RC Literature Review 1
RC Literature Review 1
RC Literature Review 1
Jenna Larcara
performers, singers, conductors, music scholars, music educators, and other music professions.
As well, it describes music movements, events and genres related to women, women's issues and
feminism. In the 2010’s, while women constitute a significant proportion of popular music and
classical music singers, and a significant proportion of songwriters, there are few women record
producers, rock critics and rock instrumentalists. Notable women artists in pop music, such as
Bjork and Lady Gaga, have commented about sexism and gender discrimination in the music
commonly performed classical music repertoire, music history textbooks and music
encyclopedias.
Throughout history women have fought for equal pay in a wide variety of careers. In an
article written by Murray Stassen, for Music Business Worldwide (2019), he goes into detail
about the pay gap between men and women who work for major companies like Sony, Warner,
and Sony in the U.K. Stassen states that women in the industry make 29.1% less than males in
regard to the average hourly rate of pay across the whole business. He also mentions that female
executives who work for these companies receive an average of 67.5% less on bonuses when
compared to their male coworkers. In an interview with Sarah DeCourcy (2016), a musician,
composer, and producer based in Los Angeles, she shares personal accounts of gender pay
Women in Music
discrimination in her own life. She shares a story about an experience where she discovered she
was offered only half the amount of money of what a man would have made for the same pitch
idea. DeCourcy also shares her shock in the interview when she found out the musical trio Haim
was offered ten times less than what a single male performer was offered to play at a festival.
Many women in the music industry fear bringing up the gender gap issue due to retribution and
backlash they may receive. She explains her frustration with the industry and the importance of
Underrepresentation
Women in the industry have been underrepresented across all genres of music and music
careers. Forbes Magazine published an article, written by Caitlin Kelley (2019), explaining this
widespread underrepresentation. According to the article, men are vastly overrepresented when
observing the data for some of the biggest awards like Record of the Year and Best New Artist.
Only 10.4% of the nominees in these categories between 2013 and 2019 were women. The
Forbes article also refers to a research study in which researchers interviewed 75 female
songwriters and producers to gain knowledge about the experiences of women in music. Over
40% of the interviewees said that their colleagues dismissed or discounted their work. In 2019,
an article written by Kristin Samuelson of Northwestern University stated that on average female
artists have fewer collaborators and are on the outer limits of these collaborations. Samuelson
also states in the article that out of nearly 5,000 record labels only a third of them have ever
signed at least one female artist. In another piece of writing released by NPR, it explains that
only 16% of country artists are female and only 12% of country songwriters are women.
Women in Music
Although the percentage of women in the industry has increased from 20% to 25%, women are
still widely underrepresented and more work needs to be done to improve these statistics (2019).
Alongside the gender pay gap and underrepresentation in the music industry, women face
many more challenges that may prohibit their success in their careers. In another article released
by Forbes Magazine, written by Bonnie Marcus (2018), it states the several other reasons why
women are underrepresented in the industry. Marcus explains that the industry is a “boys club”
where women are offered less opportunity and have to work much harder in order to get ahead.
She also mentions that due to underrepresentation women have fewer role models to look up to
and that they face an intense gender bias. The Forbes article (2018) also explains the importance
of providing women opportunities at a young age so that they are encouraged to explore different
fields in the business. In another writing published by PBS, written by Laura Santhanam (2019),
it goes into detail about the discrimination women face amongst their male coworkers and
competitors. She explains the backlash that country artist Keith Hill received for calling women
in country music “tomatoes of our salad” while men would be the lettuce - the main ingredient
for success. According to the article, male artists claimed nine out of 10 of Billboard’s Top 10
country music songs just last year. Santhanam also explains that songs with topics of women,
pickup trucks, and drinking beer always seemed to rise and climb on the charts. She mentions
that women artists in country music are coming together to speak out against harassment and to
demand for better conditions for women. In a personal anecdote written by Penny Anderson
(2018), she shared the discrimination she experienced as a scout and songwriter in the music
industry. She stated that one of her male coworkers once tried to “mansplain” feminism to her
Women in Music
when she called him out for not giving her proper credit for something she helped write.
Anderson also shares that when she called out harassment and even assaults the men declared
that she must be a lesbian. She stated that to them, this was the appropriate insult to bash an
assertive woman.
Underrepresentation, the gender pay gap, harassment, assault, and sexism are just the tip
of the iceberg in which women have to deal with in the music industry. Equality for women in
music has come a long way but still has an even longer way to go. Through early intervention
programs, support groups, and other organizations, women in the industry continue to push
through and fight their male counterparts. Despite the challenges they face, women in the music
business continue to work hard to diminish these problems in order to be successful in their
music careers.
Women in Music
References
Anderson, P. (2018, December 17). The music business I knew was a sexist hell. But things are
https://www.theguardian.com/commentisfree/2018/dec/17/music-business-sexist-nineties
-bands
Gilbert, B., Gilbert, B., & Jones, D. (2016, September 09). Who Run the World? Female Music
Industry Leaders Confront the Gender Pay Gap - Synchblog by Synchtank. Retrieved
https://www.synchtank.com/blog/who-run-the-world-female-music-industry-leaders-conf
ront-the-gender-pay-gap/
Kelley, C. (2019, April 28). The Music Industry Still Has A Long Way To Go For Gender
https://www.forbes.com/sites/caitlinkelley/2019/02/06/music-industry-study-annenberg-g
ender-equality/
Marcus, B. (2018, April 04). The Music Industry Remains A Boy's Club: How Do Women Break
https://www.forbes.com/sites/bonniemarcus/2018/04/03/the-music-industry-remains-a-bo
ys-club-how-do-women-break-in/
Samuelson, K. (2019, September 17). Women grossly underrepresented in the music industry.
https://phys.org/news/2019-09-women-grossly-underrepresented-music-industry.html
Santhanam, L. (2019, March 22). How female musicians amplify each other when the industry
https://www.pbs.org/newshour/arts/how-female-musicians-amplify-each-other-when-the-
industry-wont
Shea, A. (2019, March 12). 7 Takeaways From A New Berklee Report On Women Working In
https://www.wbur.org/artery/2019/03/12/berklee-report-women-music-industry
Skolnik, J. (2018, August 07). Beyond Representation: In Music And Media, Gender Equality
https://www.npr.org/2018/08/07/634725840/beyond-representation-in-music-and-media-
gender-equality-will-take-a-revolution
Stassen, M. (2019, April 05). Revealed: What major labels are paying women compared to men
https://www.musicbusinessworldwide.com/revealed-what-major-labels-are-paying-wome
n-compared-to-men-in-the-uk/
Women in Music