The Big Book of Power Chords PDF

TH E BIG BO O K O F PO WER CH OR D S
About the Author
Kenny Mann is the author of books such as “Lead Guitar In 30

Minutes”, “The Magic Of Drop D”, and has been the webmaster of
Guitar Alliance since 2001. He currently lives in Arkansas, with his
wife Billie Jean, and their three children, Arthur, Amy, and Austin.
THE BIG
BOOK OF
POWER
CHORDS
KENNY MANN
Published
by
Guitar Alliance Inc.
Publisher:
Guitar Alliance Inc.
325 W Mill
Malvern
AR 72104
USA
Web Site: www.guitaralliance.com

E-Mail: [email protected]
Copyright © 2013
All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval
system or transmitted in any form by any means without prior permission of the
copyright owner.
Enquires Should be Made to the Publisher.
Every effort has been made to ensure that this book is free from error or omissions.
However, the Publisher, the Author, the Editor or their respective employees or agents,
shall not accept responsibility for injury, loss or damage occasioned to any person acting
or refraining from action as a result of material in this book whether or not such injury,
loss or damage is in any way due to any negligent act or omission, breach of duty or
default on the part of the Publisher, the Author, the Editor or their respective employees
or agents.
Author: Kenny Mann
Title: The Big Book Of Power Chords
Editor: Eugene Rawks

Cover Design: © 2013
Page Design: © 2013
P R E FA C E
I got a few funny faces when I announced that I was writ-

ing a book about power chords.
Who can really blame them? There's only so much that
you can say about power chords, right?
I beg to differ.
Power chords are synonymous with the guitar. Usually
people think about someone on an electric guitar, with nice
fat distortion, chugging away on power chords.
There are undoubtedly hundreds of classic guitar riffs
that use power chords as their primary tool, but they are not
limited to just the electric guitar, as typical acoustic guitarist
finds them helpful tools as well.
Plus, the name 'Power Chord' is a cool name. This is not
just some regular old chord. No, it's a Power Chord!
Think back to the picture of the power chord rocker we
visualised a moment ago. Don't you think he or she feels em-
powered by these, so-called Power Chords?
They are powerful sounding and empowering at the
same time. Power Chords! What's not to like about them?
So, yes. I can write a whole book on simple power
chords.
I will show you the theory behind them. I will also tell
you about the bigger picture that power chords belong to.
I will show you how power chords are an integral part of
the guitar and popular music as a whole.
I will also introduce plenty of evidence to you about the
merits of power chords. I'm talking about decade after decade
of great guitar riffs that are wholly comprised of power
chords. These are some of the greatest guitar riffs ever and
they are played with power chords!
v
Once I'm done here, there will be no doubters out there.
You will come to fully appreciate the power chord and have a
firm grasp of it's use, not only for yourself, but for music in
general. It will be a truly enlightening moment for you.
On the other hand, they are only power chords. This
meaning that they do have their limitations. I can't tell you
how many players I've seen who could play power chords fine,
but couldn't play an open chord or a barre chord to save their
life, and not to mention, having no clue as to what they were
playing. This will not be YOU, because you are lucky enough
to have this book in your hands. I hope you enjoy it!
1
L E T ' S P L AY A
POWER CHORD
EASY DOES IT
There are a few different ways to play a power chord, and we'll
cover them all, but for now we're going to concentrate on just one.
All power chords are easy to learn and play, but the first one I'll
show you is delightfully easy, because we only need one finger to play
it.
THE E POWER CHORD
Illustration 1: E5
Power Chord
THE BIG BOOK OF POWER CHORDS
To play E power chord, you'll play the low E string open (the
sixth string-closest to the ceiling) and play the 2nd frets of the A and D
strings with your 1st finger (pointer). You'll strum all 3 strings at the
same time (while being careful not to play the other 3 strings: G, B,
and high E). Pretty simple, right?
If you can't read the fancy diagram in illustration 1, then I sug-

gest you hit the Guitar Alliance website, and check out this tutorial:
“How To Read A Chord Diagram”
An alternate way of presenting the E power chords is with tabla-

ture as in illustration 2.
Illustration 2: E power chord

in tab
Don't know how to read tablature? No worries! We've got that

covered, too. Just visit Guitar Alliance at the link below to learn this
needed skill. It only takes a couple of minutes to get the hang of it:
“How To Read Tablature”
| Let's Play A Power Chord

