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    MUCHACHO (Tango) : Acoustic Guitar

    Uploaded by

    Ramiro
    1) The document is an arrangement of the tango "Muchacho" for quartet of acoustic guitars and female singer. 2) It contains musical notation for the guitar parts across 54 measures. 3) The notation indicates the chords and rhythmic strumming patterns for each guitar in the quartet.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    MUCHACHO (Tango) : Acoustic Guitar

    Uploaded by

    Ramiro
    26 views2 pages
    1) The document is an arrangement of the tango "Muchacho" for quartet of acoustic guitars and female singer. 2) It contains musical notation for the guitar parts across 54 measures. 3) The notation indicates the chords and rhythmic strumming patterns for each guitar in the quartet.

    Original Title

    Muchacho guit. 3

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    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    1) The document is an arrangement of the tango "Muchacho" for quartet of acoustic guitars and female singer. 2) It contains musical notation for the guitar parts across 54 measures. 3) The notation indicates the chords and rhythmic strumming patterns for each guitar in the quartet.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    26 views2 pages

    MUCHACHO (Tango) : Acoustic Guitar

    Uploaded by

    Ramiro
    1) The document is an arrangement of the tango "Muchacho" for quartet of acoustic guitars and female singer. 2) It contains musical notation for the guitar parts across 54 measures. 3) The notation indicates the chords and rhythmic strumming patterns for each guitar in the quartet.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 2

    Acoustic Guitar

    GUIT. : 3 MUCHACHO (tango)


    Arreglo p/ cuarteto de guitarras y cantante femenina: Juan Lorenzo E. Donato / E. C. Flores

     
    D7

                              
    Cm Cm G7 Gm 3


       

    Cm G7 Cm D7/F# Cm
            
    6

            
          
           
    
    13

    Gm D7/F# F#o
       Ab7G7  
    Ao
     
               
     
       
             
          
    18
     G7(13b) Cm Cm/Bb
            
    Bbmay7Abmay7
     
         

    
    24

            
    3 F7/CEb7/BbE7/B F7/C F7(9b)
       
    3
               
    D7 Cm/Eb
          
    30
      
    Gm G7

         


    
             
               
           
          
    35
    Gm Gm/F

    D7/A Em7(5b) D7
            

    AL HASTA Y SALTA
         
                      
           
    40

           


    3

    45  F7
        F7
     F#7
     Bb D7
      
    F#7
     

         Gm
      
    3 3
                   
        p       
    ff
       D7 Gm G7 Cm/Eb   

    50
     
           
      
             
             V.S.
    2

    Acoustic Guitar
        
     
    54

        
    Eb7 D7 Gm D7 Gm
     
    D7/A TACET
        
       

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