A Christmas Story The Musical Dramatic Publishing
A Christmas Story The Musical Dramatic Publishing
A Christmas Story The Musical Dramatic Publishing
Book by Joseph Robinette. Music and lyrics by Benj Pasek and Justin Paul.
Based upon the motion picture A Christmas Story, ©1983 Turner Entertainment Co.,
distributed by Warner Bros., written by Jean Shepherd, Leigh Brown and Bob Clark, and
on the book In God We Trust: All Others Pay Cash by Jean Shepherd.
Cast: 15m., 10w. May expand to 20+m., 15+w. This musical, which received rave reviews
on its Broadway run, is based on the movie classic that runs round-the-clock on television
every Christmas. Set in the 1940s in the fictional town of Homan, Indiana, the musical
follows 9-year-old Ralphie Parker and his quest for the Holy Grail of Christmas gifts—an
Official Red Ryder carbine-action 200-shot Range Model air rifle. Rebuffed at every turn
with a similar echoing response, Ralphie plots numerous schemes to achieve his desperate
desire for the coveted BB gun. All the iconic scenes from the movie are here: Ralphie’s
friend, Flick, getting his tongue stuck to the flagpole; his brother, Randy, getting dressed
in his snowsuit; the bullies, Farkus and Dill; the leg lamp award; the bunny suit; the
Chinese restaurant; Christmas dinner; and many others. The delightfully versatile score
ranges from gentle ballads to show-stopping full-ensemble numbers such as “Ralphie to
the Rescue,” “A Major Award,” “Sticky Situation,” “Up on Santa’s Lap,” “Somewhere
Hovering Over Indiana” and the inevitable “You’ll Shoot Your Eye Out!” A Christmas
Story, The Musical will bring an exciting new dimension to those who have seen the movie
and will certainly stand on its own for those who haven’t. Area staging. Approximate
running time: 2 hours. Code: CD2.
ISBN: 978-1-58342-408-7
Dramatic Publishing
311 Washington St.
Woodstock, IL 60098
ph: 800-448-7469
www.dramaticpublishing.com Cover design: Jeanette Alig-Sergel.
© The Dramatic Publishing Company
A Christmas Story, The Musical
Book by
JOSEPH ROBINETTE
©MMXIV
Book by JOSEPH ROBINETTE
Music and lyrics by BENJ PASEK and JUSTIN PAUL
Based upon the motion picture
A Christmas Story
Distributed by Warner Bros.,
Written by Jean Shepherd, Leigh Brown and Bob Clark
and upon
In God We Trust: All Others Pay Cash
Written by Jean Shepherd
Printed in the United States of America
All Rights Reserved
(A CHRISTMAS STORY, THE MUSICAL)
For inquiries concerning all other rights, contact:
William Morris Endeavor Entertainment, LLC,
1325 Avenue of the Americas, 15th floor
New York, NY 10019 • Phone: (212) 586-5100
ISBN: 978-1-58342-408-7
In addition, all producers of the musical must include the following acknowl-
edgments on the title page of all programs distributed in connection with perfor-
mances of the musical and on all advertising and promotional materials:
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© The Dramatic Publishing Company
Cast (continued)
Neighbors, Shoppers, Parents, Students,
Townspeople, Elves & Others..........................Tia Altinay, John Babbo,
Charissa Bertels, Grace Capeless,
Andrew Cristi, Thay Floyd, Nick Gaswirth,
Eddie Korbich, Mark Ledbetter, Jose Luaces,
Jack Matrianni, Alexa Niziak, Lindsay O’Neil,
Sarah Min-Kyung Park, J.D. Rodriguez,
Analise Scarpaci, Lara Seibert, Jeremy Shinder,
Luke Spring, Kirsten Wyatt
Production Staff
Director................................................................................John Rando
Producers..................................................Gerald Goehring, Roy Miller,
Michael F. Mitri, Pat Flicker Addiss,
Peter Billingsley, Timothy Laczynski,
Mariano Tolentino Jr., Louise H. Beard,
Michael Filerman, Scott Hart, Alison Eckert,
Bob Bartner, Michael Jenkins,
Angela Milonas, Bradford W. Smith
Associate Producers...............................................Vincent G. Palumbo,
Dancap Productions, Inc.,
Jeffrey Jackson, Ric Zivic
Casting.............................................................Stephanie Klapper, CSA
Music Coordinator.............................................................. Talitha Fehr
Choreographer................................................................ Warren Carlyle
Associate Choreographer.....................................................James Gray
Dance music arrangements................................................... Glen Kelly
Vocal arrangements............................................................... Justin Paul
Orchestrations..................................................................... Larry Blank
Music direction & supervision........................................ Ian Eisendrath
Production Stage Manager.....................................................Peter Wolf
Technical Supervisor............................................................. Fred Gallo
General management....................Corker Group, LLC, John S. Corker
Press Representative.................................Keith Sherman & Associates
Advertising & marketing.................................................................. aka
Set design......................................................................... Walt Spangler
Costume design..................................................Elizabeth Hope Clancy
Lighting design............................................................. Howell Binkley
Sound design......................................................................... Ken Travis
Hair & wig design...............................................................Tom Watson
Animals trained by........................................................William Berloni
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© The Dramatic Publishing Company
The world premiere of A Christmas Story, The Musical was pro-
duced by Kansas City Repertory Theatre with Eric Rosen, artistic
director, Jerry Genochio, producing director, and Cynthia Rider,
managing director.
