100 Things You Can Do To Improve Your Trombone Playing That Require Absolutely No Talent
100 Things You Can Do To Improve Your Trombone Playing That Require Absolutely No Talent
100 Things You Can Do To Improve Your Trombone Playing That Require Absolutely No Talent
Things
You
Can
Do
to
Improve
Your
Trombone
Playing
That
Require
Absolutely
No
Talent
(in
no
particular
order)
1.
Practice
daily.
2.
Go
to
live
concerts
of
great
performers
(not
just
trombonists).
3.
Listen
to
recordings
of
great
performers
(not
just
trombonists).
4.
Buy
a
new
piece
of
music,
play
it.
5.
Practice
more
than
you
play
games.
6.
Read
a
book
(or
chapter)
about
trombone
history.
7.
Read
a
book
(or
chapter)
about
trombone
playing.
8.
Read
a
book
(or
chapter)
about
trombone
literature.
9.
Take
several
short
rest
periods
during
practice
sessions
10.
Buy
a
new
etude
book,
play
it.
11.
Record
your
practice
–
complete
sessions
and
portions
12.
Listen/watch
back,
sometimes
with
metronome.
13.
Listen
back
at
half-‐speed
–
there’s
an
app
for
that.
14.
Play
duets,
quartets,
excerpts,
etc.
with
friends.
15.
Buy
a
trombone
recording.
16.
Listen
to
many
different
kinds
of
music.
17.
Clean
your
mouthpiece.
18.
Clean
your
instrument.
19.
Get
a
yearly
tune-‐up
of
your
instrument
–
slide
alignment,
valve
alignment,
etc.
20.
Practice
slowly,
thoughtfully
with
complete
concentration
21.
Lightly
mark
problem
passages,
work
them
alone,
put
back
in
context.
22.
Do
some
breathing
exercises.
23.
Know
the
meaning
of
all
foreign
terms
in
your
music.
24.
Plan
and
mark
all
breathing
places
in
your
music.
25.
Practice
slower.
Practice
smarter.
26.
Sing,
hum,
whistle
–
make
music
go
out
of
you.
27.
Turn
on
a
tuner,
use
it.
28.
Use
a
metronome
lots.
29.
Read
an
old
ITA
Journal.
30.
Find
and
read
anything
your
teacher
has
written.
31.
Make
up
a
new
lip
slur.
32.
Make
up
a
melody.
33.
Peruse
a
jazz
trombonist’s
website.
34.
Be
musically
curious.
35.
Practice
some
with
your
mutes.
36.
Join
ITA.
37.
Peruse
an
orchestral
player’s
website
38.
Sight-‐read
something.
39.
Talk
“shop”
with
your
colleagues.
40.
Record
your
lessons,
listen/watch
back.
41.
Take
notes
after
your
lesson.
42.
Learn
all
you
can
about
the
composer
of
your
piece.
43.
Be
early
to
rehearsals/gigs.
44.
Listen
to
all
the
symphonies
by
composer
X
(including
those
without
trombones.)
45.
Listen
to
many
recordings
by
jazz
trombonist
X.
46.
Read
about
historical
trombonists/teachers.
47.
Practice
often
in
front
of
a
mirror
to
check
basic
posture,
breathing,
embouchure,
etc.
48.
Video-‐record
a
close-‐up
of
your
embouchure
while
playing
(articulation,
lip
slurs,
etc.)
49.
Video-‐record
your
breathing
while
playing.
50.
Listen
to
some
music
you
hate
–
determine
and
articulate
clearly
what
you
hate
about
it.
51.
Maintain
great
dental
hygiene.
52.
Practice
correct,
efficient
slide
technique.
53.
Take
a
list
of
questions
to
your
lesson.
54.
Carve
out
some
alone,
quiet
time.
55.
Visualize
your
future.
56.
Maintain
your
physical
health
–
exercise.
57.
Monitor
hand
positions
while
holding
the
instrument.
58.
Practice
both
standing
and
sitting.
59.
Practice/perform
a
piece
that
has
not
been
recorded.
60.
Practice,
very
slowly
and
correctly,
a
scale
you
do
not
know
until
you
know
it.
61.
Keep
your
slide
in
great
shape
–
lubricate
often.
62.
Lubricate
your
valve(s).
63.
Lubricate
your
tuning
slides.
64.
Always
have
a
pencil
handy.
65.
Go
to
a
trombone
workshop/festival.
66.
Make
a
list
of
questions.
67.
Search
for
the
answers.
68.
Then,
ask
your
teacher.
69.
Read
an
ITG/IHS/ITEA
Journal.
70.
Read
an
old
Brass
Bulletin
or
Brass
Quarterly
magazine.
71.
Peruse
a
sheet-‐music
dealer
website
(Hickeys,
Just
for
Brass).
72.
Organize
your
orchestral
excerpts.
73.
Determine
all
the
key
centers
in
the
piece/etude/excerpt
you
are
practicing
74.
Peruse
another
trombone
teacher’s
website
75.
Download
their
materials.
76.
Schedule
your
practice
times.
77.
If
taking
lessons,
complete
the
assignments.
If
not
taking
lessons,
make
assignments,
complete
them.
78.
Update
your
resume/vita.
79.
Maintain
a
file
of
recordings
of
your
playing
-‐
wide
variety
of
styles.
80.
Write
a
generic
cover
letter
for
an
orchestral
audition.
81.
Write
a
generic
cover
letter
for
a
teaching
position.
82.
Plan
your
practice/preparation
strategies.
83.
Create
new
practice/preparation
strategies
–
determine
if
they
work.
83.
Practice
lots
of
ear-‐training
exercises.
84.
When
listening
to
another
trombonist,
listen
at
least
as
much
to
the
music
as
you
do
to
how
they
play.
85.
Play
duets
with
a
trumpet
or
saxophone
player
–
keep
up.
86.
Do
some
aerobic
exercise.
87.
Play
along
some
with
recordings
–
solos,
orchestral
,
jazz
solos.
88.
Be
patient.
89.
Strive
for
greatness/excellence,
not
perfection.
90.
Enjoy
the
progress/improvements
you
are
making.
91.
Note
the
tempi
of
many
different
versions
of
the
same
orchestral
excerpt.
92.
Play
everything
you
practice
at
half
speed
for
an
entire
week.
93.
Don’t
touch
the
bell.
94.
Figure
out
what
your
heroes
did
to
get
where
they
are
(do
that
–
thank
you
PE).
95.
Read
a
book
on
sports
psychology.
96.
Read
a
book
about
acting.
97.
Imagine
the
greatest
trombone
sound
–
play.
98.
Monitor
your
body
for
any
unneeded
or
excessive
tension.
99.
Listen
to
music
with
others.
Talk
about
it.
100.
Add
to
this
list.