CROATIAN NATIONAL THEATER HRVATSKO NARODNO KAZALIŠTE

“IVAN PL. ZAJC” IN RIJEKA IVANA PL. ZAJCA RIJEKA

IS PROUD TO INAUGURATE: S PONOSOM POKREĆE:
International Competition for Međunarodno natjecanje mladih
Young Opera Singers “Zinka Milanov” opernih pjevača „Zinka Milanov“

14 – 18 July 2015, Rijeka – Croatia 14. – 18. srpnja 2015, Rijeka – Hrvatska

Croatian National Theatre "Ivan pl. Zajc” in Hrvatsko narodno kazalište Ivana pl. Zajca
Rijeka inaugurates the International Rijeka pokreće Međunarodno natjecanje
Competition for Young Opera Singers – mladih opernih pjevača "Zinka Milanov",
“Zinka Milanov”, named after one of the koje nosi ime jedne od najvećih dramskih
greatest dramatic sopranos of the 20th sopranistica 20. stoljeća. Natjecanje je
century. The competition is intended for all namijenjeno svim opernim pjevačima koji
opera singers who are keen to gain on-stage žele steći scensko iskustvo presudno na putu
experience that would facilitate the launch ka ostvarenju međunarodne pjevačke
of their international singing careers. karijere.
ZINKA Zinka Milanov, born in Zagreb, Croatia as Zinka Kunc, studied with the famous
MILANOV Wagnerian soprano Milka Ternina. She was discovered by Bruno Walter who
recommended her to Arturo Toscanini for a performance of Verdi's Requiem in
Salzburg in 1937. There she was heard by Edward Johnson, then general
manager of the Metropolitan Opera. In the same year she made her debut in
New York as Leonora in Verdi's Il Trovatore. At that time she adopted the name
Milanov and continued as the leading dramatic soprano of the Metropolitan
Opera for nearly 30 years until her retirement in 1966 at the closing night of the
old Met. She then devoted herself to teaching – among her pupils were Grace
Bumbry, Christa Ludwig and Regina Resnik.

Zinka Milanov, rođena u Zagrebu, kao Zinka Kunc, studirala je kod slavne Milke
Trnine. Bruno Walter otkrio ju je u Pragu i preporučio Arturu Toscaniniju za
izvedbu Verdijevog Requiema u Salzburgu 1937. Tada ju je čuo i Edward
Johnson, generalni ravnatelj Metropoliten opere. Iste godine ostvaruje svoj
debi u New Yorku kao Leonora u VerdijevuTrubaduru. U to vrijeme uzima ime
Milanov i nastavlja nastupati kao vodeća dramska sopranistica Metropolitana
još 30 godina, sve do odlaska u pjevačku mirovinu 1966, nakon čega se
posvećuje vokalnoj pedagogiji. Među njezinim studenticama bile su Grace
Bumbry, Christa Ludwig i Regina Resnik.
Day 0
13/7 Monday
9:30 pm - G.Bizet: Carmen, Opera studio: Drama in opera, The University campus on Trsat,
amphitheatre

Day 1

COMPETITION SCHEDULE:
14/7 Tuesday
Registration of participants, the draw for the running order, the opening of the Competition
10:00 am - 12:00 - registration, atrium CNT “Ivan pl. Zajc”
12:00 - drawing the running order, foyer CNT “Ivan pl. Zajc”
1:00 pm – 4:00 pm - rehearsals with accompanists, CNT “Ivan pl. Zajc”, rehearsal rooms
5:00 pm – 8:00 pm - rehearsals with accompanists, CNT “Ivan pl. Zajc”, rehearsal rooms
9 :00 pm - The opening: “The witness of time”, interview with Fabrizio Melano,
The Maritime and History Museum of the Croatian Littoral Rijeka

Day 2
15/7 Wednesday
1st phase of the Competition (74 candidates), CNT “Ivan pl. Zajc”, main stage
10:00 am - 14:00 pm - 1st group of candidates
4:00 pm – 8:00 pm - 2nd group of candidates
9:00 pm - announcement of the results
Day 3
16/7 Thursday
2nd phase of the Competition / semifinal (max. 30 participants), CNT “Ivan pl. Zajc”
9:00 am – 1:00 pm - rehearsals with accompanists for semifinalists, rehearsal room
2:00 pm - 4:30 pm - 1st group of semifinalists, main stage
6: 00 pm - 8:30 pm - 2nd group of semifinalists, main stage
9:30 pm - announcement of the results

Day 4
17/7 Friday
Rehearsals with the orchestra / finals (max. 30 participants), CNT “Ivan pl. Zajc”
10:00 am - rehearsal of the finalists with the orchestra
7:00 pm - rehearsal of the finalists with the orchestra

Day 5
18/7 Saturday
Closing concert of the Competition
8:00 pm - Finals, announcement of the winners and award ceremony
Dan 0
13.7. ponedjeljak
21:30 - G.Bizet: Carmen, Operni studio: Drama u operi,
Sveučilišni kampus, amfiteatar

Dan 1
14.7. utorak

RASPORED NATJECANJA:
Registracija, izvlačenje redoslijeda, Otvaranje
10:00-12:00 - registracija, atrij HNK
12:00 - izvlačenje redoslijeda, foyer HNK
13:00-16:00 - probe s korepetitorima, HNK dvorane za probe
17:00-20:00 - probe s korepetitorima, HNK dvorane za probe
21:00 - Otvorenje: „Svjedok vremena“, razgovor s Fabriziom Melanom,
Pomorski i povijesni muzej Hrvatskog primorja Rijeka

Dan 2
15.7. srijeda
I. etapa Natjecanja (74 kandidata), HNK velika scena
10:00-14:00 - I.grupa kandidata
16:00-20:00 - II.grupa kandidata
21:00 - objava rezultata
Dan 3
16.7. četvrtak
II.etapa Natjecanja /polufinale (max. 30 kandidata)
9:00-13:00 - probe s korepetitorima za polufinaliste, dvorana za probe
14:00-16:30 - I. grupa polufinalista, HNK velika scena
18:00-20:30 - II. grupa polufinalista, HNK velika scena
21:30 - objava rezultata

Dan 4
17.7. petak
Probe s orkestrom - finale (max. 10 kandidata), HNK velika scena
10:00 - probe finalista s orkestrom
19:00 - probe finalista s orkestrom

Dan 5
18.7. subota
Završni koncert Natjecanja, HNK velika scena
20:00 - Finale natjecanja i dodjela nagrada
1. Competitors, female and male, of any nationality that turned 21 on the date of application, or
older than 21 (age limit 40), are welcome to apply.

PROTOCOL, REGULATIONS AND PRIZES

2. The competition is organized in three rounds:
– 1st round – 1 opera aria of one ‘s own choice – with piano accompaniment
– Semifinal round – 2 opera arias of one ‘s own choice – with piano accompaniment
– Final round – 2 opera arias selected from the enclosed list – concert accompanied by the
Orchestra of the Croatian National Theatre “Ivan pl. Zajc” Rijeka
A singer may not repeat the same aria in the different stages of the competition. All
competition rounds are public.

3. The organizer will provide accompanists and an opportunity for rehearsal prior to each round
of the competition. The competitors are allowed to bring their own accompanists at their own
expense.

4. An international jury comprised of distinguished singers, conductors, opera company

directors and music agents will evaluate the competitors according to the following criteria: technical
preparedness, musicality, voice quality and artistic personality.

5. The decisions of the jury are irrevocable and not subject to any kind of appeal.

6. Competition jury (2015):

Kms Olivera Miljaković – vocal pedagogue, Vienna State Opera
Fabrizio Melano – opera director, New York City
Mariano Horak – artists manager, Ammann-Horak Agency, Zürich
Tibor Bogányi – Chief-conductor of the Pannon Philharmonic Orchestra
Kalle Kanttila – artists manager, International Opera Artists
Marin Blazević – professor of performance studies and opera dramaturgy, Opera Company Director
and Dramaturge, Croatian National Theatre “Ivan pl. Zajc” in Rijeka, co-founder of the “Zinka Milanov”
competition
Vlatka Oršanić – singer, Slovenian National Theatre in Ljubljana, Head of Department of Voice –
Academy of Music, University of Zagreb, co-founder and director of the “Zinka Milanov”competition
7. Prizes:
1st prize – €3,000
2nd prize – €2,000
3rd prize – €1,000
Special award: appearance in the project of the Croatian National Theatre “Ivan pl. Zajc” in Rijeka,
either on opera production or a concert.
 1. Pravo sudjelovanja imaju sve natjecateljice i natjecatelji koji su navršili 21 godinu na dan
prijave, ili stariji, do 40 godina.

2. Natjecanje se odvija u tri etape:

PROTOKOL, PRAVILA I NAGRADE

– 1. etapa – 1 operna arija po slobodnom izboru – uz pratnju klavira

– Polufinale – 2 operne arije po slobodnom izboru – uz pratnju klavira
– Finale – 2 operne arije po izboru iz priloženog popisa – koncert uz pratnju Orkestra HNK Ivana
pl. Zajca Rijeka.
Arije se ne smiju ponavljati, a sve etape natjecanja su javne.

