Notion 6 User Guide PDF
Notion 6 User Guide PDF
Notion 6 User Guide PDF
How to Best Use this Guide. . . . . . . . . . . . . . . . . . . . . . v Measures in Each System / System Breaks. . . . 3.12
Technical Support. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . vi Measure / Staff / System Spacing. . . . . . . . . . . . . 3.13
64-bit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . vii Part Names and Abbreviations. . . . . . . . . . . . . . . 3.14
New in Notion 6 - Overview . . . . . . . . . . . . . . . . . . . . viii Sequencer Overlay. . . . . . . . . . . . . . . . . . . . . . . . . . . 3.15
ii
CHAPTER 7: Create A New Score Octave Transposition Symbols. . . . . . . . . . . . . . . 10.8
Add Interval. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.9
Create a New File. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7.2
Add Dynamics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.10
Create a New File from Template. . . . . . . . . . . . . . 7.3
Edit Dynamics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.12
Assign Initial Instruments. . . . . . . . . . . . . . . . . . . . . 7.4
Articulations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.15
Assign Clef . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7.6
Glissando and Portamento. . . . . . . . . . . . . . . . . . 10.18
Assign Key Signature. . . . . . . . . . . . . . . . . . . . . . . . . . 7.7
Arpeggios. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.19
Assign Time Signature. . . . . . . . . . . . . . . . . . . . . . . . . 7.8
Grace Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.20
Assign Metronome Mark. . . . . . . . . . . . . . . . . . . . . 7.10
Ghost Notes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.21
Trills. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.22
CHAPTER 8: Enter Notes and Rests
Shortcut Slashes, Tremolos, and Shakes. . . . 10.23
Notation Overview. . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.2 Holds. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.24
Enter Notes and Rests. . . . . . . . . . . . . . . . . . . . . . . . . 8.4 Breaks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.26
Red Notes - Exceed Duration / Range. . . . . . . . . . 8.5 Cue Notes and Tacet. . . . . . . . . . . . . . . . . . . . . . . . . 10.28
Accidentals. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.6 Swing Control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.30
Chords. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.8 Fill Measures With Rests. . . . . . . . . . . . . . . . . . . . . 10.32
Triplets and Other Tuplets. . . . . . . . . . . . . . . . . . . . . 8.9
Ties and Slurs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.12 CHAPTER 11: Edit Score
Slash Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.13 Add Staves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.2
Alternate Noteheads. . . . . . . . . . . . . . . . . . . . . . . . . 8.14 Change or Delete a Staff . . . . . . . . . . . . . . . . . . . . . 11.4
Multi-Voice Entry. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.15 Add WAV Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.6
Short Score Staff . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.17 Change Instrument per Staff. . . . . . . . . . . . . . . . . 11.8
Handwriting Recognition . . . . . . . . . . . . . . . . . . . . 8.19 Change Instrument per Voice . . . . . . . . . . . . . . . 11.10
Bar Lines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.12
CHAPTER 9: More Input/Sound Options
Repeat Signs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.14
Alternative Input Options. . . . . . . . . . . . . . . . . . . . . 9.2 First, Second, and Multiple Endings. . . . . . . . . 11.15
Real-Time MIDI Input. . . . . . . . . . . . . . . . . . . . . . . . 9.3 Repeat Measure Signs. . . . . . . . . . . . . . . . . . . . . . . 11.16
Step-Time MIDI Input . . . . . . . . . . . . . . . . . . . . . . . 9.5 Navigation Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.17
MusicXML and MIDI File Import. . . . . . . . . . . . . 9.7 Rehearsal Marks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.18
Alternative Sound Sources. . . . . . . . . . . . . . . . . . . . 9.8 Change Measure Numbering. . . . . . . . . . . . . . . . 11.19
MIDI Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9.9 Cut Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.20
VST Instruments . . . . . . . . . . . . . . . . . . . . . . . . . . . 9.10 Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.22
Add a Multi-Channel Track. . . . . . . . . . . . . . 9.11 Lyrics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.24
Vienna Ensemble. . . . . . . . . . . . . . . . . . . . . . . . 9.13 Pickup/Partial Measures . . . . . . . . . . . . . . . . . . . . 11.25
ReWire Advantages. . . . . . . . . . . . . . . . . . . . . . . . 9.14 System and Page Breaks . . . . . . . . . . . . . . . . . . . . 11.26
Use ReWire. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9.15 Change Part Names and Abbreviations. . . . . 11.28
Change Clef . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.29
CHAPTER 10: Edit Notation Change Key Signature. . . . . . . . . . . . . . . . . . . . . . . 11.30
Beam Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.2 Change Time Signature . . . . . . . . . . . . . . . . . . . . . 11.32
Beaming Angle and Height. . . . . . . . . . . . . . . . . . . 10.3 Change Metronome Mark. . . . . . . . . . . . . . . . . . . 11.33
Stem Direction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.4 Brace, Bracket, and Barline Groups. . . . . . . . . . 11.36
Change Note/Rest Time Values. . . . . . . . . . . . . . . 10.5 Edit NTempo Staff. . . . . . . . . . . . . . . . . . . . . . . . . . . 11.38
Change Note Pitches. . . . . . . . . . . . . . . . . . . . . . . . . 10.6 Handle Significant Tempo Changes. . . . . . . . . 11.40
Transpose. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.7 Tempo Overdub. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.42
Velocity Overdub. . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.44
iii
CHAPTER 12: Instrument Markings Reset Tab Numbers. . . . . . . . . . . . . . . . . . . . . . . . . . 13.17
Finger Marks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13.18
Common Markings. . . . . . . . . . . . . . . . . . . . . . . . . . . 12.2
Slides. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13.20
Special Markings for Strings . . . . . . . . . . . . . . . . . 12.3
Palm Mute and Let Ring. . . . . . . . . . . . . . . . . . . . . 13.21
Special Markings for Woodwinds. . . . . . . . . . . . . 12.4
Bends. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13.22
Special Markings for Brass . . . . . . . . . . . . . . . . . . . 12.5
Vibrato and Whammy Bar. . . . . . . . . . . . . . . . . . . 13.24
Special Markings for Keyboards. . . . . . . . . . . . . . 12.6
Guitar Taps and Bass Slaps. . . . . . . . . . . . . . . . . . 13.25
Special Markings for Harp. . . . . . . . . . . . . . . . . . . . 12.7
Hammer-ons and Pull-off Marks . . . . . . . . . . . . 13.26
Special Markings for Percussion. . . . . . . . . . . . . .12.8
Harmonics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13.27
Special Markings for Mallets. . . . . . . . . . . . . . . . 12.10
Other Markings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13.28
Special Markings for Drum Set. . . . . . . . . . . . . . 12.11
Special Markings for Guitar. . . . . . . . . . . . . . . . . 12.14 CHAPTER 14: SequencerStaff
CHAPTER 13: Fretted Instruments About SequencerStaff. . . . . . . . . . . . . . . . . . . . . . . . 14.2
Import MIDI File. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14.3
The Tablature Staff. . . . . . . . . . . . . . . . . . . . . . . . . . . 13.2
Create a SequencerStaff. . . . . . . . . . . . . . . . . . . . . . 14.4
Enter Tab Directly . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13.3
Input from MIDI Keyboard . . . . . . . . . . . . . . . . . . . 14.5
Fretboard: Strings/Tunings. . . . . . . . . . . . . . . . . . . 13.4
Edit SequencerStaff. . . . . . . . . . . . . . . . . . . . . . . . . . 14.6
Fretboard: Enter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13.6
Convert to Notation. . . . . . . . . . . . . . . . . . . . . . . . . . 14.7
Fretboard: Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13.8
Enter Chord in Tab. . . . . . . . . . . . . . . . . . . . . . . . . . . . 13.9 CHAPTER 15: Media Tools
Chord Names. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13.10 Add wav file. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15.2
Chord Diagrams. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13.12 Video Setup. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15.4
Play Chord Names. . . . . . . . . . . . . . . . . . . . . . . . . . . 13.15 Fit in Time and Hitpoints. . . . . . . . . . . . . . . . . . . . . 15.5
Show Chords on First Page. . . . . . . . . . . . . . . . . . 13.16 Upsampling. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15.6
Transfer data to
and from PreSonus® Studio One®. . . . . . . . . . . 15.7
iv
How To Best Use This Guide
This document divides topics into logical chunks (chapters) that build in complexity as you progress into the guide.
This guide is best viewed in Adobe Acrobat or Apple Preview for Mac, which supply thorough search capabilities.
v
Technical Support
vi
64-bit
vii
New in Notion 6 - Quick Overview
General
Three new languages: Korean, Italian and Simplified Chinese now available
(alongside English U.S., English UK, German, Spanish, French and Japanese)
- Go to Preferences (Cmd/Ctrl+’) and select Language. Restart for the changes to take effect.
Export PDF on Windows: Go to File - Print to PDF to natively print PDF on Windows. Mac users have this built in to the
Print menu.
High DPI display on Windows: Notion now supports High-DPI displays. Some 3rd party VST instruments may not
support High-DPI, in which case you can set Notion to use legacy DPI scaling instead. Go to Preferences and check ‘Use
Legacy DPI scaling’
Touch gestures on Mac Trackpad: Pinch to zoom, and use two fingers to scroll.
New MIDI Preferences: You can now select MIDI Record and MIDI file Import preferences including whether to open
imported MIDI files with Notion’s Sequencer Staff view by default - Go to Preferences (Cmd/Ctrl+’)
Import compressed MusicXML files (.mxl): Notion has long been able to deal with MusicXML - now you can import the
compressed MusicXML file format too
Handwriting
Handwrite directly into score area: Select the handwriting icon - you can now draw notes, rests and other symbols
directly into the score. After a few seconds of inactivity, your handwriting will be converted into digital notation. To delete,
scribble over the notehead, or over the symbol or rest.
Use the optional handwriting zoom area: To avoid zooming in/out of large scores, or for combining note entry
methods, select the handwriting icon followed by the handwriting area icon. Tap in the score area where you want to
enter notes, and the handwriting area will jump to the correct spot.
Supported items: Write notes, rests, chords, articulations, measure lines, accidentals, time signatures, measure lines,
ledger lines, slurs, ties, clefs into a 5-line staff. To write into voices, select desired voice in the palette first, as normal note
entry.
Content
New Lakeside Pipe Organ from Soundiron: Pipe organ manuals and pedals now available in the Keyboards category in
Score Setup. There are 5 stops available going from soft to loud - and a mighty pedal board to give your scores some
weight
New Olympus Micro Choir from Soundiron: Select SATB in the Vocal category in Score Setup. Switch between oohs and
aahs from the technique palette
Notion Harpsichord: The harpsichord is a 1972 instrument, made by Robert Goble & Son, Oxford, and features the
following stops: 4’, 8’ short/long/lute/nazard, 16’ - selected from the technique palette.
Notion Score Library: A collection of over 150 public domain scores all in the Notion format, that includes orchestral and
piano works that can be used in a variety of ways from accompaniment to score study. Make sure you download the
folder from your my.presonus.com account. A complete list of files can be found within the folder.
viii
New in Notion 6 - Quick Overview
Layout controls
View/Hide Layout Handles: Go to View>Show Layout Handles or Cmd/Ctrl+L.
Respace measure widths: Show Layout Handles and drag to respace. To reset the width, shift click the box or right click
the measure>Reset Measure Width.
Respace staves / systems: Show Layout Handles and drag the larger system box to respace vertically. To reset the width,
shift click the box or right click the measure>Reset Measure Width.
Hide and show empty staves: For full control over the page, you can now custom hide or show empty staves, on a
system to system basis. Make a selection and go to View>Hide/Show Resting Staves
Hairpin angles: Show Layout Handles, then drag the single square on the closed end to angle the whole hairpin. Drag
the squares at the open end to adjust the opening angle of the hairpin
Drag hairpins vertically: Select and drag the hairpin up and down to adjust vertical placement.
Enter chords anywhere: Now you can place a chord anywhere over a long note or empty measure, and it will attach
automatically to the nearest beat.
Drag more items anywhere: articulations can be dragged in any direction, rests can now be dragged vertically,
articulations can now be dragged in any direction
Multi-measure rest feature completely redesigned: Now better looking and much more intuitive.
Part names: Part names can be added automatically, and also edited directly
Notation
Mid-staff instrument and transposition change: Changing from e.g. Flute to Alto Sax now shows key signature change
at point of instrument change
Mid-staff transposition change in same instrument: Change from e.g. Clarinet in A to Clarinet in Bb. Go to Change
Instrument (Shift+I), select New Instrument. Select its transposition from ‘Notation/Tab’. Click OK and click the change into
the score,.
Change enharmonic of indidual notes in a chord: Select the note you wish, and press Shift+E. To change the whole
chord, double click to select all the notes in the chord first.
Write hammer-on directly into TAB: Add a slur directly into a tablature staff. Use Shift+S for slur. You can still use the
previous Notion ‘H’ for hammer on for playback
Paste lyrics from an external source: Copy and paste from a text editor application, and paste into Lyrics in Notion.
Notion will advance the lyrics on a space, and if you have entered hyphens or underscores in your text, will space syllables
and melisma respectively across notes.
Many MusicXML enhancements for seamless transfer with other notation apps: See a list of all fixes at blog.presonus.
com
Audio/Video
Metronome now available in playback: Click the metronome icon in the taskbar
Preroll record feature: Select how many measures you wish to hear before you start your MIDI record in.
Video window control buttons: Frame advance, Add hitpoint, Play, Stop and Video audio control buttons added to Video
Window
Export audio as mp3: Now you can export your score as mp3. Select the option in the Export Audio menu
More FX slots: Now two banks of FX slots are available in the mixer. Select either 1-4 or 5-8.
MIDI Over ReWire: Now send MIDI in realtime over ReWire into your DAW
ix
x
CHAPTER 1: EXPLORE NOTION
Startup Screen. . . . . . . . . . . . . . . . . . . . . . . . . . . 1.2
Main Components. . . . . . . . . . . . . . . . . . . . . . . 1.4
NTempo Mode or Edit Mode. . . . . . . . . . . . . 1.5
Keyboard Shortcuts . . . . . . . . . . . . . . . . . . . . . 1.6
Menu Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.7
Toolbar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.8
Score Area. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.10
Entry Palette. . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.11
Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.13
Score Setup. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.14
Set Up Audio. . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.15
Set Up MIDI Devices . . . . . . . . . . . . . . . . . . . . 1.17
Help Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.19
1.1
Startup Screen
When you first open Notion, you view the Startup screen. This offers a quick way for you to jump
right to the activity you want. You can also access Notion’s menu bar in this view.
The Notion Startup screen.
Start a Piece
Click New Score to create a blank new score.
Open a Score
If you want to open a Notion score that is not in the Recent Files list, select Open. The Open dialog box for your
computer’s operating system displays. Find the file you want to open and select it to begin this session.
Import a File
Another option is to create a brand new Notion score based on the contents of a MusicXML
or MIDI file. Click the Import button, and the Open dialog box for your computer’s
operating system will display. Find the file you want to open and select it.
88 A MusicXML file creates a score with standard notation staves.
88 A MIDI file creates a score with Sequencer Staves (see chapter “Import MIDI File”).
Once you open or create a file, the startup screen no longer displays.
Underneath are:
Recent. These are the names of the last ten scores you opened (newest on top). If you see the name of a score you want
to open, click its name in the list.
Templates. There are ten templates here, with further templates available from File>New From Template... .
1.2
Select Your Keyboard Shortcut Set
Most beginning users point-and-click with the mouse to activate and control features.
This is a comfortable way to begin becoming familiar with Notion operations.
As a quicker alternative to mouse clicks alone, you can press keys on your keyboard to activate
or adjust Notion features (keyboard shortcuts). Although most users mix mouse clicks and
keyboard shortcuts, the more keyboard shortcuts you use, the less time it takes to Enter and
edit scores. There are also keyboard shortcuts you can use to play or perform a score.
There are two sets of shortcuts that you can choose to use in Preferences.
88 English (U.S.) set (uses letters for durations, e.g., “E” for eighth note and mouse to define pitch).
88 International set (uses numbers for durations 6, 7, 8, 9, 0 for 32nd note to whole note).
There are three sets of numberpads:
88 Notion (uses numbers to add intervals to pitches)
88 Finale (adds Finale number-pad durations)
88 Sibelius (adds Sibelius number-pad durations)
Tip: In the Menu bar, under the Help heading, you can click to open a printable Shortcuts
guide as a handy reference to the many keyboard shortcuts available with Notion.
1.3
Main Components
With Notion, you work with controls and indicators in two main windows,
plus small temporary windows called “dialog boxes.”
Major Notion components (Mac).
A Menu bar: A thin strip providing text-based access to commonly used Notion features.
B Toolbar: A control panel near the top with various buttons, controls, and indicators.
C Score area: The large area where you view scores and edit notes, rests, and other musical markings.
D Mixer: A separate window with controls for you to adjust audio parameters for individual instruments, settings for
mixing effects/VSTs, and sending audio to external equipment.
E Cursor: In the score area, you view the cursor in various shapes, including as a marker across the staves in a system (as
in the picture), as a pointer (also known as the Selection Tool), or with the representation of a symbol you can use to
edit the score (the Music Cursor).
F Entry Palette: A moveable panel with graphics-based access to common Notion score markings.
G Tooltip: When you hover your cursor over a button, control, or Entry Palette item, a small popup box appears with
summary information. In the box, (A) bold text identifies the item, (B) text in brackets identifies its keyboard shortcut
(if one exists), and, where helpful, (C) a short explanation.
H Channel strip: Each rectangular box in the Mixer represents an instrument or staff in the score.
1.4
1.5
NTempo (Performance) Mode or Edit Mode
1.6
Toolbar
The Toolbar
The icons located in the toolbar allow the user easy access to tools frequently used.
A - Handwriting Entry. Enter notes either directly into the Score Area, or turn on the optional handwriting zoom area
B - Virtual Keyboard. Enter notes and chords or audition a melody on this interactive keyboard.
C - Virtual Drumpad. Enter the desired drum or pitch while in step-time entry mode.
D - Virtual Fretboard. Enter notes and chords or audition a melody with the interactive fretboard.
E - Chord Library. Select, create and insert chords or chord diagrams into you score
F - Score Setup. Click this button so you can quickly add, change, edit or remove a staff in your score.
G - Mixer. Click this button to open the audio mixer console so you can adjust individual
instrument audio, edit effects, route output to external equipment, and more.
The Transport
Optional Buttons for Common Tasks
Rewind – Click once to return to the spot where you last started. Click twice to return to the beginning.
Play – Have Notion play your score using metronome marks in your score to determine tempo.
Real-Time Record – Click to have Notion record notation as you play a MIDI device.
Step-Time Record – Click to Enter notation from a MIDI device a step at a time.
Also can be used with the fretboard.
Tempo Overdub – Using the NTempo feature specify and edit tempo, down to individual beats. Can be used to
reduce the number of metronome marks in a score.
Metronome – Turn metronome on/off in playback or recording
1.7
Virtual Instruments
The virtual instruments allow you to Enter or audition notes/chords by selecting a duration and clicking the note on the
instrument to either audition or Enter the note.
Select the octave you’d like to Enter/audition notes (virtual keyboard only).
The virtual drumpad works just like the other virtual instruments, with the addition of the drum library. To use
the drum library, select a style (funk, jazz, rock, or world), choose a pattern, and click in the score to place it.
Timeline - Numbers on the timeline represent measure numbers in the score. A thin red line indicates the
measure where the cursor or marker is at the moment, and it is within a box representing the measures
you can currently see onscreen. You can click the timeline to jump to a general segment of the score.
Rehearsal Marks – Click the [A] rehearsal-mark icon on the transport to display a list of the
rehearsal marks in the current score. Click an item in the list to jump to that location.
◙◙Rehearsals menu.
1.8
Score Area
The largest section of the Notion window is the score area. Here you Enter and edit notes, rests, lyrics,
and other musical symbols onto a score. Although you can have multiple scores open, each one appears
in a separate window. Notion supports different page views you select on a per-score basis.
Markers
A marker (a thin, semi-transparent, colored bar) appears in the score area across
all staves in a system. The ones you’ll encounter the most include:
88 The playback marker, a dark green bar, indicates your current location in the score during playback.
88 The editing marker, a light gray bar, indicates your current cursor location during editing. The actual place where
you clicked displays a box in a light yellow color.
88 An orange version of the playback marker alerts you if you are currently in a vamp.
1.9
Entry Palette
1.10
Hovering and Clicking
To access options, simply move your cursor over a visible graphic pane, and the upper tier automatically opens.
Moving your cursor to a different pane automatically closes the current menu of options
and opens a different one.
To lock the upper tier open, just click once on any bottom-tier pane.
Keeping a group of options locked open is especially useful for such activities as Entering notes
and rests into a score. Not only does this save time accessing different options off the same menu,
locking also enables you to combine (some) multiple options as a single unit. For example, once
you lock the notes/rests pane open (the third from the left), you can click the graphic for a single
note (such as quarter note), click an augmentation dot, and click the lower voice (multi-voice)
graphic. All three characteristics are now ready to be placed as a single note into your score.
Click once anywhere in the pane (marked by the red circle) to lock open the menu of options above it.
To unlock, do one of the following:
88 Click a different pane. This closes the first menu and locks open the menu for the pane you just clicked; OR
88 Click the pane a second time. This closes its menu and restores the upper tier’s standard hovering operation.
Nomenclature
In this guide, we identify an bottom tier’s pane by its position, such as third from left, middle pane, or last pane.
1.11
Pane Contents Pane Contents Pane Contents
Barlines, Repeats
Note/rest entry Chord library and Cuts
Articulations Fretted-instrument
techniques
1.12
Mixer
To control audio output, Notion provides an audio mixer. Created to resemble a hardware console, you
access this virtual mixing board by opening a separate window in either Edit mode or NTempo mode.
Quick Tour
Details on the Mixer appear in Chapter 5. Its key components include:
A Each rectangular box in the mixer is a channel strip or bus strip. A labeled view of the Mixer.
B The most prominent feature of each channel strip or bus is a fader—a sliding volume
H
control—near the bottom.
C Individual instrument volumes, in stereo, with a peak meter using color-coded bars. G
D Controls for panning (the relative left and right positions in stereo output).
E Controls to quickly isolate (Solo) or silence (Mute) one or more instruments. F
F Controls to send individual instrument sounds out to buses.
G Inserts for Virtual Studio Technology (VST) effects modules you own. E
H Buttons to quickly find specific groups of instruments and (on the right-hand side): D
hide/show the buses and Master strip.
Advanced users can click Output buttons at the very bottom of channel strips to assign
instruments to separate digital channels when connecting a computer to B
an external mixing board or production equipment.
C
A
1.13
Score Setup
One other Notion component you will use often is Score Setup. This semi-transparent overlay on
top of the score area enables you to very quickly add, move, change, and delete staves.
You must be in Edit mode to use Score Setup. There are various ways of opening it up. You can:
1.14
Set Up Audio
Set Up Audio
An installation of Notion on most computers sets up the audio automatically. But in situations where you use an audio
interface, you need to inform the software which hardware audio device you want to use for playback. Logically,
the devices you want to use must already be configured in the operating system of the computer you’re using.
On Windows Systems:
1. Go to the Menu bar and select File > Preferences. (Or Ctrl+,)
» A dialog box opens.
2. Click the Audio Tab.
» When you first view the Tab, the device your computer currently uses for playback is already selected. If the active
device is an ASIO device, and a Windows control panel exists for this device, you can click the Control Panel button
to open that dialog box for updating.
◙◙Audio Tab in Preferences (Mac).
1.15
1. If the currently active device is not the one you want to use for playback, click one of the other radio buttons on
the left (Note: The Windows Default is the device you have currently configured in the Windows control panel for
audio; WASAPI is available on Vista and Windows 7 platforms only).
» Descriptors of all devices on your computer appear in the box on the right as you click different device-type
options.
2. In the large box on the right, click the descriptor for the particular device you want to use, even if there is only one
option listed. For DirectSound and WASAPI, only devices installed and working appear. For ASIO, all drivers for ASIO
devices – whether in operation or not – appear.
» An information dialog box displays (and automatically closes), alerting you that your computer is opening this
item for use with Notion. The software alerts you if a device cannot be opened (for example, an ASIO driver that
doesn’t have a corresponding working device).
3. To save your change, click OK.
» For best results, close and reopen Notion.
On Mac Systems:
If you want, you can set up an audio device for Notion that is totally different
than the default audio device for your computer.
1. Go to the Menu bar and select Notion > Preferences (or Cmd+,).
» A dialog box opens.
2. Click the Audio Tab.
» Underneath the Audio Devices heading, the device your computer currently uses for playback is in parentheses
beside the text “Default Audio Device.”
3. Decide what you want to do:
>> If the device in parentheses is what you want for Notion output, just ensure the Default Audio Device line is
highlighted and close Preferences.
>> If you want a different device to be the destination for Notion output, highlight that item in the list and close
Preferences. You now have a default for Notion output that is different than the default output for other
applications on your computer.
>> If you want a different device to be the default audio device for the computer and Notion, close Preferences, and
set up the other device in the Mac System Preferences (Sound) as the default audio device for your Mac. Then
return to Notion > Preferences, highlight the Default Audio Device line, and close Preferences.
4. To finish, close the dialog box.
» For best results, close and reopen Notion.
1.16
Set Up MIDI Devices
You have the option in Notion of setting up external MIDI devices as an alternative to a computer
keyboard or as sound sources to supplement Notion’s built-in sound library.
2. With Echo MIDI input selected, you can play anything on the MIDI keyboard and hear it performed by Notion as
long as your MIDI keyboard is sending information that is not on the channel you specified in NTempo Channel. If
you want, you can disable the Live Play feature completely by clearing this checkbox.
3. At NTempo Channel on the MIDI IO Tab, you specify which MIDI channel will be reserved for performing with
NTempo features. All other channels enable the Live Play feature. If you are unsure how to switch MIDI send
channels on your MIDI keyboard, ensure there’s a “1” in this drop-down list, as most MIDI instrument output defaults
to Channel 1. Now you will be able to perform scores but not use Live Play. When you want to switch to Live Play,
select another channel (or None).
4. Unfortunately, MIDI keyboard manufacturers vary widely with respect to how they implement velocity. You can
reset the NTempo dynamics slider if you get too little or too much variation in volume with changes in velocity on
your particular keyboard model. With too low a setting (too far left), only score dynamics are read; velocity does not
seem to affect the volume of sound you hear. With too high a setting (too far right), you produce more variation in
dynamics than you intend or can control in a comforTable and natural manner.
5. Click the MIDI IO Tab.
1.17
◙◙MIDI IO Tab in Preferences.
1. Click the top drop-down list under the MIDI Input section.
» The list identifies all MIDI devices registered and operating on your computer that are ready to send MIDI
information to applications such as Notion. Select one, or None; on a Mac, you also can enable All devices.
2. In Input type, specify if you will be using a MIDI keyboard (the default) or a MIDI guitar.
3. To finish: Windows: Click OK; Mac: Close the dialog box.
1.18
Help Options
Quick Reference Guide Get going in Notion fast with this Quick Reference Guide.
Help
User Guide This guide you are now reading.
A quick reference to most of the keyboard
Shortcuts
shortcuts in Notion, arranged by category.
Help
Two scores you can open that introduce you to the features of
performing using NTempo on a computer keyboard and using
NTempo Tutorials (2)
specific keys on a MIDI keyboard. A special feature of these files
is you can read instructions and try operations at the same time.
Demo Files Opens a folder containing example Notion files.
Drum Library
Notion includes a library of drum patterns. Simply add a drum-set instrument to your score, select
the drum pad (drum icon in toolbar), then select the genre and type of beat you’d like to use. Next
click on the pattern to select it then place it in your score with the mouse. Make sure your time
signature is the same as the pattern you’ve selected in order to maintain score formatting.
1.19
CHAPTER 2: NOTION FILES
Open a File. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.2
Save, Save As, and Revert. . . . . . . . . . . . . . . . 2.3
Export to WAV/mp3 File . . . . . . . . . . . . . . . . . 2.4
Export to MIDI or MusicXML Files. . . . . . . . 2.5
Print a Score. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.6
Dynamic Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.8
Close or Exit (Quit). . . . . . . . . . . . . . . . . . . . . . 2.10
2.1
Open A File
You can open an existing score to play, perform, or edit. You can double-click a Notion file (a file
that has an extension of .Notion) on your hard drive or use the Open dialog box or the Open
Recent list. You can open multiple files; each score appears in a separate Notion window.
2.2
Save, Save As, and Revert
It is good practice to get in the habit of frequently saving the edits you make. You can
save your updates in the same file or as a new file in Notion format. You also have the
option of saving the score to another format (an export) other than Notion.
To keep in an existing file any new changes you made to the score or Mixer settings, either:
88 Use a keyboard shortcut: Windows: Ctrl + S; Mac: + S, or
88 Go to the Menu Bar and select File > Save.
Revert
You can have Notion disregard all the changes you’ve made since the last save. This time-saver is quicker
than multiple presses of the Undo key to return your score to a known level of completeness.
1. Go to the Menu Bar and select File > Revert.
» A message appears, asking you to verify the revert. This is important; you cannot undo a revert later.
2. To proceed, click Revert.
» Notion returns your score to the way it looked right after your most recent save.
2.3
Export to Audio File
You can export your scores from Notion to digital audio files so anyone can listen to your composition.
WAV (.wav) and mp3 files are easily added to recordable CDs or flash drives, or to post on the Web or
send in an e-mail. Or, you can import the contents of audio files into a digital audio workstation.
2.4
Export to MIDI or MusicXML files
You can export Notion scores to MIDI or MusicXML files, useful for sharing your work with people who do not have Notion.
Just as you can use MusicXML or MIDI import to bring scores created in other programs into Notion, you can
also export your work out to these other formats. With this feature, the essential information in scores you
create or update in Notion can be played and edited in other programs that support either format.
If you haven’t already, save any edits you’ve made.
Settings in the Realtime Record menu can affect MIDI import and export.
Go to the Menu and either:
Select File > Export MIDI, or
Select File > Export MusicXML.