Do you have the chord down, yet? Great! Now, lock yourself in
your room, plug your guitar into your favourite amp, and turn it up.
When you're all set, hit the E power chord, and feel the power!
All should go well as long as you only play the bottom three
strings, your finger is on the right fret, and you're firming holding
down those two notes on the A and D string.
FOR THOSE ABOUT TO ROCK...
Ok, so we have our first power chord down. Now what? Well,
were going to embark on a journey that will turn this into the first
step of many. The next step is learning about the who, what, why of
the power chord. What is it made of? It's certainly not made of
cheese. We'll discover the theory behind power chords and find the
pieces the combine to create them.
Then we'll learn about the many different ways to play power
chords, how they relate to other chords, how we can use them in our
own music, and finally how they have been used for the past 40 years
in popular music.
All will this will result of the first step you made in this first
chapter, but we're getting ahead of ourselves. Soon, you will be rock-
ing out to your own power chords, but you've got to learn how to walk
before you can run.
With that in mind let's now proceed to chapter 2 where we'll

learn that power chords aren't really chords at all...
| Let's Play A Power Chord

2
THE POWER
CHORD RECIPE
POWER CHORDS ARE AN IMPOSTOR
Power chords have a big secret that has been hidden from the
world. It's something that is never talked about or even mentioned.
Do you want to know what the big secret is?
Power chords are not real chords.
There, I said it.
I'm sure you're a little confused at this point, because all I've
been talking about throughout this book is “power chord this, power
chord that”. The key word being 'chord'. So, why am I now telling
you that it's not a real chord?
At this point you may ask “Is it, or is it not a chord?”. I know I'm
sending you mixed signals. Let's just get to the bottom of it. To do this
we'll get a little technical and dive into some theory.
G ETTI N G TECH N I CAL .. .
In music, a chord is the simultaneous sounding of three or more

different notes at one time. Whereas the power chord is constructed
of only two different notes.
An interval is the sounding of only two notes at one time, so

power chords, in theory, are intervals and not chords.
The plot thickens, because if you look deeper you'll discover that
power chords are really a fragment of a chord. Do you remember the
E power chord that we learned in chapter 1? It was the E power
chord and if you look closely you'll see how it is only a fragment of the
open E chord.
MEET BIG BROTHER
Illustration 3: The
open E chord.
We strum all six strings when we are playing a full open E chord
as in illustration 3. We are playing six notes since there are six
strings, but there are only three different notes: E, B, and G#. The
other three notes are duplicates. They are the same notes played at a
different pitch.
| The Power Chord Recipe

To be precise, we are playing three E notes, two B notes, and one
G# note. The E notes appear on the low E string (sixth string), high E
(1st string, closer to floor), and the 2 nd fret of the D string. The B notes
can be found on the 2nd fret of the A string (5th string) and the open B
string (2nd string). The lonely G# is found on the 1 st fret of the G string
(3rd string).
FORMING CHORDS WITH THE MAJOR

SCALE
As stated previously, chords are three or more notes. The basic

chord is three notes and is called a triad. We can use intervals of the
major scale to create these chords.
Illustration 4: The C major scale.
The major scale has seven different notes. In Illustration 4 we

see the C major scale. The first note in the scale is called the root note
or the 1st. In this case it's C, then comes the notes D, E, F, G, A, B,
and then we begin all over again on C. We can number each sub-
sequent note 2-7. When I, or someone else, asks you for the 3 rd you'll
know it's the 3rd step in the major scale.

