VI SoloStrings 1+2 Manual v1 PDF
VI SoloStrings 1+2 Manual v1 PDF
VI SoloStrings 1+2 Manual v1 PDF
Violin
Viola
Cello
Double Bass
Contents
Contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Patch information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Matrix information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Preset information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Library updates. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Abbreviations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Instruments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Articulations and other abbreviations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
The orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Pitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Solo Strings I . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Articulations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
01 Violin Solo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Patches . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
01 SHORT + LONG NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
02 DYNAMICS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
03 TREMOLO + TRILLS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
04 PIZZ + LEGNO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
05 HARMONICS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
06 PONTICELLO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
07 TASTO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
10 PERF INTERVAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
11 PERF INTERVAL FAST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
12 PERF TRILL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
13 PERF REPETITION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
14 FAST REPETITION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
15 GRACE NOTES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
16 GLISSANDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
17 SCALE RUNS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
98 RESOURCES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Matrices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Matrix - LEVEL 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Matrix - LEVEL 2 A - Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Matrix - LEVEL 2 B - Standard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Matrix - LEVEL 2 C - Repetitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Matrix - LEVEL 2 D - Scale+Phrase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Matrix - LEVEL 2 E - Keyswitch Vel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
(c) 2012 Vienna Symphonic Library Vienna Instruments Solo Strings –2–
Contents
02 Viola solo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Patches . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
01 SHORT + LONG NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
02 DYNAMICS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
03 TREMOLO + TRILLS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
04 PIZZ + LEGNO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
05 HARMONICS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
06 PONTICELLO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
07 TASTO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
10 PERF INTERVAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
11 PERF INTERVAL FAST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
12 PERF TRILL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
13 PERF REPETITION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
14 FAST REPETITION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
15 GRACE NOTES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
16 GLISSANDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
98 RESOURCES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Matrices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Matrix - LEVEL 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Matrix - LEVEL 2 A - Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Matrix - LEVEL 2 B - Standard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Matrix - LEVEL 2 C - Repetitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Matrix - LEVEL 2 D - Phrases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Matrix - LEVEL 2 E - Keyswitch Vel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
03 Cello solo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Patches . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
01 SHORT + LONG NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
02 DYNAMICS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
03 TREMOLO + TRILLS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
04 PIZZ + LEGNO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
05 HARMONICS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
06 PONTICELLO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
07 TASTO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
10 PERF INTERVAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
11 PERF INTERVAL FAST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
12 PERF TRILL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
13 PERF REPETITION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
14 FAST REPETITION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
15 GRACE NOTES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
16 GLISSANDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
98 RESOURCES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Matrices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Matrix - LEVEL 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Matrix - LEVEL 2 A - Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Matrix - LEVEL 2 B - Standard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Matrix - LEVEL 2 C - Repetitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Matrix - LEVEL 2 D - Phrases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Matrix - LEVEL 2 E - Keyswitch Vel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
04 Bass solo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Patches . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
(c) 2012 Vienna Symphonic Library Vienna Instruments Solo Strings I+II –3–
Contents
(c) 2012 Vienna Symphonic Library Vienna Instruments Solo Strings I+II –4–
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(c) 2012 Vienna Symphonic Library Vienna Instruments Solo Strings I+II –5–
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(c) 2012 Vienna Symphonic Library Vienna Instruments Solo Strings I+II –6–
Introduction
Introduction
This document contains the mapping information for the Solo Strings Collections of Vienna Instruments. You will find in it a
comprehensive survey of the articulations/patches for the Standard and the Extended Libraries of each instrument, a listing
of abbreviations, and the mapping list proper which gives details for every Patch, Matrix, and Preset in the Collection.
Patch information
The Patch information includes articulation type, playing range, number of samples used, RAM requirements, the number of
velocity layers and alternations, AB switching possibilities, etc., as well as Patch specific information if necessary.
Where the type of articulation requires a special mapping (e.g., natural harmonics patches), the mapping layout will be
shown in a detailed graphic.
Major and minor runs are always mapped to the keys of their scale, as are arpeggios to the keys of the broken chord
played. Grace notes and mordents are mapped to their target note, i.e., the note the articulation ends with. Due to their
nature, all upward and downward articulations (e.g., fixed glissandos and octave runs) have different mapping ranges –
the upward movements ending the involved interval below the Patch’s upper mapping range, while downward movements
end the interval above its lower mapping range. (Please note that not all of the articulations mentioned above may be
contained in your Collection.)
Matrix information
Each Matrix listing contains information regarding the Patches used for the Matrix, the number of horizontal and vertical
dimensions, and switching properties. A mapping table shows the Cell positions for each of the Matrix’ Patches.
A/B switching normally is set to A0 for upward/crescendo, and B0 for downward/diminuendo. However, some bass
instruments go below that range so that the A/B keys have to be adapted accordingly. For example, the A/B switches for
double bass are A0 and A#0 because the instrument’s lower range extends to B0.
In order to facilitate working with MIDI controller switches like the Modulation wheel, the switching positions are not
distributed equally across the controller range if they control more than two Matrix rows or columns; generally, the
switching range will be narrower at the extreme positions because they are easy to set, and wider in the middle where it is
harder to find the desired setting.
Speed controller switches naturally are adjusted to the Patches involved, and have been tested carefully as to their
playability. However, if you find that they do not fit your playing, or want to try out other settings, you can change this as
well as any other controller settings in the Map Control tab of the Vienna Instruments player’s Advanced View, and save the
result in your Custom Matrix folder.
Preset information
The Preset information lists the Matrices used in the Preset as well as its keyswitches. All other information can be gathered
from the Matrix and Patch listings, so there’s not really much to say here. Please note that the Matrices of a Preset can also
be switched with MIDI Program Changes (VI: 1–12; VI PRO: 1–127) instead of keyboard notes, and if you like to keep your
keyboard free for playing instead of switching, you can disable Preset keyswitching and only use MIDI Program Changes.