3. Organizator će osigurati korepetitore uz mogućnost probe prije svake etape. Natjecatelji

imaju pravo dovesti svog korepetitora o vlastitom trošku.

4. Međunarodni žiri, u čijem su sastavu ugledni pjevači, dirigenti, ravnatelji opera i glazbeni
agenti, ocjenjuju natjecatelje prema sljedećim kriterijima: tehnička spremnost, muzikalnost,
kvaliteta glasa i umjetnička osobnost
5. Odluke žirija su neopozive, pravni spor je isključen.

6. Žiri (2015):
Kms Olivera Miljaković – vokalna pedagoginja, Wiener Staatsoper
Fabrizio Melano – operni redatelj, New York
Mariano Horak – glazbeni agent, Ammann-Horak Agency, Zürich
Tibor Bogányi – šef-dirigent Panonske filharmonije
Kalle Kanttila – glazbeni agent, International Opera Artists
Marin Blažević – profesor studija izvedbe i operne dramaturgije, ravnatelj opere i glavni dramaturg
HNK Ivana pl. Zajca Rijeka, inicijator natjecanja „Zinka Milanov“
Vlatka Oršanić – pjevačica Slovenskog narodnog gledališća u Ljubljani, pročelnica Odsjeka za pjevanje
Muzičke akademije u Zagrebu, inicijatorica i ravnateljica natjecanja „Zinka Milanov“.
7. Nagrade:
1. nagrada – 3.000 €
2. nagrada – 2.000 €
3. nagrada – 1.000 €
Posebne nagrade: nastup u projektu HNK Ivana pl. Zajca Rijeka – u opernoj produkciji ili na koncertu
JURY 2015

