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    Sonata K. 322 (L. 483) - D.Scarlatti (Arr John Williams)

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    Paulo
    This document is a transcription of Domenico Scarlatti's Sonata K. 322 in D minor. The sonata is in a fast Allegro tempo and has a lively, energetic feel throughout. It follows a typical simple ternary form with two primary themes that are presented before a contrasting middle section and return of the opening material. The piece utilizes primarily scalar and arpeggiated figures along with some brief sequences and passages of imitation between the hands.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Sonata K. 322 (L. 483) - D.Scarlatti (Arr John Williams)

    Uploaded by

    Paulo
    1K views2 pages
    This document is a transcription of Domenico Scarlatti's Sonata K. 322 in D minor. The sonata is in a fast Allegro tempo and has a lively, energetic feel throughout. It follows a typical simple ternary form with two primary themes that are presented before a contrasting middle section and return of the opening material. The piece utilizes primarily scalar and arpeggiated figures along with some brief sequences and passages of imitation between the hands.

    Original Description:

    Classical Guitar

    Original Title

    Sonata K. 322 (L. 483) - D.Scarlatti [arr John Williams]

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    © © All Rights Reserved

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    This document is a transcription of Domenico Scarlatti's Sonata K. 322 in D minor. The sonata is in a fast Allegro tempo and has a lively, energetic feel throughout. It follows a typical simple ternary form with two primary themes that are presented before a contrasting middle section and return of the opening material. The piece utilizes primarily scalar and arpeggiated figures along with some brief sequences and passages of imitation between the hands.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    1K views2 pages

    Sonata K. 322 (L. 483) - D.Scarlatti (Arr John Williams)

    Uploaded by

    Paulo
    This document is a transcription of Domenico Scarlatti's Sonata K. 322 in D minor. The sonata is in a fast Allegro tempo and has a lively, energetic feel throughout. It follows a typical simple ternary form with two primary themes that are presented before a contrasting middle section and return of the opening material. The piece utilizes primarily scalar and arpeggiated figures along with some brief sequences and passages of imitation between the hands.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 2

    Sonata

    K. 322 (L. 483)


    Domenico Scarlatti

         
    2   
     = 220 Transcr. based on J. Williams perf. Toronto 1987

         
        
    Allegro ½ II

      
     
    4 4 1 4
    0 4 2 2 4
    2 0 1


    1

              
    2


            4 
     
     
    5

          
    4
    1
    4 2 4 2 2 4 2 4
    1 0 1 0 1
    3 1

            
    2 1

        
    3 1

           
    2 
        
        
    10 2


    3
    4 4 4 2

     
    1 2
    2 2 0 3
    3 3 0 2 1 2 1

            
    2

        
    1 1

     
    1 1
    5 2


    5

           
     
    15

       
    2
    4
    0
    0 0 0 1 1
    1 2 1

                        
    4 3

        
    3 0

        
    VII

      
    19 2


    4 4 1
    3 4 4 3 2
    1 3 1 3
    1 2
    3 3

                    
    2


         
    2

     
    4 1



      
    2 1
    23 2


    4

    
    2 1 2
    3 1 0 0 4 4 1 3
    1


              
    3

       
    1

             
    4
    VII

         
    27 1


    2
    3 2 3
    3 2

    
    1

           
    1 3

      
               
    31

      
    4 2
    1
    0 3 3 1
    3 3
    2 2 1

           
    0

               
     1 
    1 1

           
    VII


    2


    35

        
    4
    3 2 3 3 4 4 3
    3 0 1 0
    3 1 3 1 1 3
    4

           
    2


    2

                
    II

         
    39 ½ II

      
    0
    0 3
    1 2 2 1 3
    4 4 2 2 4 2
    2 1 1
         
                     
    
    II

         
    43 212

    o 
    4 4
    0 2 4 0
    1 4 4 1

       
    2 1 1

      
    2

           
              
    IX VII 4/6 VII

      
    48
    3
    4
    3
    0 3 3 3
    1

             
    0

               
    2


    6

     
           
    52 2
    2 1 4 4 4 4
    3 3 1
    0 0 0 0 0 2

                          
    3
    u

        
    II

        
    56

     
    4 0
    1
    1 1 2 3 1
    0 1 1 0 2
    3 3

    
    1

         
    3


                     
      
    60


    1 4
    1 2 2
    3
    3

                    
            
    3


    64 4

     
    1 0
    1 4 2 1
    2 1 4 4 2
    1 4 3

       
    3 0 3

       
    5

              
        
    III

      
    68 2
    4
    3 1
    4 0 0 1
    1 3 2

     
    2

             
    1 1 3


    6

              

    II

         
    72 3


    4 4
    1 4


    1 1 2 1 2
    1 0 1 4 0
    2 3 2
    2

      
    3

     
    5


    3     


          
      
    2 2
    76

     
    1


    4 1 2
    1 4
    1 2


    2 2 1 2
    1

                      
          
    II 3131

     
    212


    79

       
    4
    2 0 2
    1 2
    2 2 1
    1
    3

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