Music • 127

Music As part of its academic role, the Department of Music is

a centre of cultural activities for the University community
and beyond. The Department offers a full series of concerts by
Canadian and international musicians in Bandeen Hall, and co-
Faculty sponsors a series of organ recitals in St. Mark’s Chapel. Several
Jack Eby, Artists-in-Residence visit the Department each year to present
B.Mus. (Brit. Col.), M.A. (Western), concerts and master classes with Bishop’s music students. A fully-
Ph.D. (King’s College, London); Professor staged musical is normally mounted each Spring semester, in
Chair of the Department
collaboration with the Drama department.
Andrew P. MacDonald,
B.Mus. (Western), M.Mus., D.M.A.
(Michigan); Professor,
Ross Osmun,
Admission
B.Mus. (Windsor), M.Mus. (Eastman), Students seeking admission must satisfy the general requirements
D.M.A. (Eastman); Assistant Professor for admission to the university. In addition, the Music Department
requests that each applicant submit details of previous musical
Program Overview studies and experience. An audition, either live or recorded in
audio-video format, is required. Please contact the Admissions
The Department of Music offers a wide range of courses that
Office for details.
provide a general introduction to the subject or that lead to a B.A.
degree with either an Honours, Major or Minor in Music. Students
also have the option to choose between the disciplines of Classical
or Popular Music Studies. Two popular interdisciplinary programs
Programs
are the B.A. in Arts Administration (Music Concentration) and the Honours in Music (60 credits) HONMUS
B.Ed. (Double Major in Secondary Education and Music). The
Department also welcomes students from across campus to select In addition to the requirements listed below for the Music Major,
from a wide range of courses geared to those with little or no the following courses are required for students pursuing the
background in music. Honours Program, whether in the Classical or Popular Music
Courses leading to the B.A. in Music, following either the Studies stream.
Classical or Popular Music stream, are drawn from four areas of Music Theory or Composition Option:
study: the history and literature of music; theory and composition; MUS 300..................................................................3 credits
lessons on both classical and jazz instruments or voice; and choral Theory/Composition Elective..................................3 credits
or instrumental ensemble. Courses in the history and literature of MUS 435..................................................................6 credits
music include historical surveys, genre studies, and special interest
courses on many topics. Basic theory courses are combined with Music History Option:
theory skills classes (ear-training, sight-singing and keyboard MUS 300..................................................................3 credits
harmony). Advanced courses in composition, harmony, form Music History Elective.............................................3 credits
and analysis, counterpoint and orchestration are also available. MUS 445..................................................................6 credits
Performance study is available in all orchestral, band and Special Project Option:
keyboard instruments, as well as voice. Instruction is provided by MUS 300..................................................................3 credits
professional musicians who live and work in the region. Ensembles Elective related to topic 3 credits
include the University Singers, Chamber Music Ensembles, Jazz MUS 455..................................................................6 credits
Combos and Rock Bands. Numerous performing opportunities
both on and off campus are available as early as the first semester Performance Option:
of study for students. MUS 300..................................................................3 credits
The Department is housed in the gracious, 19th-century Norton MUS 372 & MUS 373.............................................4 credits
Building. In addition to the acoustically superb, 165-seat Bandeen MUS 475..................................................................6 credits
Recital Hall, facilities include studios for teaching and ensemble Students intending to choose the Honours program should declare
rehearsal, classrooms, a theory lab, a small recording studio and their intent in writing by the fourth full-time semester. An Honours
a number of practice rooms all equipped with Yamaha upright thesis or recital proposal must be approved by the Department. An
pianos. The Department also owns a Karl Wilhelm continuo average of at least 70%, calculated on the marks obtained in all
organ, a 2-manual French Baroque harpsichord made by Montreal courses attempted in both the first and second 30-credit program
craftsman Yves Beaupré, two 7-foot Hamburg Steinway pianos years, is required. In performance, a grade of at least 80% is
and a 7-foot American Steinway piano. Students also have access required in MUS 373 to continue in Honours Performance.
to a 2-manual Wilhelm tracker organ in St. Mark’s Chapel. As a
general rule, students should possess their own instruments (with
the exception of piano, double bass, harpsichord and organ.
