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    Boholanerss

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    Andres Rafael Tomagan
    Here are the answers to your questions: 1. A flat circular gong made of bronze used by the Ifugaos, Apayaos and Kalingas is called a gangsa. 2. The Bontocs have two ways of playing the gong: - Pattok (hitting it with one hand) - Takik (hitting it with two hands) 3. The Kalingas have two gongs called the Toppaya and Palook. The Toppaya accompanies dances like the Tadek.

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    © All Rights Reserved
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    Boholanerss

    Uploaded by

    Andres Rafael Tomagan
    139 views37 pages
    Here are the answers to your questions: 1. A flat circular gong made of bronze used by the Ifugaos, Apayaos and Kalingas is called a gangsa. 2. The Bontocs have two ways of playing the gong: - Pattok (hitting it with one hand) - Takik (hitting it with two hands) 3. The Kalingas have two gongs called the Toppaya and Palook. The Toppaya accompanies dances like the Tadek.

    Original Description:

    Alamat ng Hakdog

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    Here are the answers to your questions: 1. A flat circular gong made of bronze used by the Ifugaos, Apayaos and Kalingas is called a gangsa. 2. The Bontocs have two ways of playing the gong: - Pattok (hitting it with one hand) - Takik (hitting it with two hands) 3. The Kalingas have two gongs called the Toppaya and Palook. The Toppaya accompanies dances like the Tadek.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    139 views37 pages

    Boholanerss

    Uploaded by

    Andres Rafael Tomagan
    Here are the answers to your questions: 1. A flat circular gong made of bronze used by the Ifugaos, Apayaos and Kalingas is called a gangsa. 2. The Bontocs have two ways of playing the gong: - Pattok (hitting it with one hand) - Takik (hitting it with two hands) 3. The Kalingas have two gongs called the Toppaya and Palook. The Toppaya accompanies dances like the Tadek.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 37

    MUSIC OF KALINGA

    Prepared by:
    Maribel M. Morada – De Luna
    Free Powerpoint Templates Page 1
    INTRODUCTION:

    Luzon is the largest Island, and it


    harbors many provinces. Nested in-
    between the South China Sea and the
    Philippine Sea, an assortment of
    7,107 islands unite together as the
    Republic of the Philippines. With 17
    distinct regions and 80 provinces,
    only about 2,000 of the Filipino
    islands are inhabited.

    Free Powerpoint Templates Page 2


    The traditional music is a melting pot of Eastern and
    Western musical cultures brought about Asian and
    Western Colonizers who came in contact with the
    Filipinos.

    Free Powerpoint Templates Page 3


    “The ancient Banaue
    Rice Terraces in the
    province of Ifugao, a
    2,000-year-old mountain
    with [many] rice terraces
    declared by the UNESCO
    as a “World Heritage Site”
    and generally considered
    as the “Eighth Wonder of
    the World” (Catacutan 1).
    The name Ifugao comes
    from I-pugu, literally
    meaning “people of the
    hills.”
    Free Powerpoint Templates Page 4
    Watch the video clip and give
    three descriptions of their
    musical culture,
    Free Powerpoint Templates Page 5
    DANGDANG-AY

    Mga kapatid magalang Halina kayo at magbigay

    galang Nandito kayo

    magpasalamat tayo sa diyos

    Nagkita tayo kayong mga

    Free Powerpoint Templates Page 6


    galing sa malayo
    MUSIC OF THE
    CORDILLERA
    HIGHLANDS
    Rituals and music are part of
    their daily lives. These are
    composed of work songs for
    planting and harvesting.
    There are also thanksgiving
    wedding, and burial songs.
    They have joyous rituals
    whenever there are group
    singing.
    Free Powerpoint Templates Page 7
    Free Powerpoint Templates Page 8
    The people of the Cordillera region are nature
    lovers. They express appreciation of nature
    through dances and songs.
    Some of their songs are based on the five
    tone scale some are based on the seven tone
    scale.
    The basic characteristics of the vocal
    style in Cordillera include the use of half
    speech sound and
    Free Powerpoint frequent pauses.Page 9
    Templates
    SALIDUMMAY

    Free Powerpoint Templates Page 10


    KALINGA Adding, Dango, Oggayam, - sung on weddings, feasts and
    peace gatherings
    Salidummay, Dangdang-ay or Dewas – songs for two voices.
    Ullalim – epic song of Northern Kalinga that deals
    with the adventure of a make – believe hero.
    Ibi and Dandannag – song and praise for the dead
    Wiyaw or Wig-wis – lullaby
    Mambayu - group pounding song
    O DEMDEM

    Badiw- Ibaloi death ritual song


    IBALOI
    Badio - Sung in different ways depending on
    the occasion
    Dujung – song of praise for the dead
    Angba – sung during the bindayan
    ceremony.
    Free Powerpoint Templates Page 11
    YANG ANG NAS

    ISNEG Oggayam - song of the Isneg


    Dissodi – courting song of the Isneg

    BONTOC

    Fal-lukay / Fallugay - head hunting song


    Ayegka – song of a swan who goes to the ulog
    to court a maiden. This is a love song.
    Chay-assa – pounding song
    Kwel-la/Kudya – song for a loved one in a far away land.
    Ayoweng / Mangayuweng – song of a farmer who works
    in the fields.
    Bagbagto / Fagfagto - play song of men at the start of
    camote planting.