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© The Dramatic Publishing Company
A Christmas Story, The Musical
CHARACTERS
JEAN SHEPHERD/NARRATOR: Late 40s to early 60s. A
charismatic storyteller who has the ability to weave a spell and
draw an audience into his magical world. He is omniscient but
not overpowering—a good-natured curmudgeon with a deadpan
sense of humor. He holds the audience with his tremendous
presence and spark. [Note: The framing device begins with
Jean’s radio show, but as the action unfolds he becomes a
physical part of the storytelling, a narrator who comes in and out
of the scenes. When he is onstage as the narrator, he is unnoticed
by the other characters (except for the few occasions when he
has direct interaction with Ralphie). When Jean assumes an
onstage role (e.g., the telegram deliverer), he is, of course, seen
by the others as that character. When Jean is observing Ralphie,
he feels and expresses everything just as Ralphie would, exactly
paralleling the boy’s emotional state. The “Universal I” phrase
that Jean uses in his opening speech is his way of distancing
himself from the story, but it is truly autobiographical in nature.]
THE PARKERS:
RALPHIE: 9, going on 10 (may be played by a 9 to 12-year-
old). Cute and winsome, but not precious. Bright, but not
precocious. A regular kid you wouldn’t mind having as a
next-door neighbor. He’s a bit mischievous and rascally but
with a twinkle in his eye.
MOTHER: 30s to 40s. More in charge of the family than the Old
Man is, but she would never let him know it. She is warm
and affable … at times a bit daffy … but not a pushover. A
vibrant woman, she is always busy, especially anytime she’s
in the kitchen. She is the secret engine that keeps the family
running, keeping the household together with an impressive
balancing act.
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© The Dramatic Publishing Company
SETTINGS
ACT I
PROLOGUE: Christmas Eve, several years ago
New York City
A street corner outside the radio studio of Station WOR
The radio studio desk
SCENE 1: December 1, 1940
The Parker family house
Higbee’s Department Store
SCENE 2: The next day
The Parker family house
A small portion of the outside yard
SCENE 3: Soon afterward
A path leading to school
SCENE 4: A few minutes later
The classroom
SCENE 5: A week later
The Parker family house
SCENE 6: Early evening on December 13, 1940
The Parker family house
SCENE 7: Immediately following
On the road
SCENE 8: Late that night
The Parker family house
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© The Dramatic Publishing Company
ACT II
SCENE 1: December 20, 1940
The schoolyard and classroom
SCENE 2: A 1930s kid gangster fantasy at a speakeasy
SCENE 3: Immediately following
A path from school
SCENE 4: A few minutes later
The Parker family house
SCENE 5: Christmas Eve
Santa’s station at Higbee’s Department Store
SCENE 6: Christmas Eve
The Parker family house
SCENE 7: A half hour or so later
Ralphie and Randy’s bedroom
SCENE 8: Christmas Morning
The Parker family house
A Chinese restaurant, Chop Suey Palace
The town
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© The Dramatic Publishing Company
MUSICAL NUMBERS - ACT I
1. Overture................................................................................. 17
Orchestra
1a. Transition to 1940.................................................................. 18
Orchestra
2. It All Comes Down to Christmas (Part 1).............................. 18
Ralphie, The Parkers
2a. It All Comes Down to Christmas (Part 2).............................. 22
The Parkers, Kids, Ensemble, Townspeople
2b. Higbee’s Window................................................................... 25
Ralphie, Kids, Ensemble
3. Red Ryder Carbine-Action BB Gun....................................... 26
Ralphie, Jean25
3a. It All Comes Down to Christmas (Reprise)........................... 28
Ralphie, Ensemble, Townsmen, Kids, Mother
4. The Genius on Cleveland Street............................................. 30
The Old Man, Mother
4a. The Furnace Blues................................................................. 34
Orchestra
4b. An Opening!.......................................................................... 35
Ensemble, Ralphie
4c. The Path to School................................................................. 38
Orchestra
5. When You’re a Wimp............................................................. 39
Ralphie, Randy, Schwartz, Flick, Esther Jane, Mary Beth,
