night is
al- ways think of you that

look- ing at the moon, but I'll be see- in g you

new, I'll be

BECAUSE OF YOU Wilkinson/Hammcrstein

Bl>7 F-7Bl»7 El»6 Bl>7 F-7 Bl»7

Because of you there's a song in my heart Be-causeof you, my ro - mancehad its

El>6 G-7^ C7« F-7

shine, the moon and stars will say you're mine, for
start- Be-causeof you, the sun will

F9 F7W F-7 Bl>7 Bl>7 F-7 B^

I on - ly live for your love and your

ev-er and nev-er to part

El,6 G-71 5 C7» F-7 A^7 D7

r pit 'I I I

r
I

r
i
' I

J 1 I
I
I
I
I

- be near you like this. Be - cause of you my

kiss, it's par- a dise to

&6 C -7 F9 F-7 B^7 E^6

life is now worth - while, and I can smile, be - cause of you

 —

156 WITH A SONG IN MY HEART Rodgers/Hart 1929

,
_ F-7 B^7
n F-7 Bt7

4^
,

>
Jj? j^] f
r
i

r
With a song in my heartr- I be- hold your a - do- ra-ble face,
At the sound of your voice r hea- ven o - pens its por-tals to me,

c "7 D -715 Q-J19 C-7 D- 715 c

1
p=F=l

just a song at the start, but it soon is a hymn to our grace,

can I help but re - joice, that a song such as ours came to be?

O C-7/Bl> A-715 Al>7 C-7/G

i
When the mus - ic swells- I'm touch- ing your hand,
But I al - ways knew_
A-7^ , D7 G7 C7» F-7 Bl»7»

^ r r
it
r
tells
r

that you're stand - ing near,. and.

D.C.alCoda

^ E^/Bt A-7^ E^/G G^°7 F-7 B^7^ F>

7 iii I would live life through,. with a song in my heart for you-

MY BLUE HEAVEN Donaldson/Whiting 1927

HE
When whip-poor-wills
A turn to the
Ej*

calL
right^
F-7

mm
F>/G F-7_

and ev-'ning
a lit - tie white
is niglv-
lighu
D7 E>t7

1 j
I
C7

j
'

hur- ry to
will lead you
J

to
'

Just Mol - lie and me r and ba - by makes threes- we're hap- py in

FB
m
1
Bl»13 E^6 Bl»7sus
4

Fine
my— blue- hea- ven. * A '
turn to the You'll see a

A^6 G-7 C7 F- C7W F-7 Gi» 7

smil - ing face

p
a
'

p
fi -
r
re -
p"r
place,
Mr
a co -
u
zy roomr
x

F-7 Bl>7 F-7 Bl>7 El>6 F07 F-7 B^sus4

a rr
D.C. a! Fine

p r f r r
i

p
lit - tie nest that's nes- tied where the ros - es bloom- Just Mol- lie and
 —

DON'T WORRY BOUT ME 4

157
Rube Bloom /Koehler 1939

El»7» At F-7 E^9

( 3-

rf! r i

r j i

r r r r irrr
Don't wor- ry 'bout me,- I'll get a- long r for - get a- bout me, be hap-py my
A^/C B°7 B^7 El>7su S4 <$>9

love. Let's say that our lit- tie show is ov- er and so the sto - ry ends,

G-7 C7 W F-7

why not call it a day the sen- si- ble way, and still be friends. "Look

out for your- self '_ should be the rule r give your heart and your love to whom-

ev- er you love. Don't be a fool, darl-ing, why should you cling to some fad- ing thing that

Al> G+7 G^7 F7 Bt-J E^9 a^6

used to be?- If you can for- get, don't wor-ry 'bout me.

BEAUTIFUL LOVE Young/King/Gillspie 1931

A7» D- D-7 G-7

Beau- ti- ful

—^
love, you're alla mys-ter- y, beau- ti- fill love, what
Beau- ti- ful love, I've roamed your pa-ra-dise^ search- ing for love, my

have you done to me?, I was con ten- ted till you came a - long,
dreams to re- a- lize_
- thrill- ing my
Reach- ing for hea- ven, de- pend- ing on you, beau- ti- ful

E-7^5 A 7» |2.D-B7*ii Bl»7 A7 D-

 * * 6

158 DON'T TAKE YOUR LOVE FROM ME

Henry Nemo 1941

D-7 E-7 Ei» 7 G7/D D-7 G7

Tear
Would you
a
m star
take
from
*

the wings
out
*^ M
the
from
>^
star-
birds-
Jr?

and the
so that
sky feels blue r
they can't fly,-
tear a
would you

pe- tal from a rose- and the rose weeps too Take your heart a
take the o - cean's roar- and leave

El^ D-7 A7 D-7 A7^ D-7 A7^ D-7 G7^

way from mine and mine will sure- ly break, my life is yours to make, so

E^-7 D-7 G+7 J r6 2.

G .7 C7 p6

please keep the spark a - wake. Would you just a sigh? All this your heart won't
F-7 B^7 C6 E-715 A7 19 D -7 A+7 D-7 G^ 9 C6

let you do, this is what I beg of you, don't take your love from me!

I HADN'T ANYONE TILL YOU

Ray Noble 1938

G-7

^ > — — —
I had- n't an - y - one till you- I was a lone- ly one till you-
I had to save my love for your
1
G-7 C7 A7^'9 1>7 B -715 W
I used to he a-
mm mm
wake and won-der if there could be.
Jl7

a
/

some- one
F|-7

in the
And thru my
B-7 E^ 9 A7 D9 G7 C7 Bl>6 B°7

wide world just made for me, now I see. I had to lone - ly heart de- mand-ing it,

F/C A-715 D7 19 G -7
C7 ;g F6 d!>7 p6

cu - pid took a hand in it, I had- n't an - y- one- till you.

 — —

PLEASE DON'T TALK ABOUT ME 159

Sidney Clare 1930

S £1,6 G7 C7 C7 F9

Please don't talk a - bout —me when I'm gone r

thing real nice^
oh hon- ey, though our friendship ceas-
If you can't say an—- - it's bet- ter not to talk at all
Makes no dif-f rence how —y ll car- ry on, re- men> ber,

2
E^6 C7» F-7 B^9 B^13 Et»6

v 5
f' r r p r '
r r f
irrr J

es from now on And lis- ten, is my ad - vice. We're part- ing,

G7 G7 C7 F9 C-7^5 p7
i
B|

n, p r p
Al>7

Sip P
you go your way, I'll go mine, it's best that I do Here's a kiss, I hope that this brings

Bl>7 Gk>7 F-7 Bl»7

Bl>7 iJJ- F7 F-7 Bl»7» Et6
O.C. a/ Coda

r r
'

i
J
r i P¥
lots of luck to you. please don't talk a-bout me when I'm gone

BUTTON UP YOUR OVERCOAT Henderson/DeSyivia

G D7sus4 G E7 A7 E-7 A7 C/D D7

lM cjt r t i
r —w J '
*
But- ton up your ov - er - coat- when wind is
the free, take gooZf
Eat an ap - pie ev - 'ry - day,-. get to bed by three,
Keep a- way from boot- leg hootch when you're on a spree,

C/D D7 1.
G E-7 A-7 D7 G D-7 G7
m
care of your-selfT^ you be - long to me- long to me. Be care- fill

C G G^7 E-7 A7

I* r r r n r » i

r r r
cross- ing streets, oo- oo, don't eat meats, oo - oo, cut out sweets, oo-oo,

D7 C/D D7 GA7 A-7 D^7,D.C.aJCoda C7 G

you'll get a pain and ru in your turn- turn. long to me.

160 LIL' DARLIN'
Neal Hefti/Howard 1959

F9 B^sas4 G-7 C7 F9

4 You
P
may va ca - tion in Ha - wa or go to
Tho' you may fly to Scot - tish High - lands,- or try some
No mat - ter where you care to tra - vel, no mat - ter

B^s4 El>7 At>6

P Switz - er - land to ski. when you're scan - ning the snow cov-ered moun
isle near Nap - o - li, when you're whis- tlin' "The Camp- bell's are Com-
what you choose to see,- when - ev - er your head hits that pil -

*
El>

tains y
El>7

^5
or
Al>6

fan- ning your

rn
- self
rm by the sea^
G-7 C7 F9

don't dream of
*__.»?
ing , or hum- min 'The Isle of Cap-ri'V
low,. what - ev - er the ho - ur may be,-

Bb7sus4 G-7 C7 2. F .7 B^

an - y- bod - y but me! an - y - bod - y but me! In a

F9 F-7 G-7 C7

m
Bl>7

* ca - fe on the Rhine y an - y - place a - long the line r I'll for-

F9 F-7 Bl>7 B^-7 Et7

give you when a stran-ger puts your lit-tle heart in dan-ger if his face re-sem-bles mine When you

vis -

F9
j

it
j

a
J
night club
j
in
,
j i

i*

Fris - co
,i

u
and the

F-7
i r

sing- er
j J
keeps sing-
G-7^ 5
in' off key,

C7 19
=*5
i j j j j j j u- JTJ i

r
r D.C.
i2nd End
al (<

won't ev-en mind if sud-den-ly he re - minds you of me

G-7^5 C7^ F9 F-7 Bl>7

J J J J J,
J
Don't dream of an - y - bod - y but mei
 J * J

I LOVE PARIS eole Porter 1953

161
Cr-

— '

—
I love Par- is in the spring- time r I love Par- is in the

BE —o~~ -0 * 9 9 * »— a —
falC I love Par- is in the win- ter when it driz- zles,

D -7t5 G7 c- C6 D-7 C/E D-7

5
I love Par- is in the sum- mer
•
when
— it
5
siz-zles. I love Par- is ev- 'ry

C6 D-7 C/E D-7 C6 D-7 E-7 Ek<>7 D-7 G7 F

i
Fi°7

2
Par- is,

G7
c /G

why
N
oh why do

A7
A7

I love Par- is?

<D-7

be- cause my
'
G7

love
S j
is
c

nearl
mm
D-7 ] E-7 D--7 c57 c

be- cause my love r be- cause my love- is near-

IT'S BEEN A LONG, LONG TIME Styne/Cahn 1945

P A7 p6 _3 F^7 F/A A^7 G-7 C7

i
Just kiss me once, then kiss me twice, then kiss me once a- gain, it's been a long, long time.

G-7 C+7 F*7

Have- n't felt like this my dear, since can't re- mem- be* when, it's been a long, long time. You'll nev-er

D7^ A-7« 07W G-7 C7'» Dt7 C7

i—i I
r r Mil LI
know how ma- ny dreams I dreamed a- bout you, or just how emp- ty they all seemedwith- out you, so

F FAL__ A-7 ,_ 3 ,
™ , G-7 C7 F6

kiss me once and kissme twice,then kiss me once a- gain, it's been a long, long time.
162 WHEN YOUR LOVER HAS GONE EA.Swan 1931

. A 6

3=3
Dl>13 Al>-7 Dl>7 Bl>7

5 r r y i

When you're a - lone, who cares for sky - lit skies? When you're a
What lone - ly hours, the ev- 'ning sha- dows bring, what lone - ly

F-7 Bl>7 <$>9 A^6 C7

f^ r
Mi r ft i

t
b
r r
lone, the mag - ic moon- light dies, at break of dawn,
hours, with mem- 'ries lin - ger - ing, like fad - ed

Bl>7 D- 715 cJ7» C-7 F7 eIh-7 Al»6 A°7 ] B^-7 Ein-7

*
r r
'

—e
1 !

there is no sun - rise, when your lov-er has gone

2 -
F-7 Al»7 Gt7 F7 B7 Bl>-7 E9 eIh-7 Al>6

i" flowers,
1

'

life can't mean an - y- thing,

r
when your
'
Y
lov-er has
v gone-

MOONLIGHT BECOMES TOU Van Heusen/Burke 1942

F6 D-7 G-7 C7 D-7 G-7 C7 A-7 D7

m Moon- light be
Moon- light be -
- comes you, it
comes you, I'm
p
goes
thrilled
with your
at the
hair,

sight,
you
and I
r
cer- tain
f

could get so
- ly
r

ro -
t>

know the

If siy I love you, I want you to know, it's not just be- cause theres

1 2
G-7/F C7^ A7 D7» G7 C7» F6 C-7 F7 C-7 F7sus
4
3
1 > - i
4f—"
1
h

4 r
right things
r J
to
1

wear-
*

night. You're all dressed up to go

man - tic to
moon- light, al

C-7 F7sus4 C-7 F7^ Bl>A7 E-7^ A7^9, D-7

dream- ing, now don't tell me that Pro wrong, and what a night to go dream- ing,

91 3 G-7 C7 F D7^ (^7_ 3 G-7 C7^ F6

D.C. a/ Coda
mind if I tag a - long? though moon- light be- comes you so..
 THE SOUND OF MUSIC 163
Rodgers /Hammers tein 1959

F°7

The hills are a - live with the sound of mus ic r with

I go to the hills when ray heart is lone I

songs they have sung for a thou - sand years. The

know I will hear what I've heard be

F°7

hills fill my heart with the sound of mus ic,- my

F C7 F6

heart wants to
m sing ev- 'ry song it hears, my heart
+
wants to
9+

B^°7 F6 Bl> B^°7 F6

beat like the wings of the birds that rise from the lake to the tress. My

Bl>°7 F6 G7 C7 F7

heart wants to sigh like a chime that flies from the church on a breeze, to

Bl> B^°7 F6 Bl> B^°7 F6

laugh like a brook when it trips and fall ov - er stones on its way,

D- A-7 D-7 G7 G-7 C7

t

sing
.1

thru
i J

the night like a lark who is

T
learn -
u
ing to
'

pray.
r i

*
2.

fore-
Bl>6

r
*
r
My
i
F6

r
heart
m
will be blessed
A-7
m
with the sound of

Bt6 G-7 A-7 C7 F6

mus - ic- and Fll sing once more-

 v h

164 STRANGER IN PARADISE Forrest/Wright 1953

G-7

Take my hand,
Star-ry eyed,
C7

I'm a strang-er in
that's a dan-gerin
F^7

pa-ra-dise,
papra-dise
all

for
lost in
moMals who
a
G-7

* —
won- der- land,
stand be- side
C7
—
mm
a strang-er in
an an- gellike
fer-vent prayer, of a strang-er in pa-ra-dise? Don't send me in dark des-pair from all that I

2.i
F6 A-7 D-7 F6 Dl>7 Gk7

P pa-ra-dise If I
m
stand you. I see your face and I as - cend-

-3 F7sus4 F7 Bl>-7 A7 D A7 D+7

4
i,

"r
lJJ
out of the
r
1

r p
com- mon-place,
r irf"r7
in- to the
I lo

rare
I

n
v ^
r
Some- where in
r
^5=
space r I hang sus-
GA7 G-7 C7 FA7 D7^ ICoda

pend-ed, un-til I know- there's a chance that you care. Won't you ans-werthe

F6 D-7 D-7/q G7/B C7/BI' FA7/A

hun-ger for. But o - pen your an - gel's arms- to the Strang- er in pa-ra-dise
Jerome Kern/Fields 1935
D7W G-7 C7» F6

and tell him that he need be. a strang-er no more-

SOME ENCHANTED EVENING

Rodgcrs /Hammerstein 1949

G7 c

Some en-chanted eve-ning^ you may*see a stran-ger,- you may see a stran-ger
Some en-chanted eve-ning r some- one may be laugh- ing,- you mayhearherlaughing,
Some en-chanted eve-ning r when you find your true love r when you feel her call you

a- cross a crowded room, Ans some- how you knowr you know ev - en then r
a- cross a crowd- ed room., and night af - ter nighu. as strange as it seems r
a- cross a crowd- ed room, then fly to her side. and make her your
 —

SOME ENCHANTED EVENING (pg. 2) 165

F E- D-7 G7 < C 2.

pi* 6» ^ 1
O
that some- where you'll see her a - gain and a - gain- dreams.
the sound of her laugh- ter will sing in your

G7 G7 C G7 A-7 D7 G7 D.C.alCoda

-J0 * * * ^ '

Who can ex-plainit? Who can tell you why? Fools give you rea-sons, wise men nev-er try..

A- C7 F E- D-7 G7
r ^ r r f i

r r
* 1
r
own,- or all thru your life you may dream all a - lone.

G7 C G7 C G7 C D-7

Once you have found her, nev-er let her go, once you have found her, nev-er let her go.

LOVELY TO LOOK AT
Jerome Kern/Fields 1935

A^°7 G-7

Love-ly to look at, de- light- ful to know and hea- ven to kiss, a com- bi- na- tion like this

C7 F6 , 3 , D7 G-7

is quite my most im- pos- si-ble schemecometrue. Im - a - gine find-ing a dream like you, You're

F6 Br7l5 ^7_ 3 A7 D9 G7»

love-ly to look at, it's thrill- ing to hold you ter - ri - bly tighu for

G-7 , CI G-7 C7» F6

we're to-geth-er, the moon is new, and oh, it's love-ly to look at you to - night

-
2
166 I GET ALONG WITHOUT YOU VERY WELL
Hoagy Cannichacl 1938
® C-7 F7sus4 BtA7 C-7 D-7 D^7

I get a - long with - out you ve ry welU of course I

I've for - got - ten you just like I should, of course I
I get a - long with - out you ve well_ of course I

do, ex - cept when soft rains fall and drip from

have r ex - cept to hear your name. or some - one's
do_ ex - cept per - haps in Spring r but I should

C-7 F7sus4 F9 F7sus4

leaves, then I re call the thrill of be - ing shel- tered in your

laugh that is the same, but Fve for - got - ten you just like I
nev - er think of spring for would sure
that - ly break my heart in

arms,- of course I do, but I get a - long with

F7W BU7 c-7 F7 l
B\>6 Bl>7

out you ve - ry well should.

Fine
— What a
El>6 £07 D7/F| G-

think my break- ing heart could fool the moon,- what's in

El>6 £07 BMF D7/F# G-7

store?. should I phone once more? no ly's

C7sus4 C9 F7sus4 F7 D.C. a) 2nd End (Fine)

best that I stick to my tune-

 SONG SUNG BLUE 185
Neil Diamond 1972

Song song blue, ev- 'ry- bo-dy knows one, song sung
Song(song)sung(sung) blue(blue)weep-in' like a wil-low, song(song)sung(sung)

F ,
F7

blue, ev - 'ry gar- den grows one, you are sub-ject

blue(blue) sleep- in' on my pil - low. thing but you can

to the blues now and then, but when you take the blues and make a
sing with a cry in your voice, and be- fore you know it start to feel - in'

m
it

1A3.
G-7 C7
-= *
" '•
LJ J
f r )
song, you sing them out a- gain, sing them out a- gain
good, you sim - ply got no choice.
F

EVERYBODY LOVES SOMEBODY Lane/Taylor 1948

D7 G-7 F>/G C7
1
Ev- 'ry - bo- dy loves some - bo- dy some - time, ev - 'ry - bo - dy falls in love some- how,-
Ev-'ry- bo-dy finds some- bo- dy some- place, there's no tell - ing where love may ap- pear,-
Ev-'ry- bo-dy loves some- bo-dy some- time, and al- though my dream was o-ver - due,_

m
some - thing
some -thing
in
in
made
'

your kiss
my
A-7 A^7

r
just
heart keeps
G-7

r
told
say - ing
r
me
^my
r
my
C7
J

some - time
some- place
,1

is

is
1-
F^7 C7

now-
y
«

you
here
F

your love it well worth wait - ing for some - one like Fine

F7 C-7/G F7 F+7
3
w i
If I had it in my pow-er, I'd ar -range for ev-'ry girl to have your charms r

_ _p-^>
D-
J

then
sj"\
3

ev-'ry min-
rrn
D-7

ute, ev-'ry
^ G7

ho-mv ev-'ry
G-7

boy would find what

Ff^7

I found in your arms

G-7

D.C. al
C7

2nd End (Fine)

 —

186 RAINDROPS B.J.Thomas

m F

Raindrops are fall-in' on my head and just like the guy whose feet are too big for his
did me sometalk-in' to the sun and I said I did - n't like the way he got things
Raindrops keep fall-in' on my head, but that does-n't mean my eyes will soon be turn- ing

A-7 D7 G-7

bed, noth-ing seems to fit, these rain- drops are fall- in' on my head, they keep fall- in'
done, sleep- in' on the job, these rain- drops are fall- in' on my head, they keep fall- in'
red, cry-in's not for me, 'cause I'm nev- er gon-na stop the rain by com- plain- in'

C7sus4 4 @F _ FA7F7 C C7
n i
Bl>

. j m iuiu i

So I just thing I knowr theblues — they send to meet me won't de-feat

Butthere'sone

m
be- cause I'm
D9 G-7
* Jl
f r » i
\> r
me, it won't be long— till hap-pi-ness steps up- to greet me
C7sas4 F FA7 G-7 C7isus F
D.C.aJCoda

free- noth-in's wor-ry-ing me-

SING 1973

smg a song, sing out sing out strong,

sing a song, make it

Bl> D7 G-7 C7 C-7 F7

sing of good times not bad, i sing of hap-py not sad.

F-7 Bl>7 D+7

sim-ple to last your whole life long—

r
»
»
r
don't
» li Tr
wor-ry that it's not
r i
r
good e-nough
r r p
for

G-7 C7 C-7 F7 B\> C-7 F7

a-ny-one else to hear sing, sing a song.

 — —

THIS GUYS IN LOVE Bacharach, David

187

this guy's in love with yoi^ yes, I'm inlove^

You see this guy,.
they say you think I'm fine, this guy's in love-
I've heard some talk,

A^A7 D-7 G7 C-7 B^7 rs 4

E^7

who looks at you the way I do, when you smile- I can tell we
and what I'd do to make you mine^- tell me how,- is it so, don't

A^7 Al>-6 G-7 C-7 F-9

ve-ry well, how can I show you, I'm glad to

know each oth-er
let me be the last to know, my hands are shak - ing, don't let my
E^7 AtA7
B^s4 .El>A7 A\>&

know you, 'cause I need your love, I want yourlove r

heart keep breaking, 'cause

E^A7 D-7 C-7 F7 Bt> B^7 B^7 -3—, &

sayyou're in love, in love with this guy,. if not,Fll just die

MOMENTS TO REMEMBER Allen/Stillman 1955

IS A^A7 A^6 A^7 A^6 A^7 aIh-7 E>1> B^-7

The New Year's eve we did the town, the day we tore the goal post down,
The qui - et walks, the noi- sy fun, the ball room prize we al- most won,
When oth - er nights and oth- er days may find us gone our separate ways,

E^7 B^-7 E^7 A\>°7 B^-7 E^7 *B^-7 E^7

we will have these mo- ments to re* - mem- ber. - The moments to re

A\> E^-7 A^7 EdI* At E^7

Fine
-
mem- ber. Tho' sum- mer turns to win- ter and the pre- sent dis- ap

At Al»7 A^ F- Bl>7 B^7 El>7

D.C.aJFtn<

pears, the laugh- ter we were glad to share will e - cho thru the years. When
188 I SAY A LITTLE PRAYER
Bacharach /David 1967

H A-7 D-7 C/G C

-* — *- P j f
r i
* r
The mo - mcnt I wake up, be - fore I put on my make - up,—
I ran for the bus, dear, while rid - ing I think of us, dear,-

_B7 E E7 A-7 D-7

say a lit- tic prayer for you.. While comBT^ ing my hair now
say a lit- tic prayer for you.- At work I just take time

C/G C B7

and wond - 'ring what dress to wear

i

now,-,
i> i
'J-i

say a lit- tie prayer for you

P T T
P
For-
and all thru my cof- fee break time,. say a lit- tie prayer for you.

E- Bl» c f

j> p r p p r P i
p r p
ev-er, for-ev-er, you'll stay in my heart and I will love you, for - ev-er, for-ev-er, we

C Bl» C E-
1
nev-er will part, oh, how I'll love you, to - geth-er, to-geth-er that's how it must be, to

C Bl» C F G E

i
live with - out you would on - ly mean heart - break for me..

A-7 D-7 F 07

My dar"^
*
ling
*~
be - licve
r
me,
i
i

for
u me
u there is no-one- but you.

4
G7sus4 CA7 G7sus4 CA7 G7s,-
'SUS' , 3-

4 i
* p
Please
p
love me too,-
J J •
P
I'm
Lr
in
r
love
j with you,-
r t

ans
r

•
J

wer my
07 G7sus4 07 G7sus4 07
I
prayer,. say you
u
love
i

mc
r
r
too..
r
 OUR LOVE IS HERE TO STAY ^
Gershwin 1952

G-7 C7 F B^9 a-7 D7 G13 G+7

our love is here to stay,- more than a year,

It'sve-ry clear-
here to stay,- to - geth - er we're
But oh my dev- our love is

D7 B-7W E^ 9 A' 7 D7 G-7 C7

C7Sus4 C7^ 9 E^7

o the te le - phone and

for-ev-er and a day. The ra - di -

way In time the Rock-ies may cnim-ble, Gi - bral-ter may turn - ble,
go-ing a long, long

E-715 A7W D-7 G7 G-7 C7

pass-ing fan- ties and in time may go. But oh my

mov-ies that we know may just be

2-
El>7 D7 G-7 GH°7 A-7 D7 G-7 C7 F6

our love is here to stay-

they're on-ly made of clay, but,

DON'T GET AROUND MUCH ANYMORE

Duke Ellington 1942

C^7D-7E^C/E _^7B7Bl-7A7
[A| E A7»

could- n't bear it with-out

Missed the sat- ur- day dance, heard they crowd- ed the floors-
club r got as far as the door,- they'd have asked me a- bout
Thought I'd vis-it the
on might have gone but what for,— aw- fly cliff- rent with-out
Been in- vi - ted dates,.

G7 G-7
D7 G7 C })
1-
G7 ^ 2- C7

you

more ease r but

Dar - ling I guess. my mind's at

F Ffl-7^5 B7^ E- E^°7 G7 D.C.aJRne

nev - er the less,- why stir up mem - o- ries. Been in - vi - ted on

202 DO NOTHING 'TILL YOU HEAR FROM ME
Duke Ellington 1943
D7sus4 .
07

Do noth- in' 'till youhearfrom me Pay no at-ten-tion to what's said.

Do noth- in' 'till youhearfrom me At least con- si - der our ro- mance.
Some kiss may cloud my me- mo - ry, and oth - er armsmayhold a thrill,
C-6 G E+7 A-7 D7

Why peo - pie tear the seam of a - ny - one's dream ov - er

is my head
If you should take the word of oth-ers you've heard, have- n't
I a chance
but please do noth- in' 'till you hear it from me, and you nev - er will.
1.
G6 Bl>7 2
'GA7 IB

Do noth - in' till you hear from True I've been seen
Al*7

with some-one new, but does that mean that I'm un-true. When we're a -part,- the
B-7 £7 A7 D7sus4 _ ac. a! Fine

words in my heart re- veal how I feel a- bout you. Some kiss may cloud my me- mo

THERE WILL NEVER BE ANOTHER YOU

Warren/Gordon 1942
EU7 D-7tf Q7i9 C -7

There will be ma- ny oth-er nights like this,- when 111 be stand- ing
There will be oth - er lips that I may kiss,- but they won't thrill me

here with some- one new. There be

will oth-er songs to sing, an - oth-er fall an-
like yours used to do~ Yes I ^may dream a mill- ion dreams but how can they come

oth-er spring but there will nev - er be an - -

oth er you. There
2
F13 El>A7 g .7
C7 w
-

Al>7*u p-7

there will nev - er ev - er be an oth er you.

 ALL OF ME 203
Simons/Marks 1931

E7 B-715 E7 A7SU 4 s

All of me,. why not take all of me?- Can;t you see
Your good- bye- left me with eyes that cry.- How can I,

I'm no good with - out I want to lose-

go on dear with - out
D9

them take my arms, I'll nev-er use them- You took the
F-6 E-7 A7 C6

part that once was my heart, so why not take all of me..

HAVE YOU MET MISS JONES Rogers/Hart 1937

Have you met miss Jones^. some - one

Then
said as we shook hands,
I said miss Jones,- you're a girl who un der - stands,

1
A^7D^7 G-7 C7 J* C-7

She was just miss Jones to me., free And

Tm a man who must be
all at

B^7 A^-7 D^7 G^A7 E-7 A7

once I lost my breath, and all at once vpscared to death and all at once
DA7 A(^7 Dt7 G^A7 - g-7 C7 [A] F*7 E+7 $>7 D7

and well keep on meet - ing we

'till die, miss Jones and L
 —
204 ALL THE THINGS YOU ARE
Jerome Kern/Hammerstein 1939

F-7 F>7 Al»A7 Dl>A7 G7

are the prom-ised kiss at spring-time, that makes the lone-ly win-ter seem

C-7 F-7 Bl»7 El>A7

are the breath - less hush of ev - 'ning that

G^7 a-7 D7

trem-bles on the *~
brink of a love-ly sdng: You are the glow that lights a

G*7 pf-715 B7 EA7 c+?

the dear - est things I know are wfiat you are.

F-7 B^7 F>7 A^7 j&xj j^j

Some day my hap - py arms will hold you and some day ni
C-7 B°7 B^-7 F>7 At (G-7«C7»)

know that mo- ment di - vine when all the things you are are mine-

JUST FRIENDS Klemmer/Lewis 1931

07
F^=t= f[
1

POl_ —
lov - crs no more,- Just friends,- but not like be -
Two friends- drif-ting a- part,. two friends. but one bro - ken

B^7 E^7 i-
A-7 D7 FH 15
B7» E-7

fore To think of what we've % been and not to kiss a - gain seems like pre
We

tend - ing is - n't the end Two we

it - ing loved laughed we cried and

sud - den - ly love died, the sto - ry ends and we're just friends.
 DAY BY DAY 205
Sammy Cahn/Stordahl /Weston 1945

G-7 Bl>A7 A-7 G-7 G-7 C7 F^7

I'm fall - ing more in love with you, and day by day
Day by day,
day you're mak - ing all my dreams come true, so come what may
day by

Bl>9
i-A-7 Al>°7 G-7 G-7/F E7 A7

grow.. There is - n't an - y end to my de

my love seems to
I want you to

D- D .(A7) D-7 D-7 G9 G-7

find that yours a - lone and I'm in

I

F*7 E>9 D7sus4 D7"> G;7 C7W F*7

love to stay, as we go through the years day by day.

OUR DAY WILL COME Hillard/Garson 1963

B^7 A-7 D7 G

Our day will come and we'll have ev - 'ry - thing, Well share the

Our day will come if we just wait a - while. No tears for

Bl>7 A-7 D7 D-7

joy fall - ing in love can bring, No one can tell me that I'm too

us, think love and wear a smile. Our dreams ore mag - ic be - cause we'll

young to know,- I love you so r

2-07 C-7 G E-7 A-7 D7 G

206 TANGERINE
Schertzinger/Mercer 1942

D+7 G-7 C7 F6 A^7 G-7 C7 G-7 C7

Tan- ger - ine^ she is all they cl; with her eyes of nightand lips as bright as
And I've seen toasts for tan-ger-ine raised in ev-'ry bar a- cross the Ar-gen-

1
FA7 D+7 G-7 C7 FA7 £7^
t
fi-7^ A a7 F|-7

flame Tan- ger - ine,-= when she dan-ces byr -

sen- or - i tas stare and

ca - bal - le- ros sigh And I've tine. yes she has them all on the

E-7^5 A7 19 D .7 _ G7 G-7 C7 F6

run, but her heart be- longs just to one, her heart be- longs to tan-ge- rine

IT COULD HAPPEN TO YOU Van Heuson/Burke 1944

F^7 A-715 D7 19 g-7 B-7^5 E1 i9 A .7

Hide your heart from sight, lock your dreams at night, it could
Keep an eye on Spring, run when church bells ring, it could

B^7 A7W A -715 D7 19 G _7 B^6

I
I
1
I

hap- pen to you, Don't count stars or you may

hap- pen to you. All I did was won - der
1.
FA7 E-7t5 A 7W D . 7 G7 G-7 A-7 Bl>A7 C7

stum - ble r some one drops a sigh and down you turn - ble.

2.
FA7 A -7^5 D7W G-7 C7sus4 C7» F6

how your arms could be and happened

it to me.
 I LOVE YOU 207

mm "I

1
:
(—kJ
love you"
"
C
a
7 t9

the gold- en dawn a -

^

grees,-
U£
1
1.

^£sip :

I
1
G-7

love <
ec-ho
^J-J
the

mm FA7

hills.-
1—V 1
B-7 E7
J

—
J

as once
J 1
A*7

v
more
"p r
she sees
B -7

daf
^
-
I57

fo -
AA7

dils. It's

G-7 <:7 -3 , F*7 a-7 15 D7^

spring a-gain, and birds on the wings a- gain, start to sing a-gain the old me- lo-

G7 C7 aaa/Coda A-7^D7W G7 G-7C7 F6

j j j
r r i
'r p r j i i

dy. I and it all be- longs to you and me.