128 • Bishop’s University 2018/2019

Major in Music—Classical Year 2 Requirements (19 credits)

Any 2 literature courses from the list above............6 credits
(48 credits) MAJMUS MUS 123 or 221........................................................ 1 credit
2 Music Literature Courses......................................6 credits MUS 231..................................................................3 credits
4 Music History Courses........................................12 credits MUS 234..................................................................3 credits
MUS 121, MUS 122 & MUS 221............................3 credits Any 2 Ensemble Courses
MUS 131, MUS 132 & MUS 231............................9 credits (taken from MUS 280 – MUS 289) ...................2 credits
Any 2 from MUS 332, MUS 333, MUS 272 & MUS 273.............................................4 credits
MUS 335, MUS 337............................................6 credits Other Requirements (12 credits)
4 Ensemble Courses.................................................4 credits These remaining music credits may be taken at any time during
MUS 172, MUS 173, MUS 272 & MUS 273..........8 credits the student’s stay at Bishop’s. Majors and Minors may take more
Year 1 Recommended (20 credits) than the required number of music credits.
2 Music Literature or History Courses.....................6 credits
MUS 121 & MUS 122.............................................2 credits Minor in Music—Classical
MUS 131 & MUS 132.............................................6 credits (24 credits) MINMUS
Any 2 Ensemble Courses
MUS 110 & one other Classical literature course....6 credits
(taken from MUS 180 – MUS 189) ...................2 credits
MUS 121................................................................... 1 credit
MUS 172 & MUS 173.............................................4 credits
MUS 130 & MUS 131 or
Year 2 Recommended (19 credits) MUS 131 & MUS 132.............................................6 credits
2 Music History Courses..........................................6 credits Any 2 Ensemble Courses
MUS 221................................................................... 1 credit (taken from MUS 180 – MUS 189) ...................2 credits
MUS 231..................................................................3 credits MUS 172 & MUS 173.............................................4 credits
MUS 332 or MUS 333 or Music Electives........................................................5 credits
MUS 335 or MUS 337.............................................3 credits
Any 2 Ensemble Courses Minor in Popular Music Studies—
(taken from MUS 280 – MUS 289) ...................2 credits
MUS 272 & MUS 273.............................................4 credits
Jazz , Pop/Rock (24 credits) MINMUP
Other Requirements (9 credits) Any 2 from MUS 101, MUS 102, MUS 103, MUS 104,
MUS 109, MUS 115, MUS 116 & MUS 203 or MUS 204
These remaining music credits may be taken at any time during
6 credits
the student’s stay at Bishop’s. Majors and Minors may take more
MUS 121................................................................... 1 credit
than the required number of music credits.
MUS 130 & MUS 131 or
MUS 131 & MUS 132.............................................6 credits
Major in Popular Music Studies— Any 2 Ensemble Courses
Jazz , Pop/Rock (48 credits) MAJMUP (taken from MUS 180 – MUS 189)....................2 credits
In addition to our Classical Music Program, the Music Department MUS 172 & MUS 173.............................................4 credits
at Bishop’s University offers an option to those interested in Music Electives........................................................5 credits
pursuing a career in popular music.
This program certain core courses. It is designed to cover both Double Major: Secondary Education
the practical and academic aspects of the contemporary music and Music MAJEMU
streams of popular culture.
Any from MUS 101, MUS 103, MUS 104, MUS 109, MUS Refer to page 57 in the calendar for course requirements.
115, MUS 116, 203 & 204 ...............................12 credits
MUS 121, MUS 122, MUS 123 or MUS 221..........3 credits Arts Administration:
MUS 131, MUS 132 & MUS 231............................9 credits Music Concentration MAJAAM
MUS 234..................................................................3 credits
Any 3 of MUS 291, 323, 376, 392 or other 300-level theory Refer to page 74 in the calendar for course requirements.
class.....................................................................9 credits
4 Ensemble Courses.................................................4 credits
MUS 172, MUS 173, MUS 272 & MUS 273..........8 credits
Year 1 Requirements (20 credits)
Any 2 literature courses from the list above........... 6 credits
MUS 121 & MUS 122.............................................2 credits
MUS 131 & MUS 132.............................................6 credits
Any 2 Ensemble Courses
(taken from MUS 180 – MUS 189) ...................2 credits
MUS 172 & MUS 173.............................................4 credits
 Music • 129

List of Courses MUS 323 Materials of Popular Music

This course will focus on the development of theoretical knowledge as well as
3-3-0

practical analytical and writing skills necessary for a deeper understanding of

Theory and Composition both the Jazz and Blues styles. Repertoire for study will include jazz standards as
well as blues forms. The art of improvisation in each of these styles will also be
MUS 100 Making and Interpreting Music: A Foundation 3-3-0 introduced.
Prerequisite: MUS 132
This course is designed to introduce students to the study of Music.  Some of the
This course is not available to students who have previously completed MUS 232.
classes will examine music from various perspectives – Physics, Psychology,
Philosophy, Religion, Politics, History, etc. – but a key part of the course MUS 332 Advanced Harmony 3-3-0
experience will be performing music in class. We will learn how musical notation This course stresses both the writing and analysis of advanced chromaticism in
works and listen to a variety of musical genres, essential steps to understand how the common-practice era and the twentieth century. Music of Schubert, Brahms,
music works.  Come prepared to sing and maybe play an instrument – every day! and beyond.
No previous study required. Prerequisite: MUS 231
MUS 121 Introduction to Musical Skills I 1-2-0 MUS 333 Compositional Strategies in Formal Design 3-3-0
An introduction to the fundamental skills of musicianship, including ear-training, Principles of formal analysis. Small to large level form is examined with respect to
sight-singing and basic keyboard skills. properties of harmony, melody, voice-leading, rhythm, texture and timbre.
Prerequisite: MUS 131
MUS 122 Introduction to Musical Skills II 1-2-0
Continuation of MUS 121 MUS 335 Compositional Strategies in Counterpoint 3-3-0
An introduction to the writing of counterpoint. Fuxian species, Baroque dance
MUS 123 Introduction to Jazz Skills 3-3-0
forms, invertible counterpoint, motivic development, and the 2- and 3-part
An introduction to skills required for jazz performance, including understanding
invention.
the modes, basic jazz harmony, and deciphering basic jazz charts.
Prerequisite: MUS 132
Prerequisite: MUS 130 or equivalent, or permission of the instructor.
MUS 337 Orchestration 3-3-0
MUS 130 Rudiments of Music Theory 3-3-1
An introduction to the art of orchestration which includes study of all the major
An introduction to basic musical literacy, including rhythmic notation, reading in
orchestral instruments and how to effectively combine them.
all modern clefs; spelling scales, intervals and triads; and the structure of the tonal
Prerequisite: MUS 131
system.
MUS 338 Composition II 3-3-0
MUS 131 Materials of Music I 3-3-2
A study of advanced compositional techniques and forms. Students will compose
Review of the rudiments of music followed by the study of diatonic harmony,
for a variety of chamber music media in short exercises with the goal of creating
melody and voice-leading in the common-practice era.
an extended work as a major project.
Prerequisite: MUS 130 or equivalent, or permission of the instructor.
Prerequisite: MUS 238
MUS 132 Materials of Music II 3-3-2
MUS 392 Arranging and Scoring for Jazz and Pop Music 3-3-0
Continuation of MUS 131
This course will provide students with the skills that will enable them to arrange
MUS 221 Intermediate Musical Skills 1-2-0 pop and jazz tunes for a variety of instrumental/vocal ensembles.
Essential musicianship skills extended to chromatic language, including ear This course is not available to students who have previously completed MUS 292.
training, sight-singing and keyboard harmony.
MUS 435 Thesis: Composition or Music Theory 6-3-0
MUS 231 Materials of Music III 3-3-0 An individual topic to be chosen by the honours student in consultation with the
This course will focus on advanced diatonicism and chromaticism in the common- department. Concert music or jazz options are available.
practice era through a study of applied chords, modulation, mixture and other
MUS 438 Composition III 3-3-0
chromatic harmonies.
