Take Home Quiz: Twilight Zone, All in Its Monochrome Glory (Not To Mention The Color of The Characters Clothes

Download as doc, pdf, or txt
Download as doc, pdf, or txt
You are on page 1of 4

Carlo Vincent G. Balicas Ms.

Pegiña
Political Science 3-1 August 29, 2006

Take Home Quiz


1. to 20.)
Luigi Pirandello’s “Six Characters in Search of an Author” launches ones mind into the

realms of the absurd. If one is not ready to delve into the impossible, one is not ready to read this

confusing, yet rewarding, piece of literature.

Pirandello’s literary piece touches elbows with the idea of Martin Esslin’s “Theories of the

Theatre of the Absurd.” One of Esslin’s ideas of these “theories” is the negation of the story to

rationalism. In Pirandello’s drama, it does more than to negate rationalism; it even negates the

possible.

Let me give a concrete proof about this speculation by reiterating one of the situations in

Pirandello’s story. The story starts off with a theatre stage and actors, with the manager doing

their business to rehearse, as peculiar as it seems, one of the same author’s literary piece,

Pirandello’s “Mixing it Up”. After that, a group of people arrives out of nowhere (meaning

without any appointment whatsoever) and introduced themselves as “characters” in search of an

“author”. The manager, of course perplexed with such action, asks who are these people. The

group answers that they are “characters” for the “play” and were “born” for “drama”. Did you

get the idea? Neither do I. reading this part makes me feel like I’m watching an episode of the

Twilight Zone, all in its monochrome glory (not to mention the color of the characters clothes,

monochrome indeed). In the midst of reading this piece, you’ll ask yourself, “are these characters

real in the first place? Or are they from a different dimension or what not? The story just takes

out the rationalism of simpler things, which in this case, is to just rehearse a simple act in one of

Pirandello’s dramas.
Second, Pirandello’s drama has no fundamental structure of the conventional theatre. In the

story, all seems well with the introduction. But alas! Characters enter out of nowhere and start

the play then and there. A shallow reader might mistake this fact as just another occurrence of a

scene prior to the start of the drama itself. But, in reality, the drama is actually occurring –

without any prior notification to the reader. To a reader who is overly familiar with dramatic

devices will surely be lost in a labyrinth by just reading the first two parts of this literary piece.

And what’s more, the story doesn’t constrict itself to theatrical norms; the story starts with a

sense of an “act within an act”. So far, you will get the gist that the actors in this act are the

“actors” of the main story (which is, the “Six Characters in Search of an Author”). But behold!

The story then introduces you to another group of characters in the said story. The drama ended

up being an “act within an act, characters within characters”. Does this make sense at all? To a

mediocre reader, it may be another rubbish literature, but to an observant reader it may be a gem

between all the dramatic norms. Its absurdity sets it all from the rest - in an irate yet rewarding

way.

Another theory from Esslin that flashes the likeness to Pirandello’s piece is the reaction on

the unresolved issue on man’s existence. Reading this story really blurs the line between what is

true and what is reality. What is the difference between the truth and reality then? The truth is

something that is beyond reality, while reality is just something that can be touched, smelled, and

every description that a man’s five senses can sense - nothing beyond that. In Pirandello’s

selection, the characters are the embodiment of what a true person is, a person that is an actor of

his own drama, which is life itself; a person who sometimes acts actions that is normally not his,

but pursues to do it in order to satisfy the audience – the human society. Reading this piece is not

for the narrow-minded, indeed.


21. to 40.)
If I may be given a chance to make a remake of these two absurd yet fascinating pieces of

story, I would have given it the following titles:

“ UNTRUE-man Show” and “ SICK Characters in Search of a LIFE”. (Capitalization

intended).

But sarcasm aside, both literatures (if you’ll consider the movie, Truman Show” as a piece of

literature, that is) does strike several similarities, aside from its absurdity. .

At one instance, both literature questions the existence of what is true. In the movie, Truman

Show, Truman (the lead actor) is left to question not only his existence but to the existence of a

world outside his comfort zone (which is, the city he is living in). On the other hand, Pirandello’s

story exemplifies this same feat – the search of what “true human” is. In this story, the question

of the purpose and existence of man is exemplified in through the six characters of the story.

Let us compare both the stories now. In the Truman Show, Truman (the lead actor)

exemplifies man’s curiosity of his existence. The world he is living in is the reality, while the

land (or in this case, the far reach of the “moon dome”) beyond the city’s ocean is the truth.

Now, do you see it how it all stacks up? Exactly. Every “Truman” in us delves on the question of

our very own existence. To answer this hunger, we dive on our own reality, be it at work or at

school. But did we ever question why do we have to do such a thing? Well, Truman did.

Another concrete example: Before, Man’s idea of the world is that, the world is flat. That is

the reality then. But, due to man’s curiosity of this reality, man searched for proof. So off he

went and treached the uncharted waters, unmoved of the fact that he was warned that he would

fall off at the far end of the world. But that man proved them wrong. He discovered that the

world is round and not flat – that is the truth.


How about in “Six Characters in Search of an Author” then? The six characters in the story

depicts a “true man”, while the actors are those who are “untrue”. One important observation

would be when the actors started to imitate the characters on stage. The characters protested

that the actors acted lousy, fake and untrue in a sense. That occurrence exactly depicts what we,

human beings are. We are living in our own drama of life but we tend to act like actors in a

drama – lousy, fake and untrue. We are who we are, and thus should act like one. We must not

imitate others or act like the others to get “audience satisfaction”(which in reality, is the society).

Another fact is the question on what is true and the concealment of it. Let’s take for example

the situations that occurred in Pirandello’s story. At one instance, the “Step-Daughter” character

insisted to show her act between her and the “The Father” character. The act was not shown, as it

will give public disapproval. The “Step-Daughter” ‘s act is the truth, but the presumption of the

Manager is the reality. What is something true to you is sometimes inappropriate to reality – as it

will oppose human society. This realization truly gives the irony of it all – truth and reality

complements each other but at the same time contradicts each other.

“Are we capable enough to answer such questions?” That is the question. Truly, Man can

answer this fact through divine providence, but is there God in reality? Man didn’t know how to

cure the plague before, so he studied about it, Man wanted know if the earth was really flat, so he

made a voyage for it, Man wanted to fly like the birds do, so he invented a vehicle for it, Man

wanted to know what is beyond earth itself, so he studied, invented a vehicle, and made a voyage

for it. Did this act answered Man’s curiosity of reality? No. To quote Yuri Gagarin’s statement in

space:

“The Earth is blue, but there is no God”.

Indeed, some questions have answers beyond reality itself. And that is the truth.

You might also like