By default, the existing file name displays in the dialog box. Since you will be changing the extension, you can
keep the same name for the new file. Otherwise, Enter a new name in: Windows: File Name; Mac: Export File.
Identify the folder where you want to store this file using Windows: Save In; Mac: Where.
Click Save.
» The new file is available for use. Since you exported this information, your original Notion file is intact.
2.5
iOS Integration
2.6
Print a Score
You can print an entire score, specific pages, or multiple parts with just one click. The software has a
“what you see is what you get” approach to simplify printing. Nearly everything that is visible in the
score area will be included; exceptions include highlight boxes and hidden objects/staves. Notion
components outside the score area, such as the Mixer and Fretboard, are not included in printouts.
A few guidelines to keep in mind:
88 Do not have a page view of Continuous; switch to either Pages Across or Pages Down.
88 Although the discussion in Chapter 3, “Customize Your View,” pertains to how your score appears on a computer
monitor, those options also directly affect the way your score will appear in print.
88 If you want to print a single instrument, see View One Part first. That topic also details how to customize the
appearance of single parts.
88 If you want to print parts, go to File>Print Parts
88 If you only want to print a few instruments, see Hide/Show Any Instrument first.
Windows
1. To open the Print dialog box, either:
>> Select File > Print, or
>> Press a keyboard shortcut: Ctrl + P.
2. Set the properties in this window as you do in other programs to select a printer, set page range, and specify
number of copies.
3. To access printer-specific properties, click the Preferences button.
4. To begin printing, click Print.
Output in PDF
You can output direct to pdf - select File>Print to Pdf.
Mac
1. To open the Print dialog box, either:
>> Select File > Print, or
>> Press + P
2. Set the properties in this window as you do in other programs to select a printer, number of copies, and page range.
3. There are other properties you can set (such as paper size, orientation, and scaling) under File > Page Setup.
4. To begin printing, click Print.
Output in PDF
In the Print dialog box appears a PDF button in the lower left. Select an option in the resulting drop-down list to save the
score as the type of PDF document you need. Consult your Apple documentation for details on the various PDF options.
2.7
Page Setup
Be careful: Changing Page Setup options, especially your choice of page size, will affect the layout of your score.
Reducing paper size could move measures off one page and onto the next, throwing off any considerations you may
have built into a score for page turns, or may cut off staves in large scores at the bottom of sheets. If you must reduce
the paper size of your score, and you encounter these or similar spacing problems, see if reducing the font size helps.
Conversely, if a short score looks lost in a sea of paper, you can try increasing the font size for aesthetics and readability.
3. Click OK.
2.8
Dynamic Parts
Since hardcopy printouts are based on what is currently visible on your computer monitor, you can
quickly print out specific parts (for individual musicians) by showing one instrument (Option 1) or
a select few instruments (Option 2) or by printing multiple parts with one click (Option 3).
4. Ensure your Page View is either Pages Across or Pages Down (not Continuous).
5. Print.
Repeat this procedure as needed (select a different part and print). When you are done,
you can view all parts by selecting Score > Dynamic Parts > Full Score.
2.9
Option 2: Use Score Setup
The one limitation with the previous option is that you always view and print out one part. If you happen
to want two or more instruments (say, for sectional rehearsals), you can use the procedure below.
1. To open Score Setup:
>> Click the Score Setup button at the left end of the toolbar, or
>> Press a keyboard shortcut: Windows: Ctrl + T; Mac: + T.
◙◙Score Setup.
2. View the leftmost edge of the first page so you see buttons on the margin at the start of each instrument
staff.
3. Click the button on a staff you do not want to see.
4. Go to other instruments you do not want to see and click their button.
5. When finished, close Score Setup:
>> Click the Exit Score Setup button at the top, or
>> Press the Esc key, or
>> Press again the keyboard shortcut: Windows: Ctrl + T; Mac: + T.
» The parts you checkmarked no longer appear in the score area.
6. Ensure your page view is either Pages Across or Pages Down.
7. Print.
To restore staves, repeat this procedure so you add a checkmark to the scores you want to show.
2.10
Close or Exit/Quit
With Close, you close an individual file but keep Notion running. With Exit
(Windows) or Quit (Mac), you quit the program completely.
Close a Score
To close individual file but keep Notion operating:
88 Press Windows: Ctrl + W; Mac: + W, or
88 Select File > Close from the Menu bar, or
88 Windows: Click the close button at the top right corner of the Notion window.
Mac: Click the close button at the top left corner of the Notion window.
» If you made changes to the score, Notion asks if you want to save your edits. Click [Windows: Yes; Mac: Save] to keep
them or [Windows: No; Mac: Don’t Save] to disregard the changes. If this is the first time you save changes to this score
file, you will also be prompted for a file name and a place to store a new version of the score file on your hard drive.
Exit (Windows)
Exit closes Notion completely when you have one Notion window open.
88 Press Ctrl + Q, or
88 Select File > Exit from the Menu bar, or
88 When you have no score open in the score area, click the button at the top right corner of the window.
Quit (Mac)
Quit closes Notion completely, no matter how many windows you have open.
88 Press + Q, or
88 Select Notion > Quit from the Menu bar.
With either Exit or Quit, if you made any changes to the score, Notion asks if you want to save your
edits. Click [Windows: Yes; Mac: Save] to keep your edits or [Windows: No; Mac: Don’t Save] to
disregard them. If this is the first time you save changes to this score file, you will also be prompted
for a file name and a place to store a new version of the score file on your hard drive.
2.11
CHAPTER 3: CUSTOMIZE YOUR VIEW
Zoom and Resize/Move Window. . . . . . . . . . . . . . . 3.2
Change Page View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.3
Hide/Show Any Instrument. . . . . . . . . . . . . . . . . . . . 3.4
Move Staves. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.5
Notation Size and Style. . . . . . . . . . . . . . . . . . . . . . . . 3.6
Transposed or Concert Pitch. . . . . . . . . . . . . . . . . . . 3.7
Change Theme. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.8
Set Up Measure Numbers. . . . . . . . . . . . . . . . . . . . . . 3.9
View One Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.10
Measures in Each System / System Breaks. . . 3.12
Measure / Staff / System Spacing . . . . . . . . . . . . 3.13
Part Names and Abbreviations . . . . . . . . . . . . . . 3.14
3.1
Zoom and Resize/Move Window
Alternately, most mouse manufacturers enable you to adjust the zoom level by holding
down the [Windows: Ctrl key; Mac: key] as you move your scroll wheel.
Or, you can use a dialog box to set a percentage of your own choosing:
1. Open a Zoom To dialog box by:
>> Going to the Menu bar and selecting View > Zoom To, or
>> Pressing [Windows: Ctrl + Shift + = ; Mac: + Shift] + = on your keyboard.
2. Enter a percentage in the text box. Actual size is 100.
◙◙ Zoom To:
Move a Window
If the Notion or Mixer window is currently less than full-screen, you can move the window to a different
location in your computer monitor. Simply click-and-drag the bar at the top of the window in the direction
where you want it to go. When you have the window where you want it, release your mouse.
3.2
Change Page View
Notion provides different ways of viewing a score. All views automatically update to the next location
in the score as you perform or play it and share the same operations in playback and editing.
Go to the Menu bar and click View. Select one of the three options at the top of the menu:
88 Pages Across – This traditional page view moves “west to east” through the score with visible page breaks.
Instrument abbreviations, clefs, and time/key signatures appear at the left edge of a new “page” where you expect
to find them on published scores.
◙◙Pages Across page view (Windows).
88 Pages Down – This option is much like Pages Across but the motion is “north to south” moving from one page to
the next.
88 Continuous – This uninterrupted view moves the green playback marker across the score area as you play, with no
page breaks. At the far left appears a margin: an overlay that identifies each staff’s instrument abbreviation (in a red
color), current clef, key signature, and times signature.
◙◙Continuous page view (Windows). ◙◙Close-up of the margin.
3.3
Hide/Show Any Instrument
With Notion, you can hide individual items on staves and can hide entire parts (instruments/staves)
in your score. This is very useful for reducing a score down to a few parts so a printout only has a
solo and piano parts, or to temporarily reduce screen clutter while editing a big score.
Since you are hiding a part, not deleting it, you can always show it whenever you want in the future.
Note: The quickest way to see a single part is to click the name of a part under Score > Dynamic Parts in the Menu Bar.
1. To open Score Setup, either:
>> Click the Score Setup button at the left end of the toolbar, or
>> Press a keyboard shortcut: Windows: Ctrl + T; Mac: + T.
◙◙Score Setup:
2. View the leftmost edge of the first page so you see buttons on the margin at the start of each instrument
staff.
5. When finished, close Score Setup. You can press the Esc key, or the button in the toolbar, or
Windows: Ctrl + T; Mac: + T.
» The parts you checkmarked no longer appear in the score area.
To restore staves, repeat this procedure so you add a checkmark to the scores you want to show.
3.4
Move Staves
The specific order you see instruments (staves) in a score follows the sequence found in
traditional orchestration practices. However, you can change the sequence.
5. To close Score Setup, you can press the Esc key, or the button in the toolbar, or Windows: Ctrl + T;
Mac: + T.
3.5
Notation Size and Style
You have the option of altering a current score’s font size or font choice (engraver or leadsheet style).
2. Go to the Notation size drop-down list and select any of the preset options from 3.0 to 7.0 or type over the current
number with a new number. Decimals are supported.
3. To finish, click OK.
◙◙Example at 3.0. ◙ Example at 7.0:
3.6
Transposed or Concert Pitch
By default, you view the notes you Enter into Notion scores as they would appear coming from a
publisher. This includes having transposing instruments (such as the Bb trumpet) appear in transposed
notation. If you want, you have the option of displaying all instruments at concert pitch.
Viewing all instruments in the same tuning can be a help to beginning composers and
can be an aid to fine-tuning problem areas in orchestration even for more experienced
orchestrators. There are two major advantages this feature provides:
88 Even if you view all instruments in concert tunings in the score area, when you view (or print) a part in Score >
Dynamic Parts, transposing instruments will automatically be in standard transposed keys.
88 When you select Transposed, the entire score immediately displays transposed notation for all transposing
instruments. Thus, you can switch back and forth between standard and all-concert tunings just by clicking
a menu item.
To enable/disable automatic transposing, go to the Menu bar and click View. Either
Transposed, Concert Tuning, or Concert Pitch will have a checkmark.
In the View menu options (Mac).
88 To keep the default setting (standard notation), ensure View > Transposed has the checkmark.
88 To display transposing instruments in the same key as other “C” instruments (in their current octave), click View >
Concert Tuning so it receives the checkmark.
88 To display transposing instruments in the same key as other “C” instruments and in the actual octave (a piccolo, for
example, is written an octave lower than actual pitch), then click View > Concert Pitch so it receives the checkmark.
3.7
Change Theme
The default light-gray background in the score area is easy on the eyes and is the preferred
“theme” for the score area for most users. But two other themes are available.
White Background
If you wish, you can switch to a higher-contrast white background. This is useful if
you wish to create screenshots to put into a worksheet or publication.
Black Background
If you will be performing Notion in an orchestra pit, stage, or other darkened area, you might encounter
some disadvantages with standard (or white background) viewing on a computer monitor:
88 Looking at a bright screen in a darkened area can lead to eyestrain or make it harder for you to see a conductor’s
gestures or other visual cues whenever you glance away from the monitor.
88 The brightness of the computer monitor may cast distracting light.
Notion provides an alternate theme that uses a “reverse video” approach to seeing your score: Normally white areas
become dark, and normally black items, such as notation and text, appear in an off-white color. The blue of the
NTempo staff appears in a gold color. This “gentle” display is both easier on the eye and generates far less light.
Change Theme
To set a different theme in the Notion window:
1. Go to the Menu Bar and select Windows: File > Preferences; Mac: Notion > Preferences.
» A dialog box opens.
◙◙Preferences dialog box, bottom portion (Mac).
2. In the General Tab, make a selection from the Theme drop-down list: Dark for performing in the dark and avoiding
screen glare in the pit, Parchment for standard use, or White for high-contrast white background.
3. To make the switch: Windows: click OK; Mac: close the dialog box.
» The change is immediate.
3.8
Set Up Measure Numbers
For quick reference, it’s helpful to know the measure number at each bar. When you look at the
score in Continuous view, a measure-number bar provides this on an ongoing basis at the top of
the score area. With other page views we recommend you have measure numbers appear at the
top of the score. Unlike the measure-number bar, these numbers do appear in printouts.
To specify how you want to see measure numbers on the score itself:
1. Go to the Menu Bar and select Score > Full Score Options.
» The Options dialog box opens.
2. Make a selection in the Measure numbers drop-down list. Notice that your choice and your selection of page view
affect when you see measure numbers above the top staff.
>> None: On the score, you do not see measure numbers immediately above each system. (In Continuous page
view, you still see the measure number bar right under the timeline.)
>> Each System: On the score, you view measure numbers only at the start of systems on each page in Pages Across
and Pages Down views; you do not see this in Continuous view.
>> Each Measure: On the score, you see a measure number at the top of each bar in all page views.
◙◙A measure number at the start of a new page. ◙ A measure number at the top of each bar.
3.9
View One Part
Usually, you view all the instruments in each system in the score area. If you want to reduce the number of staves
you see, Notion enables you to hide any number of instruments. But if you need to view (or print) only one part,
the quickest way to do this is with Dynamic Parts. They are dynamic in that a change you make to the notation in
the score appears in the part. The reverse is also true: If you decide to make a change to the notation in the part, it
appears in the full score. All parts are in the same file with the full score, so there are no file-management tasks.
Select Score > Dynamic Parts. You view a flyout menu of the instruments in the score.
Simply click on an instrument name to view just that part. To return your view to the full
score, return to the Menu Bar and click Score > Dynamic Parts > Full Score.
Note: If you decided to view all transposing instruments (such as a Bb trumpet) in the concert
key (see “Transposed or Concert Pitch”), Notion saves you time by automatically placing a
transposing instrument into the correct transposed key when you view its part in Dynamic Parts.
This way, you can simply print out the part and have a live musician correctly play it.
Customize Appearance
When you print out a part, you can customize the appearance of the individual parts
with many of the features available for customizing the look of the full score. The Parts
Options dialog box has the same layout as the Full Score Options dialog box.
3.10
The settings you specify here affect all individual parts, but do not affect the appearance of the full score.
Notation size
Notation Size and Style
Notation style
Multi-measure rests See the discussion below this Table. This page
3.11
Measures in Each System / System Breaks
System Breaks
One way to help visually separate one system from another (when you have more than one on a page) is to have the
software insert system-break marks throughout the score.
4. Go to the Menu bar and select Score > Full Score Options > More.
» The Options dialog box opens
5. In the System breaks drop-down list select either Don’t Show or Show.
6. When finished, click OK.
» The change is immediate.
◙◙System-break mark between two systems.
3.12
Measure / Staff / System Spacing
Measure Spacing
You can adjust the spacing of a measure, if for example, you wish to make a measure clearer, or to space out any objects
that are too close together. To adjust the spacing of a measure:
1. Go to View>Show Layout Handles (or Win: Ctrl+L Mac: Cmd+L)
2. Click and drag the squares that have appeared above the measures. The square will get filled in once you have dragged.
Or you can drag the measure line, or time signatures and key signatures.
3. Once you let go, Notion will rejustify the layout.
4. To reset spacing, shift click the layout square. Or right click the measure, go to the measure tools, Reset Measure Width.
3.13
Part Names and Abbreviations
To help you quickly find a particular part in a system, each staff identifies its instrument with the
instrument’s name or abbreviation. With the setting below you can control how staves identify
their instruments in the score area in Pages Across or Pages Down page view.
1. Go to the Menu bar and select Score > Full Score Options.
» The Options dialog box opens.
2. In the First system titles drop-down list you decide how you want the first system at the beginning of your score to
identify instruments. The options are None, Part name, and Part abbreviation.
◙◙ None: ◙ Part name: ◙ Part abbreviation:
3. In Following system titles you specify how you want to identify instruments throughout the remainder of your
score, at the start of each system. The same three options (None, Part name, and Part abbreviation) appear in this
drop-down list.
4. When finished, click OK.
» The change is immediate.
You have just set up how Notion will handle all part names and abbreviations as a group. To customize
individual texts for instruments, see Change Part Names and Abbreviations in Chapter 11.
3.14
Sequencer Overlay
Notion allows you to view both notation and performance information within the same staff. This special mode is
called Sequencer Overlay and can be accessed via View > Show > Sequencer Overlay (or by pressing Tab).
When you enable Sequencer Overlay, you will see bars appearing on top of the noteheads in your score. Those
bars represent the note’s duration and position and even velocity or dynamic. By clicking and dragging on the end
points of the bars you can adjust the note’s start and end times as well as when the note starts in the measure.
These bars may have different colors or they may just be gray. Gray bars take their dynamics and velocity information
from the score. Colored bars represent custom or recorded velocity and override score dynamics in playback. The
color of the bars can go from blue to red, with blue representing low velocity and red representing high velocity.
Click on a note’s bar, and the velocity of that note will be indicated by a number immediately
following the bar to the right. To customize or adjust the velocity you can:
88 Double-click the middle point of the bar and manually type in your desired value.
88 Use [Windows: Alt+Up/Down Arrow; Mac: Option + Up/Down] to change in increments of 10.
88 Use [Windows: Shift+Alt+Up/Down Arrow; Mac: Shift + Option + Up/Down] to change in increments of 1.
88 Use Velocity Overdub to play in the velocities of the notes.
You can also change the duration of notes by sliding the beginning or the end of a note to the desired length.
Randomize Events: Randomize the events in the Sequencer Overlay view by clicking.
Tools>Randomize Events. Experiment with different settings to humanize your output.
Quantize to Notation: To reset the duration of your Sequencer Overlay events: Tools>Quantize to Notation.
Clear Velocities: To remove all velocities, highlight a section of music and click Tools>Clear Velocities.
3.15
CHAPTER 4: NTEMPO MODE
Play or Perform a Score. . . . . . . . . . . . . . . . . . 4.2
Heads-Up Display. . . . . . . . . . . . . . . . . . . . . . . . 4.3
Jump to Another Location. . . . . . . . . . . . . . . 4.4
Play a Score. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.6
Perform a Score (NTempo). . . . . . . . . . . . . . . 4.8
NTempo Staff. . . . . . . . . . . . . . . . . . . . . . . . . . . 4.10
NTempo Keyboard Shortcuts. . . . . . . . . . . 4.11
Vamps . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.12
Fades . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.14
Skip Repeat. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.15
MIDI Keyboard: Defaults. . . . . . . . . . . . . . . . 4.16
MIDI Keyboard: Customize . . . . . . . . . . . . . 4.18
MIDI Keyboard: Live Play. . . . . . . . . . . . . . . 4.20
4.1
Play or Perform A Score
Unlike most other music software, you don’t have to assign external sounds to instruments or set up MIDI channels
(until you want to). In fact, as soon as you place a note in a score, you can start listening to your work with sounds
of our built-in library. And as you add more notes and instruments, the sound just keeps getting better.
NTempo Mode
You can listen to Notion scores in either Edit or NTempo mode. However, you can perform your score in
NTempo mode. When the NTempo button is light gray, you know you are in NTempo mode. If the NTempo
button is dark, you know you are currently in Edit mode (click the button once to Enter NTempo mode: you
are immediately ready to begin playback operations). Alternatively use the shortcut Shift + Enter.
Perform or Play
The terms perform and play, though seemingly similar, have distinct meanings with Notion:
88 When you perform you continuously control tempo (and volume if using a MIDI controller) by tapping certain keys.
The faster you tap, the faster the tempo.
88 When you press play instead, tempo is completely controlled by metronome marks in the score (a passive mode of
operation), much like listening to a CD track.
To view this information in Table form:
Playback Options
Feature: Tempo Control By: Use This Feature to: Playback is Like:
NTempo Tapping keys Perform a score A live performance
4.2
Heads-Up Display
The Toolbar display at the middle of the Toolbar gives a summary of current playback
conditions. For more information about playback status, Notion provides a more detailed
Heads-Up Display (HUD). You decide when you want the display to appear.
An example of the Notion Heads-Up Display (HUD).
A
B
C
D
E
F
G
A Rehearsal mark – If the score has rehearsal marks, the top center area identifies the mark that pertains to the current
measure where the playback marker is. You can click on this text for a menu of all the rehearsal marks in the score:
click one to jump to a particular place in the score.
B Meter status – Displays a ratio in small numbers: the current beat in the measure on the left followed by the total
meter count for the whole measure on the right. If the playback marker is currently on an off-beat, you will see an
asterisk after the number on the left.
C Playback Tempo - Tempo user is performing.
D Notated Tempo – Notated tempo of the piece.
E Vamp Information – Display the number of bars in the vamp.
F Measure Number – Shows the measure number your cursor is in.
G Time Code – Total time into the score, measured in hours:minutes:seconds:frames (based on 30 frames per second).
Hide or Show the HUD
To hide or show this display on a regular basis:
1. Go to the Menu bar and select Windows: File > Preferences; Mac: Notion > Preferences.
» A preferences dialog box opens.
2. Ensure you are in the General Tab.
3. At the Performance HUD drop-down list select:
>> In performance – play or perform in NTempo mode only. This is the default.
>> In playback – play or perform in both Edit mode and NTempo mode.
>> Never – Never show the HUD.
4. To save your change: Windows: click OK; Mac: close the dialog box.
4.3
Notion provides a number of different ways to move your current view of the score to
another location when you are stopped and not currently in playback.
Use Go To
In a Go To dialog box, specify a measure number or rehearsal mark anywhere
in the score to which you want the cursor to jump.
1. To open the Go To dialog box, either:
>> Go to the Menu Bar and selecting View > Go To, or
>> Use the keyboard shortcut of Windows: CTL+ G; Mac: + G, or
>> Right-click the Timeline.
◙◙Go To dialog box (Mac).
Timeline
You can click on the timeline to jump to that location in the score, or you can open the
Go To dialog box (see above) with a right click anywhere on the Timeline.
4.4
Play a Score
This playback option has Notion interpret metronome marks in the score to determine playback tempo (you do
not tap). If the score does not have a metronome mark, then the software plays at the moderate speed of 90.
With this CD-like playback you can start at any measure, stop at any point
and jump back where you last started (or the beginning).
>> To stop, click the Stop button or press Esc or the Spacebar to halt playback. When you click the Play button or
Spacebar again, playback resumes from this point after repeating the last note played.
>> Clicking the Rewind button or the Backspace key once stops playback and takes you back to the place in the
score where you last started. Clicking the button or the Backspace key twice takes you back to the beginning.
>> You can quickly switch from play to perform: just start tapping any NTempo key (discussed in the next topic). If
you want to end NTempo and return to play, press R (the Auto-Resume feature).
Indicators
As you listen to your score play you will see:
The playback marker progress through the score in your choice of page view. When it advances
toward the right-hand side of the score area, your view of your score jumps ahead.
The top right area of the Toolbar display updates a timecode count by
hour:minute:second:frame (based on 30 frames per second).
The Heads-Up Display, if used, keeps you updated on current meter status, measure number, and more.
A vertical red line on the timeline moves to indicate where you are in the file. As you jump ahead in the score, the
silver box surrounding the red marker changes to indicate the measures you are currently viewing in the score area.
4.5
Adjust Tempo
Even in Play, the software offers some limited control over tempo in real-time. By pressing Up Arrow (for faster)
or Down Arrow (for slower), you can adjust the speed while the score plays. Each press can alter the tempo
by 4 or 5 beats-per-minute: so this method is not as precise as NTempo control when you perform.
Keyboard Shortcuts
At a glance, here are the few keyboard shortcuts you can use to play a score.
88 To begin play, press the Spacebar.
88 To stop, press the Spacebar (while playing) or Esc.
88 During play you can change tempo speed by pressing the Up Arrow (faster) or the Down Arrow (slower) key.
88 After you stop playing a score:
>> Press Backspace once to return to last place you started.
>> Press Backspace twice (or Home) to return to beginning.
>> Press ] to move forward by measures. Press [ to move backward by measures.
>> Press the Right Arrow key to move forward by notes in the NTempo staff. Press the Left Arrow key to move
backward by notes in the NTempo staff.
>> Press Shift + ] to jump to the next rehearsal mark; if none are found, you go to the end of the score. Press Shift + [
to jump to the previous rehearsal mark; if none are found, you go to the end of the score.
88 Loop measures in Edit mode to hear selected measures of your composition as a loop:
>> Select the last measure of the required instruments with the mouse.
>> Press Shift + Space, then x, then R (where x is the number of measures to loop back).
>> The tempo is set by the time taken between pressing x and then R.
4.6
Perform a Score (NTempo)
With NTempo you have continuous control of tempo as you listen to your score.
In NTempo Mode
To perform, it’s best to be in NTempo mode. When in this mode, the NTempo button on the left side of the Transport
will be light gray. If not, click the button. A green playback marker indicates where playback will begin. If the marker
has double lines along the edges (as in the close-up on the right), the software is ready for your first key press.
Tap a Tempo
You press certain keys on your computer keyboard to continuously control the tempo. Press any key
on the “A” row (the row that begins with A, S, D, F on a standard computer keyboard). Optionally,
you can use a MIDI keyboard instead of a computer keyboard, detailed later in this chapter.
By default, each tap of an NTempo key corresponds to the pulse of the meter (examples: a quarter note in 4/4
time; an eighth note in 6/8 time). With each press, you see the playback marker move to the next beat and you
hear whatever notes in the score lie within that beat. The faster you tap these keys, the faster the tempo.
If the score has an NTempo staff – a single-line staff with blue notes on it – then your tapping follows the note
values on that staff rather than the current meter. See the next topic, NTempo Staff, for more details.
Tip: Experience has shown that to keep a steady, even beat, you should concentrate on keeping the beat
by hearing the music, and not as much by watching the movement of the green playback bar.
Indicators
Visually, a number of indicators help guide you through the score.
88 As you tap, you view the green playback marker progress through the score. To indicate that you are performing,
the playback marker no longer shows a double-lined border around it; when you decide to stop – not pause – (see
Pause/Stop, at bottom of next page) the double border returns. When the green marker approaches the right-hand
side of the score area, your view of your score jumps ahead.
88 In the Toolbar Display, on the right, you view your current beats-per-measure (bpm).
88 A vertical red line on the timeline moves to indicate where you currently are in the file. As you jump ahead in the
score, the silver box surrounding the red marker changes to indicate the measures you are currently viewing in the
score area.
88 The Heads-Up Display, if used, keeps you updated on current meter status, measure number, tempo speed, and
more.
88 As you jump ahead in the score, the measure numbers update in the Measure Number Bar (if you are using the page
view of Continuous).
4.7
Helpful Tidbits
Other concepts to keep in mind:
88 To cut off your sound at the end of a piece, press an NTempo key one “extra” time.
88 One concept that is not immediately intuitive: you “perform” rests, too. If you happen to notice there are only rests in
the score (or, more likely, in the particular part/section you are performing), you still continue to tap.
88 Especially when first getting used to the software, it is easy to get out of sync with the rest of the ensemble.
See Move Playback Marker in NTempo Keyboard Shortcuts for guidance on what you can do to recover
quickly (and quietly!).
Pause/Stop
To pause while performing, press the Q key. To end performing, press the Spacebar or Esc or
click the Stop button in the Transport. The main difference between pause and stop is
what happens if you decide to tap again in the same location right after the halt:
Since you end performing with a stop, the green playback marker halts and displays a double border around it. With
a pause, the playback marker halts without a border around it – as a visual indication you are still performing.
4.8
NTempo Staff
By default, each tap of a key in NTempo playback corresponds to the pulse of the meter (examples: a
quarter note in 4/4 time; an eighth note in 6/8 time). If a score contains dramatic passages that require
more precise control, Notion offers an optional feature: the NTempo staff. Notes on this staff specify
a time value at each keypress that can be less (or more) than a beat in the current meter.
You will recognize this single-line staff by its distinctive blue-colored notes. The notes you place on this track determine
how much of a time value each press of an NTempo key covers; there are no pitches involved. Each time you tap,
the cursor moves from one note value in the NTempo staff to the next and you hear Notion play whatever music lies
between the two blue notes in the staves of the system. Thus, you tap as if you were playing a percussion instrument.
Example
The notes (rhythm) in the NTempo staff usually appear as regular beats, but at
key points in the score it may also subdivide the beats to better control rubato. In
the snippet to the right, most presses of an NTempo key covers a quarter note’s
duration. However, to accentuate the playback of a particular tuplet, the NTempo
staff departs from a quarter note beat at this location to spell out a quarter-note
triplet. During playback at this spot, each press of a key corresponds to one note
in the triplet. This provides complete control over this tuplet while performing:
you can play the three notes straight, syncopated, dramatically slow, or whichever way you feel inspired in real-time.
NOTE: If you encounter tied notes in the NTempo staff, you tap the group
once (like you do when you play a musical instrument).
4.9
NTempo Keyboard Shortcuts
Notion provides some convenient keyboard shortcuts for use with NTempo.
Basic Shortcuts
Reminder: you can use a MIDI keyboard instead of a computer keyboard; this is discussed later in this chapter.
88 Perform – Tap any key on the row from A through the single-quote key.
88 Pause or Cutoff – Press Q.
88 Stop – Press Spacebar or Esc.
88 Auto-Cruise – Set a tempo then press once the U key.
4.10
Vamps
To add to the flexibility of performing in live settings, NTempo offers various vamps
A vamp is a repeat with no predetermined number of playthroughs. Vamps supply audio interest during
scene changes in stage musicals or other activities that have the potential of varying in length from one
production to the next. You use keyboard shortcuts (or MIDI key presses) to control the duration of a vamp.
You can control two kinds of vamps: anticipated vamps with repeat signs already in the score
and sudden vamps when you need to cover surprise situations. With both kinds of vamps
there are special jump shortcuts so you can exit or restart a vamp on the next beat.
To alert you that you’re currently in a vamp, the playback marker takes on
an orange color (see right) for the duration of the vamp.