Farkus, Dill, Kids
5a. After Wimp............................................................................ 42
Orchestra
5b. What I Want for Christmas.................................................... 43
Orchestra
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© The Dramatic Publishing Company
6. Ralphie to the Rescue!........................................................... 43
Ralphie, Miss Shields, The Old Man, Mother, Randy, Ensemble
6a. After Ralphie to the Rescue!.................................................. 50
Ralphie
7. What a Mother Does.............................................................. 52
Mother
7a. Miss Shields Fantasy.............................................................. 55
Orchestra
7b. Haul It In................................................................................ 58
Orchestra
8. A Major Award....................................................................... 59
The Old Man, Mother, Townspeople, Kids
8a. After Major Award................................................................. 66
Orchestra
9. Parker Family Sing-along...................................................... 68
The Parkers
9a. Flat Tire.................................................................................. 69
Orchestra
9b. F*@#!..................................................................................... 71
Orchestra
10. Act I Finale............................................................................. 74
Ralphie, Townspeople, The Old Man, Mother, Randy
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© The Dramatic Publishing Company
MUSICAL NUMBERS - ACT II
11. Entr’acte................................................................................. 77
Orchestra
11a. Before Sticky Situation.......................................................... 77
Orchestra
12. Sticky Situation...................................................................... 77
Ralphie, Kids (Girls), Schwartz, Flick, Policeman, Doctor,
Fireman, Flick’s Mom, Nurse
12a. Sticky Situation (Playoff)...................................................... 83
Orchestra
12b. To the Nightclub.................................................................... 85
Farkus, Dill, Kids
13. You’ll Shoot Your Eye Out!................................................... 86
Farkus, Dill, Schwartz, Flick, Kids, Miss Shields
13a. You’ll Shoot Your Eye Out! (Playoff).................................... 89
Orchestra
13b. The Fight................................................................................ 90
Kids
14. Just Like That......................................................................... 92
Mother
14a. Red Ryder (Reprise) & At Higbee’s....................................... 97
Ralphie and Elves
15. Up on Santa’s Lap.................................................................. 99
Santa, Mary Beth, Elves, Ralphie, Randy and Kids
15a. Up on Santa’s Lap (Playoff) & Transition Back to the Parker
House................................................................................... 106
Orchestra
16. Before The Old Man Comes Home..................................... 108
The Parkers
16a. The Night Before Christmas................................................ 113
Orchestra
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© The Dramatic Publishing Company
17. Somewhere Hovering Over Indiana..................................... 113
Ralphie, Randy and Kids
18. Christmas Morning.............................................................. 117
Ralphie and Randy
18a. Ralphie to the Rescue! (Reprise).......................................... 122
Ralphie and Ensemble
18b. Bumpus Hounds................................................................... 125
Orchestra
18c. To the Chop Suey Palace..................................................... 127
Orchestra
19. A Christmas Story................................................................ 129
The Parkers and Full Company
20. Bows.................................................................................... 134
Orchestra
21. Exit Music............................................................................ 134
Orchestra
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© The Dramatic Publishing Company
PRODUCTION NOTES
FARKUS and DILL: The two villains are not members of Ralphie’s
class. They are, however, used in production numbers that
occur outside of school and, of course, in any scenes where
they have lines.