Scales are always named after their root note, so to play a D ma-
jor scale we would start on D. We can then construct the rest of the
scale by applying a simple formula.
Illustration 5: The Formula for the major scale.
In Illustration 5 you'll see a table with two rows of twelve blocks.

The twelve blocks on the bottom represent the 12 notes in music. The
blocks on top show the formula for constructing the major scale. We
can do this with whole step and half step intervals.
To put this into guitar terms, a half step interval is the distance
between two frets. For example, the note on the 3 rd fret of the A string
is a half step away from the note on the 2 nd fret and a half step away
from the note on the 4th of the A string.
If we apply logic we'll understand that two halves make a whole,

so a whole step interval will be the distance of two half steps. The
same note on the 3rd fret of the A string would be a whole step away
from the notes on the 1st fret and a whole step away from the note 5 th
fret of the A string.
We know that the first note is the root note. We can make a root
of any of the twelve different notes in music- therefore we have twelve
possible major scales. To get the other 6 notes we apply the formula
found in illustration 5. Whole step is represented by 'WS' and half
step is represented by 'HS'. The formula goes as such: WS, WS, HS,
WS, WS, WS, HS.

THE POWER CHORD FORMULA
To create a major chord we would take the 1 st, 3rd, and 5th scale
steps. To create a power chord we only take 1 st and 5th scale steps. It's
omission of the 3rd scale step that lends the ambiguity to power
chords, because it's the 3rd scale step that determines if the chord is
major or minor. It's almost like it's the Y chromosome that determ-
ines the sex of a baby. What would that make power chords?
P R O P E R I D E N T I F I C AT I O N
Illustration 6: E5 is
the proper
identification
We add the number 5 to power chords, because it has a 5 th inter-

val and the root note. For example, we would label the E power chord
'E5'. The full E chord would be denoted by just 'E'.
You can substitute E and Em with E5. In fact you can use it as a
substitute for almost any type of E chord. It's the same with any
chord. You can substitute C chords with C5, G chords with G5, and so
on.

You'll start running into problems when you deal with chords
that have an altered 5th such as 7b5 chords. That's pretty advanced
stuff, so we'll save it for another day. A chord with an altered 5 th is al-
ways labelled in the chord name. These types of chords are not very
common, so almost all the chords that you'll run into can be substi-
tuted with a power chord.
CHAPTER RESOURCES
Learn how to play the C major scale on guitar in the lesson

linked below:
“The Major Scale”
Learn more about the twelve notes in music:
“The Twelve Notes In Western Music”

3
P L AY I N G P O W E R
CHORDS
6TH STRING ROOT
We already know the power chord with the 6 th string root. It was
the E5:
Illustration 7: The
6th string root
power chord.
5TH STRING ROOT POWER CHORD
The A5 is very similar to the E5. The A5 is the power chord with
the 5th string root. The only difference is the strings being used.
Illustration 8: The
5th string root
power chord.
Let's take a look at illustration 8. Obviously the note on the open

string is A. If we skip a string and look at the G string (3 rd string)
we'll find another A note (an octave higher). The note on the 2 nd fret
of the D string is E.
MOVING POWER CHORDS
This is where the fun begins! We are going to move the E5 and
A5 forms up the fretboard to create new power chords.
Do you remember that the root determines the name of the

power chord? Good, that's all you need to know.
Now, picture the E5 in your mind. What would happen if you

shifted everything up a half step (1 fret)? The open E would become
| Playing Power Chords

the 1st fret. The notes on the 2 nd frets of the A and D would fall on the
3rd frets respectively. Can you picture it in your mind?
Hopefully you can imagine it and it would look like what you'll
see in illustration 9.
Illustration 9: Did you

picture this?
Each note's relation to the other notes has stayed the same. The
entire pattern has just moved up a half step. The E5 chord shape has
magically become F5.
It's not really magic. If we just think back to what we have

learned we'll realise the the root note now falls on the 1 st fret of the E
string. This happens to be an F note, and we know the chord will be
named after the root, so we know it's F5.
Take a look at illustration 10 to help you visualise it .

