Call Me Irresponsible - FULL Big Band (Vocal) Michael Buble'

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Vocal

As recorded by Michael Bublé and Holly Palmer....

Down with love


By Harold Arlen
Medium/fast Swing (q=160) Transcribed and Arranged by Matt Amy
5


Female Enters

 Male Vocal 
    

   

Female Vocal

   
  
 
     
Down with love, the flow ers and rice and shoes.

 
      

   

       
      
Down with love, the root of all mid - night blues.


13

    

 
            

Down with things that give you that well known ping.

     


 
 
           
Take that moon and wrap it in cel - lo - phane
2 Down with love Vocal


21
 
             
 
Down with love let's liq - ui - date all it's friends. The


     

    
       
    
moon, june and ros - es and rain - bow's ends.


     


29

          
 
Down with songs that moan ab - out night and day.


     

         
              
Down with love yes, let's take it a - way a - way. Take it a - way

      
    

Take it a - way
Down with love Vocal 3


37
        
     


take it a - way Give it back

               
 
take it a - way Give it back

     
                  

  
to the birds and the bees and the V - en nesse

   
         
    
 
to the birds and the bees and the V - en nesse


45

               


    
Down with sighs and down with cup - id

  
       
 
Down with eye's rom - an - tic and stu- pid.

  
             

 
 

Bro - ther let's stuff that dove, down with love.

 
      
      
Bro - ther let's stuff that dove, down with love.

 
53 Shout
   
  

  Down



4 Down with love Vocal


61
  
             


with things that give you that well - know pain, Take

    

             
      
 
that moon and wrap it in a cel - lo phane.


   

 
69

   

 
      
Down 3 with


77

     

  
          
songs that moan ab - out night and day.

 
  

   
  
   3 Take it a - way
     

3
              
Down with love, take it a - way a - way Take it a - way
Down with love Vocal 5


85

      
       
take it a - way Give it back

   
           
take it a - way Give it back

  
       
    
             

  
to the birds and the bees and the Vi - en esse

         
             
to the birds and the bees and the Vi - en esse


93
      
  
    
Down with sighs and down with cu - pid.

          


           
Down with eyes, rom - an - tic and stu - pid Down with sighs and down with cu - pid

    
 
           

 
Bro -ther let's stuff that dove. Down

       
        
    
Bro -ther let's stuff that dove Bro -ther let's stuff that dove. Down
6 Down with love Vocal


101
 3 3

  
 
      

    
 with love. 
  
Down
   


with love. Down with love.



 
     


with love.

  
Down with love.

 
 
Down with love.
1st Alto Sax

As recorded by Michael Bublé and Holly Palmer....

Down with love


By Harold Arlen
Transcribed and Arranged by Matt Amy

    
  
Female Enters
Medium/fast Swing (q=160)
5
   
 
      
   
f

      

              
 


13
                
   
        
f mf fp

    
 
       
 
   
     
  
fp f sf

21
               
 
 
         
mf sfz

29
     
    
     
  
 
 
mf


     3                
   
2 Down with love 1st Alto Sax

37
                  
     
mf 3 3

     
        

     

 

 
sfz mf f

         

45
        
      
f f

53
 
Shout

              
         
f

  
 
61
        
  
mf f

          
               

ff
Down with love 1st Alto Sax 3

69

 
     3
  
                    
f f

           
  

 
   
  
       
mf


77
  3     
     
mf f

          

         

85
     

    

         
        
f

            
 
            
f
4 Down with love 1st Alto Sax

  
93
   
       
          
mf

     
   

      
f
 101
   
  
                      

 
3 
 3    3   3 
        
       
mp f
2nd Alto Sax

As recorded by Michael Bublé and Holly Palmer....

