Blurred Lines: Clarinette en Si

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Blurred

Lines Paul murtha

     
Clarinette en Si♭

                 
                   

                
                    
6

                   

                
                   
10


                
                   
14

                   

                
                   
18


              
                    
22

                 


                
                   
26


                
                   
30

                   

                
                   
34


            
                      
38 To Coda

              
2013 Arrangement
                 
  
                  
42

 
                                 
   
     
47

 
    

              
                    
54 D.S. al Coda

  

  
 
 
59

2 2013 Arrangement

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