Vienna Instruments PRO also allows you to define a MIDI Control for Preset keyswitching.
Library updates
If you purchased your Instrument Collection via download or on the Vienna Hard Drive, all previous library updates will
already be included; if you own a DVD Collection, you can download the updates from your personal User Area. A general
description of Vienna Instruments PRO 2 Matrices and Presets included in these updates can be found in the Appendix
“Vienna Instruments PRO 2 Matrices and Presets” on page 169.
(c) 2012 Vienna Symphonic Library Vienna Instruments Solo Strings I+II –7–
Introduction
Abbreviations
Instruments
Abbreviation English German
VI Violin Violine
VA Viola Viola
VC Cello Cello
DB Double bass Kontrabass
(c) 2012 Vienna Symphonic Library Vienna Instruments Solo Strings I+II –8–
The orchestra
There are several ways of setting up an orchestra, depending on the era of the piece played, the type of the piece and the
instruments it requires, and even on the preference of the conductor. The figure below shows one of the more common
setups, which can be taken as a guideline for mixing a composition, properly positioning the instruments in the stereo field
and adding reverb according to the size of the concert hall you want your piece to be played in.
Pitch
For designating pitch, the Vienna Symphonic Library uses International Pitch Notation (IPN), which was agreed upon
internationally under the auspices of the Acoustical Society of America. In this system the international standard of
A=440 Hz is called A4 and middle C is C4. All pitches are written as capital letters, their respective octave being indicated
by a number next to it. The lowest C on the piano is C1 (the A below that is A0), etc.
You can tune your Vienna Instruments to other players, or adjust it to tunings of earlier musical periods by setting the
Perform page’s Master Tune option within a range of 420 to 460 Hz.
(c) 2012 Vienna Symphonic Library Vienna Instruments Solo Strings I+II –9–
Solo Strings I
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Articulations
01 Violin solo
01 SHORT + LONG NOTES Staccato, short détaché, long détaché Long détaché without vibrato, sustained
with vibrato, sustained with vibrato, with progressive, fading, and without
marcato vibrato, espressivo
02 DYNAMICS Fortepiano and sforzato Medium and strong crescendo and
diminuendo with vibrato (1.5, 3, and 4
sec.), medium crescendo and
diminuendo without vibrato (1.5 and 3
sec.), crescendo-diminuendo (2 and 4
sec.), sforzatissimo
03 TREMOLO + TRILLS Tremolo sustained; trills half and whole Tremolo crescendo and diminuendo (1.5
tone and 3 sec.); trills half and whole tone
dynamics, trills accelerando normal and
dynamics
04 PIZZ + LEGNO Pizzicato normal and snap (Bartók) Pizzicato secco, col legno.
05 HARMONICS Artificial harmonics: Staccato, sustained Artificial harmonics: Repetition
performances glissando. Natural
harmonics: Sustained, repetition
performances, glissando.
06 PONTICELLO Staccato, sustained, tremolo Détaché, sforzato, sforzatissimo,
repetition performances normal and
dynamics.
07 TASTO Staccato, détaché, sustained, sforzato,
tremolo.
10 PERF INTERVAL Legato, portamento Legato on the same string, with
progressive vibrato, zigane (gipsy),
détaché, marcato, and spiccato
11 PERF INTERVAL FAST Legato Marcato, spiccato, and harsh
12 PERF TRILL Trills, legato, minor 2nd to 4th
13 PERF REPETITION Legato slow, staccato, spiccato Legato fast, bow vibrato slow and fast,
portato slow/medium/fast, and harsh;
dynamics for all articulations
14 FAST REPETITION Normal and dynamics, speeds from 150
to 200 BPM
Ricochet – the bow is cast onto the string
and rebounding: normal with 150 to 190
and 210 BPM, 3 quick repetitions,
accelerando, ritardando
15 GRACE NOTES Grace notes, half and whole tone, slow
and fast
"Zigane" style grace notes, minor 2nd to
major 3rd
16 GLISSANDI Medium and fast octave glissandos, up Glissandos on every string
and down
17 SCALE RUNS Octave runs, legato and spiccato, major
and minor sharp from C to B on every
note of the scale; chromatic and whole
tone; 200 BPM
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Instrument/Group Level 1 (Standard) content Level 2 (Extended) content
02 Viola solo
01 SHORT + LONG NOTES Staccato, short and long détaché, Sustained with progressive, fading, and
sustained with vibrato, marcato without vibrato, espressivo
02 DYNAMICS Fortepiano, sforzato Medium crescendo and diminuendo with
and without vibrato (1.5 and 3 sec.),
strong crescendo and diminuendo with
vibrato (1.5, 3, and 4 sec.), crescendo-
diminuendo (2 and 4 sec.), sforzatissimo
03 TREMOLO + TRILLS Tremolo sustained, trills half and whole Tremolo crescendo and diminuendo (1.5
tone and 3 sec.), trills constant speed
dynamics, accelerando normal and
dynamics.
04 PIZZ + LEGNO Pizzicato normal and snap (Bartók) Col legno.
05 HARMONICS Artificial harmonics staccato and Artificial harmonics repetition
sustained performances; Natural harmonics
sustained, repetition performances,
glissando
06 PONTICELLO Staccato, sustained, tremolo Détaché, sforzato, sforzatissimo,
repetition performances normal and
dynamics
07 TASTO Staccato, détaché, sustained, sforzato,
tremolo.