    Free Powerpoint Templates Page 12


    Means Merry-making

    INTAKU NANGUNGUMOS
    INTAKU NANGUNGUMOS
    DONGDONG AY SI DONG I-LAY
    ING SINA-LIDUMA-AY

    YA-A YA-A YAY AY AY!


    YA-A YA-A YAY AY AY!

    Free Powerpoint Templates Page 13


    BAGBAGTO
    bagbagto

    Free Powerpoint Templates Page 14


    HUDHUD

    It is an epic from the Cordillera region performed by


    means of chanting with women depicting honor, love,
    Free Powerpoint Templates Page 15
    heroism, marriage and revenge.
    IFUGAO

    The song of Ifugaos are intended for group singing and individual
    singing classified as ritual and non-ritual songs.

    Alim - ritual song


    Hudhud, - non-ritual songs
    Liwliwa & Salidummay –
    express one’s deep emotion for
    love.

    Free Powerpoint Templates Page 16


    Answer the following:

    1. What are the uses of music of the Filipinos?


    2. What are folk songs?
    3. How do different ethnic groups call their work songs,
    lullabies and courting songs?
    4. Make a list of folk songs from the different regions of the
    country.
    5. Make a research on how folk songs from the different
    ethnic groups are sung.

    Free Powerpoint Templates Page 17


    Musical instruments play a vital role in
    the music of the Cordillera region.

    Free Powerpoint Templates Page 18


    MUSICAL INSTRUMENTS
    OF THE CORDILLERA
    HIGHLANDS

    Free Powerpoint Templates Page 19


    GANGSA

    It is a flat and cirular gong


    Made of bronze used by the
    Ifugaos, Apayaos and Kalingas.

    Free Powerpoint Templates Page 20


    The flat gong is one of the most important instruments
    among the natives of Cordillera.

    The Bontocs have two ways of playing the gong :

    PATTOK TAKIK

    The Kalingas have


    Toppaya and Palook.
    The Toppaya
    accompanies the
    dance Tadek.

    Free Powerpoint Templates Page 21


    Bilbil
    BUNGKAKA

    It is a bamboo buzzer use


    The Tinguians and Bengue
    Igorots.

    Free Powerpoint Templates Page 22


    Kulibaw
    bikkung
    IFUGAO

    Jew’s harp

    Free Powerpoint Templates Page 23


    saggeypo

    Saggeypo(Kalinga)
    Sagay-op (Bontok).

    Stopped pipes

    Free Powerpoint Templates Page 24


    TONGATONG

    It is a bamboo stomping tu

    Free Powerpoint Templates Page 25


    BANSIK LANTUY

    MOUTH FLUTE

    Free Powerpoint Templates Page 26


    diwdiwas

    Pipe instrument of the


    Tinguians

    Free Powerpoint Templates Page 27


    paldong

    Open bamboo pipe, top end cut at


    an angle. Three by one finger holes.

    MOUTH FLUTE
    Free Powerpoint Templates Page 28
    balinging

    It is a nose flute with three


    four holes used by the Apay
    Ilonggos, Kalingas and other
    natives of Cordillera.

    NOSE FLUTE

    Free Powerpoint Templates Page 29


    Kabungbung
    Kudlung Pas-ing
    Karaga Guitar
    Pas-ing(Apayaos)

    It is the bamboo guitar of th


    Igorots and Apayaos.

    Free Powerpoint Templates Page 30


    kudyapi

    Two stringed lute made of


    wood, one string for the
    melody, one for the drone.
    Eight frets are glued on the
    neck of the lute.

    HEGALONG

    Free Powerpoint Templates Page 31


    BAMBOO VIOLIN

    This is the instrument used


    the mountain tribes with th
    strings made of abaca.

    BONtOc VIOLIN

    The Bontoc violin has four


    sound holes on the ventil side
    in which two strings are played
    with a bow shorter than the
    body.
    Free Powerpoint Templates Page 32
    GURIMBAW
    KABUNGBUNG

    BUKTOT
    BUTTING

    Free Powerpoint Templates Page 33


    SULIBAW NEGUET DRUM

    TALIBUNG
    TUGO DRUM

    Free Powerpoint Templates Page 34


    1. What is a flat gong called?
    2. How do the Bontocs play their gongs?
    3. How do the Kalingas play their gongs?
    4. How are the instruments of the Cordillera
    tribes classified? What are these
    instruments?

    http://www.ncca.gov.ph

    Free Powerpoint Templates Page 35


    • Meter: Regular Meter in 2 (1-2), in Regular Meter in 3 (1-2-
    3), in Regular Meter in 4 (1-2-3-4), Irregular Meter

    • Melody: Narrow Range (1-3 tones), Moderate (5 tones),


    Wide (8 tones and above)

    Timbre: head voice/falsetto (light), chest/speaking voice


    (throaty), guttural voice (raspy/growl)

    Harmony: Major Tonality (do-re-mi-fa-so-la-ti-do), Minor


    Tonality (la-ti-do-re-mi-fa-so-la), Pentatonic (do-re-mi-so-la),
    Modal (combination of different tonal patterns)

    Free Powerpoint Templates Page 36


    • Texture: Monophony (melody alone), Homophony (melody
    with instrumental accompaniment), Polyphony (two or more
    different melodies sung at the same time), Heterophony
    (similar melodies sung at the same time)
    • Form: Syllabic phrasing (one tone per syllable), Melismatic
    phrasing (many tones per syllable)
    • Tempo: fast (4 beats/second), moderate (2 beats/second) or
    slow (1 beat/second)

    Free Powerpoint Templates Page 37

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