A continuation of MUS 338.
MUS 234 The Jazz Musician’s Toolbox 3-3-0 Prerequisite: MUS 338
This course offers a hands-on skills workshop for jazz musicians that will convert
theoretical knowledge into practical performing skills. Understanding and hearing
musical forms, converting scales, modes, chords and arpeggios into solos, Music Literature
transcribing pieces, understanding jazz etiquette and jargon will all be addressed MUS 101 Rock 101 3-3-0
in detail. Required for all students in the Popular Music programme. This course offers a survey of rock music from its origins and covers the most
Prerequisite: MUS 131 or permission of instructor. important songs of the fifties, sixties and seventies. Influences from blues, pop
MUS 238 Composition I 3-3-0 and other genres will be investigated to gain a deeper understanding of how this
This course will focus on various approaches to writing music through the phenomenal movement changed the music world forever.
investigation of different pitch language systems. Contemporary uses of rhythm, MUS 102 Rock/Pop Music 1980 to Present 3-3-0
form, texture, colour and dynamics will also be studied with the goal of creating The course is designed to pick up where the existing MUS 101 leaves off. It will
an original work. be of great interest to a wide body of students, since it will include the music they
Prerequisite: MUS 131 or approval of instructor listen to at present. An effort will be made to explain how pop music is related to
MUS 291 Song and Instrumental Writing 3-3-0 popular culture in a wider sense, and to contemporary society.
This course provides the student with a history of the development of popular song MUS 103 Classic Jazz 3-3-0
styles from the early 20th century onward. There will be a study of the various This course offers a chronological study of the different eras that have marked
stylistic approaches by different composers of this era as well as an introduction to the evolution of Jazz in America. Analysis of form, melody, harmony, rhythm and
the composition of songs in each style. improvisation techniques of the major works of the masters will be covered.
Prerequisite: MUS 132
MUS 104 Modern Jazz 3-3-0
MUS 293 The Music Profession 3-3-0 This course offers a study of the different genres that have marked the evolution
This course will introduce students to the practical side of the music business. of Jazz in America since 1945. Analysis of form, melody, harmony, rhythm and
Topics covered will include résumé building, recording a demo CD, gigging, grant improvisation techniques of the major works of the masters will be covered.
applications and effective marketing techniques.
MUS 106 Song 3-3-0
The singer’s repertoire is surveyed and analysed. Special attention is given to
German and French song literature of the nineteenth century as well as art song
in England and France. Among the composers considered will be Schubert,
Schumann, Brahms, Fauré, Duparc, Debussy, Britten and Ives.
130 • Bishop’s University 2018/2019
MUS 107 Opera 3-3-0 MUS 204 The Be-Bop Revolution 3-3-0
Is it music or is it drama? The balance changes through the ages, but opera is This course takes an in-depth look at the major figures of the Be-Bop era including
always lyrical, emotional, sensational. This course will trace the evolution of opera Charlie Parker, Dizzy Gillespie, Thelonious Monk and Miles Davis, Biographical
from the earliest experiments in 1600 through the elaborate productions of the profiles, song analysis, and historical/social relevance will also be studied in detail.
High Baroque; the birth of modern opera with Gluck and Mozart; the Golden Age This course will contain both a research and writing component.
of Italian bel canto from Rossini and Bellini through Verdi and Puccini; German Pre-requisite MUS 104 or permission of Instructor.
opera from Beethoven to Wagner; and the new aesthetics of the 20th century, with MUS 205 Canadian Music 3-3-0
Strauss, Berg and Britten. Is there such a thing as Canadian music? Take this course and find out. We will look
MUS 109 Music and Theatre 3-3-0 at music composed in Canada by the earliest French settlers; early concert life ;
This course will cover the field of popular musical theatre from its origins in 19th- folk music saved in oral traditions across the country, as well as contemporary folk
century comic opera and operetta; to the Broadway musicals of Kern, Rogers and music that draws on this heritage; and composers of the 20th century who draw
Hart/Hammerstein, Lerner and Loewe; the more sophisticated works of Bernstein on both folk and contemporary art music traditions. Get to know your national
and Sondheim; the spectacular shows of Andrew Lloyd Webber; and more recent musical heritage, including Joseph Quesnel, Calixa Lavalée, Willan, Champagne,
Broadway offerings. Weinzwieg, Jean Carignan, Natalie MacMaster Great Big Sea and Stan Rogers.
