Art The Sorcerer
Art The Sorcerer
Art The Sorcerer
Downard dwells upon a confluence of the familiar and the esoteric that,
to him, forms a portrait of political conspiracy the purpose of which is
not power or money, but alchemy, the mystical science of
transformation. By breaking apart and rejoining elements, it was long
ago supposed, alchemy could effect most any miracle (for example,
changing base metal into gold). From ancient times through the
Enlightenment, science and magic were one and the same. As far as
Downard's concerned, the era when science was indistinguishable from
sorcery never ended. The Age of Reason and its industrial, post-modern
antecedents are facades obscuring the seething dream world of primeval
urges that surfaces only in sleep.
"Do not be lulled into believing," warns Downard, "that just because the
deadening American city of dreadful night is so utterly devoid of
mystery, so thoroughly flat-footed, sterile and infantile, so burdened
with the illusory gloss of baseball-hot dogs-apple-pie-and-Chevrolet,
that it exists outside the psycho-sexual domain. The eternal pagan
psychodrama is escalated under these modern conditions precisely
because sorcery is not what '20th Century man' can accept as real."
"The United States which has long been called a melting pot, should
more descriptively be called a witches' cauldron wherein the 'Hierarchy
of the Grand Architect of the Universe' arranges for ritualistic crimes
and psychopolitical psychodramas to be performed in accordance with a
Master plan," Downard explains.
The latter day reenactment of the MacBeth ritual, says Downard, was the
assassination of JFK in Dealey Plaza, site of the first Masonic temple in
Dallas and a spot loaded with "trinity" symbolism. "Three" is, for those
not versed in such matters, the most magic of all magic numbers.
Downard's observations include:
MAJOR SOURCES: