Bohemian Rhapsody Original 1-Partitura y Partes PDF

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The document appears to be sheet music for the song Bohemian Rhapsody by Queen, listing the instrumentation and musical notation.

The document is sheet music for the song Bohemian Rhapsody by Queen, listing the instrumentation and musical notation for the song across multiple pages.

The document lists instruments like electric guitar, piano, bass, and drums.

Bohemian Rhapsody

Original orchestration
Words & Music by Freddy Mercury

 = 72
  4     
  
         
Voice   4  45   
44

Is this the real life? Is this just fan ta sy? Caught in a land slide, no e
                
 4                54       44
Backing Vocals 1 
 4   

Is this the real life? Is this just fan ta sy? Caught in a land slide, no e

Backing Vocals 2   44   45  44

 
  44
Electric Guitar 1
  45  44

Electric Guitar 2    44   45  44

4   45  44
 4
Piano
 4  
45
 44
 4

Electric Bass
   44   45  44

 44  
Drums
 45  44

4
              
Vx.   44 
    
   
scape from re a li ty.  O pen your eyes Look up to the skies and see.
                    
 4               
B. Vx. 1
  4 li ty.  O
     
  and 
scape from re a pen youir eyes Look up to the skies see


  44  
    


   
Pno.
 


   44 
 
 

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
7

Vx.
              
    
 I'm just a poor boy, I need no sym pa thy...
   
   
B. Vx. 1       
    

 Ooh, Poor boy, ...be cause I'm

       
  
                
   
Pno.  
    
  

10

Vx.
          
 
 A ny way the wind blows,

   




  



   




  



    


B. Vx. 1
   


ea sy come, ea sy go, lit tle high, lit tle low. Ooh the wind blows,

 
      
 

     
 

        
Pno.
    
  
flanged

Dr.
   
 

rit.
13

Vx.
       
      
does n't real ly mat ter to me, to
      
B. Vx. 1
         
   

does n't real ly mat ter to me.

  


           


      
 
Pno.
     
  
Dr.
  
 

2 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
a tempo
15
    
Vx.      
3 
me.  Ma ma, Just

 
             
 
Pno.           
           
    
  
Bs.
 
    
 

18
                     
Vx.    
3 
killed a man put a gun a gainst his head, pulled my trig ger, now he's dead.

      
        
             
Pno.  
        
   
  
  
Bs.
   

  

21
           
Vx.

          
 
3 3
Ma ma, life had just be gun but now I've gone and thrown it all

   
            
        
Pno.   
    
   
     
    
Bs.
  
     

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 3
24
         
Vx.        
3
a way Ma ma, ooh, did n't

  

                      
    
Pno.   
     

     
   
Bs.
    
    

  
                  
Dr.        
  
 

27
                  
Vx.  
      

mean to make you cry, if I'm not back a gain this time to mor row, car ry on, car ry

  
           
  
           

Pno. 
              
           
   
Bs.
   

          gliss.  
3
                     
Dr.
   
        

4 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
30
   
Vx.         42  44
 3 3
on as if no thin' real ly mat ters.



42 
  44


       
Pno.
  
   42  44
 
 

   gl iss.  
Bs.
    42 44

      
Dr.
    42  44

32
4    
  4                   
Pno.       
   44      
    
 
Bs.
  4 
  4  


35
   
Vx.               

     
 3
3  3 5
Too late, my time has come sends shi vers down my spine, bo dy's

  
     
   
         
Pno.   
    
   
    
  
Bs.
  
   
  Bell Tree
Dr.
                        
           


© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 5
38
                   
Vx.         
3
3
3
a ching all the time. Good bye ev' ry bo dy, I've got to go, got to



                
       
Pno.  
    
      
  
 
 
 
Bs.
     
                        
Dr.             

41
               
Vx.
   
   
3
leave you all be hind and face the truth.  Ma ma, ooh,
 
   
B. Vx. 1
 
 Ooh, ooh,

 
Gtr. 2    


  

 
                    
Pno.
        

      
    
     
Bs.
    
      

                        
Dr.          

6 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
44
         
Vx.      
3
I don't wan na die I

     
B. Vx. 1    
Ooh,

B. Vx. 2      
   
A ny way the wind blows

  
Gtr. 2     
  
  

      
       
          
Pno.   
   
    
    
Bs.
      
  

            
Dr.         
 

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 7
46
          
 
Vx.    
some times wish I'd ne ver been born at all.

   
         
B. Vx. 1
  

      
Ooh, ooh, ooh, ooh, ooh ooh,

 Solo       
   
Gtr. 1           

Gtr. 2 
    

                           
      
Pno.   
         
   
        
Bs.
     
               

                   
          
Dr.
                   

49              
   
  
                   
Gtr. 1     
3 7
3 3

Gtr. 2   
       
        
       
   
                 
 
Pno. 
     
   
         
          
       
Bs.
  

       gliss. 

              
Dr. 
           

8 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
51 

           
    
                  
Gtr. 1     
6 6
6

Gtr. 2    
       

         

   

 
                            
Pno.   
         
  
     
     
     
Bs.         
  

Dr.
           
           
             

 = 144
54 g liss. 
       
Gtr. 1
 
         
    
3
3 3
3 

Gtr. 2
        
 

         
              
Pno. 3    
            
 
       
3
 
Bs.
          
3

         
Dr.      
   
3

56
                 
Vx.   
 I see a lit tle sil hou et to of a man.

    
B. Vx. 1     

 Sca ra

           
Pno.                
          
             

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 9
59
        
B. Vx. 1         
mouche, Sca ra mouche, will you do the fan dan go?

       
Pno.     
 


  


           


61
   
Vx.    
      
 
Ga li le o, Ga li
        
        
B. Vx. 1               

ve ry, ve ry fright 'ning me. Ga li le o Ga li le o

    
B. Vx. 2
             
       

    

Thun der bolt and light ning, ve ry, ve ry fright 'ning me.

  
    
                  
Pno. 
     
            
          
   
Dr.
          
  


65
    
Vx.      42    44 
 
le o, Mag ni fi co
      
 44       
B. Vx. 1    42    
Ga li le o Fi ga ro. Oh.
Oh.
 
B. Vx. 2         42   44      
  
Ga li le o Fi ga ro. Oh.
Oh.
        2    4  
  4  4 
Pno.
   2 4 
         4    4 

10 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
68

Vx.
   
         
 I'm just a poor boy, no bo dy loves me.

    
B. Vx. 1   

    
B. Vx. 2
   
       
      
Pno.                    
        


70                  


                        
B. Vx. 1 
 He's just a poor boy, from a poor fa mi ly, spare him his life from this

B. Vx. 2       
                
He's just a poor boy, from a poor fa mi ly, spare him his life from this


                   
     


  
    
Pno. 
              
             
Bs.
                  
 

   
Dr.
            
   


© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 11
73

Vx.
     
     
 Ea sy come, ea sy go,

     
  
B. Vx. 1     
mon stro si ty

B. Vx. 2   

  
    

mon stro si ty
   
    
         

     
              
  
Pno. 
    
  
 
Bs.
         
  
  
Dr.
   
 

76

Vx.
       
   
will you let me go?
 
       
 
B. Vx. 1        
  
No! We wil not let you go.
  
  
B. Vx. 2       
   
 Bis mil lah. Let him go

               
 
                    

Pno.


    
     
               
         
Bs.
       
   

   
Dr.
        
 


12 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
79  
              
B. Vx. 1        
       
Bis mil lah We will not let you go. Bis mil lah We
     
    
B. Vx. 2        

Let him go

              
  
    
       
Pno.
       
                    
            
Bs.
      
     

  
Dr.            

82

Vx.
          
     
Ne ver, ne ver, ne ver, ne ver let me

                  
B. Vx. 1           
  
will not let you go. Will not let you go. Will not let you go.
     
           
B. Vx. 2  

Let him go Let him go

       
      
     
    
   
Pno.
   
                     
              
Dr.
                  

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 13
85
 
Vx.           
 go, 
     Oh ma ma
      
B. Vx. 1                 
           

 No,
  
no, no, no,
 no, no,
 no,

  
             
B. Vx. 2       
     
Oh.

      
   
                        
   

Pno.    
      
               
     
Bs.
         
      

              
Dr.
 
       


88
           
 
Vx.               
mi a, ma ma mi a. Be el ze bub has a de vil put a side for
     

                     
B. Vx. 1           
 
Ma ma mi a let me go. Be el ze bub has a de vil put a side for

B. Vx. 2     
    
        
Be el ze bub has a de vil put a side for

   
                 
       
  
Pno. 
        
 
   
 
 
Bs.
        
      
     
   

  
Dr.
                 
  


14 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
92
         
Vx.        
me, for me, for me.

         
B. Vx. 1        
     
me, for me, for me.


Gtr. 2      
  
  
   
Pno.
                        

                       
Bs.
 
                         
3 3 3 3 3 3 
      
Dr.
                    
 

   = 138
95
 
 12  
Vx.   8

  12  
B. Vx. 1
    8

   12    
Gtr. 1   8    

3

Gtr. 2         12
8     
         
       


         12
8  

      
  3 3 3 
12    
Bs.
       8         
      



3 3 3
3 
            12 
8    
     
Dr.
             


© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 15
98
          
Vx.       
 So you think you can

   
B. Vx. 1            

So you think you can

        
Gtr. 1        
  

Gtr. 2          
        
         
        
Bs.
                          

            
Dr.
                        

101
                  
Vx.       86  12
8     
2
stone me and spit in my eye. So you think you can

  2    
 
B. Vx. 1
            
 86  12
8        
stone me and spit in my eye. So you think you can

            
           
Gtr. 1           86     
12
8  

   
        86  
   12 
Gtr. 2
        
      8  

 

 
 


     
Bs.
                  86   12
8          
 

            
        86  12
  8    
Dr. 
             

16 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
105
                    
Vx.           
  
love me and leave me to die. Oh ba by

  
B. Vx. 1        
        
         
   
love me and leave me to die. Oh ba by
   
               
Gtr. 1                
          
   
     

Gtr. 2
              
      

            
Bs.
                          

                 
Dr.
                               

109
                    
Vx.            
Can't do this to me ba by Just got ta get out

        
B. Vx. 1 
                      
Can't do this to me ba by Just got ta get out

    
       
Gtr. 1           
  
6
    
Gtr. 2
        

     
  

     

Bs.
             
                         

            
Dr.      
                  

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 17
112

Vx.
              
      
just got ta get right out ta here.

B. Vx. 1     

    
         
just got ta get right out ta here.

  
       
Gtr. 1           
 
   
Gtr. 2
         

 
      

 
     
         
Bs.
          
       
      

            
Dr.
                       

115
        
Gtr. 1      
      

Gtr. 2          
         
        
        
               
    
Bs.
               
  
                  
Dr.                 
 

118
    
Gtr. 1                 
       
    
 
Gtr. 2                  
       

    
Bs.
  

    
Dr.     
  

18 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
121
rit. molto rit.
a tempo  = 72 
  44   
B. Vx. 1  
 Ooh.

      
 
 
    
Gtr. 1
44    
    
 
 
Gtr. 2   44  



  44 
     
      
Pno.      
              44          
     
        
     
   44     
Bs.   
 


 
44       
     

Dr.
        


124  
                 
B. Vx. 1     
    
Ooh yeah, ooh yeah.
   
   
      
    gliss.  
Gtr. 1  
3
      
               
Gtr. 2     


     
     
  
   



          
  
Pno.
     
      
   
         
Bs.
           

                    
Dr.    
        

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 19
127 3
  3     
Vx.     
        
3  3 3
 No thing real ly mat ters, a ny one can see,
  
         
Gtr. 1      

          
Gtr. 2
  
 
                      
     
Pno.
     
    
   
       
Bs.   
    
             
Dr.

       

rit. rubato
130
                  
Vx.    

No thing real ly mat ters, No thing real ly mat ters to me.

  
                


 




Pno. 
  
   
   
     
Bs.
  

rit.
133
   
Vx.    
pan right
    
Gtr. 1      



                             




      
Pno.  
      
 
  
20 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
rit.
136
   

Vx.       
A ny way the wind blows.


B. Vx. 1
 
  
Mm
pan left
 gliss.  

  

Gtr. 2    

             
     

  


 
Pno. 
  
   
 Gong
  
Dr.
   

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 21
Freddie Mercury Bohemian Rhapsody
Original orchestration Words & Music by Freddy Mercury
 = 72
 4     
          54       4
 4   4
 Is this the real life? Is this just fan ta sy? Caught in a land slide, no e
4
 4                    
 
 4    
scape from re a li ty.  O pen your eyes Look up to the skies and see.
8
               2      
 
  

I'm just a poor boy, I need no sym pa thy... A ny way the wind blows,
13
rit. a tempo
        
    
   
does n't real ly mat ter to me, to me.
17
    
                  
   3 
3
Ma ma, Just killed a man put a gun a gainst his head, pulled my
20
              
  
 3 
trig ger, now he's dead. Ma ma, life had
22
                
  
  
3
just be gun but now I've gone and thrown it all a way
25
                 
   
  3 

Ma ma, ooh, did n't mean to make you cry, if
28
                  
  

I'm not back a gain this time to mor row, car ry on, car ry
30
   3
         42  4
 3 4
 3
on as if no thin' real ly mat ters.