ŽIRI

Kms Olivera Miljaković

Fabrizio Melano
Tibor Bogányi
Kalle Kanttila
Mariano Horak
Marin Blažević
Vlatka Oršanić
KMS OLIVERA Kms Olivera Miljaković, soprano, studied solo singing with Mile Stojadinović,
MILJAKOVIĆ Josip Rijavica and Nikola Cvejić, and later furthered her studies with Gina Cinga.
She was engaged by National Theatre Belgrade Opera for two years and in 1963
became a member of Vienna State Opera where she accomplished stunning
career as a soloist. Olivera Miljaković performed on many important opera and
concert stages and festivals with conductors such as Leonard Bernstein, Zubin
Mehta, Wolfgang Sawallisch, Lorin Maazel, Georges Prêtre, Carlos Kleiber and
Herbert von Karajan. She also participated in a number of noticeable opera
discography productions with same conductors.
Since 1980 she has run a private school for solo singing and from 1987 till 1991
she worked as a professor in the Opera Studio of Vienna State Opera. Olivera
Miljaković holds many master classes and concerts all over the world; she is
music director of Basano del Grapa festival, and from 2003 music director of
Ambassadors concert.
In 1984 she was given the honorific title Kammersägerin for distinguished
singers of opera, the highest title that Austria and Germany give to their singers.
For her work in the field of culture, she was awarded with Golden Ring of the
Vienna State Opera and with Silver and Golden Medal from the Republic of
Austria.
Olivera Miljaković studirala je solo pjevanje kod Mile Stojadinović, Josipa Rijavca i Nikole Cvejić, a
usavršavala se kod Gine Cinga. Dvije godine bila je solistica Opere Narodnog pozorišta u Beogradu, a 1963.
prelazi u Bečku državnu operu u kojoj ostvaruje izuzetnu solističku karijeru. Nastupala je na svim važnijim
opernim i koncertnim scenama i festivalima uz dirigente kao što su Bernstein, Klobučar, Tilman, Mehta,
Sawalilisch, Maazel, Prêtre, Štajn, Kleiber i Karajan, s kojima je ujedno i sudjelovala na nekoliko zapaženih
opernih diskografskih produkcija.
Od 1980. vodi privatnu školu za solo pjevanje, a od 1987. do 1991. svoj pedagoški rad potvrđuje i kao
profesorica opernog studija Bečke državne opere i profesorica u Tokiju.
Godine 1984. dobiva najvišu titulu koju Austrija i Njemačka dodjeljuju svojim pjevačima Kammersängerin.
Za rad u kulturi dobila je zlatni prsten Bečke opere i srebrnu i zlatnu medalju Republike Austrije.
Održava brojne majstorske klase i koncerte diljem svijeta, glazbeni je direktor festivala Basano del Grapa, a
od 2003. je glazbena direktorica organizacije Ambassadors concert.
FABRIZIO Fabrizio Melano is an established figure on the international opera scene,
MELANO having worked with leading houses throughout the world for more than 40
years. He began a long-standing relationship with the Metropolitan Opera in
1969 and has directed 21 operas there. Much of his work has been seen in
PBS's Live from the Met series, including his stagings of La Bohème (which
inaugurated the series in 1977), Il Trittico, Les Troyens (which also opened the
Met's centennial season in 1983), and Il Trovatore. Mr. Melano has worked
with most of the major American and Canadian opera companies, including
five productions at the Lyric Opera of Chicago and four with the New York City
Opera. He assisted Maria Callas in her staging of I Vespri Siciliani at Torino's
Teatro Regio and has directed at such companies as the Teatro Colón in Buenos
Aires, Opéra de Monte-Carlo, and the English National Opera. He directed
Tony Randall in his last play, Pirandello's Right You Are, with the National
Actors Theater and staged a new musical, Asylum, at the York Theatre
Company. At Juilliard he directed Dialogues des Carmélites in 2010 and the
2012 Met+Juilliard co-production of Armide.
Fabrizo Melano renomirana je ličnost na međunarodnoj opernoj sceni. Više od 40 godina surađivao je s
vodećim svjetskim opernim kućama. Svoju dugu vezu s Metropolitan Operom započeo je 1969. godine
gdje je režirao 21 operu.
Većina njegovih radova mogla se vidjeti na PBS Live iz Met serija uključujući La Bohème (s kojom je i
započeto prikazivanje 1977.), Il Trittico, Les Troyens (s kojim je i otvorena stogodišnja sezona Meta 1983.), i Il
Trovatore.
Melano je radio s vodećim američkim i kanadskim opernim kompanijama, uključujući pet produkcija u
Lyric Opera u Chicagu i četiri s New York City Operom. Asistirao je Mariji Callas u režiranju I Vespri Siciliani u
Teatru Regio u Torinu. Bio je redatelj u kompanijama kao što su Teatro Colón- Buenos Aires, Opéra de Monte-
Carlo i English National Opera. Na Juilliardu je 2010. godine režirao Dialogues des Carmélites, a 2012.
Armide nastalu u koprodukciji Metai Juilliarda.
TIBOR Tibor Bogányi, conductor, gained international attention in 2002, when he was
BOGÁNYI appointed head conductor of the Turku Philharmonic Orchestra at the young age
of 28. For six seasons he has been artistic director and head conductor at
Lappeenranta City Orchestra. He is also holding the position of head conductor
at the Pécs Philharmonic Orchestra since 2011. Bogányi conducts symphonic,
choral, operatic and ballet repertoire with numerous leading orchestras and
companies world-wide such as the Staatsphilharmonie Rheinland-Pfalz, the
Orchestre National du Capitole de Toulouse, the Copenhagen Philharmonic
Orchestra, the Odense Symphony Orchestra, the Durban Philharmonic, the
Mexico State Symphony Orchestra, the Macao Symphonic Orchestra, the
Sanghai Opera and St. Petersburg's National Symphony Orchestra. He has also
conducted all major Finnish orchestras including the Helsinki Philharmonic, the
Finnish Radio Orchestra, Lahti and Tampere Philharmonic Orchestras. In
addition, he has shared the stage with some of the world's leading soloist such
as Andrej Gavrilov, Ilija Gingolts, Zoltán Kocsis, Gergely Bogányi, Barnabás
Kelemen, Kristóf Baráti, Gary Hoffman, Miklós Perényi and Dénes Várjon.
Bogányi has also built up an extensive operatic repertoire. Following his highly successful Finnish debut,
conducting Cosi fan tutte for the Finnish National Opera in 2006, he continued conducting a great number
of productions, including Verdi's Traviata and Macbeth, Mozart's Don Giovanni. During the same period, he
also conducted Bizet's Carmen, Stavinski's Le Sacre du Printemps and Bartók's Wooden Prince, The
Miraculous Mandarin and the Duke Bluebeards's Castle. In 2014, Bogányi made his Hungarian debut with
the National Hungarian Opera conducting the Boito's Mefistofele followed by Puccini's Tosca.
 He is highly
committed to contemporary Finnish music and therefore frequently conducts and records works by Finnish
composers like Aulis Sallinen as well as Swedish composers like Anders Hillborg. He conducted Tuomas
Kantelinen's world-premiere opera Paavo Nurmi. He is also devoted to premiering new pieces from other
contemporary composers such as György Orbán or Levente Gyöngyösi. In addition, to his work as a
conductor, Bogányi has appeared as a cellist in recitals around the world.
Tibor Bogányi postao je međunarodno poznat 2002. godine, kada je imenovan glavnim dirigentom
finskog Turku filharmonijskog orkestra sa samo 28 godina.
Nastavio je s radom kao umjetnički direktor i glavni dirigent u Gradskom orkestru Lappeenranta te od
2011. godine kao glavni dirigent Filharmonije u Pečuhu.
Bogányi dirigira simfonijskim i opernim repertoarom s vodećim orkestrima diljem svijeta.
Njegov široki repertoar uključuje simfonijsku i zborsku glazbu te opere i baleta. Svjetska karijera dovela
ga je do suradnje s orkestrima kao što su Staatsphilharmonie Rheinland-Pfalz, Orchestre National du
Capitole de Toulouse, Copenhagen Philharmonic Orchestra, Odense Symphony Orchestra, the Durban
Philharmonic, the Mexico State Symphony Orchestra, Macao Symphonic Orchestra, Sanghai Opera i St.
Petersburg's National Symphony Orchestra.
Dijelio je pozornicu s nekim od vodećih svjetskih solista poput Andreja Gavrilova, Ilye Gingoltsa, Zoltána
Kocsisa, Gergelya Bogányia, Barnábasa Kelemena, Kristófa Barátija, Garya Hoffmana, Miklósa Perényia i
Dénesa Várjona.
Izgradio je i opsežan operni repertoar. Nakon uspješnog finskog debija, Cosi fan tutte za Finsku
nacionalnu operu 2006. godine, nastavio je dirigirati velikim brojem produkcija pa je tako ravnao
Verdijevom La Traviatom i Macbethom te Mozartovim Don Giovannijem. Iste godine, ravnao je i
Bizetovom Carmen, Posvećenjem proljeća Stravinskoga i svim trima Bartokovim scenskim djelima Drveni
princ, Čudesni mandarin i Dvorac Modrobradog.
Godine 2014. ravna Mefistofeleom Arriga Boita što je ujedno bio i njegov debi s Mađarskom
nacionalnom operom.
Posvećen je suvremenoj finskoj glazbi te stoga često ravna i snima djela finskih skladatelja poput Aulisa
Sallinena, kao i švedskog skladatelja Andresa Hillborga. Također je posvećen izvođenju novih djela
suvremenih skladatelja poput Györgya Orbána i Leventea Gyöngyösia.
Rođen u Mađarskoj, Bogányi je prvo studirao čelo, a zatim dirigiranje na prestižnoj Sibelius akademiji u
Finskoj. Tijekom studija bio je gost student na CNSM Conservatoire de Paris gdje je studirao kod Jánosa
Fürsta. Osim kao dirigent, Bogányi nastupa kao čelist u recitalima diljem svijeta.
KALLE Kalle Kanttila is Artist Manager and director of IOA-Management (International
KANTTILA Opera Artists), which is one of the most important agencies in Scandinavia and
in German speaking countries. IOA has offices in Germany and Finland and
thereto in Firenze, St. Petersburg & Paris. Kalle Kanttila was a jury member at
many important singing competitions like International Hans Gabor Belvedere
Singing Competition (Helsinki Qualification), International Panco Vladigerov in
Bulgaria, International Lions Singing Competition by Opera Festival Gut
Immling etc.
Kalle Kanttila was born in Oulu, Finland. He began his music studies at the
Helsinki Conservatory of Music and furthered his studies at the Zürich
Conservatory and at Music Department of University Karlsruhe, Germany. He
was engaged as Ensemble member at first at the Theater Regensburg and then
at the State Opera of Nuremberg. He has appeared as a guest soloist at the
Komische Oper Berlin, State Opera Wiesbaden, State Opera Kassel, State Opera
Darmstadt, State Opera Meiningen, State Opera Nürnberg, State Opera
Karlsruhe, Alexander Theater Helsinki, National Theater Mannheim, Opera
Wuppertal, Schwetzingen Music Festival as well at the Savonlinna Opera
Festival.
Kalle Kanttila umjetnički je direktor i direktor IOA Managementa (International Opera Artists), jedne od
važnijih agencija u Skandinaviji i zemljama njemačkog govornog područja. IOA ima urede u Njemačkoj,
Finskoj te u Firenci, St. Petersburgu i Parizu. Bio je član žirija na prestižnim pjevačkim natjecanjima kao što su
Hans Gabor Belvedere Singing Competition (Helsinki ), Panco Vladigerov u Bugarskom, Lions Singing
Competition opernog festivala Gut Immling itd.
Rođen je u Oulu, Finska. Svoje glazbeno obrazovanje započeo je na Glazbenom Konzervatoriju u Helsinkiju,
a nastavio je na Konzervatoriju u Zürichu te na Glazbenom odsjeku Sveučilišta u Karlsruheu u Njemačkoj.
Prvo je bio član ansambla u Kazalištu Regensburg, potom u Nacionalnoj Operi u Nurembergu. Kao gost
solist nastupao je u Komische Oper Berlin, State Opera Wiesbaden, State Opera Kassel, State Opera
Darmstadt, State Opera Meiningen, State Opera Nürnberg, State Opera Karlsruhe, Alexander Theater
Helsinki, National Theater Mannheim, Opera Wuppertal, Schwetzingen Music Festival te Savonlinna Opera
Festival.
MARIANO Mariano Horak studied singing and musicology at the University in Bratislava
HORAK and at the Tchaikovsky Music Conservatory in Kiev. For a few years, after
graduation, Horak sang as a baritone in different opera houses in Germany and
Switzerland. In 1984 he founded Lyric Department in the Caecilia Agency in
Zürich, and has been a director there since then. He worked with many great
artists including Mirella Freni, Christa Ludwig, Teresa Berganza, Lucia Popp,
Peter Schreier, Piero Cappuccilli, Nicolai Ghiaurov, and many more.
Mariano Horak always showed great interest for young artists, he wanted to
discover them and with focused and artistic guidance help them to achieve their
international carrier. He has discovered many great artists such as Violeta
Urmana, Julia Kleiter, Anna Goryacova, Ausrine Stundyte, Stephan Gould,
Johan Reuter, Antonio Poli, Goran Jurić and many others.
Horak is often invited to be a jury member or observer in many different
international singing competitions to keep in track with the new coming
generation of young singers. In June 2015 he opened his own agency named
Ammann-Horak Agency which is situated in Zürich.
Mariano Horak studirao je pjevanje i muzikologiju na Sveučilištu u Bratislavi te na Konzervatoriju Čajkovski
u Kijevu.
Nakon studija nekoliko je godina kao lirski bariton pjevao u različitim opernim kućama u Njemačkoj i
Švicarskoj da bi 1984. godine osnovao Lyric Department u Agenturi Caecilia u Zürichu, kojeg je bio voditelj
sve do današnjih dana.
Već je veoma rano počeo surađivati sa svjetski poznatim umjetnicima kao što su Mirella Freni, Christa
Ludwig, Teresa Berganza, Lucia Popp, Peter Schreier, Piero Cappuccilli, Nicolai Ghiaurov, ako spomenemo
samo neke od njih.
Oduvijek je pokazivao veliki interes za mlade nadarene umjetnike te im ciljanim vođenjem i umjetničkim
usmjeravanjem pomogao u ostvarivanju uspješne internacionalne karijere.
Otkrio je umjetnike kao što su Violeta Urmana, Julia Kleiter, Anna Goryachova, Ausrine Stundyte, Stephen
Gould, Johan Reuter, Antonio Poli, Goran Juric i još mnogi drugi.
Mariano Horak je redovno pozivan na različita internacionalna pjevačka natjecanja kao član žirija ili
promatrač, kako bi bio informiran o najnovijim generacijama pjevača.
U lipnju 2015. otvara vlastitu agenturu pod imenom Ammann-Horak Agency sa sjedištem u Zürichu.
MARIN Marin Blažević is theatre and performance studies scholar and dramaturge
BLAŽEVIĆ based in Zagreb, Croatia. As an Associate Professor he teaches theory and
history of theatre and drama, performance studies and dramaturgy at the
Academy of Drama Arts and opera dramaturgy at the Music Academy
(Department of Opera singing), University of Zagreb. In fall 2014 he started his
four years term as artistic director and dramaturge of the Opera Company of
Croatian National Theater in Rijeka. He is also adjunct associate professor at
Columbia University School of the Arts.

Marin published widely in English, Italian, Croatian and Slovenian language.

