Developing Critical Thinkers PDF

DEVELOPING CRITICAL THINKERS
Teachers College, April 20th & 21st, 2012

Stephen Brookfield
MATERIALS
Included in this packet are materials touching on themes I will address during my session.
I won’t address all of them or go through them in sequence. They are there for reference.
Required Text: Stephen Brookfield. Teaching for Critical Thinking: Tools &
Techniques to Help Students Question their Assumptions. San Francisco: Jossey-Bass,
2011
CRITICAL THINKING PROCESS

1. Critical Thinking Process 2. Types of Assumptions 3. Praise
4. Purposes of Critical Thinking 5. Lenses on Assumptions 6. Traditions
7. Challenges 8. Misunderstandings 9. When Is it Appropriate?
10. How Is It Learned? 11. What is Critical Thinking?
CRITICAL THINKING METHODS

12. Building a Case 13. Guidelines For Development 14. Exercises
15. Personal Reflection Exercise 16. Autobiographical Analysis
17. Scenario Analysis Packet - Going Back, Green Acres, Job Change, Orienting New
Staff, Giving Feedback, Assessing Local Needs, Checking Assumptions
18. Survival Advice Memo 19. Critical Debate 20. Ideology Critique
21. Heroes/Heroines & Villains/Villainesses 22. Democratizing Meetings
23. Critical Literature Review 24. Constructing Assignments
CRITICAL THINKING IN CONVERSATION

25. Critical Conversation Protocol & Conversation Stages // Choosing an Incident
26. Circular Response 27. Circle of Voices 28. Conversational Moves
29. Conversational Roles 30. Snowballing
31. Newsprint Dialogues 32. Rotating Stations
CLASSROOM RESEARCH
33. Classroom Research Techniques 34. The Muddiest Point
35. Learning Audit 36. One minute paper 37. Why CIQ’s?
38. Critical Incident Questionnaire
ASSESSMENT
39. Assessing Critical Thinking 40. Critical Thinking Audit
41. Critical Practice Audit 42. Bibliography 44. 1 credit Assignment
Home page: www.stephenbrookfield.com E-mail: [email protected]

Copyright permission granted for participants to use any of these materials with due
acknowledgment.
1
TENTATIVE AGENDA FOR THE TWO DAYS
Because I want this to be a flexible workshop, responsive to the dynamics and diversity
within the group, I am not proposing a detailed timetable. Instead, I will lay out the
themes that, provisionally, I am planning to address at each segment of the two days. I
believe that a truly adult educational workshop is responsive to the interests of the
participants and develops organically, rather than following a linear, predetermined
agenda.
In terms of time we will start at 9.00.am each day. The group work ends around 4.00.pm.
with 4.00-4.30.pm being set aside for individual consultations.
Day 1
In the morning we will get to know each other’s understandings of critical thinking and
examine some of the traditions that inform the process. We will try some beginning
exercises such as Scenario Analysis and the Ideology Critique Exercise.
In the afternoon we will shift the focus even more onto our own experiences as adult
critical thinkers.
Day 2
In the morning we will report out the CIQ of Day (1) and consider broad guidelines for
developing critical thinkers. We will try to demonstrate two or three specific techniques.
In the afternoon we will continue our experimentation with different approaches to

developing critical thinking. The workshop will end with a review of the 1 credit
assignment for those who need further clarification.
------------------------
THROUGHOUT THIS TWO DAYS WE WILL MIX DIFFERENT ACTIVITIES -

INDIVIDUAL REFLECTION, PRESENTATIONS AND SMALL GROUP
PROJECTS
2
1
CRITICAL THINKING PROCESS
IDENTIFY ASSUMPTIONS
EMBEDDED IN WORDS & ACTIONS
(DISCOURSES & SYSTEMS)
ASSESS GROUNDS – EVIDENCE,

ACCURACY & VALIDITY
TAKE ALTERNATIVE
PERSPECTIVES – INTERSUBJECTIVE
UNDERSTANDING / PERSPECTIVE
TAKING
TAKE INFORMED ACTION /

AGENCY
3
2
TYPES OF
ASSUMPTIONS
PARADIGMATIC
(FRAMING / STRUCTURING
WHITE SUPREMACY, CAPITALISM)
PRESCRIPTIVE
WHAT SHOULD HAPPEN
WHO ARE ‘NATURAL’ LEADERS?
WHAT IS LEGITIMATE
KNOWLEDGE?
CAUSAL/PREDICTIVE
WHAT DOES HAPPEN
(HOW SUPREMACY/CAPITALISM IS
MAINTAINED)
4
3
ASSUMPTION - PRAISE
PRAISING WORK WELL DONE

INCREASES MOTIVATION FOR
GOOD WORK IN THE FUTURE
PRAISE ISN'T RECOGNIZED

AS PRAISE
PRAISE IS TOO FULLSOME
PRAISE IS CULTURALLY
EMBARRASSING
PRAISE IS NOT PASSED

ON BY TEAM LEADER
PRAISE IS CONTRADICTED
BY OTHER ACTIONS
5
4
PURPOSES OF CRITICAL THINKING
FROM A CRITICAL THEORY PERSPECTIVE
USING REASON & ANALYSIS TO:-
CHALLENGE DOMINANT IDEOLOGY
UNCOVER POWER
RECOGNIZE & COUNTER HEGEMONY
FROM A PSYCHOANALYTIC &

PSYCHOTHERAPEUTIC PERSPECTIVE …..
USING REASON & ANALYSIS TO:-
UNDERSTAND HOW BEHAVIORS AND EMOTIONS ASSIMILATED

UNCRITICALLY IN CHILDHOOD INHIBIT THE CHANCE TO
DEVELOP THEIR FULL POTENTIAL IN ADULTHOOD
FROM AN ANALYTIC PHILOSOPHY

PERSPECTIVE …
USING REASON AND ANALYSIS TO …
UNDERSTAND HOW ARGUMENTS ARE CONSTRUCTED
6
DISTINGUISH BETWEEN RELIABLE, VALID EVIDENCE AND
UNRELIABLE, INVALID EVIDENCE
LEARN TO RECOGNIZE LOGICAL FALLACIES
SEPARATE BIAS & OPINION FROM FACT BASED ARGUMENT
IDENTIFY DIFFERENT FORMS OF REASONING – INDUCTIVE,

DEDUCTIVE, INFERENTIAL, ANALOGICAL
FROM A PRAGMATIST PERSPECTIVE …

USING REASON AND ANALYSIS TO …
CONSTANTLY REVIEW PRACTICE SITUATIONS TO RESEARCH &

IMPROVE HOW WE CAN DEAL BETTER WITH THEM
CONSISTENTLY EXPERIMENT WITH DIFFERENT RESPONSES TO

DIFFICULT PROBLEMS, BEING CREATIVELY OPEN TO NEW &
INNOVATIVE SOLUTIONS
FROM A NATURAL SCIENCE PERSPECTIVE

USING REASON & ANALYSIS TO …
GENERATE, TEST & REFUTE HYPOTHESES THROUGH
CONTROLLED EXPERIMENTATION
APPLY THE PRINCIPLE OF FALSIFIABILITY - FOR SOMETHING TO

BE SCIENTIFIC IT MUST BE CAPABLE OF BEING DISPROVED
KNOWLEDGE IS TRUSTED WHEN BASED IN A CAREFUL

COLLECTION OF EVIDENCE OVER TIME
7
5
LENSES ON ASSUMPTIONS
AUTOBIOGRAPHY
THOSE WE SERVE
CITIZENS STUDENTS PATIENTS
PEERS’ EXPERIENCES
COLLEAGUES '
PERCEPTIONS
THEORY
8
6
CRITICAL TRADITIONS
CRITICAL THEORY
(Frankfurt School, Critical Race Theory)
Critical = challenging hegemony/oppression
PSYCHOANALYSIS /
PSYCHOTHERAPY
(Freud, Jung // Rogers, Gould)
Critical = analyzing
inhibitions learned in childhood
ANALYTIC PHILOSOPHY
(Ayer, Wittgenstein, Searle)
Critical = argument analysis
PRAGMATISM
(Pierce, Dewey)
Critical = experimental pursuit of beautiful
consequences (eg. Democracy)
NATURAL SCIENCE
Critical = hypothesis testing
9
7
CHALLENGES
Gendered Knowing &

The Doubting Game
Eurocentric Intellectual Heritage
Modernist Illusion
Exclusionary Language
The Means-Ends Contradiction
Classroom Critical Thought =

Transformative Action ??
Linearity & Rationality Privileged
Radical Pessimism & the Death of the

Transformative Impulse
Ethical Coercion & Justified Manipulation
10
8
MISUNDERSTANDINGS
NEGATIVE
FREEZING
CLEAR OUTCOME
SAME AS PROBLEM SOLVING
CHANGE (THROWING OUT THE

PAST)
11
9
WHEN IS IT APPROPRIATE?
Beyond the Novice Level
After Initial Assimilation
When Skills / Knowledge Have to Be Applied in

the Real World
When Fit/Suitability Needs to Be Addressed
When Independent Judgment is Needed
When Power & Hegemony Are a Focus of Study
When Alternative Interpretations & Perspectives

Are Possible
When Actions & Decisions Need to Be

Informed
When Rapid Judgments Are Called For
12
10
HOW IS IT LEARNED?
By Instructors Modeling It
CIQ
Assumption Hunting
Assumptions Inventories
Citing Evidence
Assessing Evidence
Instructor Point-Counterpoint
Structured devil’s Advocacy
Speaking in Tongues
Scaffolded via Extensive Instructor Examples
Incremental – learn basic protocol & then

move closer to learners’ real world
experience
Responding to a Disorienting Dilemma

A situation that takes them by surprise and
reverses expectations
13
11
What is Critical Thinking?
Life is a series of decisions, some small, some much larger. Whom we date or choose as
friends, the work or career we pursue, which political candidates we support, what we
choose to eat, where we live, what consumer goods we buy, whom we marry and how we
raise children – all these decisions are based on assumptions. We assume our friends will
be trustworthy and won’t talk about us behind our backs. We assume our career choices
will be personally fulfilling or financially remunerative. We assume politicians we vote
for have our, or the community’s, best interests at heart. We assume that the foods we
choose to eat are healthy for us, and so on.
These assumptions are sometimes correct. At other times, however, the assumptions we
base our decisions on have never been examined. Sometimes we hold these assumptions
because people we respect (friends, parents, teachers, religious leaders) have told us they
are right. At other times we have picked these assumptions up as we travel through life
but can’t say exactly where they’ve come from. To make good decisions in life we need
to be sure that these assumptions are accurate and valid – that they fit the situations and
decisions we are facing.
Critical thinking describes the process we use to uncover and check our assumptions.
First we need to find out what our assumptions are. We may know some of these already
(these we call explicit assumptions) but others we are unaware of (implicit assumptions).
To uncover these implicit assumptions it is often helpful to involve other people (friends,
family, work colleagues) who help us see ourselves and our actions from unfamiliar
perspectives. Sometimes reading books, watching videos or having new experiences
such as traveling to other cultures, going to college or being an intern help us become
aware of our assumptions. Once we know what our assumptions are we enter the second
phase of critical thinking, that of research. We try to check out our assumptions to make
sure they are accurate and valid. To do this we also need to consult a wide range of
sources – talking to people with experience in the situations in which we find ourselves,
reading relevant literature, searching trusted web sites, consulting experts and so on. The
third and final phase of critical thinking puts the first two stages into practice by applying
our analysis to our decisions. Decisions based on critical thinking are more likely to be
ones we feel confident about and to have the effects we want them to have.
So, in summary, critical thinking involves three inter-related phases:-
1. Discovering the assumptions that guide our decisions, actions and choices
2. Checking the accuracy of these assumptions by exploring as many different
perspectives, viewpoints and sources as possible
3. Taking informed decisions that are based on these researched assumptions
(Informed decisions are based on evidence we can trust, can be explained to others
and have a good chance of achieving the effects we want)
14
12
BUILDING THE CASE
Research Culture
Allied Cases
Real Life Sites
Hypothetical Projections
Former Resisters
Simulations
Modeling
Monitoring
Reward Structure
Conversional
Obsession
15
13
GUIDELINES
MODELING
BUILDING A CASE
P E E R S AS
REFLECTIVE MIRRORS
SPECIFIC
EXPERIENCES
INCREMENTAL
MOVEMENT
CLOSER
16
14
EXERCISES
SCENARIO ANALYSIS
CRISIS DECISION SIMULATIONS
CRITICAL DEBATE
IDEOLOGY CRITIQUE
HEROES/HEROINES &
VILLAINS/VILLAINESSES
PERSONAL REFLECTION EXERCISE
SURVIVAL ADVICE MEMO
CRITICAL CONVERSATION
PROTOCOL
GOOD PRACTICES AUDIT
17
DESCRIPTIONS OF EXERCISES
Scenario Analysis – learners imagine themselves in the position of the
chief actor in a fictional scenario. They try to uncover the implicit
and explicit assumptions the actor is operating under, to assess how
these assumptions might be checked, and to come up with plausible
alternative interpretations of the scenario. As learners report out
the assumptions they see the character holding they are asked to
categorize them (causal, prescriptive, paradigmatic) or assumptions of
power & hegemony
Crisis Decision Simulations – in small groups learners discuss how to