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
35
         
     
   
3 3
Too late, my time has come sends
37
                
  
 5
 3 3 3
shi vers down my spine, bo dy's a ching all the time.
39
           
        
   
3
Good bye ev' ry bo dy, I've got to go, got to
41
                   
  
 
leave you all be hind and face the truth.
Ma3 ma, ooh,
45
                 
  
 3
 
I don't wan na die I some times wish I'd ne ver been born at all.
47  = 144
   7  2
                 
 
I see a lit tle sil hou et to of a man.
59
  4   
                42    44 
   

Ga li le o, Ga li le o, Mag ni fi co
68
   5
         
 

I'm just a poor boy, no bo dy loves me.
75
    6
          
  
Ea sy come, ea sy go, will you let me go?
83
 
             
   

go, Ne ver, ne ver, ne ver, ne ver let me
87            
  
            
  

Oh ma ma mi a, ma ma mi a. Be el ze bub has a de vil put a side for

2 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
92  
          
12
      
  8
me, for me, for me.

96  = 138 4
  12                    6  12
      8
  8    
2
8

So you think you can stone me and spit in my eye.

104
  12                     
      
  8      
So you think you can love me and leave me to die.

107
                      
     
     
Oh ba by Can't do this to me ba by

111
7 rit. molto rit.
                      44 
 
      
Just got ta get out just got ta get right out ta here.

123 a tempo  = 72 rit.


  5    3             
        
  
 3  3

3
No thing real3ly mat ters, a ny one can see, No thing real ly mat ters,

rubato rit. rit.


131
              2 
        
   
No thing real ly mat ters to me. A ny way the wind blows.

138
 




© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 3
Backing Vocals Bohemian Rhapsody
Original orchestration Words & Music by Freddy Mercury
 = 72
 4             
     
Backing Vocals 1   4         45
 Is this the real life? Is this just fan ta sy?

4  
Backing Vocals 2 
 4 45

3
    
 5      
 44              
 4         
  
Caught in a land slide, no e scape from re a li ty. O pen youir eyes Look

6 
           
             
     
 and  
up to the skies see Ooh, Poor boy, ...be cause I'm

10  
    
    
   
 
    

  
ea sy come, ea sy go, lit tle high, lit tle low.

rit. a tempo
12
      16 11
                
      42  44
 
Ooh the wind blows, does n't real ly mat ter to me.

43       
      
  

       
   


Ooh, ooh, Ooh, Ooh, ooh, ooh, ooh,

      
    
 A ny way the wind blows
  = 144
47
 6 3
    



ooh ooh,

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
58
    
                  

Sca ra mouche, Sca ra mouche, will you do the fan dan go?


61
  

         
          
ve ry, ve ry fright 'ning
 Ga li le o
me.
                
              
 
 Thun der bolt and light ning, ve ry, ve ry fright 'ning

me.
64           
 
42
      44
Ga li le o Ga li le o Fi ga ro.
 
42 
        44

Ga li le o Fi ga ro.
67      
  4               
 4       
 
Oh. He's just a poor boy,
Oh.
 4      
      
 4   

     
Oh. He's just a poor boy,
Oh.
71                 
                     2
  
from a poor fa mi ly, spare him his life from this mon stro si ty
2
           
             
from a poor fa mi ly, spare him his life from this mon stro si ty
76
  
              

   
  
   
No! We wil not let you go.      Bis mil lah We
   
         
  

Bis mil lah. Let him go

2 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
80 
                

          
   
will not let you go.     Bis mil lah We will not let you go.   
   
          

Let him go Let him go

83
            

           
 
Will not let you go.    Will not let you go.

       

Let him go

85       


           
 
                
           
  No, no, no, 
no, no,  no,
           
  no,
            
     
Oh.

88
    
                    

            
 
Ma ma mi a let me go. Be el ze bub has a de vil put a side for

      
 
        
 Be el ze bub has a
 
de vil put a side for

92 
              
     12
8
     
me, for me, for me.

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 3
  = 138
96
4       2
   12          6
 8           8
 So you think you can stone me and spit in my eye.

103
 6  12         

 8 8                   
 
So you think you can love me and leave me to die.

107
        
                         
Oh ba by Can't do this to me ba by

111
7 rit. molto rit.
            44 
                
Just got ta get out just got ta get right out ta here.

123 a tempo  = 72


  
            
     
      

Ooh. Ooh yeah, ooh yeah.

rit. rubato rit. rit.