His publications include authored books, collections of essays and edited
thematic issues of international journals for performing arts and performance
studies. With Matthew Goulish (Goat Island, Every House Has a Door) he co-
edited special English issues of Performing Arts Journal Frakcija (Fraction):
Reflections on the Process / Performance: A Reading Companion to Goat Island's
'When will the September roses bloom?' (2004/2005). With Lada Čale Feldman
he co-edited MIS-performance issue for Performance Research.
His edited books include: Branko Gavella: Teorija glume – od materijala do ličnosti (Branko Gavella: Theory
of Acting – English translation forthcoming in 2015); a collection of essays on Slovenian performance-
theatre company Via Negativa titled No, (2011) and MISperformance, Essays on Shifting Perspectives, co-
edited with Lada Čale Feldman (2014). Authored books: Razgovori o novom kazalištu (Conversations on the
New Theatre, 2007) and Izboren poraz (A Defeat Won, 2012), on the theory of new theatre and its peculiar
history in Croatia. He is currently working on the book The Breadth and Shifts of Dramaturgy (forthcoming in
2016). Marin is director and dramaturge of Performance Studies international 2015 dispersed
international conference project in fifteen locations around the world: Fluid States: Performances of
unknowing (http://www.fluidstates.org)
Marin Blažević izvanredni je profesor na Odsjeku za dramaturgiju; predaje teoriju i povijest kazališta i
drame, studije izvedbe, te postdramsku dramaturgiju na Akademiji dramske umjetnosti, a dramaturgiju
opere na Muzičkoj akademiji u Zagrebu. Gostujući je profesor na Sveučilištu Columbia.
Objavljivao je na engleskom, talijanskom, hrvatskom i slovenskom jeziku. Njegova izdanja uključuju
autorske knjige, zbirke eseja te tematska izdanja međunarodnih časopisa za izvedbene umjetnosti i
izvedbene studije. S Matthewom Goulishem (Goat Island) su-uredio je posebno englesko izdanje
Frakcije: Reflections on the Process / Performance: A Reading Companion to Goat Island's 'When will the
September roses bloom?'(2004/2005). S Ladom Čale Feldman su-uredio je tematski broj MIS-
performance za Performance Research. Uređivao je sljedeće naslove: Branko Gavella: Teorija glume – od
materijala do ličnosti, zbirku eseja Ne, o slovenskoj izvedbenoj skupini Via negativa (2011) i zbirku eseja
MISperformance, Essays on Shifting Perspectives u suradnji s Ladom Čale Feldman. Autorske knjige:
Razgovori o novom kazalištu (2007), i Izboren poraz (2012) o teoriji novog ili postdramskog kazališta i
njegovoj specifičnoj povijesti u Hrvatskoj.
Glavni je organizator i dramaturg međunarodnog konferencijskog projekta PSi 2015, koji se tijekom
dvanaest mjeseci održava na dvanaest lokacija diljem svijeta pod naslovom Fluid States:
Performances of unKnowing.
Od jeseni 2014. Marin Blažević je ravnatelj i dramaturg Opere HNK Ivana pl. Zajca Rijeka.
VLATKA Vlatka Oršanić, soprano, was born in Zabok, Croatia. She graduated voice study
ORŠANIĆ at the Academy of Music in Ljubljana, Slovenia and later took her postgraduate
studies in Vienna with Kms Olivera Miljaković.
Vlatka Oršanić made her debut at the age of 20 as Gilda at the National Opera in
Ljubljana. Since then, she was invited as a guest singer to all opera theaters in
Yugoslavia. In her long and rich career she sang in many projects in different
European opera houses and concert halls (Germany, Austria, Italy, Spain,
France, Belgium, Czech Republic, Romania) and in Japan, working with
prominent directors (Joachim Herz, Harry Kupfer, Christine Mielitz, Pet Halmen,
Andreas Homoki, John Cox, Liliana Cavani etc.) and conductors (Semyon
Bychkov, Michael Gielen, Wladimir Jurowski, Kiril Petrenko, Daniel Harding,
Rafael Frühbeck de Burgos, Heinz Holliger, Stefan Soltesz etc.). Her repertoire
includes more than 80 leading opera and concert roles of very different
character and music style, from Purcell (Dido), Bach, Händel (Angelica), Mozart
(Queen of the night, Susanna, Vittelia, Elettra, Donna Anna, Donna Elvira,
Despina), Beethoven, Schumann (Genoveva), Donizetti (Lucia, Adina),
Bellini (Elvira), Rossini (Rosina), Verdi (Gilda, Violetta, Aida, Lady Macbeth, Leonora, Abigaila, Amelia),
Puccini (Mimi, Tosca, Madama Butterfly, Manon Lescaut), Gounod (Marguerite), Tschaikowski (Tatjana),
Janacek (Mila, Jenufa, Katja, Malinka), Dvořak (Rusalka, Kneginja), Giordano (Maddalena), R. Strauss
(Ariadne, Herodias), Shostakovisch (Katerina Izmajlova), Prokofiev (Nataša) to modern autors. She appeared
at renowned European music festivals (Salzburger Sommerfestspiele, Edinburgh Festival, Maggio
Musicale Fiorentino, Wiener Festwochen).
Vlatka Oršanić recorded several CD albums for various international discography companies (Arte Nova,
EMI, Sony Classical) and made archival recordings for several radio and TV stations (RTV Ljubljana, RTV
Zagreb, ORF Wien, SWF Freiburg, Deutschlands radio, MDR Leipzig. From 2006 to 2010 she was senior
lecturer (associate professor) for voice at the Academy of Music in Ljubljana. She is a principal singer at the
Slovenian National Theatre Opera, full professor and a Head of Singing Department at the Academy of
Music in Zagreb.
Vlatka Oršanić rođena je u Zaboku, Hrvatska. Pjevanje je diplomirala na Akademiji za glasbo u Ljubljani, a
usavršavala se u Beču kod Kms Olivere Miljaković.
Debitirala je u SNG Opera in balet u Ljubljani kao dvadesetogodišnjakinja u ulogama poput Gilde i Lucie di
Lammermoor te ubrzo postala gošća svih opernih kazališta u bivšoj državi. Ostvarila je bogatu opernu i
koncertnu karijeru međunarodnog ugleda djelujući u kazalištima diljem Europe (Njemačka, Austrija, Italija,
Španjolska, Francuska, Belgija, Češka, Rumunjska ) i u Japanu.
Surađivala je s poznatim režiserima (Joachim Herz, Harry Kupfer, Christine Mielitz, Pet Halmen, Andreas
Homoki, John Cox, Liliana Cavani etc.) i slavnim dirigentima (Semyon Bychkov, Michael Gielen, Wladimir
Jurowski, Kiril Petrenko, Daniel Harding, Rafael Frühbeck de Burgos, Heinz Holliger,Stefan Soltesz etc. ).
Njezin repertoar sačinjavaju glavne uloge najrazličitijih karaktera i glazbenih stilova od Purcella (Didona),
Bacha, Händela (Angelica), Mozarta (Kraljica noći, Susanna, Vittelia, Elettra, Donna Anna, Donna Elvira,
Despina) Beethovena, Schumanna (Genoveva), Donizettija (Lucia,Adina), Bellinija (Elvira),Rossinija
(Rosina),Verdija (Gilda, Traviata, Aida, Lady Macbeth,Leonora, Abigaila, Amelia), Puccinija (Mimi,Tosca,
Madama Butterfly, Manon Lescaut), Gounoda (Marguerite), Čajkovskog (Tatjana), Janačeka (Mila, Jenufa,
Katja, Malinka), Dvořaka (Rusalka, Kneginja), Giordana (Maddalena), R. Straussa (Ariadne, Herodias),
Šostakoviča ( Katerina Izmajlova ), Prokofjeva ( Nataša) do modernih autora.
Nastupila je na velikim europskim glazbenim festvalima (Salzburger Sommerfestspiele, Edinburgh Festival,
Maggio Musicale Fiorentino, Wiener Festwochen).
Snimila je nekoliko CD ploča za svjetske diskografske kuće (Emi, Sony Classical, Arte Nova), a njezine snimke
pohranjene su i u arhivima RTV Ljubljana, RTV Zagreb, ORF Wien, SWF Freiburg, Deutschlandsradio Berlin,
MDR Leipzig.
Vlatka Oršanić prvakinja je Opere Slovenskog narodnog gledališča u Ljubljani te redovni profesor i pročelnik
Odsjeka za pjevanje na Muzičkoj akademiji u Zagrebu, a četiri je godine bila i izvanredni profesor na
Akademiji za glasbo u Ljubljani.
 Sopran

V. Bellini: La sonnambula – Ah, non credea mirarti G. Puccini: La bohème – Mi chiamano Mimì
Norma – Casta diva Quando men vo
I Capuletti e I Montecchi – Oh, quante volte Madama Butterfly – Un bel dì vedremo
G. Bizet: Carmen – Je dis, que rien ne m'épouvente Tu, tu, piccolo iddio
LIST OF ARIAS FOR THE FINAL ROUND

F. Cilea: Adriana Lecouvreur – Io son l'umile ancella Gianni Schicchi – O mio babbino caro
Poveri fiori Tosca – Vissi d'arte
G. Donizetti: L'elisir d'amore – Prendi Manon Lescaut – In quelle trine morbide

