MOMS ERY CCT LLC EE Male clu ecm teidel f a i es) pee ks Antonio Carlos Jobim INTC CCRC CLOT om Concert compositions on the basis of A.C.Jobim themes in A.Vinitsky arrangement KouuepTHbie KOMMO3HIMM Ha OCHOBe TeM A.K.2Ko6uMa B apaHkupoBKe A. BuHulkoro 2006 © Alexander Vinitsky 2006BOSSA NOVA BOCCA HOBA Antonio Carlos Jobim Axntouno Kapsioc Kooum Arr. Alexander Vinitsky ApaHxuposka AjeKcaHipa BUHMIKOrO KontepTHble KOMMO3HIHH Ha OCHOBe TeM A.K.2KoOuma ©alexander Vinitsky 2006 www.avinitsky.comOm aemopa B sToT COopHMk BOULIM MOH KOMTIOSHUMM, HaMCaHHEIe BCTHe G60CCa HOBbI H CaMOEI Ha OcHOBe TeM BBULaloMeTOCs 6pasHLCKOTO KOMMO3HTOpa AHTOHHO Kapsoca KoGuMa. Bee KOMMOSHIHH cOsMaBAIHCS B Tee HHH MHOTHX eT H NOTPeGOBAMH He TOMBKO XOpoUero SHaHHA OpasiuIbCKOll MYSBIKH H THTapbI, HO OTPOMHOMNOOBH, TOCTIDKeHHA Marni puTMa. VimeHHo pur u crib apasetes HanGosee HeyOBHMBIMH TIpH 3aI1MCH Ha HOTEL My3BIKH B cTuse Gocca Hopa H caMGa. McrloslHsis STH KOMTOSHLMH, HYKHO TIOMHHTB, “TO BbI JODKHBI YMeTb TAHLCBaTb, BHYTPCHHC, OMLyLLas TOT PHTM BO BPeMsl MIpbl. Tloctostiiias nybcauis - 970 BAKHEAMIMH STeMeHT BCex KOMMO3UUMii. PaGoraitre Had, HeOOmBUIMMH dbparMeHTAMH, NOBTOpsIs| HX.10 Tex Mop, NOKa BbI He TOyBCTByeTe CBOGOAY BHYTPH Bac H CrloKoliHyt nysbcauMio. Menonum A.K.KoOuMa mpekpacst H CBOSOLHEI, OHH JbIOTeH eCTECTREHHO, Kak Boa, He OCTAHABIMBasCb. O4eHb BAKHO YTO OBI MeOAH 3BY‘1ATH APKO H HesaBHCHMO, TapMOHHA B KOMMOSHUMAX CAOKHAA, a MOSTOMY He crreumMTe HrpaTb GBICTPO, HACTAAHTECE BCEMH SeMeHTAMM apal>KHPOBKH, PactipeslesHTe SBYKOBOI Garatic Mexkay Menogueli, 6aCOM H AKKOMMaHeMeHTOM. Haaeiocs, 170 mysbika AHTOHMO Kapsoca Ko6uMa B MOHX aparLKMpOBKaX JOcTaBMT Ba yaonomscTane. Anexcanap BuHnuKHtit From the author This collection included my compositions written in style of the boss are new and cam6ui on the basis of themes of oustanding Brazilian composer Antonio Carlos Jobim. All compositions were created during many years and have demanded not only good knowledge of the Brazilian music and a guitar, but huge love, comprehension of magic ofa rhythm. The rhythm and style is the most imperceptible at record on notes of music in style of the boss is new and camOa. Executing these compositions, it is necessary to remember, that you should be able to dance, internally, feeling this rhythm during game. The constant pulsation is a major element of all compositions. Work above small fragments, repeating them until you will not feel freedom inside you and a quiet pulsation. Melodies and A.C.Jobim are fine and free, they flow naturally, as water, not stopping. Very important