MUS 110 The Art of Listening I 3-3-0 MUS 206 Russian Music 3-3-0
An introduction to music for the non-major. After a brief study of elementary This course will survey the major composers involved in the development of
music theory—rhythm, scales, basic concepts and terms—we will put these ideas Russian “classical” music beginning with Glinka in the nineteenth century and
into more concrete terms in a guided survey of the best of Western art music, ending with composers of the post-Soviet era. Discussion of church and folk music
from Gregorian chant up to the time of Beethoven. We will study Palestrina, will be included if time permits.
Monteverdi, Purcell, Vivaldi, Bach, Handel, Mozart and Haydn, among others, MUS 210 Independent Studies: Literature/Theory I 3-1-0
and see how they fit into our musical past. Special attention is paid to the art of
listening to, interpreting and understanding, the music of these composers. MUS 211 Independent Studies: Literature/Theory II 3-1-0

MUS 111 The Art of Listening II 3-3-0 PSY 292 Psychology of Music 3-3-0
A continuation of the survey begun in Music 110. We begin with the major
Romantic composers, including Schubert, Schumann, Chopin, Verdi, Wagner, Music History
Brahms and Mahler. The course will continue with an examination of the 20th
century, including early masters such as Debussy, Stravinsky, Schoenberg and MUS 240 Music in the Middle Ages 3-3-0
Bartok, as well as more adventurous avant-garde fare: Cage, Varèse, Berio, Crumb The earliest written music of the European tradition up to about 1450. Gregorian
and Steve Reich. chant and liturgy, early song traditions such as troubadours and Meistersingers,
liturgical drama evolution of polyphonic sacred music and songs. The development
MUS 112 Music for Orchestra 3-3-0
of Musical notation, church modes, techniques of contrapuntal writing will also be
Follow the history of music written for orchestra: concerto, symphony, symphonic
examined.
poem and related genres. The concerto repertoire begins in 17th-century Italy
with Corelli, evolves with Vivaldi and Bach, then passes through the matchless MUS 241 Music of the Renaissance 3-3-0
works by Mozart and into the great virtuosic creations of the 19th century. On the Music from 1450-1600: the new humanist aesthetic of music. The evolution of the
symphonic side, we move from Haydn and Beethoven to the great melodists and arts of counterpoint and imitation; the Golden Age of choral music, from Masses
orchestrators of the Romantic era: Berlioz, Schumann, Brahms, Liszt, Strauss and and motets to songs and madrigals; early developments in instrumental music.
Mahler. 20th-century creations by Bartok, Stravinsky and others will round out Dufay, Josquin, Palestrina, Lassus, Gesualdo, Byrd, Gabrieli, etc.
this survey. MUS 242 Music of the Baroque 3-3-0
MUS 114 Recital Music 3-3-0 The period from 1600 to 1750 sees the invention of opera, the emergence of
This course will survey recital repertoire from the 17th to the 21st centuries. instrumental music, and the development of national styles in Italy, France and
Included will be solo repertoire for harpsichord and piano, and chamber music Germany. Stress will be placed on new vocal techniques, analysis of new formal
such as the trio sonata, string quartet and related genres. Emphasis will be placed structures, new directions in counterpoint, and issues of performance practice.
on the most important contributors to the repertoire: J.S. Bach, Mozart, Beethoven, Genres include oratorio, cantata, trio sonata, concerto, dance suite, fugue.