Down with love


By Harold Arlen
Transcribed and Arranged by Matt Amy

 
       
Medium/fast Swing (q=160) 5 Female Enters
  
      
    
f

       
          

      


13
               
   
       

f mf fp

     

       
        
   
fp f sf

        
         
21
    


  


  
mf sfz


29
           
       
mf

    3               


   
mf
2 Down with love 2nd Alto Sax

37
     
              

  
mf 3 3

  
         
             

 
sfz mf f

45
               
 
         
  
   
f f

53
 
Shout
          
    
 
      
f


61


        
    

mf f

      
   
           
ff

69
   

3
                           

f f





                    
     
mf
Down with love 2nd Alto Sax 3

77
 3     
    
mf f

         
           

85
            
    

        
 
f

                 
    
   
 
f

  
93
         
 
          
 
mf


  
      
      

f

101
    
 
       
   
                

     
    
  3   3   3  3

        
mp f
1st Tenor Sax

As recorded by Michael Bublé and Holly Palmer....

Down with love


By Harold Arlen
Transcribed and Arranged by Matt Amy

      
  
Medium/fast Swing (q=160)
5 Female Enters

  

        
f

       
             


                 
13
 Trom 3 cue

     
mf f

     
     


       
   PLay
  
  

2nd alto

         
mf fp fp f sf

 
21
    

3rd bone cue
 
         

      
  
     
Play

      

mf sfz
29
   
    
3rd bone cue
          
 

 f mf

    3                  


  
mf
2 Down with love 1st Tenor Sax

37
               

       
 
mf 3 3

 

     3rd Bone cue
     
  
3   Play 
      
      


sfz mf f

45 3rd Bone cue


 
  

  

    

     

  
  
   

mf

             
Play
 
              
f f

  
           
53 Shout


   

3rd Bone cue


 Soli

  

  
   
       
    
Play
  
 
mf f


61
     
        

mf f

    
       

           

ff
Down with love 1st Tenor Sax 3

69
   

 
                      
 
 
f f 3

     
            
          

mf

77
 3      
       
mf f

          
  
         

85

   
          

  
    
          


f

           
 
              
f
4 Down with love 1st Tenor Sax

93
       3rd Bone cue
 
   


mf mf

     
play

      
   

     

        
f
101
         
              

 
     
2nd alto cue

         3    3 


 
Play
 3   3  
   

mp f
2nd Tenor Sax

As recorded by Michael Bublé and Holly Palmer....

Down with love


By Harold Arlen
Transcribed and Arranged by Matt Amy
Medium/fast Swing (q=160)
 5

Female Enters

           


       
  
f

       
 

              


13
            
        
f fp

             
     
 
    

fp f sf

     

21
      
           
mf

    


29
 3
     

      
mf
sfz


37
  
        


sfz f

2 Down with love 2nd Tenor Sax


45
      
          
 
        

f f

 
Shout
53
      
                 
f


61


         
    

mf f

        
   
            

ff

69

                           
    
f f 3

                         
 
   
mf

77
  3      
    
mf f

    
        
 
      

Down with love 2nd Tenor Sax 3

85

 
  
             
               

f

  
         
       
      
f

93
        
    
 
 
    
 
mf

    
         
 

f

101
      

      
 

    
 
     

        
     
  
f
Bari Sax

As recorded by Michael Bublé and Holly Palmer....

Down with love


By Harold Arlen
Transcribed and Arranged by Matt Amy
Medium/fast Swing (q=160)
 5

Female Enters

     
  
         
 
f

       
       


   
 

13
 Trom 4 cue
   
 
     
         
mf f

            
        

  
     
2nd alto
 
   
  
mf fp fp f sf

21
 4th bone cue
      
          

mp   mf

      
f

    Play  
              
   
mf sfz

29 2nd alto cue                
  
4th bone cue

         
 f mf


 
2nd tenor Cue
3       
    
mf
2 Down with love Bari Sax


37
  4th Bone cue
          3   
Play

       
 
  



sfz mf f

45 4th Bone cue


 
  
  
     
  
   
   
    

   

mf

2nd Tenor cue


                  
play
   


 

     

f
f

53

Shout
       
      
 
  

4th Bone cue


 
 Soli
   
 
 
       
    Play 
  
  
 
mf f


61


        
  
mf f

        
 
           
  
ff
Down with love Bari Sax 3

69
                 
              
 3
f f


 
       
      
          


mf

77
  
        
f


  
     
           
 

85
     
    
      
           

f

           
        
  
  
f
4 Down with love Bari Sax

  
93
    4th Bone cue
 
       
      
mf mf

        

play

    
      
   
f

101
  
   
  
 
                
          


        
3 3
3
   3

  
 
           
mp f
1st Trumpet
As recorded by Michael Bublé and Holly Palmer....