that melodies would sound brightly and independently. Harmony in compositions complex(difficult), and therefore do not hasten to play quickly, take pleasure in all elements of arrangement, sound balance between a melody, a bass and accompaniment. I hope, that music Antonio Carlos Jobim in my arrangements will give to you pleasure. Friendly, Alexander Vinitsky ISBN 5-89345-059-0 © Anexcanap Bunuuknii, 20060.How Insensitive Kakoli paBHOAYyUIHBIM = A.C Jobim (arA.Vinitsky) .K2Ko6um apaianponka A, BHHnuKoro adi, yy at gm,ImprovisationOnce I Loved OgHax ge! 4 OOM A.C Jobim (arr, A.Vinitsky) A.KOKo6uM, apaikuposka A.Bunuuxoro Introduction Harm. yyy V Harm. yyy v read | > op a il Harm, XI XII XIIXV s ae 5 he rs oo 14 Tempo Bossa-nova a ? PF F FPHarm.ad.lib Coda dod 4. ° rt 3 z ‘®Jazz-Samba Jxa3-cam6a A.C.Jobim (arr. A.Vinitsky) AK Ko6um aparxnposka A.BHHuUKorO T—Improvisation 4 Waa i. lo zvio XV v vil voovo vu v 1 ® Tremolo 2 accordpulgerv vu vu v v v v Wy WW v v 185 eS ZR DR rall.One Note Samba Cam6a O0HOH HOTEI A.C. Jobim (art.A.Vinitsky) A.KKo6um apaxuposka A.Banuuxoro ad.lib. oS Se Se Se ee ee z2122 25 mv W rit.rit, a A tempovu vu25 (Percation) = LST i dos ‘® r * r (Percation) JT 426 Improvisation wv 64 vy fy ®27Coda ror i Fe ’ replete 92 tS 4 te ‘ ot : . . “ 27 2 % , Ji STIG = im 7 7 Jia ——o ‘®29 Great Love Besukasa mo6oBb A.C Jobim (arr.A.Vinitsky) A.KKo6 (Samba) apartxupooka A Buauncoro (Intro.) Berynmenne Tl 24 oy oT oy PETE pT TEES fr (on & ~ayt ve oH SHI > Be Be Be Be Be 3 3 Be Be Be Be Be VII Theme D dard PF” PF ® ry (*) - 16-10 nomy uepamp xax nepxyccun, nowmu 6e3 36yKa, UMumupya nuyyuKamoImprovisation !Theme34 0 virvu Vill Rasgueado ---~ aaneenn ee 7 f ai vill ig VU 1 Rasgueado-glissandoTable of Contents (CogepxkaHne) How Insensitive (Kakoii paBHouyWHbti) .... Once I Loved (OgHaxkabl 4 06M) .... Jazz-Samba (2xxa3-cam6a)..... One Not Samba (Cam6a OfHOii HOTBI) ... Great Love (Benukas 11060Bb) .... Homuoe usdanue Anexcanap Hocubosns Bunnuxiti Konnepraste Komnoannun na ocHone Tem A.K.KoGuma Ona knaceuveckot zumapet Komnpiorepniit naGop nor A. Bacar ‘Tuparx 500 943. Dopmar 6090/8. OSvem 4,5 n.n. 3aKas Ne 61 Maanarenscreo 000 “SkonomnKa m mibopMariKa” 119619, Mocksa, Boposexuit up., 6/36. 5-89345-059-0 I) 5893450590«Ecau 0oea3 — 9mo empemacnue k mozymecmey, mo Gocca Kosa — 9mo obemanue cuacmon> Topenco Massu .AuToHHO (Tom) Kapaoc Ko6um to npany cuntactoa OcHOBOMONOKHMKOM My3HIKANBHOTO CTILIN Gocea Hosa. MyssikambHere KopHm 2KoOuMa Beera NpoMspacTanit H3 KasA 50-X rovlon, HO OH TAKKE HCHbITIBA GObULOE BIMHME Ha CROe aopecrno dpaHlllyscxcux KOMNOaHTOPOR UMMPeCcHOHMETOR, A Opasuasckas caMOa Mmpuana cro My3HIKe YHUKaTbHYIO SKSOTHYECKYIO OKpacky. ca “Ero Mysbika octawetes! Hanceraa, Kak MysbKa Bean A.Mouapra” cka3an CrmHr B cBoeM HocHeuHeM MHTepBbIO. “Tloxa 10am mrpalor Myssiky, OHH Gyayr mieTb NeeH KoOuMa”. 