resolve a crisis in a short time (eg. The nuclear bubble). In
debriefing the decision assumptions underlying the decision are
examined and inferential ladders uncovered. Particular attention is
paid to whose voices were heard as ‘natural’ authorities and which
knowledge or justifications were viewed as most legitimate.
Critical Debate – learners are asked to volunteer to join a team

drafting arguments either to support or oppose a motion regarding a
contentious issue in their field of practice. The facilitator then
asks them to switch sides so that those who chose to propose the motion
are opposing it and vice-versa. The debate is conducted and after the
debate participants write a reflection paper on the experience.
Ideology Critique – learners are presented with a typical

organizational or community practice. The are asked to identify what
the practice is intended to accomplish, who benefits from it, who is
harmed by it, what inconsistencies & contradictions are embedded in the
practice, why these are ignored, and how it could be reconfigured to be
more socially just.
Heroes/Heroines & Villains/Villainesses - learners choose a peer or

colleague they particularly admire (despise) and identify an example of
that person’s behavior that encapsulates what’s so admirable/despicable
about him or her. The debriefing focuses on the assumptions people
hold about meritorious and valid behavior and characteristics.
Personal Reflection Exercise – participants complete sentences & work

in pairs to give feedback to each other on their assumptions
Survival Advice Memo – participants imagine they are due to leave their
job tomorrow and write a memo telling their replacement the most
important things she needs to know.
Critical Conversation Protocol – a focused conversation in which one

person’s experience (the storyteller) is examined sympathetically but
critically by colleagues (detectives). An umpire watches for
judgmental comment. As questions are asked, assumptions reported and
alternative interpretations proposed learners focus on giving
descriptive (not prescriptive) feedback & on exploring power dynamics.
Good Practices Audit – an exercise involving at least a couple of days.

Workers identify problems that impede them and then work
collaboratively to examine their own best & worst experiences as
practitioners and learners, and the experiences of their colleagues, in
a structured and critical way. The intent is to propose responses and
possible resolutions to the problems initially identified in a way that
privileges ‘ordinary’ people’s knowledge and experience.
18
15
PERSONAL REFLECTION EXERCISE
1. Please spend five minutes trying to complete as many of the following sentences as
you can. Just say or write the first thing that comes into your head. If you're stuck on any
of them then just move on to the next one. The exercise works best when you have at
least 3 or 4 sentences completed.
I know I've done good work when ......
What I would most like my colleagues to say about me when I'm out of the room is .....
What I would like my learners (clients, employees, direct reports) to say about me
when I’m out of the room is .........
The problem in my work that most drains my energy is …
2. Now form a pair with someone at your table. Both of you will take turns in focusing
attention on what each of you has written. This is how it works.
Person (A) spends a minute or so speaking their responses to the sentences above. No
interruptions are allowed while she/he is speaking.
Person (B) listens carefully and then tells person (A) what she thinks person (A)'s
assumptions are. These are the assumptions that she thinks person (A) has about the
characteristics of a good practitioner and what good professional behavior looks like. If
she wants, Person (A) can ask (B) why she came up with the assumptions she did.
The assumptions the listener gives can tell someone a great deal about the assumptions
she holds about good practice.
Spend about 5 minutes on this part of the conversation
3. Now reverse the roles. Spend about 5 minutes with person (B) speaking their
responses to the sentences above. Person (A) will listen carefully and then tell person (B)
what she thinks person (B)'s assumptions are.
4. Finish by discussing the power dynamics revealed in both your responses. If certain
ideas about how a good practitioner should behave are apparent, where do these come
from? Are the characteristics you select nominated by the chief union or professional
association in your area? Are the characteristics selected supportive of dominant ideology
(White supremacy, bourgeois decorum, competition, individualism, capitalism) or do
they challenge this ideology? What do the assumptions uncovered say about your
understanding of how power is exercised, when it’s ethical and when it’s abused.
TOTAL EXERCISE TIME : ABOUT 20 MINUTES
19
16
Autobiographical Analysis
Choose an example from your own life of a critically thinking episode. This could be a
time when you questioned some of the assumptions underlying your habitual ways of
thinking and acting in some sphere of your life. It could also be a time when you were
prompted to explore some alternatives to your usual ways of thinking and acting.
Perhaps this episode made you aware of the flow or misuse of power in your life, or
alerted you to practices and ideas you embraced that actually were harming you and
supporting the power others held over you (hegemony).
1. Make some mental or written notes on your own about what happened during this
episode, paying particular attention to the questions below. Spend about 15
minutes doing this. Not all the questions may apply in your case.
Triggers: what circumstances or situations triggered your critical thinking ?
Resources: as you worked your way through the episode, what resources (human and
material) did you find to be most useful to you ?
Process: what were the emotional highs of this process? what barriers and hindrances
did you encounter during the episode ? How did you work through them ?
Consequences: what happened as a result of the episode ? Did you change permanently
some aspect of the situation, or yourself ? Did things stay more or less the same, other
than your awareness being raised ? Did you wish it had never happened ? Was it
worthwhile ? Did you gain any self-knowledge as a result ?
Implications: from your autobiographical experiences of critical thinking, what would

you recommend to teachers, leaders & trainers as advice on how they might encourage
this process ? If you were asked to set up a critical thinking program for your colleagues,
or students, how would your autobiographical experiences affect what you planned ?
2. Form a group with 4 or 5 other people and compare your responses. You can either
take turns briefly telling your own complete story, or take each of the headings above
in turn and compare how each of you responded to it. Each person should spend no
more than 5 minutes on her story. Spend about 30 minutes doing this.
3. Write on newsprint all the responses that emerged from your conversation under each
of the headings above. What kinds of triggers did your group identify? What
resources did they find useful? And so on. Spend about 15 minutes on this.
Time for Exercise: 1 hour
20
17
SCENARIO ANALYSIS PACKET
Going Back - Scenario
Giving Feedback - Scenario

Giving Feedback - Assumptions
& Alternative Interpretations
Green Acres - Scenario

Green Acres - Assumptions
Job Change - Scenario

Job Change - Assumptions
Orienting New Staff - Scenario

Orienting New Staff - Assumptions & Alternative
Interpretations
Assessing New Needs – Scenario

Assessing New Needs – Assumptions & Alternative
Interpretations
Checking Assumptions
21
SCENARIO ANALYSIS EXERCISE
" GOING BACK "
Karen, a wife and mother of two young children in her thirties, is considering going back
to work. She has watched as her husband Jack, a busy professor, has taken on more and
more work outside of his college to help provide his family a decent quality of life in the
city. She sees how tired he is and hears his complaints of how he never has enough time
with his family, how he's being pulled in so many different directions, and how he wished
things would just slow down.
To ease the situation, Karen has interviewed for, and been offered, a full time job with a
company in the suburbs. She intends to put the children into day care and commute back
and forth each day to her work. She reckons that with the money her job brings into the
home Jack will be able to give up many of his commitments outside of the college. This
will give him more time with his family and reduce the pressures and tensions he feels.
Overall, the family will be happier - their economic situation will be the same but the
burden of producing income will be shared more fairly and Jack will be able to spend
more time at home.
1. What assumptions - explicit and implicit - do you think Karen is operating under in
this situation ? List as many as you can.
2. Of the assumptions you've listed, which ones could Karen check by simple research
and inquiry ? How could she do this?
3. Give an alternate interpretation of this scenario. A version of what's happening that is

consistent with the events described but that you think Karen would disagree with.
22
GREEN ACRES
John and Mary, a college educated couple with a young daughter, have decided to move
out of central Los Angeles to a community in the San Fernando Valley. They will both
continue to work in the city but have decided that their daughter is being short changed in
the quality of her life by being forced to grow up in L.A. Lately, they feel that the
pressures of the city have been getting to them. There are more arguments between them,
their daughter has begun wetting her bed, and much of their precious lesiure time is spent
on the expressway at the weekend trying to get out of the city.
More particularly, they feel that bringing their daughter up in a dangerous and dirty city
is not good parenting and that sending her to public school will condemn her to an
inferior education. To them, the suburban life style they see in the valley is more natural.
There is more space, they can live in a house with a yard, their daughter can play in her
neighborhood and they can send her to a local private school.
They believe this moverwill improve their quality of life both environmentally and
personally. Being away from the pressures of the city will help them build a stable, warm
family life.
Assumptions Inventory
1. What assumptions do you think John and Mary are operating under in regard to their
decision to relocate ? List as many as you can.
2. Of the assumptions you have listed, which could John and Mary check by simple
research and inquiry ? How could they do this?

consistent with the events described but that you think John and Mary would disagree
with.
23
GREEN ACRES ASSUMPTIONS & SCENARIOS
ASSUMPTIONS
1. The San Fernando valley will improve their quality of life. There will be no
corresponding pressures in commuting into the city, and there will be neighborhood
safety in play.
2. Public schooling is inferior to private schooling
3. Bedwetting is caused by the pressures of the city and so will cease in the valley.
4. Marital arguments are caused by the pressures of the city and so will cease in the
valley.
CHECKING
1. Find a couple who have already made the change and interview them about its effect
on their, and their daughter's, lives.
2. Sub-let their L.A. apartment and rent a house in the valley for a year - view it as a trial
run.
3. Do an economic audit of the costs of the move - factoring in private school fees, gas
etc.
4. Arrange to see a counselor to check out the state of the marriage - maybe the
arguments are unrelated to city pressures.
5. See a pediatrician / psychologist about the bedwetting - maybe it's unrelated to city
pressures.
INTERPRETATIONS
1. The real problem is the lack of communication between John and Mary. The
arguments and bedwetting are caused by that, not by city pressures.
2. Moving to the valley will increase the pressure. The commute will be horrendous and
leave them tired and frustrated.
3. The pressures of private school education will add to the bedwetting problem.
Moreover, their daughter will be educated in a school that does not look like the rest of
Southern California.
24
"JOB CHANGE"
Stephen, a manager in his forties working for a medium sized corporation in New York,
is fed up in his work. Although financially not hurting in his present job, he feels that his
employers do not recognize his talents. Most recently, he was insulted when an outside
'expert' - someone Stephen knows personally and for whom he has little regard - was
called in to advise on a task where Stephen was proud of his expertise. He has decided to
make a change and has applied for a number of jobs, without the knowledge of his
current employers.
He has been offered a job in California which is a sideways move, both financially and in
terms of his job responsibilities. At the interview he was flattered to find himself highly
regarded by the person charged with appointing someone to the new position. Because of
the interview experience he has decided to accept the job. He feels that it will be an
improvement to work in an environment where his talents will be clearly recognized and
rewarded.
Assumptions Inventory
1. What assumptions do you think Stephen is operating under in regard to his position in
the organization ? List as many as you can.
2. Of the assumptions you've listed, which ones could Stephen check by simple research
and inquiry ? How could he do this?