Anticipated Vamp
Usually, there are predicTable points to vamp, such as during scene changes. Scores often have repeat
signs already in place to indicate the measures needed. In this situation, you already know which
measures will be repeated; the unknown is the number of repeats for any particular production.
1. While performing a score, Enter the repeated section either by tapping (keys A through ‘) or auto-cruising (the U
key) or auto-resuming (the R key).
2. At any beat inside the repeat, start tapping with the Enter key (or tap C# or D# above Middle C on a MIDI keyboard if
you use default keys).
» While you control the tempo with each tap of the Enter key, Notion repeats the measures between the repeat
signs indefinitely.
Note: The Heads-Up Display displays the current status of your vamp in bright orange characters. The first number is
the current time through the repeat. The second number is how many repeats were originally specified in the score.
◙◙Heads-Up Display during an anticipated vamp, which is currently in the fourth time through a repeated section.
3. Continue tapping with the Enter key until the vamp can end. Then, when you complete tapping the last beat in the
measure before the repeat end sign, begin tapping with any tapping key (A through ‘).
» You proceed to the next measure after the repeats.
4. You can continue tapping or esTablish a tempo and set playback on Auto-Cruise (press the U key).
4.11
Sudden Vamp
IneviTably, the unexpected will happen. If there’s a delay or miscue you’d like to cover, or a difficult
spot a director or choreographer needs to have repeated often, you can use a sudden vamp. With this
emergency vamp you decide on-the-fly which measures to repeat as well as the number of times.
1. As you perform through the score, glance ahead and determine a phrase you feel would make a good vamp.
Determine how many measures are involved.
2. While performing a score, play through to the last note of the part you want to repeat, then repeatedly tap in tempo
with any number key (1 to 8) on your keyboard that corresponds to the number of measures to jump back.
For example, if you determine that a certain two-measure theme would make a good vamp, play through the last
note of these two measures, then tap, in tempo, the 2 key. The cursor jumps back two measures and follows your
tapping with that number key, endlessly repeating both measures. (See the MIDI keyboard topics for equivalents on
that device.)
» Notice your cursor changes to an orange color to indicate you are in a vamp and the Heads-Up Display indicates
how many measures are involved in bright orange characters.
◙◙Bottom of Heads-Up Display during a sudden vamp of two measures.
3. Continue tapping with the number key until the vamp can end. Then, when you complete tapping the last beat in
the repeated phrase, begin tapping with any NTempo key (A through ‘).
» You proceed in standard NTempo.
Jump Out/Back
Notion provides convenient NTempo shortcuts to immediately come out of a vamp or
to immediately return back to its first beat. While you are vamping you can:
88 Jump out of the vamp: press the Tab key (or B below Middle C on a MIDI keyboard).
88 Jump back to the first beat of the vamp: press the Backspace key.
4.12
Fades
Although rarely used, automatic fades are available by computer keyboard or MIDI keys. The
advantage with either type of fade is you can concentrate on tempo and let the software take the
responsibility of altering the overall volume. The limitation is: although you control the tempo
of the fade, you do not control the degree of volume change heard with each press.
As soon as you press an NTempo key, the original volume level returns.
Fade Out
While you are in NTempo playback, you can press a keyboard shortcut that
automatically fades out playback as you tap – anywhere in the score.
1. In NTempo, at any beat you want to start decreasing your volume, continue tapping with the Z key.
» While you control the tempo with each tap, your output volume decreases smoothly.
2. Pressing any NTempo key (A through ‘) restores playback to the original volume level.
Fade In
Optionally, you can begin NTempo playback with a software-generated fade in. By tapping with the X key, playback
automatically begins at silence and gradually increases with each tap. You can continue using the X key for
tapping or – after you reach normal playing volume – you can switch at any point to the keys on the “A” row.
TIP: Don’t jump to a key on the “A” row too early: the first press automatically restores normal playback volume.
4.13
Skip Repeat
On scores with repeat bars, performing always follows repeat signs in the score. However,
if you need to take a repeated section once, and only take the second ending (if used),
there’s a Take Next Repeat keyboard shortcut/MIDI key you can press.
4.14
MIDI Keyboard: Defaults
You can use an external MIDI keyboard to control NTempo to perform a score. The major advantage to using a hardware
controller instead of keys on a computer keyboard is most models are velocity sensitive: the harder you press keys, the
louder the sound. Thus, you can control tempo and volume at the same time with a MIDI keyboard. You can use the
defaults from the factory (detailed below) or customize one, some, or all the commands to suit your own preference.
Any key on your keyboard that is not already assigned a command will sound a
piano. This is convenient for pitches, tunings, and playing live.
Before you can use a MIDI device, you must inform Notion of the device you will use for MIDI
input signals. You only have to do this once (as long you use the same device).
4.15
Listed By Key:
C below Middle C Move back by measure
C# Move back by note in NTempo staff
D Move forward by measure
D# Move forward by note in NTempo staff; works as a cutoff or pause
E Vamp previous four measures
F Vamp previous three measures
F# Move back to previous rehearsal mark
G Vamp previous two measures
G# Move forward to next rehearsal mark
A Vamp previous measure
A# Once: back to where you last started
Twice: back to the beginning
B Jump out of vamp or repeat
Middle C key NTempo
C# Vamp (anticipated)
D NTempo
D# Vamp (anticipated)
E NTempo
F NTempo
F# Auto-Cruise (tempo set by you)
G NTempo
G# Auto-Resume (tempos set by score)
A Fade in
A# Take next repeat / Skip repeat
B Fade out
C above Middle C Stop
4.16
MIDI Keyboard: Customize
If for any reason you want to reassign any (or all) the keys on the MIDI keyboard for NTempo
commands, you can open Performance Commands to switch from factory-set default keys to your own
customized layout. The key assignments you specify will be in effect across all scores, until you make
another change. And it’s easy to return back to default settings at any time in the future.
You will press notes on the MIDI keyboard to assign keys to specific commands, so before you begin you need to inform
Notion of this MIDI input device (if you haven’t done that already). See Set Up MIDI Devices in Chapter 1 for details.
A
B
C
D
E
F
G
H
A Current note – The key you are currently pressing down. On most keyboards Notion interprets Middle C as C4.
B Record button – The button you press first to change a key assignment for a particular command.
C Command – A particular NTempo performance feature. Each row represents a separate command.
D Assigned key(s) – The one or more MIDI keyboard keys currently assigned to each command. A text of none indicates
the command is currently unavailable for use.
E Clear button – Automatically removes the current key assignment for a particular command and places none at the
assigned key area.
F Default button – Returns the default key setting for a particular command.
G Reset button – Returns the default key settings for all commands.
H Close button – Saves all your changes and closes the dialog box.
4.17
Change a Command’s Key
You make changes to the layout one command at a time. You first set to none a key you
want to use for another command; then assign that key to a new command.
1. In the row that has the command you want to change, press either the command text itself or the REC button.
» The two buttons turn red and the REC button’s text changes to STOP.
2. Press a key on the MIDI keyboard.
» The Current Note area at the top displays how Notion interprets the key’s pitch (while you hold down the key). If
the note appears in a red color, it is unavailable. If the note is available, its pitch appears next to the command.
3. If you want to assign multiple keys to the command, simply press another available key on the MIDI keyboard.
» The additional pitch appears next to the other(s) you selected, arranged in ascending pitch order.
4. When you finish selecting the key(s) you want to assign to this command, click the red STOP button.
5. When you have the layout to your liking, click the Close button.
Return to Defaults
88 To return a particular command to its factory-set key default, press the Default button. Nothing happens if that key
is currently assigned to a different command (set the key’s current command to none and try again).
88 To return the entire list back to factory-set default keys, press the Reset all to Defaults button at the bottom of the
dialog box.
88 When you have the layout to your liking, click the Close button
4.18
MIDI Keyboard: Live Play
If you have a MIDI keyboard, you have the option of playing anything you want – with any instrument sounds
Notion can reach. With Live Play you can try out a solo on any available instrument (even from non-Notion
sources such as VSTi and MIDI Out) as a solo – or with accompaniment as you play any score. All you do is
select a part in a score, and everything you play will sound for that instrument. If the keyboard is velocity
sensitive, then you can also control volume levels as you play: the harder you strike, the louder the sound.
If you do not hear the instrument, check to ensure your MIDI keyboard is sending MIDI information to Notion through a
different channel than the one you are using for NTempo. You identified this channel in Chapter 1: Set Up MIDI Devices.
Play Alone
You can play an instrument’s sounds, completely free-form.
1. Open any composition that has a staff with the instrument you want (any sound source).
2. Ensure you are in Edit mode.
3. Click on any measure in the score for the instrument you want to play so a light yellow box appears at that spot in
an editing marker.
4. Play anything on the MIDI keyboard.
» Notion supplies the sound samples of the instrument you clicked for the keys you press. If you press a note that is
outside of the available samples for the instrument, you hear nothing during the key press.
5. You are free to click any measure assigned to a different instrument to change to a different instrument sound.
4.19
CHAPTER 5: THE MIXER
Channel Strips. . . . . . . . . . . . . . . . . . . . . . . . . . . 5.2
Fader. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.3
Pan, Mute, and Solo. . . . . . . . . . . . . . . . . 5.4
Insert VST Effects. . . . . . . . . . . . . . . . . . . . 5.5
VST Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.6
Master Channel Strip . . . . . . . . . . . . . . . . . . . . 5.8
CSR Hall Reverb . . . . . . . . . . . . . . . . . . . . . 5.9
AmpliTube X-Gear. . . . . . . . . . . . . . . . . . 5.11
Buses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.12
Output Button. . . . . . . . . . . . . . . . . . . . . . . . . . 5.14
Send to External Equipment. . . . . . . . . . . . 5.16
5.1
Channel Strips
Each channel strip in represents a separate instrument in your score. Large scores will therefore have a
large number of separate instrument channel strips – too many than can be comforTably viewed at one
time. Thus, you view a few channel strips at a time, grouped by different instrument sections.
5.2
Fader
TIP: If an instrument that once operated at an acceptable level now plays back overly
hot, determine if it is the addition or editing of a VST effect that has caused the difference.
Adjust Volume
To raise or lower the total output volume of an instrument, go to its channel strip and drag the fader
knob up (louder) or down (softer). This knob controls output by decibels (dB). The optimal setting, 0dB,
is about a third of the way down from the top. All the way to the bottom reduces the volume by -60dB.
All the way to the top boosts the volume by +10dB. Be aware this means moving the knob below 0dB
produces volume changes at a much steeper logarithmic curve than movement above 0dB.
If you prefer to Enter numbers:
1. Double-click anywhere on the fader knob.
5.3
Pan, Mute, and Solo
Panning
Immediately above the fader are controls for panning (specifying the left-right placement of the instrument in stereo).
With the stereo sounds of Notion, you have two dimensions to specify: left/right placement and “width” of the sound.
You drag the L dot (for left speaker) and/or the R dot (for the right speaker) to specify the sonic placement
of the instrument in a stereo field. The further away you want the instrument to sound, the closer you
bring the L and R dots together anywhere across the axis. The default placement (left stereo channel
far left and right stereo channel far right) is optimum for a close- to medium-mic’d sounds.
TIP: “Studio” recordings often keep a fairly wide separation between the L and R dots, but plant the two dots
at different horizontal positions on all instruments for a “you are right there” feel. “Concert hall” recordings
shorten the separation between the L and R dots and plant them by sections as a conductor would expect to
hear them standing in front of an orchestra (remember to keep the L and R dots wide for solo instruments).
If you prefer to Enter numbers:
1. Double click on the C, L or R dot.
5.4
Insert VST Effects
You can assign up to eight VST effects from third-party manufacturers to the Insert buttons at the
top of each Mixer channel strip. An Insert button that has an effect assigned to it turns blue.
TIP: The more you “share” the same effect across a number of instruments, the less computer
memory you consume (always a good idea for playback, especially with large scores).
When possible, place effects on all parts at once or any subset of instruments.
To assign a VST effect to a particular instrument or bus/master channel strip:
1. Click any Insert button in the channel strip. When you first click an unused Insert button, a menu opens so you can
assign an effect.
» A menu lists the VSTs on your computer known to the VST Manager.
◙◙Example VST list
If no menu items appear, or not all the VSTs you have on your computer appear in the list, open and use
the VST Manager (see next topic).
2. Click the VST name you want to open for this channel strip.
» Notion immediately opens the effects source you selected. You save this setting the next time you save your file.
Refer to the instructions from the third-party manufacturer on details on how to operate the VST you opened.
5.5
Plug-in Manager
With the Plug-in Manager you make your choice of VSTs and VSTis known to Notion and selectively remove
from consideration other ones (while keeping them installed on your computer). If you have one or more
installed VSTs that do not appear in an Insert button’s menu, or installed a VSTi that does not appear
when you are in the process of adding a new staff in Score Setup, complete the following steps.
Disable/Enable an Effect
When you decide to disable an effect in the list, its name will not appear on the Insert key menu
(of course, it remains installed on your computer). Click an enabled effect VST (or select multiple
ones by holding down the Windows: Ctrl Mac: key and clicking any number of them) and
click the Disable button. Now descriptions of these effects show not enabled on each.
You can enable any number of not enabled VSTs. Click a not enabled VST (or select multiple ones
by holding down the Windows: Ctrl; Mac: key and clicking any number of them) and click
the Enable button. Now descriptions of these effects show enabled effect on each.
Delete Altogether
If you uninstall a VST/VSTi from your computer, then the next time you open the Plug-in Manager
you will see that item with the status of Missing in this list. To remove the uninstalled VST/VSTi from
the Plug-in Manager, highlight it and press the Disable button. The item no longer appears.
5.6
Add a New VST or VSTi
If you installed a VST effect or VSTi and it does not appear on this list, click Browse. In the Open dialog box,
browse to the location of the module. Either select certain ones directly (hold down the Windows: Ctrl
Mac: key and click any number of VSTs) or select the folder to enable all the items inside the folder.
Before you exit Plug-in Manager, ensure all your new entries are enabled.
If you are using Notion in 64-bit mode, then only 64-bit VST can be enabled.
For 32-bit plug-ins we recommend using J-Bridge.
the original signal; the soft knee allows for a smoother transition between processed and unprocessed states.
Limiter: The Limiter prevents the output from exceeding a set level, to
prevent clipping. Select the required level with the Threshold knob.
5.7
Master Channel Strip
By default, the sounds from all instruments generated by Notion or VSTi modules arrive at the Mixer’s
Master channel strip for final mixing before the output goes to your computer’s sound card. Since
this is a centralized end point, this is a convenient place to control overall gain, pan, and effects.
5.8
Buses
The best way to fine-tune the audio for any subset of the instruments in your score is to use
buses. There are many creative ways to use buses, such as controlling the volume of any
number of instruments you select or placing particular effects on some instruments.
The Notion Mixer console supplies eight separate stereo buses (labeled A through H).
You’ll notice there are no on/off switches to the buses: every instrument has all eight
sends always enabled! However, the default setting for each bus send is zero (the same
effect as an “off” condition). If you display a number (up to 100) in a circle in the right-
hand column, you send that approximate percentage of the audio signal to the pertinent
bus – in addition to the signal going straight to the Master channel strip.
5.9
To set a number in any circle, complete one of the following:
88 Click the circle once then drag your mouse upward to increase a number or downward to decrease it. (You can also
use a left/right motion, if you prefer). Then click anywhere in the mixer away from the circle to keep the number.
88 If you prefer to type in a number, click a circle once. A temporary text box opens with the current number displayed.
Replace the current number with a new value between 1 and 100. Decimals 1 through 9 are supported. Then click
anywhere in the Mixer away from the box to keep this number.
A ring travels around the circle (clockwise) in proportion to the percentage you Enter. This gives
you a quick graphical representation of the relative levels you Enter. Also, a circle still at zero has
a gray background; a circle with any number above zero has an orange background.
Example
With default settings, sounds from each instrument panel end up at the Master channel strip. When you use a send, you
split the sound between this path and at least one bus. Let’s say you wanted the strings (and only the strings) to have an
echo effect (say, for a suspenseful build-up in a stage production or soundtrack). First, you find a VST with an echo effect
you like. Since you are going to put this effect on more than one instrument, you insert this VST onto a bus (let’s say Bus A).
Then you go to the channel strip for each string instrument and set the Send at Bus A to around 75. Now the straight
sounds of the strings arrive directly to the Master – along with an echo from Bus A. By the time you hear the signals out
of your sound card, it sounds like a single sound, but actually there are two signals coming together. By moving the fader
on Bus A you are actually adjusting how much the echo complements (or overpowers!) the direct sound of the strings.
Another Example
Let’s say you wanted the horn section (but only the horns) to sound like they are coming out of a 1940s car radio. One
way to do this is to dramatically reduce the frequency spread with an equalizer VST. Since you are going to put this effect
on multiple instruments, you insert this VST onto a bus. And then you set the Sends to this bus on all the horn channel
strips to a high number. But in this case you hear that the straight sounds coming from the instrument channel strips
contribute frequencies that actually spoil the “early radio” effect. In this example, you would like to hear how the horns
sound when they are heard through the VST only. This is easily done with the Output button, detailed in the next topic.
5.10
Output Button
By default, all sounds from all instruments directly route to the Master channel strip. If you send to
a bus, then some audio signals also route to bus channel strips (and then join up with the direct
signals at the Master channel strip). Signals from the Master channel strip then route to your sound
card to analog outputs (such as line out and headphone connectors) on your computer.
With the Output button (located at the bottom of each channel strip), other options
become possible. You can go to certain instruments and have these signals:
88 Route entirely to one or more bus channel strips for processing. Then signals can either go to:
>> The Master channel strip, or
>> Out to external equipment.
88 Or, route immediately from instrument channel strips directly out to external equipment.
Also, you can use the Output button at the bottom of the Master channel strip
to route Notion audio out from there to external equipment.
While there are many creative uses of this button, this topic illustrates its use with two examples: play effect
only and control volume and pan for groups of instruments. The next topic discusses how you can use
the Out button to send instruments through certain digital audio channels to external equipment.
5.11
Control Volume and Panning for Groups of Instruments
Since Notion reads and responds to dynamics and other score markings in an exacting manner, you can
go to a part that sounds a little drowned out and give that instrument a louder dynamic marking (or,
placing a softer dynamic marking on loud instruments). After you save your change, the score retains
the balance you wanted for every playback afterwards. This serves many situations well, especially
when Notion is operating alone or as an accompaniment. In situations where Notion contributes to a
larger production, such as a live theatrical performance, some directors are more comfortable having
the Notion operator have instant access to instrument sections of the Notion score for immediate
volume or panning adjustment to cover unforeseen events or varying hall characteristics on a tour.
The best way to do this is to use an external mixing board fed by the Notion computer (see next topic).
However, if budgetary or space considerations prevent this, the next best thing is to use the faders on
the bus channel strips just as you do the faders on a mixing board. As you did in the above example,
you cut off the direct signal to the Master and route all instrument through the bus channel strips.
1. Since there are eight buses (A through H), decide ahead of time how you will divide up the instruments in
your score between these eight channel strips.
2. Set up the bus channel strips at the same gain control level (try 0db to start).
TIP: to leave “room” to push a section louder, don’t set higher than 0 dB, to start. Also, unless there is
specific need for one group of instruments to have a specific effect, remove all effects on these channel
strips.
3. Find the channel strip for an instrument and click the Output button.
» A menu appears. The default selection is Master.
4. In the menu, click Sends Only.
5. Using the list you made in step 1, Enter a number (try 100, to start) in the appropriate bus circle in the
Sends area.
6. Complete steps 3-5 for all instruments.
7. During playback, use the faders on the eight bus channel strips as you would on a mixing board. You can
also adjust the panning controls, if needed.
5.12
Send to External Equipment
By default, sounds from Notion instruments route to your computer’s sound card. All mixing of instrument
sounds and effects are completed by that point and you can hear your finished score played through
speakers, headphones, or a house amplification system you hook up to your computer’s analog output
connectors. But you can also quickly set up Notion to send digital signals to professional equipment in
theaters or studios, where final mixing (and, in many cases, adding effects) is completed completely outside
of your computer, such as at a mixing board or a Digital Audio Workstation (DAW). To support this, your
computer must have a USB, Firewire, S/PDIF, or similar digital feed that can carry multiple stereo channels
to an external audio distribution box, digital mixer, DAW, or similar external production equipment.
There are two major ways to sent up external digital routing with Notion, one is ideal for eight or fewer
separate stereo channels, and the other is intended for up to 32 separate stereo channels.
Up to 32 Stereo Channels
In this procedure you send the various instruments in your score to your choice
of up to 32 stereo channels, bypassing the buses altogether.
1. Decide ahead of time how you will divide up the instruments in your score between the 32 (or fewer) destinations.
2. Go to the channel strip for an instrument and click the Output button.
» A menu appears. The default selection is Master.
3. Using the list you made in step 1, select one of the stereo channel pairs for this instrument.
4. Complete steps 2 and 3 for all instruments.
5.13
CHAPTER 6: EDITING TOOLS
Edit Mode Operation . . . . . . . . . . . . . . . . . . . . 6.2
Select and Highlight. . . . . . . . . . . . . . . . . . . . . 6.4
Undo and Redo. . . . . . . . . . . . . . . . . . . . . . . . . . 6.6
Cut, Copy, and Paste. . . . . . . . . . . . . . . . . . . . . 6.7
Delete and Substitute . . . . . . . . . . . . . . . . . . . 6.8
Clear and Clear Special . . . . . . . . . . . . . . . . . 6.10
Hide/Show Score Objects. . . . . . . . . . . . . . . 6.12
Duplicate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6.13
Express Entry Mode. . . . . . . . . . . . . . . . . . . . . 6.14
6.1
Edit Mode Operation
Notion operates either in NTempo mode or Edit mode. You are in Edit mode when the button in the toolbar
is grey. If it is blue, you are in NTempo mode (click the button to switch to Edit mode). As the names suggests, you
must be in Edit mode to make any change to a score. You will notice several changes from NTempo mode operation:
88 You can view and use the Entry Palette only in Edit mode.
88 You view a light gray editing marker, only seen in Edit mode (discussed below).
88 There’s a new type of cursor, called the Music Cursor, you use to add marks to a score.
88 Performing a score (NTempo playback) has a few differences before you start and after you stop.
88 In Edit mode you can play or perform just the measures and instruments you highlight.
88 The number of keyboard shortcuts expand to offer editing options (see topics in this and following
chapters for details).
Editing Marker
As a visual alert you are in Edit mode, the playback marker takes on a light gray color, not seen in NTempo mode. When
you click on a staff with the Pointer in Edit mode, the place where you clicked receives a yellow box (see top staff in
illustration) and a light gray bar (called the editing marker) extends to all the other staves in the system at that beat.
Click a staff with the Editing marker
6.2
As an example of how the Music Cursor works, here are the steps to adding a Fermata symbol:
1. Ensure you are in Edit mode. Have the Entry Palette visible.
2. In the palette, hover over the fourth pane from the right: .
3. In the pop-up menu click the Fermata symbol.
» Notice you have a representation of that symbol on your Music Cursor.
4. Position the Music Cursor so the fermata is in the location where you want it to appear in the score.
◙◙Position the symbol where you want it.
To quickly return the cursor from the Music Cursor back to the Pointer shape, either:
88 Press Esc, or
88 In the Entry Palette, hover over the first pane and, in the pop-up menu, click the Pointer symbol.
6.3
Select and Highlight
To inform Notion which items in your score you want to edit, copy, or delete, you first select or highlight them. With
click-select, you click your mouse on one or more existing items. With highlight, you “draw” a box around them.
Click-Select Items
With your cursor as the Pointer (select tool), you can click-select an existing item in your score to edit it.
88 A click-selected item turns orange in color to show it is selected.
88 To click-select multiple items, hold down the Shift or Ctrl key as you click any number and mix of items anywhere in
the score. Release the key only when you select all the items you want. Each item you click is orange in color.
88 To select a chord, double-click any note in the chord.
Highlight Items
To quickly select large areas of your score, you can draw a highlight box around any number of contiguous items.
1. Ensure your cursor is the Pointer. If needed, press Esc to switch to this cursor style.
2. Hold down a mouse click at the starting point and drag the Pointer. You can start and end in any direction within
one staff or across multiple staves (as in the example below).
» Notion highlights the area you select.
3. Release your click when you have highlighted the area you want.
TIP: To quickly highlight a large area or multiple pages, create a small
highlight at the beginning. Then hold down the Shift key and click an item in your score at the end point. Notion
automatically highlights all measures in-between.
4. To speed editing when you have multiple parts in a score, Notion draws boxes around other markings in other
staves that are also at this location. If a box is shaded, its contents are selected. If a box is unshaded, then its
contents will be left alone. Simply hold down
[Windows: Ctrl; Mac: ] and click a box to change its select status.
◙◙The middle staff (with quarter notes) is not highlighted so it will not be edited. Drawing a highlight over two staves.
6.4
Quickly Highlight a Measure
To quickly highlight certain staves (same measure):
1. Ensure your Music Cursor is the Pointer.
>> Double-click anywhere in the measure
» Notion places an empty box in this one measure in all staves in the system. Only the staff you clicked is selected. If
this is all you need, you are done with this procedure.
2. To also include one or more of the currently unselected measures, hold down [Windows: Ctrl; Mac: ] and click
anywhere inside an empty box. In the example below, only the middle instrument is highlighted. By clicking the top
box, the measure’s two top instruments are highlighted.
◙◙Quickly select the two top instruments.
6.5
Undo and Redo
Part of the creative process involves changing your mind. Undo and Redo are two quick ways to alter recent
edits. Notion offers a number of other ways to delete or substitute items already on your score.
Undo
With Undo you reverse a previous edit (even after saving a file if you have not closed it yet). Selecting
Undo once reverses your last edit. Selecting Undo twice reverses the last two edits you completed, and
so on. These are always in reverse sequence and you cannot “skip” over an edit in the series.
To Undo an edit you completed in Edit mode, either:
88 In the Menu bar, click Edit > Undo, or
88 Press Windows: Ctrl + Z; Mac: + Z.
Redo
With Redo you reverse an Undo. This is often used when you press Undo too many
times. You must Undo at least once before you can Redo. Either:
88 In the Menu bar, click Edit > Redo, or
88 Press Windows: Ctrl + Y; Mac: Shift + + Z.
6.6
Cut, Copy, and Paste
Cut, copy, and paste are useful features to help save time as you create or edit your score.
TIP: Notion also offers a time-saving method of copying and pasting
measures containing repeating notation. See Duplicate.
Cut
1. Highlight or click-select content of any size in your score.
2. Complete one of the following:
>> Go to the Menu bar and select Edit > Cut, or
>> Press Windows: Ctrl + X; Mac: + X, or
>> Right-click and select Cut in the context menu.
Once cut, you can paste the content into new locations in the score.
NOTE: Don’t confuse this cut (remove) feature with the cut marks feature, where you place
marks on your score to identify sections you want Notion to skip over during playback.
Copy
1. Highlight or click-select content of any size in your score.
2. Complete one of the following:
>> Select Edit > Copy from the Menu bar, or
>> Press Windows: Ctrl + C Mac: + C, or
>> Right-click and select Copy in the context menu.
Once copied, you can paste the content into new locations in the score (or other scores).
Paste Replace
You tell Notion where you want to start the paste: you don’t have to first highlight the measures affected.
1. First, copy or cut content of any size in your score.
2. With the Pointer, select where in the score you want to paste to start by clicking once.
» Notion places the editing marker at this beat across the staves in the system with a yellow box on the staff where
you clicked.
3. Complete one of the following:
>> Select Edit > Paste from the Menu bar, or
>> Press Windows: Ctrl + V; Mac: + V, or
>> Right-click and select Paste in the context menu.
Paste Insert
The paste discussed above replaces existing notation. If you want a paste to be an insertion, leaving
existing notation in the score, then right-click. In the context menu select Edit > Paste Insert.
6.7
Delete and Substitute
For flexibility and speed, Notion offers different ways to change items you placed in the score area. Selecting the
method to use depends partially on what you are doing at the moment and partially on your work style.
To remove/change items you placed on a score, you can:
88 Click-select and delete any number of items, or
88 Delete what you highlight, or
88 Delete an entire part (instrument), or
88 Substitute a new duration for a note/rest – or multiple notes/rests at once.
Also, the next topic discusses Clear Special where you can quickly delete your choice of score marks.
6.8
In the example below, the middle box (with quarter notes) is unshaded and will not be deleted.
◙◙The contents of the top and bottom measures will be deleted
6.9
Clear and Clear Special
Notion also provides a selective version of delete, called clear. Instead of a blanket removal, clear selects specific
items for deletion. This advanced form of deletion can save significant time with updates and fine-tunings.
Clear Special
If you want to keep notes, rests, and chords – and only delete certain score markings (say,
articulations and tempo marks) – Clear Special can save you time. You specify what exactly you
want removed, and Notion leaves everything else that is not on your list intact.
1. Highlight the area of your score where you want to delete certain markings. (Alternately, you can click-select, but
generally that’s not as useful as a highlight for this feature).
2. Go to the Menu bar and select Edit > Clear Special. Alternately, right-click and select Edit > Clear Special in the
context menu.
» A Clear Special dialog box opens.
3. At the top decide if you want deletions to be made to only the Upper voice (Voice 1), or only the Lower voice
(Voice 2), or both. In the Include hidden staves checkbox you can specify that your deletions should also involve
staves that are hidden.
◙◙Clear Special dialog box (Mac).
6.10
1. Below the dividing line are 15 options. Click as few or as many as you need deleted in one click:
– Accidentals – Dynamics – Velocity overdubs – rit. & accel. marks – Chord symbols
– Articulations – Pedal markings – Measure rests – Tempo overdubs – Text boxes
– Slurs – Instrument – Tempo marks – Rehearsal marks – Lyrics
changes
2. Click OK.
» You can undo your editing, if needed.
6.11
Hide/Show Score Objects
There can be a number of reasons why you want to hide objects on the score from your monitor and printouts, including:
88 Hide certain objects to reduce score clutter, temporarily.
88 Have Notion respond to a marking during playback (and .WAV file output) you do not want displayed in a printed
score to live musicians.