POPIS ARIJA ZA FINALE

Linda di Chamounix – O luce di quest'anima Sola, perduta, abbandonata
Lucia di Lammermoor – Regnava nel silenzio Suor Angelica – Senza mamma
A. Dvořák: Rusalka – Měsičku, na neby hlubokém Turandot – Signore ascolta
Ch. Gounod: Faust – Ah, je ris G. Rossini: Guglielmo Tell – Selva opaca
J. Massenet: Herodiade – Il est doux, il est bon Semiramide – Bel' raggio lusinghier
W. A. Mozart: Zaide – Ruhe, sanft G. Verdi: Aida – Ritorna vincitor
Così fan tutte – Come scoglio I vespri siciliani – Mercè dilette amiche
In uomini, in soldati La forza del destino – Pace, pace mio dio
Le nozze di Figaro – Porgi amor La Traviata – E strano
Don Giovanni – Batti, batti o bel Masetto Addio del'passato
Non mi dir Rigoletto – Caro nome
Mi tradì quel'alma ingrata Un ballo in maschera – Morro, ma prima in grazia
Die Zauberflöte – Der Hölle Rache Saper vorreste
J. Offenbach: Les contes d'Hoffmann – Les oiseaux R. Wagner: Tannhäuser – Dich teure Halle
dans la charmille I. Zajc: Nikola Šubić Zrinjski – On ode
Mezzosopran Tenor

V. Bellini: I Capuletti e I Montecchi – Se Romeo P. I. Tchaikovsky: Eugene Onegin – Kuda, kuda

t'uccise il figlio G. Donizetti: L'elisir d'amore – Quanto e bella, quanto e cara
G. Bizet: Carmen – Habanera Una furtiva lagrima
Seguidille Lucia di Lammermoor – Fra poco a me ricovero
F. Cilea: Adriana Lecouvreur – Acerba voluta U. Giordano: Andrea Chénier – Improvviso
G. Donizetti: La favorita – O, mio Fernnando Ch. Gounod: Faust – Salut, demeure chaste et pure
Ch. Gounod: Faust – Faites lui mes aveux R. Leoncavallo: I Pagliacci – Vesti la giubba
P. Mascagni: Cavalleria rusticana – J. Massenet: Werther – Pourquoi me réveiller
Voi lo sapete o mamma W. A. Mozart: Così fan tutte – Un aura amorosa
J. Massenet: Werther – Ces lettres Die Zauberflöte – Dies Bildnis
W.A. Mozart: Le nozze di Figaro – Non so piu Don Giovanni – Dalla sua pace
cosa son Il mio tesoro
Così fan tutte – Smanie implacabili G. Puccini: Tosca – Recondita armonia
La clemenza di Tito – Parto, parto La bohème – Che gelida manina
A. Ponchielli: La Gioconda – Voce di donna Turandot – Nessun dorma
G. Rossini: Il barbiere di Siviglia – Una voce poco fa G. Verdi: Aida – Celeste Aida
La Cenerentola – Nacqui all'affanno Il trovatore – Ah, si ben mio
C. Saint-Saëns: Samson et Dalila – Mon coeur La Traviata – Lunge da lei
G. Verdi: Don Carlos – Nel giardin del bello Macbeth – O figli
O don fatale Rigoletto – Ella mi fu rapita
Il trovatore – Stride la vampa Questa o quella
Un ballo in maschera – Re dell'abisso, affrettati La donna e mobile
I. Zajc: Zlatka – Vari, vari Luisa Miller – Quando le sere al placido
R. Wagner: Lohengrin – In fernem Land
Bariton Bas

V.Bellini: I Puritani – Ah, per sempre V. Bellini: La sonnambula – Vi ravviso

P. I. Tchaikovsky: Eugene Onegin – Kagda bi žiznj P. I. Tchaikovsky: Eugene Onegin – Ljubvi
Pikovaya dama – Ja vas ljublju vse vozrastji pakorni
G. Donizetti: Lucia di Lammermoor – Cruda funesta G. Donizetti: L'elisir d'amore – Udite, o rustici
smania Ch. Gounod: Faust – Le veau d'or
L'elisir d'amore – Come Paride vezzoso Vous qui faite l'endormie
U. Giordano: Andrea Chénier – Nemico della patria W. A. Mozart: Le nozze di Figaro – Non piu andrai
Ch. Gounod: Faust – Avant de quitter ces lieux Die Zauberflöte – O Isis und Osiris
W. A. Mozart: Don Giovanni – Fin ch'han dal vino In diesen heil'gen Hallen
Così fan tutte – Donne mie Don Giovanni – Madamina
Le nozze di Figaro – Hai gia vinta la causa G. Rossini: Il barbiere di Siviglia – La calunia
G. Rossini: Il barbiere di Siviglia – Largo al factotum Un dottor della mia sorte
G. Verdi: Don Carlos – Per me giunto La Cenerentola – Miei rampolli femminini
Falstaff – E sogno G. Verdi: Don Carlos – Ella giammai m'amo
La Traviata – Di provenza il mar Ernani – Infelice
Un ballo in maschera – Eri tu Macbeth – Come dal ciel precipita
Il trovatore – Il balen Simone Boccanegra – Il lacerato spirito
Rigoletto – Cortigiani I vespri siciliani – O, tu Palermo
R. Wagner: Tannhäuser – O du, mein holder Abendstern Nabucco – Vieni, o Levita
I. Zajc: Nikola Šubić Zrinjski – Gle kako divno sjaji grad
ALBERTO ALBINA
SUOSA SMAJLOVIĆ

G. Verdi: Il Corsaro - Tutto parea sorridere G. Puccini: Madama Butterfly - Un bel dì vedremo
G. Verdi: I Lombardi - La mia letizia infondere W.A.Mozart: Le nozze di Figaro - Dove sono
Ch.Gounod: Roméo et Juliette - Ah, lève-toi, soleil A.Catalani: La Wally - Ebben! Ne andrò lontana
P.I.Tchaikovsky: Eugene Onegin - Kuda, kuda G.Bizet: Carmen - Je dis que rien ne m'epouvante
G.Donizetti: Lucia di Lamermoor - Fra poco a me G.Puccini: Manon Lescaut - In quelle trine morbide
ricovero
ALEKSANDAR ALEKSANDRA
DRAGOJEVIĆ JOVANOVIC

V.Bellini: I Puritani - Or dove fuggo io mai... Ah per G.Donizetti: Linda di Chamoniux - O luce di
sempre io ti perdei quest`anima
W.A.Mozart: Le nozze di Figaro - Hai gia vinta la J.Offenbach: Les contes d`Hoffmann - Les oiseaux dans
causa... Vedro mentr'io sospiro la charmille
G.Rossini: Guillaume Tell - Sois immobile W.A.Mozart: Die Zauberflöte - O zittre nicht, mein
P.I.Tchaikovsky: Eugene Onegin - Kogda bi zhizn lieber Sohn
R.Wagner: Tannhauser - Wie Todesahnung... O du, G.Donizetti: Lucia di Lammermoor - Regnava nel
mein holder Abendstern silenzio
W.A.Mozart: Die Zauberflöte - Der Hölle Rache
ALLA ANA
PERCHIKOVA MAJDAK

J.Massenet: Herodiade - Il est doux, il est bon V.Fioravanti: Le cantatrici villane - Questa furba
A.Catalani: La Wally - Ebben! Ne andrò lontana malandrina
A.Ponchielli: La Giaconda - Suicidio W.A.Mozart: Le nozze di Figaro - Giunse alfin il
G.Puccini: Tosca - Vissi d'arte momento... Deh vieni, non tardar
G.Puccini: Madama Butterfly - Un bel dì vedremo Ch.Gounod: Faust - Faites lui mes aveux
I. pl Zajc: Nikola Šubić Zrinjski - On ode
G.Puccini: Gianni Schicchi - O mio babbino caro
ANA ANEMARIJA
PETRIČEVIĆ ŠTEFANČIĆ

G.Verdi: Macbeth - Nel di della vittoria W.A.Mozart: Don Giovanni - Ah, chi mi dice mai
G.Verdi: I Masnadieri - Venerabile o padre... Lo sguardo P.I.Tchaikovsky: Pikovaya dama - Uz polnatch blizitsja
avea F.Lehar: Guiditta - Meine Lippen, sie küssen so heiß
A.Ponchielli: La Giaconda - Suicidio A.Dvořák: Rusalka - Měsíčku na nebi hlubokém
G.Verdi: La forza del destino - Pace, pace mio dio G.Bizet: Carmen - C'est des contrebandiers le refuge
R.Wagner: Tannhauser - Dich, teure Halle ordinaire… Je dis que rien ne m'épouvante
ARIJANA ARMINIA
MARIĆ-GIGLIANI FRIEBE

A.Ponchielli: La Gioconda - Suicidio F.Lehar: Giuditta - Meine Lippen sie küssen so heiß
F.Cilea: Adriana Lecouvreur - Ecco, respiro... Io son W.A.Mozart: Le nozze di Figaro - Porgi amor
l'umile ancella C.M. Von Weber: Der Freischütz - Wie nahte mir der
A.Dvořák: Rusalka - Měsíčku na nebi hlubokém Schlummer… Leise,leise
G.Puccini: Tosca - Vissi d'arte R.Wagner: Tannhäuser - Dich, teure Halle
G.Verdi: Un ballo in maschera - Morrò, ma prima in G.Verdi: La forza del destino - Pace, pace mio dio
grazia
BERNARDA BOJAN
ROŠER FUŠTAR