consistent with the events described but that you think Stephen would disagree with.
25
JOB CHANGE ASSUMPTIONS & ALTERNATIVE SCENARIOS
ASSUMPTIONS
1. The use of an outside expert was a deliberate and studied attempt to show a lack of
respect for Stephen's talents and abilities.
2. His interview experience in California will be paralleled in the work conditions of the
new job.
3. He is unacknowledged in his present job. People are not noticing his contribution and
don't value what he's doing.
CHECKING
1. Go to his department head and find out why the expert was brought in and what the
head feels about Stephen's performance.
2. Talk to employeers in California about their work lives - make a special effort to
contact the person whose position he will be filling and ask him/her about what work was
like and why he/she left.
3. Ask for an unpaid leave of absence so he can test out the California job experience
without totally committing himself.
INTERPRETATIONS
1. The outside expert was called in for political reasons. It was not possible to use an in-
house expert for this evaluation.
2. Stephen is highly regarded in his present job. Without any indication of

dissatisfaction on his part his employers assume all is well with him.
3. He is slacking and in a rut and his employers have accurately realized his lack of
interest and unwillingness to update his skills and knowledge.
26
ORIENTING NEW STAFF
Sue, R.N., is the Orientation Co-ordinator on a unit that is expecting five new hires in the
first week of June. This will be the first orientation to occur in 2 years. The new hires
will include 1 new ADN grad, 2 RN's with experience from other specialties, and 2
Nursing Assistants. In addition, a commitment was made earlier in the year to sponsor a
nurse extern - a baccalaureate nursing student who has completed the third year of
matriculation an will have an eight week work experience on the unit.
Sue is excited about having new employees again. However, she believes this will be a
challenge for the unit which has historically been very busy in the summer. She has
decided to prepare for the new employees arrival by revising the unit's orientation
program. A review of evaluations completed by participants in previous orientations has
led Sue to think that she can shorten the orientation process by one week. She believes
that the shorter orientation period is more focused and that it permits earlier integration of
the new staff members into the regular staffing pattern. Feedback from a regulatory visit
suggested that the hospital could improve the documentation of employee competency.
Therefore Sue has increased the number of validations that are to be documented by the
preceptors.
Sue has recruited 5 colleagues to become new preceptors. She knows that preceptors
usually need to work with the orientation program a few times before they feel confident
about the process and documentation. Consequently, she has concerns about their
inexperience. Therefore, in addition to her other preparations Sue has sent a letter to the
staffing office to insist that the 5 preceptors be scheduled for the one day workshop
"Precepting the Adult Learner" that is to be held in 2 weeks. This workshop has always
served successfully as the orientation for new preceptors.
1. What assumptions do you think Sue is operating under as she prepares this orientation
? List as many as you can.
2. Of the assumptions you've listed, which ones could Sue check by simple research and
inquiry ? How could he do this?
3. Give an alternate interpretation of this scenario. A version of what's happening that

is consistent with the events described but that you think Sue would disagree with.
Developed by Carmen Hall, Mae McWeeny & Stephen Brookfield
27
ORIENTING NEW STAFF
ASSUMPTIONS & ALTERNATE INTERPRETATIONS
ASSUMPTIONS
1. The orientation program needs redesigning because it's been 2 years since it was last
used and much has changed
2. The length of the orientation needs shortening in order to provide more focus &
integrate new staff into staffing patterns more quickly
3. The orientation process needs more validations to provide more consistency in staff
performance
4. The unit needs more preceptors because of staff turnover & the increased number of
staff
5. New preceptors must attend the 1 Day Workshop so that they can be oriented &
prepare for preceptor roles & duties
6. Staffing (hours) can be adjusted to accommodate preceptors' attendance at the

workshop
7. Workshops are the only way to prepare predceptors
8. There must be a prescribed number of preceptors because a 1:1 ration has always
existed in the past
9. New preceptors are not prepared to serve in this role without training
CHECKING
1. Talk to the new preceptors about their past experiences as teachers and preceptors, &
their knowledge of adult learning principles and practices
2. Check with other units that have used shorter orientation periods to find out their
advantages & disadvantages
3. Check with other units to find out about different ways they have prepared preceptors
28
4. Talk to staffing or the unit's head nurse to find out her judgment of the preceptors
attending the workshop
5. Check with Education Services about alternative resources or events that could be
adapted for preceptor preparation
6. Check with Education Services about (i) their recommendations for dealing with the
requirements of the regulatory agency, (ii) orienting this # of new staff during the busy
summer months, & (iii) preparing preceptors under these conditions.
ALTERNATIVE INTERPRETATIONS
1. Preceptors can be prepared using other approaches - perhaps by tracking (following

around & observing) a preceptor on another unit engaged in this process.
2. The 1 day workshop is a poor method for preparing preceptors because it offers a pre-
determined slection of content that doesn't respond to the varied needs and experiences of
the individuals. It is also a long day & many particioants find it hard to take in all they
need to know in such a compressed format.
3. A 1:1 ratio between preceptors and learners is not essential if alternative ways of
making assignments and validating skills can be found
4. A shorter orientation period may not be cost effective because the practitioners will
not be fully prepared to practice safely and autonomously at the end of the orientation
period.
5. An increase in the number of validations does not guarantee immemdiate application

in practice - it is merely an observed simulation that lacks the contextual reality of actual
practice
6. An increase in the number of validations creates busy work for the preceptors by
requiring them to observe more and more simulations instead of focusing on actual
practice
7. An increase in the number of validations is rigid and denies the knowledge and past
experience of the orientee who is denied the opportunity to demonstrate her already
acquired knowledge and skills in actual practice.
Developed by Carmen Hall, Mae McWeeny & Stephen Brookfield
29
"GIVING FEEDBACK"
Eileen, an instructor in an interpersonal skills workshop, is troubled by the behavior of

one of the workshop participants named Geoffrey. She feels that Geoffrey - a manager
who is technically competent but seems unable to keep his staff team together for more
than 3 months at a time - needs to see himself as his team members see him. Over the
three meetings the course has had so far, Eileen notices that Geoffrey lounges in his chair
with a bored expression on his face without contributing to any of the discussions. At
times he has taken out USA TODAY and read the sports pages while Eileen is speaking.
To Eileen, this indicates an arrogance and hostility that will be severely disfunctional for
Geoffrey as he moves about the organization.
Eileen decides to write a memo to Geoffrey pointing out the effect his non-participation
is having on the group. In the memo she picks out the specific behaviors of Geoffrey's
that bother her (reading the newspaper, looking bored, not bothering to contribute) and
points out their negative effect. She asks him to work on reducing these behaviors over
the next two meetings and points out that if he can eliminate these tendencies his power
and prestige in the organization will grow.
1. What assumptions - explicit and implicit - do you think Eileen is operating under in
this situation ? List as many as you can.
2. Of the assumptions you've listed, which ones could Eileen check by simple research
and inquiry ? How could she do this ?

consistent with the events described but that you think Eileen would disagree with.
30
GIVING FEEDBACK ASSUMPTIONS & ALTERNATIVE INTERPRETATIONS
ASSUMPTIONS
1. Geoffrey's behavior is a deliberate and studied attempt to show disrespect to Eileen.
2. The short time Geoffrey's teams stay together is because of his lack of communication
skills.
3. Others in the group are bothered by Geoffrey's actions.
4. Geoffrey's actions will harm his organizational career.
5. Eileen has created ample opportunities for people to contribute and Geoffrey has
chosen not to avail himself of them.
6. The relevance of the workshop is clear to participants.
7. Eileen has accurately diagnosed the meaning of Geoffrey's behavior.
8, A written memo is a good way to give feedback on non-verbal behavior.

CHECKING
1. Ask group members (using an anonymous & private form of data collection) how they
feel the group is going and what problems they see emerging
2. Talk to Geoffrey about how she feels about his behavior and ask him how he feels
about the class.
3. Ask Geoffrey's supervisors why his teams stay in place for such a short time
4. Ask Geoffrey's ex-team members why they left and how they felt about their time in
his team
5. Study the characteristics of the most successful members of the organization

INTERPRETATIONS
1. Geoffrey's behavior is caused by shyness
2. Eileen has created a cold climate in the group that makes participation difficult.
3. The members of the group have been forced to show up. They have complained to
Geoffrey and he has volunteered to show Eileen how stupid the whole course is.
4. Geoffrey is so good at his job that the company uses his team as a training ground.
People are moved out after three months so that new people can benefit from his
expertise.
31
Assessing Local Needs
Tracy is a consultant for Educate the World, an international nongovernmental
organization based in Washington D.C. that receives most of its funding from the U.S.
government. Tracy is sent on a one-week mission to Honduras to conduct a needs
assessment in a particular region of the country to prepare for a new Girls’ Education
project. The funding of the project is contingent on the results of this assessment. Since
the region suffers from a high level of absence and drop-out of girls in primary school,
her goal is to find out about the obstacles preventing girls from attending school. As part
of her needs assessment, she plans to meet with mothers from a rural community.
Tracy spends her first few days in the capital meeting with Ministry of Education
officials and reviewing documents. On her fourth day, she goes to the small rural town of
Santa Rosita to meet with Esteban Gonzales, the leader of the town’s Community
Council. Tracy’s understanding is that he will convene the focus group of mothers to
meet with her on this day. She arrives at the community center and waits thirty minutes
before Esteban arrives, becoming increasingly frustrated at the lost time. When Esteban
finally appears, Tracy briefly introduces herself and then, wanting to get down to
business, asks when she will be meeting with the mothers. Esteban apologizes and
explains that he is not able to convene the women on such short notice, but that he could
organize the focus group for a week later.
Since Tracy has to leave the country in a few days, she is frustrated by this change
in plans. To make the best of the situation, she decides to ask Esteban about his
perspective on the barriers preventing girls from attending and remaining in school in
Santa Rosita. Esteban says that some families keep their daughters at home to do the
housework and take care of their younger siblings; some parents choose to invest in their
son’s rather than their daughter’s education; and some parents are concerned about their
daughters walking to school alone. As an afterthought, he mentions that a few parents
have complained about male teachers making insinuations towards girls at the school, but
he dismisses these rumors as complaints from overprotective mothers. Tracy wants to
ask him more questions about this last point, but Esteban is in a hurry to finish the
meeting.
Upon returning to her hotel in the capital city, Tracy calls her supervisor at
Educate the World and informs her about the meeting. In order to meet with the mothers
in Santa Rosita and finish the needs assessment, Tracy asks to stay in Honduras for an
extra week. Her supervisor says an extension is not possible because the donor agency
needs the assessment within the original timeframe in order to guarantee their project
funding. The supervisor says that Esteban’s assessment of the problem is probably on
target, and that Tracy should just write the report. Tracy brings up Esteban’s allusion to
male teachers making insinuations towards the girls, and voices her concern about
possible sexual abuse in the schools. Her supervisor responds that pursuing this issue
would complicate the project too much, and instructs Tracy to focus her energy on
writing up the assessment as quickly as possible.
Tracy follows the advice of her supervisor, writes up the report on schedule and returns to
Washington.
32
1) What assumptions do you think Tracy is operating under in this situation?
2) How could Tracy check these assumptions?
3) Give an alternative interpretation of this scenario, a version that is consistent with

the events described, but with which Tracy would disagree.
Developed by Kristin Rosenkrans & Katherine Shields (Harvard University