2XKoGum amma MyssKoli, Kur c& XUGHBIO M BoerAa HerpoMKo HaneBan Ha cBOEM YapyiomleM NOpTyrambCKOM, mocruras rayOoualimeii CoKpoBeHHocTH BO BsauMOselCTBuM CHOB H 3ByKOB. Awronuo Kapzoc Bpaswnctipo ac Anmeliaa KoGum anno nnuoina s ceGa scé pasnooSpasie MYSbIKANBHBIX (POpM, YoMaTpHBAS B HX NHULy AUIS CAOeHt TROpeCKO! SHeprMm. Ero Mysbika OBIAa HeoOEIialiHo KocmMonoxHTH4HOML, HeCMOTps Ha TO, 4To KoGuM 641 GpasvwAeM 110 CHoeii cyTM TeMMepamenTy, Fopnwsics CBOel CTPAHOM, sSHKOM H KynBTypoll. C romAMH OH H30OpeN enol COBCTREHABIM cTWLLb, KoTOpbIlt CoeMMHAN B cebe Mysbc CAMObI, TPOXNARHY1O PapMOHHIO TAKUK mxasMeHos, Kak Cron KenTow w Matic Honue, m mexoan¥eckoe GorateTso KnaccueeKMx KOMMOsHTOpos, NonobHEIX Bisa-JloGocy u Loncxy, sa “Tpemozus Ma mnvop” cabtiia BO BeTYMUTeMbHO aKKOpsOBO ceKBeHUMH “How Insensitive”. B My3biKe HB CTHXAaX KOOMMa CHO NPOCTYHAeT O4UPOBUNHE POMANTHYECKOA JOGEH, OCOGEHHO HEpasieseHHON, H KPACOTa, OC xenckas. Jit KoOuMa Mysbika Gola, BepoaTHo, TeCHO CBRSAHHOM c HYBCTBCHHDIM eNAHHe “Kaxyas KeHUIMHa, KOTOpoti y MeHs HeT - 3TO TeCHA, KOTOpyiO s IIMULy”, - CKAXKET OH OHA 06 Aaexcauape BAHMIIKOM (rurapucr, Kommosirrop 1 nearor) Anexeanap BuHuukni n3pecrHsti poccnfickuh rarapucr 1 KommosHTop, aparanponutnx, Criuth ero MY3KIKH CO¥eTAeT KrACCHYECKHE, mKasoBBIe H aTHHO-aMepuKaKCKMe TpanuunH. OH BBICTYTACT C CONBHBIMH KOHIEpTaMit, B KOTOPHIX 3HY'AT MYSHIKA PASHBIX CTHLTeM, B OCHOBHOM ITO eTO COOCTEEHHDIC COMMHCHMA M APAHKMPOBKH USBECTHEIX KAIOBBIX Menonuit, A.KoKoGuMa, Hx.Tepupana, P.Poxepca H apyrux. Ero cONMHeHNA usnaoTes Benbrau, bpanunn, Mosse, Amepuke n Pocenn Onnposomsrr cemmrapst «Kraccuseckas rurapa Bywxa3e> M MacTep-KIACCHI, YNACTBYCT B KIOPH MEXIYHAPOMHBIX KOHKYpcoB & PoccHH H 3apyGexom. Ero KOHUepTbI MpoxomM B AutavM, Ipeum, Torsme, Tepmarnu, Bembrim, Mspaune, pakuun, Beurpun, Jlurse, Yxpaune, Benopyccum, a TawKe & Kpyminix roponax Poceun: Mockne, Canxt-Merep6ypre, ExatepunGypre. Apxantresscxe, Honocu6upexe, Camape, Huxtiem Honropone 1 ap. 9 KOMMAKT /INCKOR ¢ 32NMCHIO rHTapM AneKcaHmpa BuTHMTIKOTO RRINYTICeHET 8 Poceun, Amepike, Dpartiun. Bwacrosntee ppewa A. BUHHUKHH ripertoaer B MySbIKATBHOM YUHAMLe wim, THECHHBIX, Kiacc KiaccHHecKoll rHTapht, A TAKE HHTTAeT Kype OCHOR apARKMPOBKH, HMMPOBHSAKtITH AKKOMMAHEMeHTa 278 THTapHcToB. Caiir Anexcanapa Barmuxoro wwwavinitsky.com