Down with love


By Harold Arlen
Transcribed and Arranged by Matt Amy

       
Medium/fast Swing (q=160)
5

Female Enters

 
        
f

           

         

13
        
              

f sf

21
   29

           

sfz mf

         
Harmon - No stem
   

mf

37 Open up
       

  


   

sfz f

  
45
    
        
f

        
       
f
2 Down with love 1st Trumpet

53    
Shout
    
 
             
 

       
f

  
61
      
      
f

       
            
  
mf ff

69
                 

               
 
f


 
      
           
           
 

77
     


              

f


      
85
          
    
 
  
 
    

mf


f


     
        
    
f
Down with love 1st Trumpet 3

 
      
93
  
        
f f
101
      

      
 

    
 
     
 
    
       
 
f
2nd Trumpet

As recorded by Michael Bublé and Holly Palmer....

Down with love


By Harold Arlen
Transcribed and Arranged by Matt Amy

Medium/fast Swing (q=160)

       
5 Female Enters

   
        
f

  
 

 
 
        
    

   
13
    
          

f sf

21
  
29
 
           
sfz mf

Harmon - No stem
             

mf

37
   3   
       
          
mf 3

 
    

       Open

  



f
2 Down with love 2nd Trumpet


45
    
        
f

  
    
         
f
53

Shout
 
                
   

   
 
f


61
  
         
 
f

        
  
  
  
       
  
mf ff

           
69
  
             
  
f

    
        
         
   

 
77
 
2nd Alto Cue Play
3
        
mf f

    
                  
 
Down with love 2nd Trumpet 3

  
 
 
85
      
    
 
     
        

    
f mf

       
            
mf f

 
93
  

         
 
f f
101
   
     
               
    
 
           
  
f
3rd Trumpet

As recorded by Michael Bublé and Holly Palmer....

Down with love


By Harold Arlen
Transcribed and Arranged by Matt Amy

     
   
Medium/fast Swing (q=160)
5 Female Enters

   
        
f

  
 
       
        

 
 
13
  
 
          

 
f sf


21
 
29

         
 
sfz mf

        
Harmon - No stem
             

mf


37 Open up
      
      


sfz f


45
    
         
f

       
        
f
2 Down with love 3rd Trumpet

53

Shout

               
  

  
      
f


61
 
           
 
f

              
            
 
ff
mf

          
69
   
 
             

f

 
 
     
           
   

   

 
77
2nd tenor Cue


3 Play
          
mf f

    
 
            

  
Down with love 3rd Trumpet 3

85
  
  
  
    
              
       

  
f mf

    
   
   
            
mf

 
f
93

 
    
           
f f
101
      

      
 

    
 
     

    
          
 
f
4th Trumpet

As recorded by Michael Bublé and Holly Palmer....

Down with love


By Harold Arlen

Medium/fast Swing (q=160) Transcribed and Arranged by Matt Amy

   
       
Female Enters
5
   
    
  
f

       
               

13
   
 
   
            
   sf
f

21
  
29

   
sfz

37 Open up
      
     


sfz f

45
   
  
       
  

f

  

       
    
f
2 Down with love 4th Trumpet

53
    
Shout

          
                 
f

61
 

 
          
f

     
        
   
         
 
mf ff

                       
69

       
f

                       
    

77
  
        
    
          
 
f

85

                


    

            
  
f mf

          
    
         
 
mf f
Down with love 4th Trumpet 3


 
93
     
           
 
f f
101
         
              

 
     

    
 
       
 
f
1st Trombone

As recorded by Michael Bublé and Holly Palmer....