PENNIES FROM HEAVEN BUrke/Johnson 1936

07 D-7 E-7 E^°7 EH2_ 3 , Q7 07 D-7

Ev - 'ry time it rains, it rains, pen - nies from hea - ven.. Don't you know each
Trade them for a pack- age of sun- shine and flow-ers- If you want the

'•E-7 Ek>7 G7 C7 G-7 C+7

1

f
4
ven.. You'll find your for- tune fall - ing

A-7 D7 G7 D-7 G+7

be sure that your um-brel-la is up - side down

*-&°7 C/E FA7_ 3 D-7 F6 F-6

things you love, you must have sho- wers So when you hear it thun - der,

E-7 Ek>7 D-Xa a—, D-7G7^ C6

don't run un- der a tree, there'll be pen-niesinhea-ven for you and me.
 —

208 MACK THE KNIFE Blitzstein/Weill 1928

Sinatra
C6 D-7 G9 D-7

Oh the shark has r pret - ty teeth dear,. and he shows them

shark bites- with his teeth dear, scar - let bil - lows
G9 C6 C/E E^°7 D-7

pear - ly white jack - knife- has Mac- Heath dear,,

start to wears Mac- Heath dear,.

3. On the sidewalk, Sunday morning, lies a body just oozinglife; someone'ssneakingaroundthe corner, could that someonebe mac
4. From a tugboat by the river a cement bag 's droppingdown; the cement is just for weight, dear, bet you Mackie'sback in town.
5. Louie Miller disappeared,dear after drawingout his cash; and MacHeath spends like a sailor, did our boy do somethingrash?

6. Sukey Tawdry,Jenny Diver, Polly Peachum,Lucy Brown; Oh the line forms on the right dear, now that Mackie^ back in town

SOMEWHERE BEYOND THE SEA 1947 Trenet/Lawrence

El F6 CI
D-7 G-7 F6 D-7 G-7 CI 3 F A7 A7

Some - where^ be- yond the sea, some - where wait - *ng for me r
Some - where^_ be- yond the sea, she's there watch- ing for me.
We'll meet, be- yond the shore, we'll kiss just as be fore-,

D-7 ^£7 FA7 D-7 B^A7D7/A G-7 Ql _a°7 D-7 BtA7

my lov - er stands on gold- en sands r and watch - es the ships that go

if I could fly like birds on high,- then straight to her arms I'd go
hap- py we'll be be - yond the sea. and nev - er a - gain I'll go

Fine
sail - ing. Some sail ing It's far. be- yond a

A6 Ff-7 B-7 £7 A AA7 A6 G7 C6 A-7

star, it's near be - yond the moon. I know-

D-7 G7 CA7 A-7 D-7 G7 G-7 C7

be - yond a doubt, my heart will lead me there soon_ D.C. aJ 2nd End (Fine)
 THE LADY IS A TRAMP 209
Roders/Hart 1937

CA7 Al>7 D-7 G7 C A7 E^-7 Al>7

1 J- J) J
i* r r p * r r 1

t r e
She gets too hun - gry for din - ner at eighth- —. she likes the thea-ter but

She don't like crap games with Bar - ons and Earls. won't go to Har-lem in

D-7 G7 07 G-7 C7 FA7 F-7 B^7

nev - er comes late,- she nev - er both- ers with peo - pie she hates r

er - mine and pearls, won't dish the dirt with the rest of the girls,.

E-7 A7» D-7 G7 W >CA7A7» d-7 G7 x:tn B FA7 G7

that's
-m—#
why the la-dy is a tramp.. tramp
m She like the free fresh-

E-7 A-7 D-7 G7 E-7 A7 D-7 G7 C*7

J' .1 I v J
11
!
P'T r r
wind in her hair, life with-out care, she's broke, — it's oke, — Hate Cal - i-

E7 A-7 D7 G7 07
E^-7

for- nia,
pipl

it's
ma
D-7

cold and it's damp..

mm
that's why the la-dy is a tramp.

A FOGGY DAY
George/Ira Gershwin 1937

F^7 A -7l5 D7 » g-7 C7 F6

* -w zp
A fog- gy day in Lon-don town, had me low and
How long I wondered could this thing last? But the age of mira - cles

|1
G7 G-7 C7 '.FA7 C-7 F7 FA7

had me down, I view the morn- ing with a - larm, the Bri-tisb mu-
had - n't passed,

A-7

se-um
F*7/C G-7/C
D7

had
G7

lost

FA7/C
its
C7

-o
charm.

G-7/C A-7
m C-7

For sud

D-7
- den

G-7
-
F7

ly

C7
I

F6
saw you
F>7

there, and thru

fog- gy Lon-don town the sun was shin mg ev - ry where-

210 I'VE GOT THE WORLD ON A STRING
Arlcn/Kochlcr 1932

Ei>6 Dl>9 C7 F-7

I've got the world on a string, sit- tin' on a rain- bow, got the string a- round my fin-
I've got a song that I sing, I can make the rain go, an - y - time I move my fin-

G-7 G^-7

gcr. What a world, what a life, I'm in love-

gcr. Luc - ky me, can't you see, I'm in love-

I'd be a sll-ly so and so, if I should ev-er let go- I've got the

IT DON'T MEAN A THING

(IF IT AIN'T GOT THAT SWING) Duke Eiiington/Muis 1932

G- G-/FI G-/F G-/E El>7 D7 G-7 G7

don't mean a thing if »t ain't got that swing_

don't mean a thing, all you got to do is sing,-

doo wah, doo wah, doo wah, doo wah, doo wah, doo wah, doo wah, doo wan. It

Bt7 El»6

doo wah, doo wah, doo wah. Ffe makes no diff- 'rence if it's sweet or hot,

G-7 C7 F7 A-7^5 D7»

 NIGHT AND DAY Cole Porter 1932
211
E1b*7 Bl>7 ,
3 , EU7 El>6 BA7

Night and day,- you are the one- On - ly you be-neath the
Day and night why is it so?- That this long- ing for you
B^7 3 , E^7 E^6 G-7

moon and un-der the sun Wheth-er near to me or far, it's no mat- ter dapling
fol - lows where- ev- er I go In the roar- ing traf-fic's boom, in the si-lenceof my

where you
lone - ly
are,
room,
— I think of you night and day- Day and night Night and

Gk7 E^7

un-der the hide of me there's an oh, such a huibgry yearn - ing7 bum - ing in-
E^A7 C-7 At7 w A^7 G-7

side of me And its tor-ment won't be through "til you me

let spend my
Gl> 7 F-7 Bi>7 E^6

life mak - ing love to you, day and night night and day-

George/Ira Gershwin 1927

'S WONDERFUL
E°7 f-7 B^sus4 Bl»13

see You've made my life so

B-7 E7» A-7 D7 G9 C13 F9 Bl>13 E7
 —

212 HOW HIGH THE MOON Lewis/Hamilton 1940

B G^7 G-7 C7 FA7

1." 1
Some- where
1
j

there's
» asp—ppim
mus - ic how faint the
l>cr-

tune r
|

h
r j 'i

some- where
J J

there's hea - ven,

Some- times there's mus - ic r — it's where you are,- some- where there's hea - ven,

i how high the

F-7

moon.-
B\>7

There is no
E^7

moon a - bove when

A-7

love
n
is far
D7
J]
a-
J

way
how near so far. The dark- est night would shine if you would come see me

mm
1
G-7 i
\-7l5 D7^ A-7 B-7 Bl»7 A-7 D7«

too,- 'till it. comes true, that you love me as I love you. Some times there's

b^7 A-7 B-7 Bl»7 A-7 D7 G^7

soon,- un- til you will, how still my heart, how high the moon.

BUT NOT FOR ME Ira/George Gershwin 1930

Ek7 C-7 F-7 Bt7» Al>7 Q-7 C7 F9

i
They're writ-ing songs of love but not for me.- A luc-ky star's a -bove
I was a fool to fall and get that way, Heigh-ho, a - las and a] -

i
F-7

but
B^^

not for
El»7

mc.
B^-7

With
mlove
E^7

r
to
i i
Al>°7

*r
lead
A^7
r
the way,
A^6

I've found more

so lack - a - day.. Al - though I can't dis - miss the mem - 'ry

1
-F>7 E^7 C-7 G°7/F F-7 B 7*U
m
clouds of gray, than an - y Rus
=3=
- sian play could guar- an - tee.. I was a

1
E^7 C-7 C+7 F-7 B^ 9 El»6
, 1 _ r
Lso 1
r
of her kiss, I guess she's not. for- me
 SHINY STOCKINGS 213
Frank Foster /E. Fitzgerald 1956

I walked with my ba by and I know in noth-ing flat, she's

I'm hip and I'm luc ky to have some- one so well en - dowed, a

At>6/C

got some - thing mel - low lots of fel - lows whis -

girl half
tie at When
as love - ly would make lots of fel - lows proud I

E^7 C-7 1
-
F7

I know soon as we're out, with no

love all of her charms, but one
one's real - ly a ball

D-7 C6

SHOUT CHORUS
Et>7

C '7t5 F7 % s
2
Bl-7 El,7 A AU
214 THERE IS NO GREATER LOVE
Isham Jones /Symes 1936

FaI bU7 f>7 At7 G7

* i 1
There is no great - er love than what I feel
f for you. No great - er
There is no great- er thrill than what you bring to me^ no swee - ter
There is no great- er love in all the world, it's true. No great - er

C7 F7 C7 C-7 F7

no heart so true.
'
J

There
r
is
r
no
I
song
love
than
than
what
what
you
mm
I
sing
feel for
to

A -7t5 D7 G- A-715 D7

Fine
9 p p
me.. You're the sweet - est thing I have ev - er
you..

G- A-715 D7 G- C7 F7 D.C.al2ndEnd

known,
m p^? ke-

and to think that you are mine a - tone. There is no

WHAT IS THIS THING CALLED LOVE?

Cole Porter 1929

G-7^5 C7« F- D-715

What * is this thing. called love? This fun - ny thing-

Just who can solve- it's mys - ter - y? Why should it make-
ask the Lord- in heaven a - bove, What

C*7 G719 07
* ~T°
— 5
called love? Just a fool of me?
B
B^7 Al>7

saw you
P r r t
1

there one won- der- fill day. You took my heart and threw it a -

D" 7 G7 G+7 C6
m aaalCocta .

I r r r
way That's why I is this thing- called love?-
 W^^^ LOVE
SECRET
VJJ-'
Webster/Fain 1953
215
® y El,A7 Bl>7sus4 El>A7 B^sus4 Ek? B^sus4 EU7 B^sus4 Ek7 A^7 G-7 |
C7»

love that lived with in the heart of

Once I had a sec - ret
told a friend- ly star, the way that dream- ers of - ten
So I

B^7 F-7 Bt>7 F-7

too soon my sec - ret love r be- came un

me r all
and why I'm
do r just how won - der - ful you are r

pat- ient to be free. Now I shout it from the

so in love with

EU7 F-7

high - est hills, e - ven told the gold- en daf - fo - dils, at last my

G-7 A^7 D^13 C9 F-7 B^7 B^ 9

heart's an o-pen door,- and my sec- ret love's no sec- ret an- y - more-

ALMOST LIKE BEING IN LOVE Lcrner/Loewe 1947

What a day has been, what a

this mood I'm
rare in, why it's al- most like be-ing in

smile on my face for the whole hum- an race, why it's al- most like be-ing in
There's a

love, There's a All the mus- ic of life seems to ber like a bell that is

love.
l£l
C-7 A-715 D 7^ £^7 F7 D-7 Dt>°7

ring- ing for me_ And from the way that I feel, when the bell starts to peal. I would

C-7 C|°7 B\>/D Dt»°7 C-7 F7 B,\>

swear I was fall- ing, I could swear I was fall- ing, It's al- most like be-ing in love
216 IN THE MOOD Joe Garland 1939 (Glenn Miller)

OPUS ONE
C9

—^" 4 - *—
G-7 C-7 F7 Bl» G h7
H C7 F+7

D^7 F>7 A|>7 D13

D.C.al 2nd End (Fine)

 STOMPEV' AT THE SAVOY 217
Goodman 1936

C7 F Ff°7
3 3 P
C7 C7
3 Pi
THb!>7 B7 B^7 El>7 t-7 El»7

^ p r ' ft
t i

p r t
C7
p r r
At7 A7 Al>7 Dl>7 D.C.alRne

3 mm 3

JERSEY BOUNCE Plater/Bradshaw 1941

D7.
.i.
X
-ti i m
G7

X 1
C^ Et>°7 D-7 Q7 \
2
r^TlAl?9

C9 ———
i
i i
i Bi>9

At9 G7 G+7 D.C.aJ Fine

PENNSYLVANIA 65000
C7 G
218 PERDIDO
Juan Tizol 1942

^ , C-7 F7 C-7 F7 Bb Eb7 D-7 G7

"B^ Eb D-7 G7^ 2.bI> ^7 B |,

D.Calfine

TUXEDO JUNCTION
Hawkins 1939

^ Bb Bb7/D Eb7 F7 Bb Bb7/D Eb7 F7

Bb Bb7/D Eb E° Bb/F r
A , F7 Bb F7 *Bb
[> -
|^

D.C.al Coda (Last X)

7*9 B [,6
 #

219
CRAZY RHYTHM
Caesar/Meyer/Kahn 1928

FA7 G-7 A-7 G-7 FA7 Bl>7 A-7 At»°7

5
Cra-zy rhy-thm, here's the door way. 1*11 go my way, you'll go your way,
Here is where we have a show down, I'm too high-hat, you're too low down,

G-7 C7 1
-
F A^7 G9 Gl»9 F g- 7 A-7 . D-
1
# 1
J
-—
cra-zy rhy-thm, from now on we're though, you. they say that
cra-zy rhy-thm, here's good-bye to you.

C-7 F7 _ Bl»A7

p r i

p r p r
when a high- brow meets alow - brow, walk-ing a- long Broad- way, soon the high- brow,

El>9 A+7 D9 G+7 C9 F*7 G"7 A"7 D-7

he has no -
m
brow,
p
ain't it
'p
a shame, and you're to blame. What's the use of
—# —
pro-hi-bi tion?

G7 Al>7 G7 C7.sus C7 Dl»9 C7 F

I 7 J J)

You pro-ducethe samecon-di - tion,

T
f P
cra-zy rhy-thm
r r i

y iM
I've gone era - zy too.

STRING OF PEARLS
Gray/DeLange 1941

J i
LifJ .

1 : fine

At
' '

m "i |M rj ^
'

'
i ii \ i
ii it i

D.C. a/ Fine

Solo on Blues
220 UNDECIDED Shavers/ Robin 1939

07 C6 07 C6 F7* 11

and then you say you will and then you won't. You're
First you say you do and then you don't,
" -
you want to play and then it's no, and when you say you'llstay, that's when you go.
..1 . „ u-.^o«<4 if wui-wV-inH then don't keen us a - Dart, make up your mind.

gon-na I've been

un-de-ci-ded now, so what are you do?.

C9 G-7 C9 F6 C+7 F6 fJ>7*"

G-7

make much sense, 'cause you keep me in sus-penseandyou know it Then you
sitting on a fence, and it does-n't

D7 C/E F° D7/F« G7sus4 _ G7 G+7

D.C.alFtne

when you don't I real-ly bum, well I guess I'll nev-er learn, and I show it.
pro-mise to re- turn,

FASCINATING RHYTHM Ira/George Gershwin 1926

G-7 C7 G-l , C7 ^ GzL C7

me on the go, fas - ci - nat - mg rhy - thm r all

Fas- ci-nat-ing rhy-thm you've got
once it did- n't mat- ter but now you're do-ing wrong, when you start to pat-ter, I m so un-

G-7 C7 C-7

- What a mess you're mak-ing, the neigh -Dors want to know why I'm
qui ver.
won't you take the day off? de - ride to run a - long some- where

-ways shak-ing just like a fli - ver. Each morn

far a - way off, and make it snap
sns - py Oh how I

D-

to find at night no work has been done. I know that

(start a- hop- ping, nev-er stop-ping)

2 -
G-7 A7^ D-7 G9 G-l G7 C^ 9 F6

rhy-thm oh won't you stop pick- ing on me.

long to be the man I used to be, fas- ci-nat-ing
 THE WAY YOU LOOK TONIGHT 221
Jerome Kern 1936
^ E^7 C-l F-7 Bl>7 El»A7 Dl> C7sus4 C7 F-7

Some day, when I'm aw- fly low, when the world is cold, I will feel a
Love ly, with yoursmileso warm, and your cheek so soft, there is noth-ing
Love ly, nev - er, nev- er change, keep that breath-less charm, won't you please ar-

Bl>7 Bl>-7 El>7 A^7 F-7 Bl>7 Ei>A7 C-7 F-7|Bl?7

-L--L-- "
-U -
'J
m
Fine
glow just think- ing of you and the way you look to - night.
for me but to love you, just the way you look to - night.
range it 'cause I love you, ius t the way you look to - night

EU7C-7^iF~7
EtA7C-7V| 1.F-7 1&7
Bt>7 j2A^^7lBbl^A7
v |2Ab-7Dt7lBbtA7 G°7 A^-7 D^7
" " j j '

I '
1
1 1
1
1 i
1
1
'i
i
1

Oh but you're With each word your ten- der-ness grows.

Bt-7 E^-7 1^7 (jW7 &-7 A^-7 A^/G^ F^ B^W 5

teaping my fear_ partr and that laughthat wrinkles your nose.

E^7Et-/Dt C-7 w F7 w F-7G-7Al*7Bt7 ^F 7 B 7 " ^ F~7 B ^ 9 B^7»Ek

D.C.al Fine D.C.al Fine

touches my fool- ish heart. just the way you are to -night

LONG AGO AND FAR AWAY Jerome Kern/Gershwin 1944

F6 D-7 G-7 C7 F^7 G~7 C7 F6 Fjt°7

Long a - go and far- a - way I dreamed a dream one day and

Chills run up and down my spine, A - lad - din's lamp is mine, the

G-7 C7 A-7 D7 G-7 C7 h. A^6 F-7 B^-7 E^7 A^7

now that dream is here be - side - me. - Long the skies were o-ver -cast,- but
dream I dreamedwas not de -nied- me*-

now the clouds have passed, you're here at last Just one
F7 .
Bi>A7 Ek7 F6/AA^7 G-7 C7 F6

look andthen I knew that all I longed for, long a -go was you.
 I'LL REMEMBER APRIL
DePaul/Raye 1941

G*7 G-7

f f m r f
This love- ly day will length-en in - to ev-'ning, we'll sigh good - bye to all we've
The fire will d win- die in - to glow- ing ash - es, for flames and love live such a

A-7 D7 E7^
J J
i
.1 I

r nr. f

ev- er had. A - lone, where we have walked to - geth - er, I'U re -

lit- tie while. I won't for - get, but I won't be lone-ly, I'll re -

A-7 D7 G*7 G6 C-7 F7 Bl>A7

mem-ber A-pril and be glad. 1*11 be con-tent you loved me once in

mem-ber A-pril Ftne
and Fll smile.

D7 G+7 C-7 F7 A-7

3P
A-pril, your hps were warm and love and Spring were new. But I'm not a- fraid of

G*7 G6 F|-7 B7 E*7 D7

D.CalFme
Au-tumn and her sor- row, for Fll re - mem-ber A-pril and you.

IT'S YOU OR NO ONE Styne, Cahn 1948

It's you or no- one for mer I'm sure of this- each time we kiss-
Please don't say no to my plea, 'cause if you do,- then I'm all

B^7 $1 A^7

Now and for - e - ver and when for - e- ver's done, you'll find that you are

D7 G-7 C7 **
A-7^5 G-7 E^7

still the one through There's this a - bout you, my

FA7 A^-7 Dl>7 A-7 D7 G-7 C7 F6

world's an emp-ty world with - out you, it's you or no -one for me.
 «

I'M OLD FASHIONED Jerome Kern/Mercer 1942

13 F6 D-7 G-7 C7 FA7 D-7 G-7 C7 B^/F F^7

moon love the old fash- ioncd

pm old fash -ioned, I love the - light, I

things.. The sound of rain up on the win- dow pane, the

G-7 A-7 B^6 G7/B C7SU 4 s C7 l£j F6 D-7 G-7 C7

star-ry song that A - pril sings This years fan-cies arc

FA7 D-7 B-7 E7 A^7 B-7 CH D7 E7 Ff°7 G-7 C7

— pass - ing fan-cies, but sigh-ing sighs, hold-mg hands, these my heart un-der- stands.

2
I

F6 D-7 G-7 C7 FA7 D-7 G-7 C7 C-7 F7 B^7 E^7»n

I'm old fash - ioned, but I don't mind it, that's how I want to

A-7 D-7 B^-6 A-7 D-7 G-7 C7 F6

I
I
l
II 1
'I, J 1

J J J
long as you a - gree to stay old fash- ioned with me.

STARS FELL ON ALABAMA Perkins/Parish 1934

C B^7 A7 D7 G+ C A7 D-7 E-7 E^7

3E
1
We lived our lit - tie dra - ma we kissed in a field of white, and
I can't for - get the gla- mour your eyes held a ten - der light
My heart beat like a ham - mer, my arms wound a - round you tight,

D-7 A'1 D- 7 G7 C A7 D-7 G7 W 2-

C*7 D-7 El» 7 E-7

1
— Li- d
stars fell on Al- a - ba- ma last night night I nev-er
B
D-7 G7 E-7 Ek>7 D-7 GZ_

planned in my i - ma- gi - na - tion a sit - u a - tion so hea-ven - ly, a fair- y

D-7 G7 E7/GI A-7 A-/G Ff-7 B7 EA7 G7

i
* al 1 * F,ne *
land where no one else could en - ter and in the cen-ter just you and me "Sear*
224 INVITATION Kaper/Washington 1952

You and your smile hold a strange in- vi - ta^ion, some-how it seems we'vesharedour
How long must I stay in a world of il - lu-sion, be where you are, so near yet so
F7 Bb7

dreams, but
far a -
where?,
part.—
—
—
Tune
Hop -
af - ter
ing you'll say
time in a room full of stran-gers r out of the
with a warm in -vi
Al>7 Dl,7» [B]cjf-7
B-7

blue sudden-ly you are there Wher- ey-er I go, yofrrTthe glow of temp- ta-tion
"7
B - E7 _ Ealt7 „ A-7 A-7

glan-cing my way, in the gray of the dawn_ And al - ways your eyes—
D7 Dalt7 G-7 _ E-715 £1,7 Dalt7 Galt7

smilethatstrange in-vi - ta-tion,_ then you are gone, where oh wherehave you gone'
B7 ,D X F7a,t B t7a.t

ta-tion "wherehave you been? dar-lingcome in, come in- to my heart

GONE WITH THE WIND Madlgson 1937

F-7 Bt7 F>*7 F-7 fit>7 E^7 A-7 D7 G6

Gone with the wind, just like a leaf that has blown a - way. Gone with the wind,
now all is gone, gone is the rap- ture that filled my heart. Gone with the wind,
A-7 D7

my ro - mance has flown a - way. » Yes- ter- day's

the glad - ness
kiss-es are still on my lips
that filled my heart.

Bl»7 El>A7
c-

I had a life- time of hea-ven ny

at fin-ger - tips. But' Just like a flame,
F-7 B^7 G-715C7 F-7 B^ -3-

love burned bright-ly thren be- came an emp-ty smoke dream thaTKas gone, gone with the wind.
 — 1

rVE GOT YOU UNDER MY SKIN

Cole Porter 1936

F-7 Bl>7 F>7 C7t9 p-7

I've got you un-der my skin I've got yoo. deep in the

EU7 C-7 F-7 Bl>7 E^7 G-7Gl» 7

heart of me,. so deep in my heart, you're real-ly a part of me,- Tve

F-7 Bl>7 E^7 E^6 F-7 Bt7

got you un - der my skin.. I tried so not to give

El»A7 E^6 F-7 15 B^9 D F>7 eI»6

J Jl
J' iiJ. J>
'
f f f r f r
1

t p
I
1
»

I said to my- self "this af - fair will nev-er go so well" but

why
-7
_J 3

should I
,

^ ,

try
3

to
1

re -
IiJ
G7

sist
J

when dar-
J>J
ling I know
B/C

so
07/B
<

Li — tfL

well r
—
A--7

^
A- 7/CtF-7

J
Tve got you

B^sas4 E^7 E^6 F-7/Ej>

^ ^
. B^tfE^ 3 "

m
I

¥ m
un- der my skin.. I'd sac- ri- fice an- y- thing, come what might, for the

FJ*7 El»7 A^7^F> A^-6/F> . F>*7 G^7«ii

-3-n 3

m
r-3—i i 3- , 3 |

r rr r r r r f r r r r r r
sake of hav-ing you near, in spite of a wam-ing voicethat comes in the night and re - peats and re-peats in my

F-7 G7J9 C- C-7/Bt At Bj^_, G "7 C ~7/G Gt>°7 F-7

1

r 1,

rf~r"
ear. "Don't you know lit- tie fool,
f i

you nev-er can

r r
1

win,.
' 'T i

use your
r r
men
1

- tal -
r p r
i-ty.

E^7

^ At
Bl>7 B^-7 El>7

¥v \ i

wake up
'

P r
to
pif^
re - al - i-ty". But each time I do, just the
r
thought of you
p r

makes me
Ek7

stop, be - fore I be -
D^7«l C7t9

gin, 'cause Tve

F-7

got you
Bl»7W

m un - der my
e^7

skin-
226 COME FLY WITH MB
James Van Heusen/Sammy Cahn 1958

D-7 At7sus4 G7su S4 Q9

Come fly with me, let's fly, let's fly a- way!- If

Come fly with me, let's float down to Pe - rl— In
Weath - er - wise, it's such a love - ly day_ Just

you can use some ex - ot-ic booze there's a bar in old Bom- bay. Come fly with me, let's fly,
La- ma land there's a onemanband and I'll toot his flute for you.. Come fly with me, let's fly
say the words and we'll beat the birds down to A - ca-pul-co Bay. It's per- feet for a fly

let's fly a- way take off in the blue.

let's fly a - way!_
At Bl>-7

Once I get you up there where the air is rar - - fied,-

i we'll just glide,

Bl>-7 El>7 aI> F-7 B^-7 EI»7Sus4 At A^ At6 D7^

star - ry - eyei Once I get you up there I'll be hold - ing

G6 B-7 E7 A-7 D7s„s4 D7 G G7SU 4 s G7 Al»7 G7sus4 G7^

you so near.. you may hear- an - gels cher, 'cause we're to-geth-er.
D.C.alCoda

F9 G7/F E-7^5 B [,9 .

E . 7l5 A7>9 D7sus4 D9

way!
 —

I GET A KICK OUT OF YOU 227

Cole Porter 1934

F-7 Bl»7W , £^7 G-7 C7 W F-7

I get no kick from cham- pagne,- mere al - co - hoi does - n't

Some get a kick from co - caine,- I'm sure that if I had

I get no kick in a plane- Fly - ing too high with some

A 1
G -7 C* F £7_ 3
r
— Bl»7
3
Al>7 G7 C9 F-7

F> A^7 G-7 C7» F

out of you? ev-en one sniff it would bore me tec—* rif - ic- 'ly

A 1
D-7 G7 G-7 15 C7 W F-7 B^ 9
F> F-7 FjKEkj IBIbI>-7

o - r=A 4

too,. yet I get a kick.

El>7sus
4 B^-7 eI* G-7^ 5 C7

kick ev - 'ry - time I see you're stand - ing there be - fore me.

F- *
Dl>7*H C7 W F9 F-715 b^7»
nrr

i i
I get a kick tho' it's clear to me, you ob-vious -ly don't a- dore me.

^_ G;/D C^ a _, F^ 3 _
3 i
B^7_
3
Al>7 G7 C9 F-7 Bt7 Et«

5
gal in the sky is my i-dea of no-thing to do,. yet I get a kick out of you-

DEARLY BELOVED Jerome Kern/J.Mercer 1942

D-7 G7 D-7 G7 D-7 G7 D-7

* Dear -
V*
ly
w- —
be - lov- ed, how
No- thing could save me, fate
clear- ly
gave me
I
a
see,
sign?
some- where in
I know that
hea-ven you were
I'll be yours come
r i

r
fash-ioned for
show - er or
; -

G7 1
(:6 A-7 D-7 G7 O 47
—A-7
—— I—
Et-7 A^7
i

9 9 99 m — ,

=e
me. An - gel eyes- knew you,- an-gel voi ces led me to you-
shine.

*C6 A-7 D9 D-7 G7 C6

f— L J I d a J 1

So I say- mere - ly,. dear - ly be - lov-ed be mine.

 OLD DEVIL MOON
Lane/Harburg 1946

FA7

I look at you and sud-den - lyr something in your eyes I see r

You've- got me fly-ing high and wide on a mag - ic car- pet ride-
El>A7 FA7 C-7 p7 B^7

soon be- gins be- witch- ing me. It's that old dev-il moon- that you stole
full of but- ter- flies in- side, Wan -na wan-na croon,-
cry, wan-na laugh

B^6 El,7«U D^7 & C7 F6

tm m
from the skies,-
J
J i

that
I
'l

old
'T
dev-il
^.1
moon-
1
J J
j
Et6

it's in your eyes., You and your glance

like a loom- it's that old dev-il moon- in your eyes.. when I think
Just

make this ro-mance. too hot to ban - dle.- Stars in the night blaz-ing their light

G7 G-7 C7 (Break)
E^6

can't hold a can - die your raz-zle daz-zle.

to think r in- free as a dove,.

old dev-il moon, deep in your eyes, blinds me with love.

CHEROKEE Ray Noble 1938

Bl»7 A^7 Bk7 d-7

D.C. al 2nd End (Fine)

 GREEN DOLPHIN STREET 229
Kapcr/Washington
Latin

® CA7 C-7 D7/C *£^ 3 ,

i
i r r i

c r
Love came-
Lov cr,. one love - ly day,_ plan - ning to

Through thesc- mo - ments a - part- mem - 'ries_ live in my

07 1
D-7 Swing
G7 07
j .

stay.. Green Dol - phin street sup - plies the settings

heart.
2. Swing
F-7 Bl>7 E^7 G7 D-7 D-/C B-7^ 5 E7»
si pip 5
set - ting for nights be - yond for - getting and
y When I re - call the love I

A-7 A-/G Ff-7« B7^ E-7 A7 D-7 G7

'
p r 1

li f
found on. kiss the ground on- Green Dol - phin street

I'M BEGINNING TO SEE THE LIGHT

H. James/Ellington 1944

S F|_ 7l5 F_6 E _7 E(?o7 L

7

ne v - er cared much for moon- lit skies, I nev- er wink back at fi - re - flies, but
nev-erwent in for af-ter glow, or can- die light on the mis- tie - toe, but
nev- er made love by lan- tern snine, I nev- er saw rain- bows in my wine, but

now that the Fine

stars are in your eyes, I'm be - gin- ning to see the light-
now when you turn the lamp down low,
now that your lips are bum-ing mine,

C6 B-7 E7 B^-7

light Used to ram-ble in the park,- sha - dow box-ing ^ in the dark,

A-7 D7 1.7
G7 D.CalFme

i J'
r
J i ij' J i 5
then you came and caused a spark, that's a four a- lann fire now.- I
 j

230 JUST ONE OF THOSE THINGS Cole Porter 1935

A7 )
S 0-
(E-7
A7 B-7C°7A7/C|C-7 F7 B-7^ bI>-6

i i 1 J 1 1 JU4J J

It was just one— of those things,- just one of those era - zy flings,
It was just one — of those nights, just one of
>f those fa- bu - lous flights

F/A^_ F-6/At QzL m C7 F6 F|°7 G- C7 2-F-7 Bl>7

one of those bells that now and then rings, just one of those things It was If we'd
trip to the moon on gos-sa-mer wings.
(D~7 G7 )
El> E°7 F-7 B^7 El» G7 A-7 B^7 G7/B

thought a bit — of the end of it when we start- ed paint - ing the town, we'd have

C6 A-7 FH 15
F-, E-7 Et>°7 G-7/D C7 E-7^ 5 A7 W

been a- ware- -that our love af- fair- was too hot not- to cool down.. So good-
D- A7B-7C°7A7/CjfC-7 F13 B^7

bye dear, and A- men, here's hop - ing we meet now and then r it was
A-7 D7 Fjf°7 G-7 C7^ p F7/A Bt> B°F/C C7 F

great fun, — but it was just one of those things..

EXACTLY LIKE YOU

Flelds/McHugh 1930

07 C6 D9 G7

I know why I've wait-ed, know why I've been blue, prayed each night for some- one ex-
Why shouldwe spend mon-ey on a show or two, no one does those love scenes ex -
Now I know why moth-er taught me to be true, she meant me for some- one ex-

C A7 D-7G7 2
C C 4
C7 ISJ pA7 X
1

N F7 F-6

'v 1
J J~3~ —J )1 r j j j :; r r r I

1 1

I
LJ
want to hand the
Fine
CA7 FA7 F-6 E-7 A7 I>- 7 GTo-CtFine

world to you — You seem to un-der- stand each fool -ish lit- tie scheme I'm schem-ing, dream, I'm dream-ing.
 THE SONG IS YOU 231
Kern/Hammerstein 1932

CA7 E^7 D-7 G7 CA7 A7

I hearmus-ic when I look at you,- a beau - ti - ful themeof ev- 'ry dream I ev - cr
I hearmus-ic when I touch your hand,- a beau - ti- ful mel- o- dy from some en-cham-ed

knew, down deep in my heart, I hear it play,. I feel it

land,- down deep in my
B^7

start,- the inelt a - way.- hearty I hear it

D-7 G7 C6 C6 B7W

is this the day?.

