Crepuscular

for claves and triangle

(CC) BY-NC-SA 2013 Jashiin

Triangle: Uniform dynamics, no loud accents. Notes marked as closed (a + mark above the note) should be muted, but not excessively dry. With other notes, various
approaches are possible, provided that whenever the regular appearance of the whole-note-and-an-8th-note pattern is established, every part of it is treated the same
way. For example, durations equal or longer than a quarter note may be interpreted as a single sound with no dampening, ignoring the rests. Alternatively, this rule
may be applied only to some of the durations of this sort, but only if the aforementioned pattern is either completely subservient to the rule, or completely excepted
from it.

The piece is easily interpreted as a mutualistic (or parasitic) interaction between two animals; the performers may choose to articulate the fact in any way they see
fit.
 Crepuscular
Jashiin

 
2013
       
q=90-120
Triangle          

Claves    
3
           
3
             
3 3

3
 
    
 
8

       

                                   
3
3 3 3
 


    3  3
             

              
    
3
15

   

    
3
         
3
       

    3  
2

          
       
3
   
22

      


3 3
    
3
                  
3


  3
   3
           
30

     3  

          3              

  
       
38

       

    
3 3 3
                       
3
  
  

           
  
47
     

     
3 3
                      
3
 3

  
     
54
      

    
 
     
3
                 
3 3 3


   3  3  
                       
        
61

    

 
3
            
3

3 3
         

 3    
            

        
68

  

 
3
                 
3
      


                
76

     

  
3
    3           3          
 
4

 
     
84

       


3 3

                      3  

    
        
91

   

 
3 3
                     
 