G.Puccini: La bohème - Quando m`en vo G.Donizetti: Maria di Rohan - Bella e di sol vestita
G.Gershwinn: Porgy and Bess - Summertime J.Haydn: Orlando Paladino - Temerario
G.Puccini: Gianni Schicchi - O mio babbino caro G.Donizetti: L'elisir d'amore - Come Paride vezzoso
W.A.Mozart: Le nozzi di Figaro - Porgi amor R.Wagner: Tannhäuser - Wie Todesahnung... O du,
G.Verdi: La forza del destino - Pace, pace mio dio mein holder Abendstern
I. pl. Zajc: Nikola Šubić Zrinjski - Gle kako divno sjaji
grad
DIJANA DOLORES
KOS LEKO

P.Mascagni: Cavalleria rusticana - Voi lo sapete o G.Donizetti: Lucia di Lammermoor - Regnava nel
mamma silenzio
C.W.Gluck: Alceste - Divinités du Styx G.Donizetti: L'elisir d'amore - Prendi, per me sei libero
W.A.Mozart: Don Giovanni – Ah, chi mi dice mai V.Bellini: La sonnambula - Ah, non credea mirarti... Ah,
G.Puccini: Gianni Schicchi - O mio babbino caro non giunge!
I. pl. Zajc: Nikola Šubić Zrinjski - On ode V.Bellini: I Capuleti e i Montecchi - Eccomi in lieta
vesta... Oh, quante volte
G.Verdi: La Traviata - È strano… Sempre libera
DOMEN EWA
KRIŽAJ MAJCHERCZYK

W.A.Mozart: Don Giovanni - Madamina, il catalogo è G.Verdi: La Traviata - È strano… Sempre libera
questo W.A.Mozart: Le nozze di Figaro - Giunse alfin il
A.Lortzing: Der Wildschütz - Wie freundlich strahlt... momento... Deh vieni, non tardar
Heiterkeit und frölichkeit G.Donizetti: Linda di Chamounix - Ah, tardai
G.Bizet: Carmen - Votre toast troppo...Oh luce di quest'anima
G.Verdi: Don Carlos - Son io mio Carlo... Per me giunto G.Verdi: Rigoletto - Gualtier Maldé... Caro nome
U.Giordano: Andrea Chénier - Nemico della patria G.Donizetti: Lucia di Lammermoor - Regnava nel
GORANKA HEINI
TUHTAN DAHLROOS

A.Boito: Mefistofele - L'altra notte in fondo al mare G.Verdi: Rigoletto - Caro nome
G.Puccini: La bohème - Si, mi chiamano Mimi Ch.Gounod: Romeo et Juliette - Je veux vivre
G.Verdi: Un ballo in maschera - Morrò, ma prima in R.Strauss: Ariadne auf Naxos - Grossmächtige
grazia Prinzessin... So war es mit Pagliazzo
A.Dvořák: Rusalka - Mesičku na nebi hlubokem G.Puccini: Turandot - Signore ascolta!
G.Verdi: La forza del destino - Pace, pace mio dio G.Verdi: La Traviata - È strano… Sempre libera
IBRAHIM INA
YEŞILAY KANCHEVA

G.Donizetti: La fille du régiment - Ah mes amis W.A.Mozart: Così fan tutte - Come scoglio
G.Donizetti: Don Pasquale - Povero Ernesto Ch.Gounod: Faust - Ah, je ris de me voir
G.Verdi: Rigoletto - La donna è mobile P.I.Tchaikovsky: Iolanta - Ot cego
W.A.Mozart: Die Zauberflöte - Dies Bildnis ist A.Dvořák: Rusalka - Měsíčku na nebi hlubokém
bezaubernd schön G.Verdi: I vespri siciliani – Mercè, dilette amiche
G.Puccini: La bohème - Che gelida manina
INGER INO
TORILL S. NARVESEN KLASAN

W.A.Mozart: Die Entführung aus dem Serail - Ach ich F.Cilea: L'arlesiana - È la solita storia del pastore
liebte G.Puccini: La fanciulla del West – Ch'ella mi creda
L.Bernstein: Candide - Glitter and be gay G.Puccini: Tosca - E lucevan le stelle
J.Massenet: Manon - Je marche sur tous les chemins... G.Puccini: Turandot - Nessun dorma
Obéissons quand leur voix appelle G.Verdi: Rigoletto - La donna è mobile
G.Donizetti: Lucia di Lammermoor - Regnava nel
silenzio
G.Verdi: La Traviata - È strano… Sempre libera
IRENA JADRANKA
WEBER JURAS

G.Bizet: Carmen - Séguidille V.Bellini: I Capuletti ed I Montecchi - Se Romeo

Ch.Gounod: Romeo et Juliette - Que-fais tu, blanche t'uccise un figlio
tourterelle G.Rossini: Il barbiere di Siviglia - Una voce poco fa
L.Bernstein: Trouble in Tahiti - What a movie P.I.Tchaikovsky: Orleanskaya deva - Da, chas nastal!
W.A.Mozart: Così fan tutte - Ah, scostati!....Smanie Prostite vy
implacabili G.Verdi: Don Carlos - Canzon del velo
G.Bizet: Carmen - Habanera W.A.Mozart: La clemenza di Tito - Parto, parto
JELENA JENNY
RADOVANOVIĆ SANDELIN

G.Verdi: Un ballo in maschera - Ecco l'orrido campo G.Puccini: Manon Lescaut - Sola, perduta,
W.A.Mozart: Idomeneo - O, smania!... D'Oreste, abbandonata
d'Ajace G.Puccini: Tosca - Vissi d'arte
F.Cilea: Adrianna Lecouvreur - Io son l' umile ancella G.Verdi: Il trovatore - D'amor sull'ali rosee
G.Puccini: Madame Butterfly - Tu! Tu piccolo iddio! F.Cilèa: Adriana Lecouvreur - Ecco, respiro... Io son
G.Verdi: Aida - Ritorna vincitor! l'umile ancella
R.Wagner: Tannhäuser - Dich, teure Halle
JURE KOCHI
POČKAJ OKUGAWA

G.Verdi: La Traviata - Di Provenza il mar E. W. Korngold: Die tote Stadt - Mein Sehnen, mein
G.Donizetti: L'elisir d'amore - Come Paride vezzoso Wähnen
U.Giordano: Andrea Chénier - Nemico della patria G. Rossini: La Cenerentola - Come un` ape ne giorni
G.Verdi: Falstaff - È sogno o realtà? d'aprile
G.Rossini: Il barbiere di Siviglia - Largo al factotum G. Verdi: Macbeth - Pietà, rispetto, amore
V. Bellini: I puritani - Or dove fuggo io mai... Ah per
sempre
G.Verdi: Falstaff - È sogno o realtà?
KORNÉL KORA
MIKECZ PAVELIC

L. van Beethoven: Fidelio - Ha, welch ein Augenblick! W. A. Mozart: La clemenza di Tito - Parto, parto
W.A.Mozart: Don Giovanni - Madamina G.Verdi: Il trovatore - Stride la vampa
Ch.Gounod: Romeo et Juliette - Mab, la reine des R.Strauss: Ariadne auf Naxos - Sein wir wieder gut
mensonges G.Rossini: Il barbiere di Siviglia - Una voce poco fa
G.Donizetti: L'elisir d'amour – Udite, udite o rustici P.Mascagni: Cavaleria rusticana - Voi lo sapete
W.A.Mozart: Le nozze di Figaro - Non più andrai
LUKA MAJA
ORTAR MAJCEN

G. Verdi: Macbeth - Come dal ciel precipita W.A.Mozart: Die Entführung aus dem Serail - Ach, ich
G. Verdi: I vespri siciliani - O, tu Palermo liebte
G. Rossini: Il barbiere di Siviglia - La Calunia Ch.Gounod: Romeo et Juliette - Je veux vivre
G.Verdi: Don Carlos - Ella giammai m'amo G.Puccini: La bohème - Quando m`en vo
W.A.Mozart: Don Giovanni - Madamina G.Verdi: Rigoletto - Caro nome
G.Puccini: Turandot - Signore, ascolta!
MALGORZATA MARIJA
PAWLOWSKA BUZDOVAČIĆ

W.A.Mozart: Le nozze di Figaro - E Susanna non vien... G.Verdi: Ernani - Ernani involami
Dove sono W.A.Mozart: Così fan tutte - Come scoglio
E.W.Korngold: Die tote Stadt - Glück, das mir G.Donizetti: Anna Bolena - Piangete voi?... Al dolce
verblieb... guidami… Coppia Iniqua
G.Rossini: Il barbiere di Siviglia - Una voce poco fa Ch.Gounod: Faust - Ah, je ris de me voir
G.Puccini: Suor Angelica - Senza mamma G.Verdi: La Traviata - È strano… Sempre libera
W.A.Mozart: Don Giovanni - 'In quali eccessi, o
Numi!... Mi tradi quell'alma ingrata
MARIJA MARIJA
MITIĆ POSAVEC