B E^7 Cf-7 pf-7 B7 EA7 C#-7

I a- lone have heard this love-ly strain, I a- lone- have heard this

AH^ Dp GI-7 a—, C|7

let it go why can't you know?

I let Why can't I let you know tne song my heart would
D- 7 G7 C A7
,
a G-7 C7 FA7 Bi>9

smg.' The beau ful

- ti - rhap-so-dy of love and youth and spring, the mus - ic is
i

E "7 A7 D-7 G7 C6 Btl3 C6

sweet,
thesongis you..
 THIS COULD BE THE START OF SOMETHING BIG
Steve Men 1956

F> C-7 F-7

You're walk- ing a

*
- long the street or you're at a
r
par- ty,_
1

t uu
or else you're a
r

You're lunch-ing at "Twen-ty One", and watch- ing your di - et,- de-clin - ing a
You're up in an ae - ro- plane or din - ing at Sar-di's r or ly - ing at

,
F-7 F-/Et> B^7 F>7 A^A7
1

j=
lone and then- you sud - den- ly dig,- you're look- ing in some- one's eyes,
Char- lot Russe,- ac - cept - ing a fig,— when out of the clear blue sky,
Ma - li - bu, a - lone on the sand,. you sud- den- ly hear a bell

,
A-715 D7 G-7 C7W F-7 Bl>7 v 1
-
G-7 (#7
J J J J

you sud den- ly re - a - lize- that this could be the start of some-thing big.
it's sud den - ly gal andguy,- and this could be the start of some-thing
and right a- way you can tell- that this could be the start of some-thing grand

You're lunch - ing at big. There's no con- trol-ling the un -roll- ing of your fate my friend,

E^7 F>7 E9 B\>-7/E\> F>7 A^A7

who know's what

r r i
t
writ - ten
r i

in the
*
i

[
mag -
r
ic
1

book?
° 1
?
j r
But when a
'
^
lov-eryou dis-

Bl>-7/F>

cov -
m
er
r
at the
i

gate
A*
Al>

r
my
J J

friend,
i

—
F-7
J
j
J

in-vite her
r '
C-7

r r
in with- out a
Y r
F7

sc-cond
F-7

look.
Bl>7

You're up in a
D.c.aicodafl^tx)

G-7 C7 F-7 Bt7 Et>

This could be the start of some- thing, this could be the start of some -thing fine!-

You're doing your income tax, or buyin' a toothbrush, or hurrying home because the hour is late,
the suddenly there you go, the very next thing you know, is this could be the start of something big.
You're havin' a snowball fight or pickin' up daisies, you're singing a happy tune or knockin' on wood,
When all of a sudden you look up and there's someone new, oh this could be the start of something good.
Your destined lover you'll discover in fright'ning flash, so keep your heart awake both night and day
because the meeting may be fleeting as a lightning flash and you don't want it to slip away.
You're watching the sun come up or counting your money, or else in a dim cafe you're ordering wine,
Then suddenly there she is, you want to be where she is, and this must be the start of something (TO CODA) —
 CHATTANOOGA CHOO CHOO 233
Warren/Gordon 1941

E-7 A7

Par - don me boy,- is that the Chat-ta-noo-ga choo choo,_ tracktwen-ty nine,
I can af - ford- to board a Chat-ta-noo-ga choo choo,- I've got my fare,

There's gon - na be,— a cer-tain par-ty at the sta - tion,- sat - in and lace,

boy can you gim - me a shine- You leave the

and just a tri - fie to spare..

I used to call fun - ny face~

C7/G F/A C7/G C7/G

i L
in j
9 i

•# -4

penn- syl- van-ia sta- tion 'bout a quar - ter to four,- read amag - a - zine and than you're
When you hear the whis- tie blow-ing eight to the bar,- then you know that Tenn - e - see is

F/A F7 B°7 F/C D7

in Bal - ti - more,- din - ner in the di - ner, noth - in' could be fin - er,

not ve - iy far,— sho - vel all the coal in, got - ta keep it roll - in*

1
G7W '

D^7 C7 G7 C7 F G7
IrJ" J J ]
i D.C.aJCoda
than to have your ham and eggs in Car - o na. there you are-
woo woo Chat - ta - noo - ga

C C/B C7/Bl> F/A

She's gon - na cry jin - til I tell her that I'll nev - er roam.

A^7 C/G A-7 D7 G7 t9 C

Chat - ta- noo- ga choo choo, won't you choo choo me home..
234 YOU AND THE NIGHT AND THE MUSIC
Schwartz/Dietz 1934
C7» F-

You and the night and the mu - sic, fill me with flam - ing dc - sire,
You and the night and the mu - sic, thrill me, but will we be one,'
If we must live for the mo-ment, love till the mo - mem is through,

set - ting my be - ing com - plete-ly on fire, Un - til the

af - ter the night and the mus-ic are done?

pale light of dawn- ing and day- light, our hearts will be throb- bing gui tars,
Al>A7

D.CalCoda
morn - ing may come with - out warn - ing, and take a - way the stars.

D7« Q7i9 c-

af - ter the night and the mu - sic die will I have you?

RED ROSES FOR A BLUE LADY Teppcr 1948

I want some red ros - es for a blue la - dy, mis - ter flor- ist
Wrap up some red ros - es for a blue la - dy, send them to the

A7 E-7 A7 D-7

take my or-der please, We ihad a sil-ly quar-rel the oth - er day,

sweet- est gal in town,. and if they do the
A-7 D7 A-7 D7 D-7 G7

hop* these pret-ty flow-ers chase her blues a - way. Wrap up some
2 F- C Bt>7 A7 D-7 C/E G7
Djf°7 C

trick, I'll hur-ry back to pick, your best white or - chid her wed- ding
for gown.
 LOVE FOR SALE
[A] 2ndX-£[,A7 B t ^7 2nd X, 3rd X— A7 Cole Porter 1930

lstX,3rdX-El>9 Bt>-7 Ek top notes 2nd X

pll ^3
Love- for sale,- ap - pe - uz- mg young love for
Who- will buy?_ Who would like to sam - pie my sup
Love- for sale,- ap - pe - tiz- ing young love for

B^7
E^9 Al>7 top notes 2nd X

-* = 2 Z 2
:
1
' r
r r r r i' r r r f '

sale,- love that's fresh and still un - spoiled, love that's on - ly

piy?- Who's pre - pared to pay the price for a trip to

sale,- If you want to buy my wares,

slight ly soiled, love, for

pa ra - dise? love for sale-

F-7 B^9 E^-7

Let the po-ets pipe of love, in their child- ish way, I know ev- 'ry

A^7 D^7 BA7 B^7 B7 B^7

type of love, bet - ter far than they. If you want the thrill of love,

E^6 , 3 Gl>7*U G-715 C7 W fJ-7 B7 F-715 B !>7

Fve been thru the mill of love, old love, new love, ev- 'ry love but true love.
D.C.alCoda

Last X take Tag

fol-low me and climb the stairs, love- for sale-

TAG
G^7 F7& E°7 E^-6 B^

love.
for sale,
 — 1 ^ 1

236 MY BABY JUST CARES FOR ME

Donaldson/Kahn 1930

F#7 G Ff?

My ba-by don't care for shows, my ba- by don't care for clothes,
My ba- by don't care for rings, or oth - er ex - pen- sive- things,
1
G B-7 Bl>°7 A-7 E7^9 a-7 A-7/G Ff-7^ B7

my ba- by just cares for me-

* r
My
u
ba - by
r
don't
i

f
care for

E-7 B7/E E-7 A7 D7 A-7 D7^

j.
f> j i
? j r%=± p3
2
B-7 « EJ7« F7 E7 A-7 CA7 ( p# 7 l9
-* 1

she's sen- si-ble

—J— — 1

as
1

^1
can
1

be. My ba - by don't
nupp
care who

pas B-7

knows
E7

it,
A-7

my ba- I>y
1
J
just
— i
A7

cares
r
D7

r
for
1
G

me

WALKIN' MY BABY BACK HOME

Gee, it's great, af - ter be - ing out late, walk- in' my ba - by back home,
We go 'long har- mo - ni - zin- a -song, or I'm re - cit - ing a poem,
Af- ter I kind -a straight- en my tie, she has to bor - row my comb,
1 2
F -JZ F -.2 B^
fe5
F-7
5
C7 t9
nmTi
Rl> 9

i
rmwm T 9
El> F-7Bl>7 v
E^A-7l5D7l9

arm in arm, ov - er mea- dow and farm, walk- in' my ba- by back home. home. We
owls go by and they give me the eye,
%
one kiss, then, I con tin - ue- a - gain, -

G-7 D+7 G-7 C-7 C-7/Bl> A-7 D7/A

1 5
stop for a- while, she gives me a smile, and snug- gles her head to my chest. We
G-7 D+7 G£Z T7 C-7 F7 F-7 Bl>7

D.C.alFme
start in to pet, and that's when I get, her tal - cum all ov-er my vest.
 A LOT OF LIVTN' TO DO Strousc /Adams 1960
237
Use for 1st 8 bars CA7 _ C6

There are girls just ripe for some kiss- in\ and I mean
And there's wine all read - y for tast- in*, and there's Cadillacs,

Life's a ball, if on - ly you know it, and it's all

C7 F6 D-7 DjK E-7

to kiss me a few, oh, those girls

all shi- ny and new, got - ta move, 'cause time is a - wast- in',

just wait- in' for you, you're a - live, «

so come on and show it,

A-7 D-7 1.
G7 A7 Al>7 G7 G7

I've got a lot of liv-in' to do. And there's liv- in' to

FA7 -7 Bt7 E^L 3

AU7/El>

Fine j [_r r i

r
do. There's mus- ic to play, plac- es to go, peo- pie to see,

E^7 F-7 Bl>7 D-7 G7 D.C. al 2nd End (Roe)

i3=
ev - 'ry - - thing -for -you
m
- and- me. Life's a

SOMEBODY LOVES ME Gershwln/MacDonald 1924

G6 Bt>°7 A-7 D7 G A7 B^-7 El»7 G A7 E-7 Ei»7 D7 G

t 1

' ' '

J 1 i

Some- bo- dy loves me, I won-der who, I won-der who she can be-
Some- bo- dy loves me, I won-der who,

7 D7^ G*7 Bl> 7 A'-7 D7 G*7 E-7 ( :|-7^f|7 t9 B"7 G|-7^ C |7 Ff7»

J ^ r
p"
1
J p "r
Some- bo- dy loves me, I wish I knew, who she can be wor- ries me.

B- E7 A- B-7« A-7 B-^m A- A-<17 »A-7 A-6 E-7 A7

P
For ev-'ry girl
m J

who
.
r
pass-es
J
J I

'
»
r
me
J
J

I
.
r
shout, hey,
$
may - be, you were meant to

E-7 A7 A-7 D9 715 £7W a-7 D7^ Q6

i =3=
D.C. al Coda
be my lov- ing ba by. - may - be -it's you-
 J

238 TOO CLOSE FOR COMFORT Boch/Holofcener 1956

B+7 E-7*JBt A7»

Be wise, be smart, be - have my up

heart, don't - set- your cart hen she's
Be soft, be sweet, but be sis - creet, don't ge off your beat, she's too
Be firm be fair, be sure, be - ware, oh your guard, take care while there's

1
c;a7

so
N
close
I
D-7

— al
Be
b
2
C

close
: c IB

for
mm A-

com -
C7/G

fort. Too close, too

F "7

close for com- fort,

CA7 _ G-7 C7 F7 AW__^

m too close, too
F-7

close to know
r r
just
i
El>6

r
when
h
r
to say "when"
p-asia,

Be
please not a - gain,

C C*7/B A- C7/G F7 E^7

such temp - - ta - tion, one thing leads to an-oth- er, too late to

f
Al»7

p' i

p
run for
r r
co-ver,
D-7^
"
she's much too
V n G7»

close
i

for com-
i

fort
c-

now-

TfflS CAN'T BE LOVE Rodgers/Hart 1938

m This can't be
This can't be
love, I
love be- cause
get no
I
Dl-9

diz
feel
- zy spellr
so well-
^
no
my
but
sobs, no sor -
F-7

rows, no-

2.
Bl>-7 E^7W C-7 F-7 B^7 El»7W Al» G-7
Me r J J> lJ r
!>• r i J
sighs.
j)
head is not
p
In the
hi thi skies; My
r r
heart does
r " j
not stand stilly—

C7 F-7 C7* 9 F7 t9 B\>9

just hear it beat

mm
this is too sweet to be_
D.C.alCoda

love-

C-7 F-7 El>7^ At

t
J J I J

but still I love to look- in your eyes.

 * —
TOO MARVELOUS FOR WORDS
Whiting/Mercer 1937
239
A-7 D9 A-7 D9 G6
— jr

You're just too mar- ve- lous, too mar-ve-lous for words, like glo-ri- ous,
It's all so won- der- fill, I'll nev-er find the words, that say e-nough,
1
G G Z
C9 C7 Gj°7 v B^7 CHF|7 B6
* — -0 — » —- & —^
glam-or-ous, and that old stand- by, an>or-ous. It's mean they just aren't swell e-nough. You're
tell e-nough, I

D-7 G7sus4 D-7 G7 C A7 F7

JJ I

much too much, and just too ve - ry, ve - ry, to ev - er be in

E-7 A7 A-7 D7 A-7 D9 G F7

Web-ster's dic-tion - ar — y. -And- so I'm bor- row- ing a love song from the

B -7t5 £7W A -7 c-7 F7 A-7 D7^ G

"
i i r "r 'f i I i I
J J J i
j.
f jj i
|
f
birds, to tell you that you're mar - ve- lous, too mar-ve-lous for words.

GIVE ME THE SIMPLE LIFE

Bloom/Ruby 1945

F-7 Bl>7 eU7 C7 F-7 G+7 C-7

I dontbe-lieve in fret - tin' and griev- m\ why mess a- round with strife, I nev-
Some find plea- sant din
it - ing on phea- sant, those things roll off knife,my just serve
Some like the high road, I like the low road, free from the care and strife, sounds com-

step and strut out, give me the sim-ple life

me to - ma- toes and mashed po - ta - toes,
y and seed- y, but yes in - deed -
y,

El» F-7 Bl>7

me the sim-ple life A cot-tage sman is aJrm af-ter, not one that's spa-cious and
C-7 F9 F-7 Bl>7

wide, a house that rings with joy and laugh- ter and the ones you love in - side--
D.C. al 2nd End (Fine)
 1

240
BETWEEN THE DEVIL AND THE DEEP BLUE SEA
Harold Arlen/Koehler 1931
F D-7 G-7 C7 F D-7 G-7 C7

I don't want you, but I'd hate to lose you,

I for - give you, 'cause I can't for - get you,
I should hate you, but I guess I love you,

C-7 F7 Bt> ^B>6 F/C G-7 C7 1

F C7 2-p E7»"
.. \

you've got me in be- tween the dev- il and the deep blue sea.

AA7 Ff-7 B-7 £7 A/Cjl C°l

Q
,
fi-7 E7

I ought to cross you off my list, but when you come knock- ing at my door,

C A-7 D-7 G7 Al>7 G7 C7

Q

<j
>' )
>

\> i
[ i p f i ) i V r rj |
1

D.C.alFme
fate seems to give my heart a twist, and I come run- ning back for more

YOU DO SOMETHING TO ME Cole Porter 1929

El>6

You do some - thing to me, some - thing sim -

that ply mys - ti

F-7 Bl>9 F-7 C7^ F-7 G-715 C7 p7

me. Tell me, why should it be, you have the

F-7 Bl>9 G-7 Gl">7 Bl»7/F C/E

pow'r i
to hyp - no - tize me? Let me Uve 'neath your spell,

B/El> Bl>/D F-7/C Bl>9 D7

"r
do
»^«''
do that
1

f
voo -
U
doo
1

that
I

you
1

V N do
J
so well,
J
for
I I

you
. il do
G-7 C7 F7 F-7 Bl>7 E^6

some - thing to me that no - bo - dy else could do

241 ALL OR NOTHING AT ALL Altman/Lawrence 1940

All
All-
—
—
or
or
noth
no -
- ing
thing
at
at
all,_
all,-
fell. under the spell of your call,.

half a love nev - er ap pealed -

to - me.
if it's love there is no in be tween^
I would be caught in the un - der tOW_-

G- G -(A7) G-7 G-6 „ D- D .(A7) D .7 D . 6

If your v
heart nev - er could yield to mc^ then I'd
why be - gin, tl cry for some- thing that might have been r no, I'd
so, you see, I've got to say,

rath - er have no - thing at all

But
ra - ther have no - thing at alL

please, don't bring your lips so close my

to cheelc don't

At Al* D\>/A\> Al>

smile or I'll be lost be - yond re - call The

kiss in your eyes, the touch of your hand, makes me weak^_ and my
F-7 D-715 q 7 W* C C7 B _ 7 i5 D.C.aJCoda

or noth - ing at allL

 —

242 THERE'LL BE SOME CHANGES MADE

Billy Higgons 1921

-»
p
For there's a change in the wea - ther, th'ere's a change in the sea,
I'm goin' to cahnge my way of liv - in', if that ain't e - nough,

G-7 C7 G-7 C7 1
A-7 D7
p r p r p
so from now on there'll be a change in me. My walk will be dif - frent, my
then I'll cahnge the way that I strut my stuff, 'cause

G7 G-7

talk and my name, noth- in' a- bout me is goin' to be the same. I'm goin' to

2
A-7 D7 D-7 G7 C7 F7

no-bo-dy wants you when you're old and gray, there'll be some chan- ges
B\> G7 C7 F7

made to - day, there'll be some chan - ges made.

TAKE THE "A" TRAIN Billy Strayhorn 1941

D7 D-7 G7 G7M C6 LastXOnly

^
 LOVER, COME BACK TO ME 243
Romburg/Hammerstein 1928

The sky was blue, and high a - bove the moon was new,
You came at last, love had it's day, that day is past,
The sky is blue, the night is cold, the moon is new,

B°7 At/C C-7 F-7 Bl>9 Bl>-7 El>9

and so was love, this eag- er heart of mine was sing ing,
you've gone a - way. This acb-ing heart of mine is sing ing,

p^l 2
Al>6 Dl>6 jj^6 *Al>6 B°7 B^7 E^7 -Al>6 T$7*n q^ 9

"lov-er, here can you ber me. When

"lov- er, come back to

I re- mem- ber ev- 'ry lit- tie thing you used to do. I'm

C7 A^-7 D^7 G-7 C7 F-

walked a - long with you, no won-der I am lone

but love is old, and while I'm wait- ing here, this heart of mine is

Bk7 A7« A l,6 Al>7 Dl>6 &lm* A6 l,

sing - ing, "lov - er, come back to me.

 ^

244 WITHOUT A SONG Vincent Youmans/Rose 1929

Et El»7 A^7 Dl>9 &

With- out a song, the day would nev-er end, with- out a song,
That field of corn would nev - er see a plow, that field of corn,
I'll nev-er know what makes the rain to fall, I'll nev-er know
E^7 A^7 Dt>9 C7W F-7

the road would nev-er bend, when things go wrong, a man ain't got a friend,
would be de - sert-ed now, a man is born, but he's no good, no- how,
what makes the grassso tall, I on - ly know there ain't no love at all

Fine
with- out a song That field of song,

A\>9 El>6 El>7 AU7 G-7 C7 F-7 Bl»7

I got my troD-ble and woe, but sure as I know the Jor-dan will roll,

G-7 A -715 D7 W g-7 C7sus4 F-7 B^7

get
i
^
a- long as
J
r
long
ir
as
£L
a song
r
is
r
strong
1

ir
in my soul. I'll nev -
*D.C.alFine
er

THE BREEZE AND I Lecuona/Stillman 1928

F C7 F C7 Gl>9 C7*9

The breeze and I are say- ing witha sigh- that you no long-er
The breeze and I are whis- per- ing good- bye. to dreams. we used to
2.
A-7 D7 G-7 C7sus4 FA7 A-7 D-7

care:
i J
The
f j-
Ours was a * love song that seemed con- stant as the moon^nding in a
share

G-7 C7 F D7 Q^7« . F — a—
,

strange, mourn - ful tune- And all a - bout me, they know you have de-

A^I— , G-7 C7 F D-7 g-7 C7 F

part- ed with- out me and we won der why,. the breeze and L
 WRAP YOUR TROUBLES IN DREAMS 245
Harry Barris/Koehler/MoU 1931

When
C

skies are cloud

G7

- y and
C6

gray, — they're
G7 C6

on
j

-
j

ly
n
E7

gray for a
A-7

day,, so
Un til that sun- shine peeps thru, there's on - ly one thing to do.
Just re- mem- ber that sun - shine al- ways fol - lows the rain r

2
D9 A- D9 1
D-7 G7 C6 G+7 D-7 G7 C E7

<f r r cj
wrap your trou-bles
r
in
i
1
dreams,
J

and
I
r r
dream your trou-bles a
^ r
-
Fine
way. Un -
li i

dream your trou-bles a

n i

-
i

way. Your

A-7 B7 E7 A7 D7 G7 C E7
3
cas- ties may turn- ble, that's fate, af- ter all,_ life's real - ly fun
in
- ny that's way.

A-7 B7 E7 A7 D7 G7 C G+7
D.C. alFine

No use to grum- ble, just smile as they fall,- were-n't you king for a day? Say!

DON'T BE THAT WAY Benny Goodman/Parish 1935

El E^6 C-7 F-7 Bl>+7 $>6 C-7 F-7 Bl*7

J
f
J v Y
Don't cry,- oh hon-ey please don't be that way- Clouds in the
The rain. will bring the vi - o - lets of May, tears are in
Sweet - heart- to- mor- row is an- oth- er day— Don't break my

its El>6

sky-
vain.
C-7 F-7

1
L
should nev
so
r -1"

hon
-

-
BIh-7

er make you
*
ey please don't be that
feel
m
that
9
o
way-
fine
'
F-7 Bl*7

The

heart, oh hon - ey please don't be that

E^6 F-7 F#°7 El>/G ISI D7 G7

way- As long as we see it through,

C7 F9 Bl*7 D.C. al Fine

you'll have me, I'll have you. Sweet

246 FROM THIS MOMENT ON Cole Porter 1950

F-6 G-7 C7 Dl»/F F- Et-7

From this mo- ment on r you for me, dear,

From this hap py dayr
-
no more blue songs,
From this mo- ment on^ you and I babe,

Dl>A7 D^(A7) d|^ 6 a |, a7

G-7 C+7

on - ly. two for tea dear, from this mo- ment on~
on - ly. whoop- dee - doo songs, from this
we'll be rid - in'

mo- ment on. — For you've got the love- I need so much,
A\>6 G^7*ll F7sus4
F7 El>/Bl> E°7

got the skin I love to touchr- got the arms to

F-7 B^7 E^7 a^7 D^7 C7 19

hold me tight, got the sweet hps to me

kiss good- night-
D>>-7 A^7 D^A7 Gt7*U F7 A \>

high babe, ev-'ry care gone r

is from this mo - ment on-

A-7 D7 p-7 G7 ,_ -^c A-7 F6 D7 G7

n. o C
 —

ALRIGHT, OKAY, YOU WIN 247

Watts /Wyche 1955

El» El» El» % El>7

All that I am ask - in', all I want from you, just love - me like

Bl>7 13 e!> b^
^ 4-
I love you and it won't be hard to do- Well al- right. O- kay_

Et Bin- D.S.aJCoda At7

you wiiv I'm in Sweet Ba -

"r r
by take
ir
me
j [

by the hand
^
At Et

well, al-right. o- kay- you winL

WOODCHOPPER'S BALL
Woody Herman/Joey Bishop 1934

F7
248 CHOO CHOO CH* BOOGIE
Horton, Darling, Gablcr 1945
F7

jtjj rr j j i i
j-n '
,n rrj j
njji
I'm head-in' for the sta- tion with my pack on my back, I'm tired of trans-port- a- tion in the
I'm gon-na set- tie down be- side the rail - road track, and live the life o' Ril-ey in a

B^7

¥ back of a hack- I love to hear the thy - thm of the click - e - ty clack, and
beat- en down shack- So when I hear a whis- tie I can peep thru the crack, and
F7 C7

i¥
hear the lone-some whis- tie see the smoke from the stack, — and pal a- round with dem- o- crat- ic
watch the train a - roll- in' when it's ball - in' the jack, — for I just love the rhy-thm of the

F -a
Bt>7
*»
F B^7

¥
3= 3
fel - lows named "Mac", so take me right back to the track, Jack! Coo- choo,-
clicl - e - ty clack
F7 Bt7

choo - choo ch' - boo - gie, woo - woo boo - gie woo - gie, choo - choo,-

•C7 C°7 C7 2
C7 F6

choochooch-boo-gie,
r r r
takemerightbackto the
r r r i

r
track, Jack!
s
r vpI'm
r r
takemerightbacktothe
r r
track, Jack!

MOUNTAIN GREENERY Rodgers/Hart 1926

C6 A-7 D-7 G7 C6 A-7 D-7 G7 C6 A-7 D7

In a moun- tain green- er-y where God paints the seen - er-
r
y,
i

just
r r
two
i
r
era- zy peo
P
- pie to-
While you love your lov - er,let blue skies be yourcov - er, when it rains, we'll laugh at the
Beans could get no keen -er, re - cep-tion in a bean- er-y, bless our

pud
G7

geth-
wea
E-7 A-7
-
er.

ther

D7
m
1.

I
2

And
C7

r p
if you're

D-7
r
—
good y
F6

G7
.

^
C7

r
I'll
p r
search for

D-7
woodr
F6

G7
F-6

C6
so you can cook-

y— i

while
r
I
— i

stand look
jr o
ing.
§ r
moun-
U
tain
is
green- er-y
r
home-
I
 J

HELLO DOLLT 301

Jerry Herman 1963
G- 1
-
B^7/D

Hel
i
- lo
>
Dol -
7
ly,
>
well hel - lo, Dol - ly, it's so nice to have you
room sway - in', for the band's play- in' one of

m back where you be -

C-7

long.
F7

You're look
3
- ing
c-

swell
C-7

Dol - ly, we can

At>/C

tell

F7 F7
1

1
— '-

p J
—— — J
1
'J '

Dol-ly, you're still glow- in', you're still crow- in' you're still go - in' strong. We feel the

2
Bt7 E^7 D7 G" D"

r r r r
1

r r r r
your old fav- 'rite songs from way back when. So take her wrap fel- las,
So gol - ly gee, fel- las,

G- D- C7 ^ F7 Bl» B°7 C-7 F7

P
find her an emp - ty lap, fel- las, Dol-ly-'ll nev-er go a- way a «
gam-
find her a va - cant knee fel- las

C-7 F7 C7 F7 C7 F7

go a-way, Dol-ly-' 11 nev-er go a-way, Dol-ly- '11 nev-er go a-way a - gain.

I GOT RHYTHM George/Ira Gershwin 1930

Bl> G-7 C-7 F7 D-7 Dt° C-7 F7 Bl» Bl»7 eI» F>6 F7

fa I got
r'P r
rhy-thm,
i
?
rpr
I got mus - ic, I got my man who could ask for a- ny- thing
I got dai- sies in green pas- tures,
I got star-light, I got sweet dreams,
1
B^F7 BIAHJD7 G7 C7

I Fine /
more? more? Old man trou-ble, I don't mind him, You won't

F7 oc*«» # Bt Al-7 G7 C7 F7 Bt

find him 'round my door. ask for a- ny- thing more, who could ask for a- ny- thing more?
302 CABARET Kandor/Ebb 1966

(A)
E^6 B^9 E^6 B^7 E^6 B^13 El>7

What good is sit- ting a -lone -in yourroom?— Come hear the mus-ic play,,
Put down the knit-ting, the book and the broonv- time for a hoi- i day,-

life is a ca - ba - ret old- chum come to the ca - ba ret

El>6 C. c- (a7) C-7 F9

ret. Come taste the wine, come hear the band, come blow the hom, start eel- e- bra- ting

B^7 el* B^9 Et6 fi^7

right this way your ta-bles wait-ing. No use per -mit- ting same proph- et of doom to
Start by ad -mit- ting from era - die to tomb, it

E^6 G-7 Et>7 At D7 ^G-7

wipe ev - 'ry smile a - way,-* a ca ba

life is - - ret old-chum^
is - n't that long a stay,—

F-7 aoa/cocte
Ei, 6 ^- G .7 C7 Al»A7

come to the ca - ba-ret ret old chum r

mm
on - ly a
A-7«D7 G-7 C7Gl>-7 F-7 Bt7su S4 E^6

ca - ba - ret old-chum, so come to- the ca -

- ba ret-

ALLEY CAT 1962

D.C.alFine
D-7 E- F D/Fl G7
 ONE Hamlisch /Klcban 1975 (Chorus line)
303
Intro
F-7 Bt7sus4

sin - gu-lar sen- sa- tion ev- ry lit - tie step she takes, one
One
_ C7 D7

ling com-bi-nartion, ev- 'rymovethat she makes. Onesmileand sud-den- ly no - bo-dy

tfiril-

G- D7^G- * Fl- $C|7/F

* *

else will do, you know you'll nev - er be lone - ly with you know

A7/E E9 El*7 A7

who. One mo- ment in her pres-ence and you can for- get the rest,

Ak7 A-7^ 5
D7 G- G7 ^C9|C9 £ F7 £ B^7

for the girl is sec- ond best to none, son, ooh, sigh, give her your at-
mm ten- tion,

£G-7£G-7 i C7 i C7 F9 B^7 v UselntroasEnd

do I real - ly have to men - tion she's the one!

ON THE SUNNYSEDE OF THE STREET

McHugh/Fldds 1930

G7 G|°7 A-7 D7

Grab your coat and get your hat, leave your wor-ry on the door- step, just direct your feet to the

Can't you hear a pit-ter pat? and the hap-py tune is your step, life can be so sweet on the
If I nev-erhave a cent, I'll be rich as Rock- e -fel-ler, - gold dust at my feet on the

sun- ny- side of the street. Can't you street. I used to walk in the shade.-. with those
Fme
F D7 A-7 D7 G7 D-7 G7 D.C.alFme

blues on par- ader but I'm not a - fraid this rov-er crossed o-ver. If I
 3

304 NEW YORK, NEW YORK

Intro-Last 4 bars Kander/Ebb 1977 (NYNY)

G-/C , — F G-7 C7 F

Start spread-in' the news, I'm leav-ing to- day, want to

I be a part of it,
These va-ga-bond shoes are long-ing to stray and step a- round the heart of it
My lit - tie town blues are melt- ing a- way, Til make a brand new start of it

New York, New York. These va-ga-bond New York, New York. I want to wake up in the

ci-ty that does- n't sleep, to find Tm king of the hill, top of the heap. My lit-de town

Bt B^6 f/C D+7

it's up to you, New York, New York..

WHEN YOU'RE SMILING Fisher/Goodwin/Shay 1928

When you're smil - ing, when you're smil- ing, the whole world smiles with

C- C-7 F7

you, when you're laugh- ing when you're laugh- ing. the sun comes

Bt>7

shin - ing thru. But when you're . cry - ing- you bring on the rain,-

C7 F7
151

'cause when you're smil - ing_ the whole world smiles with you.
 ——

ON THE STREET WHERE YOU LIVE 305

Lcrncr/Locwc 1956 (My Fair Lady)
G7sus4 G7 G7 C
i 5E
I have of- ten walked - down this streetbe- fore,- but the pave-ment al-ways
Are there li - lac trees- in the heart of town ?- Can you hear a lark in
Peo- pie stop and stare,- they don't both-er me, for there's no- whereelse on

D-7 G7 D-7 F-6 C/E

m
stayed be- neath my feet be- fore,— all at once am I sev- 'ral stor- ies high
an - y oth - er part of town?- Does en - chanMnent pour- out of ev- 'rydoor?
earth that I would ratb-er be Let the time go by,— I won't care if I

mmm
A-7 D7 1 G9 c a°7 D-7 2
G7

r r r
know- ing I'm on the street where you live Are ther street where you
no it's just on the
can be here on the

C D-7 Di°7 C/E £7 F|-7 G°7 F6

And oh. that tow - er- ing feel- ing, just to

F-6 C C/B C/Bl> C/A Al>7 C/G Fl-715 — 3-

know some- how you are near— That o - ver-pow- er- ing
4
B7sus B7 EA7 A7 D-7 G7 D.C.al 2nd Ending

feel- ing - that an- y se- cond you may sud- den- It ap - pear^ Peo- pie

FINE AND DANDY Kay Swift 1930

Al>°7 G-7 C7 FA7 aJ>°7 G-7 C7

306 GET ME TO THE CHURCH IN TIME
Lerner/Loewe 1956 (My Fair Lady)

I'm get- tin' mapried in the morn- ing Ding Dong the bells are gon-na
I got - ta be there in the morn- ing,- spruced up and looking in my
I'm get - tin' mar-ried in the morn- ing,- Ding Dong the bells are gon-na

D7/A D7

chime. Pull out the stop- per, have a whop- per,

let's but get me to the
prime. Girls, come and kiss me, show how you'll miss me, but
chime. Kick up a rum- pus, but

church on time
Fine
If I am danc-ing, — roll up the floor, If I am whist-ling,
J C.alFine
B-

don't lose the com- pass, and get me to the

church, get me to the church, for Pete's sake get me to the church on tune.