Graduate School of Education)
Assessing Local Needs

Assumptions and Alternative Interpretations
1. To gather information about local needs, it is best to first consult the Ministry of
Education officials and review documents in the city and then go to the communities that
will benefit from the project.
2. Esteban does not have a good reason for being late.
3. The time waiting for Esteban is “lost time” – she is not able to use this time to learn
useful things about the community.
4. Esteban knew that he was supposed to convene the meeting for that day and time.
5. It is OK to jump in and “get down to business”, or to the point, upon meeting somebody
in this cultural.
6. Esteban knows what problems girls in the community face in terms of their education.
7. There is validity to everything that Esteban mentioned to her.
8. By staying another week she will be able to meet with the mothers.
9. She will lose her job if she does not simply follow her supervisors’ advice.
10. It is true that by not getting the report in within the original timeframe could cause them
to loose the funding.
Checking the Assumptions
1. Get the assessment of the community of their problems and compare those with the
Ministries opinion.
2. Ask Esteban if everything is OK or if he has some situation he must attend to.
33
3. While she is waiting for Esteban, try to speak with other people or look around in order to
learn about the community.
4. Ask Esteban if he knew that he was supposed to convene the meeting for that day.
5. Talk to somebody who knows the culture, or a Honduran that she feels comfortable with,
about cultural norms around meeting somebody for the first time in a work context.
6. Ask a mother (even if it is just one) about the problems faced by girls and also about
Esteban’s involvement in understanding or helping to solve these problems.
7. Same as above.
8. Try to return to the community, or communicate with somebody in the community, a few
days before the meeting to make sure the mothers know about the meeting and are
planning on attending.
9. Call a colleague who has worked at the Educate the World longer than she is (or who has
a good understanding of the workings/politics of the organizations) and check with
her/him if it is a valid concern that she could loose her job.
10. Contact someone from the donor organization, or a colleague who may have the
information, about the feasibility of turning in the assessment a week later but not loosing
the funding opportunity.
Alternative Interpretations
1. To truly understand the situation of the community, it would be best to spend about three
days there and spend the last day or two in the capital city talking to Ministry Official and
checking documents to complement the first-hand information with some second-hand
data and interpretation of the situation.
2. Esteban has an urgent situation in his family to attend to which is why he arrived late and
must leave early, but he does not feel comfortable telling that to Tracy.
3. Tracy could learn a lot from looking around the community and randomly speaking to
people; she may even be able to speak directly to some girls about their problems in
attending schools.
4. Esteban never received notification to convene the meeting for that day.
5. Esteban felt offended that Tracy disregarded him as a person and simply directly jumped
into work matters such as the meeting and getting information from him, and as a result
he was skeptical of her and less willing to collaborate.
6. Esteban has no interest in a project of this type in his community, as he believes that girls
should learn to attend to house and family matters, not school.
34
7. Esteban is very involved in trying to understand and solve the problems that girls face in
attending school, and he did not want to mention directly the problem of the male
teachers insinuating towards the girls because he felt embarrassed to talk about this or
afraid that the male teachers might know he had mentioned this.
8. Esteban has no intention of helping Tracy to speak with the mothers at any point, or the
mothers have no intention of attending a meeting at any point, so Tracy staying in the
country longer will not help her to obtain better information.
9. Tracy is more concerned with keeping her job than she is about truly trying to work with
the community to improve their situation.
10. Tracy is truly concerned about losing the funding and plans to try to influence the project
in the implementation stage to address the real issues.
35
ASSUMPTIONS
1. Jack's workaholism is due to externally imposed financial pressures (causal)
2. With more money coming in Jack will work less (causal)
3. Karen can take on these responsibilities without jeopardizing her relationships with
Jack and the children (causal)
4. Family happiness is linked to Jack's state of mind (paradigmatic/causal)
5. It’s Karen’s duty to help out fix family problems (prescriptive/paradigmatic)
6. Jack is speaking the truth & voicing a genuine complaint (paradigmatic)
7. This economic situation has one response
8. Day care will benefit the children's emotional health (causal)
CHECKING
1. Do a life history analysis of Jack's behavior, particularly before he was in demand.
Did he spend more time at home, take things easier ?
2. Try the job on a part-time or temporary basis. Or just drive out to the job location for
a week to see how it feels.
3. Ask Jack to talk about his complaints
4. Do an economic audit of family finances. Is Karen working the only response ? Could
things be budgeted differently ?
5. Speak to other couples in the same situation who made the change Karen is
contemplating - experiential pioneers - and ask them what happened to them.
6. Hire a Private Detective to follow Jack 7. Go to marriage counselor/family therapy
INTERPRETATIONS
1. Karen wants to take on the role of independent worker outside the family. For some
reason she is unwilling to confront Jack, or herself, with her wishes. Jack's situation is a
convenient rationalization of her desires.
2. Jack's workaholism is due to his personality. If Karen works Jack will not slow down.
They will have less time together and the time they do spend together will be time when
they're both tired. 3. Jack is having an affair.
Asuumptions of Power
1. The problem is Karen's to solve (by her getting a job). Her taking a job will reduce
familial tension, decrease the pressure Jack feels and will therefore help the situation
2. It's Karen's responsibility to find and fund day care and to find good paying work
Assumptions of Hegemony
1. Money is the cause of the family's stress
2. Money is the solution to the family's problems
3. The only way for this situation to be resolved is for Karen to find a job
4. Karen's job will provide more money, and therefore more family happiness
Why hegemonic? - it's accepted as 'common sense', it works against our interests, it
serves the interests of others (producers of goods we consume).
36
CHECKING
ASSUMPTIONS
TALK TO THE
SOURCE
EXPERIENTIAL
PIONEERS
LIFE HISTORY
ANALYIS
AUDIT / CBA
EXPERTS
PILOT TEST
37
18
SURVIVAL ADVICE MEMO
1. Compiling the Memo
Imagine that it's the last day in your current job. You’ve won the lottery &
your replacement is coming in tomorrow to begin work but you will already
have left the building. You want to help your replacement avoid as much as
much as possible some of the pain and stress you endured as you learned
your practice. So, you decide to write a memo to your successor outlining
your best survival advice. This memo contains your best take on (i) what
you really need to know to survive in this job, (ii) what you really need to be
able to do to stay afloat, (iii) what you know now that you really wish
someone had told you when you began working in this position, and (iv)
things you must make sure you avoid thinking, doing or assuming. Write
the memo as honestly as you can to this imaginary successor.
Now, examine each piece of advice you offered to your successor. How do
you know your advice is good advice? Write down the most convincing
evidence you can think of in support of what you're telling your successor
she should or should not do or think. What has happened in your own
experience to make you believe your advice to be well grounded? What's
the best example of your advice working well in action that you can come up
with from reflecting on your experience? (Memo compilation 5-10 minutes)
2. Discussion
Form a trio with 2 other people. Each of you takes up to 5 minutes to report
what your memo contains. Then, as a group, try to categorize the different
kinds of advice that were offered - was the advice about emotional survival
(how to avoid getting burned out, sucked in etc.), about political survival
(how to do good creative work without being sabotaged by departmental
politics), about instrumental survival (how to accomplish the specific tasks
associated with the job), or anything else? What does your memo reveal
about the assumptions that you take most seriously in your work?
Finally, as a group, spend 5 minutes analyzing the evidence you all cited as
the grounds for your advice. Was this evidence your direct experience,
hearsay, observed actions of colleagues, hunches you followed that were
confirmed, someone else's opinion that proved accurate, or anything else?
38
19
CRITICAL DEBATE INSTRUCTIONS
Find a contentious issue on which opinion is divided amongst participants. Frame the
issue as a debate motion.
Propose the motion to participants. By a show of hands ask people either to volunteer to
work on a team that is preparing arguments to support the motion or to volunteer to work
on a team that is preparing arguments to oppose the motion.
Announce that all those who have prepared to work on the team to draft arguments to
support the motion will now comprise the team to draft arguments to oppose the motion.
Similarly, all those who have prepared to work on the team to draft arguments to oppose
the motion will now comprise the team to draft arguments to support the motion.
Conduct the debate. Each team chooses one person to present their arguments. After
initial presentations the teams reconvene to draft rebuttal arguments and choose one
person to present these.
Debrief the debate. Discuss with participants their experience of this exercise. Focus on
how it felt to argue against positions you were committed to. What new ways of thinking
about the issue were opened up? Did participants come to new understandings? Did they
change their positions on this issue at all?
Ask participants to write a follow up reflection paper on the debate. Here's the
instructions ...
1. What assumptions about the issue that you hold
were clarified or confirmed for you by the debate ?
2. Which of your assumptions surprised you during the debate ?

In other words, were you made aware of assumptions you hold
that you didn't know you had ?
3. How could you check out these new assumptions ?

What sources of evidence would you consult ?
4. What new perspectives on the issue suggested themselves to you ?
5. In what ways, if any, were your existing

assumptions challenged or changed by the debate ?
39
20
IDEOLOGY CRITIQUE
In ideology critique we take a common organizational, movement
or community practice that has been designed to be helpful and
empowering and examine it for the ways it is experienced
differently by different people in the organization, movement or
community.
Here are the stages:
(a) Describe the practice and attribute meaning and significance

to it in terms of the accepted, dominant view. What is it intended
to achieve?
(b) Examine that view for internal inconsistencies, paradoxes

and contradictions. Also, identify what is being omitted from the
view - its "structured silences and absences". What significant
views or information does the dominant meaning miss? Who and
what is excluded?
(c) Look for reasons to explain why the dominant view ignored
the contradictions and omissions you found. Decide who benefits
from the dominant practice and who is most disadvantaged by it.
(d) Imagine a new, alternative structure or process that is more

socially just than the current practice.
An Example from Stephen’s Practice:

Assigning Students to Write a Critical Analysis of a Text
(a) My Intended Meaning
40
I want to develop students' skills of critical analysis so that they
can make independent intellectual judgments
(b) Contradictions and Omissions

The concept of critical analysis springs from a Eurocentric
Enlightenment tradition that values rationality. This tradition
ignores important ways of knowing that are embedded in other
cultures. It also downplays the importance of intuitive learning.
The feminist emphasis on affirmative and connected modes of
knowing is not allowed for. I have also overlain my understanding
of the word 'critical' with a left of center ideology drawn from the
Frankfurt School of critical theory. The criteria of what is to be
judged a properly critical analysis emanates from me, the teacher.
The assignment as constructed seems to preclude the possibility of
students already being critical. The assignment could easily be
interpreted by the students as a game of 'guess the teacher's
ideology'.
(c) Who Benefits and is Harmed by the Dominant View

Teachers who see themselves as 'critical' intellectuals are best
served. Worst served are students who are not familiar with
traditions of analytic philosophy or Frankfurt School critical
theory, students who have a grounding in alternative intellectual
traditions, and students who are uninformed about the teacher's
biases.
(d) Imagine an Alternative Structure

What counts as 'critical' is publicly discussed according to alternate
frameworks of analysis. Students generate what they see as
'critical' criteria. Students are encouraged to question the relevance
of the assignment and to propose alternatives that seem more
connected and significant. Students regularly evaluate the
usefulness of assignments, discuss these with the teacher, and
place these evaluations on the public record. On the basis of these
comments the group continually reinvents its procedures.
41
IDEOLOGY CRITIQUE EXERCISE
The Practice To Be Examined:

Stephen’s offering this course only on a Pass/Fail basis –
no letter grades allowed
Individually, write down your responses to the following

questions about this practice …
a) What is Stephen intending to achieve by instituting

this practice? What is the meaning he has inscribed in
it?
b) What is omitted from Stephen’s understanding of the
practice? What are the contradictions in his
understanding of the practice? Which views and
interpretations are unrepresented in his framing of the
practice?
c) Who benefits from the practice and who is harmed by
it? Why does Stephen not recognize those who are
harmed?
d) How could the practice be re-invented to be more
socially just?
Briefly share your responses with 3 other people. Each one

of you will take responsibility for summarizing your
group’s responses to one of the items above.
When you have understood how your colleagues have

answered the questions you are responsible for, write your
summary on the sheet posted for that purpose.
42
IDEOLOGY CRITIQUE AS PRACTICE INVERSION
Ideology critique can be reframed as “Practice Inversion”,

particularly in organizations where the language of critical
theory is either unknown or perceived as beyond the pale.
When the exercise is introduced its stated purpose is said to
be to help participants to understand the blind spots in their
own decision-making, and to help organizations understand
better how their structures and systems regularly exclude
certain voices and perspectives.
In many ways, this reframed ideology critique can be

presented as a mix of 180 & 360 degree feedback.
The instructions differ slightly …
a) Identify an organizational practice that you have

initiated. What do you intend to achieve by instituting
this practice? What’s the reasoning behind it?
b) What’s omitted from your understanding of the
practice? What are the contradictions in your
understanding of how the practice works? Which
views and interpretations are unrepresented in your
framing of the practice?
c) Who benefits from the practice and who is harmed by
it? Why do you not recognize those who are harmed?
d) How could the practice be re-invented to be more
socially just?
43
21
Heroes/Heroines & Villains/Villainesses
Choose a work peer or work colleague you particularly admire and identify
an example of that person’s practice or professional behavior that
encapsulates what’s so admirable about him or her. Write some notes on
this being as specific and concrete as you can.
Then, choose a work peer or work colleague you particularly dislike and
identify an example of that person’s practice or professional behavior that
encapsulates what’s so despicable or lacking about him or her. Write some
notes on this being as specific and concrete as you can.
Now, join with two other people to form a trio. Each person takes it in turn
to describe her choices to her two peers. The two who are listening try to
give feedback to the person concerned on the following items …
(1) Are the responses you give internally consistent? In other words,
are the people, practices & behaviors you so admire the flipside of
those you despise? Or are they different facets of
professional/unprofessional behavior?
(2) Which of the sets of characteristics do you seem to feel most

strongly about – the positive or the negative?
(3) From listening to your responses, what would your

colleagues say were the assumptions that you hold about
how a good professional behaves that are most important
in your practice?
After all 3 of you have had your turn in the spotlight reflect on what
assumptions the 3 of you held (if any) that seem to be shared. How do these
assumptions reflect – or challenge – dominant cultural and professional
beliefs?
In organizations where participants work with each other the

‘Villains/Villainesses’ task can focus on fictional characters
44
22
DEMOCRATIZING MEETINGS
Use the CIQ to evaluate

each meeting
Begin with AOB
Assumptions Inventories
What's the decision we've just made ?
What's the chief evidence that we base a decision on?
What's the most important assumption influencing it?
What consequences is the decision supposed to effect?
Structured Devil's Advocacy
45
23
DOING A CRITICAL LITERATURE
REVIEW
DEFINING CRITIQUE: THREE INTERPRETATIONS
As I use the term critique I draw strongly on the social and political criticism endemic to
the tradition of ideology critique. For me, the first sense in which I use the term
'critical' is to undertake a power analysis of the object of study. In this first sense,
being critical as an adult educator involves me in investigating how certain practices,
systems and policies reproduce within adult education the unquestioned power
relationships and economic and cultural inequities that exist outside the adult educational
situation. This is where the concern with race, class and gender comes from. A critique
of an adult educational practice or institution involves unearthing the hegemonic
assumptions, submerged power inequities and anti-democratic forces that exist within.
The second sense of critique involves adult educators in examining their own ideas
and actions for the ways in which they perpetuate inequities and the ways in which
they are discriminatory and anti-democratic. Focusing on the unacknowledged
prejudices, bigotries and contradictions in one's own thinking and practice is difficult,
even wrenching. Part of this difficulty resides in our inability to step outside ourselves
and see our practice through others' eyes. To do this it is crucial that we involve others in
our community of practice as critical mirrors who reflect back to us images and
interpretations of our practice that are unfamiliar and unsettling.
There is a more proactive third sense in which the term critique is used. This third sense
of critique involves adult educators looking to possibilities of remaking their own,
and others', practice to be more democratic, anti-racist, anti-sexist, and socially just.
In Freire's words, we practice a "pedagogy of hope" in that we assume that things can be
changed for the better. Even in apparently closed systems there are often small spaces in
which dominant ideas and unfair practices can be contested. Sometimes all we can do is
focus on how the damage inflicted by a program, policy or practice can be kept to a
minimum. At other times we have the chance to develop new structures that seem more
democratic or to create spaces in which open, critical conversation can take place.
46
Defining Critical Reading
A critical literature review begins with a critical reading of texts. For me, very briefly, a
critical reading of texts happens when readers:-
(1) Make explicit the assumptions authors hold about what constitutes legitimate
knowledge and how such knowledge comes to be known.
(2) Take alternative perspectives on the knowledge being offered so that this knowledge
comes to be seen as culturally constructed.
(3) Undertake positive and negative appraisal of the grounds for, and expression of, this
knowledge.
(4) Analyse commonly held adult educational ideas for the extent to which they oppose
democratic values.
Misunderstandings of Critical Reading
1. That it's Negative

Critical reading is a process of positive as well as negative appraisal. If we are reading
critically we will almost certainly find that our appraisals are multi-layered, even
contradictory. But central to all critical reading is the acknowledgment of what we find
to be well grounded, accurate and meritorious in a piece of scholarly writing.
2. That it Always Leads to Relativism

When we have given a piece of literature a careful critical appraisal we have a sense of its
strengths and weaknesses. The intellectual convictions we derive from this appraisal are
informed by this same even handed sense of what is strongest and weakest about our
convictions, and about why, on balance, we hold these even as we recognize their
shortcomings. The point at which the best critical readers operate is a point of informed
commitment. Informed commitment means being able to give a rationale and to cite
evidence for our ideas, while at the same time always being open to re-examining and re-
thinking these in the light of further experience.
3. That it's Only for the Philosophically Astute

Critical reading is not restricted to those who pursue majors in logic. I prefer to think of
it as a survival skill within the competence of all adults, irrespective of their formally
defined educational level. The critical thinking process informs how many of us
negotiate and survive what we see as transforming episodes in our adult lives.
4. That it's the Preserve of Politically Correct Left-Wingers

The point about critical reading, properly encouraged, is that critical questions are asked
of all ideologies, disciplines and theories. So, a critical social science turns a skeptical
eye on all claims to universal validity. For a teacher to mandate in advance - either
47
explicitly or implicitly - that only one ideological interpretation or outcome is permitted
in a discussion or assignment is to contradict a fundamental tenet of critical thinking.
That tenet holds that all involved - including teachers - must always be open to re-
examining the assumptions informing their ideological commitments.
5. That it's wholly cognitive

In critical reading we pay attention to our emotions as well as intellect. In particular, we
investigate our emotional responses to the material we encounter. We can try to
understand why it is that we become enthused or appalled, perplexed or engaged, by a
piece of literature. As we read work that challenges some of our most deeply held
assumptions, we are likely to experience strong feelings of anger and resentment against
the writer or her ideas, feelings that are grounded in the sense of threat that this work
holds for us. It is important that we know this in advance of our reading and try to
understand that our emotional reactions are the inevitable accompaniment of any kind of
intellectual inquiry that is really challenging.
EPISTEMOLOGICAL QUESTIONS
1. Are the ideas presented by writers already predetermined by the intellectual paradigm
in which they work ?
2. To what extent are the central insights of a piece of literature - whether these are
framed as research findings, theoretical propositions or philosophical injunctions -
grounded in documented empirical evidence ?
3. To What Extent Does the Writing Seem Culturally Skewed ?
4. To What Extent are Descriptive and Prescriptive Fused in an Irresponsible and

Inaccurate Way ?
EXPERIENTIAL QUESTIONS
1. How Do the Metaphors for Teaching Used in a Piece of Educational Literature

Compare to the Metaphors You Use to Describe Your Own Experience of Practice ?
2. What Experiential Omissions Are There In A Piece of Literature That, To You, Seem
Important ?
3. To What Extent Does A Piece of Literature Acknowledge and Address Ethical Issues
in Teaching ?
4. What Connections and Discrepancies Do You Note Between a Piece of Academic

Literature and Your Own Experiences as an Adult Learner and Adult Educator ?
48
COMMUNICATIVE QUESTIONS
1. Whose Voices Are Heard In A Piece Of Academic Writing ?
2. To What Extent Does The Literature Use A Form Of Specialized Language That Is
Unjustifiably Distanced From The Colloquial Language Of Adult Learners And Adult
Educators ?
3. To What Extent Does Literature Show A Connectedness To Practice ?
POLITICAL QUESTIONS
1. Whose Interests Are Served By The Publication of a Text ?
2. To What Extent Are Models of Practice Reified ?
3. To What Extent Do Texts Present Practice As An Individual Act ?
1 What Contribution Does the Writing Make To The Understanding And Realization
Of Democratic Processes ?
49
24
EXEMPLARS & FLAWS
Exemplars and Flaws begins with the student focusing on a topic
and choosing either someone who has contributed useful
knowledge to that topic, or some concept that moves understanding
of the topic of the area forward in some way. She makes her choice
individually, uninfluenced by peers. Examples might be:
• Of the mathematical proofs we’ve covered this year, which is

the most elegant?
• Of the explanations for the historical event we’ve just
researched, which is the most convincing?
• Of the laws of physics we’ve studied so far this term, which
has the greatest predictive power?
• Of the poems we’ve reviewed up to now, which demonstrates
the most insight into the nature of love?
• Of the psychological theories offered for schizophrenia, which
do you think is the most plausible and complete?
• Which of the readings assigned in class for this week was the
most interesting or well written?
• Of the business leaders we’ve seen in action so far, who
would you most want leading your organization?
• Of the colleagues you’ve worked with in your field practicum,
whom do you most admire and what is it about this person
that is so admirable?
After students have made their choices individually they are put
into trios and asked to share their responses with each other. Each
student takes a turn to name her choice and explain why she made
the choice she did. When she has finished her explanation the
other two students then tell her about the assumptions they think
she holds about the subject. They let her know, from their
50
perspective, what kind of arguments and evidence she seems most
drawn to, what perspectives seem to be most interesting to her,
which parts of the exemplar she chose she feels most strongly
about, and the epistemological assumptions she holds about what
kind of knowledge she feels is most reliable. Once the first student
has heard her colleagues give her feedback about her choice of an
exemplar, then the second student in the trio has the spotlight and
the process is repeated, and so on to the third.
The ‘Aberrations’ part of Exemplars and Flaws reiterates the

process outlined above, except that this time the student focuses on
something they find wanting in the topic. Examples of this might
be …
• Of the logic theorems we’ve covered this year, which has the
weakest links?
• Of the explanations for the movement of population we’ve
just researched, which is the least convincing?
• Of the accounting procedures we’ve studied so far this term,
which is the most cumbersome or prone to error?
• Of the films we’ve viewed up to now, which is the most
confusingly edited?
• Of the sociological classifications offered of different social
classes, which do you find most confusing?
• Which of the readings assigned in class for this week was the
least convincing or worst written?
• Of the theologians we’ve studied, who do you feel would do
the greatest harm if they were in charge of your congregation?
• Of the authors you’ve studied throughout your program,
whom do you think is least qualified to guide students’
learning?
25
51
CRITICAL CONVERSATION PROTOCOL
PURPOSE OF THE EXERCISE
A critical conversation is a focused conversation in which someone is helped:-
1. To come to an awareness of the assumptions she is operating under – particularly

