Filipino Ness

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by jeff rey dalubatan

Since elementary, we knew the names Fernando Amorsolo,


Botong Francisco, Hernando Ocampo, and even Juan Luna. These
Filipino artists, local or national, have done numbers of artworks
being featured in national and international setting. But how can we
identify or determine the “Filipino-ness”, according to Leo Benasa,
of a Filipino art work? How Filipino is Philippine art?

Western influences and techniques, perhaps due to


colonization, have been used in the making of famous Filipino art
works which has drawn criticism into whether Philippine art is
original or not. National and cultural identity has been an issue since
the 1950’s.

Genre – impressionism, expressionism, surrealism,


minimalism, and many more – used to be a major consideration in
determining the “Filipino-ness” of an art work. Leo Benasa did
emphasize that the “depiction of scenes of everyday life and the
surroundings without idealizing them was closest in spirit to
the Filipino soul and native soil”, quoted from the Philippine Daily
Express on January 1979.

When a Filipino artist paints a farmer in the fields or, perhaps,


writes about a fisherman casting nets, the subject is Filipino but the
medium of expression should portray the subject as true to what is
in reality. Amorsolo’s paintings, for example, depicts rural lands in
the Philippines, as well as vegetation and nature, and includes
scenes of men and women in portrayed as hardworking with smiles
on their faces or showing Filipino culture and tradition.

So, what makes Philippine art Filipino? The reflection of a


society with diverse cultural influences and traditions expressing the
spirit of the Filipino adheres to the “Filipino-ness” of an art work.
Simply, essence matters most.

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