10 PERF INTERVAL Legato, portamento Legato on the same string, with
progressive vibrato, zigane (gipsy),
marcato, and spiccato
11 PERF INTERVAL FAST Legato Marcato, spiccato, and harsh
12 PERF TRILL Trills, legato, minor 2nd to 4th
13 PERF REPETITION Legato slow, staccato, spiccato Legato fast, portato, harsh; dynamics for
all articulations
14 FAST REPETITION 9 repetitions, normal and dynamics,
speeds from 150 to 190 BPM.
Ricochet – the bow is cast onto the string
and rebounding: normal with 150 to 190
and 210 BPM, 3 quick repetitions,
accelerando, ritardando
15 GRACE NOTES Grace notes, half and whole tone; zigane
grace notes, minor 2nd to major 3rd
16 GLISSANDI Octave glissandos, up and down Glissandos on every string
03 Cello solo
01 SHORT + LONG NOTES Staccato, short détaché, sustained with Long détaché, sustained with
vibrato, marcato progressive, fading, and without vibrato,
espressivo
02 DYNAMICS Fortepiano and sforzato Medium crescendo and diminuendo with
and without vibrato (1.5 and 3 sec.),
strong crescendo and diminuendo with
vibrato (1.5, 3, and 4 sec.), crescendo-
diminuendo (2 and 4 sec.), and
sforzatissimo
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Instrument/Group Level 1 (Standard) content Level 2 (Extended) content
03 TREMOLO + TRILLS Tremolo sustained, trills half and whole Tremolo crescendo and diminuendo (1.5
tone and 3 sec.), trills half and whole tone
dynamics, accelerando normal and
dynamics.
04 PIZZ + LEGNO Pizzicato normal and snap (Bartók) Pizzicato secco, col legno.
05 HARMONICS Artificial harmonics staccato, sustained Artificial harmonics repetition
performances; natural harmonics
sustained, repetition performances,
glissando
06 PONTICELLO Staccato, sustained, tremolo Détaché, sforzato, sforzatissimo,
repetition performances normal and
dynamics.
07 TASTO Staccato, détaché, sustained, sforzato,
tremolo.
10 PERF INTERVAL Legato, portamento Legato on the same string, with
progressive vibrato, zigane (gipsy),
marcato, and spiccato
11 PERF INTERVAL FAST Legato Marcato, spiccato, and harsh
12 PERF TRILL Trills, legato, minor 2nd to major 3rd.
13 PERF REPETITION Legato slow, staccato, spiccato Legato fast, bow vibrato, portato, and
harsh; dynamics for all articulations
14 FAST REPETITION 9 repetitions, normal and dynamics,
speeds from 140 to 180 BPM
Ricochet; normal with 150 to 190 and
210 BPM, 3 quick repetitions,
accelerando, ritardando
15 GRACE NOTES Grace notes, half and whole tone; zigane
grace notes, minor 2nd to major 3rd.
16 GLISSANDI Medium and fast octave glissandos, up Glissandos on every string
and down
04 Bass solo
01 SHORT + LONG NOTES Staccato, short détaché, sustained with Long détaché, sustained with
vibrato, marcato progressive, fading, and without vibrato
02 DYNAMICS Fortepiano and sforzato Medium crescendo and diminuendo
without vibrato (1.5 and 3 sec.), strong
crescendo and diminuendo with vibrato
(1.5, 3, and 4 sec.), crescendo-
diminuendo (2 and 4 sec.), sforzatissimo
03 TREMOLO + TRILLS Tremolo sustained, trills half and whole Tremolo crescendo and diminuendo (1.5
tone and 3 sec.), trills half and whole tone
dynamics
04 PIZZ + LEGNO Pizzicato, normal and snap (Bartók) Col legno.
05 HARMONICS Artificial harmonics staccato, sustained Artificial harmonics repetition
performances, natural harmonics
sustained, repetition performances,
glissando.
06 PONTICELLO Staccato, sustained, tremolo Détaché, sforzato, sforzatissimo,
repetition performances normal and
dynamics
07 TASTO Staccato, détaché, sustained, sforzato,
tremolo
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Instrument/Group Level 1 (Standard) content Level 2 (Extended) content
10 PERF INTERVAL Legato, portamento Marcato and spiccato
11 PERF INTERVAL FAST Legato Marcato, spiccato, and harsh
12 PERF TRILL Trills, legato, minor to major 2nd
13 PERF REPETITION Legato slow, staccato, spiccato Legato fast, portato, harsh; dynamics for
all articulations
14 GLISSANDI Performance glissandos, up and down;
medium and fast octave glissandos, up
and down
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01 Violin solo
01 Violin solo
Description
The violin, as the smallest of the stringed instruments, is the soprano instrument of the violin family (violin, viola, cello).
Since the Baroque era the strings – the most homogeneous of all instrument groups – have been the heart of the orchestra.
Violins are always used in chorus and divided into 1st and 2nd violins. Modern string sections use 14 first and 12 second
violins (in especially large orchestras 16 first and 14 second violins).
Sound characteristics
Full, lively, singing, eloquent, introspective, supernatural, sensuous, lustrous, bright, metallic, vibrant, clear, glassy, flute-
like, shrill, brilliant, sparkling, calm, thin, whistling, round, pure, muffled, solemn, austere, dark, muted, open, sustaining,
rough, wafting, soft, sweet, merry, dancing, veiled.
The 1st violins generally play the higher part, which is usually the main melody. The 2nd violins often play the part of “lower
sisters”. They often play an octave below, darkening the overall timbre.