ANYTHING GOES
Cole Porter 1934

In old -en days a glimpse of stock - ing was looked on as some- thing shock
Good auth- ors too who once knew bet - ter words now on - ly use four let -
So though I'm not a great ro - man - cer, I know that you're bound to ans -

D-715 G7sus4 C

mg, now hea-ven knows an- y- thing goes- The world has gone
ter words,writ- ing prose
i
wer when I pro -pose? =_
E B7/F| E-7/G

mad to-day, and good's bad to-day, and black's white to-day, and day's night to-day, when most
E "?
^ — A9 C|°7 D-7 G7 D.C.alFme

guys to-day, thatwo-men prize to-day, are just sil- ly gi - go - los So

 IT S DELOVELY 307
Cole Porter 1936
F+ F6 FA7

The night is young, the sky is clearT and if you want to go walking dear, it's de-

Ff°7 G-7 CI G- F>/G

lightful, it'sde -li-cious, -it'sde- -Jove-ly. - I un-derstand the rea-sonwhy, you're

G-6 G-7 G- G#°7 F/A

h
j j jju j i

p r pp i
pi r
p pr pi r ypi pi =hh=
sen- ti- men - tal, 'cause so am I, it's de -light- fill, - it's de - li- cieus, -it's de- -love-ly.

*
G-7C7

You can
r
tell at
mm a glance
F7

what a
BU7C-7

swell night
Cf°7 B^/D

this is for ro-mance,

3t»A7

you can
Bt-7 F>9 G-7 C7 F

hear dear Moth- er Na-turemur- rnur-ing low"" "let your - self go."- Se please be sweef my
F+ F6 FA7 F F/E

79 r-TTP— jj-

chick-a-dee, and when I kiss you just say to me, "it'sde -lightful, -it'sde -li-cious, -it's de-

F>7«1 D7^ 01,7*11 C7sus4 C7

lect-a-ble, it'sde -lir-i-eus. - it's di Jemma,it's -de-limit, it's de-luxe, it's de -love4y

WHISPERING Rose/Shonberger 1920

A-7 D7^ E^A7

s- per- ing you near me, wins- per- ing so no one dear
Whis- per- ing why you'll nev-er leave me, whis- per- ing why you'll nev- er

can hear me, each lit tie -whis- per -seems to cheer me, I know
grieve me, whis - per and say you
that be - lieve me,

-per- ing that I love you.

308 MAME Jerry Herman 1966

07 Cf° D-7 G7 D- D- (A7)

You coax the blues right out of the horn, Mame r you charm the
You make the cot - ton ea sy to pick, Mame r you give my

husk right off of the corn, Mame r you got the ban- joes strum - min' and
old mint ju - lep a

EjL,

pluck- in' out a tune to

i
beat the
A9

band,
D-
i
i

die whole plan

i 1
1

-
D-7
i

ta- tion
n nhum
G7

-
i

mia' since

A-

you brought Dix - ie back to Dix - ie - land kick, Mame r you make that

A-7 A-6 E- A9 D- G7

old mag- no - lia tree bios- som at the men- tion of your name, you've made us feel a- live a- gain,

E- A9 ^ D13 D+7 D-7 G7 C

§ '

and giv-en
i f '
r
us the drive
u ^ i

a- gain,
i

to
i i

make the
i
i
i u u
south rc-vive a- gain, Mame

LADY BE GOOD Georgclra Gershwin 1924

C7 G C7 B-7 E7» A-7

Oh, sweet and love - ly la - dy, be good,, oh la - dy be good

I am so aw - fly mis - un - der - stooc^ so la- dy - be good -
I'm just a lone- some babe in the wocxL so la - dy, be good

D7 1
G E-7 A-7 D7^ 2./
D-7 G7 a°7

Fine
to me- me. Ohr please have some

E-7

o
pi - ty r
ill
I'm all a - lone in this big ci - ty. I tell you,
 IT ALL DEPENDS ON YOU 309
Ray Henderson/DeSylva/Brown 1926

07 G7sus4 G+7 07 G7sus4 G+7 E-7 Et°7

* 4
I
#
can be hap-py, I can be sad, I can be good or I canbe bad, it all de - pends on

D-7 G7 D- D- (A7) D-7 G7 D- D- (A7

imm D-7 G7
>

i r i
j, ,,i n i
H i
i 1
1
i i~i
your I can be lone-ly out in a crowd, I canbe hum-ble, I can be proud, it

D-7 G9 G+7 07A7WD-7G7 G '7 C? F F6

all de - pends on you I can save mon-ey, or spend it, go right on liv-ing

FA7 E7E^7 D7sus4 D7 D-7 G7 CA7

m m —*f 4 _
or end it. You're to blame, hon-ey, for what I do I know that I can be beg- gar,

G7sus4 G+7 C>7 CA7/B B^9 A7 D7 D-7G7 C6

I can be king, I can be al - most an- y old thing, it all de - pends on you

CECELIA Dreyer/Ruby 1925

C 07 C6 C|°7 D-7 G9 D-7 G7 D-7 G7

Does your moth-er know you're out, Ce - ci lia? Does she know that I'm a- bout to
How a - bout a lit - tie kiss, Ce - ci lia? Just a kiss you'll nev- er miss Ce-
1
B7/C C6 C/E El' 7 D-7 G7 G7 D-7G7

steal you? Oh, my, when I look in your eyes some-thing tells me

Why do we two
G+7 C E-7 A7 D-7 G7 D-7 G+7 C6

keep on wast- ing time, oh, Ce-ci - lia, say that you'll be mine.
 \

310 THE SURREY WITH THE FRINGE ON TOP

Rodgers/Hammerstein 1943

GA7/F| E-7 G/D G G*VD

Chicks and ducks and

I
geese bet-ter scur-ry,
m when
— —*—*
I
G*7/Ff

take you
* l
E-7

—*
out in the sur-rey,
Watch that fringe and see how it flut-ters when I drive them high- step- pin' strut- ters.
Two bright side- lights wink- in' and blink- in % ain't no fin - er rig I'm a- think- in

G A7 2

mm
1
C^7 B-7 E-7 A-7D7 A-7 D7

j j j j 1
j rn—^
fat
1

1
T
o
when I take you out in the sur- rey with the fringe on top. pop. The
Nos - ey pokes- 'D peek thru their shut- ters and their eyes will
you can keep your rig if you'rethinkin* 'at I'd

D-7 G7 C D-7 Q7
3
wheels are yel-ler, the up-hol- ster-y's brown, the dash- board's gen-u-ine leath - er, with

E-7 A7_ D B-7 E-7 A7 A-7 D7

D.C.alCoda
is- in-glass cur-tains ya' can roll right down, in case there's a change in the wea - then

C E7/B A-7 F9 Gf°7 A-7 D7

keer to swap ferthat shin-y lit- tie sur-rey with the fringe on the top.

PUTTm* ON THE RITZ Irving Berlin 1929

El F- F-7/Et Dl>A7 F-/C F- F-7/El' Dk7 F-/C

If you're blue and you don't know where to go to, why don't you go where fash- ion
Dif- f'rent types who wear a day coat, pants with stripes and cut - a - way coats, per- feet
Come let's mix where Rock - e - fell - ors, walk with sticks or urn - brel - las in their

G-7^5 £7^ F- F-7/El»Dl>A7F- B^-7

Fine
sits,, - put- tin' on the ritz_ Dressed up like a mil- lion dol-lar
fits,.

mitts.
El>7 aI»6 E^7 A^6 G-7^5 C7^, C.aJRne

troup - er,. try- ing hard to like like Gar- y Coop - er,- sup-er dup - er.
 THE LATE LATE SHOW 311
Berlin/Alfred 1956

Gee. it's co - zy in the park to - night,, when you cud- die up and
Hear the era- zy mus- ic in the tress,. see the flow- ers danc- ing
Then we am- ble back to say good- night and then we

hold me tight, stars a - bove they seem to know,, we're put- tin' on the
in the trees, old man moon be- gins to grow,- he's join-ing in the
kiss some more^ guess you know I like you so,_ it start- ed at the

lat, late show. late, late show, Birds that should be dream- ing, start in chirp- ing a song,
C-7 F7 Bl>6 B°7 F6 F#°7 G-7 C7

while fi- re- flies are gleam- ing, we kissed, kissed all night long.
C9 F6

I LIKE THE LIKES OF YOU

Vernon Duke/Harburg 1933

,El> C-7 F-7 B^7 C-7 F-7 Bl>7 Ei> C-7

likes of you, I like the things you do, I mean I

I like your eyes of blue, I think they're blue don't you? I mean I
I like the likes of you, your looks are pure de - luxe, looks like I

TBl>-7El>7 Al>6

like the likes of

dear, if I could on - ly say what I
like your eyes of blue,
like the likes of you
312 MARGIE Conrad /Benny 1920

C7 F6 C7sus4 F6 C-7 F7 Bt6

My lit- tie Mar - gie, I'm al-ways think- ing of you, Mar gie,

B^7 El>7 F6 E7 El»7 D7

\

j
L • 1

the
1

r
world
'
'

love you.
i' »

Don't for
r
-
i
L

get
i

your
i
in
prom-ise
1

ii'j
I'll tell I to me,
G7 G-7 C7 G-7 C7 F6 C7sus4 F6

I have bought a home and ring and ev- 'ry-thing, for Mar - gie, you'vebeen my
C-7 F7 Bl>6 A7 C7» F6 B^6

in - spi - ra- tion, days arc nev - er blue. Af-ter all is said and
F B^6 F A-7 D7 G-7 C7sus4 C^ 9
F6

done, there is reaMy on-ly one, oh Mar- gie, Mar-gie, it's you.

HOW CAN YOU DO ME LIKE YOU DO?

Austin /Bergere 1924

F C Bl>7 A7 D7 G7 C D-7G7

How come you do me like you do, do, do, how come you do me like you do?
C F C Bl>7 A7 D7 G7

Why
U
do you
I

try
r

to
r

make me
f
1
J
»
r3 i '-

feel so blue? I ain't done noth- ing to you.

C7 F6 A^7

Do me right or else just let me be, 'cause I can beat you do- in' what you're doin' to me.
If you rave 111 have to get you told, for I can changeyour tern- p'ra- ture from hot to cold,

C Bl>7 A7 D7 G7

How come you do me like you do, do, do, how come you do me like you do?
 p

TIE A YELLOW RIBBON 1973

325
El*7 F-7

J
J
-
# 1
» U 7

f
G-

I'm com-ing home

i=3
'r
I've
r
done
M— my
1

time,-
*z a '

1
LJ
Bus dri- ver, please look for me,- 'cause I could-n't bear to see

C7 F-

and is - n't mine,- if you re- ceived my let - ter, tell - ing you
what I might see,— I'm real-ly still in pri - son and my love

c- F7

f f
1 J jU l

ril soon be free, then you know just what to do- if you still want
she holds the key, a sim- pie yel - low rib - bon's alL I need to set me
Bl>7 El

r
me,
>
r
i

r
wrote
wrote
r
and
and
told
told
mm
her
her
please,
please,
He a yel - low
free,

G- Bt-

r p
i

r
'
r r r i

r r r
rib - bon round the old oak tree,- it's been three long years, do you

C7 F- aI- eI> g?
3
still want me?. If I don't see a rib - bon round the old oak
c- EW C- C7
m m
tree, I'll stay on the bus, for - get a- bout us, put the blame on me, if

F- A^- F-7 Bl»7 Ei>

p
J.
* .
r
J
'
I . J m 0 9-

*
I don't see a rib- bon round the old oak- tree. Now the

F- C7 F-

p
whole darn bus is cheer- in' and I can't be-lieve I see, a hun-dred yel- low
At-

rib-bons
3
round the
F-7

old-
Bl»7

my
oak.
i
J'J
tree-
326 SO WHAT'S NEW? 1966

A7 D7

So tell me babe what's new?_ and how's the scene with you"_ Gee, it's

Yeah I need you so,— how you'll nev - er know,, gee, it's

So tell me babe what's new,- you glad to see me too?- Hey, my

1
2.
*G7 C C#° D-7 G7 G7 C7

good to see you babe. good to see you babe~

F F- E7 A-7 D7

You walked in, light went on, all o - ver my face, you lit up the place, and you've been

G7 ^ G7 E-7 A7 D-7 D#°7

Q

3 p r p
gone just too long now.
r
J
i- i
So
m P
world is spin-nin', now I know I'm win-nin', you stay

E-7 A-7 D-7 Df°7 E-7 A-7 D-7 D#°7 E-7 A7 D-7 G7 C

home now, don't ev - er roam now, and I'll say babe, it's so good to see you!

SWEET GYPSY ROSE 1973

C7
D-7 G7

A-
D-7 G7

D7
m c

G7
 THAT'S ENTERTAINMENT 327
Shwartz/Dietz 1953
Bl* C-7 F7 Bl> B°7 C-7 D7

G-7 E^A7 C- D+7 C-7 B°7 'C-7 F7 2-F7 Bt7

rr r'rrrr
El»6 f-7 Bl>7 El>6 C7

F6 G7 C7 F C-7 F7
r 1
1
\
tTiT^\ m
Bl» C7 Bl> C-7 F7 Bl> G7 C7 F7 Bl» Et Bl>

HOORAY FOR HOLLYWOOD Whltlng/Mcrcer 1937

A7 E-7 A7

b!>- F El»7 D7

G-7 F D7 G-7 C7 F
1 % P-

GIVE MY REGARDS TO BROADWAY ce^c*™^

C-7 F7 * C-7 '
F7 B^ F7
£ ii i i i ii I I

2G7 C- G7 C-7 F7 Bl> G-7C7 F7 B^6

328 IT'S ALRIGHT WITH ME Cole Porter 1953

D- D -(A7) D -7 G7 D. D-7

It's the wrong time and the wrong place r though your face is charm -ing -it's the
It's the wrong song in the wrong style,- though your smile is love
It's the wrong game — with the wrong chips r though your lips are tempt
- ly- it's

-ing, they're -the

the

G-7 C7 D7 19 D -7

wrong face r it's not her face but a

such charm- ing face,- that it's all right
wrong smile, it's not her smile but a
such love - ly smile r that it's all right
wrong lips,- they're not her lips, but they're such tempt- ing lips. that if some night

with me- It's the with me. You can't know how hap- py I

FA7 a-715

am
>'7»
that we met,

G7
I'm strange- ly at - tracked- to- your _ There's some- one I'm
G-7 G-7/F E-715 A 7l9 D.C.alCoda

try- ing so hard to for - get,- don* you want to for -get some- one too?-
G7 C7 F^7 ^n
C-7F7 t*L a*7
B^7 ^_G7 i^n ^ n
G-7_C7 Fl
r-rt 1
—^
1
1 O O ffc

are free, dear, it's all right it's all right with me.

ROSETTA Woode Hines 1935

m El>7 D7 G7 C7
P J
Ro
( r r
set- ta,-^-
i
r
my Ro - set - ta, in my
'
1

heart dear, there's

4 I
1

no one but
1

You told me that you loved me r nev - er leave me for some- bo - dy

Ro set- ta, - my Ro - set - ta,- please say I'm just the one, dear, for

1.
A-7 D7 G-7 C7 B-7t5 E7« B-715 E 7t9

you. You Fine You've made my whole life a

new-
you-
A- D-7^5 Qjto C A7 A-7 D-7 G7 G-7 C7D.C.al2ndEnd(Rn<

dream. I pray you'll make it come true- Ro

 SWEET GEORGIA BROWN 351
Bernie/Pinkard/Casey 1925

B^7

if
No
j J

gal
iiJ

made has
j i

got
p
i
J T'
a shade
r
on
r- m
Sweet Geor- gia Brown.
r I

Two
h j

left feet
Ji J.

but

1.
F>7

oh so nt>at,
N has
r
\
Sv/eet Geor- gia Brown,-
i
y
They all sigh
JJJ
and
i

p
wan- na
J
p
die
r p
for
i

B^7

n
A^6 F>7 At6

« * r
Sweet Geor- gia Brown. I'll tell you just why,- you know I don't lie, not

G-7 C7 J^7
N
21 C7 F- C7 F-

much!
Hp r
Fel -
p
lers
r m p
she
^

can't
p
get
r
are
n r
fel -
p
lers
r

G-715 C7 Al»7 G7 F7 Bt7 ^7 Al>6

p
J
p r m J-
1

r i
p
't p Pr
she ain't met Geor- gia claimed her, Geor- gia named her, Sweet Geor- gia Brown.

BILL BAILEY Hughie Cannon 1902

m
Won't you come home Bill Bai - ley, won't you come home. She moans the
Re - mem-ber that rain - y eve that I drove you out, with noth - in' but a

»•
F»° C7/G C7 C7 G-7 C7 G-7

" J — e
'T I
'

r r r
whole day long.. I'll do the cook- in' Hon-ey. I'll pay the rent,

C7 C+7 G-7 CI 2
-F7 Bt

f ji I know I've
J i

r
done you
r i

wrong
^ N

ip
fine tooth comb.
r j

I
ii j
know I'm to

G/B F/C D7 G7 G-7 C7

blame, well ain't it a shame, Bill Bai - ley won't you please come home..
 WAY DOWN YONDER IN NEW ORLEANS
Creamer/Layton 1922

;'( i i i
u i
1
1 1
1 1

— —— ,0 —
Way down yon - der in New Or- leans r in the land of dream- y scenes,
Cre - ole ba - bies with flash- ing eyes,- soft-ly whis-per with ten - der sighs,

1
F C7 G-7 C+7 F F|°7 v
' e
1

J ^
there's a gar- den of E • den,- that's what I mean.

F7sus4
2
F7 F7 Bl>6 F+7 fit A7Al»7 G7
i8^ r Ti i

r
j m m i
rm WE
Stop! Oh won't you give your la- dy fair, a lit- tie smile. Stop! You bet your

C7sus4 C7 F D-

life you'll lin-ger there, a lit- tie while. There is hea- ven right here on earth r
They've got an - gels right here on earth r

F D^7 F|°7 -G-7 C7 F6

with those beau - ti - fill queens, way down yon - der in New Or - leans-
wear- ing lit - tie blue jeans,

FIVE FOOT TWO Henderson/Lewis 1925

Five foot two, eyes of blue, oh what those five can do,
feet has
Turned up nose, turned down hose, yes a flap - per, one of those has
Could she love, could she woo, could she could she could she coo,

a- ny- bo- dy seen my seen my Now * if you

E7

run in - to a five dia- mond rings,

D.CalCod* -0-G7 C

all those things, you can bet your bfe it is- n't her seen my gal?-
 HONEYSUCKLE ROSE 353
Waller/ Razaf 1929

G-7 C7 G^2 C7 G-! C7

Ev - 'ry hon-ey bee, fills with jeal - ous - ly, when they see you out with
When you're pass- in' by, flow- ers droop and sigh, and I know the rea - son
When I'm tak-in' sips from your tast - y lips, seems the hon - ey fair - ly

G-7 C7 F F/A Bt> C7 F

me, I don't blame them, good-ness knows^ Hon - ey-suc-kle Rose-

why, you're much sweet - er,

drips, you're con - fee - tion,

you re my sug ar, it's sweet when you stir it up.

SCRAPPLE FROM THE APPLE Charlie Parker

i
13, G-7

f .
H^ ij
G-7 C7W

FA7 r-3-n G-7 C'

=
FA7

r
j
G-7
^ '•A-7 D7

Fine
>

>
2.
F

D.C.alFine
A7 D7 G7 C7 2nd Ending

*
BYE, BYE, BLUES i
Hamm/Bennett 1930

Al>7 C A7 D7

Bye, bye, blues,- bye, bye, blueSr- bells ring,

Just we two r smil - rag - through. don't sigh,

G7 G7 c

birds sing,
1-C

p
sun
p

is
pm
E^°7

shin- ing,
D-7

no more pin - inj5- B ye »

Al>7

bye, blues
I

don't cry,
 —

BASIN STREET BLUES

Spencer Williams
C D-7 Djt°7 C/E X C/E Ek6 D-7G9 /.

come a - long with me, to *e Mis - sis - sip - pi?

Won't - cha
The band's there to meet us, old friends to greet us,

c cm\> F/A
mm
F-6/Al»
f r
1-2.
C/G (Break)
^ 07
\

We'll take a boat to the land of dreams,

where all the light and the dark folks meet, Hea - ven on earth, they call it Ba - sin Street

C E7 A7 D7

Bas-in Street, is the street, where the e- lite al- ways meet, in New Or- leans,

G7 G+ C/E Et>2L D-7 G7 C

land of dreams,— you'll nev-er know how nice it seems or just how much it reaMy means. Glad to be,

E7 A Bl>7 A7 D7 G7 C

yes sir-ree, where wel-come'sfree, dear to me where I can lose my Bas-in Street blues-

BIRTH OF THE BLUES

DeSylvia/Brown/Henderson 1926

* ® : Ct°7 D-7 D}°7 C/E E7«

They heard the breeze in the trees- sing - ing wienL mel - o - dies,

And from a jail came the wail- of a down- heart - ed frail,

And then they nursed it, re - hearsed it, and gave- out the news

that the South

2. _ _ liJ E7
C B+ F7 E7 I77 E7 F7

1
9i r i
'
r \s r
From a whip - per - will out on a hill,. note,

E7 A7 Bl>7 A7 F>7 D7 G7G A°7 B°

5 1
pushed it thru a horn 'til it was worn- in-to a blue- note. And then they
356 THE CHARLESTON
Mack/J. Johnson 1923
E-715 A .7l5 D? G- G-

INDIANA MacDonald/Hanley 1917

C7 ® F El»7 D7 G7 1
'

G-7 C7

Back home a - gain m In-di a - na,-

and it
Hie new mown seems that I can
hay sends all its fra-grancc from the
F F7 B I>
F E^7 D7

see the gleam- ing can-die- light shin-ing bright-

still
— thru the syc- a - mores
G ~7
C7 ^
%
E-715 A7 W D . 7 A+7 D-7

for me The new mown fields I used to roam

E-715 A7 » D. D .
7/c G?/B

moon- light on the Wa - bash then I long for my In-di-a-na home..

358 AIN'T SHE SWEET Yellen/Ager 1927

y C <3>lfD\> D-7 G7 C Gt7/Dt. D-7 G7 C E7

Ain't she sweet? See her com - ing down the street. Now I ask you ve-ry
Ain't she nice? Look her o - ver once or twice.
I re - peat - don't you think that's kind of neat?

A7 ^ D7 G7 1
C . 2. C C7 F7

•) O 3 7
con- fi- den - tial-ly, ain't she sweet? nice? Just r.»st jm eye in her dir-

c a° D-7

ec - aon r Oh me oh myv ain't that per - fee — tion.

DARKTOWN STRUTTER'S BALL Shdton Brooks 1917

I'll be down to get you in a ta- xi hon-ey, you bet-ter be read - y a- bout halfpasteight,
Re - mem- ber when we get there hon-ey, the two steps goin* to have 'em all, goin' to

*G7 C E^°7 D-7 G7 2.

nowdea^ie don'tbelate, I want to be there when the band starts play-ing. danceoutbothmy shoes,
I* C/G A7 D7 G7 C

whenhey play that jel - lyroll blues, to mor-rew night aHhe dark-town strut-ter's ball.

Ja-da, Ja-da, Ja-da Ja-da Jing, Jing, Jing. Ja- da, Ja-da,
G7 C7 F/A Al»°7 C7

Ja-da Ja-da Jing, Jing, Jing. That's a fun-ny lit- tie bit of mel - o-dy,

F/A Ak>7 GzL C7 F E^7 D7 G7 C7 F

its so sooth- ing and ap peal-ing to me, -it gees Ja-da, Ja-da, Ja-da Ja-da, Jing, Jing, Jing.
 MUSKRAT RAMBLE Kid ory 359
At EW E\>1 At At C-
mm J- i
i
G7 C- El-7 At Et7 Et7 At

Bt-7 Bt7 Et7 At 1,7

Bl>7 El»7 At A
Tn L iniMl ^
D.C.alCoda

171 1.
I* i
~n i

lj
i
in i
1
-

I'VE FOUND A NEW BABY Palmer/Williams

.D- A7 D- D7

D.C. a! 2nd End (Fine)

MIDNIGHT IN MOSCOW Sedoi/Matusovosky

c D-7^G7 C- G7/D Et6 C-7 Et At G-7 Et D-7 G7

 AVALON Rose/DeSylva 1920
361
C7 F

so I think I'll

TIN ROOF BLUES New Orleans Rhythm Kings

FZ Bt> Bl>7

Bl> F7 Bl» D-
ji
J'iJ~3 j J .i
uJ~~l j
j
I

k
j. i i,j
P
C-7 F7 C-7 F7 Bl> B^/D C-7 B\>

5
Bt B^7

P 9~V

i
1
'
mn
F>7 G7
i
1.
G7 F+7 F7
rrrrn
o

m 4S
2. )

C9 F7 B F>7 i2_ Bl»9

362 BABY FACE

Ba - by face,. you got the cut- est lit - tie ba-by face, there's not an-
Ba - by face,.
I'm up in hea-ven when I'm
G7 D-7 G7 C A7 D7

oth-er one could take your place ba-by face r my poor heart is jump- in',

you sure have start ed some- thin'.

- in your fond em - brace, I did - n't need a shove,
C/G A7 D7 G7 C At7 C

'cause I just fell in love with your pret - ty ba- by face

TOOT TOOT TOOTSIE Kahn/Erdman 1922

D7 D-7 G7 CA7 C6

Toot
Kiss
Toot
me
Toot-
Toot-
sie
sie
good
and
- bye,
then,
_ Toot Toot Toot- sie don't cry- ff/je

do it ov - er a - gain-
Toot Toot Toot- sie don't cry, Toot Toot Toot- sie good - bye.
1
*
C CA7 C|°7 D-7 G7 D-7 C El* D-7 G7

be choo choo train that takes me a- way from you, no words can tell how sad it makes me.

C G7

Watch for the mail,_ I'll nev-er D.C.aJFine

fail, if you don't get a let-terthen you'll know I'm in jail

YES SIR, THAT'S MY BABY Donaldson/Kahn 1925

E° F-7 Bl>7 , F-7 Bt7

Yes sir, that's my ba - by, no don't mean may- be, yes

sir, I sir, that's my ba-by now_
Yes ma am.we ve de-ci-ded, no ma'am,
2 -
Bt7 E ^ Et7 A \,
we won't hide

G G
it,

[,
yes,

F7
ma'am, you're in- vi- ted

Bt?
now-

By the way, by the way, when we reach the preacfcr I'll say,
 —

ROCK-A-BYE YOUR BABY

Schwartz/ Lewis /Young 1918
363
Ek>7 D-7 G7 D-7 G7

Rock- a -bye your ba-by with a dix- ie mel- o dy, when you croon,

Weep no more my la- dy, sing that song a- gain for me, and old black Joe,

G7

croon a tune, from the heart of Dix - ie. ust hang your era- die,

D-7 G7 C E-7 A7 G/D A-7 D7

right on that Mas- on Dix- on line, and swing it from Vir- gin - ia

2.
D-7 G7 E7

to Ten-nes-see with all the love that's in yen just as though you had me on your

A7 D7 [
. . .

S
*E3
knee. A mil- lion ba-by kiss-es I'D de-liv - er, the min-ute that you sing that

C/G C _C/E El>7 D7 G7 C

mm
Swa- nee riv - er, rock- a- bye your rock- a- bye ba - by with a Dix- ie mel- o - dy.

THE SHEIK OF ARABY Snyder/Smith/Wheeler 1921

m B^6
Hie stars that,

Bl>/D
B<>7

shine a •

Dt°7
C-7
O

bover
F'9

C-7
will
c--7

light

F9
our
1

C-7
F9

to

me- At night when you're a - sleep, in - to your

F7 B^6 C-7 F7 F7 El»7*U D7 G7

i
tent I'll creep. The way to love. You'll rule this

C7 C-7 F7 Bl>6

3 P
i land with me,. the sheik of Ar a - by-
364 LIMEHOUSE BLUES Philip Braham/Furbcr 1922

Oh, lime-house
oh, lime-house blues,
——
kid, oh, oh,
I've the
oh, lime-house
real lime-house blues.
kidr go-ing the way that the

G7W D^7 C7 F-

rest of them didr poor bro-ken bios — = som and no - bo - dy's child,

haunt- ing and taunt—- ing, you're just kind of wild Oh, oh can't seem to shake

At G Gt F7

off those sad Chi - na blues. — Rings on your fin — - gers and
Bt- El>7 Bt-7^ Et7 &\> At/CBt-At

tears for your crown r that is the sto ry of old Chin- a- town.

UP A LAZY RIVER
Hoagy Carmlchacl 1931

G7

Up
Up
a
a
la -
la -
zy riv-er by the
zy riv-er where the
old mill run, the \ - zy, ha - zy riv - er "fii the
rob-in's song, a - wakes a bright new morn- ing, we can

noon- day sun, lin-ger in the shade of a kind old w a- way

tree, your trou- bles, dream a
loaf a - long,
F B°7 F/C D7

dream with me. blue skies up a - bove, ev - 'ry - one's in love,

G7 C7 F E7 D7 G9 C9 F

up a la-zy riv-er, how hap- py you can up

be, a la- zy riv-er with me.
 MOON RIVER 401
Johnny Mercer/Henry Mandnl 1960
A- C B-7 E7

6/ ^ '
^ gj *
Moon riv-er, wid-cr than a mile, I'm cross- ing you in style some - day. Old
Two drif-ters, off to see the world, there's such a lot of world to see. We're

1-A-" C7 F B^9 A- B7 E- A7D-7G9RA-

J'l. J. M J

dream mak-er, you

5
heart break- er, where -ev-er you're go-ing I'm go-ingyour way. af - ter the

same
F7

rain- bows endi

C F
rm
waitin"roundthe bend,
1
C
1
F
ij]
my
nm
.

huo-kle-ber-ry friend,
C A- D-7

moon riv^er
G7

and me.
C

SOMEDAY MY PRINCE WILL COME

Moray/Churchill 1937
A+7 B^7 D7 G- G- (A7) G-7 C7

Some day my prince will come, some - day I'll find my love, and how
He'll whis - per "I love you" and steal a kiss or two, though he's

A^7

thrill - ing the mo- ment will be, whenthe prince of my dreams comes to me
A+7 G~ At>°7 A-7 D7 G-7 C7 F

far a - way I'll find my love, some - day, some - day when my dreams come true

FASCINATION Marchetti/Manning 1904

F7'll C C/E E^ D-7

It was fas-ri - na - tion I know, and it might have end - ed right there at the start.
It was fas-ci - na - tion I know, sec- ing you a- lone with the moon- light a- bove,

D-7 D-7l*}7

pass - ing glance, j might have gone on my way emp-ty- heart- ea

then I touched your

D- G7 C

was fas-ci hand, and next mo- ment I kissed you, fas - ci-ca- tion turned to love.
402 SOMEWHERE MY LOVE 1965 Dr. Zhivago

El G C/D G G/B B^7 A-7 D7 A-7 D7

Some - where my love, there willbe songs to sing^ -

al thoughthe
Some - where a hill,. blos-soms in green and gold r and there are
You'll come to me- out of the long a - go,- warm as the
Till then my sweet, think of me now and then,. God - speed my
A-7 D7 #A-7 D7 cm C/A C/G

snow. cov-ers the hope of springs, Some - dayr we'Umeet a

dreams r all that your heart can hold-
windL soft as the kiss of snow_
love.

C CH g/D Bt/A BkJ Bl>/F F/C Bl>

gain my when - ev- er the spring breaks

D/A D7 D/A D7 D7» Q

* through-
D.c.ai
'till you are mine a - gain.

AROUND THE WORLD Young/Adamson 1956

Tt
It
'
might i*
have
e
u5
been
ld 1
in
^
S
Coun-
ch for
ty
y ou-
Down,
1
or in
^veiled
New
on,
York,
when hope was
in gay Par
gone
-
to keep a
-

D-7 G7

ren- dez - vous. I know some where, some

- - time, some - how, you'd look at me, and I would
G+7

see, the smile you're smil- ing now. It ree, or ev-en Lon- don town, no more will
C A7 D-7 G7 C

go all a round the world

1 - for I have found my world in you
 EMILY 403
Johnny Mandel 1964
07 A-7 G-7 C7W FA7 Bl>7

E-mMy. E-mi-ly, E-mi-ly, has the mur-mur-ing sound of May All

AA7 F|-7 B-7 E7sus4 E7 A-7 D7 D-7 G+7

sil- ver bells, cor- al shells, car-ou-sels, — and the laugh-ter of chtf-dren at play, say.

