Student Impact Project
Student Impact Project
Student Impact Project
Category 1 2 3 4
Lesson #1
Objectives
● Students will have heard the piece played by a mature instrumental ensemble
● Students will understand the different melodic phrases that appear throughout the piece
● Students will complete call and response exercises in the key of the piece
Procedure
1. Play a recording of the piece for the students
a. Ask them to follow along with their part the first time
b. Second time - clap along with your part
c. Percussion on pads
2. Warm-up
a. Improvise phrases using the key of the piece
b. Have students play the phrases back
c. Make sure to address that each student eventually finds the notes
d. Percussion play the rhythms with diddle strokes
3. Begin rehearsal
a. Read through section by section
b. Ask the students what the melody is for each section
c. “Raise your hand if you have the melody in this section, raise your hand if you
don’t”
4. If time permits - go back and teach parts in more detail
Assessment
1. Did each student complete the warm-up and learn the notes?
2. Did they participate in the listening?
3. Did they participate in the read through and identify if they had the melody?
Lesson #2
Objectives
1. Students can Identify different sections of the music with familiar terminology
2. Students can Identify and know how to practice difficult passages
Procedure
1. Begin by running through the whole piece if possible (starting and stopping will occur) so
students can maintain an image of the whole plot of the piece
2. Identify similar passages in the music and label them similarly with familiar terms (i.e.
verse and chorus).
3. Play the similar passages back to back (both choruses), in order to perform them
similarly.
4. Identify difficult spots (i.e. low brass “runs” and other melodies), and practice them with
the students at various tempos.
a. Additionally, if necessary, - clap and count, count and do fingerings, do fingerings
while the teacher models
Assessment
1. Did the students understand the terminology picked for musical form?
2. Were the students able to improve on difficult passages?
Lesson #3
Objectives
1. Students will show improvement in being able to follow a conductor, and use the
conductor to learn their part
2. Students will show improvement in temporal awareness
Procedure
1. Use a 4/4 pattern - conduct and have the students clap on different beats.
a. If necessary, use your non-conducting hand to show an ictus (where the baton
shows metrical stress).
2. Use the pattern along with the students clapping their parts. Ask the students to tap a
foot with the baton to emphases metrical stress along with their rhythms.
3. As you play and use previous lesson plan objectives in different sections of the music,
ask the students to give feedback on the “togetherness” of the ensemble parts.
Assessment
1. Is there improvement in rhythmic conviction and understanding?
2. Did this ultimately help the students learn or improve their parts?
Post-Test
Category 1 2 3 4
Reflection
There was noticeable improvement in two of the categories, and some of improvement
in the third category. However, not enough improvement was shown in the third category to
meet the next standard of performance. I found that I actually repeated some of these lesson
plans (so this project actually happened in more than 3 lessons, but with only 3 plans used). I
don’t believe this was an error in lesson planning. Instead, I believe some skills come with
repetition and time (temporal awareness, for example). The plans that doesn’t rely on
kinesthetics, such as lesson plan #2, did not take more than one repetition for the students to
show understanding or improvement. I believe this is because lesson plan #2 was more about
learning a concept through identification, and not a physical skill.