Eden WT800 Manual
Eden WT800 Manual
Eden WT800 Manual
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SOFTUBE USER’S GUIDE | iii
Contents
2 General Settings 19
Menu Row. . . . . . . . . . . . . . . . . . . . . . 19
Key Commands. . . . . . . . . . . . . . . . . . . . 20
| 5
Phase Invert
On/Off
In Meters,
(all channels) Turn on the audio on that Clip LED The channel meters show the
channel. peak levels of each channel.
The Clip LED at the top right
lights up when the output
Level signal exceeds 0 dB.
(all channels) Set the level of the respective
channel.
Cabinets and Microphones
Tweeter Level How do I get a clear and uncolored tone with lots
(only 4x10" channel) Turn up for more high of headroom? That was the question that started
frequencies from the 4x10" Eden's quest for the perfect bass cab. They started
cabinet. The 4x10" has a built- building bass cabinets in the late 70s and their
in tweeter, with a level control designs quickly became an industry standard for
on the back. This knob adjusts touring musicians. Since you didn't have to trade
that level. low end with clarity anymore, it's no wonder that it
became a success.
The 4x10"
The D410XLT has a 4x10" speaker layout and dual
ported design, and offers focused tone with excep-
tional low end. It is the perfect option when you
need to project your sound through the mix and
drive for ultimate lows.
Microphones
Put three bass players in a room and there will be
heated and long discussion about mics. But thanks
to moderating non-bass players we managed to put
the differences aside and come up with a roster of
Setting up mics for the session.
five diverse and very different sounding mics.
The AKG D112 has a classic scooped-out sound
that just sounds right. Might feel a bit boring, but
it does the job. Electro Voice's RE20 is another
classic, with not as much of the lowest and highest
as the D-112, but a focused and warm midrange.
Neumann U 47 just has to be included. Full range,
sparkling highs, nice and balanced. Can't go wrong
there.
The final two mics are not studio classics for bass,
but completes the palette in a very nice way. Royer's
ribbon R-121 has a super smooth top, and tames
the 4x10" like nothing else. It's sounds both ag-
gressive and smooth at the same time (a passive/ The Royer R-121 and U 47
aggressive mic?). And last, but definitely not least:
the huge Melodium Type R ribbon mic is as big as
The real deal.
it sounds. Nothing sounds like that one. mono plug-in, but if you place a stereo instance of
the Eden WT-800 on a track, it will process both
George Apsion, owner of Kore Studios, and lucky
channels independently. You can thus use the stereo
owner of that particular mic says: "The Type R is a
version of Eden WT-800 as an effects processor on
secret weapon for bass. It's an old French ribbon mic
stereo sources, such as a stereo synth bass line or
dating from the early 1940s. We were lucky enough to
drum kit.
find one with the original ribbon intact and it has a
huge low bump in the frequency response. There can't
be many left out there, so it's a great feeling to hear it Presets
producing such immense sounds in a modern setting."
Many of the presets have a carefully tuned equal-
All cabinets and mics were recorded at Kore izer, sometimes to match a bass player, style, song or
Studios, London, UK, by Troy Antunes, Niklas tonestack of a vintage amp. When adjusting presets,
Odelholm, Kim Larsson and George Apsion. reach first for the Bass and Treble, Compressor,
Enhance, cabinets, and lastly the semi-parametric
Meters equalizer. Compressor settings depends a lot on
your input gain and bass, so it will always be neces-
The peak meters in the channel strip shows the sary to adjust the amount of compression to your
peak level of each individual loudspeaker or direct taste.
from the amp. Even if all three meters are below 0
dB, that won't guarantee that the combined level
is below 0 dB, since the sum of all can be higher. If
Credits
the Clip LED at the top right corner of the channel Kim Larsson – modeling, programming. Niklas
strip is lit, you'll definitely above 0 dB. Please note Odelholm – project management, sound design,
that the Eden WT-800 plug-in won't limit the au- graphic design, user manual. Arvid Rosén – ex-
dio level at 0 dB, but can output much louder audio tremely complicated Sharc related stuff. Björn
than that. So if you have a DAW that allows levels Rödseth – programming. Patrik Holmström –
above 0 dB, you don't have to bother too much programming. Paul Shyrinskykh – quality assur-
about the Clip LED. ance. Troy Antunes – sound design, presets. Jerker
Odelholm – presets. Ulf "Rockis" Ivarsson – pre-
Mono and Stereo Operation sets.Ulf Ekelöf – 3D modeling.
2 General Settings
Menu Row
In the bottom of the plug-in interface, you will
see a thin black row with some buttons. We’ll use
the Chandler Limiter Zener Limiter plug-in as an
example, but the same goes for all Softube plug-ins.
Enable
About Box Opens the “About” Box with When the Enable switch is set to on (I), the plug-
version info. in is active and will process audio. When set to off
(0), it will be bypassed and not process any audio.
Value Display Displays the knob value when
the mouse is hovering over a
control.