CA7^ A-7^ D-7^ G7 07 G-7 C7 F*7 E7sus4

E-mi-ly, E-mi-ly, E-mi-ly, and we fade to a mar- vel- ous view, two

A-7 B7 E-7 A7 D-7 G7 A-7

Pi i
J m
1

i
i
1
1
1

1
n r=M
id I
II I 1 I
I
I- i
lov-ers a - lone and out of sight, see-ing - ma-ges
i in the fire - light As my
FH 15
B7» E-7 A7 D-7 _ G7^ Q6

eyes vis-ual - ize a fam-i-ly, they see dream- i-ly, E-mi-ly too-

ALWAYS Irving Berlin 1925

I'll be lov - ing you al - ways. with a love that's true

Days may not be fair

When the things you've planned, need a help- ing hand, I will un- der- stand,

al - ways always. that's when I'll be there al - ways,

,
not for just an

p G7 G-7 C7 F

hour, not for just a day, not for just a year but al- ways-
404 EDELWEISS
Rodgers /Hammerstein 1959

F7/A Bl'/D El> bI>/F G-7 C-7 F7

Ed - el - weiss, E - del - weiss, ev - 'ry morn - ing you greet me,

F7/A B^/D E\> B^/F

small and white, clean and bright, you look hap -

py to meet me.
F7 Bl> Bl»/D F> C/E F F7

Bios - som of snow may you bloom and grow, bloom and grow for - ev - er,

Bl> F-6/Al> E^/G $>-/G\> B\>/F F7 Bt

E - del - weiss, E - del - weiss, bless my home - land for - ev - er.

WUNDERBAR Cole Porter 1948

G A7 G^7 G6 B~ E7

Wun - der - bar, Wun- der - bar,. wnat a per- feet night for love. Here I
Wun- der - bar, Wun- der - bar, we're a - lone and hand in glove,- not a
Wun - der - bar,. Wun- der- bar, there's one fav- 'rite star a - bove r what a

am, here you are why it's tru - ly Wun - dr - bar- Wun - der -
cloud near and why,
far,- it's more than Wun - der - bar..
bright shin - ing

Oh I care dear, for you mad-ly,lJL- and I long dear for your kiss.

O 7 A-7 D7« G6 E- Cf-7* p|7 E7

I would die dear, for you glad-ly,. you're di vine dear,

- and your mine dear.

A- DJ C. alCoda
A-7 D7 A-7 D7« G6

Wun -
P
der
i
star,. like our love it's Wun - der - bar..
 UNDER PARIS SKIES 405
Glraud/Cannon 1953

Stran--ger
Love
Just look
be- comes
be

and
-
i
ware, there's
king,
see what
the
love
mo- ment
hap-pened
in the
it's

to
air,

Spring, un- der

me
un- der

un- der
Par
Par
Par
-

-
r
is

is

is
'
m
skies,-
skies,
skies,-

C7 F- F-

r
i
r i

r Fine
try to be smart and don't let your heart catch on fire-

lone - ly hearts meet some - where on the street of de - sire-

watch what you do, the same thing can hap - pen to you..

2. B>-7 F>7 Ab6

—=3=-A^7

Pa-ri-sian love can bloom, high in a sky lit room or in a

B^6 C7 F- C7
1
1"
i
r
'

r 1
r i

r 1

r i 1

r 1

gay ca - fe, where hun - dreds of poe-ple can see~

F-

don't ev-er be a heart brok-en Strang - er like me Oh I feel in

F*7 Tad, C-7 F7

Par - is can be. so beau - ti - fly cruel

Tacit F A7 D-7 A7 D- C7

Par - is is just a gay co - quette, who wants to love and then for - get.

G-7 F Ffr» Tadt C C7 F- C7

Stran - ger be - ware,- D.C. aJ Fine 1st End

there's love in the air~
406 WONDERFUL COPENHAGEN Frank Loesser 1950

F G7 C C/B E-7l5Bt A7

Won-der-ful, won-der-ful, Co- pen - hag- en, friend - ly old girl of a town "Neath her
won -der- ful, won-der-ful Co- pen- hag- en, sal - ty old queen of the sea. Once I

G7

ta - vem light on this mer - ry night, let us clink and drink one down. To
E- D7 G7 c

Co - pen- hag -en, won-der-ful, won-der-ful Co - pen - hag - en for me

VIENNA, MY CITY OF DREAMS Sieczynski/ Caesar 1937

F6 Ff°7 G-7 C7 C+7 F6

Hrt w
Hold
when
me ^
and
" Cn
,t
"
*t
will
dreams
seem,
'

nighttime
°' er *e
is
Da-nube
end- less
the
and
moon -light gleams
love fu -
^

and with the day our two hearts will stay in old Vi en - na's dream.

MERRY WIDOW WALTZ Franz Lchar

 TWO HEARTS IN 3/4 TIME 407
Stolz/Young 1930

O C C° C C C/E E^°7 G/D G7

1
Two hearts beat with a
5
['
r
joy com-
i

r
plete,
i

oh
i

r
what a night for
n you
j
r
and
rn
me Two
D° D-7 D° D-7 D-7 G7 D-7 Gsus 4
G7 07
I tJ in .J- J s
r i
ff
hearts beat with a love so sweet, while wait - zing dream - i - ly.

G-7 C7 F6 A-7 D7 D-7 G7G+

J J 1 .1,
I f J J N
I'll share your charms 'till the break of dawn, locked in your arms 'till the new day is born. Two
C° C C° C E-715 A7» D7 G7 C
IS i
hearts beat with a joy com -plete, wait- zing to a new pa- ra - dise~

VIENNA LIFE

WHERE IS YOUR HEART (Moulin Rouge)

. G- C-7 F7 F-7 Bl»7 F-7
MADEMOISELLE DE PARIS
 I COULD HAVE DANCED ALL NIGHT
Lemer/Locwc 1956
409
E- C D- E-7A7 D-7

1
I could have danced all night, I could have danced all night, and still have begged for more.

G7 D- D -(A7)
D-7 D-6 G7sus 4
G7 C^7
3
j. J J " i
'r i
"r j> J I

I could have spread my wings and done a thou- sand things I've nev-er done be - fore.

E Ff-7 B7 E _ G A-7D7 G7 FC/ED-

Til nev-er know what made it so ex - cit -ing, why all at once my heart took flight I on - ly

C _ F D-7 G7 C

know when he be-gan to dance with me, I couldhave danced, danced, danced, all night

FALLING IN LOVE AGAIN Fred Hollander 1930

Et EW Al>A7 Al>-6_ G-7 C7«f-7 fi^9 p>6 F-7 bI»7

Fall- ing in love a- gain, nev-er want- ed to, what am I do, can't fine
to help it
Love's al-ways been my game, play it how I may, I was made that way, can't help it

G7 C-9 F7 F-7 B>7

alFina

Men clus-ter round me like moth a-round a flame, and if their wings burn, I know Tm not to blame.

DEAR HEART Mandni/Iivingston 1964

F*7 F7 B° F G9 G-7 C7 F F*7

Dear heart, wish you were here to warm this night. My dear heart,
Soon I'll kiss you hel - lo at our front door,- and dear heart

F7 Bl> B* ^F Al» G- C7 *F F7 Bl> B^-6 F A7 D-7

seems like a year since you've been out of my sight A sin-gle room, a ta-ble for one, it's a
I want you to know I'll

D.C.alCoda F D-7 G-7 C7 F B^ F

lonesome town all righL But leave your arms nev-er - more..
 —

410 TENNESSEE WALTZ Redd Stewart/Pee Wee King

C7 F

I was walz-ing with my dar- lin' to the Ten- nes - see waltz, whenan
In-tro - ducedhim to my lovedone and whilethey were waltz- ing my
Yes I lost my lit- tie dar- lin' the night they were play-ingthe

2
1
c G7 c
» '

V
old friend I hap - pened to see In - tro - friend - stole- my
beau - ti - fill

G7 C E7

sweet - heart from ,me_ I re - mem - ber the night and the

waltz Fine
Ten - nes - see
D.C. al 2nd End (Fine)
F C G7

Ten- nes- see waltz, now I know just how much I have lost Yes I

BAUBLES, BANGLES AND BEADS Forestmightl953

B^7 El>9 Al»A7 F-7 B^-7 &9 A^7

Bau-bles, ban-gles, hear how they jing, jing- a- ling - a, bau-bles, ban-gles bright shin- y

D-7 G9 CA7 A-7 D-7 G9

beads. Spar-kles, span- gles, my heart will sing, sing- a- ling - a, wear- ing bau-bles,

07 Fj-7 B7 E*7 A7

ban - gles and beads. I'll glit- ter and gleam so, make

E^7 A^6 B-7 B^7 E^9 A^7 F7

some- bo- dy dream so that some- day he may buy me a ring, ring- a- ling- a,

Bl>-7 El>9 A^7 F7^ B^-7 &9 A^7

I've heard that's where it leads, wearing bau-bles, ban-gles and beads
 FALLING IN LOVE WITH LOVE 411
Rodgers/Hart 1938

Bl*7 B\>6 B^7 C-7 F7 C-7 F7

Fall- ing in love with love is fall - ing for make be - lieve

I fell in love with love one night whn the moon was full

F7 B^7 B^6 B^7 B^6

Fall- ing in love with love is play- ing the fool-

I was un wise with eyes un - a - ble to see-

Car- ing too much is such a ju - ve- nile fan

with love ev - er -
I fell in love with love,

G- G- (A7) G-7 G-6 C-7 F7

Learn- ing to trust is just for chil- dren in school

2
A-7 D7 G7sus4 G7 C-7 G7^ C-7 F7 B^A7_

last - ing

I'LL TAKE ROMANCE

Oakland/Hammerstetn 1937
® F6 D-7 G-7 C7 C/B\> A-7 Al»7 Dl»A7 G^7 G-7

I'll take ro - mancer . while my heart is young and ea- ger to fly, I'll give my
I'll take ro - mance, while my arms are strong and ea- ger for you, I'll give my
first real ro - mance, while my heart is young and ea- ger and gay, I'll give my
1.
D7^ G-7 C7 F6 Al>7 G-7 C7 F6 C-9

Fme
heart a try, I'll take ro mance. mance
arms their cue, I'll take ro
heart a - way, I'll take ro mance-

B -7t5 E719 LPjEb-7 aI>7

Al E>I»A7 bI»7 El>-7 At7 D^7
^
,
[

r i

r i
P
So my lov-er when you want me, call me in the hush of the eve -

Dl>6 Cf-7 Ff7 BA7 EA7 A-7 D7 G-7 C7 D.C.alRne

^ f
ning,
I It

when
J- I

<f
you
I
iJ-

call me,
t J

in the
J i
J
r
hush of the eve- ning, Til rush to my
412 MY FAVORITE THINGS Richard Rodgers 1959

® E-7 F|-7 CA7

Rain- drops on ros-es and whiskers on kit-tens, bright cop-per ket- ties and warmwool- en mit-tens,
Cream col- ored poniesand crisp ap-ple strudels, door-bellsand sleighbellsand shnit- zel with noodles,
A-7 D7 G A7 (>7 G^7 CA7 F#-715 B7

brown pa - per pack- ag - es tied up with string, these are a few of my fav-or-ite things.
wild geese that fly with the moon on their wings,

EA7 £A1 A A7 A*7

Girls in white dress- es with blue sa- tin sa-shes, snow-flakes that stay on my nose and eye - lash-es,
'

A-7 D7 G*7 07 G*7 C^7 Fj-7^5 fi7^

sil-ver white win- ters that melt in -to Spring, these are a few of my fav-or-ite things
E-7 Ff-715 B7 19 E _7 E .
7/D CA?

When the dog bites, when the bee stings, when I'm feel - ing sad,
C A7 A7 GA7/D D7sus4 D7

sim- ply re - mem- ber my fav-or-ite things and then I don't feel so
G6 CA7 G6 C A7 G^7 C^7 (Ff-7^ fi7^)

GREENSLEEVES
 1

LOVER Rodgers/Hart 1933 413

j C F|-7 B7 F-7 Bt>7 E-7
E- A7

W
Q

r
Lov
Lov
*

-
r it
er
er,
r
when I'm
when we're
c i

r
near
danc
j

-
ri
you,
ing
i
i

and
keep
1

P
I

on
i

y
hear
glanc
«

-
r
you
ing
i

r
speak
in
'

\
my
my
1

name,
eyes,
Lov - er, please be ten - der, when you're ten - der, fears de - part,

Al>7 D-7 < G7 1

CA7 Ei>7 D-7 G7
2
CA7 C6 Fj}-7 B7

soft - ly in my ear you breathe a flame, dies.

'till love's own en - tranc - ing mus- ic
lov - er I sur - ren - der
EA7 F°7 Fjf-7 B7 EA7 F°7 F|-7 B7

All of my fu - ture is m you. Your ev- 'ry plan I de - sign

GA7 G# 67
A-7 D7 G7

prom- ise you'll al- ways con tin ue to be

mm
mine.
F>°7 D-7 G7^9

g7 c

to my heart

ALICE IN WONDERLAND Fain/Hillard 1951

D-7 G7 CA7 pA7 B-7^5 £719 A-7 #7

A lice in won - der - land, how do you get to won - der - land?
When clouds go roll - ing by, they roll a - way and leave the sky,
A lice m won - der - land, where is the path to won - der - land,

O- ver the hill or un - der - land, or just be - hind the tree,

where is the land be - yond the eye that peo - pie can - not
o- ver the hill or here or there? % I .
won - der

see Where can be? Where dostarsgo? Where is

EH 7A9
¥ - A? A7 D-7 A7 D-7 A^T^ •Rr

the cres-cent moon? They must be some - where in the sun - ny if - fer
414 BLUESETTE
Jean Thcilcmans

El B l>A7 D7 G-7 C7 F-7 Bi>7

B^7 C-7 F7 ^D-7 Dl>7 C-7 F7

UP JUMPED SPRING Freddie Hubbard

£-715 A 7t9

D.C aJ 2nd End. Roe

SCARBOROUGH FAIR
D- C D- F D- G A7
 WHAT'LL I DO?
Irving Berlin 1924
415
El»A7 F>/G F-715 e|, A 7 B j,
7sus4 B |,7

What-'ll I do — when you — are —

far a - way-, and am blue,
What-'U I do— when I — am won-^
— 'dring who,
I

who's lov_- ing you,

what- '11
what-'ll I
I

When I'm a - lone — with on—- ly dreams of you —that won't come true, what-'ll I

F>6 *-F>7 IB| A |,6 F-7 A\>6

— & * 4

do?_ Whafll I do_ with just. a phc to-

F>A7 Dl»7 C7 F7 0.C. a/f/ne

3 -n

graph to telL my trou bles to.. When I'm a -

MY BUDDY Kahn/Donaldson 1922

A^7 A-7 D7 G

-6*

bout you all the day, my bud- dyr my bud- dyr no - bo- dy
know that you un-der - stand, my bud- dy my bud- dy,- your bud-dy

quite so true. miss - es you.

GRAVY WALTZ Steve Allen 1963

c F6 C E7 A-7 F|-7tf F-6 E-^ 5 A^ 9

a y
416 HELLO YOUNG LOVERS
Rodgers /Hammers tein 1951

^ r
Hel
Be
Don't
I
-

brave
cry
r
lo
r
young
young
young
i
E^6

f
lov
lov
lov
-

-
crs
ers
p

and
ers what
r
who -

-
i
EU7

r
ev
fol -
ev
^
-

-
er you
low your
er you
1=
are,
star,

do,
be
don't
I hope
brave
your
and
-
cry be

E°7 F-7 B^7 B^7 Bl>7 <

trou-bles are few^ all my good wish- es go with you to - night,

faith-ful and truer- cling ver - y close to each oth - er to - night,
cause I'm a - lone_ all of my mem-'ries are hap - py to - night,

F-7 Bt7„s4 B^7 Bt7su S4 Et7

i
I've been in love like you. Be you-
I've been in love like

Al-6 B^7 At6 Bl»-7 Al»6

J J J

know bow it feels to have wings on your heels, and to fly down the

B^-7 A^7 D-7t5 G7^

street in a trance.
r
You
T
fly
t
down
r
a
'Y
street
u
on a
1

C-7 F-7 Cite f-7 B^7 D.CalCoda

r
chance that you'll
r i

meet,
r u
and you meet
t
j

not
I
j

real -
j

ly
j

by chance. Don't

I've
F-7

had a
Bl»7

love
i
of my
m
E^7

own-
*
El>7

I've had a
3
At-6

love
PPmy
of

»
r r r r
'
* Ml
own like yours, I've had a love of my own-
 , o

BEER BARREL POLKA 431

Brown /Timm 1939

G7
J|j(i
:
J
j > J|j i
J
j >
J|j i Jr i'
r i

r r
!
j r r
i
r i

r r ' c
2
G7 C
1
1
H| i
i

Hiipi
^ G7 D-7 G7 C C/E

—
Efc>
D-7
J r.J J.
I
.J
J |
j 1 1 l-
J JiJMtiJJlJj JJ 1
°

G7 D-7 G7 'D-7 G7 C
i r r
r r i

r
J. I.J I
„

2
D-7 G7 C F
3
i
ikl 1.
F F C7

m
,

bfE=EEd
Roll out the bar- rel r we'll have a bar-rel of fun.
Zing! Boom! Ta - ra-rel,. ring out a

C7

f If I

Roll out the bar-rel r we've got the blues on the run.

2-F7 Bl> Bt>6 B °7 F/C D7 G7

O —
d
'r 1
i
1

good song of cheer,. now's the time to roll the bar-rel, for the gang's

C7 F D- A7 D- c

all here.
Tt- * 5 itJ Ji I
r
p
i

m
G7 CGC C7 C7/E F C7/G F/A C/Bl> B° C7

f j^j i
i n n jjj[fi r N|
i

r
J i
j j j j §^§^Back to C Chorus
THE HAPPY WANDERER

HELENA POLKA

CLARINET POLKA
 LIECHTENSTEINER POLKA 433
i

PENNSYVANIA POLKA

TOO FAT POLKA

G7 C Cf> D-7 G7 C G7

G- X F D7 G7 C7 F X
 —
I
434 HOOP-DEE-DOO
Bt7
Dclugg/Loesscr 1950 —
1

Hoop- dec- doo, Hoop- dec- doo, I hear a pol-ka and my trou-bles are through.
1

!
Hoop- dee- doo this kind of mus-ic is like hea-ven to me..
Hoop-dee- doo,

F> !

Hoop- dee- doo, Hoop- dee- doo, it's got me high-er than a kite_

C7 F-7 -0- Bl>7 I

am gon-na get my wish Hoop- dee - doo -in' it to

Hand me down my soup and fish, I

Al>
At
El> •
.

• —
-* '

J. 4 \\*

trom-bone play- in* rah - ta dah-dah- dah. I get a thrill,

night When there's a
B^-7 El»7 B^-7 El»7
to Et7/Bi> F>7 ]

When a fid- die in the

i-ways smile, 'cause that's my style. there's

At>7 d\> D^/C ]

sweet, play the tune so sweet that I could die.

mid-die and he oplays the tune so

At F7 Bl>7
Dtek*/A>

me more 'cause I'm a hoop - dee •

Lead me to the floor and hear yell for

D.CalCoda

doo - in' kind of guy.

Bl>7 E^ D D\> C7 F-7 At

, ,

i 'i i
''i
h 1 1
1

ii II
may
i
i

and
' i

snow
r r
may come,
do - in* it with all of my might, rain fall

El>
F> C7 F-7 Bi>7
 MALA FEN BNA Toto/Allen 1951
441
B^7

ALDILA Donita/Drake 1961

D- C-7 F7 D-

COME BACK TO SORRENTO

 P

442 ARRIVEDERCA ROMA Rascal/Sigman 1954

C- G G B7 C E7/B A-

Ar - ri - ve - der- ci Ro-ma, good - bye, good - bye to Rome, Ci-ty of a

Ar - ri - ve - der - ci Roma,. it's time for us to paiv_ savethewediing
A7 D7

mil- Hon moon-lit pla-ces, ci - ty of a mil- lion warm em - bra-ces, where I found the
bells for my re - tum-ing, keep my lo v-er's arms out- stretched and yearn- ing, please be sure the
1
D7 C- D7 G B^7 A-7 D7

one of all the fa- ces far from home Ar bum- ing
- in her heart.
flame of love keeps

VOLARE 1958

G7^ C-7 G7W c-7 F7^ fit

C-7 F7, fit G- C-7 F7,v G- G-^P G-7 G-6

r— 3.-— r—— 3—-n I> s — ffJ
ifil> A+7,
r-~3. r— 3.—
i i t 1

Et-, Bl>7 El>- a)»7 Dl>

F7 G7^ Bl> G- -
C-7 Bt> G- C-7 F7. Bl>

.C. 1.2. al Coda

r
MJjlIJ-
r"- rJrllr
J
fnr \
"i n ^jT
i
^M t I J

TARANTELLA
D- A-
 r

AH MARIE 443
D7 G7 C- F- C- F-6

pal

— —
•a , p i

rP 1

J:,

MARIA ELENA Barcelata/Russcll 1933

yC D;7 G7 G7 G+ ^ C
1

1 i *-l J—
1 Ui 1—4

G+ C F>°7 D-7 G7

O SOLE MIO
B^7 B^7

l B^7
F> Bl>7 F> F- B^ISIe^ Bl»7
444 ANEMA £ CORE Salve D*Esposito 1950

G^7 B-7 Bt»°7

- 3
A-7 D9 A-7 D7

G6 B\>°1 A-7 D7 G a7 A7W_ D A7 D§°7 E-7

Mescoli/Lee 1960
MY LOVE FORGIVE ME
C-7 A\> G-7^5 C7l? F-7

D.C.alCoda

Modlugno/Parish 1959

CIAO CIAO BAMBINA

D-7 A7g D-7 G7 C C6 C^7 G7sus4

C C A7 C6 C E- E- (A7 > "E-7 A-7 Fjt-7t5 B7

 DANNY BOY 451
Fred Weatherly 1913

C7 F- C/E A-7 D7
3
Oh Dan- ny
But when ye
boy,
come, and
i
the pipes the
all
pipes
the flow'rs are
are call -

dy -
ingT^from glen
ing, if I am
to
mm
glen, and down the moun- tain
dead, as dead I well may
m
D-7 G7 C C7

side, the sum-mer's gone and all the ros-es fall - ingT' it's you, it's you must go and I must
be, ye'U come and find the place where I am ly - ing, and kneel and say an Av - e there for

C G7 C R C/E C

bide. But come ye back when sum - mer's in the mea - dow, or when the
me. And I shall hear, though soft you tread a - bove me, and all my
A- A-/G C/E D7 G7 C7 F F|f°7

val - ley's hushed and white with snow, it's here I'll be in sun - shine or in
grave will warm - er, sweet - er be, for you will bend and tell me that you

C/G F-/At>

sha dow, oh Dan - ny boy, oh, Dan - ny boy, I love you so.
love me, and I shall sleep in peace un - til you come to me.

WHEN IRISH EYES ARE SHINING Ball/Olcot 1912

452 MY WILD IRISH ROSE 1890's

E°7

i ' i
'r h r if r

F7 F7 1
Bl> d
* 9
F7 ^Bt C7 C-7 F7 Bt
IIS —J '

r r p

TOO-RA-LOO-RA-LOO-RAL
/C C7 F F|°7

j^J J I
J J
i ll LI- |J J I
J
r
i

r I

C/G C/E A9 D7
-
2
G7sus4 G+7 A9 D9 G7sus4 G7 C
j'i '
|J. I i
H H

IRISH WASHERWOMAN

T i

u Ilu jj i

uX ^ 'J
n i
m rrn P
fi ij i
ii

McNAMARAS BAND
 —

SUNRISE SUNSET
Tiddler on the roof

G- D7W G- G- D 7k9
G- G7

7T-
—
Is this the lit-tle girl I car ried? Is this the lit - tie boy at play?-
When did she get to be a beau ty? When did he grow to be so tall?-
Now is the lit- tie boy a bride groom? Now is the lit - tie girl a bride?-
Place the gold ring a- round her fin share the sweet wine and break the glass,-

G7 c-
m D+7
1.
c- E^7

3
P
I don't re mem - ber grow - ing old er, when did they?-
Was - n't it yes - ter - day when
Un - der the ca - no - py I see them, side by side—
soon the full cir - cle will have

C- A7 G- D7 G-

they
m
were small.,
r
Sun-
r
rise,
i
r f
sun- set, sun - rise,,

come to pass.. Sun - rise, sun- set, sun - rise,.

A -715 G- G- G7 C- F7

* sun- set,
r
swift -'
r
ly —
i
r r
flow the
r
seed- lings turn o ver night to
sun- set. swift ly — fly the
days,-
years- One sea - son fol-
-

low- ing an

B^7 A-715 D7 G- D7 W G-

r '
r r r
sun - flowers, bios- som- ing ev - en as we gaze,- pi-ness and tears.
oth - er la - den with

HAVA NAGBLAH

D7 C- D7
MAYIM MAYIM

MISIRLOU
 1

HAWAIIAN WEDDING SONG 46

1926

C G7 C C7 F G7 C G7 C E7 A-7 Q7

I" J
This
J

is
J
the
1

J
moment
J
u J

I've wait-
j
ed
I
J
for,
J

I
J

can
I
J

hear my
J J
heart
I

J
sing- ing,
J I
J
soon
J ^
bells will be

G^ C O D7 G7 C

\§ r r
ii

'
J J
= j
!=d=^-|=f!=S
ring- ing. This is the mo raent, of sweet A - lo - ha. I wil J love you long-er than ft)r-

G9 p- p-r^ C G+ C A7 D7 G7
$ ^ J ^ J
i

ev-er, prom-ise me that you will leave me nev-er. Here and now dear, all my love I

vow dear, promise me that you will leave me nev-er, I will love you long-er than for - ev-er.

Now that we are one, clouds won't hide the sun. Blue skies of Ha - wai - i smile on

GODFATHER (SPEAK SOFTLY LOVE)

 —

462 ANNIVERSARY SONG Chaplin/Jolson 1946

E-/B E7»

Oh" how we danced on the night we were wed^_ we

The world was in bloom, there were stars- in the skies,- ex -
The night. seemed to fade- in - to bos- som- ing dawn^ the
Could we— but re - live- that sweet mo- ment sub - lime,- we'd

A-7 F7 E-7 C|-7« FH 15

B7 E-
J
i"
vowed-
i
r r
our true
i

r
love-
'
^ though a was - n't
cept for the few_ that were in your
sun. she a - new- but the lin-gered on- Could
find. that our love- is un tercd by time.

A-7 D7 A-7 D7

Dear as I held you so close in my arms, an- gels were sing- ing a hymn to your charms, two

Fl-715 B7* E- Ft-715 B7 E-

DC si Fine
hearts gent- ly beat- ing were mur-mur-ing low "my darl - ing I love you so."

THE ANNIVERSARY WALTZ Ruben 1941

May I al - ways lis - ten to the An- ni- ver- sa- ry Waltz with you
 r

BRIDAL CHORUS (LOHENGRIN) Wagncr

463
1^ F7 B\> Ei> C7_ F

p
F7 Bt D- -0-C-7 F7 Bt
,f

F7 C-
L-J' U'G J

D7
U\ f
c-
S3
D7 G D7 G u E~ A7
1
— '
1 '

t 1

T
G G- Bl> F7 Bt G- D- A7 D
'

T
* #C- F7 Bt Bt
f
'r
h
r D.C.aiCoda

It

WEDDING MARCH (Recessional) Mendelssohn

* A-
D-6
O
E7

G-
p
A-
if r
G-

r
J

C7
F
n wr
^_ 3 _^C7
3 '
F
j
_
r ^
P C7
D- E7

p^ i
Fine
C7 F Bl» G7 C7 D.C.alFme

* ; iijij r

HAIL TO THE CHIEF

G7 C D7

*G7 F C G7
"
p
F C

V r p
i
J
r^J P P
G7 G?C G7
I P P r r p
F C F C G7
P PP P P mm
464 THE MEXICAN HAT DANCE

THE BUNNY HOP

 i

AULD LANG SYNE 465

C7 F7 Bl>

P
C7 A7 D-7 G-7 C F Bt F C7 F7

C7 D- G-7 C7 F
mm m 1

STAR SPANGLED BANNER

Bt F7/AG- D7/FJ G-7 C7 F F7 Bt F7

r cj- 1

r j

*Bl> Bl» F7 Bl» F7

I J J ^ J | P Pi
Bt >J> F7 G- C7 F F7 Bl> D- G7

i
O G7 O Bl»/F F7 Bt Bl»/D G- BlVF F7 B\>

THE STRIPPER
H B^- F F7E7El»7 D7 G9

1
C9 F7/A D^/Al' G-7 C7 ^FF7 F° Bl>- F F7

^F Dt7 G-7 C7 _F

r
Or i & f
t
D.C.alCoda
 DADDY'S LITTLE GIRL
Gcrlach/Burkc 1949

D7 G- D7

You're the end of the rain-bow, my pot o* gold, you're dad-dy's lit-tle girl to have and

Bt C9 F7

hold. A pre-cious gem is what you are, you're mom-my's bright and shin-ing star. You're the

Bl> D7 G-D7 G- D7

spi-rit of Christ-mas, my star on the tree, you're the Eas-ter bun-ny to mom-my and me, you're

I* B^ bI> D7 g- C7 F7 Bt

sug-ar, you're spice, you're ev-'ry- thing nice, and you're dad-dy's lit - tie girl.
 THOSE WERE THE DATS 467
Gene Raskin
A- A-6 A-7 A-6 A D- D-6

Once up- on a time there was a tav-ern, where we used to raise a glass or two
Then the bu-sy years went rush- ing re-
by us, we lost our star- ry no- lions on the way
Just tonight I stood be- fore the ta-vem, noth- ing seemed the way it used to
Through the door there came fam- i- liar laugh- ter, be
I saw your face and heard you call my name

mem-ber how we laughed a - way the hours, and dreamed of the great things that we would do.
if by chance I'd see you in the ta- vem, we'd smile at one - an - oth - er and we'd say
in the glass I saw a strange re- flec-tion, was that lone - ly fel- low real - ly me?
oh my friends we're old - er but no wis - er, for in our hearts the dreams are till the
same,

niose were the days, my friend, we thought they'd never end, we'd sing and dance for-
G2L C D -

eve - er and a day, we'd live the life we chose, we'd fight and nev- er lose,
E7 A-

for we were young and sure to have our way. La la la la la la,

A D- F7 E7 A-

la la la la la la, those were the days, oh yes, those were the days

RUSSIAN DANCE
D7
468 LA VIE EN ROSE Loulguy/David 1 950

D-7 G7

Hold me close and hold me fast, the mag- ic spell you cast, this is La Vie En Rose.
Quand il me prcnd dans ses bras, il me par- le tout bas. Je voisLa Vie en Rose.

D-7

When you kiss me hea- ven sighs, and tho' I close my eyes I see La Vie en Rose.
D me dit des mots d'a - mour, des mots de tous les jours. D ca m'fait quel- que cho - sc.

C - 07

When you press me to your heart, I'm in a world a - part, a world where ros- es bloom,
II est en - tre dans mon coeur u - ne part de bon - heur dont je con - nais la cause.

and when you speak, an - gels sing from a-bove, ev- 'ry day words seem to turn in - to love songs.
C'est luepour moe, moe pour lui, dans la vie. D me Fa dit, l's ju - re pour la vie - e.

Give your heart and soul to me and ways be La

life will al - Vie En Rose,
Et des que je Fa cois a - lors je sens en moi mon coeur qui bat

BO ROCK

Ev - 'ry Lim - bo boy and girl, all a - round the lim - bo world, gon- na
First you spread your lim - bo feet, then you move to lim - bo beat, lim- bo
Get your - self a lim - bo girl, give that chick a lim - bo whirl, there's a

do the lim - bo rock, all a - round the lim - bo clock, Jack be lim- bo, Jack be quick,
an-kle, lim - bo knee, bend back like the lim - bo tree,
lim- bo moon a-bove you will fall in lim - bo love

C7

Jack go un-derlim- bo stick, all a - round the lim - bo clock, hey, let's do the lim - bo rock.
 CIELITO LINDO
E° F7
469
fit E° F7

I'll ncv - cr for get her the night that met

I her a thou - sand gui
I thought to re sist her but fin - al - ly kissed her when I heard my
B° F7 F7

tars were play-ing,. and stars a bove were say-ing, love's in

heart
the
say sur ren - der, then with a

Ay, Ay, Ay, Ay, That night was hea - vcn,

Ay, Ay, Ay, Ay, That
When
night was hea - vcn, is
C-7 F7 C-7

one lit - tie kiss brought such hea - vcn - ly

still in my heart iho' we've
bliss and my life was
drift - ed a part, but some - day I
Bl>

so com - plcte a - gain know we'll meet a - gain.

