CARMEN FANTASIA Per Flauto 1

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The text provides musical notation and instructions for different sections of a piece including tempo, instrumentation, and dynamics.

The text references parts of Georges Bizet's Carmen fantasia arrangement.

Tempo markings mentioned include Allegretto, Allegro, and Andantino.

CARMEN

FANTASIA

                            
Georges Bizet


Arranged by Bill Holcombe

   
Allegro Vivo   = 60-72

            
sempre staccato

                


   
 
14

 
     
          
   
   


dim.

       
29

 

           
             
 

   
42

 
                              

    
  
Allegretto  = 160

  

55

            Solo        
        
 
poco rit.
 

  
67

  

               
   
3

        


  
  
78

                      


3

           

1.
88 Solo

        2.          
  
  
    Solo  

        
  
 
99

            
      
                
Allegro   = 112

  
113 Solo


              ten.             
       ten  
 
  
 
  
125 Lead


     

       

             
          
    

134

                             
  
    

143

    

                           
 

  
   


  

155


   

 
   


 
        Lead      
  
3

 
       
Allegro Moderato  = 108
163

                

      

 
     

3
 


174

    
       
       
    
   

      
177

 

                      
  
3 3
  

           
3

   
180

  
                

                        
3 3 3 3
 

      
184

                   
 Lead  
        
3 3
3  = 108

                
188
Andantino

   
 
   
       
       
              
   
3 3 3


 
195

2
 
  
          

               


  
   
199

 
 
       

             

                 
  
203

    
                       
        

208 Solo

          

                              
  
218

                          
        
224

                  
            
    
231

            

         
 
 
241

                              



     
 
248

            
 

    
     
254

  

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