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01 Violin solo
Patches
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01 Violin solo
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01 Violin solo
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01 Violin solo
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01 Violin solo
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01 Violin solo
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01 Violin solo
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01 Violin solo
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01 Violin solo
11 VI_fast-rep_150_dyn (160/170/180/190/200)
Samples: 52 RAM: 3 MB Level 2
Staccato dynamics, 9 repetitions, 150, 160, 170, 180, 190, 200 BPM
1 velocity layer
AB switch: crescendo/diminuendo
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01 Violin solo
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01 Violin solo
16 GLISSANDI
Level 1: Medium and fast octave glissandos, up and down
Level 2: Glissandos on every string
17 SCALE RUNS
Level 2: Octave runs, legato and spiccato, major and minor sharp from C to B on every note of the scale; chromatic
and whole tone; 200 BPM.
Please note that upward runs can be played only to an octave below the upper play range, downward runs to an octave
above the lower play range. The octave runs are mapped diatonically according to their scale. For the playing ranges and
mappings of individual scales, please see the appendix.
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01 Violin solo
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01 Violin solo
98 RESOURCES
Level 2: Isolated dynamics repetitions, single layer long notes, interval performance speed variations.
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01 Violin solo
99 RELEASE
This section contains release samples for various patches of the other sections. Please do not try to load them into a
Vienna Instruments matrix – you will not be able to hear anything when you try to play them.
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01 Violin solo
Matrices
Matrix - LEVEL 1
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01 Violin solo
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01 Violin solo
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01 Violin solo
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01 Violin solo
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01 Violin solo
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01 Violin solo
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01 Violin solo
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01 Violin solo
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01 Violin solo
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01 Violin solo
Presets
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02 Viola solo
02 Viola solo
Description
The viola is the alto instrument of the violin family. It is constructed using the same components as the violin, the only
difference being the larger size. Its stately and dark timbre contrasts sharply with that of the violin.
The modern symphony orchestra usually uses 10 (in large orchestras 12) violas.
Sound characteristics
Dark, stately, reedy, warm, distinctive, full, lively, singing, eloquent, introspective, sensuous, round, muffled, solemn,
austere, muted, rough, wafting, veiled, sonorous, powerful, robust.
The sound of the violas as a group achieves an austere charm which is used for melodic tasks at dramatic turning points,
especially in the opera orchestra.
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02 Viola solo
Patches
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02 Viola solo
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02 Viola solo
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02 Viola solo
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02 Viola solo
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02 Viola solo
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02 Viola solo
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02 Viola solo
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02 Viola solo
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02 Viola solo
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02 Viola solo
16 GLISSANDI
Level 1: Octave glissandos, up and down
Level 2: Glissandos on every string
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02 Viola solo
Monophonic
1 velocity layer
Release samples
98 RESOURCES
Level 2: Isolated dynamics repetitions, single layer long notes, interval performance speed variations.
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02 Viola solo
99 RELEASE TRIGGER
This section contains release samples for various patches of the other sections. Please do not try to load them into a
Vienna Instruments matrix – you will not be able to hear anything when you try to play them.
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02 Viola solo
Matrices
Matrix - LEVEL 1
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02 Viola solo
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02 Viola solo
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02 Viola solo
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02 Viola solo
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02 Viola solo
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02 Viola solo
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02 Viola solo
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02 Viola solo
Presets
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03 Cello solo
03 Cello solo
Description
The cello is the tenor and bass instrument of the violin family.
In the 19th century the cello advanced along with the violin to become the most important bowed instrument for solo works.
The modern symphony orchestra usually uses 8 (in large orchestras 10) cellos.
Sound characteristics
Mellow, warm, sonorous, full, clear, brilliant, vibrant, singing, bright, lustrous, stately, lyrical, cantabile, thick, weighty,
powerful, silky, lively, incisive, eloquent, transcendental, supernatural, sensuous, calm, round, pure, muffled, dark, open,
sustaining, solemn, wafting, gentle, sweet, veiled.
The cello possesses a wide variety of differing tonal colors and means of expression, ranging from the calm and solemn in
the lower register to bursts of passion in the uppermost register. It is something of a split personality: on the one hand it
plays the part of the solid, reliable bass instrument; on the other hand it aspires to the passion of a heroic tenor.
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03 Cello solo
Patches
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03 Cello solo
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03 Cello solo
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03 Cello solo
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03 Cello solo
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03 Cello solo
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03 Cello solo
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03 Cello solo
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03 Cello solo
1 velocity layer
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03 Cello solo
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03 Cello solo
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03 Cello solo
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03 Cello solo
15 GRACE NOTES
Level 2: Grace notes, half and whole tone; zigane grace notes, minor 2nd to major 3rd.
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03 Cello solo
16 GLISSANDI
Level 1: Medium and fast octave glissandos, up and down
Level 2: Glissandos on every string
98 RESOURCES
Level 2: Isolated dynamics repetitions, single layer long notes, interval performance speed variations.
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03 Cello solo
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03 Cello solo
99 RELEASE
This section contains release samples for various patches of the other sections. Please do not try to load them into a
Vienna Instruments matrix – you will not be able to hear anything when you try to play them.
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03 Cello solo
Matrices
Matrix - LEVEL 1
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03 Cello solo
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03 Cello solo
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03 Cello solo
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03 Cello solo
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03 Cello solo
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03 Cello solo
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03 Cello solo
Presets
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04 Bass solo
04 Bass solo
Description
The double bass is the contrabass instrument of the string section and, with its sloping shoulders and its string tuning to
fourths, is not strictly speaking a member of the violin family (violin, viola, cello).
The modern symphony orchestra usually uses 6 (in especially large orchestras 8) double basses.
Sound characteristics
Heavy, weighty, dark, weightless, wafting, somber, earthy, resonant, rasping, broad, hollow, dull, mighty, menacing, violent,
mellow, sustaining, aspirate.
Like the tuba, the double bass lacks the high partials due to its great size, although the first six partials are especially
prominent which makes the timbre dark, broad and smooth.