those having to do with power relationships and hegemonic practices & ideas
2. To investigate whether these assumptions are well grounded
3. To look at her practice from different viewpoints
4. To think about the implications of the conversation for the future
ROLES PARTICIPANTS PLAY
In a process of structured critical conversation I suggest that people think of playing one
of three possible roles - storyteller, detective or umpire.
The storyteller is the person who is willing to make herself the focus of critical
conversation by first describing some part of her practice or life experience.
The detectives are those in the group who help her come to a more fully informed
understanding of the assumptions and actions that frame her practice or experience.
The umpire is the group member who has agreed to monitor conversation with a view to
pointing out when people are talking to each other in a judgmental way.
All participants in the group play all three of these roles at different times. The idea is
that the behaviors associated with each role gradually become habitual.
HOW THE EXERCISE WORKS
1. The Storyteller Tells the Tale (10 MINUTES)
The conversation opens with the person who is the storyteller describing as concretely
and specifically as possible an incident from her practice or life that for some reason is
lodged in her memory. This incident may be one that is recalled because it was
particularly fulfilling or because it was particularly frustrating. Most probably it is an
incident that leaves the teller somewhat puzzled by its layers and complexities. The
storyteller describes the incident in her own words and without any questions or
interruptions. Her colleagues, who are in the role of detectives, attend to her remarks
very carefully. They are listeners with a purpose.
52
The detectives are trying to identify the explicit and implicit assumptions about practice
that they hear in the storyteller's tale. Some of these will be general assumptions about
what good practice looks like, some will be about how a good professional should
behave, and some will be about how to behave in the specific situation described. The
detectives are listening particularly for assumptions that pertain to how the storyteller
conceives of power dynamics, or assumptions that are hegemonic (i.e. that seem
admirable & useful to the storyteller but that actually work against her best interests &
support an inequitable situation).
The detectives are also asked to imagine themselves inside the heads of the other
characters in the story and to try to see the events through their eyes. If possible, the
detectives make mental or written notes about plausible alternative interpretations of the
story that fit the facts as they hear them, but that would come as a surprise to the
storyteller.
2. The Detectives Ask Questions About the Event (10 MINUTES)
After the storyteller has finished speaking, the detectives are allowed to break their
silence to ask her any questions they have about the events she has just described. The
detectives are searching for any information that will help them uncover the assumptions
they think the storyteller holds. They are also looking for details not provided in the first
telling of the story that will help them re-live the events described through the eyes of the
other participants involved, thereby helping them to understand these events from the
different participants' perspectives.
One ground rule they must observe is that of requesting information, not giving
judgment. Their questions are asked only for the purpose of clarifying the details of what
happened. They must refrain from giving their opinions or suggestions, no matter how
helpful they feel these might be. Detectives should ask only 1 question at a time. They
should not give advice on how the storyteller should have acted. Keep laughter to a
minimum, you don’t know how it’s received.
As the storyteller hears the detectives' questions she tries to answer them as fully and
honestly as possible. She also has the opportunity to ask the detectives why they asked
the particular questions they put to her. The umpire points out to the detectives any
examples of judgmental questions that they ask, particularly those in which they imply
that they have seen a better way to respond to the situation than the way that's been
described. Examples of such questions would be those beginning "Did you really believe
that ...?", "Didn't you think to ...?", or "Do you mean to tell us that ...?"
The umpire brings the detectives' attention to the ways in which their tone of voice and
body language, as well as their words, risk driving the storyteller into a defensive bunker.
53
3. The Detectives' Report the Assumptions they Hear in the Storyteller's Descriptions
(10 MINUTES)
When the incident has been fully described, and all the detectives' questions have been
answered, the conversation moves to the assumption hunting phase. Here the detectives
tell the storyteller, on the basis of her story and her response to their questions, what
assumptions they think she holds.
This is done as non-judgmentally as possible, as a reporting back exercise. The

detectives seek only to state clearly what they think the storyteller's assumptions are, not
to judge whether they are right or wrong. They are asked to state these assumptions
tentatively, descriptively and non-judgmentally, using phrases like "it seems as if ...", "I
wonder if one assumption you might be holding is that ....?", or "Is it possible that you
assumed that ...?" They state only one assumption at a time, do not give advice, and
watch out for laughter.
The umpire intervenes to point out to detectives when she thinks they are reporting
assumptions with a judgmental overlay.
4. The Detectives Give Alternative Interpretations of the Events Described (10

MINUTES)
The detectives now give alternative versions of the events that have been described,
based on their attempts to re-live the story through the eyes of the other participants
involved. These alternative interpretations must be plausible in that they are consistent
with the facts as they have been described by the storyteller. When appropriate,
detectives should point out how power or hegemony plays itself out in the different
interpretations they are giving.
The umpire points out those moments when a psychoanalytic second guessing is taking
place. This happens when the detectives start to preface their interpretations with
remarks like "you know, what you were really doing", or "what was really going on".
The detectives are to give these interpretations as descriptions, not judgments. They are
describing how others involved in the events might have viewed them, not saying
whether or not these perceptions are accurate. They should not give any advice here.
As the storyteller hears these alternative interpretations she is asked to let the detectives
have the floor so that they can state their case as fully as possible. After they have
described how the situation might look through the eyes of other participants, the
storyteller is then allowed to give any additional information that would cast doubt on
these interpretations. She is also allowed to ask the detectives to elaborate on any
54
confusing aspects of why they are making the interpretations they are. At no time is she
expected to agree with the detectives.
5. Participants Do An Experiential Audit (10 MINUTES)
Finally, the storyteller and detectives state what they have learned, what insights they
have realized, and what their reflection means for their future actions. Now the
detectives can give whatever advice they wish.
The umpire gives an overall summary of the ability of participants to be respectful

listeners and talkers, and also gives her perspective on the story.
At each iteration of this exercise the roles change. As each new story is told each person
assumes a different role so that all play each of the roles at least once.
Although this is a heavily structured and artificial exercise, the intent is for these
dispositions to become so internalized that the ground rules and structure outlined above
become unnecessary.
CONVERSATION
55
STAGES
STORYTELLER TELLS
STORY
C O L L E A G U E S' A S K
QUESTIONS
COLLEAGUES REPORT
ASSUMPTIONS
COLLEAGUES GIVE
ALTERNATIVE
INTERPRETATIONS
A C T I O N / I N S I G H TS
LEARNING
CHOOSING A CRITICAL CONVERSATION INCIDENT
For this afternoon’s exercise I’d like you to choose a critical

incident in your life that you’d be willing to share as part of a
56
small group version of the critical conversation (storyteller and
detectives) exercise we did this morning.
You should choose an incident – preferably in your work life –

that you’d like some help understanding. This could be an
incident that happened in the past. Or it could be one you’re
dealing with right now. The important thing is that it’s an
incident where you’re unclear exactly what’s going on, and
where you’d like someone to help you unearth and challenge
some of the assumptions you’re operating under in the
incident. Remember, too, that your small group members will
also help you look at the incident from different perspectives.
If you don’t have an incident from your work life available,

then feel free to use one from your personal life. However,
please don’t choose something that’s deeply personal and
private – such as a decision to have, or not have, an abortion,
or a decision on whether to pull the life support plug on a
severely ill parent or spouse. Both these have been chosen,
with disastrous results, in the past. Such incidents put too
much pressure on your detective colleagues.
So, to re-cap, the incident should be (preferably) from work,

and one where you’d like help understanding what’s going on
because you’re unclear as to the meaning of what happened, or
is happening.
Thanks!!
26
Circular Response Discussions
57
The circular response exercise is a way to democratize discussion participation, to
promote continuity and to give people some experience of the effort required in
respectful listening. In this process participants sit in a circle so that everyone can see
each other, and each person in turn takes up to a minute to talk about an issue or question
that the group has agreed to discuss.
Speakers are not free, however, to say anything they want. They must incorporate into
their remarks some reference to the preceding speaker's message and then use this as a
springboard for their own comments. This doesn’t have to be an agreement – it can be
an expression of dissent from the previous opinion. The important thing is that the
previous person’s comments are the prompt for whatever is being said in circular
response. What speakers articulate depends on listening well to the preceding speaker as
much as on generating new or unspoken ideas. Participants are also asked if at all
possible to point out anything the previous speaker said that was particularly interesting,
resonating or important. The optimal size for this exercise is 6-8 participants. Here's the
instructions:
Choose a theme that the group wishes to discuss, form into a circle and ask for a
volunteer to start the discussion. This person speaks up to a minute or so about the theme
chosen. After the minute is up, the first discussant yields the floor and the person sitting
to the discussant's left speaks for a minute or so. The second discussant must show in her
contribution how what she is saying springs from, or is in response to, the comments of
the first discussant. After a minute or so, the second discussant stops speaking, and the
person to her left becomes the third discussant, and thus the discussion moves all the way
around the circle. To sum up:
1. no one may be interrupted while speaking;
2. no one may speak out of turn in the circle;
3. each person is allowed only a minute or so to speak;
4. each person, in all comments, must strive to

show how his or her remarks spring from, or respond
to, the comments of the previous discussant.
5. each person should try to show appreciation for

something the previous speaker raised
After each discussant has had a turn to speak, the floor is opened for general
conversation, and the previous ground rules are no longer in force.
27
The Circle of Voices
58
Participants form into a circle of about 5. They are allowed up to three minutes silent
time to organize their thoughts. During this time they think about what they want to say
on the topic once the circle of voices begins. After this silent period the discussion opens
with each person having a period of uninterrupted air time. During the time each person
is speaking no one else is allowed to interrupt.
People can take their turns to speak by going round the circle in order or volunteering
at random. Although the latter arrangement sounds the most relaxed and informal the
opposite is often the case. The order of the circle removes from participants the stress of
having to decide whether or not they will try and jump in after another student has
finished speaking. Not having to decide this is one less thing to worry about. An
important benefit of using the circle of voices at the start of a discussion is that it prevents
the development early on of a pecking order of contributors. Introverted, shy members,
those whose experience has taught them to mistrust academe, or those who view
discussion as another thinly veiled opportunity for teachers to oppress or offend, will
often stay silent at the beginning of a course. The longer this silence endures, the harder
it is for these individuals to speak out. By way of contrast, in the circle of voices
everyone's voice is heard at least once at the start of the session.
After the circle of voices has been completed, and everyone has had the chance to say
their piece, then the discussion opens out into a more free flowing format. As this
happens a second ground rule comes into effect. Participants are only allowed to talk
about another person's ideas that have already been shared in the circle of voices. A
person cannot jump into the conversation by expanding on his own ideas, he can only talk
about his reactions to what someone else has said. The only exception to this ground rule
is if someone else asks him directly to expand on his ideas. This simple ground rule
prevents the tendency toward 'grandstanding' that sometimes afflicts a few articulate,
confident individuals.
To recap the ground rules:-
1. Begin by going round the circle with each person contributing & no interruptions
allowed
2. After this, move into open discussion, but remember your contributions can only be
about, or refer back to, something one of the other group members said in the opening
circle.
28
CONVERSATIONAL MOVES
59
Paste the conversational moves listed below on 3x5 cards and randomly distribute them
among participants before a pre-arranged discussion session. Ask students to practice
their move during the discussion that follows. When the discussion is over distribute the
entire list of moves so people can see the wide variety of ways that questioning, listening
and responding can be practiced. Point out to students that virtually all the moves listed
are designed to strengthen connections among group members and to reinforce the notion
that discussion is truly a collaborative process. Ask participants to recap how they tried to
make the moves they were allocated.
Ask a question or make a comment that shows you are interested in what another person says
Ask a question or make a comment that encourages another person to elaborate on something
they have already said
Make a comment that underscores the link between two people's contributions - make this
link explicit in your comment
Use body language (in only a slightly exaggerated way) to show interest in what different
speakers are saying
Make a comment indicating that you found another person's ideas interesting or useful. Be
specific as to why this was the case
Contribute something that builds on, or springs from, what someone else has said. Be
explicit about the way you are building on the other person's thoughts
Make a comment that at least partly paraphrases a point someone has already made
Make an summary observation that takes into account several people's contributions & that
touches on a recurring theme in the discussion
Ask a cause and effect question - for example, "can you explain why you think it's true that
if these things are in place such and such a thing will occur?"
When you think it's appropriate, ask the group for a moment's silence to slow the pace of
conversation and give you, and others, time to think
Find a way to express appreciation for the enlightenment you have gained from the
discussion. Try to be specific about what it was that helped you understand something
Disagree with someone in a respectful and constructive way
29
60
CONVERSATIONAL ROLES
Practice in playing different conversational roles helps create opportunities for the more
tentative students to speak, thereby building their confidence. Any roles assigned must be
alternated so that everyone takes their turn.
Problem, Dilemma, or Theme Poser