Schubert, Chopin and Brahms, as well as on works of the 20th & 21st centuries. An Monteverdi, Vivaldi; Lully, Rameau; Buxtehude and J.S. Bach; G.F. Handel.
effort will be made to coordinate course content with recitals given in the Music MUS 244 Music of the Early Twentieth Century 3-3-0
Department. The development of music from the turn of the century to the Second World
MUS 115 Film Music I 3-3-0 War. The bewildering variety of musical styles in this era will be examined:
This course will survey the history of film music and its major composers impressionism, expressionism, neo-classical and neo-romantic, nationalist and
beginning in the late 1920’s and ending in the mid 1970’s. Examples from many radical; Debussy and Ravel, Schönberg and his followers, Stravinsky, Bartok,
different genres - drama, Western, comedy, horror and animation will offer a well- Hindemith, Prokofiev and Shostakovitch, Ives and Varèse
rounded introduction to this fascinating art form. MUS 245 Music since 1945 3-3-0
MUS 116 Film Music II 3-3-0 A survey of the principal developments in Western art music since the Second
This course is a continuation of MUS 115 and will survey the history of film music World War. Included in this study are electronic music, computer music, aleatory,
and its major composers beginning in the late 1970’s and ending with the most total serialism, minimalism and post-modernism.
recent releases. Examples from many different genres - drama, Western, comedy, MUS 246 Classical Music 3-3-0
horror and animated will offer a well-rounded introduction to this fascinating art This course will cover the period from 1740 up to the death of Beethoven. An
form. investigation of the roots of Classical style will be followed by a study of the
MUS 200 Major Composers I 3-3-0 three greatest composers of the era—Haydn, Mozart and Beethoven—and their
An intensive analysis of the works, style and significance of one or more major contemporaries. Particular stress will be placed on interpreting the new musical
composers of Western art music. language, including classical harmony and formal structures, including sonata,
rondo, and minuet; keyboard style of the piano; the new orchestra and string
MUS 203 The Blues 3-3-0
quartet; modern opera.
This course traces the development of the blues genre from its beginnings in the
Mississippi Delta to its modern-day manifestations. Perhaps the most influential MUS 247 Romantic Music 3-3-0
popular music genre of the 20th century, blues underlines the foundations of We will analyse the new musical language of the 19th century: including
jazz, swing, rock ’n’ roll, rhythm & blues, hard rock and many pop forms. Study chromatic harmony, cyclic construction, virtuoso performance, program music,
will be made of blues classics by Son House, Charlie Patton, Robert Johnson, and nationalist idioms. The music to be studied includes Schubert, Chopin,
Blind Lemon Jefferson, Bessie Smith, T-Bone Walker, Stevie Ray Vaughan, Eric Schumann, Liszt, Brahms, Wagner, Verdi, Mahler, etc.
Clapton and others.
 Music • 131
MUS 300 Introduction to Music Research and Bibliography 3-3-0 MUS 287 Chamber Orchestra IV 1-3-0
A seminar course designed to introduce students to bibliography and research See description under MUS 186.
techniques in the fields of music history and literature. Practical thinking, writing MUS 288 Rock/Pop Band III 1-3-0
and research skills are taught in association with an introduction to the library and See description under MUS 188.
its resources, as well as using online sources.
Required for all Honours students MUS 289 Rock/Pop Band IV 1-3-0
See description under MUS 188.
MUS 310 Independent Studies I 3-1-0
MUS 380 Choral Ensemble V 1-3-0
MUS 311 Independent Studies II 3-1-0 See description under MUS 180.
MUS 445F Thesis: Music History 6-1-0 MUS 381 Choral Ensemble VI 1-3-0
An individual topic to be chosen by the Honours student in consultation with the See description under MUS 180.
Department.
MUS 382 Chamber Music Ensemble V 1-3-0
MUS 455F Thesis: Special Project 6-1-0 See description under MUS 182.
An individual topic to be chosen by the Honours student in consultation with the
Department. MUS 383 Chamber Music Ensemble VI 1-3-0
See description under MUS 182.

Ensemble MUS 384 Jazz/Improvisation Workshop V

See description under MUS 184.
1-3-0

Students may register for up to two ensembles in any given MUS 385 Jazz/Improvisation Workshop VI 1-3-0
semester. Students outside the Music program may also participate See description under MUS 184.
in Ensembles and are encouraged to join. MUS 386 Chamber Orchestra V 1-3-0
See description under MUS 186.
See the Music Department chair for audition details.
MUS 387 Chamber Orchestra VI 1-3-0
MUS 180 Choral Ensemble I 1-3-0
See description under MUS 186.
Large choral group that explores the classical repertoire from the 17th through the
20th century. Normally the Winter semester features a program of popular music. MUS 388 Rock/Pop Band V 1-3-0
Choral ensemble is required for all incoming music students except those accepted See description under MUS 188.
into MUS 182, MUS 184, 186 or 188. Open to all campus and community MUS 389 Rock/Pop Band VI 1-3-0
members, by audition. See description under MUS 188.
MUS 181 Choral Ensemble II 1-3-0
See description under MUS 180. Practical Study
MUS 182 Chamber Music Ensemble I 1-3-0
Small chamber music groups that perform classical repertoire. Good reading skills
Individual practical study, which consists of private lessons on
are expected. Entry by audition only. an instrument or in voice, is divided into two categories: courses
MUS 183 Chamber Music Ensemble II 1-3-0 required for completion of an Honours, Major, or Minor in Music,
See description under MUS 182. and courses taken as an elective, either by music students, or
MUS 184 Jazz/Improvisation Workshop I 1-3-0 students outside the program. Required lessons are one hour in
Mixed instrumental ensemble exploring the repertoires of popular music and jazz. length, while those taken as an elective are 45 minutes in length.
Entry by audition only.
*For all practical study courses, there is a fee surcharge levied
MUS 185 Jazz/Improvisation Workshop II 1-3-0
See description under MUS 184. each term. Please see fee schedule “Music Practicum” under
MUS 186 Chamber Orchestra I 1-3-0
“Other Fees”.
Formed fundamentally to explore the great repertoire for string orchestra, this
group may also include winds, brass and percussion. Offered when numbers 1. Required Performance Courses:
permit. These courses are open to Music Minors, Majors, and Honours
MUS 187 Chamber Orchestra II 1-3-0 students. An audition is required. There is no end-of-term jury
See description under MUS 186. for MUS 172, however all other required principle instrument
MUS 188 Rock/Pop Band I 1-3-0 performance courses include a jury exam.
These courses provide experience rehearsing and performing in a rock/pop band. MUS 172 Principal Instrument I 2-1-5
Repertoire will be chosen from the rock and pop repertoire. Entry by audition only. Performance instruction on any classical or jazz instrument or voice. Attendance at
MUS 189 Rock/Pop Band II 1-3-0 studio recitals and Music Department concerts is a required element of this course.
These courses provide experience rehearsing and performing in a rock/pop band. Co-requisite with MUS 180, MUS 182, MUS 184, MUS 186, or MUS 188.
Repertoire will be chosen from the rock and pop repertoire. MUS 173 Principal Instrument II 2-1-5
MUS 280 Choral Ensemble III 1-3-0 Description as for MUS 172 above. End-of-term jury exam is required.
See description under MUS 180. Co-requisite with MUS 181, MUS 183, MUS 185, MUS 187, or MUS 189
MUS 281 Choral Ensemble IV 1-3-0 Prerequisite: MUS 172
See description under MUS 180. MUS 272 Principal Instrument III 2-1-5
MUS 282 Chamber Music Ensemble III 1-3-0 Performing in studio recitals, attendance at Music Department concerts and end-
See description under MUS 182. of-term jury exam are required.
Co-requisite with MUS 280, MUS 282, MUS 284, MUS 286, or MUS 288.
MUS 283 Chamber Music Ensemble IV 1-3-0
See description under MUS 182. MUS 273 Principal Instrument IV 2-1-5
Description as for MUS 272 above.
MUS 284 Jazz/Improvisation Workshop III 1-3-0
Co-requisite with MUS 281, MUS 283, MUS 285, MUS 287, or MUS 289
See description under MUS 184.
MUS 372 Principal Instrument V 2-1-5
MUS 285 Jazz/Improvisation Workshop IV 1-3-0
Description as for MUS 272 above.
See description under MUS 184.
Intended for Music students enroled in Performance Honours.
MUS 286 Chamber Orchestra III 1-3-0
MUS 373 Principal Instrument VI 2-1-5
See description under MUS 186.
Description as for MUS 272 above.
132 • Bishop’s University 2018/2019
Intended for Music students enroled in Performance Honours.
Prerequisite: MUS 372
MUS 375 Instrument Techniques 2-1-5
Philosophy
Introduction to performing, teaching, and maintenance techniques of orchestral
instruments: strings, woodwinds, brass, percussion. Required for Double Majors
in Music and Secondary Education (instrumental), and open to others with
Faculty
permission of the Department. James Crooks,
MUS 376 Improvisation 3-3-0 B.Mus. (Mt. Allison), M.A., Ph.D.
This course will develop the skills necessary for jazz/pop music improvisation. It (Toronto); Professor
is designed for students nearing graduation. Chair of the Department
This course is not available to students who have previously completed MUS 290. Don Dombowsky,
MUS 378 Introduction in Recording Technology 3-2-6 B.A. (Concordia), M.A. (New School for
This course is designed to introduce the student to basic sound recording, using Social Research), Ph.D. (Ottawa)
modern digital equipment. Instruction will be offered one-on-one. The course is Associate Professor
project-based, and will be individually tailored to the student’s knowledge and Bruce Gilbert,
background. Enrolment limited to Music students, or others with the permission B.A. (Toronto), M.A. (McGill), Ph.D.
of the Department and instructor. (Penn.State); Professor
MUS 475F Recital 6-1-14
Description as for MUS 172 above.
Students in Honours Performance must present a full recital at the end of the
Program Overview
academic year. A written work on a topic chosen by the student in consultation Knowledge of the philosophical tradition is essential to a sound
with the Department must also be presented. and liberal education. It lies at the heart of what Bishop’s has
Open only to Music Students enroled in Performance Honours, who have understood historically and continues to embrace today as its
completed MUS 373 (or MUS 273) with a grade of at least 80%
educational mission.
2. Elective Performance Courses: In recognition of this, the Department of Philosophy offers a
program designed to meet the needs of both specialists and those
These courses are open to all Music students, and to students
seeking to supplement their work in other disciplines. Honours and
outside of the Music program after an initial audition. End-of-
Majors follow a curriculum which emphasizes two broad areas:
term juries are required for all “71” courses.
Continental European Philosophy and the Western Philosophical
*Non-music students must consult with the Music Department Tradition. Advanced students may also pursue independent
before they enrol in MUS 170. studies of special topics in greater depth. These offerings are
MUS 170 Elective Instrument I 1-3/4-5 supplemented by a series of introductory and cross-disciplinary
Performance instruction for either a principal or second instrument, which is not a
courses designed to provide the background, skills and tools for
program requirement. No jury exam is required.
a thoughtful, critical approach to a wide variety of problems and
MUS 171 Elective Instrument II 2-3/4-5
A continuation of MUS 170. End-of-term jury exam is required. issues and delivered, for the most part, at a level accessible to the
MUS 270 Elective Instrument III 1-3/4-5
non-specialist.
See description under MUS 170.
MUS 271 Elective Instrument IV
A continuation of MUS 270. Jury exam is required.
2-3/4-5
Programs
MUS 370 Elective Instrument V 1-3/4-5
See description under MUS 170. Honours in Philosophy
MUS 371 Elective Instrument VI 2-3/4-5
A continuation of MUS 370. Jury exam is required. (60 credits)  HONPHI
MUS 265 Musical Theatre 6-12-6 Candidates for the Honours program must obtain an average of
In collaboration with the Drama department, a full musical play is mounted, 70% on the best 60 credits in Philosophy in order to graduate with
normally in the Spring semester. Open, by audition only, to actors, singers,
musicians and technical staff, as required for each show.
the Honours degree. In addition, these students will be required to
Co-listed as DRA 265. write an Honours thesis (PHI 400 / PHI 401, 6 credits).