Fine Art - September 2019
Fine Art - September 2019
Fine Art - September 2019
Published in conjunction with Fiona Tan's eponymous exhibition at Sprengel Museum Hannover,
which celebrates her being awarded the SPECTRUM International Prize for Photography of the
Stiftung Niedersachsen in 2019, this book reflects the artist's differentiated use of photography on
a comprehensive scale, taking account of the phenomenon of time and at the interface with the
medium of film. 'Goraiko' translates as "the coming of the light" and refers to the sunrise as seen
from the top of Mt. Fuji, the highest point in Japan. Page after page is printed with myriad
representations of the iconic mountain in a comprehensive and overwhelming visual presentation.
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The Centre Pompidou continues its re-examination of key 20th century works by devoting a major
exhibition to Francis Bacon. The last major French exhibition of this artist's work was held in 1996
at the Centre Pompidou. More than twenty years later, Bacon: Books and Painting presents
paintings dating from 1971, the year of the retrospective event at the national galleries of the
Grand Palais, to his final works in 1992. The exhibition at the Centre Pompidou focuses on works
produced by Bacon in the last two decades of his career. It consists of sixty paintings (including
12 triptychs, in addition to a series of portraits and self-portraits) from major private and public
collections. From 1971 to 1992 (the year of the artist's death), his painting style was marked by its
simplification and intensification. His colours acquired new depth, drawn from a unique chromatic
register of yellow, pink and saturated orange. The catalogue deals especially with the strong bond
between Bacon's works and literature. Furthermore, the triptychs are presented in the form of
leaflets, in order to see their visual impact and their kinship from an unexpected literary angle.
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The Centre Pompidou continues its re-examination of key 20th century works by devoting a major
exhibition to Francis Bacon. The last major French exhibition of this artist's work was held in 1996
at the Centre Pompidou. More than twenty years later, Bacon: Books and Painting presents
paintings dating from 1971, the year of the retrospective event at the national galleries of the
Grand Palais, to his final works in 1992. The exhibition at the Centre Pompidou focuses on works
produced by Bacon in the last two decades of his career. It consists of sixty paintings (including
12 triptychs, in addition to a series of portraits and self-portraits) from major private and public
collections. From 1971 to 1992 (the year of the artist's death), his painting style was marked by its
simplification and intensification. His colours acquired new depth, drawn from a unique chromatic
register of yellow, pink and saturated orange. The album is a beautiful exhibition souvenir. It
condenses images from the visit, with a selection of the most famous pieces of art, alongside with
short texts.
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A captivating text which explores Francis Bacon's personality and work. The book belongs to the
collection of essays published by the Centre Pompidou, essential to understand the most
important artists of the modern and contemporary art. A selection of texts from French writers,
critics and philosophical on the work of Bacon, showing the reception of the artist's work in
France and his impact on the intellectual and artistic French stage. With contributions by Didier
Anzieu, Michele Monjauze, Jean Clair, Philippe Dagen, Gilles Deleuze, Jacques Dupin, Herve
Guibert, Alain Jouffroy, Milan Kundera, Michel Leiris, Jonathan Littell, Philippe Muray, Gaetan
Picon, Claude Simon and Philippe Sollers.
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ART
White Cube is pleased to present 'Mandalas', an exhibition of new work by Damien Hirst at
Mason's Yard. His first major show in London for seven years, it features large-scale works from
the recent concentric paintings.
Returning to one of his most well-known motifs - the butterfly - Hirst's new paintings take their
inspiration from the mandala: highly patterned religious images that represent the cosmos or
universe in Hindu, Buddhist, Jain or Shinto traditions. Predominantly circular, they feature
exquisitely colourful butterfly wings placed into intricate concentric patterns on household gloss
paint. Complex and restless, their compositions resolve at the centre with a single butterfly, a
point of visual and mental focus; a spiritual or energy nexus.
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From the estate of Edouard Dermit, last companion and heir of Jean Cocteau (1889-1963), no
less than 282 works by both Cocteau and artists close to him. The collection presented includes
early sketches, portraits, illustrations for magazines and novels, many self-portraits, and portraits
of Andre Salmon, Coco Chanel, Paul Eluard, Christian Berard, Colette . They are complemented
by portraits of Cocteau drawn or painted by Marie Laurencin, Modigliani, Picasso, Man Ray,
Irving Penn, Lipchitz, Buffet ...
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The Galerie d'Art Graphique serves as the backdrop to a unique exhibition devoted to the Danish
modernist sculptor Sonja Ferlov Mancoba (1911-1984), with over fifty sculptures and sixty
drawings. Discover a major modernist sculptor, who has also left us an original and intimate body
of work on paper. Some of her sculptures are presented here in two versions, the original in
plaster and another in bronze, in order to demonstrate what matter can provide in terms of
expression, while revealing the creative process of this transfer. In the artist's view, art, and more
particularly sculpture, is rooted in human expression. For her, the creation of the same figure in
various matters provides a different note to this expression.
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This new book has been published on the occasion of Alberta Whittle's solo exhibition How
Flexible Can We Make the Mouth at Dundee Contemporary Arts. The book contains newly
commissioned texts by writer and scholar Christina Sharpe and researcher, artist, curator, writer
and activist Ama Josephine Budge. It also features an introduction by Eoin Dara and an excerpt
of a poem by Barbadian poet and academic Kamau Brathwaite, as well as visual documentation
of Whittle's work.
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The eighteenth issue of 'F.R. DAVID' is edited by Will Holder and had its beginnings in prosody,
the measure of language, geometry, and a notion of imagist transcription. A two-dimensional
exercise, it turns out, on paper. Words were tuned out in favour of the volume of values our
bodies exchanged. This issue's diverse contents centre around the non-verbal, the insinuated,
the reverse-side of the image, the backside, and perhaps even the next page. With contributions
by Simone Weil, Marcel Proust, Will Holder, Anna Daucikova, Yvonne Rainer, Jesse Birch, Paola
Grassi, David Lang, Peter Dobai, John Yau, Clare Noonan, and others.
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Nick Alm, born in 1985 in Eksjo, Sweden, entered the Florence Academy of Art in 2007, where he
also held a position as teaching assistant. After graduating in 2010, he received a scholarship to
join The Hudson River Fellowship. The following year, he studied with Odd Nerdrum in Norway
and France before returning to Sweden. Nick Alm has received several honours and awards. He
exhibited in The Portrait Society of America in Philadelphia in 2012, where he was awarded the
Exceptional Merit Award. In 2013, he won the First Place Prize in ARC's International Salon,
followed by the William Bouguereau Award. In 2017, he was awarded the TIAC Art Prize and the
Purchase Prize of the International ARC Salon. This is the second publication about Nick Alm's
art. The book is richly illustrated with a selection of the artist's works between 2010-2018 and
contains an interview with Nick Alm by the art writer Susanne Lamm.
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