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04 Bass solo
Patches
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04 Bass solo
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04 Bass solo
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04 Bass solo
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04 Bass solo
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04 Bass solo
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04 Bass solo
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04 Bass solo
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04 Bass solo
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04 Bass solo
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04 Bass solo
Monophonic
1 velocity layer
98 RESOURCES
Level 2: Isolated dynamics repetitions, single layer long notes, interval performance speed variations.
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04 Bass solo
99 RELEASE TRIGGER
This section contains release samples for various patches of the other sections. Please do not try to load them into a
Vienna Instruments matrix – you will not be able to hear anything when you try to play them.
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04 Bass solo
Matrices
Matrix - LEVEL 1
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04 Bass solo
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04 Bass solo
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04 Bass solo
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04 Bass solo
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04 Bass solo
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04 Bass solo
Presets
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Appendix – Solo Strings I
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Appendix – Solo Strings I
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Appendix – Solo Strings I
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Appendix – Solo Strings I
Solo Strings II
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Appendix – Solo Strings I
Articulations
01 Violin solo
14 FAST REPETITION Fast repetitions, long, 16ths at 150 to
190 BPM
31 Sordino SHORT + LONG Staccato Long détaché
NOTES Short détaché Sustained with progressive and without
Sustained with vibrato vibrato
32 Sordino DYNAMICS Fortepiano and sforzato with vibrato Medium dynamics, 2, 3, 4 sec.
Strong dynamics, 2, 3, 4 sec.
Crescendo-diminuendo, 2, 4, 6 sec.
Sforzatissimo
All patches with vibrato
33 Sordino TREMOLO Tremolo sustained Tremolo sustained, optimized attack for
Normal and with attack automation legato
34 Sordino PIZZ Pizzicato
35 Sordino HARMONICS Artificial harmonics
Staccato and sustained
40 Sordino PERF INTERVAL Legato, with vibrato Legato, with progressive and without vibrato
Portamento Marcato
Spiccato
41 Sordino PERF INTERVAL Legato fast
FAST
42 Sordino PERF TRILL Trills, minor 2nd to 4th
43 Sordino PERF REPETITION Legato Portato
Staccato Crescendo repetitions, all articulations
Spiccato
44 Sordino FAST REPETITION Fast repetitions, 16ths at 150 to 190 BPM
02 Viola solo
14 FAST REPETITION Fast repetitions, long, 16ths at 150 to
190 BPM
31 Sordino SHORT + LONG Staccato Long détaché
NOTES Short détaché Sustained with progressive and without
Sustained with vibrato vibrato
32 Sordino DYNAMICS Fortepiano and sforzato with vibrato Medium dynamics, 2, 3, 4 sec.
Strong dynamics, 2, 3, 4 sec.
Crescendo-diminuendo, 2, 4, 6 sec.
Sforzatissimo
All patches with vibrato
33 Sordino TREMOLO Tremolo sustained Tremolo sustained, optimized attack for
Normal and with attack automation legato
34 Sordino PIZZ Pizzicato
35 Sordino HARMONICS Artificial harmonics
Staccato and sustained
40 Sordino PERF INTERVAL Legato, with vibrato Legato, with progressive and without vibrato
Portamento Marcato
Spiccato
41 Sordino PERF INTERVAL Legato fast
FAST
42 Sordino PERF TRILL Trills, minor 2nd to 4th
43 Sordino PERF REPETITION Legato Portato
Staccato Crescendo repetitions, all articulations
Spiccato
44 Sordino FAST REPETITION Fast repetitions, 16ths at 150 to 190 BPM
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Appendix – Solo Strings I
03 Cello solo
14 FAST REPETITION Fast repetitions, long, 16ths at 150 to
190 BPM
31 Sordino SHORT + LONG Staccato Long détaché
NOTES Short détaché Sustained with progressive and without
Sustained with vibrato vibrato
32 Sordino DYNAMICS Fortepiano and sforzato with vibrato Medium dynamics, 2, 3, 4 sec.
Strong dynamics, 2, 3, 4 sec.
Crescendo-diminuendo, 2, 4, 6 sec.
Sforzatissimo
All patches with vibrato
33 Sordino TREMOLO Tremolo sustained Tremolo sustained, optimized attack for
Normal and with attack automation legato
34 Sordino PIZZ Pizzicato
35 Sordino HARMONICS Artificial harmonics
Staccato and sustained
40 Sordino PERF INTERVAL Legato, with vibrato Legato, with progressive and without vibrato
Portamento Marcato
Spiccato
41 Sordino PERF INTERVAL Legato fast
FAST
42 Sordino PERF TRILL Trills, minor 2nd to 4th
43 Sordino PERF REPETITION Legato Portato
Staccato Crescendo repetitions, all articulations
Spiccato
44 Sordino FAST REPETITION Fast repetitions, 16ths at 150 to 190 BPM
04 Bass solo
14 FAST REPETITION Fast repetitions, long, 16ths at 150 to
190 BPM
31 Sordino SHORT + LONG Staccato Long détaché
NOTES Short détaché Sustained with progressive and without
Sustained with vibrato vibrato
32 Sordino DYNAMICS Fortepiano and sforzato with vibrato Medium dynamics, 2, 3, 4 sec.
Strong dynamics, 2, 3, 4 sec.
Crescendo-diminuendo, 2, 4, 6 sec.