GUANTANAMARA
A7 D G

Guan - ta- na- me- ra gua-ji-ra Guan- ta-na- mc-ra, Guan- ta-na- me
A7 D G A7 [@ G A7

ra gua-ji-ra Guan- ta-na- me - ra Yo soy un hom-bre sin-ce-ro De don-de

G A7 G A 7

crc-ce la pal- ma
Yo soy un hom-bre sin-ce-ro de don-de ere - ce la
A7 G A7 D G A7

pal-ma Yan-tes de mo-rir-me quie - ro E-char-mi

mis ver-sos del -
al ma.
 *

THAT'S AMORE 470

Warren/Brooks 1953

C7

In Na-po - li, where love is king, when boy meets girl, here's what they sing

F
f p
r i r r ff=m
When the moon hits your eye like a big piz-za pic, that's a
When the stars make you drool just like pas - ta fa - zool, that's a

C7 G-7 C7 C7 G- C7 G-

mo - re,- when the world seems to shine like you've

mo - re.- When you dance down the street with a

C7 G- C7
j i j. i j

had too much wine, that's a - mo - re.. Bells will

cloud at your
F B' C7 Ff°7

p i
ring, ting - a- ling - a - ling, ting - a- ling - a - ling, and you'll sing vee - ta bel-la,

G-7 C7 C7 _ G- C7

hearts will play, tip-py tip-py tay, tip-py tip-py tay, like a gay ta- ran -

*C7 A7
i> r r \1 r r r
tel - la When you feet, you're in love

El>7«ii D7 (

3
When you walk in a dream but you know you're not

B° C7 B°
i
dream - ing sig - no re,- scuz - za me, but you

C7 C7 G- C7 F
B°
m 1* — B\>

see, back in old Na-po - li, that's a - mo re

 CHRISTMAS SONG 485
Mel Tonne 1946

F>A7 F-7 G-7 A^7 E^7 El>7 A^7 V-jUGlM

Chest- nuts roast- ing on an op- en fire, Jack Frost nip- ping at your nose,
knows a tur-key and some mis- tie toe help to make the sea- son bright,
so, I'm of - fer- ing this sin> pie phrase to kids from one to nine-ty two. Al-

C-7 Al>-6 eI*7 A-V 5 D7 i9 1

-GA7 D (,7 G^7 Bl»7

up mos. Ev-'ry- bo-dy

ti - ny tots, with their eyes all a- glow, will

2
<
?r 7 C7 F-7 Ptl>7 El»6 B^-7 F>7 Al>A7 F- 7
, Q , l.

g # J J 1
1
L L 1 '1
1
J
way, he's load-ed

G^7

lots of toys and goodies on his sleigh, andev-'ry moth-er's child isgon-na spy, to see if

F7sus4 F- 7 B^7 aaa C-7 Al>-6

, Coda

rein- deer real-ly know how to fly. And though it's been siad ma-ny
E^7 D? El>6 B^ p>6 B^ p>6 B^ F>6

times, ma-ny ways, "MeF-ry Christ-mas, Mer-ry Christ- mas, Mei^ry Christ- mas to you.

I'LL BE HOME FOR CHRISTMAS

Kent/Gannon/Ram 1943
C/E F>°7 D-7 G7 C E-7^A7 1-D-7

I'll be home for Christ- mas you can count on me.

Christ - mas eve will find me, where the love - light
D-7 D-715 G7 C A-7 D7su$4 D7 D-7

Please have snow and mis - tie - toe, arad pre- sents on the tree.
"
7 F F-6 C/E E-7t5 A7 D-7 07^07 C

gleams. be home
I'll for Christ - mas, if on - ly in my dreams.
 J g

486
HAVE YOURSELF A MERRY LITTLE CHRISTMAS I
Maiten/Blane 1944
C A-7 D-7 G7su S4 C A7 D-7 G7 C A-7

Have your- self a mer-ry lit- tie Christ- mas, let your heart be light, from now on, our
Have your- self a mer-ry lit- tie Christ- mas, make the yule-tide gay, from now on, our
Through the years we all will be to - geth- er, if the fates al - low, hang a shin- in

trou - bles will be out of sight trou - bles will be far a - way.
FA7 F-6 E-7 D-7 Gsus4
7 G7 C A7
El>
1
Here we are as in old- en days, hap-py gold -en days of yore, ^
Ff-715 B7» E-7 A7 A-7 D9 D-7 G7

D.CalCoda
I
faith- fill friends who are dear to us, gath- er near to us once more.

B-7t5 E7 t9 A-7Al*7 G-7 G^7 F*7 D-7 Q7 C I

star up- on the high- est bough and have your-self a mer-ry lit- tie Christ- mas now-
I
I
WHITE CHRISTMAS Irving Beriin 1942

C F/C CA7 B/C07 D-7 A^7 G7 D-7 G7 G+7 C A7

I'm
I'm
—
—
dream- ing
dream- ing
of
of
a
a
white
white
Christ- mas,
Christ- mas,
just like the ones I used to knowr
with ev- 'ry Christ- mas card I write,.

D-7 G7sus4 C 07 C7 i-F. FA7 F-6 C^7 A7 D7

«y ^ j j 1 J— J j 1 j 6 — 1 o 1 «
ten to hear sleigh bells in the
may your days be mer-ry and
2
D-7 G7 -pA7 Bl>7 C a7 0o7 D-7 G7 c

snow bright, — and may all your Christ- mas- es be white.

1
I
 RUDOLPH THE RED-NOSED REINDEER 487
Johnny Marks 1949

C CIE Et» G/D G7

3 i
Ru - dolph the red - nosed rein - deer, had a ve ry
- shi - ny nose,
All of the oth - er rain - deer used to laugh and call him names,
Then how the rein - deer loved him as they shout - ed out with glee,

D -7 G7 G7 1
D-7 E)-7 G+7
—
•D-7 G7
m
]

—W J J- I d J
N=|q
and if you ev - er saw it, you would ev-en say it glows. join in an - y reindeer
they nev - er let poor Ru- dolph you'll go down in his- to -

Ru- dolph the red-nosed rein - deer,

C C7 F Fj|°7 C Ct°7 D-7 G7 C OK

e-
games Then one fog - gy Christ- mas eve, San - ta came to say,
ry-

G/D G G»°7 A-7 D7 D-7

Ru - dolph with your nose so bright, won't you guide my sleigh to - night

SANTA CLAUS IS COMING TO TOWN

Coots/Gfflespie 1934

C7 F F-

You bet- ter watch out, you bet - ter not cry, bet- ter not pout I'm tell- in' you why,
He's mak-ing a list and check- ing it twice, gon-na find out who's naugh-ty and nice,

sees you when you're sleep - ing. he knows when you're a - wake, he

A-7 D7 G A7 G|°7 A-7 D7 D-7 G7 aaalFine

knows if you've been bad or good, so be good for good - ness sake. Oh, you
 Sleigh Ride (page 2) 489
G*7
J J J J i J J J J

be the per - feet end - ing of a per -

feet day, we'll be
pass a - round the cof - fee and the pump kin pie, it - 11

A-7 A$° G/B B7 E- B/Fjf

j i

j j j .
> i

sing- ing the songs we love to sing with - out a sin-gle stop, at the fi - re- place while we
near- ly be like a pic- ture print by Cur - ri - er and

2
Cf-7 Ff7 BA7 D7su S4 '
E "7 A7

watch the chest- nuts pop, Pop! Pop! Pop! There's a Ives,

D7sus4 D.S.alFme

these won- der- fill things are the things we re - mem- ber all thru our lives.

SILVER BELLS Livingston 1950

C C7 F D7 G7

Cit -
y side- walks, bu-sy side-walks, dressed in hoi- i- day style, in the air there's a
Strings of streetlights, ev-en stoplights, blink a bright red and green, as the shop- pere rush
C C C7

feel - ing of Christ- mas. Chi - dren laugh - ing, peo-ple pass - ing, meet- ing
home with their trea - sures. Hear the snow crunch, see the kids bunch, this is
490 WINTER WONDERLAND
Bernard/Smith 1934

E°7 F-7

Sleigh bells ring, are you list- 'nin'? in

r
the
Li 1

r
lane, snow is glist- 'nin\
m a
Gone a way is the blue- bird, here to stay is the new bird, he
La - ter on we'll con spi - re, as we sit by the fi - re, to

mm
1
F-7 Bl>7 G-7 F9 Bl>7 Et B\>l*x4

r
LJ r P
i

LJ
beau- ti - fill sight, we're hap- py to-night, walk- in' in a win-ter won-der - land. Gone a
sings a love song as we go a- long, Fine
face un - a - fraid the plans mat we made,

D7 G D7 G D7 G

In the meadow we can build a snow- man, then pie- tend that
U ^3 U he is par- son brown,

B\>

he'll say "areyoumarpied,"

F7

we'D say "no

B\>

man, but
C7 F7

you can do the job when you're in

mm
F-7

town."
Bl»7

Lat- er

LET IT SNOW Styne/Cahn 1954

C7 F A-7 At»°7 C7/G C7

weath-er out - side is fright- ful, but the fire is so de- light- ful,
does- n't show signs of stop- ping, and I brought some com for pop- ping,
fi - re is slow- ly dy - ing, and my dear, we're still good-bye- ing,

G-7 D7 D-7 G7 G-7 C7W 'F

and since we've no place to go, let it snow! let it snow! let it snow!
the lights are turned way down low,
but as long as you love me so,

"OK D-7 G^

P
It When we fin- al- ly kiss good - night, how I hate go- ing out in the storm, but if

you'll
m
real - ly hold me
C7 B7Bl>7A7 D7

tight, all the way

G7

home
m
I'll
_
be
G"7

warm.
£1
QjLaLEfoe

The
 JINGLE BELL ROCK Booth/Beal 1957
491
CA7 C6_ C C6.

jin-gle bell, jin-gle bell rock, jin-gle bell swing and jin-gle bells ring,
Jin-gle bell,
jin-gle bell rock, jin-gle bells chime in jin-gle bell time,
Jin-gle bell, jin-gle bell,

up bush- of fun, now the jin- gle hop has be- gun.
snow- in* and blow- in' els

danc - in* and pranc- in' in tin- gle bell square,

What a bright- time, it's the right-, time to rock the night a
in the fros-ty air.

A-7 D7 D-7 G7

way, jin-gle bell — time is a swell tir to go glid-in' on a one-horse sleigh.

C 07 C6 C CI Bl>7 A7 F

Gid-dy-up, jin-gle horse, pick up your feet, jin-gle a- round the clock; mix and min-gle in a

F-6 D7 v C D7 GL- D7 G7 C
l
j '
» r r i

Cj*
that's the jin-gle bell rock. that's the jin-gle bell, that's the jin-gle bell rock
jin-gl-in' beat,

JINGLE BELLS J.S. Picrpont

® c A- t)7

Dash- ing thru the snow, in a one-horse o-pen sleigh, o'er the fields we go,

Bells on bob- tails ring, mak- ing spi-rits bright, what fun it is to

laugh- ing all the way. ride and sing a sleigh- ing song to-night Jin-gle bells, jin-gle bells,

jin-gle all the way, oh what fun it is to ride in a one- horse o-pen sleigh. one-horse o-pen sleigh.
492 CHRISTMAS TIME IS HERE
Vince Guaraldi/Lee Mcndclson 1966

FA7/C FA7/C A^7/C

k

FA7 El,7iu FA7 Et7«u B-7^5 Bl>-7

* Christ - mas - time is here, hap - pi - ness and cheer, time for all that
Snow - flakes in the air, car- ols ev - 'ry - where, old - en times and
Christ - mas time is here, fam- 'lies draw - ing near, oh that we could

A-7 Al>-7 G-7 C7sus4 F A9 Gl»7«ii

i —m — r
chil- dren call their fav-'rite time of year, share. Sleigh bells in the air,

an-cient rhymes of love and dreams to

al- ways see such spi-rit thru the year.

D^7 Gk7*u F A7 El>7 D9 G-7 G+ C9

j. . i n i j
D.C.al Coda Last X
beau- ty ev - 'ry - where, yule- tide light, a fi - re - side and joy - fill mem- 'lies there.

< F6 ,
Fl At/B^ Fi
^M 1

FROSTY THE SNOWMAN Nelson/Rollins 1950

C7 F Ff°7 C/G F F|°7

1

Fros - ty the
i

Snowman, was a
is i
r r r
joHy, hap- py soul r with
LJa r r r
com- cob pipe and a
Fros - ty the snow-man is a fair- y tale they say,- he was made of snow, but the
Fros - ty the snow-man was a - live as he could be,- and the chil- dren say he could
1
C/G G7 G7 T5-7 G7 F FJ°7

: 'i i,i
n mm
but- ton and two eyes made out of
nose coal, came to lifeone day. There must have been some
chil- dren know how he same as you and me.
laugh and play just

C/G D-7 G7 C G E7^ A-7 D7 D-7 G7

1 1
rr r
u" [
rr D.C. al 2nd End
mag- ic in that old silk hat they found, for when they placed it on his head he be-gan to dance a - round
1. 2
G7 C
i Thuro- pe- ty, thump, thump, thum-pe- ty thump,thump, look at Fros-ty
i
—4 1l

go,
u Nll^-I
ov-erthe hills of snow.
 . — —

THE GIRL FROM IPANEMA 501

F^7 Ql Jobim/De Moreas 1963

*
Tall and tan and young and love - ly, the girl from I-pa-ne - ma goes walk- ing, and when
When she walks,she's like a sam- ba,that swings so cool and sways so gen- tie, that when
Tall and tan and young and love- ly, the girl from I-pa-ne - ma goes walk- ing, and when

G-7 G^7 1.
FA7 Gi>7
2.
FA7
3E
* it *
1

Fine
she pass - es, each one she pass"'- es goes "ahh* "ahlT
she pass - es, each one she pass - es goes see-
she pass - es, I smile, but she does - n't

B7 Gl>-7

5
Oh r but I watch her so sad - ly. How_ can I tell her I

11 |
—J-|» J i
« 3

Yes I would give my heart glad - ly,

D.C. alFine
but each day as she walks to the sea, she looks straight a- head not at me

THE SHADOW OF TOUR SMILE

Johnny Mandel /Webster 1965
Ff-7 B7 B7^ E-7 A7

The sha- dow of your

4 smile when you are Will col - or all my
Our wist- fill lit - tie star was far too gh— A tear-drop kissed your
1
-
A-7 D7 G*7 B7

dreams and light the dawn- Look in - to my eyes my love and

E-7 E-7/D Ff7» F|-7 B7

i
see- — all the love-ly things you are to me- Our wist- ml lit- tie

1 A-7 D7 B-715 E7alt A-7 C-7 F7 B-7 F7

=4

p
hps and so did I Now when I re mem-ber spring,
- all the joy that love can bring,
E7su S4 _ £7^9 A7 El>7 D7sus4 D7« G6

I will be re - mem - ber- ing- the sha - dow of you smile.

502 WAVE
D-7 G7

So close your eyes, for thats a love-ly way to be,-

You can't de ny, don't try to fight the ris- ing sea^
By now we know, the wave is on its way to be,-
G-6 F|7 B7

a- ware of things your heart a- lone was meant to see- the fun- da-ment-al lone-
don't fight the moon, the stars a-bove, and don't fightme^
just catch the wave, don't be a-fraid-

li-ness goes wheihev-er two can dream a dream to-geth-en- You can't de
2
D-7 G7 D-7 G-7/C C9/Bk A-7

When I saw you first, the time was half past three,
F-7/B^ B!>9/A!> . E^A7/G A+7 D.S.alRne
3-

when your eyes net nine was e - ter- ni-ty.

it
By now we

WATCH WHAT HAPPENS Legrand/Gimbel 1964

KB Et>A7 El>6 El»A7 e)>6 F9 F-7

Let some- one startbe- liev- ing in you, let him hold out
One some- his hand,
one. who can look in your eyes, and see in - to your heart,
Let some- one with a deep love to give, ~ive that deep love to you,

let him touch you and see what hap-p^ns. hap- pens. Cold^
him find you and no I can't believe your
let watch what
and what mag- ic you'll

G-7 G-7 C7 F*7 F6 FA7 3 - F-7 fit7

heart is cold May- be just a - fraid — to be bro-ken a - gain D.S.aJCoda

EtA7 E6 D6 E^A7 E6 D6 Ek7 B^7

see, let some- one give his heart some - one who cares like me P.S. ai Coda
 MEDITATION Jobim/Mendonca 1962
503
C6 FK-715 B7W C6 D-7
ii 1

In. my lone - li- ness,- when you're gone and I'm all by my- self
Though you're far a- way, I have on - ly to close my eyes
I will wait for you *til the sun falls from out of the sky,
Ek7 ^ C/E E-7 A7 D-7 F-7 _
j Bl>7
i

and I need your ca-ress,- I just think of you- and the

and you are back to stay,, I just close myeyes r and the
for what else can I do?_ I will wait for you- me-di-
D-7

though of you hold - ing me near makes my lone - li - ness soon dis - ap - pear.
sad - ness that miss - ing you brings, soon is gone and this heart of mine sings
FA7 Bk7_._. E-7. Ek>7 „ D-7 G7

D.C.aJCoda
I love you so and that forme is all I need to know-
A7» A^7 G7» C6

ta-ting how sweet life will be when you come back to me..

QUIET NIGHTS (CORCOVADO) Jobim 1963

Qui-et nights of qui - et stars, qui-et chords from my gui- tar, floating on the si-
This is where I want to be, herewith you so close to me, un-til the fin- al flick-
Gl>7*ii F a7 2.
f-7 Bl>9 E-7

lcnce that sur- rounds us. Qui - ct thoughts and qui-et dreams, qui- et walks by qui-
er of life's cm - bcr.
A+7 D9 D-7

JIL J
1

J 1
J- J J .
et streams, and a win-dow look - ing on the moun - tains and the sea, how love^- ly
2. F-7 Bl>9 E-7 A-7 D-7

I who was lost and lone- lyr be-liev-ing life was on - ly. a bit- ter tra- gic
G7» E-7 A+7 D-7 G9 G7» C B^C

the mean-ing of ex - ist-ence, ofT" my love.

504 ONCE I LOVED Joblm/Gllbcrt 1965

G-7 C+7 FA7 F|°7 G-7 Gf°7

loved r and I gave so much love to this love, it was the

Oncc- I
from my in - fi - nite sad-ness you came and brought me
Then- one day,-
15
A-7 A-7/G F-7 B^+7 El>A7 E-7 -3-

Once- I cried,- at the though I was fooHsh and

worldto me.,
Now_ I know,. that no mat - ter what ev-er be-
love a- gain

A 7t9 _
pTp A7

good bye let you go. I will hold you close,

proud and let you say -

falls, I'll nev-er

QL1 F7 B^7 B°7

be- cause love is the sad- dest thing when it

make you stay,

A-6 At>7«i G7 G-7 A7^ D-6

be- cause love is the sad- dest thing when it goes a- way-
goes a- way,.

GENTLE RAIN Luis Bonfa 1967

A-6 B-7^ 5 E7 A-7 D7 G-7 C7

We both are lost and a - lone in the world, walk with me in the gen- tie
on my cheek, they are warm like the gen- tie
I fell your tears as they fall

F6 Ft-7^ B7« E-7^ A7«

a hand for your hand and I

Don't be a - fraid, I've
got me in the world, and our
Come lit- tie one, you've

nun, like the gen - tie rain r like the gen - tie rain.
 —

ONE NOTE SAMBA 505

Jobim/Mendonca 1961

D-7 Dl>7 C-7 B 7«n

This is just a lit - tic sam - ba, built up - on a sin - gle note, Oth- er

So I come back to my first note, as I must come back to you. I will

D-7 D^7 C-7

notes are bound to fol - low but the root is still that note, Now this

pour in - to that one note all the love I feel for you. A - ny

F-7 B^7 E^7

new one is the con - se - quence of the one we've just been through, as I'm

one who wants the whole show Re, Mi, Fa, Sol, La, Ti, Do
D-7 Dt7 C-7 B7*n Bl»6
—A
bound to be the un a - void - a - blc con - se - quence of you.

There's so ma-ny peo-ple who can talk and talk and talk and just say no-thing or near- ly no- thing.

C -715 B7*U
41
1

^nrpi
Dk7

I have used up
r

all
|

the scales
_

I
Gl7

ii
know and
,ujj
at the
jTJ
end I've come
i i
B^T

^
to no- thing
ju
or near-ly
i"
C-7^5

1
B 7«ll

no- thing,
i

so I
',')

Al>7 Dl>6 C7 B a7 B^6

A-

He will find him- self with no show, bet- ter play the note you know.

LITTLE BOAT (O BARQUINHO)

Menescal/Kaye 1962

07 Ff-7* B7 B^7

pr pr u-npr'r r i

[Hf" ,J i^
E-7 A7 Ak7 D-7

I*
G7 E-7 A7» D-7 G7 W
 —

506 HOW mSENSATTVE Joblm 1963

How m - sen - sa- tivc I must have seemed,- when she told me that shdoved

gone a- way and I'm a - lone with the mem-'ry of her last
Now she's

How_ un- moved and cold I must have secmed- -when she
me.-
and drawn and sad, I see it still, all her
loole- Vague-
Dt7«ll C-7 F7

told me so sin -cere - ly Why— she must have askedr

heart-break in that last look.. How— she must have asked,

B^7 E _ 7 15
A 7l9 D-7 G+7 C-9

did I just turn _ and stare in i - cy si - lence?- What-

just turn and stare in i - cy si - lence.- What-
could I

F7 B-7 E7» E-715 A7 D-

what can you say,- when this love af-fair is ov er?-

was I tosay,-
was to do,_ what can one do,- when a love af- fair is ov er?-
I

PRETTY WORLD (SA MARINA)

C .
/ / D7/C / S / B- / / D7
 — J

SO NICE (SUMMER SAMBA) 507

Vallc/Gimbcl 1965

B-7

• r~ W t
—2 7 r « ^ 5 « • trw JT
Some- one to hold me tight, that would be ve ry nice, some- one to love me right,
Some- one to cling to me, stay with me right or wrong, some- one to sing to me
E7 B^7 B\>6
-
1
L ,J '

— — J
m
j j J Ji3==
would be ve ry nice, Some- one to un - der- stand each lit - tie dream of me,
some lit - tie sam ba song. Some- one to take my heart then give her heart to me,

some-one to take me hand, to be a team with me. So nice,- life would be so nice,,
some-one who's read - y to give love a start with me. Oh yes,_ that would be so

E -7l5 A 7W D-7 G13 G-7 Dl>7 C9

3
if one day I'd find- some-one who would take my hand and sam-ba thru life with me.

G-7 C7»

nice,- should it be you and me,

m I could see it would be
F6

nice-
 I
508 TRISTE Jobim
I
G^7 B7 B\> B^7

I
Sad is to live in sol - i-tude, far from your tran-quil at - ti-tude,

D-7 G^ 9 C-7 C-7/Bl> A-7 D7 G-7 G-7/F

I
sad is to know that no one ev - er can live on a dream
I
E -7t5 A7 W D4LB-7 E-7 A7 D-7 G7 C-7 F7

I
that nev - ercanbe, will nev-erbe,_ dream - er a-wake_ wake up and see.

B\> B^7 B^-7 El>7 B\> B^7

1

Your beau-ty is anae - ro-plane r so high my heartcan'tbear thestrain,

1
F-7 Bi»7 E^7 Al»7 D-7 G-7

« jy i.i'M j i
J J j Jj j jJ |
a heart that stops when you — pass by, on ly to cause me pain,

C7 C-7 / / F7 B^7 E^7 X X X

!

sad is to live in sol - i-tude.

1

BLACK ORPHEUS (A DAT IN THE LIFE) a* Bonfa 1959

A- B-7^E7» A- B-7«E7»A- _ D-7 Ql C A7 C|°7 A7»

A day in the life of a fool ,

a sad and a long lone-ly day I walk the

D-7 G7 C A7 F^7 B .7 t5 £7» A- B-7l5£7

* 1

o
a - ve- nue
_
and hope I ran in - to the wel-come sight of ydtcrl — com-ing my way
A-

P
Hi
B-7WE7»
.1. .n
A-
-6c
£7 w £-715
^ A 7W D -7

but you're nev-er there a-ny - more. So

back to my room, and there in the gloom I cry, tears of good - bye

LastX
J^- D-7 A-7 ) (
D-7 A-7 ^ D-7 E-7 A- ^
r f * j
 DESAFINADO 509
Jobim 1959
?A7 G7*u

Love is like a nev - cr end - ing mcl - o - dy Po - ets have com -

Once your kiss - cs raised me to a fev - er pitch,- now the or - che -

Tune your heart to mine the way it used to be Join with me in

pared it to a sym - pho - ny.. A sym - pho - ny con - due ted by the
stra - tion does - n't seem so rich
har - mo - ny and
D7 D7^ G7W Gk7

light- ing of the moon, but our song of love is slight- ly out of tune

now the song is diffrent and the words don't ev-en rhyme,- you
'cause for- got the me- lo- dy our

D-7 G7 G-7 A-715 D 7l9 g-7 C7«l

B.C. al Cod*

hearts would al-ways croon, and so what good's a heart that slight- ly out of tune?

A-7t5 D7t9 G-7 b^6 A-7

sing a song of lov-ing. We're bound to get in tune a- gain, be - fore too
Ak7 G7 *

X B [^7

long There'll be no De- sa- fi-na- do when your heart be- longs to me com - plete - ly,

E^7 G7 C7 F6

then you won't be slight- ly out of tune, youll sing a - long with m&
 ——

LIKE A LOVER Caymml/Motta 1967

Sergio Mcndcs

® 07 sus 07 D/C
mm —^z: 4*
Like a lov-er the morn-ing sun, slow - ly ris- es and kiss - es you a - wake,
Like a lov-er the riv - er wind, sighs and rip-pies its fin - gers through your hair,
like a lov-er the vel - vet moon shares your pil-low and watch -es while you sleep.

B-7 E-7 A7sus4 A9 D*7 G13 G+7

LJ- J' J'

Your smile is soft anddrow - sy as you let it play up - on your face,

Up - on yourcheek it lin - gers, nev- er hav-ing known a sweet - er place,
Its light ar- rives on tip - toe, gent- ly tak-ing you in its cm - brace,
FA7 G/F

Oh, how I dream I might be like the morn-ing sun to you.

Oh, how I dream I might be like the riv - er wind to you.
Oh, how I dream I might be like the vel - vet moon to you.

How I en - vy a cup that knows your lipsT

D/C X B-7 B7« E-7

let it be me,- my love, and a tab - le that feels your fin - ger- tips,

m
let it be me,.
B13

r '
let
'
me
B+7

p
be
f
your love,
5
E-7

bring an end to the

A-7 A-/G D7/FI , G7«^ G7 D.C.alFine

err-
end - less days and nights with - out you..
 »

THE LOOK OF LOVE 511

Bacharach /David 1965

A-7 B^7

look of love, it 's on your face, a look that time can't e - rase.

A7SU s4 A7 D- I FA?
— re. > •
> « * f» y * m d 4 -^L—
1

4
ne look of love,
Be mine to - night, let this be the start of so ma- ny nights like this,

F7 B^7 A7SU s4 D-7 G7 F6

and what my heart has heard, well it takes my breath a- way. I can hard- ly wait to hold you,
let's take a lov - er"s vow and seal it with a kiss.

^3 F6 G-7
n nn n
G-7 _

^ feel
j

my arms a-round you,

>

how
j
p r
j

long I have wait-ed,

r
j i» j
wait- ed just to love you, now that I have found you.

D- G- D-
3E5 33!
You've got the please don't ev-er go, I love you so, don't ev-er go.

DON'T MISUNDERSTAND Gordon Parks 1955

mm Don't mis- un- der- stand,-

Don't mis-take my smile,-
Don't mis-un- der- stand,
FA7 B-7^

we
it

you
E7^

are on - ly stran - gers,

just means I'm lone - ly,
are
El»A7

no con- cern of mine,

m A-7^

love
but
me
in
D7 W

on our way
till
to
G7

some- one else, to

day is past and
this
case you're free some- time and you

1
G~7 C7 # FA7 C9 2- G-7 C7 FA7

* some- place we for - got- Don't mis-take my'

—#—#—#-
then for- get we met. We're just pass-ing

need some time with

G- A 7W D- D-7/C B-715 Bt7*u F/A Al>7*H

* time,. - in some seo-ret place,- yield-ing to a

j
song one day to
j. j' i
j
love
j
the pain
j j
a -

G-7 C7alt D C.*Coda_ A A _7 t5 7» G-7 C9 C7^ 9 FB^-6F^7

way. Don't mis-un- der me some-time to hold my hand then

mm I will un - der- stand
 —— —

512 CALL ME Tony Hatch 1965

If you're feci - ing sadand lone - ly, there's a ser- vice

r mr
I
p
can rcn - der.

When it seems your friends de - sert you, there's some - bo • dy think ing of you.
If you call Fll be right with you, you and I should be to - geth - er,

A^7

Tell
I'm
the one who loves you on - ly,
Ai>-7

mm
I can be so warm
j

and
j
ten -der.
j i
G^7
J
Call mer
the one who'll nev - er hurt you, may-be that's be- cause I love you.
Take this love I long to give you, I'll be at your side for - ev - er.

m mj]n ,
i

i
G^7
J
is
El-7

don't be a- fraid you can call me,- may- be it's late but just call me, tell me and I'll be a-

1
C-7 F7 F7
F+7 F+7

m C-7 Bl>

* round..
Fine /
Now don't for- get me, 'cause if you let me r I will al-ways stay with

C-7 F7 C-7 F7 B\>6 C-7 F7 D.C.alFtne

you. You got-ta trust me, that's how it must be, there's so much that I can do.

YELLOW DAYS Carillo/Bernstein 1965

C7 F6

f
J
I
J
re
(
-
J

mem-ber
1
1

J
when
hen
J
the
th< sun - light had a spe-cial kind of bright- ness,
m
and the
She would hold me, and a smile would spread a- round us so com- plete - ly, and the
Life is emp - ty, and the sun - light seems so harsh in- stead of ten - der, and the

A-715 D7^

laugh - ter has a lov- er s Kina of light-ness,

soft - ness of a kiss would lin- ger sweet- ly,
m
G9

yel-iow
yel-io
yel - low
days,
C9

yeHow
F6

days.
A-7^5 D7«

She would
laugh-ter's just an ec - ho I re - mem-ber from yel -low

C7 F6 C-7 F7

Fine
i
days, yel - low days.- But then came thun- der and I heard her say good- bye thru tears of

B^ Bl>-7 Et>7 D -7 t5 Q7W C7 D c aI2ndEnd(Rne)

. .

won- der, now I'm all a- lone and my heart wants to know, yel- low days, where'd you go Life is
 DENDI 513
Jobim/Gilbert 1965

E^7 D^7 E^7

Sky,
mm
so vast
I
3-

is the sky, with

h j

far
j

a -
j

way
i j

clouds just wan -

#
dcr -
#
ing by,

07 A-7 D-9 G13

where do they gio? Oh, I don't know, don't know;

E^7 ft D^7 E^7 _ d^7

Wind that speaks to the leaves,. tell - ing stor - ies that no - one be - lieves,

07 A-9 D-9 G13

stor - ies of love be - long to you and me.

EU7 Di>A7 E^7 B^-7 E^7W

Oh, Din -di, if I on - ly had words I would say all the beau- ti - ful
Oh, Din -di, like the song of the wind in the trees, that's how my heart is
know Din -di, I'd be run- ning and searching for you like a ri - ver that

things that I see, when you're with me, Oh my Din - di. Ftne
sing - ing Din - di, hap - py Din- di, when you're with me.
can't find the sea, that would be me, with-out you, my Din - di.

mm
G- #-6 G- El>-6 G- C7 W
m
I love you more each day,_ yes* I do, yes do;

F-

I'd
m let you go a-
D^6

way-
I

- I

J
if you
I I
F-

take
I

J
me
J
with
F-7

you.
BkTi9

Don't you
D.S.aJFrte
514 CHEGA DE SAUDADE (NO MORE BLUES)
Jobim/Hcndricks/Cavanaugh 1962

D-7/C E7/B

No more blues, I'm goin' back home, no no more blues, I pro-mise nomortto
No more tears and no more sighs, and no more fears, I'll

E . 7 l5
A 7^9 D - D-7/C E7 A- B^7

right here all a- long say no more good-byes, — if trav-el beck - ons me, I

D- D-7/C B-7^ E-7^ A7« D- A7

swear I'm gon-na re-fuse, I'm gon-na set - tie down and there'll be no more blues

Ev - 'ry day while I am far a- way,— my thoughts turn home- ward,- for- ev-er home-

F°7 E-7
D°7 DA7 F|-7

ward. I trav-elled 'round the world in search of hap - pi-ness, but all my
£7 E-715 A7 19 D A7 DA7/CI B'7

hap - pi- ness I foun- was in my home town. No more blues r

E7

goin' back home, no, no more dues, I'm thru with all my wan drin\ now I'll set-

GA7 G-7 Ft" 7

tle down and live my life and build a home and find a wife. When we set-tie down there'll be no more blues,

pfl-7
B7 £7 E-7 A7 D E-7^A7*>

noth-ing but hap- pi-ness, when we set- tie down there'll be no more blues.
516 GOm* OUT OF MY HEAD

want me, I need you so bad - ly, I can't think of an - y - thing but
morn - ing, but you just walk past me, you don't ev - en know that I e
'•
07 ^
2.
C a7 D- G7
(

you And I xist Go - in' out of my

U|lo7 ( 3 (
D-7/G 07 |
3 )
D-7/G

head o - ver you, out of my o

head, - ver you, out of my

A
C F C F C F

head day and night, night and day and night, wrong or right, I must think of a
 RECADO BOSSA NOVA 517
Djalma Ferreira 1959
El D . A? D7

P
G- G-
i '
1 j pi r
i

1
D- D-7 E7 A7
5
5
f 0-
V m

D- C-7 A7 D- D7

r ^ J" t.LiJ

a n D.C. al 2nd End w

A- A7 |
D-

LOOK TO THE SKY Jobim 1967

E^7 E^-7 A^7 E^7
 J

518 SO MANY STARS Scr^io Mendez / Bergman 1967

F/G G^9 G-7 C^ 9 , 3 _

The dawn — with dreams, — so ma- ny dreams, which one mine? One must be
wind — is filled

is filled with songs, — so ma-ny songs, which one

is

is mine?