88 Place warning text, fingering, or other information-only marks to a score that can be hidden or
displayed in a few clicks.
This feature does not include essential score items, such as notes and bar lines. However, you are able to hide rests.
6.12
Duplicate
Many tunes make use of a recurring phrase that repeats exactly, or with a few changes, over a number of measures.
To help reduce the time to create your score, you can identify a repeating group of items and have Notion
automatically insert new measure(s) immediately to the right of your highlight to duplicate these items. You are then
free to make any changes, if needed, to the contents of the new measures without altering the original items.
To copy and paste a phrase of any size with very few keystrokes:
1. Highlight any-size contiguous collection of notation marks.
2. If your score has multiple instruments, Notion also draws boxes around the items in other staves at this location. If
you do not want those items to duplicate, ensure these boxes are empty. Hold down Ctrl and click a shaded box to
switch it to empty, and visa versa. In the example below, only the bottom box (a percussion part) will duplicate.
◙◙Bottom measure highlighted (only).
6.13
Express Entry Mode
Notion provides a quick way for you to place your choice of a wide variety of text-based
score markings on your Music Cursor for placement anywhere on your score.
Text Options
Some of the following text markings (such as arco, pizz., and RN) are built into Notion, and the software
will interpret the symbols on playback. Other texts (such as the finger marks, fall, and gliss. down) are
guidelines to musicians reading your score and do not have sounds associated with them.
For This Text: Press ‘ And Type: For This Text: Press ‘ And Type:
CAP cap
6.14
For This Text: Press ‘ And Type: For This Text: Press ‘ And Type:
fz fz open open
H (hammer-on) h picked pk
harmon harmon RC rc
i (pluck finger) i RN rn
6.15
For This Text: Press ‘ And Type: For This Text: Press ‘ And Type:
sub-tone sub or sb
NB These turns and mordents do not play back. You can setup a duplicate instrument, notate exactly
how you want them to sound, and then hide the instrument in score setup. It will still playback
6.16
CHAPTER 7: CREATE A NEW SCORE
Create a New File . . . . . . . . . . . . . . . . . . . . . . . . 7.2
Create a New File from Template. . . . . . . . 7.3
Assign Initial Instruments . . . . . . . . . . . . . . . 7.4
Assign Clef. . . . . . . . . . . . . . . . . . . . . . . . . . . . 7.6
Assign Key Signature. . . . . . . . . . . . . . . . . . . . 7.7
Assign Time Signature. . . . . . . . . . . . . . . . . . . 7.8
Assign Metronome Mark . . . . . . . . . . . . . . . 7.10
7.1
Create a New File
With Notion, you can quickly create a new score so you can begin quickly to capture your musical
ideas. A new score always opens in Score Setup, so you can add instruments right away.
To benefit first-time users, this chapter takes you quickly through the customization of a new
file and does not explore every option available. Details on all the various options available
appear in the remainder of this guide, especially in Chapter 11, Edit Score.
NOTE: Another way to create a new file is to import the contents of files you started in other programs
or from scanner software. Details on importing MusicXML files appear in Chapter 9.
Default Settings
Once you add at least one instrument, you see that a score receives a number of default settings, including:
88 A single page filled with empty measures
88 Time Signature of 4/4
88 Key signature of C Major/A minor
88 Metronome mark of 90, based on quarter note
88 Text areas where you can immediately double-click and type in:
>> A title
>> Composer name
>> Date
>> Copyright (bottom of page)
Of course, you are free to use, not use, use for other purposes, or delete these default text placeholders.
Details on how to edit, add, and delete text appear in Chapter 11.
88 A page size of 8.5 by 11 inch (U.S. Letter)
Although Notion creates each new score with the above defaults (for speed and convenience), this chapter
summarizes a few important changes you can make to a new file to customize it for a specific purpose and layout.
Page Size
If you will use a different printout sheet size than the default of 8.5 by 11 inch, we recommend you set the
final page size soon after creating a score by clicking Page Setup under File in the Menu bar. This way you
can verify immediately that there’s room for all the instruments you want to add to the score. Also, if you
change the page size later, your editing for page turns and other reading considerations may be affected.
If you find it’s difficult to “fit” all the staves on the sheet size you selected, try reducing the font size for this score.
7.2
Create a New File From Template
To help save you time and effort, Notion provides a quick way to create a new multi-instrument
score based on your choice of template. Although these scores include typical orchestration for
ten different ensembles, you often need to make changes covered in this chapter and:
88 Adding staves assigned to instruments other than Notion sounds.
88 Deleting instruments (staves)
88 Moving instruments around in a different order.
7.3
Assign Initial Instruments
Notion makes it easy to add instruments quickly. In Score Setup, you are free to mix and match Notion sounds with
other sources, but for brevity, the procedures below discuss using only Notion
sounds. Details on using other sound sources appear later in Chapter 11.
TIP: If you find it’s difficult to fit all the instruments you want to use (they “run off” the bottom of the page), you can
either select a larger hardcopy page size (under File > Page Setup) or try reducing the font size for this score.
7.4
Step Three: Remove Instruments
If you need to remove staves (as might happen if you created a new file from a template), click the button located to
the left of the instrument’s first measure.
the score area, or press the Esc key, or click the button in the toolbar, or press the keyboard
shortcut of Windows: Ctrl + T; Mac: + T. Score Setup ends (the score area undarkens).
TIP: At your first opportunity, save your new file to your hard drive.
Remember to save the work you do at regular intervals.
7.5
Assign Clef
When you first assign an instrument for a staff, Notion selects the default clef used for
each instrument in standard score practices, but you are free to change it.
The following assumes you want to change the clef used for an instrument at the start of your score; with a few
different steps you can also change the clef for any instrument as many times as you need later in the score.
1. Ensure you are in Edit mode.
2. To place the clef you want on your Music Cursor either:
>> Press the C key repeatedly until the clef you want appears, or
>> In the Entry Palette, hover over the third pane from the right: and click the type of clef
you want to use.
◙◙Clef options in the Entry Palette.
You are free to change clefs at multiple points later in your score.
7.6
Assign Key Signature
By default, Notion creates a new score in C Major / A minor (for non-transposing instruments). It’s a good practice to
assign a working key signature right from the start. Of course, this decision does not lock you in: you can always change
keys at any time in the future here at the start of the score and any number of times in the flow of your composition.
1. Ensure you are in Edit mode.
2. To open the Key Signature dialog box, either:
>> Press Shift + K, or
>> In the Entry Palette, hover over the fourth pane from the right and click in the pop-up menu.
» The Key Signature dialog box opens.
◙◙Key Signature dialog box.
3. In the Tonic drop-down list, select key you want at the start of your score.
4. In the Mode drop-down list, select one of the following:
– Major – Ionian – Phrygian – Mixolydian – Locrian
– Minor – Dorian – Lydian – Aeolian
5. For now, leave the Enter in all parts checkbox selected.
6. Click OK.
» Your Music Cursor displays the Key signature you specified.
7. Position your Music Cursor anywhere inside the first measure of any instrument (this will be to the right of the
time signature).
8. Click your mouse or press Enter.
» Notion adds the time signature to all staves at the beginning and at the start of each system. By default, if the
instrument is a transposing instrument (such as a Bb trumpet), the signature for that part will be in the key needed
for a live musician reading your score to perform that instrument.
You also have the option of assigning different key signatures to different instruments.
7.7
Assign Time Signature
By default, Notion provides a Time signature of for new scores. But you can quickly change this to another signature of
your choosing at the beginning of the score. Also, you can change Time signatures throughout your file as often as you
need. Ensure you are in Edit mode before you start.
7.8
No Time Signature
Notion supports scores with no time signature. This can be a significant help for you to jot down ideas
without having to stop to iron out meter counts, particularly if you will change meters often (you
can concentrate on note/rest entry and take the time to add separate time signatures later).
Simply remove the existing time signature (click so it turns orange in color and press Delete)
and don’t replace it with an another signature. With this arrangement, since there is no meter to
exceed, you can add notes and rests without having to be concerned about measure bars (notes
and rests do not turn red at any point). Yet, Notion is still able to play back your entry.
7.9
Assign Metronome Mark
By default, Notion plays every score at the moderate pace of 90. But you can change this initial tempo. And, of course,
you are free to add other metronome marks throughout your score.
Example of an edited metronome mark with a customized descriptor (“Presto”).
7.10
CHAPTER 8: ENTER NOTES AND RESTS
Notation Overview . . . . . . . . . . . . . . . . . . . . . . 8.2
Enter Notes and Rests . . . . . . . . . . . . . . . . . . . 8.4
Accidentals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.6
Chords. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.8
Triplets and Other Tuplets. . . . . . . . . . . . . . . 8.9
Ties and Slurs. . . . . . . . . . . . . . . . . . . . . . . . . . . 8.12
Slash Marks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.13
Alternate Noteheads. . . . . . . . . . . . . . . . . . . .8.14
Multi-Voice Entry. . . . . . . . . . . . . . . . . . . . . . . 8.15
Short Score Staff. . . . . . . . . . . . . . . . . . . . . . . . 8.17
Handwriting Recognition. . . . . . . . . . . . . . . 8.19
8.1
Notation Overview
You can begin adding notes and rests right away to a new or existing score. There
are various ways you can Enter information into the score area:
88 Mouse and keyboard, to Enter:
>> Standard musical notation, or
>> Fretted instrument Tablature directly or with the built-in Fretboard. Information you Enter by either method
appear in both Tablature and traditional notation staves, simultaneously.
88 MIDI device. You can Enter notes and rests using a MIDI keyboard or MIDI guitar and your mouse.
88 Import the contents of a MIDI or MusicXML file created in a different music program.
88 Draw in with Notion’s handwriting recognition.
88 Import the contents of a MIDI or MusicXML file created in a different music program.
This chapter focuses on how to best use your mouse and keyboard.
8.2
Disable or Enable Automatic Transposing
Before you start Entering notes, consider how you want their pitches to appear on staves. By
default, transposing instruments, such as a trumpet, appear in a different key. For example, a
“Bb” trumpet’s part appears in your notation staff to be at a different pitch/key than keyboards
and other “C” instruments, but sounds correctly in tune during Notion playback.
This transposition is mandatory so live musicians reading your score will correctly play your composition
the way you intended. If you prefer to compose or arrange with automatic transposing disabled, then
the pitches you see on the notation staff will all be concert (exact) pitches for all instruments.
To disable or enable automatic transposing, go to the Menu bar and:
88 To keep the default setting (standard notation), ensure View > Transposed has a checkmark.
88 To display transposing instruments in the same key as other “C” instruments, click View > Concert Tuning so it
receives a checkmark.
88 To display transposing instruments in the same key as other “C” instruments and in the actual concert octave
(piccolo, for example, is written an octave lower than actual pitch), then click View > Concert Pitch so it receives a
checkmark.
8.3
Enter Notes and Rests
You have a choice of using the Entry Palette or keyboard shortcuts – or any mix of the two –
to Enter notes and rests on a musical staff. To begin, you must be in Edit mode.
1. In the Entry Palette hover over the third pane from the left: .
» A pop-up menu displays.
◙◙Note/rest entry options.
TIP: To access a bar rest to place in a measure that is not in common time, press the Z key.
After you place the symbol of the note or rest you want on your Music Cursor:
1. To listen to a note (“audition”) before you place it, hover your Music Cursor over any degree on the notation staff and
press the A key. You hear the staff’s instrument play the note as long as you hold the A key down. After release, you
can move the note to another pitch and press the A key again to hear how the new pitch sounds.
2. Position the Music Cursor where you want to place the note or rest.
TIP: for short distances, you can use the left/Right Arrow keys instead of moving your mouse.
3. Click your mouse or press the Enter key.
» The item is now in your score in a solid black color.
8.4
Red Notes - Too Many Notes / Too High or Low
8.5
Accidentals
Accidentals raise or lower the pitch of an existing note by a small interval. Notion not only supports traditional flat, sharp,
and natural symbols – you also have access to quarter-tone accidentals if you use Option 1 (with Music Cursor) below. A
different method, Option 2 (without the Music Cursor), enables you to make half-step changes directly to existing notes.
You must be in Edit mode.
Standard Accidentals
Keyboard Keyboard
Accidental Palette symbol Accidental Palette symbol
shortcut shortcut
Flat 2 (1x)
Q.T. Raised Flat Shift + 2 (1x)
Double-flat 2 (2x)
Q.T. Lowered Flat Shift + 2 (2x)
Sharp 3 (1x)
Q.T. Raised Sharp Shift + 3 (1x)
Double-sharp 3 (2x)
Q.T. Lowered Sharp Shift + 3 (2x)
Natural 4
Q.T. Raised Natural Shift + 4 (1x)
8.6
Option 2: Alter Directly
Notion provides a convenient set of keyboard shortcuts you can press to add or edit accidentals on selected notes
already on the score (the Music Cursor is not involved). Quarter-tones are not available with this feature.
1. Click an existing note on the score (or, for multiple notes, either click-select certain notes or highlight
contiguous notes).
2. Hold down Shift as you press an Up Arrow key (for sharp) or Down Arrow key (for flat). Each press is the difference of
a half step. For example, selecting a note with no accidental and pressing Shift + Down Arrow twice places a double-
flat on the note. Conversely, selecting a flatted note and pressing Shift + Up Arrow twice places a sharp on the note.
Note the before-and-after example below.
◙◙Using an Arrow key.
Courtesy Accidentals
Notion permits you to force accidentals on the score for use as courtesy reminders. For
example, in a score in the key of F, you can place a flat on an B (even though it is already flat
in the key) where this will help guide live musicians sight-reading your score.
Enharmonic Respelling
With the enharmonic respelling tool you can change a note’s spelling for the benefit of musicians reading
your score. This tool is especially useful when you input from a MIDI device or import from a file. With those
methods, notes will be pitched correctly, but some may have spellings that are out of context for musicians
reading your score: such as having an C# appear where an Db would be more appropriate. For example,
the scale on the left, below, is an Eb Major scale as it appeared on a staff after importing. The notes are
at the correct pitch, but musicians will prefer sight-reading with the scale appearing on the right.
Respelled notes on right.
8.7
Chords
Notion supports chords from simple to complex for any instrument and can
be used in multi-voice parts. You must be in Edit mode.
Add Notes
To build chords in a standard musical staff:
1. Enter the first note of the chord the same way you Enter a single note. It doesn’t matter which note in the chord you
Enter first.
2. Place the Music Cursor at the pitch of the next note at about the same horizontal position.
3. Click the mouse or press Enter.
» If two notes lie at the interval of a second, Notion automatically moves one of the note heads to the other side of
the stem (example, right).
4. Repeat until you finish Entering all the notes.
5. You can also add chords directly to a Tablature staff.
Hear a Chord
Double-click any note in a chord. All its notes appear in an orange color. Now you can
hear (audition) how the entire chord sounds for the duration you hold down the A key.
Alter a Chord
The quickest way to highlight an entire chord is to double-click any note. All notes appear in an orange
color to show they are selected as a group. As long as the notes remain orange (selected), you can:
88 Copy (or cut) a selected chord and paste it elsewhere.
88 Change all notes equally up or down in half steps by holding down Shift as you press the Up Arrow or
Down Arrow key.
88 Transpose it with the same basic structure by pressing the Up or Down Arrow keys. All notes move through the staff
degrees as a single unit.
◙◙Changing a chord while keeping the same basic structure
88 You can quickly change octaves by holding down Windows: Ctrl + Shift Mac: + Shift – as you press either the
Up Arrow or Down Arrow key.
Clicking any note in the chord selects that particular note and de-selects the other notes in the chord.
8.8
Triplets and Other Tuplets
Beats usually divide into multiples of two (quarter, eighth, sixteenth, and so on) or three (dotted quarter,
dotted eighth, dotted sixteenth). The Time signature determines the division of the beat. Tuplets are
notes whose division differs from the current time signature (for example, a triplet in 2/4 time).
Triplets, a type of tuplet.
8.9
Option 2: By Entry Palette
Many find the Entry Palette option the most convenient way to create a tuplet out of existing notes already on a staff.
1. Highlight or click-select adjacent notes you want to make into a single tuplet.
2. In the Entry Palette, hover over the third pane from the left and click in the pop-up menu.
» Immediately the notes become a tuplet. You will see a triplet when you highlight three notes of equal value in a
common Time signature, as in the example below. Other types of tuplets appear when valid. As an example, when
you group a series of 5 notes you produce a quintuplet, and so on.
◙◙Making three notes into a single triplet
8.10
1. In the Fit box Notion shows how many note values you selected. In the case of notes/rests of even value, this is
straightforward, and you can leave this box as is. If the notes/rests you highlighted are of different time values,
Notion bases the number here on the lowest value. If this is not what you intended, you can change this number (it
must be a divisor of the current meter).
2. In the Into box you specify how many counts (of this note value) Notion should count to cover the number of notes
in the Fit box.
3. In the drop-down list select one of the following:
>> Auto Bracket: for default handling of brackets. Some situations, such as beamed notes, do not produce brackets.
>> Show Bracket: to force the bracket to display.
>> Hide Bracket: to force the bracket to not be seen.
TIP: If you are not sure what is the proper way to notate a tuplet, leave this at the Auto Bracket default.
4. You have the option of having the tuplet mark itself with a simple number (from the Fit box) or Show as ratio of
Fit: Into numbers.
◙◙The triplet on the left has a number from the Fit box. The triplet on the right is shown as a ratio.
Un-Tuplet Notes
To un-tuplet notes you have grouped:
1. Ensure you are in Edit mode.
2. Highlight or click-select the existing tuplet.
3. Then right-click.
» A context menu appears.
4. Select Tuplets.
» A submenu appears.
5. Select Remove Tuplet.
» The tuplet treatment is removed. You can Undo this action, if necessary.
8.11
Ties and Slurs
Notion makes it easy to add ties and slurs. You must be in Edit mode.
TIP: Press the Tab key if the slur covers a very long phrase.
7. Click the mouse or press Enter.
◙◙The finished slur.
8.12
Slash Marks
You can display notes as large slash marks. Familiar to lead sheets and score reductions,
this type of shorthand is generally used to guide rhythm players or soloists through a song.
With Notion, you also use slash marks to play chord names or diagrams.
1. Since Notion bases slash marks on notes that already appear on the staff, Enter note values in the places where you
want the slash notation. For this feature, pitch is not considered.
2. Highlight the notes you want to convert to slash marks.
◙◙Identify the rhythm by notation.
◙◙Result
For stemless slashes, highlight the quarter notes, right click, Notes and select Hide Stem.
8.13
Alternate Noteheads
For lead sheets, drum parts, or other situations where you prefer not to use
standard noteheads, Notion provides many alternative options.
Notion supports six types of noteheads: standard, X, diamond, triangle, slash, and circle x. Except for drums,
these operate as non-pitched notes for all instruments (so they do not make alternate sounds during
playback), with the exception of the “x” notehead, which plays back a mute on guitars and basses.
1. Ensure you are in Edit mode.
2. Select the note value you need (such as quarter note or eighth note), either from the Entry Palette or by keyboard
shortcut.
3. Either:
>> Use the keyboard shortcut: repeatedly press the X key until you view the option you want, or
>> Use the Entry Palette by hovering over the third pane from the left: and click the type of notehead you
want to use:
◙◙The notehead shape options in the Entry Palette.
8.14
Multi-Voice Entry
The default mode of note entry is single-voice mode: all notes on each staff pertain to a single instrument.
In multi-voice mode, up to four parts can be notated on the same staff: as many as eight in a grand staff.
If you want, you can assign each to a different instrument (see Short Score Staff, next topic).
Two Voices
It’s convenient to discuss using multiple voices on a single staff first with two voices (this topic) and then with up
to four voices (next topic). With two voices, all notes with stems pointing up are the upper voice (Voice 1) and all
notes pointing down are the lower voice (Voice 2). Of course, to Enter notation you need to be in Edit mode.
Visual Help
If you find you would like a visual indicator of the separate voices, you can
go to the Menu bar and select View > Show > Show Voice Colors (so it
receives a checkmark in the menu). Voice 1 notes remain in a standard
black color and all Voice 2 notes then appear in a purple color.
To switch to Voice 2, press [Windows: Ctrl + 2; Mac: + 2] or go to the Entry Palette and click in the
third pane from the left. To verify you have multi-voice entry enabled and you are in Voice 2, you view a small
v2 mark in your Music Cursor.
Switching to Voice 2 triggers two events: all succeeding notation you Enter appear as Voice 2
(stems down). At the same time, every time you add a Voice 2 note, any Voice 1 note(s) in the same beat that
happen to have stems down now have their stems pointing up. In the example below, Voice 2 notes have
been added to only the first half of the measure: note how the upper F in beats 1 and 2 point upward.
Two voices on beats 1 and 2 (only).
To assign a different instrument to Voice 2 than Voice 1, see Change Instrument per Voice in Chapter 11.
When you finish with Voice 2 and want to return to Voice 1, press [Windows: Ctrl + 1;
Mac: + 1] or click in the Entry Palette (third pane from the left).
Shared Voices
For notes you share on both voices, press [Windows: Ctrl + 5; Mac: + 5] or click in the
Entry Palette (third pane from the left). To verify the notes you Enter will be shared by both
voices, you view a small v1+2 mark in your Music Cursor.
8.15
Switch Voice Parts Quickly
If you accidentally Entered Voice 2 as the top part and Voice 1 as the bottom part, you could
delete and re-Enter the notation, but the quicker way to remedy this is to:
1. Ensure you are in Edit mode.
2. Highlight the notes that need switching.
3. Either:
>> Go to the Menu bar and select Edit > Swap Voice, or
>> Right-click and select Tools > Swap Voices from the context menu.
» The notes switch voice positions.
◙◙Switching voices.
4. In the Voice Stem Mode drop-down list, select your choice from:
>> Separate up/down: the default treatment of every upper voice note points up and every lower voice note points
down.
>> Joined stems: wherever the two voices share the same rhythm, join the two notes with a stem in the same
direction. At points where there are rhythmic differences, return to default separate up/down treatment.
>> Separate per measure: Treat the voices as a Joined stem option, but whenever there is an exception anywhere in
a measure, then the entire measure is treated as Separate up/down.
5. Click OK.
8.16
Short Score Staff
Having three or four voices on a staff is, in one sense, an elaboration of the multi-voice entry feature (see previous
topic). However, in a broader sense you are saving such significant space as you conveniently view notation for up
to four parts simultaneously on the same notation staff that we give this feature the name of Short Score Staff.
It’s up to you if you want all voices to share the same instrument sound, or if you want to assign different
instruments to different voices – which means you can assign up to eight different instruments on a grand staff!
Visual Help
If you find you would like a visual indicator of the separate voices,
you can go to the Menu bar and select View > Show > Show
Voice Colors (so it receives a checkmark in the menu).
88 Voice 1 notation remain in a standard black color.
88 Voice 2 notation appears in a dark purple color.
88 Voice 3 notation appears in a light fusha color.
88 Voice 4 notation appears in a green color.
Different Instruments
To assign a different instrument to Voice 3, Voice 4, or to both, see Change Instrument per Voice in Chapter 11.
Stem Direction
With two multi-voice parts, note stem direction is straightforward (upper voice points up; lower voice
points down). With Short Score Staves, the number of voices determine the stem directions:
88 If you use four voices, then voice 4 points down and all other voices point up, as in the illustration above.
88 If you use three voices, then voice 3 notes point down and voices 1 and 2 point up.
◙◙Same example as above, but with three voices.
8.17
Enter Voices
By default, all notes you Enter are considered to be part of Voice 1. To switch to another voice use the following:
88 To switch to Voice 2, press [Windows: Ctrl + 2; Mac: + 2] or go to the Entry Palette and click in the third
pane from the left. To verify you have multi-voice entry enabled and you are in Voice 2, you view a small v2 mark in
your Music Cursor.
88 To switch to Voice 3, press [Windows: Ctrl + 3; Mac: + 3] or go to the Entry Palette and click in the third
pane from the left. To verify you have multi-voice entry enabled and you are in Voice 3, you view a small v3 mark in
your Music Cursor.
88 To switch to Voice 4, press [Windows: Ctrl + 4; Mac: + 4] or go to the Entry Palette and click in the third
pane from the left. To verify you have multi-voice entry enabled and you are in Voice 4, you view a small v4 mark in
your Music Cursor
88 To switch to Voice 1, press [Windows: Ctrl + 1; Mac: + 1] or go to the Entry Palette and click in the third
pane from the left.
88 You can copy and paste to and from individual voices by selecting the required passage, right click and then use
Select and Paste Special
8.18
Handwriting Recognition
Click the handwriting tool icon . You can now draw freehand, directly into the score area. When you stop
drawing, Notion will wait for a couple of seconds, and then convert your handwriting into digital notation.
To move the score area around: either use the scroll bars or on a Microsoft Surface
or Mac Trackpad, use two fingers to swipe the score around.
To zoom, either use the keyboard shortcut (Ctrl/Cmd and + or -) or on a Microsoft
Surface or Mac Trackpad use two fingers and spread them to zoom.
Click the handwriting tool icon. The “magnifying glass” icon will now appear . Click this to
show/hide the handwriting area at the bottom of the screen. This option for writing is especially useful
for: writing into large scores, so you don’t need to keep zooming in or out; combining handwriting
with other note entry methods such as MIDI record or steptime.
Click a measure in the main score area, and the handwriting area will jump to that spot. You can now draw in - when
you stop drawing, Notion will wait for a couple of seconds, and then convert your handwriting into digital notation
Drawing
Notion can convert notes, rests, chords, articulations, measure lines, accidentals, time signatures, measure lines, ledger
lines, slurs, ties, clefs. See over the page for a full diagram of items.
Voices
To write into different voices, select which voice you require on the palette, or us the shortcut Cmd/Ctrl + x (where x = 1-4)
Delete
You can scribble out to delete - to delete a note, scribble out over the notehead itself
to remove. Or you can select the item and press delete as normal
8.19
4. Scroll left/right/up/down with two fingers to
navigate the handwriting area
Delete Elements:
If you find that you’ve written something that you’d like to delete simply
cross out or “squiggle” over the note/score element and it will be deleted.
Tuplets: Articulations:
8.20
CHAPTER 9: MORE INPUT/
SOUND OPTIONS
Alternative Input Options. . . . . . . . . . . . . . 9.2
Real-Time MIDI Input. . . . . . . . . . . . . . . . 9.3
Step-Time MIDI Input. . . . . . . . . . . . . . . . 9.4
MusicXML and MIDI File Import . . . . . 9.6
Alternative Sound Sources . . . . . . . . . . . . . . 9.7
MIDI Out. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9.8
VST Instruments. . . . . . . . . . . . . . . . . . . . . 9.9
Add a Multi-Channel Track. . . . . 9.10
Vienna Ensemble . . . . . . . . . . . . . . 9.12
ReWire Advantages. . . . . . . . . . . . . . . . . 9.13
Use ReWire . . . . . . . . . . . . . . . . . . . . . . . . . 9.14
9.1
Alternative Input Options
Almost all the discussion up to this point about Entering notes, chords, and rests into a
composition has been with the standard tools of a computer keyboard and mouse. But
there are other flexible ways to Enter all or part of your composition into Notion:
9.2
Real-Time MIDI Input
With real-time input you Enter notation at a constant tempo. Not only is this the quickest method
of Entering notes/chords/rests, it is also the preferred method when you are unsure of what note
values to give individual notes (Notion does that for you). For difficult passages where you would
prefer to take any amount of time to Enter notes and rests, consider using step-time input.
The tempo Notion uses to capture your notes is the one set by the nearest metronome mark. In the absence of this tempo
mark, the program uses a default speed of 90.
TIP: While you use real-time input, consider setting a metronome mark that is slower than the target
speed. This can help the accuracy of your input. Then, after capturing the notation, or after editing,
you can either remove the metronome mark or change it to the actual final playback speed.
To Enter all or only part of your score with real-time input:
1. Ensure you are in Edit mode.
2. With your Pointer, click the instrument’s staff at the location in your score you want to begin.
» Notion marks this location with a light yellow bar and highlights other staves at this beat with the editing marker.
3. To Enter real-time mode, either:
>> Click the button in the Transport.
>> Press the keyboard shortcut of Windows: Ctrl + R; Mac: + R.
Notion informs you if it cannot find a MIDI device connected to your computer.
» The program highlights the instrument from this location to the end of the score in a light green color.
◙◙Light green highlight appears for this instrument.
4. When you are ready, either press the Spacebar or press the first note on the MIDI instrument. You hear metronome
clicks as a guide as you continue Entering notes and chords.
NOTE: If you write to a grand staff, Real-time MIDI input follows your right hand in the upper staff and your left hand
in the lower staff. The split point is at G below Middle C.
5. To Enter a rest, take your fingers off the keyboard.
6. To end the recording, either press Esc, Spacebar, or click the button in the Transport.
» Notation appears in a notation staff.
7. There may be some “clean up” needed on some notes and rests. Add articulations and other score marks as needed.
Remember to save your file from time to time.
9.3
Real-Time MIDI Input
Recording Preferences
Go to Preferences>MIDI Record
Min velocity
To filter out very quiet notes, that may aren’t what
you are trying to play, set the minimum velocity
Min duration
On some controllers, especially guitar MIDI controllers, you
may accidentally play very short notes that aren’t what
you are trying to play into Notion. These can come from
brushing the next string over, or from just putting your
finger down on the fret. To filter out these short notes, use
the “Minimum duration” setting. With “40 ms” selected,
notes shorter than 40 milliseconds long will be ignored.
Chord looseness
If you are playing in chords, the notes you play are
not going to happen at exactly the same time. This is
especially true for a guitar MIDI controller. When you
strum, the notes on the low strings happen a good
amount before the notes on the high strings. The chord looseness setting tells the program how loose a
group of notes can be and still be Entered as a chord, instead of seperate notes. Use a low setting if you are
playing individual notes with very precise rhythms. Use a high setting if you are strumming chords.
Split point
On a part with two staves, like most piano parts, you may want high notes to go on the upper staff and low notes
to go on the lower staff. The split controls the point that divides the upper staff notes from the lower staff notes.