This participant has the task of introducing the topic of conversation. She draws on her own
ideas and experiences as a way of helping others into conversation about the theme.
Reflective Analyst
This member keeps a record of the conversation's development. Every 20 minutes or so,
she gives a summary of shared concerns, issues skirted, and emerging themes.
Scrounger
The scrounger listens for helpful resources, suggestions, and tips that participants have
voiced as they discuss how to work through a problem or situation. She keeps a record of
these ideas that is read out before the session ends.
Devil's Advocate
This person listens carefully for any emerging consensus. When she hears this she
formulates and expresses a contrary view. This keeps group-think in check and helps
participants explore a range of alternative interpretations.
Detective
The detective listens carefully for unacknowledged, unchecked and unchallenged biases
that seem to be emerging in the conversation. As she hears these she brings them to the
group's attention. She assumes particular responsibility for alerting group members to
concerns of race, class and gender. She listens for cultural blindness, gender
insensitivity, and comments that ignore variables of power and class.
Theme Spotter
This participant identifies themes that arise during the discussion that are left unexplored
and that might form a focus for the next session.
Umpire
This person listens for judgmental comments that sound offensive, insulting and
demeaning, and that contradict ground rules for discussion generated by group members.
Textual Focuser
Whenever assertions are made that seem unconnected to the text being discussed, this
person asks the speaker to let the group know where in the text the point being made
occurs.
30
61
SNOWBALLING
One way to illustrate how discussions can be developmental and increasingly
inclusive is to use a process called "snowballing" or "pyramiding".
Students begin this activity by responding to questions or issues as individuals. They

then create progressively larger dialogic groups by doubling the size of these every few
minutes until by the end of the activity everyone is reconvened in the large group. At
each stage as students move from pairs to quartets, quartets to octets they recap the chief
point of difference, or the chief question that emerged, in their previous round of
conversation.
Here's the instructions students follow:
We are going to try something a little different today. It's called "snowballing"
and it gives you a chance to think and talk about issues in a variety of different
configurations. Please begin with some private, solitary reflection in which you gather
your thoughts about the questions at the bottom of this sheet. Jot down some notes if you
wish.
After about 1 minute of solitary thought join with one other person to continue the
dialogue. After about five minutes you and your partner should join another pair to
form a group of four. As the two pairs merge, each pair should recap the chief
difference that emerged, or a question they
raised, in their conversation.
The quartets will continue the discussion for another 10 minutes and then they will merge
with other quartets to create octets - groups of 8. . As the two quartets merge, each
quartet should recap the chief difference that emerged, or a question they raised, in their
conversation.
The discussion proceeds for 20 minutes this time and continues in 20 minute intervals until
the whole class is brought together at the end of the session.
------------------------------------
This exercise gets a lot of people talking to one another, while retaining much of
the value of small groups. It also contributes a festive quality to the class. People mill
about excitedly and greet each other warmly as they meet in new configurations. On the
other hand, snowballing can sometimes have a frenetic, disjointed feel.
62
31
NEWSPRINT DIALOGUES
Small groups summarize their conversations on large sheets of newsprint or chalkboards.
Individual members of the class are then free to wander about the room reading all the
responses & adding comments.
Here's the instructions:
In this activity, you will be working in small groups most of the time. I have
prepared some questions for you to consider in these groups, but don't follow them too
slavishly. Use them as a jumping off point for ideas you find especially worth exploring.
You will have 30 minutes in your groups to discuss these questions and to write your
answers to these on the newsprint provided.
You should appoint someone to be recorder but don't start writing immediately.
Take some time to let your responses emerge from the discussion. Covering all the
questions is not important, but you should begin to jot some ideas down on the newsprint
provided within 15 or 20 minutes of starting.
When the 30 minutes is up, post your newsprint sheets around the classroom and
tour the answers recorded by other groups. Look especially for common themes that
stand out on the sheets and for possible contradictions that arise within or between
groups' responses. If possible, write your responses to others' comments on the same
sheet of newsprint containing the point you're addressing. Finally, note any questions
that were raised for you during the discussion on the separate sheets of newsprint
specially provided for this. We will bring the activity to a close with a short debriefing
in the large group.
-------------------------
Attractions of this activity are that it takes people out of groups for a while and
lets them act as relatively autonomous free agents. It also reminds people that
dialogue can work as a written as well as spoken exchange. On the other hand, it is
frequently difficult in the limited space and time allotted for students to explain fully the
meaning of the words and phrases on the newsprint. Still, is an interesting alternative way
to keep the conversation going.
63
32
ROTATING STATIONS
Another way to avoid the usual format of reporting back through a series of
summaries is to locate each small group at a station where they are given 5 or 10 minutes
to discuss a provocative issue and record their ideas on newsprint or a chalkboard. When
this time is up the groups move to new positions in the classroom where they continue
their discussion. But now the comments written on the newsprint or chalkboard by the
preceding group at the station add a new voice to the mix. Rotations continue every 10
minutes until each group has been at all of the positions and has had a chance to consider
all of the other groups' comments. Here's the instructions:
We're going to do another small group activity, but this time you won't be staying in
one place for long. Each of you should join a group of about five participants at one of
the stations that have been established around the classroom. Together you will have the
responsibility of answering some questions by making comments on the newsprint
directly in front of your group. You will have 10 minutes to do this. When the 10 minutes
is up move with your group to a new station where you will continue your conversation
by responding to the comments left behind by the group that has just vacated that station.
Record the main points of your discussion at this station and then, after another 10
minutes, rotate to the next station, where you now have the comments of two other groups
to consider.
Again take 10 minutes to respond, and then move when the 10 minutes are up.
When every group has occupied each station, leaving remarks behind at all of them,
break out of your groups and read all of the newsprint comments. Add questions,
comments, or criticisms to these news sheets wherever you are inspired to do so.
Remember that each station will include comments from all groups, making orderliness a
challenge. Write as small and as legibly as you can, please!
Rotating stations encourages students to examine critically ideas that originate

outside their group. The safety and intimacy of small groups is retained, yet the diversity
of viewpoints experienced in whole class discussion is incorporated. Momentum and
excitement tend to grow as groups rotate from one station to another. People feel they
have heard from, and responded to, many voices in the classroom in a way that is less
threatening than in large group exchanges. On the debit side, the 10 minute period for
each rotation is not particularly conducive to deep discussion.
64
33
CLASSROOM RESEARCH
TECHNIQUES
C. I. Q.
MUDDIEST POINT
ONE MINUTE PAPER
AFTER CLASS GROUP /

CLASS ADVISORY PANEL
VIDEO
PEER OBSERVATION
TEAM TEACHING
LEARNING AUDIT
65
34
"THE MUDDIEST POINT "
WHAT WAS .....
THE MOST CONFUSING IDEA
THE MOST POORLY

EXPLAINED IDEA
THE MOST POORLY

DEMONSTRATED PROCESS
THE LEAST CLEAR

IDEA OR TECHNIQUE
66
35
LEARNING AUDIT
WHAT CAN YOU DO NOW

THAT YOU COULDN'T DO
THIS TIME LAST WEEK ?
WHAT DO YOU KNOW NOW

THAT YOU DIDN'T KNOW
THIS TIME LAST WEEK ?
WHAT COULD YOU TEACH

SOMEONE TO KNOW OR DO
THAT YOU COULDN'T TEACH
THEM THIS TIME LAST WEEK?
67
36
ONE MINUTE PAPER
WHAT WAS ....
THE MOST IMPORTANT

IDEA / INSIGHT
THE QUESTION THAT

MOST NEEDS ADDRESSING
68
37
W H Y C.I.Q.'s ?
PROBLEMS WARNED
GROUNDS ACTIONS
STUDENT
REFLECTIVITY
BUILDS TRUST
DIVERSE METHODS
CRITICAL
THINKING
69
38
The Classroom Critical Incident Questionnaire
Please take about five minutes to respond to each of the questions below about this week's class(es). Don't
put your name on the form - your responses are anonymous. When you have finished writing, put one copy
of the form on the table by the door and keep the other copy for yourself. At the start of next week's class I
will be sharing the group's responses with all of you. Thanks for taking the time to do this. What you write
will help me make the class more responsive to your concerns.
At what moment in class this week did you feel most engaged with what was happening ?
At what moment in class this week did you feel most distanced from what was
happening?
What action that anyone (teacher or student) took in class this week did you find most
affirming or helpful ?
What action that anyone (teacher or student) took in class this week did you find most
puzzling or confusing ?
What about the class this week surprised you the most ? (This could be something about
your own reactions to what went on, or something that someone did, or anything else that
occurs to you).
70
39
ASSESSING CRITICAL THINKING
& REFLECTION
SCENARIO ANALYSES
CLINICAL SIMULATIONS
CRITICAL DEBATE
(Pre/Post-Test)
CRITICAL PRACTICE AUDIT
CRITICAL PORTFOLIOS
Assumptions Perspectives
Sources Checked
STANDARDIZED TESTS
Watson-Glaser Ennis-Weir
Cornell New Jersey
OBSERVATION
INTERVIEWS JOURNALS
71
40
CRITICAL THINKING AUDIT
What Assumptions Have Been Confirmed?
What Assumptions Have Been Challenged
What New Assumptions Have Been

Discovered?
Which Assumptions Could Not Be

Checked?
What Evidence Was Most Accurate or

Convincing?
Which Evidence is Most Open to Question?
How Do the Knowledge or Skill Fit the

‘Real’ World?
72
41
CRITICAL PRACTICE AUDIT
Please complete this audit on a weekly basis. It's purpose is to help you understand more
about your own practice - in particular, to help you understand the assumptions that
undergird how you analyze situations, make decisions and take actions.
Please think back over the past 7 days. As you review your clinical practice, think about
the critical incidents that have happened during that time. A critical incident is an event
that can be called to mind easily and quickly because it is remembered so vividly.
Usually critical events are considered as significant by us because they are unexpected,
they take us by surprise. Sometimes they are wonderful highs, sometimes demoralizing
lows. Often they're a mix of both.
Please choose the top two or three critical incidents in your clinical practice over the last
7 days. For each incident, please do the following:
1. Write a brief description of the incident. This should include details of what
happened, who was involved, where and when it took place, and what it was that made
the incident 'critical' for you.
2. List the assumptions you have as a clinical practitioner that were confirmed by this
incident. What was it about what happened that led you to think the assumptions you
uncovered were accurate and valid?
3. List the assumptions you have as a clinical practitioner that were challenged by this
incident. What was it about what happened that led you to think the assumptions you
uncovered might be inaccurate or invalid?
4. How did you try to check the accuracy of your assumptions that were challenged? If
you weren't able to check these at the time, how could you check them in the future?
What sources of evidence could you consult?
5. What different perspectives could be taken on the incident? As you think about it
through the eyes of the other people involved, are there different ways the situation could
be seen, or your behavior interpreted?
6. In retrospect, are there different responses you might have made to the incident? If so,
what would these responses be, and why would you make them?
73
42
BIBLIOGRAPHY
Andolina, N. Critical Thinking for Working Students. Albany, NY: Delmar/Thomson
Learning. 2000.
Andolina, M. Practical Guide to Critical Thinking. Albany, NY: Delmar/Thomson

Learning. 2002.
Barnet, S. and Bedau, H. Critical Thinking, Reading, and Writing: A Brief Guide to
Argument. Boston: Bedford/St. Martin’s, 2005.
Bassham, G., Irwin, W., Nardone, H. and Wallace, J.M. Critical Thinking: A Student’s
Introduction. New York: McGraw Hill, 2007 (3rd Edition).
Brookfield, S.D. Developing Critical Thinkers: Challenging Adults to Explore

Alternative Ways of Thinking and Acting. San Francisco: Jossey-Bass, 1991.
Brookfield, S.D. Becoming a Critically Reflective Teacher. San Francisco: Jossey-Bass,