FA7 Bl>13 E- C/E E-6 E-7 E -(A7)

right for me_ Which drearo- of all the dreams, — when there's a dream for ev - 'ry star?
song— songs,— song

A7'» I
3- D-7 Q7» Cl i A7ais4 A7»9 |2. c6 pA7

f — i f
and there are oh so ma-ny stars, so ma-ny stars. The A-
Ffl-9 F7*U E-9 AW - D-9
.1 JTTT1
lone — the count-less days, — the end-less nights that I have searched, so ma-ny eyes, so ma-ny

G7^ E13 E+7 A7sus4 A7^ p/G G7^

=0m i
hearts, — so ma-ny smiles. Which one to choose? Which way to go? How can I

7"j~j
J
I
-1 —g„ j0Ld — —
»
6>> j0 ' Ql_ 1

Lo '

tell? — How can I know? — Out of oh, so ma-ny

-a

stars, so ma-ny
•m

stars

A MAN AND A WOMAN L^ nseaa 1966

B^7
n r 7"rr
A
rn t
\ r
E D^7 ^
TT1J |JtJ JU |
,< J ,1
Ji |
f .1
| /j J J |
3
r

C-7 F7^ Bl>i7 C-7 F7^ B^7

A7
I
VD I

A7
I
'
I
'1

E-7 D-7 G7 CA7 D.C. a) Coda Last]

JTJ n
D A7 07
w
E-7 , Dl>47 D^7

^4=^ —J— tfL-

fa ^1
 ESTATE Bruno Martino/Brighetti 1986
519
® ,G-add9 G- G-add9G-7 C-7 F7sus
4 F7W

Estate, you bathe me in the glow of your car - esses. You turn my tim- id's no's to eag-er

Oh howyourgold-en sun-light bends the willow, your blos-somssendtheirpeFfume to my

Estate,
Estate,

sweep way my sor- rows with your sighs. Al- ways feelyou
yes s You a -

pit low Oh, who could know you half as well as I.

lov- er, then wait un - til you come a -gain to me.

G^7 OH* 5 _
g?w B-7 E7W
_

near me, in ev - 'ry song the mom - ing breeze com - pos es. If

F7sus4 F7» Bt7sus4 B^9 A-7 D7/S

C-7

all the

G-7
ten-derwon- ders of the
C-7
Ros - es

D7
each
G-7
time the
f^j^
set- ting

C-7
m
sun smiles on the
F7
sea.
D.C. at Fine

ONLY TRUST YOUR HEART

Benny Carter/Sammy Cahn 1964

B7« E-7 A-7 D-7

Nev-er trust the stars when you're a - bout to fall in love, look for hid- den
Nev- er trust the moon when you're a - bout to taste her kiss, she knowa all the
love, for your dream will

G13 G+7 4 \5-7 C7 19 N 2.<

3-7 ($1 F A-7/E

1
J
signs be- fore you start to sigh, Just wait- for a
lines, and she knows how to lie.
quick - ly fall a -

D-7 F/C B-7^5 E+7 A- A^7 G-7 C7

D.C. at Coda
night when the skies are all bare, then if you still care

B t7«i A7» D-7 F-7 T&\>7 C E-7 A7 D-7^ Q7» C

 1

520 NEVER LET ME GO livingston/Evans 1956

E^ ,_ _ 9
A^zL

Ncv - cr let mc go, love me much too much, if you let me go, life would lose its touch,
world was ov-er- turned at the ve-ry start, all my bridg-es burned by my flam-ing heart,

E^7 E^7

what would I be with -out you, there's no place for me with- out you. Nev-er let me go,
you'd nev- er leave me,

Gt7« BA7

I'd be so lost if you went a- way, there's be a thou - sand hours in the day

F-715 B 7U j,
jfr p. 7 q. 7 C7t9 F7^ F7

with - out you I know. Be- cause of one ca-ress my would you?-

3 , El>7 E!»7 A^7W r>k

You could- n't hurt me, could you? — Nev- er let me go, nev-er let me go

IF YOU NEVER COME TO ME Jobim/Gilbert 1966

E^7 D*7 DtA7

of a moon - light glow,,

may you will nev - er comer
F-9 A^7
[\
-

D
— • «?
|

^ ^ ^ «

or the peaks where the win - ter- snows, what's

if you nev - er come to mc r what's the

the use of waves that will break in the cool of the eve-ning?- What is the
use of my won - der- ful dreams and why would they need me,— where would they

El>i3 A^sus4 E7«H

eve - ning? with out you. it's noth - ingZ

lead me? with out you, to no - where..
 1

WHERE DO YOU START 52

Johnny Mandel/Alan Bergman 1988

Where do you start? How do you sep - a - rate the pre-sent from the past? How do you
Which books are yours? Which tapesand dreams be- long to you and which are mine? ourlivesare
Where do you start? Do you al - low your- self a lit- tie time to cry or do you

A^7 Al>6 A^6

deal with all the things you thought would last, that did - n't last? with bits of
tan - gled like the bran- ches of a vine, that in - ter - twine. So ma - ny
close your eyes and kiss it all good bye? I guess you try. And though I

G-7 C9 ^ F9 £l>6 d>9

3
mem- 'ries scat- tered here and there. I look a- round and don't know where to start.
ha - bits that we'll have to break and yes- ter- days we'll have to take a
don't know where and don't know when, I'll

BA7 fit 7sus4 1*1 is Al>-7 rklw* Gti7 Et-7

=4 J 1 J
V r
n r^rr
^

C-7 F7alt aU^bI» G^7Bt7suS4 bI»°7 A^SfB^ D.C.alCoda

catchme by surprise and you'll be there a-gain. A moment in what might have been. Wheredo you

F-7 Bl»13 g-9 C13 G-9 C13

find my- self in love a-gain, I pro- mise there will al- ways be a lit- tie place no one will see, a

F7sus4 F13 B^W Bt7/S EH F-7y# EH

tin - y part, deep in my heart, that stays in love with you.

522 SABOR AMI Composer

C- C- (A7) C-7 F7

Al»A7 D\>9 El»A7

J— 3—1 F-7 G-7 Gt°7

LUJON
Henry Manclni 1960
Bass Line
 Samba
535
Barroso/Russcll 1939
Verse

Bra- zil,- the Bra- zil that I knew,. where I wan- dered with you-

G^7 F7 B^7 E^7 B^7 E^7

lives in my im-a-gi - na - tion. Where the songs arc pass- ion- ate, and the smile has flash in it,

B^-7 E^7 B^7 E^7 B^7 &7 a\> B^7 E^7

Jnr"lr J l .rfiH
and a kiss has art in it, for you put your heart in it,- and so I dream of old — Bra-

At
J 11 J i
J J ji J J*

zil,. where hearts were en - ter- tain- ing June,-

F>7

we stood be - neath an am-ber moon,-

r ' '
r i
r r p %
Bt- At Al-7 G7 G^lE J F7 ^7
ifeill r r
We kiss and clung to - geth - er then,-

F7 F7 Gl>7 Fi
*
t torn- mor-row was a - no- ther day,. the mom • ing found me miles a- way

F7 0^7 F7 15 6 15

i with, still a mil- lion

r p
things
r
to say.

Dt-7

r '
r .f
Now,. when twi- light dims the sky a-bove,- re- call- ing

F-7 B^-7 F>9 A^

pes thrills of our love,—

r
there's
r
one thing
r '
r
I'm
p
cer- tain
% of,- re -

B^7 E^7 B^7 E^7 At Uke Intro rhythm

turn- I will to old Bra - zil.-

 QUANDO, QUANDO, QUANDO
Renls /Boone 1962

Bt> B o7 E1 C -7 F 7 x X

me when will you

Tell be mine, tell me quan-do,quan-do, quan - do.,
When will you say yes to me tell me quan- do, quan- do, quan - do.,
I can't wait a mo-ment more,. tell me quan- do, quan- do, quan - do~
B^7 B°7 C-7 F7 X x x B l>

We can share a love di - vine, please don't make me wait a - gain

You mean hap-pi-ness for me, oh my love please tell me when
Say it's me that you a - dore r and then dar- ling tell me more
ET F-7 fit7 X

When will you say yes to Ev- 'ry mo - ments a day,-

X Et>

to a joy be-yond com- pare I can't wait a mo - ment

SAMBA D'ORPHEU
 JAZZ SAMBA (So Danco Samba) 537

Bos- sa No - va came and took the town.

538 TICO TICO Abreu/Drake 1943

m A- E7/B E7/GI A-

Oh, to-co- to- co tic, oh, ti-co -ti-co-tock, this ti-co- thco,he'sthe cu&koo in my clock, and when he
Ivcgota heavydate a tet-a - tet ateight, sospeakoh ti-co, tell me is it get-ting late? If I'm on

i-B7/Ff B7

says"cuck-oo" he means it's time to woo, it's - co - time for

ti all the lov-ers in the block I've eot a
time/'cockoo", but if I'm late "woo woo" The one my

hearthasgonetomaynotwantto wait. For just a bird-ie, and a bird-ie that goes no-where, he knows of

ev-'rylov-er'slaneandhowto go there. For in af- fairs of the heart, my ti-co's ter-ri-bly smart, hetellsme

C G7_ c G7

"gent-ly, sen-ti-ment-ly at the start." Oh Oh I hear my lit-tle ti-co ti - co call-ing, be-causethe

c cm F . F|° C/G

tikme is right and shades of night are falHng. I love that not so cuck-oo cock-oo in the clock, u-co-
1.
D-7 G7 C b

B-7 £7
 MAS gUE NADA 539
Jorge Ben/Deanc 1963

Oooo,- when your eyes meet mine, Pow! Pow! PowF

B-7W £7 W A-

Ow! It's a feci ing that be- gins to grow and grow and grow in- side me, til I

E7» A- E7
^ A
A- (break)

feel like I'm gon-na ex-plode. Oh, this is what you do to me.. Are your lips

D-7 G7 CA7 C6 D-7 B-7^

say - ing things that you feel in yourheart? If yourheart is beating mad-ly then
E7» A- B-7t5 E? W A. B-71S E7 t9

let the mus-ic start Hold me, hold me, hea- ven ooo
It's it's hea-ven when you
A- B-7ts E7 W A .
E7 A" D.C.aJ 1st ending figuns

hold me, I want you night and day, ooo I want you here to stay.

BIMBAMBUM Morales 1941

 — —

BESAME MUCHO 551

Velazquez/Skylar 1941

D- G-6/A D- G- G-CA7)

~9 9. M * m 3
Be- sa-me, be- sa - me much - o,_ eachtime I cling to your
Dear-est one, if you should leave me - T each lit- tie dream would take

G-/F , A 7/E
r .
.
*3
1
D- A-/C B^7 A7 D7 G-
w-

kiss I hear mus - ic di - vine Be- sa- me much - or

wing and my life would be through,- be- sa- me much - or

A7» D- Bl>7 A7 D- G-/D D-

Fine
hold me my dar- ling and say that you'll al - ways be mine
love me for- ev - er and make all my dreams come true

G- D-

This joy is some-thing new, my arms en- fold- ing you, nev-er knew this thrill be- fore,

D.C.alFne

9 9 9 « * * I
O
who ev-er thought I'd be hold-ing you close to me, whis-p'ring "It's you I a- dore"

SPANISH EYES Kaempfert/Singleton 1965

D7

Blue span- ish eyes,. tear-drops are fall - ing from your span- ish eyes—
pret - ti - est eyes in all of Mex - i
- co,
D7 G

Please, please don't cry,. this is just a - di - os and not good- bye
True, span - ish eyes r please •smile for me once more be- fore I go-

G7

Soon I'll re- turn,. bring- ing you all the love your heart can hol<L

e- g D7 G

Please. say si, si,. say you and your span- ish eyes will wait for me
 —

BEGIN THE BEGUINE Cole Porter 1935

D-7 G7

When they be- gin. - the Be- guine,- it brings back the sound of mus-ic so ten-der, it

with you once more — un-der the stars,. and down by the shore an or-cho-stra's play- ing, and

G7sus4 h-G7 C

brings back a night — of trop-i-cal splen-der,. it brings back a mem — - o-ry ev-er gree I'm

ev - en the palms seem to be sway - ing. when they be- gin

Bli-
G7 c c- F7

the Be guine— To live it a-gain is past aU en deavour,. _ ex- cept when that tune

E^7 n A^7 A -7 15 D 7W G At . G

clutch-es my heart, and there we are swear- ing love for- ev-er, — and pro- mis- ing nev-er,

What mo-ments di vine, what rap-ture so- rene till clouds came a- long to dis-

perse the joys we had tast- ed. And now when I hear pco- pie curse the chance that was wast - ed,

G7sus4 G7 C y C. . * C6

I know but too well what they mean, so don't let them be - gin the Be-
lct them be- gin the Ben guine, make them
CA7 C6 £ G7

guine let the love that was once a fire re- main an em - ber,. let it

play, till the stars that were there be - fore re- turn a - bove you, till you

mem - when they be-giru the Be-

sleep like the dead de - sire I on - ly re - beiv
whis-pcr to me once more "Darl-ing, I love you". and we sud - den- ly know

G7 D-7^5 G7 Dzl_o G7

gume Oh yes what hea - ven we're in,- when they be-gin- the Be-

c D-7 D-7^ G7 C

gume,. when they be-gin- the Be- guine~

 —

GREEN EYES Mcncndz/Rivera 1929

E^6

Your green eyes with their soft lights your eyes that pro- mise sweet nights r
Those cool and lim - pid green eyes r a pool where- in my love lies,

bring to my soul a long - ing. a thirst for love di-vine- I seem to

so deep that in my search- ing,- for hap-pi-ness I

F-7 B\>1

5
hold you to find you and en - fold you,. our lips meet, and our

F7 Bl>7

hearts too,- with a thrill so sub - lime- Those cool and lim- pid fear,

B^7 F-7 Bl>7 El>

e=8e
I
that they will ev-er haunt me, all thru my life they'll taunt me,-

C7 m F7 Bl»7

P
but will they ev-er want me, green eyes make my dreams come true-

MORE Ortolani/Newdl 1962

Qta E-7 A-7 D7 G*7 E-7

r j- r
More than the great- est love the world has known, this is the love I'll give to
More than the sim- pie words I try to say, I on-ly live to love you
Long - er than e - ver is a long, long time, but far be - yond for - e - ver,

A-7 D7 E- E- (A7) E-7 E-6 A-7

1
fyou a - lone, More than you'll e- ver know, my arms long to hold you so, my life will be
more each day.
you" be mine. I know I nev- er lived be - fore, and my heart is ver- y sure, no one

gpH
in your keep- ing,
A-/D

wak-ing, sleep- ing,

D1

laugh- ing,
V .C.No repeat al

#1

weep-
J
ing.
C

m
A-7

else could love

D7

you
G6

more-
 i

Ruiz/Skylar 1941

E-7 A-7

A- mor, a - mor, a - mor, word

A- mor, a -mor, my love
this
when you're
so sweet that I re -peat means I 17
a- way there is no da? a^ nidus are
D- 7 G7 D- D-W) D-7 G7 D-7

dore you A- mor, a - mor, my lovc,- would you de- ny

lone - ly. this heart that
A- mor, a - mor, my love,. make life di- vine, say you'll be

I have placed be- fore you can't find an-oth-er word with mean-ing so clear, my
F#-7^5 B7 E- G E7 a-7 D7

lips try to whis-per sweet-er things in your ear. But some - how or oth-er noth- n* sounds quuTso dear as
z G7 b° C6

this soft car - ess - ing word I know. A - mine, and love me on - ly..

G7 C6 Ah C6 A^7 C

mine and love me on - ly.

a - mor. a - mor..

POINCIANA
Intro
Simon/Bernier 1936
D7SUS4 D7 D7SU 4 s D7 D7SUS4 D7

Poin - ci an - a, your branch -es speak to

Poin
me of love,. The pale moon
- ci an - a, some -how I feel thejun-gle
Poin -
heat- with • in me
an
ci - a, tho skies may p
tu from blue to gray,. my love
GA7

is cast - ing sha- dows from a - bove Fine

Poin - ci Love is
4
ev- ry- where,
there grows a rhyth-mic sav-age beat
its

will live for-ev - er and a day

D7 o A-7 D7 D.S.alFtne

mag-ic per- fume fills the air, to and fro you sway, my heart's in timej've learned to
care Poin-ci-
 o i

SPEAK LOW Weill /Nash 1943

G-7 C9 , ,
G-7 C9 3—n G;7 , 3.

9 «T
Speak low. when you speak, love, our sum-mer day with-ers a -

Speak low,- dar- ling speak low,. love is a spark lost in the
We're late,- — dar- ling we're late,- the cur- tain de- scends, ev- 'ry- thing

C9 0" Bl>-7 E^7

way, too soon, too

=3e
soon. Speak low-
rp r
when you speak,
* r
love,-
r
our
^ r
mo-ment is

dark too soon, too soon. I feel- wher- ev - er I go,— that to- mor- row is
ends, too soon, too soon. I wait,- dar- ling I

1
A

,1
D-7

near,
'

to-
" Q9_ 3

mor- row
J J

is
,
G -7

here and
c_ ?_3—

al-ways too
* J
F Bl>7

—
'
A--7 D7« ^
m
1
F Is

r
1
'-7

Time
.

is
i —
so old

A |,.(A7)
A^_6 EtA7 Dt»7*u C7

and love so brief, love is pure gold and time a thief, we're
A-7t5 G7 G-7 C13 F6

wait,. will you speak low to me, speak love to me and soon

PERFIDIA Dominguez/Leeds 1939

C A- D-7 G7 c A- D-7 G7

To you- my heart cries out "Per - fi - di - a",- for I found you, the
Your eyes- are cch - o - ing per - fi - di - a,- for - get - fill of our
And now. I know my love was not for you r and so I'll take it

'7 1
G7 E7 -
G7 2.

Pi 1

* J =i
love of my life, in some- bo dy - el - se's arms. Your With a
pro- mise of love, your shar-ing an - oth- er's charms,
back with a sigh, per
D- E7
i 1
sad la-ment, my dreams have fad - ed like a brok - en mel - o - dy,. while the
D- E7 ^D-7. G7 C

gods of love look down and laugh at what ro- man-tic fools we mor-tals be. And fid - i-a'sone good-bye.
556 ALWAYS IN MY HEART Lecuona/Gannon 1942

f+2

You are al- ways in my heart, ev-en tho' you're far a- wayr I can hear the mus-ic

F7 C-7

of the song of love I sang with you. You are al- ways in my heart, and when skies a- bove are
F7 C-7 F7 A7 fit F7sus4

1 re- mem- ber that you care, and then and there, the sun breaks through! Just be- fore I go to
B«» F+7 Bi> D-7 t5

sleep,. there's a ren-de-vous I keep,. and the dream al-ways

I meet, helps me for-
Q7& c-

get we're far a - part — I don't know ex- act- ly when dear, but I'm sure we'll meet a-
Bl» B^/D . Dl>°7 c-7 F7 fit

gain dear, and my dar-ling, till we do, you are al-ways in my heart

YOU BELONG TO MY HEART Lara/Gilbert 1943

F>A7 £07 f-7 Bl>9

You be- long to my hi now and for - ev - er,. and our love had its
'Twas a moment like this, do you re- mem-ber?- And your eyes threw a
F-7 Bt9

I
1
ID' ° 1 g' -

start,- not long a go.. We were gath-er-ing stars while a

kiss r when they met mine._-*___ Now we own the
all stars and a
G-7 C7» f-7 Bt9 F-7

mil- lion gui - tars played our love song, when I said "I love you" ev - *ry
mil - lion gui - tars are still play-ing,. dar- ling you are the song and you'll

beat of my heart said it too. Twas a moment like al - ways be- long to my heart..
 SOFTLY, AS IN A MORNING SUNRISE
Romberg/Hammersteln
ire 1928
A7 D- D-
J J-
J J J I I

Soft- ly,_ as in a morn- ing sun-nse r the light of love comes steal- ing
Flam- ing- with all the glow of sun- rise,, a bum- ing kiss is seal- ing,
Soft- ly,- as in a eve- ning sun- set,_ the light that gave y ou glo - ry

Bk7 A7 d-

in - to a new-born day, For the pass- ions thatthri love r

the vow that all be- tray

A-715 D7

and lift you high to hea - ven,- are the pass- ions that kill love r and let you fall to hell,
A7 E-715 A7 k9
.B^ A7 D-

* so
l

ends each sto

P
-
p

ry. will take it all a- way-

STRANGERS IN THE NIGHT Campfert/Singleton

Stran-gers in the night,

ev- er since that night,
m ex- chang- ing glan- ces,
we've been to-geth-er,
won-d'ringin the
-
night, what are the chan-ces '
lov ers at first sight, in love for- ev - er,

we'd
it
be shar-ing love
turned out so right
— be- fore the night was through, Some- thing in your eyes

G-7

was so in- vi- ting, some- thing in your smile was so ex- ci- ting, some- thing in my heart—
C7 F F7

me I must have you Stran- gers in me night vo lone-ly peo-ple,

A-715 D7 t 9
G-7 B^6

stran-gers m^the night, up to the moment when we said our firstheHo, lit- tie did we know,
C7sus4 D.C.alCoda G"7 C7sus*
5

love was just a glance a- way, a warm embrac ing dance a- way. And for stran- gers in the night.
 YOURS Roig/Gamsc 1931

C G7sus4 G7 F/C C 1-
C/E F>7

Yours till the stars lose their glo - ry,

Yours in the gray of De - ccm - ber, —

D-7 G7 D-7 G7sus 4 G7 D-7 G7 D-7

yours till the end of life's sto - ryr this pledge to

G+7 07 E-7 A7

I've nev - er loved an - y - one the way I love you, how could
shores,-

F-7 Bl>7 C A7 D-7 G7 C

I?. when I was born to be- yours.

LaCalle/Gamse 1924

you're like that love- ly flow'r so

A - ma - po - la,- my pret- ty lit- tie pop - py,.
must cop- y its en - dear - ing
A - ma - po - la,. the pret-ty lit- tie pop - py,.

1
B^/D D^°7 C-7 F7 F7 F7sus4 C-7 F7

-
sweet and hea- ven - ly. Since I found you, my heart is wrapped a

C-7 F7 C-7 F+7

Tf
seems to beat a rhap-so-dy A- ma
round you, and lov- ing you, it

G7 C-7 G7 C-7 El>-

charm from you A - ma - po A - ma

BiVD D^°7 C-7 F7 B^

po - la,- how I long to hear you say "I love you.'

 TEA FOR TWO Vincent Youmans /Caesar 1924
El>7 Et7 A^7 D^7 C~7 B°7 &7

Pic-tureyou up - on my knee, just tea for two and two for tea, just me for you and
Day will break and you'l l a- wake, and bake a sug-ar cake for
start to me to take for

B^-7 El>7 K At Bt»- C-7 F-7 D-7 G7 D-7 G7

you for me a - lone No-bo-dy near us to see us or hear us, no

all the boys to see

CA7 ^ F7 E-7 Ek>7 D-7 G7 _ D-7 G7

friendsorre-la-tionson week-end va - ca- tions, we won'thaveit known dear, that we own a te-le-

lone dear. see We will raise a fam - i - ly, a

A°7 Bl>- A|>/C B°7 fiW a\>6

boy for you a girl forme, oh can't you see how hap-py we would be?.

CHERRY PINK AND APPLE BLOSSOM WHITE

Louiguy/David 1950

if-

It's cher-ry pink and ap- pie blos-som whiter when your true lov - er comesyour way,
The sto-ry goes that once a cher- ry tree^ be - side an ap - pie tree did grow,
And that is why the po- ets al- ways write,. if there's a new moon bright a - bove,
F-7 Bi>7 e!,

cher-ry Fine
it's pink and ap- pie bios - som white r
and there a
the po - ets say.
boy once met his bride to be,— long, long a - go.
it's cher-ry pink and ap- pie bios - som white,- when you're in love

The sto-ry goes that once a The boy looked in- to her eyes, it was a sight to en-thrau\the breez-es
And as they gentry ca-ressed,thelov-ers lookedup to find, the branches

Bl>7
566 FRENESI
Domingeuz/Charles 1939

Some-time a- g<x I wan-dered down in- to Mex - i-co.. While I was there,

I felt ro-mance ev-'ry where moon was shin- ing bright and I could hearlaugh- ing

G7 C Ei>7

voi-ces in the night Ev-'r^one was gay, this was the start of their ho - li-day.

El>7 Break % ^ B^7

It was fi- es-ta down in Mex - i - co,_ and so I stoppeda- while to see the show,
A love- ly se-no - ri - ta caught my eye^ I stood en- chant- ed as she wan-dered by,
And now with- out a heart to call my own r a great- er hap-pi-ness I've nev - er known,

I knew that Fre-ne- si meant "please love me' , And I would say Fre-ne - si.
and nev- er knowing that it came from me, I gent - ly sighed Fre-ne -si.
be-cause her kiss- es are for me a - lone,

A love- ly se-no- ri- ta She stopped and raised her eyes to mine, her lips just plead-ed to be

C Break C F~7 B^7

kissed her eyes were soft as can-c^e - shine r so how was I to re-

B^-7 Ej>7 Break

D.S.a/Coda

sist? And now with-out a heart to who would- n't say Fre-ne - si.
 —

NEVER ON SUNDAY 567

Hadjidakis/Towne 1960

Mon-day, a Mon-day is ve-ry, ve-ry good..

Oh you can kiss me on a Mon- day, a
Fn - day, and Sat- ur- day is best.
Or you can kiss me on a Wednes-day, a Units-day. a

Bl>7

Tues-day, in fact I wish you would.-

Or you can kiss me on a Tues-day, a Tues-day, a
Sun- day, a Sun- day, a Sun- day, 'cause that s my day of rest
butnev-er, nev-er on a

me on a Most an - y day,- you can be my gaesu.

Or you can kiss

Bl>7 F-7 1.
Et>
Et>/GG^Bl>7/FJi^

U I

an- y day you

Just name the
I
I

say,-
day,-
I

I
LP
but my day of
that you like the
rest
I' i I
r
best.
"

DANSERO Hayman 1953

H 0-7 F*7 F6 G-7 _ C7 F^7 F6

Hold me close and hold me tight, hold me now while my head seems lights
a part of this night of mghts r
If I dream— of new de- lights it's

my ve-ry eyes, I couldswear this is pa - ra - dise_

Here be -fore

G-7 C7 A- 7W D7 G9 C+7 F<6

4 ~ -6 c

thrills like this lin - ger so,

and while L- feel this glow,, them play and

let play Dan - se - ro..

this is all mine I know, when I hear them play Dan - se - ro.

In my heart I know that if I've heard one tune, I've heard a thou- sand themes

G7 G+7 C7« G-7

me ex-tremes. and so it seems.

but still and all I find there's on - ly one that thrills to
D.C.alFme
568 MORNING Clare Fischer - Cal Tjader

C-7, F7 C-7 F7 Et7

C-7 F7 Bt-7 El>7 C-7 F7 B^-7 El»7

O ^ ^
C-715 F 7^9 B ^-7 C-715 p 7 l9 B (,-7

CARAVAN Duke Ellington/Tizol 1937

C7^9

and stars a- bo ve that shine so bright the mys-t'ry of their fad- ing
Sleep u-pon my shoul-der as
creep we a-cross the sands so I may
You be- side me, here be-neath the blue my dream of love is com- ing
Ft7 F-6
J .
J J ;

light that shmes u - pon our ca-ra - van- Fine

keep this mem-'ry of our ca-ra- van-
true with- in our de-sert ca-ra - van-
 — J

BLUE TANGO 575

Anderson /Parish 1962

am with you in a world of blue, and we're

mus - ic plays r we re - call the days when our

Bl>7

-
v» —^— — \ 1

danc-ing to the tan- go we loved when first we met. While the

love was a tune that we could- n't soon for - get

BTJLLXT
As I

So just

kiss your cheekr we

»rrr rrif ff
don't have to speak the vi - o -
hold me tight- in your arms to- nighty and this Blue
1.

lins, like a choir, ex - press the de-sire we used to know not long a - go. So just
Yan-go will be our

thrill- ing mem- o - ry of love.

576 KISS OF FIRE Villoldo/Allen 1952

I touchyour lips and all at once the sparks go fly-ing, those dev-il lips that know so well the art of

ly-ing. And tho' I see the dan - ger, still the flame grows high-er, I know I

F- % F-

must sur-ren- der to your kiss of fi-re, Just like a torch, you set the soul with- in me
Give me your lips, the lips you on - ly let me
F7

burn - ing, I must go on a - long this road of no re - turn - ing. And tho' it

bor - row, love me to - night and let the dev-il take to - mor-row. I know that

F- C7

burns me and it turns me in - to ash - es, my whole world crash - es with- out your kiss of

I must have your kiss al- though it dooms me, tho' it con - sumes me, your kiss of fi-

F- Et>7

TT 9 "E[*

ny-ing, you're all that I de - si-re. Since first I kissed you, my heart was yours com-

\
F-
n i „ n
C7 Dl>7

plete-ly, if Fm a slave, then it's a slave I want to be,

C7 D^7 C7

me, don't pi - ty me. Give me your

LA CUMPARSITA 577

LAPALOMA
578 JALOUSIE Gade/Bloom 1925

H B^- 3 , f>-/bI> b^-

Jeal-ous
f)

-
i, J

y,-
l J i

night
J
and day you
P
tor- ture me,-
J J
I some- times
J 1

J
won -
J
der,

F+7 B\>- F7

if this spell that I'm un - der can on - ly be a mel - o - dy.. For I know no

E^/Bt Bt>- Dt/F F- Gp2k5 3 (

Ql_ 3 ,
p-
'

j
'
1
1
''' 1

ill n me
j
won your
ji j j i'f
when
.j mi r
j

one but has heart but, the mus - ic starts,. my peace de

F7 Bl»-

parts. From the mo - ment they play that lan - gour - ous strain and we sur -

Bl>7 F> 9 C-7^

m
ren - der to all its charm once a - gain, this jeal-ous -
y

B^- F7

that tor-tures me is ec-sta-cy, mys-ter- y, pain-

mm We
B
C-7 F9 C9 F9

dance to a tan - go of love,- your heart beats with mine as we

fear that the mus - ic will end,- and shat - tcr the spell it may

sway._ Your eyes gives the ans-wer I'm dream- ing of,- that soft word your
lend,-

2.
F7 F+7 F7/C B\>7 F-7 Bl»7

cruel lips will nev - er say.. to make me be - lieve, when/our

eyes just de - ceive, and it's on - ly the tan - go you love.-

 A CHILD IS BORN Thad Jones
601
B^7 E^/Bl' B^7 E^/Bl' B^7 E^/Bl' A~7 t5

7&
D7^ G-7 D+7 G-7 D+7 G-7 C9

F7SUS4 F13 B^7 El>-/Bl> bU7 e^-/bI» B^7

Dalt7 El»A7 Al»9 C-7 15 Bl'/F G^7*U G-7 C9

5
4
5
4 F7W
f ail 6^7
-0- F7SUs F13 F7Sus B&7 E^7

r i

r i

SEARCH FOR PEACE McCoy Tyner 1965

A"7t5 D719 G7SU s4 G7 A-7t5 D7 19
G7s„s4

Fine
CB Al»13/C C13 , Al»13/C C13 , Al»13/C A-7 D7

D.C. at Fine

CHELSEA BRIDGE Bm strayhom 1941

j|^(A7) (a7) (A7) (A7)
a1»- B^- A^- Bl>7
602 LAMENT J.J.Johnson

F- Al»7 D^7 G-7 C7 F

A-7^5 D7^9 G-7 E -7t5 A7t9 D-7 B^-7 A-7 D-7

E-715 A7W D-7 E^-7 Al»7 D^7 G-7^53 C7 t9

2-B-7^ 3 — , b El»7 F^7 D-7 Dl>7*U qj F6

'nr r r ih
^ 1

'1 L^j r r i
1

r
i

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i i -i
PASSION FLOWER Billy Strayhom
p|-7t5 p7#U
D9 D7^

PEACE
A-715 Al»7 G-7 C7» B a7 C-715 p7t9 bI»A7

C7*u B7*U Bl>A9

I
3-

f7n©

BLUE IN GREEN Miles Davis 1959

BU7 A 7*9 D-7 Dt>7«" C-7 F7» Bl»A7 A7& D-7

Last X Onty-Rrtard
 ROUND MIDNIGHT Williams /Thelonlus
603
Monk 1944
Intro
Dalt7 r
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Calt7
r\ l_

F -7t5

^ B>-
J,- C . 7 t5
C-7^ 5 p- 7 t5 31,^7
F-7^ Bbait7 F>7
£1,-7 ^.A^ B-7 E7 bI>-7 A^-7 D^7

±a- — Et-7
=* Al>7
''
£",I^ 3 -, B7«" Bl-7 E7'U
\
2. For Solos

A^7 Dl»7G^7 B7*U B^7 E^ A^-7 D^7 G^7B7 F-7^ fikit7

B-7 E7 F-715 B 7w
J,
E l,
E^7A^7 D^7 G^7 B7 F-7* fil^ E^7»n

Ftitard

NAIMA Coltrane
B^-7/El» E^-7 B7/Et A7/EL_ 3 . A^7

A^7 D^7 A^7 D^7 A^7 D^7 A^A7

Ritard
 ^
604 YOU KNOW I CARE Duke Pearson
El E-7

r
A7
p 1
C-7/F
1-
F7
ff =fc£"
E-7
^
A7
—
C-7/F
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F>A7 A t7 D/FI G/F A/E E^D7 CHFI7B-7E7 A G n.7

C-7/F B^7^F C-7/F F7 , A/F Bl>A7/F C-7/F

, , 3.