On a part with just one staff, this setting doesn’t do anything.
Tuplets
If you want the program to write rhythms with triplets and more complicated tuplets, like 5:4, turn the
Tuplets option on. With this option off, the rhythms will only be regular and dotted notes.
Multi-voice
If you are playing in a part where you have two different musical lines with their own rhythms,
turn the Multi-voice option on. With this option off, only one line will be notated.
Multi-channel guitar
If you are playing in from a guitar MIDI controller, you will most likely want this option turned
on. MIDI guitars send the notes for each string on a different MIDI channel, and the program uses
this information to put the notes you play on the right string on the Tablature staff.
If you are not using a guitar MIDI controller, keep this option off.
9.4
Step-Time Input
Use step-time input to Enter a single note, chord, or rest at a time. This is especially useful for
difficult passages, since you are not tied to any time duration between entries.
If you prefer to Enter notes/chords at the speed of playback, or are not sure of the
time values for the notes in your score, consider using real-time input.
Enter Notation
You use both keyboard shortcuts and the MIDI keyboard to Enter notes and rests.
1. To Enter a note or chord:
>> Press the keyboard shortcut for the time value you need (Q for quarter note; E for eighth note, and so on: see full
list), then
>> At the MIDI keyboard generate a note – or all the notes for a chord at once.
» At first you see the note/chord you Entered appears as a small blue dot (as Notion interprets your input).
Quickly, your entry appears as standard notation in a solid black color. A light green marker moves to the
next beat so you can immediately add the next note, chord, or rest.
2. To Enter a rest, simply press the Spacebar. This automatically adds a rest of the same time value. For a different time
value, press the keyboard shortcut first, then press the Spacebar.
» Whenever you change time values, the change remains in memory for all subsequent note and rest entries until
you press a keyboard shortcut for a new time value.
3. To Enter a tie during Step-Time, Enter the first note, then Shift + T, then the second note of the tie.
4. Continue this way for as long as you want: specify time values with keyboard shortcuts, specify notes/chords with
the MIDI keyboard, and specify rests with the Spacebar. When you fill up (or exceed) a measure’s count, the light
green marker proceeds to the next measure automatically.
TIP: If desired, you can use multi-voice entry, one voice at a time.
9.5
1. Whenever you want to end this mode of operation, press the Esc key or click the button in the Transport.
About Tuplets
To Enter triplets and other tuplets. you complete four steps:
1. Specify the base time value (such as e for a group of eighth notes or q for a group of quarter notes).
2. Specify the type of tuplet you want. Hold down the Alt key as you press one of the following digits:
>> 2 = duplet.
>> 3 = triplet.
>> 4 = quadruplet.
>> 5 = quintuplet.
>> 6 = sextuplet.
>> 7 = septuplet.
>> 8 = octuplet.
>> 9 = nonuplet.
3. Enter the notation for the tuplet. Since you are in a tuplet entry mode you can Enter a complex tuplet. For example,
let’s say you set up a triplet of eighth notes (by pressign e then Alt+3). At a point you want to Enter a quarter note
instead of an eighth note, just press q. Your next entry will be a quarter note inside that eighth-note triplet.
4. End the tuplet entry mode. Otherwise, Notion will continue to create additional tuplets for you. To end this mode of
entry, press either Alt+0 (zero) or Alt+1.
9.6
MusicXML and MIDI File Import
You have the option of importing a MusicXML (either XML or compressed mxl files) Or MIDI file as the starting point for
creating a new score.
NOTE: Settings in the Real-time record menu may affect import of MIDI and XML files.
9.7
Alternate Sound Sources
In one sense, our complete library of built-in instruments makes Notion completely self-contained: no
other software or hardware is mandatory to use its features. Yet, you are not limited to these sounds: you
always have the option of assigning to any number of parts the instrument sounds from an external MIDI
device or VST instrument (VSTi). Or, you can save time and expand sound possibilities with ReWire.
MIDI Out
A number of synthesizers, samplers, sound modules, and similar sound-generating equipment in the marketplace
play music in response to MIDI instructions. If you like, you can have Notion read a score and translate notation
and some score markings for one or more parts into MIDI signals. The external equipment then reads these signals
to produce certain instrument sounds, instead of Notion. Since the sound is generated at the external device
and not at your computer, many studio setups include an external mixer, digital audio workstation, or other
audio equipment that can “sum” together the sounds from Notion with the sounds from the MIDI device.
VST Instruments
Earlier, this guide introduced Virtual Studio Technology (VST) modules that provide sound effects, such as
reverb or equalization. This type of VST can be used with Notion, as detailed in Chapter 5: The Mixer.
A different category of VST-based software generates instrument sounds. A VST Instrument (VSTi, often marketed
as a library) is intended to be accessed and controlled through a third-party audio application, such as Notion.
ReWire
ReWire, an industry-standard feature, enables one program (such as Notion) to control the playback
(tempo, start/stop, and much more) of another program. This widely used time-saver integrates
Notion with other audio/music applications you have on your computer so you can quickly use
the best sounds and audio features of various programs to create your musical projects.
9.8
MIDI Out
6. To close Score Setup, either click the button again or press Esc.
9.9
VST Instruments
This guide uses the terms VST instrument, VSTi, and Library synonymously to refer to third-party VST-
based software that generates instrument sounds as a plug-in to audio applications such as Notion.
One thing you should consider when you work with VSTi technology is the demand each separate instance
of a Library places on computer memory and processing. The more VSTi instruments you use, the greater the
demand on computer memory. Keep this in mind if your computer is in the lower end of RAM capacity.
Your Choice
Because of their simplicity, selecting presets is the method detailed in Add Staves
in Chapter 11 for adding separate VSTi instruments to scores.
Certainly, there are quite a number of pro-audio enthusiasts that have worked directly with Libraries for
years and have varying degrees of comfort programming their own templates. Notion can accommodate
these users, too, by supporting multi-channel track staves, detailed next. This is also the method you use
to add instruments from a VSTi that is not from EWQL, IK Multimedia, or Vienna Symphonic Library.
9.10
Add a Multi-Channel Track
Most VSTi libraries on the market are multi-channel. That is, each appearance of a VSTi – often referred to
as a track – can supply up to 16 instruments/articulation sets using a template you program in the VSTi. In
Notion terms: you can assign any number of VSTi tracks to any score: each track on a separate staff.
This is the method you use if you are going to use a VSTi other than EWQL Symphonic Orchestra, Miroslav Philharmonik
or Vienna Symphonic Library – or if you want to use one of these Libraries with your own customized VSTi template.
Two preparations before you start: ensure you are in Edit mode. And, if If the Library you want to use
requires a dongle on your computer, be certain that hardware is in place before you proceed.
9.11
Phase Four: Assign Channels to Staves
By default, the instrument in Channel 1 will be heard on the track staff. To play other
instrument sounds, you have two options – or any mix of the two:
88 Create as many Basic staves as there are other channels (as many as fifteen), then assign a specific channel (a
separate instrument) to each one, or (– or combine with).
88 Use Notion’s Change Instrument feature to switch from one channel to another.
9.12
Vienna Ensemble and Custom Rules Editor
The Vienna Ensemble, a plug-in included in the Vienna Symphonic Library, operates a little differently from the
other VSTi presets we provide in Score Setup. You select and use individual instrument sounds just like other
VSTi preset. However, options labeled with “Section” represent multiple instruments (a literal section of the
orchestra). You treat any Section option as you do a generic VSTi multi-channel track: you assign instruments/
techniques to channels in Vienna Ensemble and treat the staff you assign a Section to as a multi-channel track.
Custom Rule Editor
Go to File, Rules, Rules, or Shift + Y to bring up the Rules dialog box. From here you can
create a new ruleset, edit an existing ruleset, export a ruleset or delete a set.
9.13
ReWire Advantages
If you have multiple pro-audio products on your computer, many probably support ReWire – a standard method to have
one audio program control the playback of another. With ReWire, starting one automatically starts the other – and keeps
both in lockstep synchronization so the output from both programs sounds like one application.
In a Nutshell
There are always two applications involved: one acts as a Host; the other acts as a Slave to the tempo and other playback
commands of the Host. Some products use ReWire in Host mode only. Others, like Notion, enable the program to serve in
either role.
Not only is playback synchronization a major advantage with ReWire, there is also the feature of having the audio output
or MIDI output of the Slave arrive at the Host. The Slave “thinks” it’s sending output to a sound card – in reality, the audio
ends up at the Host where it can be easily processed and mixed with the Host’s sounds to send a single output to your
computer’s sound card.
One Example
Let’s say you have digital audio loops on Program A, Entered in a piano roll format, you would like to put Notion strings
under. One option is to export Program A sounds as .wav files and add them to Notion, but then you need to tweak
Notion tempos until they match the wav files. A second option is to record Notion strings and add the Notion wav files to
Program A and stretch, compress, or edit as needed to fit the tempos there. Either method can be time-consuming.
The fastest solution is to have the string parts ready in a Notion score (or use a SequencerStaff if you prefer), then have
Program A act as a Host and send tempo and other playback commands to Notion, acting as a Slave. Then, as you listen to
sound coming from your sound card, the combined output seems to be generated from one program.
Notion can serve in either a Host or Slave mode, but cannot operate in either mode until you enable ReWire in
Preferences. By default, ReWire capability is disabled in Notion.
1. To open Notion Preferences, go to the menu bar and select Windows: File > Preferences;
Mac: Notion > Preferences.
» The dialog box opens.
2. Proceed to the Audio Tab.
3. At the bottom left, select the ReWire checkbox.
9.14
Use ReWire
4. Click OK.
The dialog box closes.
5. Close and reopen Notion. If you want Notion to act as a Host,
you must have the Slave application(s) open after Notion.
6. Please note - to avoid ReWire conflicting with the
Notion>Studio One interop, you can either check ‘Enable ReWire’
or ‘Allow Network Discovery’, but not both at the same time
9.15
CHAPTER 10: EDIT NOTATION
Beam Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.2
Beaming Angle, Height and
Cross Staff Beaming . . . . . . . . . . . . . . . . . . . . 10.3
Stem Direction. . . . . . . . . . . . . . . . . . . . . . . . . . 10.4
Change Note/Rest Time Values . . . . . . . . . 10.5
Change Note Pitches. . . . . . . . . . . . . . . . . . . . 10.6
Transpose. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.7
Octave Transposition Symbols. . . . . . . . . . 10.8
Add Interval . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.9
Add Dynamics. . . . . . . . . . . . . . . . . . . . . . . . . 10.10
Edit Dynamics . . . . . . . . . . . . . . . . . . . . . . . . . 10.12
Articulations. . . . . . . . . . . . . . . . . . . . . . . . . . . 10.15
Glissando and Portamento. . . . . . . . . . . 10.18
Arpeggios. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.19
Grace Notes. . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.20
Ghost Notes. . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.21
Trills . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.22
Shortcut Slashes, Tremolos,
and Shakes . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.23
Holds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.24
Breaks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.26
Cue Notes and Tacet . . . . . . . . . . . . . . . . . . . 10.28
Swing Control. . . . . . . . . . . . . . . . . . . . . . . . . . 10.30
Fill Measures With Rests. . . . . . . . . . . . . . . 10.32
10.1
Beam Tool
Beams connect flagged notes. Beaming replaces flags with straight lines to group notes in rhythmic clusters,
making it easier for musicians to read the score. Notion automatically connects or disconnects notes as you
add or remove them, according to the meter and logical groupings, but you can override these defaults –
even in the NTempo staff – with a beam tool. This visual feature is solely for the convenience of musicians
reading your score (or as a help to you as composer/arranger): beaming does not affect playback.
1. Ensure you are in Edit mode.
2. Find the place in the score where you need to change the beaming of flagged notes.
3. Either:
>> In the Entry Palette, hover over the third pane from the left and click in the pop-up menu, or
>> As a keyboard shortcut, press Shift + B.
» A Beam tool appears on your Music Cursor.
4. Place the “B” of the word “Beam” at the beginning of the beam or flag which you would like to toggle on and off.
5. The “Beam” tool toggles beams and flags.
6. Either click your mouse or press Enter.
» A connected note will disconnect, or visa versa.
◙◙Placing the beaming tool on the second note.
7. Since the beam tool is still on your Music Cursor, you can proceed to connect/disconnect other notes in the score.
Press Esc to remove the tool from your Music Cursor.
Keep the following in mind as you use the beam tool:
88 Rebeaming takes into consideration what is to the right. Thus, in the example below, to remove the beam from the
fourth note, you use the beam tool on the third note (nothing happens if you use the tool on the fourth note).
◙◙Re-beaming looks to the right.
10.2
Beaming Angle and Height and Cross-Staff Beaming
With Notion you can customize the height and angle of beams for any reason. (See Stem Direction if you need
to place the beam at the “opposite” side of the staff.) You can even alter the beaming in the NTempo staff.
Customizing how a beam appears is often done to place more space between the beam and nearby
score markings, text, lyrics, or chord names/diagrams – or to help with phrase interpretation. These
visual edits help musicians reading your score, but will have no impact on playback sound.
1. Ensure you are in Edit mode.
2. With the Pointer, click a beam you want to change.
» The beam turns to an orange color with boxes at the ends.
3. Alter the beam as you have need:
>> To change the height, drag the beam upward or downward.
◙◙Lowering the height of a beam.
>> To change the beam angle, click on one or the other orange box and drag upward or downward.
◙◙Altering the angle of a beam.
4. To keep your change, click anywhere in the score area away from the beam.
Cross-Staff Beaming
First Enter all notes you wish to beam across a grand staff in the same hand. Then select the notes you wish to flip to
the other stave either by selected around them, or individual noteheads (with Shift+mouseclick). Then press Shift+X
or select the icon from the palette. Arpeggios and glissandi will also work across a grand staff – Enter all the notes and
the arpeggio/gliss line in one hand first, then select the notes you wish to flip to the other stave and press Shift+X.
Shift + X
10.3
Stem Direction
In standard note placement, Notion places a note’s stem direction in traditional notation conventions
(such as between A and B above Middle C in the treble clef ) or in the optimal direction for a
series of beamed notes. However, you can override this orientation for any reason.
Example of overriding default step directions.
NOTE: When you intend to use two voices (multi-voice entry), you might see stem directions appear in both directions
(or, all in the “wrong” direction) when you first Enter a voice. You do not have to complete the steps below, for as you
Enter notes/rests for the ‘other’ voice, Notion will automatically orientate all the stem directions in the correct directions.
1. Ensure you are in Edit mode.
2. Highlight or click-select notes you want to force a stem direction.
3. Right-click any selected note.
» A context menu appears.
4. Click Notes in the menu.
» A sub-menu appears.
◙◙Context menu and submenu (Mac).
10.4
Change Note/Rest Time Values
Notion offers ways to change the duration of notes and rests you’ve already added to the notation staff.
=, then S
10.5
Change Note Pitches
Notion provides ways to quickly change the pitch of notes already in the score. You can move notes
by staff degrees, half-steps (accidentals), or octaves. The program also provides a Transpose feature
(see next topic) so you can change the pitch of a whole group of notes or an entire score.
10.6
Transpose
You have the options of having Notion transpose your entire score, any contiguous
section of it, or even scattered individual notes you select.
1. Ensure you are in Edit mode.
2. Select a note, a group of notes, or a group of measures in a score that you would like to transpose.
>> To transpose a particular section of your score, highlight a passage (or click-select specific notes).
>> To highlight an entire staff, press Windows: Shift +Ctrl + A; Mac: Shift + A.
>> To highlight your whole score, press Windows: Ctrl + A; Mac: + A.
3. Either:
>> Go to the Menu bar and select Tools > Transpose, or
>> Right-click and select Tools > Transpose in the context menu.
» The Transpose dialog box opens.
◙◙Transpose dialog box.
4. Set the properties in the dialog box. Notice that only a valid combination of settings permit you to proceed: the
Transpose button will be unavailable while you have invalid or incomplete information. Exploring the properties
from right to left:
>> Click the radio button which direction (Up or Down) you want to move the notes.
>> Decide if you want to preserve the quality (major, minor, perfect, augmented, or diminished) of all intervals with
the Chromatic radio button, or if you want to preserve just the category of interval (second, third, and so on) in
the highlighted notes with the Diatonic radio button.
>> In the drop-down list, decide if the transposition is within the Same Octave (the default), or from 1 to 3 octaves
away.
>> Select in the right-hand box the basic interval all the highlighted notes must take as a group (second, third, and so
on).
>> Select in the left-hand box the quality of the interval all the highlighted notes must take as a group. If you clicked
Diatonic, then this box is unavailable.
>> If the areas you highlighted include key signature changes, you have the option of changing these highlighted
key signatures to transposed keys (select the Transpose key signatures checkbox).
5. Click the Transpose button. If this button is unavailable, check your settings.
» The change is immediate. If needed, you can Undo the transposition.
10.7
Octave Transposition Symbols
Often, when Entering very high or very low notes, it is convenient to use an octave transposition symbol.
When placed above the staff, an 8va indicates that the passage is to be played an octave higher than
written. An 8vb below the staff indicates an octave lower. Similarly, a 15ma above the staff tells the musician
to play two octaves higher than written. In the Entry Palette (only) you can also access 15mb to play two
octaves below than written. Notion interprets these symbols in playback and in Tab staff fingerings.
Example: octave above and octave below.
By Keyboard Shortcut
1. Ensure you are in Edit mode.
>> “Shift +8” toggles 8va, 8vb, and 15ma.
2. At the first note you want to transpose click once and release.
3. Move (don’t drag) the portion of the symbol to the last note to transpose. You also have the option of
pressing the Tab key.
» Notion automatically draws 8va and 15ma above the staff and draws 8vb below the staff.
4. Click or press Enter.
» The symbol is now part of your score and will be interpreted correctly during Notion playback.
By Entry Palette
1. Ensure you are in Edit mode.
2. In the Entry Palette, hover over the second pane from the right and click on your choice
of octave transposition symbol: .
» A representation of the symbol appears on your Music Cursor.
3. At the first note you want to transpose click once and release.
4. Move (don’t drag) the portion of the symbol to the last note to transpose. You also have the option of
pressing the Tab key.
» Notion automatically draws 8va or 15ma above the staff and draws 8vb or 15mb below the staff.
5. Click or press Enter.
» The symbol is now part of your score and will be interpreted correctly during Notion playback.
10.8
Add Interval
With a few key presses you can add intervals to selected notes (in the same time values)
by using the numeric keypad, if you have one on your computer keyboard. This can be a
significant time saver when you need intervals played with the same time values.
Doubling with octaves.
10.9
Add Dynamics
With Notion, you can place standard dynamic marks into any staff and have the program respond to
the marks during playback and .WAV file export. You can use keyboard shortcuts or click the Entry
Palette to place dynamic marks on individual instruments or on different voices of the same instrument.
There are no limits on the number of different dynamics you can have throughout a score.
TIP: Dynamic marks are an excellent way to communicate volume changes to musicians reading your
score. However, if your current project is making a composition’s playback sound as realistic as possible,
then using dynamics to fine-tune all volumes can get tedious. A faster (and more accurate) way of
controlling volumes throughout a score for playback is Velocity Overdub, discussed in Chapter 11.
Also, the fourth pane from the left offers Sforzando score markings: these are not heard in playback.
2. Click the graphic of the dynamic marking you need.
»The item displays on your Music Cursor.
3. Position the Music Cursor where you want to place the dynamic marking.
4. Click the mouse or press Enter.
5. If you are Entering a crescendo or diminuendo mark:
>> Move (don’t drag) the Music Cursor to where you want the mark to end.
>> Then click the mouse or press Enter.
10.10
Dynamics on a Multi-Voice Staff
With Notion it is easy to assign different dynamic markings on the two voices in multi-voice mode. In Edit mode, place
the dynamic mark for the upper voice above the staff and place the dynamic mark for the lower voice below the staff.
This voice-separation feature also enables you to place different crescendo and diminuendo “hairpin” marks on two voices.
Different dynamic markings for two voices on one staff.
10.11
Add Dynamics
Once you have a dynamic mark on a score, there is quite a number of “tweaks” you can make to customize the mark. This
topic discusses how you can:
88 Delete a dynamic mark or a group of them.
88 Move any type of dynamic mark above or below a staff.
88 Edit where a hairpin starts and ends.
88 Change the level on any text-based dynamic mark. These kinds of changes will be heard during playback and .WAV
file export.
>> Replace a dynamic level directly.
>> Replace the dynamic mark by relative levels.
>> Play at a fractional amount louder or softer than the default level for the mark.
>> Play at a completely different dynamic level than what is seen on the score.
To begin, ensure you are in Edit mode.
10.12
Edit Hairpins
You can change the start and end locations of hairpins on the score in Edit mode. When you click on an existing hairpin,
you view orange boxes at either end of the symbol. Click and drag a box as needed, then click anywhere in the score area.
Reducing the length of a hairpin.
You can also adjust the angle of the hairpin, and the opening angle too. Go to View>Show Layout Handles (Win: Ctrl+L,
Mac: Cmd+L). Drag the closed end square to adjust the hairpin angle, or either of the two squares at the open end to
adjust the opening angle.
3. To change to the next higher level, type a 1. To go slightly softer than the current level you can type a -1 or -.5.
4. Click OK.
» The current dynamic mark is replaced by a different level, both visually on the score and in playback level.Play
Fractionally Louder or Softer
10.13
One of the distinctive features of Notion is its ability to deliver unlimited levels of playback dynamics within its loudest
and softest extremes. In the following procedure, you can specify “in-between” volume levels above or below a dynamic
marking.
1. Select the text-based dynamic mark on your score you want to fine-tune.
» It appears orange in color to show it is selected.
2. Double-click this mark.
» A temporary text box appears.
3. Move the cursor right after the mark’s letter(s) then add a plus or minus sign, a decimal mark, then a fractional
amount less than 1 (up to two decimal places) as in .
NOTE: The whole number “1” is the next dynamic level (for example, ff instead of f).
4. To save your change, either click anywhere in the score area or press Enter.
» The next time you double-click this mark or enable View > Show > Show Hidden Items, you see the altered
dynamic level information in a light gray color.
10.14
Articulations
Articulations indicate a style of performance for specific notes and chords. These embellishments
add melodic depth and interest in a notation staff and specify certain sounds for a drum set.
There are three ways to add articulations. You can place the symbol on your Music Cursor so you can add it:
88 To individual notes, or
88 To multiple notes at once using a menu, or
88 To multiple notes at once using keyboard shortcuts.
Also, Notion provides two ways to quickly delete multiple articulations.
On Individual Notes
To add an articulation to an existing note, first select the type you need so it appears
on your Music Cursor. To proceed, you must be in Edit mode.
By Entry Palette
In the Entry Palette, hover over the fourth pane from the left: . Click your choice of mark.
Articulation options (under the dynamic marks) in the Entry Palette.
By Shortcut
88 Staccato – Play notes markedly short and detached.
Staccato • 1 (1x) Mezzo-Staccato 1 (3x)
Staccatissimo 1 (2x) Dash _ –
10.15
On Multiple Notes: By Menu
This method of adding articulations to multiple notes is ideal for situations where
you know the name of an articulation, but are not sure of the symbol.
1. Ensure you are in Edit mode.
2. Either highlight any contiguous group of notes – or click-select any number of notes in different locations (by
holding down the Shift key while you click the noteheads).
3. Then right click and select Notes > Articulation from the context menu.
» The Articulation dialog box opens.
4. In the drop-down menu select the articulation you want on the group of notes. The available articulations are Dash,
Staccato, Staccatissimo, Mezzo-Staccato, Accent, Legato accent, Staccato with accent, Staccatissimo with accent,
Strong accent [Marcato], Legato strong accent, Staccato with strong accent, Staccatissimo with strong accent, Soft
attack , and No articulation (delete).
5. Click OK.
Legato Strong Accent Press 6 then the – (dash) key in either order
10.16
Delete Multiple Articulations
Notion provides multiple ways to remove any number of different articulations quickly.
10.17
Glissando and Portamento
Notion enables users to quickly add glissandi (gliss.) and portamento (port.). With
Notion, you can use either technique on any pitched instrument.
Glissando and portamento.
You must have the origination note and the destination note already in
your score before you can add a gliss. or a port. mark.
1. Ensure you are in Edit mode.
2. Press Shift + L:
>> Once for a gliss. mark on your Music Cursor.
>> Twice for a port. mark on your Music Cursor.
These marks are also available on the Entry Palette, by hovering over the middle pane .
3. Position your Music Cursor anywhere between the two notes involved.
4. Press Enter or click your mouse.
» Notion adds the text, with a connecting line below it, into your score. The software sounds the intervening notes
when you play or perform the score.
5. To gliss between hands on a grand staff, Enter the gliss and the upper and lower notes in one staff first. Then select
the last note of the gliss and press Shift + X
NOTE: Notion also offers gliss up and gliss down text markings you can add to your score
from Express Entry, but these do not alter the sound in Notion playback.
10.18
Arpeggios
Arpeggios are chords whose notes you play in quick succession, instead of simultaneously. By definition, this
symbol only sounds for instruments that can produce chords, such as guitars, harps, and keyboards.
The three arpeggio symbols.
To place one of the three symbols for arpeggios on your Music Cursor, you can either use the Entry Palette (hover over the
middle pane: ) – or press a keyboard shortcut.
Place the symbol on the noteheads of a chord and either click your mouse or press Enter.
To arpeggiate between hands on a grand staff, Enter the the chord and arpeggio in one staff first.
Then select the notes to go on the other staff (with Shift-click) and press Shift + X
10.19
Grace Notes
You can embellish melodic lines using grace notes. A grace note is a quick ornamental
note added to a melodic line. Its duration is so brief that it’s not counted as part of the
beats for the measure. Notion reads and plays these notes during playback.
Examples of grace notes.
By Keyboard Shortcut
1. Ensure you are in Edit mode.
2. To place a grace note on your Music Cursor, press the G key.
» A grace note displays on your Music Cursor.
3. Continue to press the G key until you see the particular kind of grace note you need. You view in the Music Cursor a
small version of a:
Quarter note one press 16th note three presses
Eighth note two presses 32nd note four presses
4. Position the Music Cursor before the note you want to embellish.
5. Click the mouse or press Enter.
» A grace note has a smaller size than standard (counted) notes.
By Entry Palette
1. Ensure you are in Edit mode.
2. In the Entry Palette, hover over the third pane from the left and click your choice of grace note symbol:
.
» A representation of the symbol appears on your Music Cursor.
3. Position the Music Cursor before the note you want to embellish.
4. Click the mouse or press Enter.
By Right-Click
You can turn an existing note into a grace note with a right-click.
1. Click the note you want to turn into a grace note.
» Its notehead turns orange to show it is selected.
2. Right-click to open a context menu.
3. Select Notes > Grace Notes.
» Notion turns the highlighted note into a grace note (with the same time value as the original note).
10.20
Ghost Notes
Ghost notes produce very little sound. Although often associated with drum patterns (usually on a snare),
these almost silent notes can be used with any instrument. In an actual performance, some instruments,
such as woodwinds or guitars, produce ghost notes easier than others, such as keyboards or brass.
Example of a snare played with ghost notes (middle of bar).
This extreme dampening effect is put on notes that have a special notehead: a standard note
value inside of parentheses. Some jazz/leadsheet conventions use “x” noteheads for ghost notes
instead of parentheses. (If you prefer an “x” shape, see Chapter 8, “Alternate Noteheads.”)
2. In the Entry Palette, click (don’t hover, so you lock open) the third pane from the left .
» The third pane’s menu locks open: all the other options turn a light gray.
3. Click a note value.
» A standard representation of the note value appears on your Music Cursor.
4. Click in the upper right corner of the menu options.
» The representation of the note on your Music Cursor now has parentheses.
5. Position the notehead where you need the note on a staff and either click your mouse or press Enter.
10.21
Trills
This expression rapidly alternates between the written note and a neighboring tone.
You can place this mark on a single note or over multiple tied notes.
1. Ensure you are in Edit mode.
2. To place a trill mark on your Music Cursor either:
>> In the Entry Palette, hover over the middle pane and click your choice of trill
mark from the pop-up menu: , or
>> As a keyboard shortcut, press Shift + ` (the ~ character) as many times as needed to view the symbol you want on
the Music Cursor.
3. Place your Music Cursor at the first note affected.
4. Complete one of the following:
>> For placement over an individual note, double-click your mouse.
◙◙A trill over the second note in the measure.
Mordents and turns can be Entered using the express entry tool - see 6.16 for more information. NB these do not
playback - however you can create and hide a duplicate instrument to do the playback
10.22
Shortcut Slashes, Tremolos, and Shakes
You can use a stem slash marking to represent repeated rhythmic figures (as in the eighth-note example below). At 32nd-
note speed, this produces a tremolo (tremolando) effect that also serves as the basis for fingered tremolos (shakes).
The tremolo marks on the left are equivalent to the notes on the right.
10.23
Holds
The hold marks fermata and tenuto – and break marks caesura and breath mark (next topic) – are similar: they all
specify places in the score where you want to temporarily suspend the ongoing meter count during playback.
88 The hold marks (fermata and tenuto) cause a current note or chord (or, in the case of a fermata: perhaps a rest) to
continue beyond its specified time duration.
88 The break marks (caesura and breath mark) cause a complete break.
Fermata
You place the fermata sign at locations in your score where you want to dramatically
extend the current count of a note, chord, or rest. If you complete steps 5 through 7, below,
Notion playback will read and hold the fermata to your time specification.
1. Ensure you are in Edit mode.
2. To place this mark on your Music Cursor either:
>> Press the 9 key once, or
>> In the Entry Palette, hover over the third pane from the right and click the fermata
symbol in the pop-up menu.
» The symbol appears on your Music Cursor.
3. Position the Music Cursor over the affected note, chord, or rest. This must be on at least one instrument staff to be
read while playing (unlike breaks, holds will not be read in the NTempo staff alone during play).
4. Click your mouse or press Enter.
» Notion adds the mark to your score above the staff. If you only need the marking for musicians to read on your
score (and not be interpreted during playback) then you are finished with this procedure.
