Zwiers J
Zwiers J
Zwiers J
Academic
Conversations
An innovative technique
draws young English
language learners into
academic discussions.
Jeff Zwiers
and Marie Crawford
Features of Conversations (with Prompts for Using the Feature Prompts for Responding
symbols and hand motions)
Why do you think the author wrote I think the author wrote it to teach
Come up with a worthy topic this? What are some themes that us about. ,.
emerged in . . .? One theme might be . . .
Elaborate and clarify Can you elaborate? What do you 1 think it means that. . ,
(pull hands apart) mean by , . . ? Can you tell me In other words . . .
more about... ? What makes
you think that?
Support ideas with examples Can you give an example? Can For example . . .
(index finger on pinky of other you show me where it says that? In the text it said that.. ,
hand, palm up} Can you be more specific? One case showed that.. ,
Are there any cases of that?
Build on or challenge What do you think? Can you add to i would add t h a t . . .
another's idea (layer hands this idea? Do you agree? What might Then again, I think t h a t . . . I want
on each other and build up) be other points of view? to expand on your point about. . .
What Makes a sations, and analyzed the transcripts for constructing a good conversation and
Good Conversation? features, prompts, and discourse moves building a house of meaning.
We set out lo analyze the features of a students used that extended and deep-
good conversation. We began by ened their mutual thinking. Scaffolding Conversation Skills
analyzing inefïcctive conversations we Six of the most useful and teachable Our siudents required major scalloldmg
had obser\'ed in schools and in our own features—initiating a worthwhile topic, to use these features effectively to
lises, as well as great discussions we'd elaborating and clarifying, supporting construct more meaningful exchanges.
had about books and mo\'ies. Then we ones ideas, building on or challenging When we showed siudents a poster of
looked at features of good academic another's ideas, applying ideas to life, Figure 1 and asked them lo practice
conversations among 4th graders. Using and paraphrasing/summarizing— using these features to prompt a better
Goldenberg's (1992) features of effective became our target conversational skills. conversation, they zipped straight
whole-class discussions as a starting As we taught these six features, we came through it as if it were a worksheet.
point, we analyzed what was happening up with prompts that students could Students needed to understand the
in students' paired conversations, We use to initiate each feature and respond recursive nature of conversations: Ideas
obsen'ed 12 student pairs and partici- to it in conversation, as well as visual often keep emerging, needing fresh
pated in 25 short one-on-one conversa- symbols and hand gestures for each elaboration, support, and application.
tions with students about fiction and feature (see fig. 1). The visual symbols To scaffold this cycle of ideas, we had
nonfiction texts, recorded these conver- reflect a comparison between students make visual reminder cards.
A Typical Lesson
., ANA: [using the symbol for building on
and Conversation an idea] I add to that the idea that
With our guidance, the teachers Students use symbol cards to extend their conversations. Columbuss people took o\'er the islands
explicitly taught each conversation and made the boy's people into slaves.
feature. Here's a typical lesson. One They probably wanted to steal all the
of the teachers, Karen, points out on the tions. Students write their top choices goid and kill people, like pirates. What do
you think?
poster the highlighted feature students for themes and jot dovm any examples
will work on as they converse that day: from the text that might support each JUAN: Yeah, but pirates mostly attack
elaboration. Students look at their cards theme. She reminds students that this other ships.
and practice the hand motion and writing vi^ll help them have better ANA: [thumbing through her cards] How can
prompts for elaboration. Karen then discussion sessions. we apply this to our lives?
reads a story about Columbus's sailors Karen gi\'es a minilesson in which she JUAN: [laughingl 1 don't know. Maybe we
arriving in the Caribbean, stopping at acts as one conversant and the whole shouldn't be pirates.
times to elicit students' comments and class acts as the other. Students ask her
ANA: Or maybe we shouldn't be greedy.
questions. As students offer ideas and in unison, "Why do you think the
interpretations, she encourages them to author wrote this story?" Karen answers, JUAN: Yeah, we shouldn't think that
because we have more guns and ships, or
elaborate. "Perhaps she wrote it to teach readers that we are bigger, that we have the . . .
At one point Karen asks, "Why was that it is important to listen to children." uhhh , . .
the boy afraid?" When Elia responds, She waits a few seconds and then asks,
ANA: The right?
"Because the guy just touched their "Now what might you ask me? Did 1 say
gold," Karen asks, "Can you elaborate?" enough?" Several students respond, "Can JUAN: Yeah, the right to take over other
Elia answers, "I think the boy got all you elaborate?" Karen replies, "Well, the people and take their land.
worried because that guy, Columbus, adults didn't listen to the boy's warnings KAREN: Can you elaborate with some
only wanted gold they were wearing. In about the \isitors and their greedy modem examples?