Tarrega Bio

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Biography of Francisco Tárrega

The early days of Francisco Tárrega


Francisco Tarrega was born on November 21st 1852 in Villarreal, Spain near Valencia and died in
December 1909 in Barcelona. We definitely owe him the blossoming of the classical guitar. It is after a
tragic episode (the passing of his mother) that the Tarrega family moves to Castellon, a town closer to
Valencia. It allows the young Francisco to attend music classes during which he rapidly caught Julian
Arcas’ attention. In 1862, Arcas convinces his father to let Fancisco go to Barcelona where he will be able
to start a full musical training.
However Arcas soon has to leave to go on tour, leaving Francesco without guitar lessons. Despite his
young age — 10 years old — he runs away from home willing to start a career by playing in several bars
and restaurants. Brought back to the family house by his father repeatedly, these fugue episode show
Tarrega’s willingness to play. In 1894, he understands that his bohemian life is not a lasting solution and
decides to enter the conservatoire of Madrid.

Francisco Tárrega : “the Sarasate of the guitar”


Tarrega’s guitar is from Seville and was made by Antonio Torres. The qualities of this instrument are key
in the work Tarrega will conduct to find the sound and the style he wants in his compositions. During
this period he also abandons the piano in order to be more focused on the guitar.
He plays all over Europe and composes a lot. Seen as the new Sarasate of the guitar, he writes numerous
recital pieces. His work gathers 78 original pieces, among which the very well known Gran Vals (1984)
which became Nokia’s official ringtone and was used in several TV Ads! He also transcribed 120 pieces
including the famous Asturias originally composed for the piano by Isaac Albeniz.
In 1902, Tarrega cuts his nails and thus softens his musical style, which makes it a major characteristic of
his disciples. The end of his life is tarnished by a paralysis of the right side of his body he strongly has to
fight to find his past level of performance. Without ever ceasing to compose, he died in Barcelona after
writing his last piece Oremus (“Let us pray”), a transcription of Schubert’s Phantasietanz.

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