Illustration 10: The F5

power chord.
The 'R' marks the root. The 1st fret of the E string is F, so...
What happens if you moved the pattern up a whole step from

there? The root would fall on the 3rd fret and therefore create a G 5
chord as seen in illustration 11.

Illustration 11: The G5
power chord.
Again, the root is marked with an 'R'. That's a G which makes the
chord form a G5.
I'm sure you can see where knowing the names of the notes on
the guitar's fretboard could come in handy at this point. You're 100%
right, but if you don't know their names yet, don't panic.

I've created a helpful table for you that will help you along until
you can do it on your own. You'll find it below in illustration 12. The
numbers in the row at the top signify the frets on the low E string.
Fret 1 is marked with '1', fret 2 is marked by a '2', and so on. In the
row at the bottom is the name of the note found on that particular
fret.
Illustration 12: The names of the notes on the E string.
If we take our E5 pattern and play it on

the 5th fret what do we get? According to the
table the 5th fret is A, so it would be an A5.
What about the 7th fret? Well, that's B5. 4th
fret? That's a G#5.

MOVING THE 5TH STRING ROOT
Remember our A5? We can move it around to create new chords

just as we did with the E5. Picture the A5 in your mind and then ima-
gine all the notes of the E5 sliding up a half step. What you'll get can
be found in illustration 13.
Illustration 13: A#5
It has become A#5 (the same as Bb5).
You can use the table in illustration 14 to help you identify the
notes on the A string just as we did with the E string.
Illustration 14: The notes on the A string.
Memorisation of the notes on the E and A strings are mandatory

if you really want to be able to get around.

It comes in handy to know both 6 th string and 5th string root

forms. Imagine having to play an F5 and then playing a B5. On the E
string you would have to jump from the 1 st fret all the way up to the 7 th
fret. That's a huge jump and you could miss the change. To make
things easier for yourself, and improve your chance of a good per-
formance, you could just use the B on the 2 nd fret of the A string to
create your B5. Going from the 1st fret of the E string to the 2nd fret of
the A string is as easy as it gets.
CHAPTER RESOURCES
It's time to see if things are beginning to gel. Take the knowledge
you've gained here, so far, and visit Guitar Alliance at the link below
to try some exercises.
“Power Chord Exercises”

4
THE BARRE
CHORD
CONNECTION
POWER CHORDS ARE FRAGMENTS
We learned in chapter 2 that power chords are but fragments of

a larger chord shape. E5 was a fragment of the open E chord and A5
is a fragment of the open A chord.
What happens when we move our power chord shapes up the

fretboard?
They become fragments of barre chords.
A barre chord follows the same logic we used when we visualised

moving our power chord patterns up the fretboard. Imagine taking
that entire open E chord shape and moving it up one fret. It would
look something like illustration 14.
Illustration 15:
Creating a barre
chord.
A barre chord is where we take a basic chord pattern and "move" it

up the neck of the guitar to create different chords.
Let's take another look.

The open E chord looks some-
thing like this...
Illustration 16: Open E chord.

| The Barre Chord Connection
To move the chord pattern up the neck, we create a barre with our
1st finger. This barre, in a way, replaces the nut of your guitar. The
notes that were played open to produce the E chord will now be
fingered with the barre that you create with your 1st finger.
If we were to move the entire pattern up one fret it would look like
this:
Illustration 17: F barre chord.
It's the same pattern, but now that we have moved the pat-
tern up one fret, it's no longer an E chord. Now it's an F chord.