Sforzatissimo
All patches with vibrato
33 Sordino TREMOLO Tremolo sustained Tremolo sustained, optimized attack for
Normal and with attack automation legato
34 Sordino PIZZ Pizzicato
35 Sordino HARMONICS Artificial harmonics
Staccato and sustained
40 Sordino PERF INTERVAL Legato, with vibrato Legato, with progressive and without vibrato
Portamento Marcato
Spiccato
41 Sordino PERF INTERVAL Legato fast
FAST
42 Sordino PERF TRILL Trills, minor and major 2nd
43 Sordino PERF REPETITION Legato Portato
Staccato Crescendo repetitions, all articulations
Spiccato
44 Sordino FAST REPETITION Fast repetitions, 16ths at 150 to 190 BPM
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01 Violin solo
01 Violin solo
Patches
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01 Violin solo
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01 Violin solo
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01 Violin solo
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01 Violin solo
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01 Violin solo
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01 Violin solo
98 RESOURCES
99 RELEASE
This section contains release samples for various patches of the other sections. Please do not try to load them into a
Vienna Instruments Matrix – you will not be able to hear anything when you try to play them.
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01 Violin solo
Matrices
Matrix - LEVEL 1 mu
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01 Violin solo
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01 Violin solo
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01 Violin solo
Presets
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02 Viola solo
02 Viola solo
Patches
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02 Viola solo
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02 Viola solo
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02 Viola solo
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02 Viola solo
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02 Viola solo
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02 Viola solo
98 RESOURCES
99 RELEASE TRIGGER
This section contains release samples for various patches of the other sections. Please do not try to load them into a
Vienna Instruments Matrix – you will not be able to hear anything when you try to play them.
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02 Viola solo
Matrices
Matrix - LEVEL 1 mu
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02 Viola solo
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02 Viola solo
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02 Viola solo
Presets
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03 Cello solo
03 Cello solo
Patches
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03 Cello solo
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03 Cello solo
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03 Cello solo
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03 Cello solo
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03 Cello solo
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03 Cello solo
98 RESOURCES
99 RELEASE TRIGGER
This section contains release samples for various patches of the other sections. Please do not try to load them into a
Vienna Instruments Matrix – you will not be able to hear anything when you try to play them.
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03 Cello solo
Matrices
Matrix - LEVEL 1 mu
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03 Cello solo
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03 Cello solo
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03 Cello solo
Presets
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04 Bass solo
04 Bass solo
Patches
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04 Bass solo
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04 Bass solo
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04 Bass solo
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04 Bass solo
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04 Bass solo
98 RESOURCES
99 RELEASE TRIGGER
This section contains release samples for various patches of the other sections. Please do not try to load them into a
Vienna Instruments Matrix – you will not be able to hear anything when you try to play them.
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04 Bass solo
Matrices
Matrix - LEVEL 1 mu
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04 Bass solo
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04 Bass solo
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04 Bass solo
Presets
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VI PRO II Matrices and Presets
Vienna Instruments
PRO II Matrices and
Presets
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VI PRO II Matrices and Presets
Introduction
Update Installation – DVD Collections
All new VI PRO 2 Presets and Matrices are installed by installing the Library Updates, available in your User Area
www.vsl.co.at/user.
Make sure that you have installed the latest version of Vienna Instruments PRO 2 and launch the Directory Manager.
WIN: “Start” button => “All programs” => “Vienna Instruments PRO”
OS X: “Applications” => “Vienna Instruments PRO”
Drag your downloaded Library Update .zip files on top of the sample content folder list in the Directory Manager; there is no
need to unpack them first. It is also possible to take more than one .zip, as they will be installed one after the other. You will
be guided through the update installation.
Attention: Please make sure to have all the Vienna Instruments Libraries you want to update loaded entirely in the
Directory Manager – this will save you a few mouseclicks.
General Information
All Vienna Instruments PRO 2 Presets and Matrices have been saved with their cells disabled. This way you can load them
quickly to analyze the various loaded Presets and Matrices.
If you activate “Force Enabled ON” in the Settings Menu, these Presets and Matrices will be loaded with enabled cells.
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VI PRO II Matrices and Presets / Single Instrument Matrices
“MATRIX – VI PRO 2”
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VI PRO II Matrices and Presets / Single Instrument Matrices
Attention: Loading or “enabling” these matrices for the first time will cause some delay due to the necessary
rendering time.
X-Axis Controller (horizontal): Keyswitches
For Bass to Soprano Instruments (lowest note C2): C1 upwards
For Contrabass Instruments (lowest notes below C2): C6 upwards
Use these Keyswitches to change between different Performance Interval Patches (legato, portamento, glissando).
Y-Axis Controller (vertical): CC1 (ModWheel)
Use the ModWheel to access different transition lengths for the Performance Interval Patches.
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VI PRO II Matrices and Presets / Single Instrument Matrices
CC1 = 1 Slowest
CC1 = 127 Fastest
Hint: For a more accurate selection of the intended playing speed it will make sense to change the Y-Axis
Controller to Keyswitches.
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VI PRO II Matrices and Presets / Single Instrument Matrices
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VI PRO II Matrices and Presets / Single Instrument Matrices
Slot 1 “cre-dim” Sequence of eight 16th notes from pp–ff, followed by eight 16th notes
from ff–pp
Slot 2 “dim-cre” Sequence of eight 16th notes from ff–pp, followed by eight 16th notes
from pp–ff
Slot 3 “cr-di sh” Sequence of four 16th notes from pp–ff, followed by 4 16th notes from ff–pp
Slot 4 “di-cr sh” Sequence of four 16th notes from ff–pp, followed by four 16th notes
from pp–ff
Slot 5 “cre step” A series of 4 sequences, each with 4 16th notes, starting with pp. Every following sequence
starts at the next higher volume from the preceding one.
Slot 6 “dim step” A series of 4 sequences, each with 4 16th notes, starting with ff. Every following sequence
starts with the next lower volume from the preceding one.
Slot 7 “accent A” A series of 4 sequences, each with 4 16th notes, with an accentuation on the quarter beat and
crescendos towards the accentuated notes.