126
4 4 2 
     
Mm

4 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
Electric Guitar 1 Bohemian Rhapsody
Original orchestration Words & Music by Freddy Mercury
 = 72 rit.a tempo
 4 2 10 16 14
45
 4 
42 44
 
 4 4

46
   Solo

           
            
    
              
 
 3

50
                                
         
  
 3 7 6 6
3 6
 
52
  
        
     
                   
      
 3
3 3
 = 144
55
  10 28

42  44   
 12
  8
  = 138
96 
  12           
 
 
       
 

  12

  8
               86 

 
  8
   

104  
  12    
       
 




 
     
     
     
     
 
     
  8                          
      
113
                 
                   
           
     
   
rit. molto rit. a tempo  = 72
121
   
                       
  4          
    4 




 3 3
  
rit. rubato pan right rit. rit.
127 
        3     
                
 

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
Electric Guitar 2 Bohemian Rhapsody
Original orchestration Words & Music by Freddy Mercury
 = 72 rit.
 4 2 10
45
  44 
 4
a tempo
15
  16 10
42
  4
 4

42
     

               
 
48
   
            
                
 = 144
52
  3 
  
                        
 
56
  10 24
24  44    

  = 138
92 3
 
         12
8     
      
   

            
98
 
         
                
       
102
     
    6
          8     12             
         8
  

     

106
       

       
      

          
     
© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
110 6
     
 
                            

113
     
            
       
           

116
             
              
                  

120 rit.
      molto rit.
         44 
  

a tempo  = 72        
123   
      
     
 
    
    
 
 

rit. rubato rit. rit.


127 pan left
            
4   
  
    
 


2 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
Piano Bohemian Rhapsody
Original orchestration Words & Music by Freddy Mercury
 = 72
2
4        
45

 4  44  
      


 
2 

 

 4
45
 44  
 4   
 

8
     

                                 

 
       
   

rit. a tempo
13
       


                      


      
        
      
    

17
   
         
   
  
                 
   
         
      
   

21

                      
            
 
       
         
       
© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
25
       

            
         
    
   
          
      
  
28
 
                  42     44


   
    
                 42  44
   
     
32
    
  44                 
 
      
 4       
 4     
 
35
   
         
   
  
             
    
          
    
   
39

                      
              
    
   
        
       
43
      
             
         
    
   
           
 
        
2 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
46

 
                    
         
  
        
  
      
49
 
           
   
  
          
     


            
         
 = 144
52
            
                        
     
  
   3    
 
 
                
           
 
56
                 
                      
              

    

59
     
                         
    


            
   
           
         
63
    
      
     2 

4  
4
4               
      

            2   4   
   4  4 

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 3
69
   
                                   
               

              
             

73
      
    
                                   
          
 
     
      
 

77
       
            
         
           
  
       
                  
         
               
81
        
      
     
    
        

              

 

 
 
 
         
86

            
    

          
  
                
  
  
             
           
  
    
 
    
90
  

     
        
  
    
                   
                 

4 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
  = 138
94
7 17
    12
8 86  12
8
7 17
                 12
86 12

 8 8
 
121
rit. molto rit. a tempo  = 72
  44
           
   

        
  4       
 
    
   4        

          
        



125
  
    
                            
    
          
    
     
129 rubato
rit.  
       


      



      
 
  
   
    
132

                           


    

      
    
rit. rit.
135
  
         
               


      


 

  


    
© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 5
Bass Bohemian Rhapsody
Original orchestration Words & Music by Freddy Mercury
 = 72 rit.
  4 2 10
45
 44 
  4
15 a tempo  
  
                   
 

27

            
42
   44 
              
 
37   
      
                


46
         
                     
  
 = 144
51 3
            10

 
                         42

66
   2  4   2 2
                      
 4 4  

76
4
 
                           

             
  
89
   
     
      
      
 
  = 138
95
  3 3 3 12    
       
            8              
        

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
99
             6
                                    8
 

103
  6  12          
 8     8                
          

107
         
                 

111
       
 
                       
       

115
                       
         44
     

molto rit. a tempo  = 72


122 
          
  4                  
  4 


rit. rubato rit. rit.


128
   4 2 2
         

2 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
Drumset Bohemian Rhapsody
Original orchestration

Words & Music by Freddy Mercury


 = 72 rit.
2 8 flanged
 4    
45
  44   
 4

a tempo  
15
 9                               3

              
 
29
               2  4 3                

     4 4     

37  Bell Tree  
                                        

           

42

                             
   
              
 
46
                                   

              
3
50
                                    

              
3
 = 144
55 
    5 2 3
             2 4
4  4
    

70
                     3
    
   

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
77     

                                   


84 
              
         
           
 
90  3 3 3 3 3 3 
                                

  
3 3 3
  = 138
95 
           3 12                       
  8                  


99
                                   6
 8
                      
103

 6                       
12

 8   8                  
107
                       

                            
111
                                

                        
115   
                              
     
                   
molto rit. a tempo  = 72
121
 rit. 
                                
  44       
              
 
127 Gong 
rit. rubato 4 rit. 2 rit.
                 
      


2 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA

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