The reason we know that it's an F chord is because of the root

note. The root note of the chord will be the lowest note.
In the E chord, the root note was the low E string played open.
Now that we have moved the chord shape up one fret the note on
the first fret of the low E string is now the root note. That note is
an F. Therefore we know we're dealing with an F chord.
What if we moved it up to the 5 th fret as in the illustration be-

low?
That would be an A!

CHAPTER RESOURCES
Here's a helpful video dealing with barre chords:
“What Are Barre Chords?”

5
M A N Y W AY S T O
P L AY P O W E R
CHORDS
A VA R I E T Y O F O P T I O N S
There are many more ways to play power chords and we'll cover
them all in this chapter. They say variety is the spice of life, so it pays
to know the many options available to you.
You never know when you might need a rare power chord form.
Plus, knowing all the positions of the power chords leads to a deeper
understanding of the guitar and music in general.
It's true that you'll use the 6 th and 5th string root power chords
most of the time. In most cases they are all you'll ever need, but it
doesn't hurt to know all your options for the times when they don't
work.
6TH STRING ROOT

In illustration 18 you'll see all the power chords that use the E
string as it's root tabbed out. You can keep going above the 12 th fret if
you wish. Everything begins anew on the 12th fret, so the 12th fret be-
gins on E again.
Illustration 18: E string power chords.
Illustration 19: Notes on the E string.
Once again, you can use the table above to find your
notes. It's key to your success that you can name the chords-
note just play them.
| Many Ways To Play Power Chords

A STRING ROOT
In illustration 19 you'll see all the power chords with a 5 th string

root tabbed out.
Illustration 20: A string power chords.
Illustration 21: A string notes.
Use the table above to find your notes if needed.
I'm sure that you're well aware that we've covered all of this
already, but the next part is new. I just wanted to recap a little before
we head into new territory.
Can you guess what comes next? We've got our 6 th string root
and 5th string root. Do you suppose that we can translate this and cre-
ate a 4th string root?
Yep, it's true. We can create a 4 th string root power chord, but it
looks a little different!

4TH STRING ROOT
Ok, here it is. The 4th string root power chord. The 4 th string is
the D string, so it's a D5:
Illustration 22: D5
It's got one major change in how we play it in that the octave of
the D note is one step higher on the B string than we are used to.
Here are the power chords found on the D string:
Illustration 23: 4th string root power chords.
Here's a table of the notes on the D string:
Illustration 24: D string notes.

3RD STRING ROOT
We can also create a power chord with the 3 rd string as the root.
It's the G string, so the first power chord that we make is G5:
Illustration 25: G5
Here the tab of the power chords that you can play with the 3 rd
string root:
Illustration 26: 3rd string root.
I suppose you'll want a table to show you the names of the notes
on the G string, so here it is:
Illustration 27: Notes on the G string.

6
SLASH CHORDS
A slash chord or slashed chord is a chord whose bass note or in-

version is indicated by the addition of a slash and the letter of the
bass after the root note letter. It does not indicate "or".
For example, C5/G. That's C5 slash G. This would indicate that

we would alter a C5 chord by adding a G note as the lowest note as in
the illustration below.
Illustration 28: Power chord inversion.
The trick is that only the 5 th will be inverted when dealing with
power chords. There's no other possible inversion available, because
we are dealing with just two different notes: the 1st and the 5th.
Power chord inversions are very common, so it's a good idea to

get familiar with them. You'll notice that the same patterns pop up
time and time again.
| Slash Chords
| Slash Chords
7
TESTING YOUR
KNOWLEDGE
TESTING, TESTING, T ESTING...
We've covered a lot of ground, so let's take some time to test our
new knowledge. Look at the diagrams on the following pages and de-
termine what the name of the power chord by looking at it.
#1
Illustration 29: What is the

name of this power chord?
| Testing Your Knowledge

#2


#3


#4


#5


#6
Illustration 34: What is

the name of this power
chord.

#7
Illustration 35: What

power chord is this?

#8

chord?

#9

chord?

CHECK YOUR ANSWERS
I'd hate to give you a test and not give you a way to check your
answers, so feel free to skip to the back of the book to check your an-
swers.

8
POWER CHORDS
IN ACTION
T H E I N F LU E N C E O F P O W E R C H O R D S
I hope you won't be surprised when I tell you that there are a ton
of classic songs that use power chords as one of the primary creative
tools. They can be found in virtually all types of music.
Rock and metal music use them most of all. The main reason for
this is that the power chord allows for a lot of distortion. It doesn't
lose it's impact with the distortion added, whereas a full chord with
the 3rd may be too dissonant with a lot of distortion. The easy chord
form also allows for quick chord changes.
In this chapter we'll look at some of the best power chord riffs of
all time.
ROCK YOU LIKE A HURRICANE
The band 'The Scorpions' hit it big in the 80's with this mega hit.
The primary riff of the song is nothing but power chords.
The riff features quick chord changes and the use of power
chords make this easy to do.
Illustration 38: “Rock You Like A Hurricane” by The

Scorpions
EYE OF THE TIGER
Illustration 39: "Eye Of The Tiger" by Survivor
| Power Chords In Action

“ D O G E AT D O G ” BY ACDC
This one combines power chords with open strings.
Illustration 40: "Dog Eat Dog" by ACDC
“MAMA KIN” BY AEROSMITH
Yep, Aerosmith uses power chords a lot.
Illustration 41: "Mama Kin" by Aerosmith

“IRON MAN” BY B L A C K S A B B AT H
This is an awesome power chord based riff. It uses a lot of slides

which is a great trick to add to your arsenal.
Illustration 42: "Iron Man" by Black Sabbath
“MORE THAN A FEELING” BY BOSTON
Illustration 43: "More Than A Feeling" by Boston

“COCAINE” BY ERIC CLAPTON
Much of the rhythm guitar parts to “Cocaine” are handled with

power chords.
Illustration 44: "Cocaine" by Eric Clapton
“ O W N E R O F A L O N E LY H E A R ” BY YES
Even progressive rocker like Yes find ways to utilise power

chords.
Illustration 45: "Owner Of A Lonely Heart" by Yes.

“SMELLS LIKE TEEN SPIRIT” BY

N I R VA N A
You'll find power chords from progressive rock to grunge.
Illustration 46: "Smells Like Teen Spirit" by Nirvana
“BLITZKRIEG BOP” BY THE RAMONES
Punk music doesn't want to be left out of the scene.
Illustration 47: "Blitzkrieg Bop" by The Ramones

“ J E S S I E ' S G I R L” BY RICK SPRINGFIELD
Even soap opera actors turned musicians can't help playing

those power chords.
Illustration 48: "Jesse's Girl" by Rick Springfield
“HIT ME WITH YOUR BEST SHOT” BY

P AT B E N ATA R
Illustration 49: "Hit Me With Your Best Shot” by Pat

Benatar
This is a very recognisable riff built on power chords.
“A L L T H E S M A L L T H I N G S ” BY BLINK
182
Illustration 50: “All The Small Things” by Blink 182
“ B E S T F R I E N D ' S G I R L” BY THE CARS
Illustration 51: "Best Friend's Girl" by The Cars

9
STRUMMING
SONGS WITH
POWER CHORDS
You can strum through virtually any popular song using nothing
but power chords. It's a bit of a cheat for most song because it will
turn out to be a “dumbed down” version of the song, but there's no
better way to get started when you're a beginner.
We learned earlier that we can substitute a power chord for any

other chord. This comes in handy when you don't know many chords.
In this chapter we'll take strumming versions of popular songs

and learn how to play them using only power chords.
“ B R O W N E Y E D G I R L” BY VA N M O R R I S O N
Take the song “Brown Eyed Girl” by Van Morrison. It has G, C,

and D chords. You can substitute with G5, C5, and D5. When we hit
the chorus we'll find an Em chord. Don't panic, just substitute with
E5.
| Strumming Songs With Power Chords

“SIMPLE MAN” BY LY N Y R D S K Y N Y R D
In the song “Simple Man” we are dealing with C, G, Am, and

Am7. We can substitute with power chords using C5, G5, A5, and A5
again.

“ H A L L E LU J A H ” BY JEFF BUCKLEY
This one has a lot of chords. We have C, Am, F, G, and Em. We

can substitute with power chords using C5, A5, F, G, and E5.

A P P L I E S T O V I R T U A L LY A L L S O N G S
Substituting power chords is a great way to get started. You can

use the methods we've discussed to play the songs you want.
This comes with a strong warning:
See a lot of players get caught in the power chord trap. They
learn how to play power chords but fail to learn the real chords. This
is a major mistake!
Just because you can play a C power chord does not mean you
know a C chord. As we said before, they aren't really chords anyway.
Learning the full chords is a very important step. It doesn't mat-

ter what style of music you play in, you shouldn't avoid learning the
real chords.
Power chords allow you to get a running start to the world of

music, but if you don't keep learning, they will become a crutch.

9
POWER CHORD
RESOURCES
I hope you enjoyed this book and found it informative. I will

periodically update the book. You can download the latest version at
any time at the link below:
http://guitaralliance.com/big-book-of-power-chords
You'll also find helpful videos that deal with power chords, re-
lated topics, or just something that comes in handy.
This concludes the big book on little ole power chords.
Until next time, keep on learning!
Sincerely,
Kenny Mann
| Power Chord Resources

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What is the book about?

What is the book about?

What are some examples of songs that can be played using only power chords?

What are some examples of songs that can be played using only power chords?

TH E BIG BO O K O F PO WER CH OR D S

About the Author

Kenny Mann is the author of books such as “Lead Guitar In 30

Web Site: www.guitaralliance.com

Author: Kenny Mann

Title: The Big Book Of Power Chords

Editor: Eugene Rawks

I got a few funny faces when I announced that I was writ-

THE E POWER CHORD

If you can't read the fancy diagram in illustration 1, then I sug-

“How To Read A Chord Diagram”

An alternate way of presenting the E power chords is with tabla-

Illustration 2: E power chord

Don't know how to read tablature? No worries! We've got that

“How To Read Tablature”

| Let's Play A Power Chord

FOR THOSE ABOUT TO ROCK...

With that in mind let's now proceed to chapter 2 where we'll

| Let's Play A Power Chord

POWER CHORDS ARE AN IMPOSTOR

Power chords are not real chords.

There, I said it.

G ETTI N G TECH N I CAL .. .

In music, a chord is the simultaneous sounding of three or more

An interval is the sounding of only two notes at one time, so

MEET BIG BROTHER

| The Power Chord Recipe

FORMING CHORDS WITH THE MAJOR

As stated previously, chords are three or more notes. The basic

Illustration 4: The C major scale.

The major scale has seven different notes. In Illustration 4 we

| The Power Chord Recipe

Illustration 5: The Formula for the major scale.

In Illustration 5 you'll see a table with two rows of twelve blocks.

If we apply logic we'll understand that two halves make a whole,

| The Power Chord Recipe

We add the number 5 to power chords, because it has a 5 th inter-

| The Power Chord Recipe

Learn how to play the C major scale on guitar in the lesson

“The Major Scale”

Learn more about the twelve notes in music:

“The Twelve Notes In Western Music”

| The Power Chord Recipe

6TH STRING ROOT

5TH STRING ROOT POWER CHORD

Let's take a look at illustration 8. Obviously the note on the open

MOVING POWER CHORDS

Do you remember that the root determines the name of the

Now, picture the E5 in your mind. What would happen if you

| Playing Power Chords

Illustration 9: Did you

It's not really magic. If we just think back to what we have

Take a look at illustration 10 to help you visualise it .

| Playing Power Chords

Illustration 10: The F5