Slot 8 “accent B” A series of 4 sequence parts, each with 4 16th notes, with an accentuation on the quarter beat
and strong cresendos towards the accentuated notes.
Slot 9 “Phrase A” Example 1 of a combination of different articulations.
Slot 10 “Phrase B” Example 2 of a combination of different articulations.
Slot 11 “Phrase C” Example 3 of a combination of different articulations.
Slot 12 “Phrase D” Example 4 of a combination of different articulations.
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VI PRO II Matrices and Presets / Single Instrument Matrices
Attention: If this Matrix is loaded into an empty preset on its own, the “Scale Select Range” and “Velocity Switch”
functions in the APP sequencer (Scale Tab) must be activated.
X-Axis Controller (horizontal): Articulations/Patches are assigned in the APP Sequencer (Cell Tab). The major part of the
patches used is based on Performance Fast Legatos, and Slurred Fast Legatos for most string ensembles.
Y-Axis Controller (vertical): Keyswitches
For Bass to Soprano Instruments (lowest note C2): C1 upwards
For Contrabass Instruments (lowest notes below C2): C6 upwards
The available variations in the Y-Axis consist of upwards and downwards runs and phrases in different lengths.
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VI PRO II Matrices and Presets / Single Instrument Matrices
Attention: “Ext” Matrices are only available if the Extended Library of the corresponding Collection is available,
and only for instruments that contain marcato and/or spiccato Performance Patches.
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VI PRO II Matrices and Presets / Single Instrument Matrices
Attention: If this Matrix is loaded into an empty preset on its own, the “Scale Select Range” and “Velocity Switch”
functions in the APP sequencer (Scale Tab) must be activated.
X-Axis Controller (horizontal): Articulations/Patches are assigned in the APP Sequencer (Cell Tab). The major part of the
Patches used is based on Performance Trill Patches.
Y-Axis Controller (vertical): Keyswitches
For Bass to Soprano Instruments (lowest note C2): C1 upwards
For Contrabass Instruments (lowest notes below C2): C6 upwards
The available variations in the Y-Axis consist of trills in different speeds, accelerating or decelerating, plus a variety of
mordents and inverted mordents (“Pralltriller”).
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VI PRO II Matrices and Presets / Single Instrument Matrices
Attention: If this Matrix is loaded into an empty preset on its own, the “Scale Select Range” and “Velocity Switch”
in the APP sequencer (Scale Tab) must be activated.
X-Axis Controller: Articulations are assigned in the APP Sequencer (Cell Tab)
The major part of the used patches is based on Performance Legato Patches, in combination with Performance Repetitions.
Y-Axis Controller: Keyswitches
Only for Bass to Soprano Instruments (lowest note C2): C1 upwards
The available variations in the Y-Axis are the most essential arpeggio chords over 4 strings within a scale (except #12).
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VI PRO II Matrices and Presets / Single Instrument Presets
Use Keyswitches to switch between Matrices. Alternatively, you can also use Program Changes or MIDI Control Changes.
Matrix switching: Keyswitches
For Alto and Soprano Instruments (lowest note C3): C2 upwards
For Bass and Tenor Instruments (lowest notes below C3): C6 upwards
For Contrabass Instruments (lowest notes below C2): C5 upwards
Internal reverb is activated!
Tuning Table: 12-tone
Assignment of the most important controllers (pre-configured sliders in Basic View)
Master Volume CC7
Velocity X-Fade CC2
Velocity X-Fade ON/OFF switch CC28
Dyn Range scaler CC30
Start Offset scaler CC21
Expression CC11
Filter CC24
Tuning CC26 (scales Humanize Tuning Curves)
Reverb Dry/Wet CC14
Reverb ON/OFF switch CC15
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VI PRO II Matrices and Presets / Single Instrument Presets
Common Matrix assignments (if corresponding Patches are available):
C 01_basic
C# 11 repetitions
D 12 repetition-Dyn
D# 21 runs+phr key
E 22 runs+phr whl
F 23 runs+phr chr
F# 24 runs+phr key ext
G 25 runs+phr whl ext
G# 26 runs+phr chr ext
A 31 perf-trills
A# 32 arpeggios
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VI PRO II Matrices and Presets / Chord Matrices
Chord Matrices
The Matrix Browser displays Chord Matrices in a new folder above the corresponding instrument group’s original Single
Instruments folder.
The following Chord Matrix folders are available and will be displayed if the respective licenses are available:
All Chord Matrices are based on APP Sequences and consist of chords with 4 or 5 voices
with the following voicing:
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VI PRO II Matrices and Presets / Chord Matrices
Chord Matrices
C6 Performance Legato
C#6 Portamento (Strings) or Sustain Vibrato (Winds)
D6 Staccato
D#6 Détaché (Strings) or Portato short (Winds)
E6 Sustain with vibrato (Strings) or Sustain without vibrato (Winds)
F6 Fortepiano (Appassionata Strings: Sforzando)
F#6 Sforzando
G6 Performance Repetition (Legato)
G#6 Performance Repetition Portato (Solo Strings: Staccato)
A6 Performance Repetition Spiccato (Strings) or Staccato (Winds)
A#6 Tremolo (Strings) or Flutter Tongue (Winds)
B6 Pizzicato (Strings) or Sforzatissimo (Winds)
Y-Axis Controller (vertical): Keyswitches for a choice of different chord inversions and additional chords like diminished,
augmented and ninth chords
With all variations, the soprano voice plays the root note.