THE BUMPUS HOUNDS: In the original Broadway production,
live trained dogs were used to great effect. If trained dogs are
not available, it is suggested that adult or child actors might
portray the animals or that puppets be used. If not practical, all
of The Old Man’s lines about—and to—the dogs may be played
and delivered offstage before he enters the house and/or through
the open door when he comes inside.
BB GUNS: In the simpler times of 1940’s America, the wish for a
Christmas or birthday BB gun was on many a young person’s
list. It was a very common gift in those days. Most of the
instances of guns being used in this show, particularly by the
ensemble, can be done with guns in boxes with a picture on the
outside of the box (as appeared on the original Red Ryder box).
Only in the fantasy, “Ralphie to the Rescue” and in the final
moments of the show—when Ralphie unwraps his gift—do we
actually see a real BB gun being held.
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© The Dramatic Publishing Company
A Christmas Story, The Musical
ACT I
(#1: “Overture”)
PROLOGUE
(New York City. A street corner outside the radio studio at
Station WOR. Christmas Eve, many years ago.
At C is a Salvation Army SANTA, slowly and rhythmically
ringing a hand bell next to a donation kettle hanging from
a tripod. Anxious shoppers and businesspeople hurry along
their way, ignoring SANTA and his bell. Near the end of
the “Overture,” JEAN SHEPHERD, wearing an overcoat,
gloves and hat enters. He stops, tosses a few coins into the
kettle and begins to walk toward the suggestion of a radio
studio that has materialized, in some form, DC. Perhaps a
desk, containing a microphone, which may have an “On
Air” sign attached. SANTA gives the bell a good-natured
scolding ring, stopping JEAN, who pulls out a couple of
bills and ceremoniously drops them into the kettle. As JEAN
goes to leave, SANTA once more stops him with a rather
violent ringing of the bell. JEAN, incredulous, tosses his
remaining change in the bucket. SANTA resumes the rhyth-
mic ringing and disappears from view. JEAN moves to the
studio, removes his outer garments, signals to an unseen
engineer, sits and speaks into a microphone.)
JEAN (as the “Overture” ends, delivered with high energy,
excitement and a wry, nostalgic sensibility). Hi, gang! Are
you ready to play radio on this blustery, blizzardy Christmas
Eve? I am if you are. Yes, once again, right here on WOR
in the heart of Manhattan, it’s “The Jean Shepherd Show.”
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© The Dramatic Publishing Company
18 A Christmas Story, The Musical ACT I
RALPHIE.
GOODBYE NOVEMBER
THANKSGIVING’S GONE
NOW EV’RY HOUSE YOU PASS
HAS A PLASTIC REINDEER ON ITS LAWN
RALPHIE.
IT’S ALMOST CHRISTMAS
THAT’S CLEAR TO SEE
AND THERE’S A CERTAIN SOMETHING
THAT I WANT BENEATH MY TREE
RALPHIE (eagerly).
THERE’S A GIFT I GOTTA GET
AND IT ALL COMES DOWN TO CHRISTMAS
I KNOW THE CLOCK IS SET
AND IT ALL COMES DOWN TO CHRISTMAS
I’VE GOT ONE SHOT AND IT’S TWENTY-FOUR DAYS
AWAY!
I HAFTA HURRY UP
’CAUSE IT ALL COMES DOWN TO CHRISTMAS DAY!
RALPHIE.
AND THEN THERE’S MOTHER
SHE CAN BE TOUGH.
I’LL DROP A COUPLE HINTS
MAYBE THAT’LL BE ENOUGH!
RALPHIE.
THIS YEAR
DON’T WANT A BOOK I WON’T READ
THIS YEAR
I KNOW THE THING THAT I NEED
AND I’M—RUNNING OUT OF TIME.
THE PARKERS.
NOT A SECOND CAN WE SPARE
’CAUSE IT ALL COMES DOWN TO CHRISTMAS
THE PARKERS.
WE’VE GOT ONE SHOT AND IT’S TWENTY-FOUR DAYS
KIDS (ALTO).
I WANT A MODEL TOY PLANE
TOWNSMAN (grouchy).
I WANT
A WIFE WHO CAN COOK
TOWNSWOMEN 1 & 2.