Bk7/F A^-7 Dl»7 <$&7 F7sus4 E-7 A7 C-7/F F7

E-7 A7 C-7/F F7 F-7 Bl»7 e1»A7 Al>7 D-7G.i«7C7*11F7 E-715 E |,7

D-7G^t7c7*np7 E-7^ El»7 D-7G«it7C7«n B*7

I REMEMBER CLIFFORD Benny Golson

Intro B^7 C7sus4 C7» A 7» A7/CI D-7C-7 Bl»-7A^7 G'7 C7sus4 C7»

Rne = Fmaj7
$[A]fa7 A7 b ^7 B°7 C7 Cf°7 D- D B-7WE7» A- A-7/G

B-715 £7» A-7 D7 G-7C7 ^ B"7t5 £7W A-715 D7 t9 Q-J C7alt F

» 1
Last XD.C. to Intro

1
*
D S. a/Cc
 J

TURN OUT THE STARS 605

Bill Evans 1966

E" A-7 A7» D-7 G7 QL1 A-7 F-7 Bl>7 El»A7 C-7

4^
A-7 D2
—
GA7 E-7 Ct-7 F|7
1

j 1— ©
BA7 QJf-7
'

Cjf-7
J
J

B^-7l5 El»7W
J J ^ i

r^i i
j
f f
r i i
i mmm
A^-7 F-7^5 Bt7» E^-7 Et-7/Dl» B^7 E^/B^ A7SUS4 A7^ DA7/A

A7sus4 A7 DA7/A G7sus4 G7» CA7/G G7sus4 G7 07/G C7

3=2

B+7 E-7 Bl»7«n A+7 D-7 At7«n g+7 C-7 E^9

I* Ak7 C7 19 D -7l5 G7 V9
f
i
r r r 'p

F-9 C -7 E^sus4 A^7 G7alt C>7

i y
\ in J^ J i
i J i
J J. bu j j i

B-715 £7t9 A _7 GjlTsus

4 G|7W Ct-7 (F|7)

I ' J J J I

Fine

gUINTESSENCE Quincy Jones 1961

S pA7 F7/A Bl»6 B°7 F/C B-7^ £7/B AA7 EWsus4 A^7

C7 t9 p.(A7) p-6 D-7t5 G9 C7sus4 C7^ ca/Ceda

 —

606 LUSH LIFE Billy Strayhorn 1949

® D\>6 B9 Dl»A7, B9 D^7 B9

used to vis - it all the ve-ry gay pla-ces, thosecomewhat may places, where one re -
The girls I knew had sad and sul- len gray fa-ces with dis-tin - gue tra-ces, that used to

D^7

lax - es on the ax - is of the wheel of life, to get the feel of life from jazz and
be there, you could see where they'd been washed a- way by too ma - ny thru the day, twelve o' -

cock- tails. Tne clock tales. Then you came a- long with your sir- en song to tempt me to mad- ness,
G- G^7 F- F-6 F-7 F-6 Dk7 , E°7

I thought for a- while that your poig-nant smile was tinged with the sad- ness

Ehl 3 _ a!>7 B7«i Bl>9 E^7 A7*U El>-7 Al»7

-e «—- —#-
of a great love for me. Ah yes! I was wrong, a- gain was wrong.
B I

D^7 D 7*n , Dk7 D7*n _ J)\>6 , C-7^ 37 E*7 D7'u

Life is 16ne - ly - gam and on - ly last year ev 'ry - thing

Dl>A7 D7*« D^A7 D7'H Dl>6 t

, ,Dt7 C7 F A7 A7*n

Iffe is kw - ful 'a - gain a trough - ful of hearts could on - ly be a bore. A

At>A7 E^7*9 A^7 E-7 3
A7 D A7 D-7 Ql Q7 t^l

week in Par- is will ease the bite of it, "Hi 'I care is to sSBle in spite of it.

pU7 D7<11 n D^7 D 7<H n D^6 C-7^B7 F-7 B^7

HI for - get you will, while yet you ire still burn-ing in- side my brain. Ro-
G^7 B7 A7 A^7 D^7 G^7 F-7 fit>7

mance is mush sti- fling those who strive, I'll live a lush life in some small dive, and
G^-7 B7 A7 A^7 E A7 E^6 D^7 G7 D^6 D7Dl>6

there I'll be while I rot with the rest ose whose lives are lone - ly too.
 INFANT EYES 607
Wayne Shorter 1965

G-7 F-7 A7 A7«

—I
J.
J J J 1

JJJ !

DJANGO John Lewis 1955

 3

608 KIDS ARE PRETTY PEOPLE Thad Jones

D" A7 ^ 3 _, D- C-7 F7 Bl>7 A7 D- G7

FA7/C
-3. ,
A7
r-3-
D- D-7/C B-7t5 E7 A7
.

C-7
I- —
F7
5
BU7 Et»7 F/C C-7

F/C A7*9 D- A7 r3n D- C-7F7 B^7 A7

^3-, G7 C-7 F7 B^7_ £^7 E~7^ A7» D-

IF YOU COULD SEE ME NOW

Tadd Dameron

B \,J ^l G +7 C7
1
G-7 Ff-7 B7 F-7 F-7 B^ 2.
A-715a^-g- Gl»7F7 E^7

^ r

A -7
n "?
D7
i
iir^Jf
B-7 E7
p
A-7 D7 fi-7 E7 A-7 C-7 F7

C-7 F7 F-7 Bl>7 E\> ( G^7 B A7 e4

DOLPHIN DANCE 611
Hcrbic Hancock
612 WHISPER NOT Benny Golson 1956

C- C-/B\> D 7t9 g- G-/FF E -715 A7 19

J Ur-r

D-7 1 -
A7H D-7 E-7 F-7 G7» 2 -
E-7 15 A7W
—jj —^
(-3-1

* J # # ::::::::

^
J J -7- .
—
L—

D-7 E-7 F-7 Bl»7lS A .7t5 D7^ G-7

Every X For Solos

E-715 A 7t9 D-7 D-7/C A^7 G7

Form AABA

Last X Only
E-715 A7 t9 d- D-/C G/B Bl>-6 F/A Ai>7 G-7 A7» q- D-9

STOLEN MOMENTS Oliver Nelson

C-7 D-7 E^7 D-7

Solo on Minor Blues

 SUGAR 613
Stanley Turrcntine

VC-7 D-7» ^_3 -g7^ C- 7 G+7

a

C-7 D-7^5

1
D-7^5 r-3-i G+7 r-3-i
A^7«U G+7 C-7

DOXY Sonny Rollins

HAUNTED BALLROOM

A l>-7 Dl»7«ii Ff-7 B9 G-7-0- C7™ ^B^-7 C-7 D^7 F>7^

614 Piano Rhythm
TAKE FIVE Dave Brubeck 1965

C- G-7 C- G-7 Bass Line

D.S. toA

KILLER JOE Benny Golson

BX7 _B^Z C7 B^7 C7 &\>1 C7 Bl»7

Fine

GIANT STEPS John Coltranc

D7 G Bl>7 £t> a-7 D7 G B^7 E^ F|7 B F-7 B^

BERNIE'S TUNE Bemie Miller 1953

Fine m
.
I

G-7 C-7 F7 Bk G-7 c-7 F7 b!>6 E-7^ A7W

D.C.alFtne
 WORK SONG Nat Adderly/Oscar Brown
615
F-7 Jr. 1960

3E3E 3 m it
Break- in' up big rocks on the chain gang, break- in' rocks and serv- ing my time,
I com- mi t the crime, Lawd o' need- in', crime of be - in' hun- grey and poor,
Jjudge he say "five years hard la - bor, on the chain gang you goin' ta go",
Wan - na see my sweet hon - ey ba - by, wan- na break this chain off an run,

C-7 C7

Break-in' rocks out here

r p '
r u
on the chain
r
gang 'cause I been con- vict ed of crime,
Left the gro - cer store man a bleed- in*, when he caught me rob bin' his store.
heard the judge say 'five years of lab - or", heard my worn- an scream "Lawd-y no",
wan - na lay down some where it's sha- dy, Lawd, it sure is hot in the sun.
F-7

Hold it ste- a- dy right there while I hit it, there I reck- on that ought- ta git it, been

F7 B^7 G7 C7 F-

work- in', an work- in', but I still got so terr-ible long to go-

THINGS AIN'T WHAT THEY USED TO BE

Ellington

turnaround
Ending
F F7 F G-7 C7 F F7 B^ Bl>-
 r

616 STROLLIN' Horace Silver 1960

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m
Dk7

1
F-7
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1

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E^-7
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A^-7

I|J
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Al»13
G-7

'
j
C7

f f f f

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k Bl>
~7 61,7,9 & 7,n D7*9

2
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pf-7 B7

AW
F-7
J J

Bl>7»9
J Iff ^J;J-J7JJ
A^^A^^D^ F-7
j r
A& 9

Wv- J
j urn ^ i

j
i
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Dl»6 Gt»7»n f-7 Bt7*9 Al»7*9 C/D [,

(CP b J '
P^l 11 1
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 ANTHROPOLOGY Parker/Gillespie
625
G7 c-7 F7 G-7 C7 F7 F-7 fit»7

D-7 G7 C-7 F7 Bl>6

F-7 Bl»7 El>A7 6^7 Q-7 z

C-7 F7fil>6

SERPENT'S TOOTH Miles Davis

Bk7 B°7 C-7 C#°7 D-7 G7 C-7 F7

F-7 Bl»7 El>7 E°7 1D-7 Di»7 C-7 F7 D-7 G7^ C-7 F7

* 7 7 7
p F 1
p

THE THEME Jazz Messengers

Miles Davis
Bl»A7 c-7 &o 7 B\>/D\- a -.Bto C-7 Dt»°7 b^/D
 ) )

626 NARDIS Miles Davis

13 e-7 F^7 —
, r-|(EA7) B7 CA7 (E-7

AIREGIN Sonny Rollins

F- C 7I9 F- P719

Eb7 A^7 '

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MOANIN'
g]Sotos(F A^7 G7 C7
F- Bt F-
 *

ROBBIN'S NEST 627

07 Al>7 Sir Charles Thompson

c /E
it
Et>°7 D -7 G7 ^ 1
W
C6 A-7 D-7 G7 r
2
C6

J —— J- A) _l
I '
J.

D.C.alCoda
D-7 G7 ^D-7 G7 C6

m
,

7
^J. t
JV

LAZY BIRD John Coltrane

A-7 D7 C-7 F7 F-7 Bl»7 E^7

D.C.al 2nd End (Fine)

MOMENT'S NOTICE

D^7 D-7 G7 C-7 B7W B^-7 &7 p^Ll A^-7 D^7

G-7 C7 ,A^-7 Dl>7 G^7 F-7 Bl»7 *G-7 C7*9 F-7 Bl>7

— J * J~ *ll g J I a :. J) m J —<M
F-7 G-7 F-7 El»6 F-7 G-7 F-7
 —

628 MILESTONES Old Miles? John Lewis?

F^7 F-7 B^7 Dl>7

is
C-7
v F7W
7
pnr
G7»
iV'r rjj ,
L =1
J

^LAJ C-7 ,.3-3 F7W B^7 A^7 Dl»7P

C-7 Ci-7 F|7 B-7 , 3 , E7 C-7 ,_3-^F7 B^7 E7

5 1
F//>e

B AW A-7 , ,
D7 G*7 A-7 B-7 E7W

A-7 D7 f Bl»-7 B"7 3

'

1
E7 D.S.alFme
3-

QUASIMODO Charlie Parker

•
El»A7 G-7^
G-7^5 5 £7^
C7^ F-7 Bl»7
^ 3-i

F-7 AK*7 ) bI»7 'E^ D-7^5 G7

7 J 1

f r ^ r pVpJTj _1
C-7 A-7 D2 G-7 C-7 F7»

5
Bl>6 B°7,3— i
r-7— _ F7 ______ C7 W-
F-7 F-7 Bt7

ip p
l Bl-7 El>7 Al-47

pup
D-7 G7 -3
C-7 A-7^5 A ^6 E^6 F- G-

B^9
s
Al>-7 eI>6 F-7 Bl>7 El>6

4
1

'
1
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 WITCH HUNT 629
C-7 Q-7 Wayne Shorter

|J Lk rrr— r-
— # # ~ » -— • . - r i - i

1
f

,Gl>7 p'7
C-7 #
^
£ £*

E7i Et7

SPEAK NO EVIL Wayne Shorter

C-7 Dl>A7 C-7 D^7 C-7

2
B^-7 A7«n 1
-
Bl-7 'B^7 C-7 A\>7

to '» J J * * J I * fr*'

I)|?7 D.C.alRne

SERENITY Joe Henderson

D-7^5 G7^ A J,A7 G^7 E-7 A7 F-7 3 Bt>7

Ek7 D-7ts G7 C-7 G^7

A^-7 Dl»7 G+7 F7
mm
E*7 F-7 Bl>+7 E^7 D~7t5 G7t9 2-El»A7 D-7*67»
 ——

630 ORNITHOLOGY Charlie Parker / Benny Harris

G*7 G-7 C7 FA7

A-7t5 D7
F-7

B _7
Bl>7

rr ^TO ^3
D7

D7
m
1.
G-

2 G

u- 3' i
3 — i

FOUR Miles Davis

B^7 El>7

F|-7 B7 F-7
1
Ek7 _ Ff-7 B7
Si
G^7
!

'G-7 F-7 Bl»7 F>A7

* r
A NIGHT IN TUNESIA 631
 J

632 DAAHOUD Clifford Brown 1952

rZTl Solo Changes-

^ ,El>-7 Al»7 G^l B£7 No Chord

Et-7 Gt7 B*7 BIh-7

2.
-0-
At-7 F7 E'7

PS
Gl>7 No Chord No Chord

5
"7

i> v r i i
1 ——•
r r »r i
1

Bl> 7
1

No Chord D.C. al Coda

. Drum Fill
n A^-7 E*7 G^7

Use Solo Changes AABA

Solo Break D.C.

YARDBIRD SUITE Charlie Parker

Al»7 C B^ -0- A7 D7
J i u- J)
p
G7 C El»7 D-7 G7 2
G7 C6 Ff-7 B7
1

^JJJj'i 1

Be-7
i-7 B7 E-7 A7 D- A7
n"i J I

M ''
i
^J jJtJlj. Ji
tr in
D"7 G7 D.C. a\ Coda ^A7 D7 G7 07
%i jlJ 7
j)l
JlJjj" i
 — n

LADY BIRD — HALF NELSON

Tadd Damcron

Lady Bird

ir-
C A7

4h

Shout cr>orus
hi 1
F-7

-V
—1
— iJ— rr—
i ™
B^7
Miles Davis

m c 4r

Half Neks on
1

—
T r— 3—
P
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r
P m ~.
i=3f=i
lu r
1

07

rrs w— ^
pfr* 7
p-'p] r J
on B,zZ,_
ii

J
ircjp 1.1

G7 C6 F9 E-7 El»7 D-7 D^7 F|7*9

 = )

634 JOY SPRING Clifford Brown

FA7 G-7 C7 F^7 r-3— B^-7 El>7

A-7 A\>1* u G-7 C^3-, F^7 A^-7 Dl>7 G^7 1-3-

E7 B^7 A7«ll A^-7 ?fe

A^7 Dl>7 G^7—

D.C.aJRne

DIG Miles Davis

 —

GROOVIN' HIGH 635

Dizzy Gillespie

A-7 _ D7 A-7 D7

i ;
TO"
1 1,,

"
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"
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h
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G-7

J
n
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C7
p
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n n

^
-3-, I?-7 B^7 F-7 Bl>7

= i n r i ii
1
J <J J
T r

1
E^7 G-7 G^-7 F-7 E7

2.
[XJJ
'

v '
f try!
A^7
rfrV
F-7
i i m Dl>7

l- l. i i
El>6

"= *—
TUNE UP Miles Davis

E-7 A7 D^7 D -7 G7 07
—W ^9 1

It" J
|J °
J '
J
^
C-7 Fn B^7 E-7 F7 B^7 A7

v V*—
or =^
— u ,
J. > J%-n ^ -)

BILLIE S BOUNCE Charlie Parker

F7 Bl»7 F7
r —
; » JT" ^— *

B^7 F G-7 A-7 A^-7

G-7 C7

I
 J n 9

636 SMATTER Kenny Wheeler

E^7 E^sus4
ft „^ nrrn ?urp I

B^7 B^7 G^7 C-7

5 9+

A7alt A^A7 D7alt I G-7 C/F

D-7 E-7 F'7'll Bk7A-7 AU7G-7 GtA7 F7 Bl-7

Solos
1 ,
i< rr. —#L mm
?A7'U X E^sus4 BA7*u X B^-7 Aeolian
X
yyyy
C-7 Aeolian X A^7*ii X G-7 Dorian X D"7 Doriin X
/y//
B^7 A-7 AU7 G-7 G^7 F7 Bl>-7

y y y y / y y y

BOLIVIA Cedar Walton 1975

mj^iii^iii^hilpilllp bud
2 (A) EU7 A 13 DA7
- „ 1* E C. L.. >, r-1 1 i 1
= 4,

G^7 (Latin feel) F# 7 t9 B-7 CA7«n

— | J J * • Hp N 9 —
B-7 B-7/A A^-7^5 G-7 (Swing) C7 FA7

5*

r^T^
1

H — i
Like Intro 16 Bars:^
G7 EA7
V
E^A7

-©
 —

Latin
NICA'S DREAM 637
Horace Silver
A] b!>-
(a7)
aM a7)
1 3 1

a f i

J rr

ii 3 3
Dl»7 A^-7 Dl»7
r; 3
G^7 Dl»7 C7' 9
Q i 1 i
1
1

C-715 p7l9
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bM" >
^p
r frr
^=^=
i Q , I,.
E/
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Ai»7w|4
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A^9 D^7 B^7
] El»7 a!»7

D^7 E-7 A7 2.
p7^ bM*7>
. D.CalCoda

j '

jj m H i n i

Al»- (A7) G^7 F7*» BMA7 >

Soto Break

Al*7
FALLING GRACE steve ^
D7/F| G-7 F-7 B^ Ek/G D7/Ff

J
638 THIS IS NEW Kurt Weil ( a la Chick Corea)

,06 G+7 C-6

. B7*« G7« C-6 G+7

h ,f
V I 1 =3=
r t i

r t
C-6 E^-7 A^7 DU7 C7 I9 F-7 F7^

r ^ »;

Latin Feel

E^sus4 A^- E^ 4
s At- E^ 4 Al>- E^sus4

THE NIGHT HAS A THOUSAND EYES

Brainin/Bemer 1948 ( a la J. Coltrane)

GA7/D D7s„s4 GA7/D

G A7 E-7 G A7/D D7$U 4s G A7/D D7sus4

I
[
I

J J.
 SEVEN STEPS TO HEAVEN 639
Intro Victor Feldman/Milcs Davis 1963
interlude after solo

to solos

SI F A7 B^7 E-7 A? D-^7G7 DrumFill El>6 £6 F6

D-7 G7 C^7 F-7 Bl>7 eW a^7 J)\>1 G^7 C7

FA7 Bl>A7 e-7 A7 D- (A7)Al»7 G7 Drum Rll E^6 E6 F6 D.C. to Intro

Form AABBA IMPRESSIONS Miles Davis

Hn-7

D.C. a! Fine

Form AABA
SO WHAT Miles Davis

H D-
640 JOSHUA
Victor Feldman 1963

Intro

2.

5 s

D-9 G-7 C7 F-7 Bl»7«5 EU7 E^-7 Al»7»s Dl»A7 G7

D.S. al Coda
Last X go to End

Break
09 bI>-9 FA7/E A7^ D-9

Pi
D-9 G-7 Rl»-7 e!>7 D-9 Like Intro
 EPISTROPHY 641
T. Monk

CP D7 x X X
3S=3E
F^x F
Q
w E7 x X

W7 E7 X X X
«

CP D7
j

X
8 11

r
* i * j m
X
t
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x
F
ii

Si
C#7

F
D7

I MEAN YOU T. Monk

0.C. a/fifae
CONFIRMATION Charlie Parker
644 JEANINE Duke Pearson 1960

X X

X X X

El>-7 Al>7 G-7 C7

FA7 -, F" 7 r-o-i Bl>7 Bl>-7 E^ 9

i
BEBOP Dizzy Gillespie 1944

/nflro -0- No Chord

on to A LastX Only Qalt7

JAi i
rjJ^ ^jjiJM i i

jjj
^jijjijlirii^ilini,,
Fine

C- D-7^5 £^7 F-6 D£7^_, G7t9 c- D-7^

D.S. al Coda I
 1

SOLID
g[?7 Sonny Rollins
bI'7 3 . e^7
i> » . i\. Tr r .. * i l =jTl .. b« 1 , . h , 1 - 1 - > . - 1

'T pit'
1
1

r
1
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1

r ^ ,r
-
r
1
»=±p
1 —^ *- M ^ —b*—^ s . — > „ , -j rh —h-

^
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i 1

1
1 ' :j w , if |- <, ' 1 '« *
'

'
r ^ 1
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^

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Wluj F7
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5

—
p
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E^7

1
1

p
= 1
M'
B^
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TENOR MADNESS Sonny Rollins

b^ El»7 B^ -
"
l» U Is . . , K J7T]
El»7 G 7t9
Jj 7 |7
* r r r r * ^ d
r r r

NOW'S THE TIME Chariie Parker

b^
656 BYRDLEKE Freddie Hubbard

-
A- 715 D'719 A- 7t5 D'7» A- 7 t5 D' 7 t9 A- 7V5 D 7l9 G-7t5 C
1— '

J J 1—

G-715 C7* 9 G~7 t5 C7* 9 G-7 15 C7^9 F^7 (N.C.)

Drum Fill

F7 B\>7 F7

B^7
or A-7 D7 A^-7 Dl»7

b
'
1^ n » i .^ =fe

4
|

1
G-7

RELAXIN' AT CAMARILLO Charlie Parker

El»7 _3_, Bl» Bl»7

F>7 A^7 G7

C-7 F7 Bt F7

VIERD BLUES Miles Davis

Bl> 7 E^7 I
1»L.=
ij' .i
H i ,J |,J J
? ,
^ p
7
J
F>7 B^7
J 1 i 1 J 1 - 1>» b» F > Fffl ,= n i 1 1 1 1 H > 4, Lpi

G 7t9 0-Bl»7 G7 19
nun.
C-7 F7 Q 7 t9 Oil F7 B^7*»

I i
7
^'fc 7
^
 F

C Blues
SPEEDBALL 657
m A A A
Stanley Turrentane

Si
,

up 5

-A A_
C7
>' >' ^ :
^ >' ^ ^ =

A A
i

? # F —
# ^3
C7 A7W
r > > X ^ =^

GINGERBREAD BOY Jimmy Heath

G7 F7 Bt ?l9
Tacit

HH»
Bl>9 C-7 El>7 E7 ^
1
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,
A A > A A

C 6

EtZ_ Dl>7 B^7»9 Tacit Al>-7__/_/ D^ A A

 *

658 EQUINOX Coltranc

F-7

G7^
m C-7
pt -Hit >

i
BESSIE'S BLUES
F>7 A^7 F>7

*"H «... if J'

E^7

£
»
1

T p Cj
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Bt>7 Bl»7

"
1

J J J " j
BLUE TRANE
F-7 Bl>7 ,C"7 F-7 B^ C-7 El>7

MR. SIMS

— J^3J J J 'J J
I

f.

A^/G A^/G G7 C- Bl» C-

%
 BLUES FOR ALICE Charlie Parker
659
F^7 E-7t5 A 7W D _7 G7
3 i 1

j J J

B^7 Bl>-7 El»7 A-7 D7 Dl>7

G-7 3 1
C7 F D- G-7 C7
=#3=j=

STRAIGHT NO CHASER Thelonius Monk

F7 Bl>7 F7

Bl»7 F7

A-7 D7 G-7
n ]
»
J J J |J

F7

1^ /3»

BLUE MONK
F>7 Bl>7

AU PRIVAVE Charlie Parker

F
 —

660 SOME OTHER BLUES

PERHAPS Charlie Parker 1948

,{,7 1 1
rruip j jijtti
F7 C7 E-7 A7»

D-7 G7t9 C7 D-7 G7

I
Intro and B
BITTERSWEET Sam Jones

B7sus4 Bt7sus4
4, * -
n
A7sus4 A^sus4 G7sus4

[j
III
riXj gU~ r
lj j i
f
Uj |j i

C7
Liu J Lfl *
i
A7» I
^

D-9 GB
p p i

r cJ I
I
674 IT S A RAGGY WALTZ Dave Brubeck

El D7 Gi_ G7 _,_ C7

G7 E7 A7» G G7 C 1.2.,

*
1 C*7
3p m + m m m—*— mm 1
^
Fine
#

B-7 E-7 B^-7 El>7 A^7 G~7 C7 F~7 Bl>7 E~7 eJ>7 D7
-a
-J J
-U
D.C.alFine

WEST COAST BLUES Wcs Montgomery 1960

Al>7 ^ (
r _3^ ]3^7

illi i
ni.i, fn |J f i Hp |

B-7 E7
ivy 1,1 U 'K' " 1
| i
^ 1
w
p

/ / / y V v y y
£1 j
>7 / / / / / / / / /

§ Bl»A7 Ai>-7 Dt7 GU7 B7su S4 B7 B^7

hi hi J 7
^' 1
7
J;
7
^' #
A^-7 D^7 GU7 r -4
B7'SUS B7 Bl>7»u

7 , N
 WALTZ FOR DEBBT 675

F7/El> Bt>6/D "0- G-^?D!> C7 C/Bt A~7 D"7 G~7 C7

C7 C/Bi' A-7 D7 B-7

B^7 A7ait D-7 G9 G|°7 A-7/C At»°7/C

J -
J -
J
> r 1
r r i i i

r r

G-7/C C7 F6 D-7 G-7 C7 Fi

VALSE HOT Sonny Rollins

Intro

B^- El>7 Al> Bt>- El>7 At> Bt>- Et>7 Ak7 E^"rA^V P j A? E^"fA_V ^
cJcJr icJejt icJi/r i
r * lur uT r il^iJ I
. .
E^-AK D^7 \R y A\>& Dl»A7 C-7 F7
rfrY r~r * (jJ n r
rr|rr r
rr
c

B^-7 El>7 A^7 p7t9 B^-7 D^-7

s M ^
u r > i
>
„
rj u 1 n
» j p
r
i>
n tin
C-7 P719 B^-7 E^7 Ak7
^ Tl n n
r > rTr u 'i
j
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[M
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676 HOW MY HEART SINGS Earl Zinders

^ E-7 A-7 D-7

DA7/E A A7/E CA7/D G A7/D 07/D C*7 B7 D.CalCcxta

A-7/G

WINDOWS Chick Corea

B^-7 G-7^ C7

Dl'7sus4

^5

D-7 C-7 C-7/Bl> A-7^5 A-7^G D7/F| D7

G-7 G-7/F C7/E C7 D-7 c-7 B7»" B^7 c-m\>

 SIMONE Frank Foster
677
Ek7 D-7 A7SU 4 s D-7 E^7 D-7
I. I 1

A7SU 4 s D7sus4 D7alt

i— i

1 1
—
1
>— 3
—1

-6

Bl>7 D-7 A7sus4 D-7

JU-JU Wayne Shorter

B+7

NIGHT DREAMER Wayne Shorter

G A7 Bl>7 Et7 D7 GA7 fil»7 Et7 D7 G*7 b!>7

F7$us4 GA7 Bl>7 El>7 D7 GA7 Bl»7 El»7 D7

 J

678 SOMETIME AGO

m FA7

A-7"
F^7

D7alt G-7
F>7 FA7

C7

ipi 1^
F^7 D-7 G7 Dl»7 G-7 C7 19
i
*A-7 D7 G-7 C7 E^7 D7
I r
1 ir JM^J- J] I
J
r r

G-7 C7 FA7 E^7 F^7 F>A7

WHAT WAS Chick Corea

D^7 F>^7 Dl> C-7 C-

Dl»A7 C-7 D^7

pip? ii
>
C-7 D^7 E^7 G7
IJ
r irr
+7 Ati7 A-7« D7 G7

r i

r t
07 B+7 B^-7 A^7 G^7 F A7 E7 AA7

A-7 D7 G7

^ JJ H - J'
J J 1 J" r
 —

RECORDAME 685
Joe Henderson

r-fl
C-7
1
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Us f L.
-frr
JH
r
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srr >
*
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p f
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G^7 G-7
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i mC7 FA7
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167,9
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c 1
1
1

JU i J-
J* JU. «L_J_ /
-. —e

SILVER'S SERENADE Horace Silver

E-9 F-9 E-9 B^9

SONG FOR STRAYHORN Gerry Mulligan

F-/F> F> F-/F>

i
3 •f-/eI>

Fine '

Al*7 G-7 Gl>A7*n F-7

G^7 G-7 C7 F7
Hp! bL
B7 4
686 I TOLD YOU SO George Cables

F6 DlVF F6 d!»/f F A7/E

1.
D- D-7/C : B-715 E7 19 A -7 B .7 E? A _7
11 TT i

D ?k9 Et>°7 CA7/E A-7 D-7 G7 A^7 D^7 G-7 C7&

2D- D-7/C j^B I A;7 G-7 E-9 A7 D- Dl>7 Cl7

Bl»7 A-7 A^7_ G-7 A-7

p\>7 Bl»A7 C7 G^7 Repeats uaxonF 6

Latin/Rock THINK ON ME George Cables

D7su S4 F7sus4

7 t y ~ P 1
Jr

CA7/B B A7 b^/bI' BtA7 A7*ii A^-7

|,l

^ J
^ '
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t£
— *==—=- t> J ~
j—.j j j j ^JT]i,J J

A^-7/Gt E^7 F-7 Bt7

|i,"
ih
r n |
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U' P f P T"
b

P' [y
» J'||

D-7 G7 E-7 A7 D-7 B^7 F>7

 Calypso ST. THOMAS 687
Sonny Rollins
c E-7 A7 D-7 G~l C G+7 C

E-7 A7 D-7 G7 C G+7 Bl>7 A7

D; 7 Mh-7 G7 C7 C7/E F Ff°7 C/G G7 C

Rock
Latin
LITTLE SUNFLOWER
Freddie Hubbard

Bossa

Intro
LUCKY SOUTHERN Keith Jarrett
D^7 D+ D6 D+
688 Montuna
MANTECA Dl2zy Gllllspie/Gll Fuller

B^ 9 py^9
*
D.S. to A
Repeat and Ritard

Solos • Bb Cue Bridge

LIBERATED BROTHER
Horace Silver

G- 7 C7 X C7 X X

G-7 C7 Bk-7 AEK fr

7 aC 7a a F- 7, Bt>7 ^ e^7 A +7

B^-7 El»7 ^_4-G-7_C7 £7*9 A >Bl>-7 fiW G-7 C7A

Ek7 A+7 DZ19 Al>7'" G-6

 *

ARMANDO'S RHUMBA 689

Intro c:bick Corea
Unison
|
ill,
J* II . 1, . . ^ ..-=F
=*=±=f * * r
> ^ i

P
1

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p r

D7 c}7 C-
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T*TT =— J- 11
B
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D7 ( c- c:7 F
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r
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F#°7 A 1— . A°7 _
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p r nf f\

>-/Bk Bt7» E°}>6 G+7

On Cue Shout
- 1st 8 bar
——3
Xq r p i ? > J' .j
i

r
i
y rr >
§
Unison r

FRIENDS Chick Corea

O n Cam
F6/C E) CA7 FA7/C C^7 D7/C Bl»A7/C

t D.C. to Intro

— —J4
Lo- 1
 FOREST FLOWER Charles LLoyd

13 . A*7 Qtn
 1

GREGORY IS HERE 69

CEORA Lcc Morgan

.Ak7 Bl»-7El»7 A (,a7 E^7 A^7
 GAVIOTA Clare Fischer

Latin (Bolero-Guajira) 112

694 Form AAB
SONG FOR MY FATHER Horace Silver

Med. Bossa
F-9 F>9
5

BLUE BOSSA Kenny Dorham

C-7

D-7t5 C-7

MY LITTLE SUEDE SHOES Charlie Parker

F-7 Bl>7 F>6 F-7 Bl>7 F>6

i
F-7 Bl»7
3 m
2F>6 A^7 G-7 F-7 F>6
 4

696 MERCY, MERCY, MERCY Joe Zawcnul

BlVD F> F>7

GROOVE MERCHANT Jerome Richardson

B^ F>7 Bl»7 F7

Bl'B^/Al' G-7 C7 F7 C7 F7 Bl»7

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i
F>7 E°7 C-7 F7

G-7 FJ>7 -$C-7 F7 B\> C-7 F7 Bt

ft —
1

XT
1

WATERMELON MAN Herbie Hancock

F7 Bl>7 F7 C7