V.Bellini: I Capuleti e i Montecchi - Eccomi in lieta R.Wagner: Tannhäuser - Dich, teure Halle
vesta… Oh quante volte G.Puccini: Tosca - Vissi d'arte
O.Nicolai: Die lustigen Weiber von Windsor - Nun eilt L. van Beethoven: Fidelio - Abscheulicher!
herbei G.Verdi: Un ballo in maschera - Morrò, ma prima in
G.Verdi: Rigoletto - Gualtier Maldé... Caro nome grazia
G.Puccini: Suor Angelica - Senza mamma G.Verdi: La forza del destino - Pace, pace mio dio
G.Verdi: La Traviata - È strano… Sempre libera
MARIJANA MARIN
RADIČEVIĆ TUHTAN

G.Verdi: Il corsaro - Egli non riede ancora... Non so le G.Puccini: Tosca - E lucevan le stelle
tetre immagini G.Verdi: Rigoletto - Questa o quella
G.Charpentier: Louise - Depuis le jour G.Puccini: La bohème - Che gelida manina
G.Donizetti: Don Pasquale - Quel guardo, il cavaliere... P.I.Tchaikovsky: Eugene Onegin - Kuda, kuda
So anch'io la virtù magica G.Puccini: Turandot - Nessun dorma
V.Bellini: I Capuleti ed I Montecchi - Eccomi in lieta
vesta... Oh, quante volte
G.Donizetti: Linda di Chamounix - Ah, tardai troppo...
O luce di quest'anima
MASUMI MATIJA
ISHII BIZJAN

G.Donizetti: Don Pasquale - Quel guardo il cavaliere S.Moniuszko: Straszny dwór - Ten zegar stary
W.A.Mozart: Così fan tutte - In uomini, in soldati O.Niccolai: Die lustigen Weiber von Windsor - Als
W.A.Mozart: Die Zauberflöte - Ach, ich fühls büblein klein
V.Bellini: I Capuletti e I Montecchi - Oh, quante volte Ch.Gounod: Philémon et Baucis - Que les songes
G.Donizetti: L'elisir d'amore - Prendi heureux
G.Verdi: Simon Boccanegra - Il lacerato spirito
W.A.Mozart: Die Zauberflöte - In diesen heil'gen
Hallen
MERJA MILA
MÄKELÄ SOLDATIĆ MARIĆ

C.Saint-Saens: Samson et Dalila - Mon coeur s'ouvre à G.Verdi: Il trovatore - Tacea la notte placida
ta voix W.A.Mozart: Don Giovanni - In quali eccessi...mi tradi
G.Bizet: Carmen - Séguidille G.Puccini: Suor Angelica - Senza mamma
G.Donizetti: La favorita - O mio Fernando G.Verdi: I vespri siciliani - Merce, dilette amiche
W.A.Mozart: La clemenza di Tito - Parto, parto G.Puccini: Tosca - Vissi d'arte
G.Verdi: Don Carlos - O don fatale
MILICA MIYUKI
LALOŠEVIĆ MATSUSHITA

A.Dvořák: Rusalka - Měsíčku na nebi hlubokém W.A.Mozart: Le nozze di Figaro - Giunse alfin il
G.Puccini: La bohème - Donde lieta uscì momento... Deh vieni, non tardar
G.Puccini: Turandot - Tu che di gel sei cinta W.A.Mozart: Die Zauberflöte - Ach, ich fühl's
W.A.Mozart: Le nozze di Figaro - Porgi amor G.F.Handel: Giulio Cesare - Piangerò la sorte mia
Ch.Gounod: Faust - Ah, je ris de me voir V.Bellini: I Capuleti e I Montecchi - Oh, quante volte
G.Puccini: La bohème - Quando m`en vo
MLADEN MOJCA
PRODAN BEDENIK

G.Puccini: Turandot - Non piangere, Liu' G.Puccini: La bohème - Quando m`en vo

F.Cilea: L' Arlesiana - È la solita storia del pastore G.Verdi: Rigoletto - Caro nome
R.Leoncavallo: I Pagliacci - O Colombina G.Donizetti: L'elisir d'amore - Prendi per me sei libero
G.Verdi: Rigoletto - Questa o quella G.Donizetti: Lucia di Lammermoor - Regnava nel
P.I.Tchaikovsky: Eugene Onegin - Kuda, kuda silenzio
V.Bellini: La sonnambula - Ah, non credea mirarti
MOJCA MORANA
BITENC PLEŠE

G.Verdi: La forza del destino - Pace, pace mio dio W.A.Mozart: Die Entführung aus dem Serail – Ach, ich
W.A.Mozart: Don Giovanni - In quali eccessi… Mi tradi liebte
G.Puccini: Turandot - Signore ascolta J.F.Handel: Julio Cesare - Da tempesete
G.Bizet: Carmen - Je dis que rien ne m`epouvante G.Donizetti: Linda di Chamounix - Ah tardai troppo... O
G.Puccini: Tosca - Vissi d`arte luce di quest anima
G.Donizetti: Lucia di Lammermoor - Regnava nel
silenzio
G.Puccini: La bohème - Quando m`en vo
NEVENA NIKA
JOSIĆ GORIČ

A.Dvořák: Rusalka - Měsíčku na nebi hlubokém J.Massenet: Manon - Je suis encore

G.Puccini: La bohème - Donde lieta uscì J.Strauss: Die Fledermaus - Spiel ich die Unschuld
W.A.Mozart: Die Zauberflöte - Ach, Ich Fühl's vom Lande
G.Puccini: La bohème – Si, mi chiamano Mimi W.A.Mozart: Mitridate, ré di Ponto - Nel grave
Ch.Gounod: Faust - Ah, je ris de me voir tormento
W.A.Mozart: Così fan tutte - In uomini, in soldati
G.Donizetti: L'elisir d'amore - Prendi
NIKHIL NIKOLA
KUMAR GOAYL MIKIĆ

W.A.Mozart: Le nozze di Figaro - Non più andrai Ch.Gounod: Faust - Avant de quitter ce lieux
G.Donizetti: Don Pasquale - Bella siccome un angelo G.Donizetti: Don Pasquale - Bella siccome un angelo
A.Thomas: Hamlet - J'ai pu frapper... Être ou ne pas G.Donizetti: L'elisir d'amore - Come Paride vezzoso
être W.A.Mozart: Le nozze di Figaro - Non più andrai
R.Wagner: Tannhauser - Wie Todesahnung... O du, G.Rossini: Il barbiere di Siviglia - Largo al factotum
mein holder Abendstern
G.Verdi: Don Carlos - Son io mio Carlo... Per me
giunto... O Carlo ascolta... Io morrò
NUŠKA OLGA
ROJKO KSENICZ

G.Donizetti: La favorita - Fia dunque vero... Oh, mio W.A.Mozart: Die Zauberflöte - O zittre nicht, mein
Fernando! lieber Sohn!
W.A.Mozart: Le nozze di Figaro - Voi che sapete W.A.Mozart: Die Entfuehrung aus dem Serail - Ach, ich
P.I.Tchaikovsky: Orleanskaya deva - Da, chas nastal! liebte
Prostite vy G.Rossini: Il barbiere di Siviglia - Una voce poco fa
G.Bizet: Carmen - Séguidille W.A.Mozart: Zaide - Ruhe sanft, mein holdes Leben
G.Rossini: Il barbiere di Siviglia - Una voce poco fa G.Donizetti: Lucia di Lammermoor - Regnava nel
silenzio
ORSOLYA OSKARI
MÁRIA AMBRUS NOKSO-KOIVISTO

R.Wagner: Der fliegende Hollendar - Johohoe G.Verdi: I vespri siciliani - O, tu Palermo

R.Wagner: Lohengrin - Einsam in trüben Tagen L. van Beethoven: Fidelio - Hat man nicht auch Gold
U.Giordano: Andrea Chénier - La mamma morta beineben
A.Dvořák: Rusalka - Měsíčku na nebi hlubokém G.Verdi: Nabucco - Vieni, o Levita!... Tu sul labbro
G.Puccini: Manon Lescaut - Sola, perduta, W.A.Mozart: Le nozze di Figaro – Non più andrai
abbandonata G.Verdi: Don Carlos - Ella giammai m'amo... Dormirò
sol
PETRA PIOTR
VRH VREZEC CHMAJ

J.Strauss: Die Fledermaus - Spiel ich die Unschuld F. von Flotow: Martha - Ach so fromm, ach so mild
vom Lande J.Massnet: Manon - En fermant les yeux
W.A.Mozart: Die Entführung aus dem Serail - Durch W.A.Mozart: Così fan tutte - In qual fiero contrasto...-
Zärtlichkeit und Schmeicheln Tradito, schernito!
G.Verdi: Un ballo in maschera - Volta la terrea W.A.Mozart: Die Zauberflöte - Dies Bildnis ist
G.Verdi: Un ballo in maschera - Saper vorreste bezaubernd schoen
J.Offenbach: Les Contes d'Hoffmann - Les oiseaux G.Donizetti: L'elisir d'amore - Quanto e bella, quanto e
dans la charmille cara
RICHARD RISA
HELM UNEBE