I WANT MY KID TO EARN A’S
TOWNSMEN 1, 2 & 3.
I HOPE THEY GIMME THAT RAISE!
ALL KIDS.
AND I’M RUNNING OUT OF TIME!
ENSEMBLE. KIDS.
WE’RE GETTING CLOSE THERE’S ONLY TWENTY-FOUR
TO CHRISTMAS DAYS
ENSEMBLE.
IT ALL COMES DOWN TO CHRISTMAS
ALL.
TO CHRISTMAS DAY!
ENSEMBLE.
WE’RE SCRIMPING AND WE’RE SAVING
’CAUSE IT ALL COMES DOWN TO CHRISTMAS
KIDS (a realization).
WE BETTER START BEHAVING
’CAUSE IT ALL COMES DOWN TO CHRISTMAS
ALL.
WE’VE GOT ONE SHOT AND IT’S TWENTY-FOUR DAYS
MEN (TENOR).
ALMOST ALMOST AWAY
CHRISTMAS CHRISTMAS
ALL.
CHRISTMAS DAY!
(With determined cheer, they face the storm.)
WE’LL BRAVE THE BITTER WEATHER
’CAUSE IT ALL COMES DOWN TO CHRISTMAS
AND MAKE IT THROUGH TOGETHER
’CAUSE IT ALL COMES DOWN TO CHRISTMAS
ENSEMBLE.
WE’VE GOT ONE SHOT AND IT’S TWENTY-FOUR
DAYS AWAY!
ALL.
TIME IS ALMOST UP
AND IT ALL COMES DOWN TO CHRISTMAS
NEARLY NEARLY
CHRISTMAS DAY! CHRISTMAS DAY! CHRISTMAS DAY!
RALPHIE.
AN OFFICIAL RED RYDER RANGE MODEL CAR-
BINE-ACTION BB GUN
RALPHIE.
WITH A COMPASS IN THE STOCK
AND THIS THING THAT TELLS TIME
JEAN (as Red Ryder). That’s right, boys! If you want to keep
your homestead free of villains, I give you—OLD BLUE!
(He gets lost in this dream for just a moment, then is quickly
snapped back to reality.)
BUT IT’S ALMOST NEARLY GETTING CLOSE
COUNTING DOWN, THE CLOCK IS SET
DON’T KNOW HOW, DON’T KNOW WHO
BUT I JUST KNOW I GOTTA GET
A RED RYDER CARBINE—
JEAN.
A RED RYDER CARBINE!
RALPHIE.
STOCK WITH A COMPASS—
JEAN.
WITH A COMPASS IN THE STOCK!
ALL.
THE LINES ARE GETTING LONGER
’CAUSE IT ALL COMES DOWN TO CHRISTMAS
ALL.
AND IT’S TWENTY-FOUR DAYS AWAY!
IT ALL COMES DOWN TO CHRISTMAS DAY!
SCENE 2
(The Parker family house and a small portion of the outside
yard. The next day.)
MOTHER.
THERE’S SO MUCH MORE TO DO
AND IT ALL COMES DOWN TO CHRISTMAS …
(Calling to upstairs.)
Ralphie! Randy! Breakfast! Get ready for school!
(JEAN blows a puff of snow from his hand, creating a snow-
fall effect.)
MOTHER (cont’d). Goodness gracious. It’s a blizzard al-
ready. And December’s just begun.
JEAN. With only twenty-three days till zero hour, and my
mission already well underway, my father had embarked
on a quest of his own.
THE OLD MAN. Bills … bills … bills. Hey, look—here it
is! (Opens an envelope and withdraws a puzzle page. He
goes to work on it.)
JEAN. The Depression days were the golden age of the cross-
word puzzle. And my old man was hooked. Contest after
contest, my old man labored doggedly. He entered them
all, but this was the farthest he’d ever gotten.
THE OLD MAN (struggling, in frustration). Argh!
MOTHER. What’s wrong, dear?
THE OLD MAN. What is the name of the Lone Ranger’s
nephew’s horse?
MOTHER (nonchalantly). Uh. Victor. His name is Victor.
THE OLD MAN. How did you know that?
MOTHER (in a matter-of-fact manner). Oh, everybody
knows that.