1995.
Brookfield, S.D. The Power of Critical Theory: Liberating Adult Learning and
Teaching. San Francisco: Jossey-Bass, 2004.
Brookfield, S.D. and Holst, J.D. Radicalizing Learning: Adult Education for a Just
World. San Francisco: Jossey-Bass, 2010.
Brookfield, S.D. Teaching for Critical Thinking: Tools and Techniques to Help Students
Question their Assumptions. San Francisco: Jossey-Bass, 2011.
Browne, M.N. and Keeley, S.M. Asking the Right Questions: A Guide to Critical
Thinking. Upper Saddle River, NJ: Pearson/Prentice Hall, 2007 (8th Edition).
Chaffee. J. Thinking Critically. Boston: Houghton Mifflin, 2006 (8th Edition).
Chaffee, J. The Philosopher’s Way: Thinking Critically About Profound Ideas. Upper
Saddle River, NJ: Pearson/Prentice Hall, 2008 (2nd Edition).
Conrad, M.F. How to Stop Assumicide: How to Think Critically About What You Believe
Without Destroying Your Faith. Tallahassee, FL: The Learning Doctor, 2008.
Cooper, S. and Patton, R. Writing Logically, Thinking Critically. New York:

Pearson/Longman, 2009 (6th Edition).
74
Diestler, S. Becoming a Critical Thinker: A User Friendly Manual. Upper Saddle River,
NJ: Pearson/Prentice Hall, 2009 (5th Edition).
McMahon, C.M. (ed.). Critical Thinking: Unfinished Business. San Francisco: Jossey-
Bass, 2005.
McInerny, D.Q. Being Logical: A Guide to Good Thinking. New York: Random House,
2005.
McWhorter, K.T. Study and Critical Thinking Skills in College. New York:
Pearson/Longman, 2008 (6th Edition).
Nosich, G.M. Learning To Think Things Through: A Guide to Critical Thinking Across
the Curriculum. Upper Saddle River, NJ: Pearson/Prentice Hall, 2009 (3rd Edition)
Paul, R.W. and Elder, L. Critical Thinking: Tools for Taking Charge of Your
Professional and Personal Life. Upper Saddle River, NJ: Pearson/Prentice Hall, 2005
(3rd Edition).
Ruggerio, V.R. Becoming a Critical Thinker: A Master Student Text. Belmont, CA:
Wadsworth, 2008 (6th Edition).
Schick, T. Jr. and Vaughn L. How to Think About Weird Things: Critical Thinking For A
New Age. New York: McGraw Hill, 2002 (3rd Edition).
Thomson, A. Critical Reasoning: A Practical Introduction. New York: Routledge, 2008

(3rd Edition).
Vaughan, L. The Power of Critical Thinking: Effective Reasoning About Ordinary and
Extraordinary Claims. New York: Oxford University Press, 2009 (3rd Edition)
Wall, T.F. Thinking Critically and Moral Problems. Belmont, CA:

Wadsworth/Thompson Learning, 2003.
Waller, B. Critical Thinking: Consider the Verdict. Upper Saddle River, NJ:
Pearson/Prentice Hall, 2004 (5th Edition)
Wellingham, D. “Critical thinking: Why is it so hard to teach?” American Educator,

31/2, 2007, pp. 8-19.
75
43
ASSIGNMENT
One Credit Assignment
There are 6 options for the 1 credit assignment for this workshop. Please choose one to
be sent to me by April 30th, 2012.
Assignment Option (1) Autobiographical Analysis of Critical Thinking
This assignment asks you to examine a critical thinking episode in your own life and to
interpret its significance for your development as a learner and teacher.
Choose an example from your own life of a critical thinking episode. This could be a
time when you questioned some of the assumptions underlying your habitual ways of
thinking and acting in some sphere of your life. It could also be a time when you were
prompted to explore some alternatives to your usual ways of thinking and acting. Write a
detailed description of what happened during this episode, paying particular attention to
the following aspects:-
Triggers: what circumstances or situations triggered your critical thinking ?
Resources: as you worked your way through the episode, what resources (human and
material) did you find to be most useful to you ?
Process: what were the emotional highs of this process? what barriers and hindrances
did you encounter during the episode ? When you encountered these, how did you work
through them ?
Consequences: what happened as a result of the episode ? Did you change permanently
some aspect of the situation, or yourself ? Did things stay more or less the same, other
than your awareness being raised ? Did you wish it had never happened ? Was it
worthwhile ? Did you gain any self-knowledge as a result ?
Implications: from your autobiographical experiences of critical thinking, what would

you recommend to teachers of critical thinking as advice on how they might encourage
this process ? If you were asked to set up a critical thinking program for your colleagues,
trainees or students, how would your autobiographical experiences affect what you
planned ?
-------------------------------------------------
76
Assignment Option (2) Developing a Critical Thinking Program
This assignment asks you to develop a program to help people learn to think critically in
a setting of your choice. This setting can be real or imagined, formal or informal, long or
short, large or small. The program can be something as specific as one particular class
meeting or workshop, or as broad as a national curriculum initiative. It can take place in
any format - independent study, group instruction, via the internet, through distance
education, and so on. It can be in a formal educational setting (school, college etc.), a
formal non-educational setting (prison, government agency etc.), an informal educational
setting (e.g., a living room, self-help support or study group) or an informal non-
educational setting (e.g. a social action movement).
Develop a program plan designed to help people think more critically. The plan should
include the following:
1. A description of the clientele for this program - the participants' backgrounds,

expectations and learning styles.
2. A statement of the purposes, aims or objectives for the program.
3. A description of the philosophical rationale for practice underpinning your
development and organization of the program - the organizing ideas about critical
thinking that inform how the program works.
4. A description of the needs assessment procedures you will use.
5. A mission statement for the program
6. A description of the pedagogic approaches, curriculum development, teaching
materials and formats for evaluating participants' learning you will use in the program.
7. A description of the evaluative criteria, indicators and formats you will use to judge
the effectiveness and success of the program.
Assignment Option (3) Critical Conversation

If you participated in a small group critical conversation exercise during the workshop
(storyteller, detectives, umpires) write up the experience. Please describe briefly the
story you told or heard. Then, write down any new assumptions that were uncovered,
any old assumptions that were challenged, any new strategies for checking out
assumptions that were suggested, any existing assumptions that were reinforced and
reaffirmed by the conversation, and any new perspectives or interpretations of the
problem that arose. Finally, summarize how it felt to play the role you played
(storyteller, detective or umpire).
Assignment Option (4) Writing Up Reflections on the Workshop

This assignment asks you to write up your reflections on the themes, activities & ideas
covered in the workshop – power, hegemony, resistance, survival advice memo, ideology
critique, traditions of critical thinking, heroes/heroines & villains/villainesses etc. If
you’re also taking the Critical Theory and Adult Learning workshop you can combine
77
this paper with the paper for that course & write one summary reflection paper combining
insights on the two workshops.
Assignment Option (5) Materials Development

Take any of the exercises described in the book and develop a set of instructions that you
could use in your own practice. For example, you could take the Scenario Analysis
exercise, or the Exemplars and Flaws exercise, and write a Scenario Analysis or an
Exemplars and Flaws exercise that you will use in your classroom. Say how you will use
the exercise, what you hope to achieve by using it, and why you have designed it the way
you have.
Assignment Option (6) Independently Arranged Assignment

If none of the 4 assignments above fits your interests, then feel free to propose an
alternative. Please write down the details of this proposed alternative assignment giving
the following information: (i) a statement of the purpose/goals/objectives of your project,
(ii) a description of the methods and activities you will use to carry it out, (iii) a
specification of the chief resources (books, people, web-based resources, CD-roms, other
materials) you will use, (iv) some evaluative criteria you will use to judge how well you
have carried out the project, and (v) a timeline for the completion of the project.
Please note that when you hand in your project you must also hand in a self-evaluation of
its worth, using the criteria you specified in (iv) above.
HOW TO GET YOUR ASSIGNMENTS TO ME
1. E-Mail: Send it to [email protected] no later than 4/30/12 (microsoft word

attachment). Do NOT send it to any Columbia e-mail address you have for me. Let
me know if you need to know I received it.
2. Snail Mail: Send it postmarked no later than 4/30/12 to:-
Brookfield Limited, 695 Lincoln Avenue, St. Paul, Minnesota 55105-3534

Do not send it UPS, FedEx, Registered, certified or anything else. Please just use the
ordinary post.
PASS/FAILGRADE UNLESS A LETTER GRADE IS REQUESTED (FILL OUT

THE ORANGE FORM FOR THE REGISTRAR FOR A LETTER GRADE)
3. What Happens When I Receive Your Paper: I will read it to make sure it meets the
standards for graduate work at TC and then enter the pass grade. If there is any problem I
will contact you immediately so you may do any revisions necessary.
If you want me to acknowledge receipt of your paper let me know.
If you would like written feedback on your paper then send it to me by snail mail,
along with a self-addressed envelope.
78

Developing Critical Thinkers PDF

Uploaded by

Copyright:

Available Formats

Developing Critical Thinkers PDF

Uploaded by

Document Information

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Developing Critical Thinkers PDF

Uploaded by

Copyright:

Available Formats

DEVELOPING CRITICAL THINKERS

Teachers College, April 20th & 21st, 2012

CRITICAL THINKING PROCESS

CRITICAL THINKING METHODS

CRITICAL THINKING IN CONVERSATION

Home page: www.stephenbrookfield.com E-mail: [email protected]

In the afternoon we will continue our experimentation with different approaches to

THROUGHOUT THIS TWO DAYS WE WILL MIX DIFFERENT ACTIVITIES -

ASSESS GROUNDS – EVIDENCE,

TAKE INFORMED ACTION /

PRAISING WORK WELL DONE

PRAISE ISN'T RECOGNIZED

PRAISE IS TOO FULLSOME

PRAISE IS NOT PASSED

FROM A CRITICAL THEORY PERSPECTIVE

USING REASON & ANALYSIS TO:-

CHALLENGE DOMINANT IDEOLOGY

RECOGNIZE & COUNTER HEGEMONY

FROM A PSYCHOANALYTIC &

UNDERSTAND HOW BEHAVIORS AND EMOTIONS ASSIMILATED

FROM AN ANALYTIC PHILOSOPHY

USING REASON AND ANALYSIS TO …

UNDERSTAND HOW ARGUMENTS ARE CONSTRUCTED

LEARN TO RECOGNIZE LOGICAL FALLACIES

SEPARATE BIAS & OPINION FROM FACT BASED ARGUMENT

IDENTIFY DIFFERENT FORMS OF REASONING – INDUCTIVE,

FROM A PRAGMATIST PERSPECTIVE …

CONSTANTLY REVIEW PRACTICE SITUATIONS TO RESEARCH &

CONSISTENTLY EXPERIMENT WITH DIFFERENT RESPONSES TO

FROM A NATURAL SCIENCE PERSPECTIVE

APPLY THE PRINCIPLE OF FALSIFIABILITY - FOR SOMETHING TO

KNOWLEDGE IS TRUSTED WHEN BASED IN A CAREFUL

Gendered Knowing &

Eurocentric Intellectual Heritage

The Means-Ends Contradiction

Classroom Critical Thought =

Linearity & Rationality Privileged

Radical Pessimism & the Death of the

Ethical Coercion & Justified Manipulation

SAME AS PROBLEM SOLVING

CHANGE (THROWING OUT THE

After Initial Assimilation

When Skills / Knowledge Have to Be Applied in

When Fit/Suitability Needs to Be Addressed

When Independent Judgment is Needed

When Power & Hegemony Are a Focus of Study

When Alternative Interpretations & Perspectives

When Actions & Decisions Need to Be

When Rapid Judgments Are Called For

Incremental – learn basic protocol & then

Responding to a Disorienting Dilemma

So, in summary, critical thinking involves three inter-related phases:-

Real Life Sites

CRISIS DECISION SIMULATIONS

PERSONAL REFLECTION EXERCISE

SURVIVAL ADVICE MEMO

GOOD PRACTICES AUDIT

Crisis Decision Simulations – in small groups learners discuss how to

Critical Debate – learners are asked to volunteer to join a team