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VI PRO II Matrices and Presets / Chord Matrices
C6 Performance Trills
C#6 Performance Marcato
D6 Performance Spiccato (Strings) or Single Note Staccato (Winds)
D#6 Détaché long (Strings) or Portato medium (Winds)
E6 Sustain without vibrato
F6 Short Crescendos & Diminuendos (ca. 2 seconds), switch with A/B Switch
F#6 pfp (crescendo – diminuendo)
•G6 Performance Repetition Legato (except Appassionata Strings: pfp long)
G#6 Performance Repetition Portato (except Appassionata Strings: Performance sfz)
A6 Performance Repetition Harsh (Strings) or Staccato (Winds)
A#6 Harmonics (Strings except Appassionata Strings) or Flutter tongue (Winds)
B6 (Snap) Pizzicato (Strings) or Sforzatissimo (Winds)
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VI PRO II Matrices and Presets / Chord Matrices
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VI PRO II Matrices and Presets / Chord Matrices
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VI PRO II Matrices and Presets / Chord Matrices
Attention: “Ext” Matrices are only available if the corresponding Instrument’s Extended Library is available, and
only for instruments that contain marcato and/or spiccato Performance Patches.
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VI PRO II Matrices and Presets / Chord Matrices
C1 “up Octav” Incremental octave phrase upwards with repetition note, chord in unison, arranged in octaves
C#1 “do Octav” Incremental octave phrase downwards with repetition note, chord in unison, arranged in octaves
D1 “up Oc+Ch” Incremental octave phrase upwards with repetition note, arranged in triads
D#1 “do Oc+Ch” Incremental octave phrase downwards with repetition note, arranged in triads
E1 “up Phr” Phrase upwards, starting with repetition note, chord in unison, arranged in octaves
F1 “do Phr” Phrase downwards, starting with repetition note, chord in unison, arranged in octaves
F#1 “up Octav” Incremental octave phrase upwards with changed note (cambiata), chord in unison, arranged in
octaves
G1 “do Octav” Incremental octave phrase downwards with changed note (cambiata), chord in unison, arranged
in octaves
G#1 “up Oc+Ch” Incremental octave phrase upwards with changed note (cambiata), arranged in triads
A1 “do Oc+Ch” Incremental octave phrase downwards with changed note (cambiata), arranged in triads
A#1 “up Phr” Phrase upwards starting with changed note (cambiata), chord in unison, arranged in octaves
B1 “do Phr” Phrase downwards with changed note (cambiata) downwards, chord in unison, arranged in
octaves
Attention: “Ext” Matrices are only available if the corresponding Instrument’s Extended Library is available, and
only for instruments that contain marcato and/or spiccato Performance Patches.
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VI PRO II Matrices and Presets / Chord Matrices
“41 Cho-trem”
Finger tremolos available for all String and Woodwind groups with Chord Matrices and Performance Trill Patches. (Extended
Library Content required!)
An APP Sequencer based Matrix with Host Tempo Sync NOT activated by default. Trill speed can be set directly in the APP
sequencer’s “Sequence” tab.
Play range: C3–B5 (depending on the instrument group and played chord, some limitations in the highest play range will
apply)
Selection of 12 Scales from C major/minor to B major/minor by Keyswitches C7–B7.
Change between major and minor harmonic scales by Velocity Switch:
Velocity 0–99: Major scale
Velocity 100–127: Minor harmonic scale
X-Axis Controller (horizontal): Articulations are assigned in the APP Sequencer (Cell Tab).
Y-Axis Controller (vertical): Keyswitches for a choice of different chord inversions and additional chords like diminished,
augmented and ninth chords.
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VI PRO II Matrices and Presets / Pattern Matrices
Pattern Matrices
Four variations, only available for Strings:
Theme 01a Leg
Theme 01b Marc
Theme 01c Walk
Theme 01d Arp
All four matrices are based on 2 bars of looped musical building blocks. These building blocks are designed as examples to
show the possibilities of the APP Sequencer.
Make use of the different musical structures of this pattern also with different lengths: half a bar, a whole bar or 2 bars.
Play range: C3–B5 (depending on the Instrument Group and played chord, some limitations in the highest play range will
apply)
Host Tempo Sync activated by default.
Selection of 12 Scales from C major/minor to B major/minor by Keyswitches C7–B7.
Change between major and minor harmonic scales by Velocity Switch:
Velocity 0–99: Major Scale
Velocity 100–127: Minor Harmonic Scale
X-Axis Controller: Articulations are assigned in the APP Sequencer (Cell Tab).
Y-Axis Controller: Keyswitches to choose between different chord inversions.
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VI PRO II Matrices and Presets / Chord Presets
Chord Presets
The Vienna Instruments PRO 2 Chord Presets are located in a folder above the original Single Instruments folder in the
Preset Browser of the corresponding instrument group.
All Cells are saved in “disabled” status (without any loaded samples). To load your Presets with all cells automatically
enabled, simply activate “Force Enabled ON/OFF” in the Settings menu.
Use Keyswitches to switch between Matrices. Alternatively, you can also use Program Changes or MIDI Control Changes.
Internal Reverb is activated!
Tuning Table: 12-tone
Assignment of the most essential controllers (pre-configured sliders in Basic View)
C2 01 Chords (8)
C#2 02 Chords (3)
D2 03 Chords (5)
D#2 04 Chords (7+8)
E2 11 Cho-rep (8)
F2 12 Cho-rep (3)
F#2 13 Cho-rep (5)
G2 14 Cho-rep (7+8)
G#2 21 Cho-Run key
A2 22 Cho-Run whl
A#2 23 Cho-Run chr
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VI PRO II Matrices and Presets / Chord Presets
C2 01 Chords (8)
C#2 02 Chords (3)
D2 03 Chords (5)
D#2 04 Chords (7+8)
E2 11 Cho-rep (8)
F2 12 Cho-rep (3)
F#2 13 Cho-rep (5)
G2 14 Cho-rep (7+8)
G#2 21 Cho-Run key
A2 22 Cho-Run whl
A#2 23 Cho-Run chr
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