5. To have Notion play your fermata, you need to inform the software how long you want the hold to last. Double-click
the fermata sign you added to the score.
» A temporary text box appears, with the default setting of zero quarter note beats
(zero equals no change to written note values).
6. Clarify how long you want the fermata to last in playback. Either replace the zero with the
number of quarter note beats to hold, or replace the zero plus replace the “quarter notes “
with a longer (such as “half notes”) or shorter (such as “eighth notes”) value as the basis for
the count.
7. Either click anywhere in the score area away from the text box or press Enter.
10.24
Tenuto
The musical term tenuto has a number of very different interpretations around the world. Notion
uses the ten. mark as a type of hold that is less dramatic (shorter in duration) than a fermata and
is used on notes or chords only. As with a fermata, you have the option of specifying a specific
duration you want Notion to hold when you play the score (steps 5 through 7).
1. Ensure you are in Edit mode.
2. To place this mark on your Music Cursor either:
>> Press the 9 key three times, or
>> In the Entry Palette, hover over the third pane from the right and click the ten. symbol
in the pop-up menu.
» The ten. symbol appears on your Music Cursor.
3. Position the Music Cursor over the affected note or chord. This must be on at least one instrument staff to be read
while playing (unlike breaks, holds will not be read in the NTempo staff alone during play).
4. Click your mouse or press Enter.
» Notion adds the mark to your score above the staff. If you only need the marking for musicians to read on your
score (and not be interpreted during playback) then you are finished with this procedure.
5. To have Notion play your tenuto, you need to inform the software how long you want the hold to last. Double-click
the tenuto sign you added to the score.
» A temporary text box appears, with the default setting of zero quarter note beats (zero equals no change to
written note values).
6. Clarify how long you want the tenuto to last in playback. Either replace the zero with the number of quarter note
beats to hold, or replace the zero plus replace the “quarter notes “ with a longer (such as “half notes”) or shorter
(such as “eighth notes”) value as the basis for the count.
7. Either click anywhere in the score area away from the text box or press Enter.
10.25
Breaks
Break marks caesura and breath mark and hold marks fermata and tenuto (previous topic) are similar: They all
specify places in the score where you want to temporarily suspend the ongoing meter count during playback.
The break marks (caesura and breath mark) cause a complete break outside of the current meter. The hold marks
(fermata and tenuto) cause a current note, chord, or rest to continue playing beyond its specified time duration.
NOTE: If there is an NTempo line in the score, Caesuras and Breath Marks are overridden. You must enter the
Hold or Break markings into the NTempo line and assign the duration of hold to the markings in the NTempo
line. This eliminates the need to enter the duration for every Hold or Break mark in the individual parts.
Caesura
You place the caesura sign at locations in your score where you want a break and a pause,
often longer in duration than a breath mark (next). If you complete steps 5 through 7, below,
Notion playback will read and hold the caesura to your time specification.
1. Ensure you are in Edit mode.
2. To place this mark on your Music Cursor either:
>> Press the 9 key two times, or
>> In the Entry Palette, hover over the third pane from the right and click the // symbol
in the pop-up menu.
» The // symbol appears on your Music Cursor.
3. Position the Music Cursor at a point where you want a break and a pause. This can be anywhere in the score for a
break when you play a score, but must be in the NTempo staff for a break when you perform a score.
4. Click your mouse or press Enter.
» Notion adds the mark to your score above the staff. If you only need the marking for musicians to read on your
score (and not be interpreted during playback) then you are finished with this procedure.
5. To have Notion play your caesura, you need to inform the software how long you want the break to last. Double-
click the caesura sign you added to the score.
» A temporary text box appears, with the default setting of zero quarter note beats (zero equals no change to
written note values).
6. Clarify how long you want the break to last in playback. Either simply replace the zero with the number of quarter
note beats for the break, or replace the zero plus replace the “quarter notes “ with a longer (such as “half notes”) or
shorter (such as “eighth notes”) value as the basis for the count.
7. Either click anywhere in the score area away from the text box or press Enter.
10.26
Breath Mark
You place breath marks at locations in your score where you want a break and a pause,
often shorter than the duration of a caesura. If you complete steps 5 through 7, below,
Notion playback will read and hold the breath mark to your time specification.
1. Ensure you are in Edit mode.
2. To place this mark on your Music Cursor either:
>> Press the 9 key four times, or
>> In the Entry Palette, hover over the third pane from the right and click the symbol
in the pop-up menu.
» This symbol appears on your Music Cursor.
3. Position the Music Cursor at a point where you want a break and a pause. This can be anywhere in the score for a
break when you play a score, but must be in the NTempo staff for a break when you perform a score.
4. Click your mouse or press Enter.
» Notion adds the mark to your score above the staff. If you only need the marking for musicians to read on your
score (and not be interpreted during playback) then you are finished with this procedure.
5. To have Notion play your breath mark, you need to inform the software how long you want the break to last.
Double-click the breath mark you added to the score.
» A temporary text box appears, with the default setting of zero quarter note beats (zero equals no change to
written note values).
6. Clarify how long you want the break to last in playback. Either simply replace the zero with the number of quarter
note beats for the break, or replace the zero plus replace the “quarter notes “ with a longer (such as “half notes”) or
shorter (such as “eighth notes”) value as the basis for the count.
7. Either click anywhere in the score area away from the text box or press Enter.
10.27
Cue Notes and Tacet
Sometimes you want to show notes, yet not have Notion play them. Notes marked as
cue notes or tacet are skipped during playback and WAV audio file export.
Cue Notes
With scores you create for live musicians, you may have need to alert them during an
extended rest to listen for a certain cue from another instrument or singer and then come
in. Musicians recognize these cue notes on a score by their smaller size.
1. Ensure you are in Edit mode.
2. Enter the notes and rests for the cue in the standard way.
3. Highlight this section.
4. Right-click anywhere on the highlight box.
» A context menu appears.
5. Click Notes.
» A submenu appears.
◙◙Context menu and submenu (Mac).
10.28
Tacet
If you want to not play certain notes in a part, you could delete them and, if you decide you need them later, take the time
to add them back in. But a simple, time-saving way to do this is to have them show as Tacet notes so they remain silent. At
any time in the future, you can remove the Tacet and the notes become immediately available for playback and WAV files.
1. Ensure you are in Edit mode.
2. Highlight the notes you want to keep in the score but not be heard.
3. Right-click anywhere on the highlight box.
» A context menu appears.
4. Click Notes.
» A submenu appears.
5. Click Set as Tacet.
» The notes change to a gray color and will only be heard by audition (select a note and press the A key).
◙◙The middle two notes display as tacet and will not be heard in playback.
6. To return tacet notes to standard use, repeat this procedure. Clicking Set as Tacet a second time removes the
checkmark in the submenu and restores the notes to standard notation.
10.29
Swing Control
One of the many innovative features of Notion is a variable swing lilt you can hear on playback. You can adjust its
timing so it’s subtle or wildly pronounced. You place this feature in any number of places in your score using three
components: a marking to start the swing feel, a marking to return to standard interpretation, and a slider to adjust
the amount of push before or after the beat. NOTE: The swing feel does not affect the playback of triplets.
1. Press Shift + G:
>> Once, if you want eighth note values affected across all staves in a system. You view Swing (all) on your Music
Cursor.
>> Twice, if you want only 16th notes affected across all staves in a system. You view Swing 16ths (all) on your Music
Cursor.
>> Four times, if you all note values affected for only one staff. You view Swing (staff) on your Music Cursor.
>> Five times, if you want only 16th notes affected for only one staff. You view Swing 16ths (staff) on your
Music Cursor.
2. Position the Music Cursor where you want the swing feel to start.
◙◙The “S” in Swing marks where effect starts.
10.30
5. If you want, you could continue this feature to the end of the score, or you can end it at some point to return to
standard interpretation. To end this feature:
>> Press Shift + G:
• Three times, to end the syncopation across all staves affected. You view Straight (all) on your
Music Cursor.
• Six times, to end the syncopation on a particular staff. You view Straight (staff) on your
Music Cursor.
>> Position the Music Cursor where you want the swing feel to no longer apply. Then press Enter or
click your mouse.
◙◙The swing feel (begun at the F# note) no longer applies at the C# note.
TIP: The notes that align with the letter “S” in both Swing and Straight mark the actual start and end of this feature.
10.31
Fill Measures with Rests
To help live musicians to read your scores, the placement of rests can be as critical as the placement
of notes. Notion provides a number of features that help you display rests to enhance readability.
These visual features benefit musicians reading your score and do not affect playback. The playback
marker will continue through incomplete or blank measures when you play or perform.
This feature is useful if you have a few measures involved. If you happen to have more
than a few measures to fill, the next feature offers greater time savings.
10.32
CHAPTER 11: EDIT SCORE
Add Staves. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.2
Change or Delete a Staff. . . . . . . . . . . . . . . . 11.4
Add Audio Files. . . . . . . . . . . . . . . . . . . . . . . . . 11.6
Change Instrument per Staff . . . . . . . . . . . 11.8
Change Instrument per Voice. . . . . . . . . . 11.10
Bar Lines. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.12
Repeat Signs. . . . . . . . . . . . . . . . . . . . . . . . . . . 11.14
First, Second & Multiple Endings . . . . . . 11.15
Repeat Measure Signs. . . . . . . . . . . . . . . . . 11.16
Navigation Marks. . . . . . . . . . . . . . . . . . . . . . 11.17
Rehearsal Marks. . . . . . . . . . . . . . . . . . . . . . . 11.18
Change Measure Numbering. . . . . . . . . . 11.19
Cut Marks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.20
Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.22
Lyrics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.24
Pickup/Partial Measures. . . . . . . . . . . . . . . 11.25
System and Page Breaks. . . . . . . . . . . . . . . 11.26
Change Part Names
and Abbreviations . . . . . . . . . . . . . . . . . . . . 11.28
Change Clef. . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.29
Change Key Signature. . . . . . . . . . . . . . . . . 11.30
Change Time Signature. . . . . . . . . . . . . . . . 11.32
Change Metronome Mark . . . . . . . . . . . . . 11.33
Brace, Bracket, and Barline Groups. . . . 11.36
Edit NTempo Staff . . . . . . . . . . . . . . . . . . . . . 11.38
Handle Significant Tempo Changes. . . . 11.40
Tempo Overdub . . . . . . . . . . . . . . . . . . . . . . . 11.42
Velocity Overdub. . . . . . . . . . . . . . . . . . . . . . 11.44
11.1
Add Staves
In Notion you can add quite a number of staves in a very short period of time. There is no software-
imposed limit to the number of staves you can have in a score: you can add as many as you need.
Practically speaking, there is a limit set by the available memory in your computer.
11.2
Step Two: Select Instruments to Create Staves
Go to the palette of buttons in the upper right to select
instruments you want in the score. When you hover over
the name of an instrument family, a menu of instrument
options appears. To lock this menu open, click the
family name once (the other family names turn gray).
To unlock, just click the family name a second time.
In a menu, simply click on an instrument to create a staff
with the instrument’s default clef and the score’s current
time and key signatures and metronome speed.
Then you are free to select a different instrument. Each
instrument you click creates a new staff in the score
area. This can be in the same family or a different one,
or from a completely different sound source. By clicking
on instrument names, you can add quite a number
of new staves to a score in a very short time.
With VSTi Libraries: an instrument with a plural name (Violins)
is a section; a singular name (Violin) is a solo instrument.
Also, allow time between creating staves: Notion has to open
the VSTi, pass security checks, then request and download
information – which can take a while to complete.
3. On the right-hand side of Score Setup click the instrument you want to have appear in this location.
» The new staff appears in this spot.
11.3
Change a Staff
4. Select the staff(s) you want to see for this instrument. For flexibility, you can select any staff type for any instrument,
but some choices (such as a single-line percussion staff for a piano part) will be difficult.
>> Show Standard Notation – Displays a notation staff and no Tablature staff.
>> Show Tablature – Displays a Tablature staff alone.
>> Show Both – Displays both a Tablature staff and a notation staff.
>> Grand staff (piano) – Displays a grand clef staff for notation, with no Tablature staff.
>> Drum set – Displays a five-line staff for a drum set and no Tab staff.
>> Percussion (single-line) – Displays a single-line staff for percussion and no Tab staff.
5. If you are writing for performers to read your score, then you usually leave the three properties under Notated C
sounds the way the software sets them. With the first drop-down list, Notion shows what you see on a score for
Concert C with transposing instruments. A piano, for example, is a C instrument, but a trumpet is a Bb instrument.
This can be changed, if needed. Other instruments, such as a piccolo or guitar, don’t require transposed keys, but
play at a different octave. The middle drop-down list selects sounds at the same octave, one octave, or two
octaves from written notes – at the same (–), Higher, or Lower direction as set in the third drop-down list.
6. Then press OK.
» You return to Score Setup.
7. If needed, change other staves (start at Step 2). Otherwise, close Score Setup by pressing the
Esc key, or clicking the button in the toolbar, or pressing the keyboard shortcut of [Windows: Ctrl + T;
Mac: + T] again.
11.4
Delete Staves / Show & Hide Empty Staves
Delete Staves
1. To open Score Setup either:
>> Click the button in the toolbar, or
>> Go to the Menu bar and select Score > Setup, or
>> Use the keyboard shortcut of Windows: Ctrl + T; Mac: + T.
The score area darkens, palettes appear on the right, and staves display buttons to the left of
measure one.
2. To delete an existing staff, click the button located to the left of the instrument’s first measure.
» The change is immediate.
3. If needed, proceed to delete other staves. If you delete the last staff in the file, the score area completely blacks out
(add at least one instrument).
4. Close Score Setup by either:
>> Pressing the Esc key, or
>> Pressing the keyboard shortcut of [Windows = Ctrl + T; Mac: + T] a second time.
TIP: If you happen to delete the wrong staff, you can either press undo or proceed to close the file without saving.
If you have instruments that are tacet for sections of a full score, you can
choose to hide them. You have full control over when and where they are
hidden, so you can for example have all the instruments showing on the
first page of a score, and then custom instruments hidden or shown
throughout the rest of the score as you choose.
1. Select the region you wish to hide empty staves
2. Go to View>Hide Resting Staves
3. To show resting staves for specific instruments (maybe to make full
use of the page, or to highlight that the clarinets are entering over the page
for example), make a selection of the score, then go to View>Show Resting
Staves. Then select which instruments you wish to show withint the
selection.
11.5
Add WAV Files
Notion enables you to play external WAV (.wav) digital audio files to incorporate into the overall sound. To hear the file
in playback in this release, you need to begin play or perform before the insertion point of the WAV file in the score.
As you work with WAV files, keep in mind:
88 Whenever possible, delete the front “dead air” out of the WAV files. If you do not have third-party software to do this,
insert the WAV file in advance of the beat where the WAV’s sounds actually start.
88 The WAV file must have the format of 16-bit 44.1 kHz.
88 When possible, insert the WAV file before you compose/arrange in Notion. This skips having to adjust note/rest time
values later.
88 WAV file playback is independent of NTempo performance features – except for triggering the start of the file’s
playback and halting the playback with Spacebar or the Esc key.
88 Of course, articulations, dynamics, metronome marks, and other notation markings do not alter the WAV file’s sound.
88 Since the WAV file is attached to a staff, you can refine the audio playback (such as volume or panning) for that staff’s
channel strip in the Mixer.
88 Notion searches and plays the WAV file in real time. For this reason, do not move, rename, or delete the WAV file. If
Notion cannot find the WAV file for playback, the staff will have no sound.
6. The file is still on your Music Cursor if you need to add the file to another place in the score. If you are done with it,
press Esc.
11.6
Play the WAV
Play or perform in the usual way. In this release you need to start on or before the point where the WAV
file’s name appears. Since the contents of the WAV file is external to Notion, then score markings, tempo
marks, and NTempo performance features (other than start and stop) do not alter its playback.
Remember not to move, delete, or rename the WAV file. If you do, place a WAV file with
the same name in the same location and Notion will find and play it.
11.7
Change Instrument Per Staff
Not only can you assign an instrument to a staff at the beginning of a score, but also have the option of
changing the current instrument you assigned to a staff – anywhere in the flow of the score. You might
do this to reduce the number of staves in a printed score or because you need the same musician (say, a
percussionist) to play different instruments during your piece. Although instrument changes are typically
found at the beginning of a measure, Notion enables you to change an instrument on any beat.
TIP: Although Notion permits you to change from any instrument to any other instrument, including from one
source to another, scores that are to be played by live musicians ordinarily have the change stay within the
same instrument family with sufficient measures of rests for the player to comforTably switch instruments.
NOTE: This procedure assumes you want to change the instrument for an entire staff (including both
staves of a grand staff ). When you do this, you leave the default in the pull-down menu on the left as All
voices. To assign up to two instruments on a standard staff (up to four different instruments on a grand
staff ), see the next topic.
3. Complete one of the following three options:
>> If you are using MIDI out (to a VSTi that supports multiple MIDI channels or to another channel on a MIDI device
already assigned to this staff ) and you know which channel you want to switch to, use the pull-down menu in the
middle to select a different channel, based on the options at the external MIDI device. Then click OK and skip to
Phase 2: Place New Instrument on Staff on the next page.
>> If the instrument you need is on the list here on the Instrument Change dialog box, highlight its name and click
OK. Then proceed to Phase 2: Place New Instrument on Staff.
>> If the instrument you need is not on the list, then:
1. Press the New Instrument button in the lower left.
» The Staff Settings dialog box opens.
2. Select a sound source in the top drop-down box.
3. Select a particular instrument from a particular family.
11.8
NOTE: If you selected one of the four MIDI devices, then, strictly for your convenience, the default instrument
for each program number from the General MIDI specification appears. Of course, you can have your MIDI
device set up to produce a completely different instrument sound than those listed here (use Staff Name and
Abbreviation to identify the actual instrument name, for your reference).
4. If you want, you can customize Staff Name and Abbreviation information.
5. Press OK.
» You return to the Change Instrument dialog box.
6. Press OK and proceed to Phase 2: Place New Instrument on Staff.
11.9
By default, each staff represents a different instrument in an ensemble. The previous procedure details
how to switch a staff to a different instrument in the flow of a score. But there is yet another option
available: you can write two voices on a staff (multi-voice entry) or up to four voices on a staff (short
score staff ) and, using the steps below, assign a different instrument to different parts.
With these steps you can assign up to two instruments on a standard notation
staff and up to four different instruments on a grand staff.
1. Ensure you are in Edit mode.
NOTE: You do not have to identify where in the score you want the instrument change until Phase 2: Place
New Instrument on Staff.
2. Press Shift + I.
» The Instrument Change window opens. Select the Show All Instruments checkbox to view all the instruments that
are currently used in the score.
3. Select one of the following in the left drop-down list:
>> All voices: this default setting places the same instrument on all voices in the staff, including both staff segments
of a grand staff. This is the setting used in the previous topic.
>> Single staff: this setting has the same effect as the previous above on a standard (single) staff. Where this option
comes into play is with a grand staff. Using Single staff places an instrument on only one of the staves of the
grand staff. You are free to use a different instrument (or two!) on the other staff.
>> Staff voice 1: with two voices this setting places a particular instrument on the upper voice. On a grand staff this
affects one staff only.
>> Staff voice 2: with two voices this setting places a particular instrument on the lower voice. On a grand staff this
affects one staff only.
>> Staff voice 3: use this to assign or change an instrument to Voice 3 on a short score staff.
>> Staff voice 4: use this to assign or change an instrument to Voice 4 on a short score staff.
4. Complete one of the following three options:
>> If you are using MIDI out (to a VSTi that supports multiple MIDI channels or to another channel on a MIDI device
already assigned to this staff ) and you know which channel you want to switch to, use the pull-down menu in the
middle to select a different channel, based on the options at the external MIDI device. Then click OK and skip to
Phase 2: Place New Instrument on Staff on the next page.
>> If the instrument you need is on the list here on the Instrument Change dialog box, highlight its name and click
OK. Then proceed to Phase 2: Place New Instrument on Staff.
11.10
>> If the instrument you need is not on the list, then:
1. Press the New Instrument button in the lower left.
» The Staff Settings dialog box opens.
2. Select a sound source in the top drop-down box.
3. Select a particular instrument from a particular family.
NOTE: If you selected one of the four MIDI devices, then, strictly for your convenience, the default
instrument for each program number from the General MIDI specification appears. Of course, you
can have your MIDI device set up to produce a completely different instrument sound than those
listed here (use Staff Name and Abbreviation to identify the actual instrument name, for your
reference).
4. If you want, you can customize Staff Name and Abbreviation information.
5. Press OK.
» You return to the Change Instrument dialog box.
6. Press OK and proceed to Phase 2: Place New Instrument on Staff.
11.11
Bar Lines
Often, you Enter bar lines when Notion alerts you that you have exceeded the
beats in a measure. But you are free to add bar lines at any time.
Notion also enables you to define Barline Groups to visually separate different sections of
an ensemble in the score. The instruments included in the group connect their bar lines
together. For details, see Brace, Bracket, and Barline Groups later in this chapter.
NOTE: For completeness we should mention you can also see a dotted bar line. See
Pickup/Partial Measures to learn what these special bar lines indicate.
To correct this, simply Enter a bar line to the left of the first red item. This creates a new measure to
accommodate the “overflow.” Some fine-tuning of the note/rest values in the new measure may still be needed
(as in the half-empty second measure shown below), but now the overflow condition is corrected.
After adding a bar line
11.12
Change Bar Line
You can change an existing bar type to any of the other types. This edit is strictly for visual separation for
a live musician to interpret: Notion playback is exactly the same with any bar line type. Optionally, you
can also replace an existing bar line with a repeat bar line, but, obviously, playback will be affected.
1. Ensure you are in Edit mode.
2. To access the bar line tool, press the I key.
>> Press once for a single bar.
>> Press twice for a double bar.
>> Press three times for a final bar line. Subsequent presses cycle through these three types.
» This type of bar line displays on your Music cursor.
3. Position the Music cursor close to the existing bar line you want to change.
4. Either click your mouse or press Enter.
11.13
Repeat Signs
Repeats play a section over one or more times before moving on. Notion
reads and follows these markings during playback.
Place Repeats
It does not matter which sign you Enter first (the start or the end repeat sign). For brevity, this procedure has you place
the end repeat sign first, since this is the default for the keyboard shortcut, but that is not a mandatory sequence.
1. Ensure you are in Edit mode.
2. To place an end repeat sign on your Music Cursor, either:
>> Press Shift + ; once, or
>> In the Entry Palette, click the last pane and select the end repeat sign from the
pop-up menu.
» Notion places a representation of the end repeat bar line on your Music Cursor.
3. Position the Music Cursor over the existing bar line you want to replace.
4. Click your mouse or press Enter.
» The end repeat sign replaces the existing bar line.
5. Repeat steps 2 through 4 to select the start repeat sign.
6. Position the Music Cursor over the existing bar line you want to replace.
7. Click your mouse or press Enter.
» The start repeat bar line replaces the bar line. You now have a repeat that Notion will follow during playback. You
can place as many repeats as you want throughout a score.
11.14
First, Second, and Multiple Endings
First and second endings provide alternate ending measures for a repeated section.
With Notion, you add both the first and second endings in a single action.
1. To begin, add a start and an end repeat bar lines (see previous procedure) to your score.
2. To access the 1st ending icon, either:
>> Press Shift + ; three times, or
>> In the Entry Palette, hover over the last pane and click the first ending icon from the
pop-up menu.
» Your Music Cursor displays a first ending symbol
◙◙First-ending symbol on Music Cursor.
3. Position the Music Cursor at the start of the first measure you want to be played exclusively for the first ending.
4. Click your mouse or press Enter.
» Notion places the first ending at this spot and automatically extends the tail to the end repeat bar line. The
program also automatically adds the second ending on the other side of the end repeat bar line.
◙◙First and second endings in place.
5. For multiple endings, double click the first time bar (either the number or the bracket).
6. Type the number of repeats you wish.
11.15
Repeat Measure Signs
Often seen on lead sheets, these shorthand symbols inform musicians reading your score
– and also Notion playback – to repeat the previous one or two measures.
1. Ensure you are in Edit mode.
2. To place a repeat measure sign on your Music Cursor, either:
>> Press Shift + 5:
88 Once, for a one-measure repeat:
88 Twice, for a two-measure repeat:
3. In the Entry Palette, hover over the last pane and select your choice of repeat measure
symbol in the pop-up menu.
4. Position your Music Cursor anywhere in the measure that follows the measure(s) you want repeated. This measure
(and the next for a two-measure repeat) should be empty: otherwise, any note currently in the measure(s) will also
sound on playback.
5. Either click your mouse or press Enter.
» Notion takes the responsibility of placing the mark where it belongs.
◙◙Automatic placement of one-measure repeat (left) and two-measure repeat (right).
When you play or perform the score, Notion will replay the previous 1 or 2 measures once,
depending on the symbol you selected. If you want, you can further replay the replay
by adding the symbol to adjacent measures beyond as often as you need.
11.16
Navigation Marks
Navigation marks in your score are very useful to keep your score to a compact size for printouts
and help reduce the time and effort to finish a score. During playback, Notion reads and follows
codas, segnos, and other navigation markings in your file. These marks cause playback to jump from
one section of your score to another – the way you want – using standardized symbols:
Text Meaning
Segno (pronounced SEN-yo) “the sign” – a symbol indicating where to jump back:
Coda
“tail” – a symbol indicating where to jump ahead; usually a final section:
D.C. al Fine Go back to beginning and replay, but end at the Fine mark.
D.C. al Coda Go back to beginning and replay, but jump at the To Coda mark to the Coda symbol.
D.S. al Fine Go back to the Segno symbol and replay, but end at the Fine mark.
D.S. al Coda Go back to the Segno symbol and replay, but jump at the To Coda mark to the Coda.
to Coda Jump to the Coda mark after a repeat from a D.C. al Coda or D.S. al Coda.
General Procedure
1. To place a mark on your Music Cursor, press the 7 key until you access the one you need. The sequence is:
Segno symbol To Coda D.C. al Fine D.S. al Fine
Coda symbol Fine D. C. al Coda D.S. al Coda
TIP: Alternately, you can access the and symbols in the Entry Palette by hovering over
the last pane.
2. Position the Music Cursor at the location where you want to place the mark.
3. Click your mouse or press Enter.
11.17
Rehearsal Marks
Optionally, you can add rehearsal letters to help musicians reading your score find specific sections
in the composition. If desired, you can mix letter and number marks in the same score.
Once you add Rehearsal marks, Notion provides a number of ways for you to jump to specific marks in the score.
11.18
Change Measure Numbering
Chapter 3 details how to use the Options dialog box to specify how you want to see measure
numbers, if at all, and setting a default number of measures in each system.
The following details how to change the numbering sequence starting at any measure
and how to display or hide the number on a per-measure basis.
Change Numbering
If you have more than one section or movement in a score, you can restart measure
numbering at any point back to “1” – or any other number.
1. Ensure you are in Edit mode.
2. At the point where you need the measure numbering to change, double-click the existing measure
number in the score.
» A temporary text box appears with the current number displayed.
3. Replace the current number with the number you want.
4. Either click anywhere in the score area away from the temporary box or press Enter.
» Notion renumbers all subsequent measures correctly based on the number you Entered here – and stops if it
encounters a measure you had re-numbered at an earlier time.
11.19
Cut Marks
If there is a section of a score you want playback to skip over, you could remove it by deleting. But then the
deleted measures are gone and must be re-Entered if you discover you need to re-instate this section (or a
portion of it). With the Cut Marks feature you place text marks in the score where you want Notion to skip
during playback (both play and perform). This way, you have the equivalent of a delete, but you retain the
original notation in the file if you ever need to access it anytime in the future (simply delete the cut marks).
The “skip” pertains to all instruments (all staves) in the system. The cut start and end marks appear
above the topmost staff in the system. In the example below, the first ending will always be
skipped in playback (you proceed directly to measure 68 after completing measure 65.
NOTE: This unique feature can be confused with a more common cut (remove) feature where you
remove a portion of your score to either discard or to paste in another place in your score.
Cut marks over the start of measure 66 and the end of measure 67.
Add a Cut
You must place both a Cut start mark and a Cut end mark for this feature to work.
1. Ensure you are in Edit mode.
2. Press Shift + 7 (the & character) once.
» Your Music Cursor now displays a start mark: .
3. Position the leftmost edge of your Music Cursor on the first note or rest you want skipped in playback. This does not
have to be the first beat in a measure.
4. Either click your mouse or press Enter.
» The Cut start mark appears on your score at this location. And now your Music Cursor displays a Cut end mark:
.
5. Position the gray highlight on your Music Cursor on the first note or rest that comes after the cut. This can be at any
beat in a measure.
6. Either click your mouse or press Enter.
» Now, in playback, everything between the cut marks is skipped over across all parts.
11.20
Hide/Show Cut Marks
Especially with long cuts, you may prefer to “collapse” all cut parts to single measures (as in the example below). Notice
the original measure numbering remains in place (even though measures 66 and 67 are completely skipped over).
Deleted measures collapsed to a single “X” mark.
To reduce each multiple-measure cut to a single measure (containing an “x” mark), go to the Menu bar
and select Tools > Hide Cuts (so it receives a checkmark). All cut sections in the score collapse. To show
these measures again, select Tools > Hide Cuts a second time (this removes the checkmark).
If a portion of a measure is cut, you see the cut notes of that measures as cue notes (gray in color) for your reference.
In the example below, the first two beats of the measure are included inside the cut, so the half notes are gray.
Playback will sound only the last two beats of the measure on the right.
11.21
Text
Notion enables you to Enter text into your score two different ways. You can add text that is anchored:
88 To a fixed location on the page. You can add or remove measures and the text does not move from its location.
88 To an object in a staff. This text moves along with the object as you add, remove, fill in, or empty out measures.
You can also easily edit existing text you’ve already Entered into your score.
Anchored to Page
This text stays at the same location on a page, away from the staves, no matter how you change the content
of your score. You can specify which kind of page (first/left/right only) you want the text to appear.
1. Ensure you are in Edit mode.
2. Go to the menu bar and select Score > Add Title, Header, Footer.
» An Add Title, Credit, Header, or Footer dialog box opens.
◙◙Dialog box:
3. In Metadata, specify the use for the text. Notion has prespecified font, font size, and formatting for each of these
styles. Although you can add a mix of these text items, you add one at a time. The options are:
Title Dedication Part name Copyright notice
Subtitle Composer/Lyricist Date Page number
4. Go to the representation of a page on the right-hand side of the dialog box and click where on six predetermined
locations on a page where you want this text to appear. You can only specify one location at a time for each type of
style.
5. Specify in the Show on drop-down list if you want the text to appear on all pages, the first page only, or all pages
except the first page.
6. In the Even/Odd drop-down list, specify where you want the text to appear on the pages you selected in Show on:
Both odd and even pages, Odd pages only, or Even pages only.
7. When ready, click Add.
» Notion displays a temporary text box at the location you specified. The name of
the style appears as text inside the box.
8. Replace the placeholder text with the actual text you want. Then either click anywhere away form the box
or press Enter.
9. If you want to alter the exact location where the text appears, click the text once (so all characters appear in an
orange color). The text can now be moved with your arrow keys. When you have the text where you want it, click
anywhere on the score away from the text.
11.22
Anchored to a Staff Object
If you want, you can leave a message for musicians to read that is tied to a passage (specifically, an object in
a measure). As you make changes to your score, and that object moves around, the text follows along.
1. Ensure you are in Edit mode.
2. To place the text tool on your Music Cursor, either:
>> Press K, or
>> In the Entry Palette, hover over the first pane and click in the pop-up menu.
3. Click your Music Cursor on the item you want to anchor text to.
» Notion displays a temporary text box at this location with the placeholder
of “Text” inside.
4. Type the text you want inside this box and either click anywhere away from the
box or press Enter.
Move Text
1. Ensure you are in Edit mode.
2. Click once anywhere on the text you want to move.
» All letters and punctuation in the text appear in an orange color.
3. Only text anchored to a staff object can be moved by dragging: otherwise you can use the Up Arrow or Down Arrow
keys to move all text. There are two details to keep in mind:
>> If you move a Title in the Pages Across or Pages Down page view, the staves on the first page follow along.
>> If you add text, you must first move it from its original location by dragging it (once, even a little) before it will
respond to Arrow keys.
4. To change the text from orange to a solid black color, click anywhere in the score area away from the text.
TIP: You have the option of hiding this text from general view and printouts. It will only
show (in a light gray color) when you select View > Show > Show Hidden Items.
11.23
Lyrics
Notion provides built-in lyric features for quick entry and editing of words for singing or narration.
Single Verse
1. Ensure you are in Edit mode.
2. To access the lyric tool , either:
>> Press the letter L key, or
>> In the Entry Palette, hover over the first pane and click in the pop-up menu.
3. Position the Music Cursor under the first note you want to add a lyric.
4. Click your mouse or press Enter.
» Notion displays a temporary text box under the staff at this location.
◙◙Empty temporary text box.
5. Type the first syllable (or one-syllable word). Enter a dash at the end if you want Notion to put a dash between this
and the next syllable.
6. Press the Spacebar to move the temporary text box to the next note.
◙◙Temporary text box now at second note.
7. To extend a particular syllable to other notes, immediately type an underline (underscore) as many times as the
number of notes involved. The current note is included in the count. Using the example, below, the lyric for the G
note is a “lu” followed by three underlines. NOTE: Since this creates characters beyond the text box boundaries, click
anywhere in the score away from the temporary text box so the underscores can “land” correctly. Then click the next
note that has a new syllable (the D in the example below). Since the Lyric tool is still on the Music Cursor, you can
immediately proceed with the remaining lyrics.
◙◙After completing the phrase
8. To end, click anywhere outside the temporary text box or press Enter.
Multiple Verses
Notion supports up to nine lines of lyrics under notes in the score.
1. Ensure you are in Edit mode.
2. To specify a verse, press the letter L then press the verse number (1 to 9).
3. Position the Music Cursor where the lyrics start and click your mouse or press Enter.
» To help you align the text with the correct notes, the text box stays relatively near the notes.
4. If you want, start your typing with the verse number (such as: 2.) and continue Entering the lyrics as discussed
above.
» As you complete each verse, the text moves to its correct horizontal place in the sequence of verses.
Select lyrics
You can select all lyrics by highlighting a staff or selecting a region, then right click and go to Select Special > Select Lyrics.
You can then copy or cut the lyrics and paste them into another staff using Paste or Ctrl/Cmd + V.
11.24
Pick Up & Partial Measures
Pickup Measure
If you want, you can inform Notion that the first measure is a pickup measure. This kind of bar purposefully has less than a
full count. If you don’t specifically request a pickup measure here, then, during playback, the program plays the note(s)
that you did Enter but “plays” (silently) any “missing” beats to the measure (resulting in an unwanted break in the flow of
the music).
5. Double-click the first measure in the score.
» The measure is highlighted.
6. Right-click to open a context menu.
7. Click Measure 1.
» A submenu appears.
8. Click Pickup Measure.
» Enter as few notes/rests marks as you need in the opening measure: on playback Notion reads the measure exactly
as written.
Partial Measure
With the partial measure feature you can “split” an overly long or difficult measure so part of it appears at the end of one
system and the other part appears at the start of the next. To alert musicians to a split measure, Notion places a dashed
bar line in the middle of the measure.
1. Double-click the measure involved.
» The measure is highlighted.
2. Right-click to open a context menu.
3. Click Measure # (the measure number).
» A submenu appears.
4. Click Partial Measure.
» Enter notes/rests on both sides of the dashed bar line.
11.25
System and Page Breaks
If you have multiple measures you want musicians reading your score to view together (for such reasons
as phrasing, lyrics, or ties/slurs), you can force system breaks or page breaks on specific measures.
All these visual features are:
88 Useful with a page view of Pages Down or Pages Across. In Continuous page view there are no visual changes.
To complete these features you must be in Edit mode.
11.26
Force New System
If a break to a new system would help musicians read and interpret your score,
you can force a new system to start with a particular measure.
1. Double-click the measure you want to start in a new system.
» The measure is highlighted.
2. Right-click to open a context menu.
3. Click Measure # (the measure number).
» A submenu appears.
4. Click Force New System.
Remove Breaks
If you previously assigned one of the above features to a measure, you can return the measure
to appear in the flow of the score in the standard way with the following steps.
1. Double-click the measure involved.
» The measure is highlighted.
2. Right-click to open a context menu.
3. Click Measure # (the measure number).
» A submenu appears.
4. Click No Forced Break.
» The measure’s location in a system and page is determined by Notion.
11.27
Change Part Names and Abbreviations
If you want to change the names and abbreviations you see on scores with a page view of Pages Across or Pages Down
(not Continuous), complete the steps below. Also, be sure to take into account the display options available in
Preferences for Part Names and Abbreviations.
4. Look at the two text boxes at the bottom. Here is where you customize the Part name and Abbreviation for this
instrument in the score.
5. Then press OK.
» You return to Score Setup.
6. Change other names or close Score Setup by pressing the Esc key, or clicking the button in the toolbar, or
pressing the keyboard shortcut of Windows: Ctrl + T; Mac: + T again.
11.28
Change Clef
With Notion you can change the clef for an instrument at any point in the flow of your composition. Often
you do this to reduce ledger lines or for passages in a high or low register. You can make as many clef
changes as you need. You can also change the initial clef you place at the beginning of the score.
By Keyboard Shortcut
1. Be in Edit mode.
2. Press the C key until you see the type of clef you want. The sequence is:
>> Treble clef
>> 8vb Treble clef
>> Bass clef
>> Tenor clef
>> Alto clef
>> Block clef
>> Percussion clef
3. Position the Music Cursor at the place where you want to begin the new clef. (Although typically found at the
beginning of a measure, this is not mandatory).
4. Click your mouse or press Enter.
» All notes after the clef change degrees on the staff to adjust to the clef change. A clef change affects one
instrument only.
By Entry Palette
1. Be in Edit mode.
2. In the Entry Palette, hover over the second pane from the right and select your choice of clef in
the pop-up menu.
◙◙Clef choices in the Entry Palette.
11.29
Change Key Signature
You can change keys any number of times in the flow of your score. Notion also supports
simultaneous multiple keys. Ensure you are in Edit mode before you start.
11.30
Add Multiple Key Signatures
In traditional notation, a key signature affects all instruments at the same time.
But Notion also supports the use of multiple simultaneous keys.
Multiple keys.
11.31
Change Time Signature
With Notion you can change Time signatures throughout your score as often as you want. Ensure you are in Edit mode.
2. Enter the numeric values for the new time signature. For complex meters, you have the option of spelling out the
division in the Upper box and specifying a specific Beaming Pattern.
◙◙Close-up on the discussed properties.
3. If you Entered or time, you can have Notion display or , respectively, by selecting the Show as common or
cut-time checkbox.
4. Ensure the Enter in all parts has a checkmark. Then click the OK button.
» Your choice of Time signature appears on the Music Cursor.
5. Position the Music Cursor anywhere in the measure where you need it and either click your mouse or press Enter.
» Your Time signature now appears at the beginning of that measure.
11.32
Change Metronome Mark
Metronome marks and accel./rit. texts affect the tempo when you play a score: these markings do
not alter performing a score with NTempo (except for Auto-Resume and a few advanced NTempo
markings you add to the NTempo staff ). You can place one at the beginning to serve the entire
composition or you can place any number of tempo changes throughout your score.
Without a metronome mark, Notion plays a score at the moderate pace of 90.
Ordinarily, metronome marks appear at the top of a score, which serves most small and
middle-sized orchestrations. But if you write for a large ensemble, we show you on the
next page how to define two or more vertical locations for these marks.
» You now have a metronome mark on your Music Cursor, with a default speed of 90.
3. Position the Music Cursor above the staff at the measure you want to start the new tempo.
4. Either click your mouse or press Enter.
» The software displays a temporary text box at this location.
5. Type the speed you want. You also have the option of changing the metronome’s base note value (such as changing
the q to an e, for an eighth note count).
TIP: If you want, you can also type a descriptor (such as Andante or Allegro) at the very beginning of the text box – to
the left of the q=90 text.
6. Either click anywhere outside of the temporary box or press Enter.
11.33
Edit an Existing Metronome Mark
To change the speed (or the descriptor) of an existing metronome mark:
1. Ensure you are in Edit mode.
2. With the Pointer, double-click an existing metronome mark.
» A temporary text box appears with the mark’s current specifications.
3. Type the speed you want, or edit the descriptor text, or both.
4. Either click anywhere outside of the temporary box or press Enter.
accel. (200)
Then either press Enter or click anywhere in the score area away from the temporary box.
11.34
Duplicate a Metronome Mark in Multiple Places
In a large score, having the same metronome mark appear above two or more staves at a time (such as
one at the top and the same one above the strings) enhances readability for conductors. For flexibility, you
define where you want duplicates of these marks to appear by defining tempo groups: the top instrument
in a tempo group displays a duplicate mark. With Notion, a change you make to one automatically updates
all duplicates across the same system. You can define tempo groups anywhere in the score.
This feature helps conductors and others reading a printout of your score: it has no affect on playback.
1. With the Pointer, highlight the instruments you want to be grouped together as a tempo group. This can be
anywhere in the score; the highlight can be one or more measures (you need at least one).
◙◙Of the six parts shown, only the four bottom ones will be in the same tempo group.
11.35
Brace, Bracket, and Barline Groups
If you have a large score with many instruments on a page, Notion offers some options to visually separate one group of
instruments from another to make it easier for you, or someone reading your score,
to find certain instruments quickly. These are optional visual aids that do not affect playback.
Barline Groups
Joining together the barlines of some adjacent parts is a great visual help to finding
staves for certain sections of an ensemble at a glance throughout a score.
1. Ensure you are in Edit mode.
2. Highlight one or more measures for all the instruments you want to visually bracket/brace together.
◙◙Only the Strings are highlighted.
Tempo Groups
For large scores this feature allows the user to display the tempo in groups in your score.
1. Ensure you are in Edit mode.
2. Highlight one or more measures for all the instruments you want to visually bracket/brace together.
3. Go to any of the highlighted areas and right-click.
» A context menu appears.
4. Click Staff Groups.
» A submenu appears.
5. Select Make Tempo Group.
» The menus disappear and the tempo will display at the top of each group.
11.36
Bracket and Brace Groups
At the left end of each page in Pages Across or Pages Down page view, or in the margin area of the Continuous page
view, brackets and braces help visually group like-instruments together. By notation conventions, you usually put a
bracket on instruments of the same family, but reserve a brace for only between staves of the same instrument (like the
grand staff for a piano) or categorically similar instruments (such as Piccolo and Flute). So you can have a wide degree
of flexibility, Notion does not enforce these rules except: you can only place a brace where you already have a bracket.
1. Ensure you are in Edit mode.
2. Highlight one or more measures for all the instruments you want to join together by a bracket.
3. Go to any of the highlighted areas and right-click.
» A context menu appears.
4. Select Staff Groups.
» A submenu appears.
5. Select Make Bracket Group.
» The menus disappear and a bracket appears in the margin (Continuous page view) or at the start of systems (Pages
Across or Pages Down page view) across the instruments you highlighted. If you don’t need to add a brace, you are
finished with this procedure.
6. Too add a brace, first highlight two (or more) adjacent instruments that already share a bracket.
7. Right-click any highlighted area and select Staff Groups in the context menu.
» A submenu appears.
8. Select Make Brace Group.
» The menus disappear and a brace now appears in the margin (Continuous page view) or at the start of systems
(Pages Across or Pages Down page view) across the instruments you highlighted, as in the two Violin sections below.
◙◙Add a bracket to the strings, then a brace to the violins.
11.37
Edit NTempo Staff
If you need precise control performing a score, you have the option of adding and editing
an NTempo staff. The notes you place on this single-line staff determine how much of a
time value each tap of an NTempo key covers when you perform a score.
For all these features you must be in Edit mode.
4. Close Score Setup by pressing the Esc key, or clicking the button in the toolbar, or pressing the keyboard
shortcut of Windows: Ctrl + T; Mac: + T again.
11.38
Add or Edit Note Values in NTempo Staff
Add/edit notes on this staff to indicate the count at each tap during NTempo playback (pitches are not
considered). Since you tap keys in a regular fashion to set a tempo, generally you choose note values by
the meter of the song – such as a quarter note in common or cut time or an eighth note in 6/8ths time
– for the majority of your score (consider using the Duplicate feature to streamline this step).
However, at some points in the score you can subdivide a beat in the NTempo staff so each tap covers a
smaller division of a beat, as with the triplet in: . In this example, each note in the triplet is a
separate tap, so you can play the triplet syncopated, dramatically slow, comically fast, or perfectly straight.
NOTE: You always tap notes in the NTempo staff: not rests. Rest marks are interpreted as a “forced” Auto-Cruise: at the
point where a rest appears in the NTempo staff, the program automatically goes into Auto-Cruise, using the tempo
you used at the last note before the rests. For this reason, place only notes in the NTempo line, even to cover rests in
the score, unless you specifically want to force the program to go into Auto-Cruise for the duration of the rest marks.
Another method you can use is to copy and paste any note values in the score. This method is ideal
when you want to tap according to a strong melodic or rhythmic element. First, highlight any contiguous
group of notes on any one staff for any instrument. Then copy (press Ctrl + C). Make a highlight box of
the same size where you want the note values to appear in the NTempo staff and paste (Ctrl + V).
Another method you might try for individual notes is substitution. In the Entry Palette select the note value
you want, or press the key on the keyboard that represents the first letter of the note value you want (W for
whole note, H for half note, and so on). You’ll notice a representation of that note appears on your Music Cursor.
Position this note directly on top of an existing note and either click your mouse or press Enter. Your cursor still
has the same note value, so you can use this value to replace other notes elsewhere on the NTempo staff.
11.39
Handle Significant Tempo Changes
Although Notion responds to tempo changes in your NTempo tapping immediately, you may find that
having to switch to an extreme tempo change may be easier for you with any of the features on this page.
One feature is a keyboard shortcut that switches to notated metronome marks while you are tapping and
two features for use while cruising that involve up to three score markings on the NTempo staff.
By Shortcut
Auto-Resume immediately switches playback to the notated tempo. With major tempo changes, this
switches the burden of establishing the new pace on the software rather than on you. To use, either:
88 Press the keyboard shortcut of R, or
88 Press the G#4 key on an attached MIDI Keyboard controller.
You can permit this to continue for as long as you want (even to the end) or regain
tempo control whenever you want by tapping an NTempo key.
By Score Marks
You can add the following symbols to the NTempo staff to smoothly handle any dramatic
tempo changes throughout your score. These features have a few requirements:
88 To set a feature up, you must have an NTempo staff in the score.
88 To use a feature during playback, you must currently be using Auto-Cruise in NTempo. Notion disregards the tempo
change marks if you are tapping.
1. In the Entry Palette, hover over the third pane from the right and click RN in the options.
» The letters RN appear on your Music Cursor.
2. Place the Music Cursor over the NTempo staff where you want Notion to play at the tempo notated in the score.
3. Click the mouse or press Enter.
Capture Tempo
With Capture Tempo you can “save” a tempo you tap at one point so you can have Notion return to it
later (while you’re Auto-Cruising) with the Restore Captured Tempo feature (next). This means you must
use Restore Captured Tempo (RC) later in your score for the Capture Tempo (CAP) feature to do anything.
This feature is particularly useful if you need to return to a previous tempo after you dramatically
changed the tempo with Restore Notated Tempo (RN, above). To insert a capture tempo symbol:
1. In the Entry Palette, hover over the third pane from the right and click CAP in the options.
» The letters CAP appear on your Music Cursor.
2. Place the Music Cursor over the NTempo staff where you want to start capturing the tempo you set while tapping.
3. Click the mouse or press Enter.
» Since Notion simply records your tempo in this section, seemingly nothing happens when you tap through this
portion of your score.
11.40
Restore Captured Tempo
With Restore Captured Tempo, your Auto-Cruising automatically returns to a previously captured tempo (see
Capture Tempo, above) during the current performance. To insert a restore captured tempo symbol:
1. In the Entry Palette, hover over the third pane from the right and click RC in the options.
» The letters RC appear on your Music Cursor.
2. Place the cursor over the NTempo staff where you want to place the restore captured tempo symbol.
3. Click the mouse or press Enter.
» Provided you are Auto-Cruising, Notion playback immediately uses the same tempo you tapped at the CAP
symbol earlier in the same performance.
11.41
Tempo Overdub
At some point you may want to save the tempos you use in NTempo when you perform a score. With the Tempo Overdub
feature you can easily capture the tempos in a performance and, if you want, further edit your tempos throughout the
score (at any time afterwards).
This feature is optional, intended for users that want more realistic, human-sounding playback (as opposed to producing a
score for live musicians to interpret). When you tweak tempos in a score to make them more human (varied), you can
wind up with an overabundance of metronome marks. Tempo Overdub not only reduces the need for so many
metronome marks, it is faster to use and more precise.
NOTE: Tempo Overdub can be confused with Velocity Overdub. Just as you can go back to a file and edit performed
tempos with Tempo Overdub, you can go back to a file and edit the velocity (loudness) of each note with Velocity
Overdub.
Capture Performance
There are two requirements before you can begin this feature: you must have an NTempo staff already in your score and
you must be in Edit mode. After this, you:
1. Click with the Pointer on any instrument at the beat where you want the performance recording to start.
» The editing marker extends on this beat across the staves in the system.
2. Click the Tempo Overdub button in the Transport.
» A blue bar highlights the NTempo staff and the green playback marker identifies the beginning beat of the
tempo capture.
◙◙Blue highlight over the NTempo staff.
The horizontal line indicates the intended tempo as marked in the score. The round ball indicates a percentage
faster (above the line) or slower (below the line) your tempo was in relation to the intended tempo. Of course, a ball
right on the horizontal line shows you played right at the intended tempo.
11.42
Hear the Performance
After you capture your tempos and have ball-and-line marks above the NTempo staff, you can play your score according
to these captured tempos. To hear your NTempo performance, you use NTempo’s Auto-Cruise feature:
In Edit mode:
1. Press Shift + Spacebar.
2. Press the U key.
» Notion plays the score with your customized tempos.
In NTempo Mode:
Press the U key. The software plays the score with your customized tempos.
Notice in both modes you must use the U key (Auto-cruise). If you use the Play button or the Spacebar, Notion will only
read the metronome marks written in the score.
Edit Performance
After you create ball-and-line marks above the NTempo staff, you can tweak these settings as much as you want on an
individual basis.
1. Find in the score a location where you want to tweak a tempo.
2. Aim your Pointer at the ball for that beat. Click but do not release.
» You view a percentage from the currently notated tempo.
3. With your mouse still clicked, drag the ball upward for faster and downward for slower. The further you drag, the
more exaggerated the change. The supported percentage range is very wide: from 33% to 300% of the current
tempo in the score.
◙◙Changing a beat from relatively slower to relatively faster.
11.43
Velocity Overdub
An optional way to add realism to the playback of your score is to specify how much emphasis (by volume)
you want Notion to play each note. Real-time MIDI input and SequencerStaves include a velocity setting
for each note. However, step-time MIDI input and standard manual input do not include this property –
loudness is set completely by dynamic marks. While judicious use of dynamic marks is standard for scores that
musicians will read and interpret, editing a score for very realistic playback can result in an overabundance of
dynamic marks: velocity overdub not only reduces dynamic marks, it is also faster to use and more exacting.
And, of course, you can use Velocity Overdub to tweak real-time MIDI input or SequencerStaves.
Notion enables you to set velocity (loudness) settings on top of existing notes (an overdub)
to help produce a more realistic playback than the use of dynamic marks alone.
NOTE: This feature, which alters relative volume of each note in a part, can be confused with a similar-
sounding feature, Tempo Overdub, which enables you to alter tempo changes to a recorded performance.
5. Press any note on your MIDI device at the velocity you want Notion to play the first note. The dark green highlight
moves to the next note. Continue this way for a whole section (or entire score). Some things to keep in mind:
>> You are adding a velocity setting to each note, which is completely separate information from duration. Since
notes/rests/Tab marks in your score already have time values, you do not have to be concerned about keeping a
beat as the dark green highlight moves from one beat to the next.
>> Don’t be concerned about “getting it right” the first time: a new overdub over the same notes will completely
replace the settings of a previous overdub.
6. To end, either press Esc or click the button in the Transport.
» The results of your editing will be heard when you play back the score.
11.44
CHAPTER 12:
INSTRUMENT MARKINGS
Common Markings 12.2
Special Markings for Strings. . . . . . . . . . . . 12.3
Special Markings for Woodwinds. . . . . . . 12.4
Special Markings for Brass. . . . . . . . . . . . . . 12.5
Special Markings for Keyboards. . . . . . . . 12.6
Special Markings for Harp. . . . . . . . . . . . . . 12.7
Special Markings for Percussion. . . . . . . . 12.8
Special Markings for Mallets. . . . . . . . . . . 12.10
Special Markings for Drum Set . . . . . . . . 12.11
Special Markings for Guitar. . . . . . . . . . . . 12.14
12.1
Common Markings
Some text marks that often appear on various types of instruments appear in this list. In Edit mode,
use the Entry Palette or the Express Entry feature to place the marking on your Music Cursor.
Then position the mark where you want it and either click your mouse or press Enter.
12.2
Common Markings for Strings
Notion enables you to display special text and symbols for string instruments. All special
instrument markings display in the score, but not all marks will be heard in playback.
In Edit mode, use the last element of the Entry Palette to see if the technique is available for the instrument
you have clicked on, or for access to all techniques, use the Express Entry feature to place the marking on
your Music Cursor. Then position the mark where you want it and either click your mouse or press Enter.
arco
‘ + arc Shift + Z (2x)
O (3x)
(Bartok pizz.)
behind bridge
‘ + beh
bridge
‘ + bridge
col legno
‘ + col
con sord.
‘ + sord
detache ‘ + det
(downbow) U (2x)
o (harmonic) O (letter O)
neck
‘ + neck
non-vib.
‘ + nv
normale
‘ + norm
pizz.
‘ + piz or zz Shift + Z (1x)
port.
‘ + por Shift + L (2x)
senza sord.
‘ + sen
spiccato ‘ + spi
sul pont.
‘ + pont
sul tasto
‘ + tas
(trills) `~
Shift + ( )
tutti
‘ + tut
U (1x)
(upbow)
vib.
‘ + vi
12.3
Special Markings for Woodwinds
Notion enables you to display special text for woodwind instruments. All special instrument
markings display in the score, but not all marks will be heard in playback.
In Edit mode, use the last element of the Entry Palette to see if the technique is available for the instrument
you have clicked on, or for access to all techniques, use the Express Entry feature to place the marking on
your Music Cursor. Then position the mark where you want it and either click your mouse or press Enter.
fluttertongue ‘ + flutt
normale ‘ + norm
sub-tone ‘ + sub
12.4
Special Markings for Brass
Notion enables you to display special text and symbols for brass instruments. These
markings display in the score, but not all marks will be heard in playback.
In Edit mode, use the last element of the Entry Palette to see if the technique is available for the instrument
you have clicked on, or for access to all techniques, use the Express Entry feature to place the marking on
your Music Cursor. Then position the mark where you want it and either click your mouse or press Enter.
brassy ‘ + bra
bucket mute ‘ + bu
fluttertongue ‘ + flutt
harmon ‘ + harmon
normale ‘ + norm
o (open) Shift + O
+ (stop) Shift + =
stopped ‘ + stop
12.5
Special Markings for Keyboards
Notion enables you to display special text and symbols for keyboard instruments.
In Edit mode, use the Entry Palette, the Express Entry feature, or a keyboard shortcut to place the marking on
your Music Cursor. Then position the mark where you want it and either click your mouse or press Enter.
12.6
Special Markings for Harp
Harp Tuning
You can add tuning information for each harp part.
1. Ensure you are in Edit mode.
2. Either:
>> Press the keyboard shortcut of Shift + H, or
>> Go to the Entry Palette, click on the Strings pane and select Harp tuning.
» A text of Harp Tuning appears on your Music Cursor.
3. Position the Music Cursor at the location where you want the tuning box to appear and either click your mouse or
press Enter.
» A temporary text box appears with the default tuning of DCBEFGA.
◙◙Harp default
4. Enter the tuning you need. Sharps and flats are supported (use # for sharp and b for flat. Can’t see the hash symbol?
Try Alt+3).
5. Either click in the score area away from the text box or press Enter.
» Notion displays the tuning and adds naturals where valid, for clarity.
Special Markings
In Edit mode, use the last element of the Entry Palette to see if the technique is available for the instrument
you have clicked on, or for access to all techniques, use the Express Entry feature to place the marking on
your Music Cursor. Then position the mark where you want it and either click your mouse or press Enter.
Express Entry
Marking Shortcut
[Text Only]
gliss. up ‘ + glu
8 (1x)
(pedal down)
8 (2x)
(pedal up)
Shift + H
12.7
Special Markings for Percussion
Notion enables you to display special characters and symbols for percussion instruments. All special
instrument markings display in the score, but not all marks will be heard in playback.
In Edit mode, use the last element of the Entry Palette to see if the technique is available for the instrument
you have clicked on, or for access to all techniques, use the Express Entry feature to place the marking on
your Music Cursor. Then position the mark where you want it and either click your mouse or press Enter.
brushes ‘ + bru
choke ‘ + chk
cross stick ‘ + cc
damped ‘ + dam
dome ‘ + dom
drag ‘ + dra
fingernails ‘ + fgn
fingertips ‘ + fgt
flam ‘ + flam
hands ‘ + hands
o (open) O
palm ‘ + palm
ruff ‘ + ruf
scrape ‘ + scr
snares on ‘ + snare
sticks ‘ +stic
12.8
Marking Express Entry Shortcut
stir ‘ + stir
sweep ‘ + swe
thumb ‘ + thu
12.9
Special Markings for Mallets
Notion enables you to display special text and symbols for percussion instruments using mallets. All
special instrument markings display in the score, but not all marks will be heard in playback.
In Edit mode, use the last element of the Entry Palette to see if the technique is available for the instrument
you have clicked on, or for access to all techniques, use the Express Entry feature to place the marking on
your Music Cursor. Then position the mark where you want it and either click your mouse or press Enter.
bowed ‘ + bow
12.10
Special Markings for Drum Set
In Notion you place notes on a five-line percussion staff to “play” a standard drum set in any score using the
sounds that install with the program. (The “pitches” discussed below are the equivalents on a treble clef.)
TIP: Have you checked out the various patterns and fills available with the
Drum Library under the Tools heading in the Menu bar?
Snare strike
Tom-Toms
This Table details how to notate for tom-toms of various sizes.
Layout for tom-toms.
16” strike
14” strike
12.11
Sound Pitch Requirements (if any)
10” strike
Hi-Hat
Here’s how to notate for hi-hat at D4 and G5 pitches.
Foot close
D4
Foot splash Add circle mark (press the letter O)
12.12
Ride Cymbals
There are a number of ride-cymbal sounds you can generate at F5 pitch.
Ride stopped shank F5 Add plus sign and accent (5 key) marks
Ride dome shank Use an accent mark (5) over circle-x notehead
Crash Cymbals
There are a few crash cymbal sounds you can generate at A5 and B5.
18” crash
16” crash
12.13
Special Markings for Guitar
For guitar and other fretted instruments Notion provides a number of text-based markings
in Express Entry, keyboard shortcuts, and the Entry Palette. Numerous other symbols and
techniques for these instruments appear in Chapter 13 (starting on the next page).
