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    Temática de Pais Mano Izquierda

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    Valeria Flórez Leal
    Aldo Pais was the first cello of the La Fenice orchestra in 2007. The document outlines 18 sections of left hand cello techniques exercises including: 1) finger independence and strength exercises, 2) pizzicato techniques, 3) scales in various patterns and modes, 4) arpeggios and variations, 5) double stops, 6) extensions, 7) shifting, 8) speed and equality, 9) thumb articulation, 10) natural harmonics, 11) artificial harmonics, 12) shifting, 13) portamento, 14) finger substitutions, 15) trills, 16) octaves, 17) thirds, sixths, tenths, and unisons, and 18) quarter

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    Temática de Pais Mano Izquierda

    Uploaded by

    Valeria Flórez Leal
    235 views2 pages
    Aldo Pais was the first cello of the La Fenice orchestra in 2007. The document outlines 18 sections of left hand cello techniques exercises including: 1) finger independence and strength exercises, 2) pizzicato techniques, 3) scales in various patterns and modes, 4) arpeggios and variations, 5) double stops, 6) extensions, 7) shifting, 8) speed and equality, 9) thumb articulation, 10) natural harmonics, 11) artificial harmonics, 12) shifting, 13) portamento, 14) finger substitutions, 15) trills, 16) octaves, 17) thirds, sixths, tenths, and unisons, and 18) quarter

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    Temática de Pais mano izquierda

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    Aldo Pais was the first cello of the La Fenice orchestra in 2007. The document outlines 18 sections of left hand cello techniques exercises including: 1) finger independence and strength exercises, 2) pizzicato techniques, 3) scales in various patterns and modes, 4) arpeggios and variations, 5) double stops, 6) extensions, 7) shifting, 8) speed and equality, 9) thumb articulation, 10) natural harmonics, 11) artificial harmonics, 12) shifting, 13) portamento, 14) finger substitutions, 15) trills, 16) octaves, 17) thirds, sixths, tenths, and unisons, and 18) quarter

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    235 views2 pages

    Temática de Pais Mano Izquierda

    Uploaded by

    Valeria Flórez Leal
    Aldo Pais was the first cello of the La Fenice orchestra in 2007. The document outlines 18 sections of left hand cello techniques exercises including: 1) finger independence and strength exercises, 2) pizzicato techniques, 3) scales in various patterns and modes, 4) arpeggios and variations, 5) double stops, 6) extensions, 7) shifting, 8) speed and equality, 9) thumb articulation, 10) natural harmonics, 11) artificial harmonics, 12) shifting, 13) portamento, 14) finger substitutions, 15) trills, 16) octaves, 17) thirds, sixths, tenths, and unisons, and 18) quarter

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    LA TÉCNICA DEL VIOLONCELLO (MANO SINISTRA) BY ALDO PAIS

    Aldo Pais was the first cello of the orchestra of La Fenice founded in 2007.

    1. Esercizi per la forza e l’independencia delle dita (pag1):


    • raise your fingers and dropped them with force on the string
    2. Pizzicato a Percussione e Pizzicato con la mano sinistra (pag.7):
    • Pizzicato a Percussione: preparatory exercises. Hit the string with the
    chromatic fingers in the position necessary for each note.
    • Pizzicato con la mano sinistra: to pinch the string from right to left with the
    subsequent finger above to the real note.
    • Exercises that mix bowing, percussion pizz. and left-hand pizz. (pag.8-9)

    Exercises for strengthen and create independence in the fingers, establish the position: not
    for beginners some are very uncomfortable.

    3. Scales (pag 10)


    • preparatory exercises. (pag. 10-11)
    • 3 and 4 octaves scales fingering pattern: major, harmonic minor, melodic
    minor.
    • Scale with different fingering, scale in thumb position, two octaves one
    fingering,
    • scales variants, chromatics, whole tone.
    • Diatonic modal scales (pag.24)
    • Some Arabian, Chinese, and Indian scales (pag.26)
    4. Arpeggi (pag.27)
    • arpeggio exercises and variations
    5. Doppie corde nel manico (pag.35)
    • 3rd,4th,5th,6th,7th in double stops.
    6. Allargamenti (pag 43)
    • Double extension exercises, double stops with double extension
    • Extensions in thumb position (pag.53)
    7. Avvicinamenti di dita (pag.56)
    • Exercises to anticipate the change shifting keeping one finger in the old
    position while a new one is approaching to the next position.
    • Avvicinamenti delle dita negli accordi (similar to guitar chord fingering)
    (pag.57)
    8. Esercizi per la velocità e uguaglianza (pag. 58)
    • Exercises for fingering speed and equality
    9. Articolazione del pollice (pag.68)
    • Movements and exercises to master the thumb
    10. Armonici Naturalli (pag.76)
    • Description of the natural harmonics sequence and its repetition
    • Arpeggios using natural harmonics and real notes on a single string (pag.87)
    11. Armonici Artifialli (pag.88)
    • Description of the artificial harmonics
    • Combination of natural and artificial harmonics (pag.94)
    • Ecceziani: Trills in harmonics (pag.96)
    12. Salti (pag.98)
    • Shifting
    • Shifting with mandatory intervals (3rd,4th,5th,6th, etc.)
    13. Regole per I portamenti (pag. 105)
    • Portamento: slide from a note or to a note but do not connect the two notes.
    (different of glissando)
    • Portamento with the same finger on two strings (pag.108)
    14. Sostituzioni di dita (pag.109)
    • Replacement of fingers exercises (pag.109)
    15. Trillo (pag.110)
    • Double trill (pag.114)
    16. Ottave(pag.116)
    • Octaves in thumb position
    • 1 octave scale in parallel 8ves (pag.118)
    • Trills and tremolos in octaves (pag.128)
    17. Terze, Seste,Decime,Unisoni, quarte, quinte, settime
    18. ¼ di tono and vibrato (pag.160)
    • Indicate in the score by “+ ¼ di tono”, it could be doing just for short notes.
    Based in the physic principle of chromatic half tones.

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