V.Bellini: I Puritani - Or dove fuggo io mai… Ah per G.Puccini: Madama Butterfly - Un bel dì vedremo
sempre R.Leoncavallo: I Pagliacci - Qual fiamma avea nel
G. Donizetti: Don Pasquale - Bella siccome un angelo guardo!... Stridono lassù, liberamente
W.A.Mozart: Le nozze di Figaro - Hai gia vinta la A.Boito: Mefistofele - L'altra notte in fondo al mare
cuasa…Vedro mentr'io sospiro W.A.Mozart: Le nozze di Figaro - Porgi amor
R.Wagner: Tannhäuser - Wie Todesahnung… O du Ch.Gounod: Faust - Ah, je ris de me voir
mein holder Abendstern
G.Verdi: Don Carlos - Felice ancor io son… Per me
giunto... Io morrò
SHAYNA SHIHO
JONES MIZOGUCHI

R.Leoncavallo: I Pagliacci - Stridono lassù G.Puccini: Turandot - Tu che di gel sei cinta
G.Puccini: Turandot - Tu che di gel sei cinta G.Puccini: Madama Butterfly - Un bel dì vedremo
B.Britten: Peter Grimes - Embroidery in childhood F.Lehar: Giuditta - Meine Lippen, sie küssen so heiß
A.Dvořák: Rusalka - Měsíčku na nebi hlubokém W.A.Mozart: Così fan tutte - Come scoglio
W.A.Mozart: Così fan tutte - Come Scoglio G.Verdi: Un ballo in maschera - Morrò, ma prima in
grazia
SHINHEE STRAHINJA
YOO ĐOKIĆ

G.Verdi: Macbeth - Ah, la paterna mano W.A.Mozart: Die Zauberflöte - In diesen heil'gen
F.Cilea: L'Arlesiana - È la solita storia del pastore Hallen
G.Verdi: Un ballo in maschera - Ma se m'e forza J.Halévy: La Juive - Si la rigueur et la vengeance
perderti A.Rubinstein: Demon - I Am He Whom You Called
Ch.Gounod: Faust - Salut, demeure chaste et pure P.I.Tchaikovsky: Eugene Onegin - Lyubvi fse vozrastï
G.Donizetti: Lucia di Lammermoor - Fra poco a me pokorni
ricovero G.Verdi: Simon Boccanegra - A te l'estremo addio... Il
lacerato spirito
TEO TIMOTHY
VISINTIN LANIGAN

G.Donizetti: La favorita - Vien Leonora... De'nemici tuoi G.Donizetti: Lucia di Lammermoor - Fra poco a me
G.Verdi: Ernani - Lo vedremo, veglio audace ricovero
W.A.Mozart: Don Giovanni - Fin ch'han dal vino J.Massenet: Werther - Pourquoi me réveiller
G.Donizetti: L'elisir d'amore - Come Paride vezzoso G.Verdi: La Traviata - Lunge da lei
W.A.Mozart: Le nozze di Figaro - Hai già vinta la causa W.A.Mozart: Die Zauberflöte - Dies Bildnis ist
bezaubernd schön
P.I.Tchaikovsky: Eugene Onegin - Kuda, kuda
TOMAŽ VARVARA
ŠTULAR MERRAS-HÄYRYNEN

G.Verdi: Macbeth - Come dal ciel precipita F.Cilea: Adriana Lecouvreur - Ecco, respiro... Io son
W.A.Mozart: Le nozze di Figaro - Non più andrai l'umile ancella
G.Puccini: La bohème - Vecchia zimarra W.A.Mozart: Così fan tutte - Temerari... Come scoglio
G.Verdi: Don Carlos - Ella giammai m´amo P.Tchaikovsky: Pikovaya dama- Uzh polnotch blizitsja
W.A.Mozart: Don Giovanni - Madamina G.Puccini: Manon Lescaut - In quelle trine morbide
R.Wagner: Tannhäuser – Dich, teure Halle
VIŠNJA VLADO
RADOSAV DANIĆ

P.I.Tchaikovsky: Orleanskaya deva - Da, chas nastal! G.Meyerbeer: L' Africaine - O, paradiso
Prostite vy G. Verdi: La forza del destino - La vita e inferno
P.I.Tchaikovsky: Pikovaya dama - Podrugi milie G.Verdi: Macbeth - O figli
A.Ponchielli: La Gioconda - Stella del marinar P.I.Tchaikovsky: Eugene Onegin - Kuda, kuda
C.Saint-Saëns: Samson et Dalila - Mon coeur s'ouvre à J. Massenet: Werther - Pourquoi me réveiller?
ta voix
F.Cilea: Adriana Lecouvreur - Acerba voluttà
YOSUKE YOUNGBIN
TAKAHASHI PARK

G.Verdi: Falstaff - È sogno o realtà? W.A.Mozart: Don Giovanni - Madamina

A.Thomas: Hamlet - Comme une pale fleur W.A.Mozart: Die Zauberfloete - O Isis und Osiris
G.Verdi: Otello - Credo in un Dio crudel G.Verdi: Ernani - Infelice, e tuo credevi
G.Verdi: Don Carlos - Per me giunto G.Puccini: La bohème - Vecchia zimarra
U.Giordano: Andrea Chénier - Nemico della patria G.Verdi: Simon Boccanegra - Il lacerato spirito
ZORICA ZSUZSANNA
BELIC ÁDÁM

G.Puccini: La bohème - Si, mi chiamano Mimi G.Verdi: Otello - Ave Maria

G.Verdi: Il trovatore - Tacea la notte placida W.A.Mozart: La clemenza di Tito - Non più di fiori
G.Verdi: Il trovatore - D'amor sull ali rosee G.Rossini: La scala di seta - Il mio ben sospiro e chiamo
W.A.Mozart: Così fan tutte - Come scoglio A.Dvořák: Rusalka - Měsíčku na nebi hlubokém
G.Bizet: Carmen - Je dis que rien ne m'epouvante W.A.Mozart: Le nozze di Figaro - Porgi amor
POKROVITELJ GLAZBENOG PROGRAMA FESTIVALA
I PRVE NAGRADE MEĐUNARODNOG NATJECANJA
„ZINKA MILANOV“
 POKROVITELJ
DRUGE NAGRADE MEĐUNARODNOG NATJECANJA
„ZINKA MILANOV“
 POKROVITELJ
BALETNOG PROGRAMA FESTIVALA

POKROVITELJ PREDSTAVE
POKROVITELJ PROGRAMA „RUKELI“ POKROVITELJ PREDSTAVA
„VEČER ŠPANJOLSKOG SKLADATELJA GRADSKOG KAZALIŠTA LUTAKA RIJEKA
MANUELA DE FALLE“

POKROVITELJ PREDSTAVE
„WELTSSCHMERZ“
SLUŽBENO CVIJEĆE FESTIVALA SLUŽBENI ZAŠTITAR FESTIVALA SLUŽBENA VODA FESTIVALA

RESTORANI FESTIVALA
SPONZORI FESTIVALA

PARTNERI FESTIVALA
MEDIJSKI PARTNER FESTIVALA MEDIJSKI POKROVITELJ FESTIVALA
 ART-KINO

PROGRAM SUFINANCIRAJU

ČLANICA MREŽA

PARTNERI
 SPONZOR LEPEZE

Riječke ljetne noći imaju svoju lepezu!

S ponosom ističemo da nam je firma AMEC RIJEKATEKSTIL sponzorski osigurala posebnu lepezu Riječke ljetne noći 2015.
Prikupljeni novčani prilozi namijenjeni su za pomoć Dječjem domu „Ivana Brlić Mažuranić”, podružnica Rijeka.
Organizatori: HNK Ivana pl. Zajca Rijeka Grad Rijeka Turistička zajednica Grada Rijeke

U suradnji s: Muzej moderne i Art-kino Gradsko kazalište lutaka Muzej grada Rijeke
suvremene umjetnosti Rijeka

Sufinancijer:
Initiators of the “Zinka Milanov” competition/Inicijatori natjecanja “Zinka Milanov”: Vlatka Oršanić, Marin Blažević

Competition director/Ravnateljica natjecanja: Vlatka Oršanić

Organizational team/Organizacijski tim: Jolanda Pahor, Ana Buneta

Arts Manager of Rijeka Summer Nights/Umjetnički voditelj Riječkih ljetnih noći: Marin Blažević
Organization board of Rijeka Summer Nights/Organizacijski odbor Riječkih ljetnih noći:
Oliver Frljić, Slaven Tolj, Slobodanka Mišković, Zrinka Kolak Fabijan, Ervin Dubrović, Marin Blažević

Publisher/Izdavač: HNK Ivana pl. Zajca Rijeka

For the Publisher/Za izdavača: Oliver Frljić
Editor/Urednica: Marijana Mavić
Design/Oblikovanje: Zdravko Benzia
Print/Tisak: Kerschoffset, Zagreb
Rijeka, 2015.