Once you have the marking on your Music Cursor, position the text where
you want it and either click your mouse or press Enter.
bridge ‘ + bridge
fingered ‘ + fi
neck ‘ + neck
picked ‘ + pick
12.14
CHAPTER 13:
FRETTED INSTRUMENTS
The Tablature Staff. . . . . . . . . . . . . . . . . . . . . .13.2
Enter Tab Directly. . . . . . . . . . . . . . . . . . . . . . . 13.3
Fretboard: Strings/Tunings. . . . . . . . . . . . . 13.4
Fretboard: Enter. . . . . . . . . . . . . . . . . . . . . . . . 13.6
Fretboard: Edit. . . . . . . . . . . . . . . . . . . . . . . . . . 13.8
Enter Chord in Tab. . . . . . . . . . . . . . . . . . . . . . 13.9
Chord Names . . . . . . . . . . . . . . . . . . . . . . . . . . 13.10
Chord Diagrams . . . . . . . . . . . . . . . . . . . . . . . 13.12
Play Chord Names . . . . . . . . . . . . . . . . . . . . . 13.15
Show Chords on First Page . . . . . . . . . . . . 13.16
Reset Tab Numbers. . . . . . . . . . . . . . . . . . . . 13.17
Finger Marks. . . . . . . . . . . . . . . . . . . . . . . . . . . 13.18
Techniques:
Slides. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13.20
Palm Mute and Let Ring . . . . . . . . . . . . . . . 13.21
Bends. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13.22
Vibrato and Whammy Bar. . . . . . . . . . . . . 13.24
Guitar Taps and Bass Slaps. . . . . . . . . . . . . 13.25
Hammer-ons and Pull-off Marks. . . . . . . 13.26
Harmonics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13.27
Other Markings. . . . . . . . . . . . . . . . . . . . . . . . 13.28
13.1
The Tablature Staff
When you assign an instrument in the Guitars/Bass family to a part, you have the option of using a Tablature staff alone,
a notation staff alone, or both. Although tablature is thought of as the medium of notation for beginning guitarists,
composers/players on other fretted instruments and seasoned players wanting to quickly capture fingerings also make
use of this staff.
Also, as you change the pitch or time value of notes on the notation staff, the equivalent Tab marking updates
automatically.
As mentioned, edits you make in the Tab staff are interpreted automatically in the standard notation staff.
13.2
Enter Tab Directly
Change Pitch
To directly change the pitch of an existing note (fret number) on the Tab staff you can either:
88 Same string: double-click an existing number, type the fret number you want in the temporary box, and press Enter
or click anywhere away from the box.
88 Different string: click once an existing fret number. It turns orange to show it is selected. Drag the fret number to
another string (Tab line). If you move the note to a lower string, the fret number increases to show how to play the
same note on the lower string. If you move the note to a higher string, a question mark displays (since that note
cannot be played on that string in the current tuning). If you want a different pitch on this new string, double-click
the item and type the fret number you want and press Enter.
You can also use the Fretboard (see next few topics) or transpose.
13.3
Fretboard: Strings/Tunings/Capo
To quickly capture ideas, many guitarists (and players of other kinds of fretted instruments) find
it convenient to first capture the fingerings they perform on an instrument before translating
them into notation or Tab entries. The interactive Fretboard on the right side of the main window
provides a quick, convenient way to build your score by clicking virtual strings.
You view a virtual guitar for the type of instrument you selected for a part. By default, you view six
strings for an acoustic or electric guitar and four strings for an electric (or upright) bass. However,
you can customize the Fretboard stringing – and in your own choice of open-string tunings.
Guitar default Bass default 5-string bass (customized)
Customize Strings/Tunings/Capo
1. Ensure you are in Edit mode
2. Go to the guitar technique palette and select Tuning/Capo
3. Make your selection - you can change tuning, add or remove strings. Ensure you leave a space between string
pitches.
>> Press OK, then place on the score where you wish the tunings/capo to take effect.
13.4
>> The interactive fretboard will reflect your tunings and add a capo graphic if you have specified one.
2. If you want each note you click on the Fretboard to be placed on a notation staff exactly at that pitch (as with a
mandolin) then set the three drop-down lists as:
3. Unless you also want to change the staff used for the instrument (the radio buttons under Staves at the top of the
Tab), you are done. Click OK.
13.5
Fretboard: Enter
The Fretboard uses step-time input so you can Enter information at your own pace into your composition.
Step-Time Input
The most efficient way to Enter notes and Tab from the Fretboard is to use step-time input. After you activate
step-time operation, you contribute two pieces of information for a note: the note value (quarter note, half
note, and the like) from a keyboard shortcut or the Entry Palette – and then the actual string/fret fingering.
For best results, include a notation staff for the instrument (rests do not appear on a Tab staff ).
1. With the Pointer, click the measure (either notation or Tab staff ) where you want to start.
» Notion displays a light yellow highlight at this spot and extends the editing marker at this spot to other staves in
the same system.
2. To start up step-time either click the button in the Transport – or press Windows: Ctrl + E; Mac: + E.
» Notion highlights your score from the measure you selected to the end in a light beige color.
◙◙Beige highlight appears to the right of the marker.
3. To Enter a rest, press a keyboard shortcut or go to the Entry Palette to identify the time duration. Press the Spacebar.
Notion adds a rest in that time value to the notation staff. A light green highlight moves to the next beat so you can
add the following note, chord, or rest right away.
◙◙Rest added automatically in notation staff.
13.6
1. To Enter a note or chord, press a keyboard shortcut or click in the Entry Palette to specify a note value. Then go to
the Fretboard and click a string/fret for the note – or all the notes for a chord. Then press Enter. The note/chord
appears in a solid black color in both the notation and Tab staves. A light green highlight moves to the next beat so
you can immediately add the next note, chord, or rest.
◙◙Clicked the fingerings for a chord (F Major triad) and then pressed Enter.
2. If the next beat has the same kind of note/rest value as the first, simply press Enter again. Or, as in the example
below, you can change the note value before you press Enter one or more times.
◙◙Kept same Fretboard fingering but changed note value.
4. Continue this way until you want to stop. To exit this mode of operation, press Esc. Be sure you Save your edits.
TIP: If you make a mistake, you can press Undo. For corrections that need to be made earlier than
can be reached by Undo presses, wait until after you finish with the step-time entry.
13.7
Fretboard: Edit
>> Or, click the original note in either staff so it appears orange in color. Then press Delete.
13.8
Enter Chord In Tab
To spell out the notes in a chord, you have choices: you can use the Fretboard (see previous
pages), build the notes in the notation staff, or edit directly in the Tab staff (see below).
13.9
Chord Names
To help guide live musicians, a mainstay of jazz and popular sheet music is an on-going display of primary chord
changes. This is strictly for musicians reading your score: Notion does not include this information for playback.
Examples of chord names for musicians reading your score.
The text you use to name chords becomes an integral part of your file: if you transpose the score to another key, the chord
names update automatically. You have the option of showing chord names (detailed on this page) or chord diagrams.
A, B, C, D, E, F, G, Maj, min, m, Maj7, m7, min7, sus, sus2, aug, dim, 2, 6, 7, 9, aug9, dim9, 11, aug11, dim11, 13,
/A, /B, /C, /D, /E, /F, /G, plus #, b
plus #, b +, o (letter) aug13, dim13
6. For diminished Enter 0 (zero), half diminished %, diamond $, triangle ^. (These shortcuts may not work with all
fonts.)
13.10
1. In Edit mode, click the chord library icon at the top of the window
2. The chord library opens. If this is the first time you used this feature this session in this particular score, the chord
library shows options for the default chord name of C major. If you have Entered other chords this session into this
current score, then you see the diagram and chord name of the most recent chord you Entered.
3. Begin with the chord root (C through B in the upper left). Also click a flat or sharp if needed.
» Notice the other chord name options in the library change accordingly.
4. Choose a chord quality (such as m7 or sus4) by clicking any of the chord names above the line in the middle area. If
the chord structure you want is not there, you can “build” your own:
>> Select a basic structure (what appears on the left side of the chord name you’re creating).
>> Click as many qualifiers as you want to appear to the right of your choice above. For example, for Bbm6b9 you
click Bbm above the line and click both b9 and 6 below the line.
>> To unselect a qualifier you previously selected, simply click it a second time in the library.
5. Then, optionally, you can specify a bass note by returning to the left side and selecting your choice from the small C
through B (and cicking a flat or sharp if needed).
6. All this is now on your Music Cursor: position where you need it and either press Enter or click your mouse.
If, during you time you are building a chord name by clicking, you decide you want
to switch to typing it in, click Type-in Tool at the upper right corner.
13.11
Chord Diagrams
Since there are multiple ways of playing any chord, and some sound or “finger” better in context
much better than others, you can include chord diagrams. These graphics of fingering on a
fretboard help guitarists reproduce the sound you intended for your composition. This is strictly
for musicians reading your score: Notion does not read this information for playback.
TIP: If space on a hardcopy page is an issue, you have the option of Entering just the chord names instead of full graphics.
13.12
Phase Three: Decide on the Best Fingering
The “best” fingering for a chord is partially how it sounds in context – but it also involves
how comforTably a musician can come to the chord from the previous spot in the score
and will be at a comforTable place to progress to the next chord/position.
1. When you finish with the name of the chord look at the diagram. You view a simple version in first position, near the
nut. There will be other options in the Chord Library to choose.
2. Whatever fingerings are currently in the chord library’s diagram also appears on your Music Cursor. So, whenever
you have the diagram in the chord library the way you like it, position the Music Cursor where you need the
chord (you can place it over an empty measure in either a notation or Tablature staff ) and either press Enter or
click your mouse.
» You have completed adding a new chord diagram.
3. You can also Enter the fingerings from scratch using the interactive fretboard
If, for any reason, you decide to switch from chord diagrams to chord names, simply click on
the diagram so it is no longer highlighted: your Music Cursor only shows the name. Click the
diagram again (so it is highlighted) and your Music Cursor displays a diagram again.
If, for any reason, you decide you would rather type the name of the chord, click Type-in Tool in the
library’s upper right. Position the Chord text where you want and press Enter or click your mouse,
type the chord name into the temporary box, then either press Enter or click your mouse.
13.13
Recent Chords / Align Chords
Recent Chords
This area shows you two things: 1. Chords you have recently used for quick recall. 2. All the chords in a document if you
come back to a project later and reopen it.
Align Chords
To put all your chords in the same horizontal plane, Shift click each one so they are
all selected, then right click and go to Chords, Align Chord Symbols.
13.14
Play Chord Names
Notion enables you to quickly play or perform chords based on chord names or chord diagrams you Enter.
The major advantage of this feature is speed: you can very quickly create a rhythm part just by naming a
chord and then showing the rhythm (by slash marks) you want it played. This is a significant time-saver,
particularly when you want to “test out” a chord pattern without having to spell out all the notes.
Although typically used by fretted instruments and keyboards, this feature is actually available on any instrument.
1. Ensure you are in Edit mode.
2. Enter note values to spell out a rhythm. Don’t be concerned about pitches: only the rhythm will be read by Notion.
◙◙Entering a rhythm by note values.
Now, when you play or perform the score, you hear full chords played according to the rhythm of
the slash marks. If you want, you can add articulations and dynamic marks and have them affect
playback. You can also hide the stems of quarter note slashes by right click - Notes - Hide Stems
13.15
For the benefit of musicians reading your score, you have the option of having Notion display all the chord diagrams used
in your score at the bottom of the first page. This feature, commonly seen with guitar-oriented sheet music, provides
players a central location to discover the fingerings to all the chords needed to play through your composition.
This group will update as you change, add, or remove chord diagrams. You cannot change the order they appear.
Example, bottom left half of first page.
13.16
Reset Tab Numbers
The fret numbers for all notes you see in the Tab staff will always be accurate. But you might find after heavy editing,
MIDI input, or transposing that the fret numbers shown are not in the best position for musicians reading your
score. For example, let’s say you have a melody with notes at the third, fourth, and fifth frets suddenly be followed
by a few notes at the tenth and eleventh frets, followed by a few notes on the first and second frets. The pitches
are all accurate, but the existing series of string/fret numbers is almost unplayable, especially at fast speeds.
One way to alter a fret number is to click a note and drag it to another string. However, if there are many mixed-
position notes in the Tab staff, Notion offers an easy way to reset their fret/string positions in just a few clicks.
1. Ensure you are in Edit mode.
2. Highlight the measures involved (or, if you want, select Edit > Select Part to highlight the whole part).
3. Either:
>> Go to the Menu bar and select Tools > Reset Tab Numbers, or
>> Right-click and select Tools > Reset Tab Numbers.
» Fret numbers will be closer together. Where possible, Notion aims for the fifth fret as a common anchor point.
◙◙Resetting fret numbers closer together so measure can be played more easily.
13.17
Finger Marks
Notion provides an easy way for you to inform musicians reading your songs which fingers are
intended to be used for playing and plucking. These finger designations, which always appear
in a small font, are not needed or read by Notion. Although these marks were primarily intended
for stringed instruments, they can be used with other instruments, such as keyboards.
►Right-Hand Plucking
Finger Mark Shortcut Finger Mark Shortcut
a
Thumb p Y then P Ring Y then A
c
Index i Y then I Pinkie Y then C
Middle m Y then M
13.18
►Left-Hand Playing or Plucking
Finger Mark Shortcut Finger Mark Shortcut
T 3
Thumb Y then T Ring Y then 3
1 4
Index Y then 1 Pinkie Y then 4
2
Middle Y then 2
Also, the number 5 is available with Y then 5.
Add to Score
After you place the finger designation mark on your Music Cursor, position the cursor:
88 For a notation staff: right over the head of the note.
88 For a Tab staff: right over the note’s fret number.
NOTE: Although you actually don’t need to be this precise, placing the cursor here
helps assures you that the mark correctly points to this particular note.
Then either click your mouse or press Enter. Notion adds the mark to the score.
13.19
Slides
From here up to the Harmonics topic we highlight the many fretted-instrument techniques Notion
offers in the Entry Palette. These features appear in the fourth pane from the right.
Options in pop-up menu, detailed in the remainder of this chapter.
Some techniques can also be accessed by keyboard shortcut, such as the B key for bends.
We begin with slides, with symbols that can appear on Tab staves (only).
Slides
A sounded glide to a destination note/chord can be notated in Tab staves with slide up and slide
down marks. In Edit mode, place the mark on your Music Cursor in any of the following ways:
Technique Entry Palette Graphic Keyboard Shortcut
Position your Music Cursor at a place between the starting and destination notes/chords and either click
your mouse or press Enter. The slide will be heard in playback: the time value between the originating
note/chord and the destination determines how quickly or drawn out the slide sounds.
Add slide up.
13.20
Palm Mute and Let Ring
These sounds are opposites. A light palm mute dramatically shortens the ring after striking a note, giving the note a
somewhat staccato tone. A let ring permits a note or chord to resonate beyond the written duration, the same effect as a
Pedal Down ( ) or Laissez Vibrare (L.V.) mark.
Palm Mute
Notion supports a palm mute you can add to guitars and electric bass.
1. Either:
>> Press the keyboard shortcut of the M key once, or
>> In the Entry Palette, hover over the fourth pane from the left and select .
2. Position the Music Cursor at the first note affected and either press Enter or click your mouse and release.
3. Move your cursor to the right (don’t drag) until you reach the last note affected.
4. Either press Enter or click your mouse to place the mark.
◙◙Eighth notes muted.
Also, a shorter, far less sonorous type of left hand mute for a guitar or bass is available
by placing notes on the notation staff that have an x-shaped notehead.
Let Ring
The Let Ring mark instructs the player and Notion playback to permit the notes or chords affected to
resonate beyond their written duration, up to a point marked by the end of the symbol’s tail.
1. Either:
>> Press the keyboard shortcut of the M key twice, or
>> In the Entry Palette, hover over the fourth pane from the left and select .
2. Position the Music Cursor where resonation should start and either press Enter or click your mouse and release.
3. Move your cursor to the right (don’t drag) until you reach the last beat involved.
4. Either press Enter or click your mouse to place the mark.
◙◙Letting a chord’s sound fade out into the next measure.
13.21
Bends
Many guitar genres make regular use of bends: stretching a string using a playing finger
pressing down on the fretboard to literally bend a little – or a lot. Notion easily accommodates
a wide range of bend sounds with your choice of six adjustable symbols.
Symbol Name What the Symbol Does
You start hearing the note at regular pitch, then hear the upward
Bend microtonal changes in pitch as the string stretches. For example, a
full-step bend on a D note begins on a D and ends on an E.
You first hear the note AFTER the string is stretched. This means you do not
Prebend hear the original note’s pitch. For example, a full-step prebend on a G note
plays an A – even though the notehead remains on a G on the staff.
Returns string to normal and you hear the downward microtonal changes
Release in pitch. This symbol is never used alone, but is available to add after one of
the above (to form one of the two symbols at the bottom of this Table).
Hold the pitch of the stretched string for a duration you set. You generally
Hold
place this symbol between a Bend or Prebend and a Release.
You can access these symbols either in the Entry Palette (fourth pane from
the left) or with the keyboard shortcut with the letter B.
13.22
Customize Timing: Drag Left or Right
The sound of a bend is also defined by when you stretch and when you release a string. By clicking anywhere on a bend
symbol, orange boxes appear at the ends (as in the example to the right). Click and drag an orange box to define when
the bend or release ends. By dragging to the left, you shorten the time; to the right, you lengthen the waiting time.
Example 1: Example 2:
13.23
Vibrato and Whammy Bar
Notion provides sounds for guitar vibrato (two speeds) and multiple sounds of pushing in/out
a whammy bar (an electric guitar effect popular in the late ‘50s/early ‘60s produced by pressing
a bar that detuned all strings according to the amount of pressure applied to a bar).
In Edit mode, place the mark on your Music Cursor in any of the following ways
(for the Entry Palette, hover over the fifth pane from the right):
Position your Music Cursor at the note/chord affected and either click your
mouse or press Enter. These marks will be heard in playback.
Use in Combination
Some very interesting effects can be produced by serially combining one or more effects. For example, once you
place a vibrato on a part, a whammy bar effect you add gets automatically placed at the end of the vibrator mark.
13.24
Guitar Taps and Bass Slaps
In Edit mode, place the mark on your Music Cursor in any of the following ways
(for the Entry Palette, hover over the fifth pane from the right):
Technique Entry Palette Keyboard Shortcut Express Entry
Tap
Position your Music Cursor at the note/chord affected and either click your
mouse or press Enter. These marks will be heard in playback.
Slap
Position the Music Cursor at the first note affected and either press Enter or click your mouse. Then move your cursor to
the right (don’t drag) until you reach the last note affected. Either press Enter or click your mouse to place the mark.
13.25
Hammer-On and Pull-Off Marks
Hammer-ons and pull-offs are common techniques used in various genres. These two techniques are opposites: In a
hammer-on you jump from an open string onto a fretted note; in a pull-off you jump off a fretted note to an open string.
Notion uses small letters (H and P) to notate these performance techniques on both notation and Tab staves.
The role of these sounds in Notion are primarily as accentuators in the context of short time-value notes that have an
open string followed by a fretted note (for an H) or a fretted note followed by an open string (for a P) right in the notation.
For two distinct note sounds, use grace notes.
A hammer-on and pull-off at the end of a beamed phrase.
In Edit mode, place the mark on your Music Cursor in any of the following ways:
You can also write a slur into the staff, and it will show automatically in tab. If you are only showing tablature, then you
can write slurs directly onto tablature. Use Shift+S, click the first note, then the last note of the desired slur.
13.26
Harmonics
Notion supports the notation and playback of harmonics (audible high pitches you hear above a played note). You
can notate natural harmonics, normally produced by placing a finger very lightly on the top of an open string at
(typically) the 12th, 7th, or 5th fret. This creates a noticeably higher pitch than you expect to hear at these positions.
Natural Harmonic
To add an open-string harmonic to the Tab staff:
1. Press the X key twice.
» A diamond-headed note appears on your Music Cursor.
2. Press the keyboard shortcut for the note value needed (such as Q for quarter note or E for eighth note).
» Your Music Cursor displays this note value with a diamond head.
3. Position the cursor over the Tab line (string) needed and either click your mouse or press Enter.
» Notion displays a temporary text box at this location with a question mark inside.
4. Enter the fret number where a finger should lightly touch the string and either press Enter or click
anywhere away from the temporary text box.
» The Tab finger mark appears between brackets. If you use the notation staff, the note appears at the
sounding pitch for this harmonic.
13.27
Other Markings
With Notion you can assign other markings to guitar/bass staves, detailed in other topics
of this guide. The lists below are representative (and not exhaustive).
Pedal down/Pedal up
(acts like a Let Ring) middle pane 8
13.28
CHAPTER 14:
SEQUENCERSTAFF
About SequencerStaff. . . . . . . . . . . . . . . . . . 14.2
Import MIDI File . . . . . . . . . . . . . . . . . . . . . . . . 14.3
Create a SequencerStaff. . . . . . . . . . . . . . . . 14.4
Input from MIDI Keyboard. . . . . . . . . . . . . . 14.5
Edit SequencerStaff. . . . . . . . . . . . . . . . . . . . . 14.6
Convert to Notation . . . . . . . . . . . . . . . . . . . . 14.7
14.1
About SequencerStaff
SequencerStaff allows users to edit and Enter Pitch and Duration information, Velocity Settings, MIDI Commands, and
Controller Changes. A Sequencer Staff can also be converted to Notation at any time.
This is designed as a hybrid of Notation and Piano Roll or Sequencer styled note-entry in a unique way which incorporates
the capability to control instruments in a well defined manner.
14.2
Import MIDI File
One way to begin using SequencerStaves is to import the contents of a standard MIDI file - go to
Preferences>MIDI Import>Check Use Sequencer Staff. The other option is to proceed to the next few topics
where you Enter music into SequencerStaves with a MIDI keyboard. Since importing the contents of a MIDI
file creates SequencerStaves automatically, you do not have to create these staves ahead of time.
14.3
Create a SequencerStaff
You create a SequencerStaff ahead of time if you will be inputting music information from a MIDI keyboard.
Create a SequencerStaff
Add a new staff to your score according to the steps in Add Staves in Chapter 11.
However, do not proceed to Step Three: Close Score Setup. Instead:
1. Go to the Score Setup window.
2. Add a new instrument or click the icon on a pre-existing staff.
3. In the Instrumetn Settings dialogue click: Notation/Tab
◙◙Bottom portion of the Notation/Tab Tab, with Sequencer Staff checkbox circled.
14.4
Input from MIDI Keyboard
5. Either press the Spacebar or press the first note on the MIDI keyboard. You hear a metronome click as a guide as you
continue Entering notes.
6. To end the recording, either press Esc, Spacebar, or click the button in the Transport.
» You view light green lines representing notes. They appear at actual pitches on a notation staff (with accidentals at
their left edge, if warranted). Across the top of the staff appear vertical lines representing controller changes.
◙◙Example
14.5
Edit SequencerStaff
Edit Notes
The length of a sequencer note represents the exact duration of your key press (a dot is actually a very short line). When
you highlight or click-select any number of notes, they change to an orange color to show they are selected. Then:
88 To move, press the LEFT or Right Arrow to move. Go to the right if you want to hear the note start later, or to the left
if you want to hear the note start earlier.
88 To shorten duration, press Shift + Left Arrow.
88 To lengthen duration, press Shift + Right Arrow.
88 To change pitch, drag a note to another degree, or tap the Up Arrow or Down Arrow key. To have Notion supply
accidentals, hold down Shift as you press either the Up Arrow or Down Arrow key multiple times.
88 You can delete the notes.
Overdubs
Notion also includes intelligent overdub features to make it simple for you to replace particular
entries you want to replace. Just click at a spot you already have notation and:
88 If you want to replace controller entries, but not notes, start up real time input again, and press the Spacebar. Notion
plays the existing notes you already Entered but turns off existing controller information so you can Enter new
controller information in real time.
88 If you want to replace notes, but not controller entries, start up real time input again, and start playing notes on the
MIDI keyboard. Notion shuts off the sound of existing notes so you can concentrate on inputting notes/chords/rests
the way you want.
88 If you want to overdub another track on top of the existing notes, press Windows: Shift + Ctrl + R;
Mac: Shift + + R. Your input is added to the existing notes/controller settings (there’s no erasing involved).
If you are dissatisfied with the results, you can use Undo to bring the staff back to the way it was before your last overdub.
14.6
Convert to Notation
You do not see standard note/rest notation on a SequencerStaff. But Notion makes it easy to
change from sequencer notation to standard notation. Due to the exacting information in a
SequencerStaff, as opposed to the “rounding off” in standard notation, there will likely be some
cleanup of note/rest values if you are going to print your composition for musicians to read.
Convert to Notation
In a few clicks you can convert whatever you highlight in a SequencerStaff to standard notation.
1. Highlight a measure or as many measures as you like.
2. Go to the Menu bar and select Tools > Convert to Notation.
» You now view notation in the part you highlighted.
14.7
CHAPTER 15: MEDIA TOOLS
Add Audio file . . . . . . . . . . . . . . . . . . . . . . . . . . 15.2
Video Setup. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15.4
Fit in Time and Hitpoints. . . . . . . . . . . . . . . . 15.5
Upsampling. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15.6
Transferring Data to
and from PreSonus® Studio One®. . . . . . . 15.7
15.1
Add WAV Files
Notion enables you to play external .WAV digital audio files to incorporate into the overall sound. To hear the file in
playback in this release, you need to begin play or perform before the insertion point of the WAV file in the score.
As you work with WAV files, keep in mind:
88 Whenever possible, delete the front “dead air” out of the WAV files. If you do not have third-party software to do this,
insert the WAV file in advance of the beat where the WAV’s sounds actually start.
88 The WAV file must be have the format of 16-bit 44.1 kHz.
88 When possible, insert the WAV file before you compose/arrange in Notion. This skips having to adjust note/rest time
values later.
88 WAV file playback is independent of NTempo performance features – except for triggering the start of the file’s
playback and halting the playback with Spacebar or the Esc key.
88 Of course, articulations, dynamics, metronome marks, and other notation markings do not alter the WAV file’s sound.
88 Since the WAV file is attached to a staff, you can refine the audio playback (such as volume or panning) for that staff’s
channel strip in the Mixer.
88 Notion searches and plays the WAV file in real time. For this reason, do not move, rename, or delete the WAV file. If
Notion cannot find the WAV file for playback, the staff will have no sound.
15.2
» If you haven’t saved your score, Notion alerts you to do that before you proceed. Otherwise, an Open dialog
box displays.
3. Find and select the WAV file you want.
» If successful, the audio file’s name is on your Music Cursor.
4. Position the Music Cursor on a staff where you want the audio file to begin. If you want to place this trigger on a
beat other than beat one, fill the measure with rests and position the Music Cursor over the rest that’s on the beat
you want.
5. Either click your mouse or press Enter.
» The name of the file appears above the staff at this location.
◙◙A WAV file ready to play on beat 3.
6. The file is still on your Music Cursor if you need to add the file to another place in the score. If you are done with it,
press Esc.
15.3
Video Setup
Keep the video window on top of the score in Preferences (Cmd/Ctrl+,) and select the General Tab.
- Toggle the video window on/off with Cmd/Ctrl + ‘
15.4
Fit In Time
Fit a selection of music to a set duration or end time – make the selection and go to Tools,
Fit in Time and choose required duration or end time. Printed metronome mark stays the
same, the tempo adjustment in % will be shown, as will the end of that region.
Add Hitpoints
Find the right place in the video by either the buttons on the video window or shortcuts
88 Advance video by frame: Alt/Opt + Left/Right Arrow
88 Advance video by 10 frames: Shift + Alt/Opt + Left/Right Arrow
88 Then add and name your hitpoint – Shift + O
15.5
Upsampling
To output audio at 44.1 or 48 kHz, go to Preferences, Audio and select from the Sample Rate drop down box.
15.6
Transfer data to and from PreSonus® Studio One®
Notion can now send and receive audio and note data with Studio One version 3.3, the award winning DAW (digital audio
workstation) from PreSonus. Notion also now supports UCNET, PreSonus’ network protocol, which means that not only
can you transfer between applications on the same machine, but applications anywhere on the same network
Allow Network Discovery: If you don’t want want Notion to be discoverable by other PreSonus software on the network,
then go to Preferences, and uncheck ‘Allow Network Discovery’. (To avoid conflicts with ReWire, you can either check this
box or the Enable ReWire box, but not both).
Do you “think in notation” but need to ultimately use a DAW? Now you can compose in Notion and then send note data
(MIDI and other note related information) straight over to Studio One (version 3.3 and later) running either on the same
computer, or to an open instance of Studio One anywhere on the network.
1. Open Studio One either on the same machine, or a machine on the same network
2. In Notion, go to File>Send to Studio One (or Cmd/Ctrl + Shift + U)
3. Notion will now transfer the note information and transfer it to Studio One, automatically opening a new
document.
4. In Studio One, the new document is now ready, in score order, for you to assign sounds. As well as pitch
and duration, Notion also sends document name, instrument names, tempo, time signature, rehearsal
marks.
If you want to send an extract or short idea rather than the whole score, just make a selection in the score first before
opening the Studio One dialog
If you are using a 3rd party VST instrument in Notion, such as Vienna Symphonic Library, the preset information
is also sent over and the VST automatically loaded in Studio One.
15.7
Transfer data to and from PreSonus® Studio One®
This relationship goes both ways! With Studio One version 3.3 and later, you can now “Send to Notion...”
Choose whether to send over audio or note data, of either selected tracks or the whole document.
1. In Studio One, go to Song>Send to Notion
2. Send note data of entire song or selected tracks or send audio mixdown
Note data can be edited directly after transfer - automatically opening a new document and setting up with
all the document info from Studio One. With audio, the audio mixdown from Studio One is attached to a
new score, complete with tempo and other document information from Studio One. This audio will then play
back with the score. “Send to Notion” can also be found in the Publishing menu of the Export Mixdown dialog.
15.8
CHAPTER 16: REFERENCE
Instrument Ranges . . . . . . . . . . . . . . . . . . . . . 16.2
16.1
Instrument Ranges
Notion supports a wide range of pitches on all instruments. The following Table identifies
the lowest and highest ranges for the most commonly used instruments in the library.
Any notes you place on staves outside of these ranges do not sound.
Flute
Oboe
Bass Clarinet
Bassoon
16.2
Instrument Range Transposition Details
Trombone
Bass Trombone
Tuba
Timpani
Piano
Harp
16.3
Instrument Range Transposition Details
Violin
Viola
Cello
Electric Piano
Marimba
16.4