Early Dance
Early Dance
Early Dance
By the 1980s dance had come full circle and modern dance (or, by this time,
"contemporary dance") was clearly still a highly technical and political vehicle
for many practitioners. Existing alongside classical ballet, the two art-forms were
by now living peacefully next door to one another with little of the rivalry and
antipathy of previous eras. In a cleverly designed comment on this ongoing
rivalry the brilliant collaboration of Twyla Tharp (one of the 20th century's cutting
edge Dance avant-gardist/contemporary) and Ballet dance was ultimately
achieved. The present time sees us still in the very competitive artistic
atmosphere where choreographers compete to produce the most shocking
work, however, there are still glimpses of beauty to be had, and much incredible
dancing in an age where dance technique has progressed further in expertise,
strength and flexibility than ever before in history.
For the emergence of 20th-century modern dance see also: Mary Wigman, Gret
Palucca, Harald Kreutzberg, Yvonne Georgi, and Isadora Duncan.
Hip-hop dance started when Clive Campbell, aka Kool DJ Herc and the father
of hip-hop, came to New York from Jamaica in 1967. Toting the seeds of reggae
from his homeland, he is credited with being the first DJ to use two turntables
and identical copies of the same record to create his jams. But it was his
extension of the breaks in these songs—the musical section where the
percussive beats were most aggressive—that allowed him to create and name
a culture of break boys and break girls who laid it down when the breaks came
up. Briefly termed b-boys and b-girls, these dancers founded breakdancing,
which is now a cornerstone of hip-hop dance.