Down with love


By Harold Arlen
Transcribed and Arranged by Matt Amy

            

Medium/fast Swing (q=160) Female Enters
5
        
f

           
         

13
               
    

mf f

       
    
      
fp fp mp sf

21
        
          
mp f mf

        
 
         
sfz


 

3
29
 
     



f mf
2 Down with love 1st Trombone

37

               
              
sfz

          
3  
   


    


mf f

45
                     
               
mf

      
     
       

 
f f

53
             
    
Shout

        

   
   
     
  
  
Soli
          
mf f
Down with love 1st Trombone 3

61 2nd Alto cue


    
Play      
        
mf f

2nd Alto cue


    
  
         
  
   
 
Play
 
    

   
mf ff

               
69
      
            

f

             
      
           

mf

77
    
 
      
f

     
      
           

4 Down with love 1st Trombone

                          
85  
         

f mf

   
     
 
   
            
mf f

93          
        
f mf

            
  
    
     
f


101
   
      
           
     

  
3    3    3    3 

         
   
mp f
2nd Trombone

As recorded by Michael Bublé and Holly Palmer....

Down with love


By Harold Arlen

    
Transcribed and Arranged by Matt Amy
Medium/fast Swing (q=160)
      
5
Female Enters

        
f

             
         

13
               
  
   
mf f

     
 
         
fp fp mp sf

21
       
          
mp f mf

    


          
sfz

     3    
29
     



f mf
2 Down with love 2nd Trombone

37
             
              
sfz

               
3
  

   
   




mf f

45
        

              

    
        
mf

        
            
f f

      
Shout
53 
         
        

   
   
    
  
Soli
   
         
mf f


61 2nd tenor cue
     
Play
      
        
mf f

       
        
2nd tenor cue
 Play
 
 
          

mf ff
Down with love 2nd Trombone 3

                  
69
      
        

f

                    
     
       

mf

77
      
      

f

           
            

              


  
     
85
    
   
  

f mf

           


  
             
mf f
4 Down with love 2nd Trombone

93
         
        
f mf

       
 
 
    
     
f

101
   
            

               


 
3    3   3   
3
          
   
mp f
3rd Trombone

As recorded by Michael Bublé and Holly Palmer....

Down with love


By Harold Arlen
Transcribed and Arranged by Matt Amy

   
Medium/fast Swing (q=160)
 5
    
Female Enters

 
 
        
f

  
 
 
  
     
         

13
                   

mf f

         
           
fp fp mp sf

21
      
           
mp f mf

    
     

       
sfz
2 3rd Trombone

  
29 3  
  
 
    
f mf

    
37
           
          
sfz

         

    
3  
     
  



mf f

45
         
        
      
 
 
         

mf

 

                  

f f

  
Shout
53
        
    
        

 
  
     
    
    
Soli
          

mf f

61
       
      
f

       
   
            

 
ff
mf
Down with love 3rd Trombone 3

                  
69
      
         

f

     
                
           

mf

77 
              

f

 

  

   
            


            


85
     

        
      
f mf

    
      
  
              
mf f
4 Down with love 3rd Trombone

 
 
93
         

     
f mf

             


      
f

101
   
      
           
     

 
           
   
f
Bass Trombone

As recorded by Michael Bublé and Holly Palmer....

Down with love


By Harold Arlen
Transcribed and Arranged by Matt Amy

Medium/fast Swing (q=160)

 5

Female Enters

   
 
  
       
  
f

    
        
          

13
            
       
mf f

     
           

fp fp mp sf

21
     
            
mp   mf
f

      
       
  
sfz
2 Down with love Bass Trombone

 

29
3  
  
    



f mf

          
37
     
  
   
  
  
sfz

          
        
3  
   



mf f

45
                 
            

mf

            
  
     
f
f

  
53 Shout
   
 
   
           

 
  
 
       
  
Soli
           
 
mf f
Down with love Bass Trombone 3

 
61
     

     
f

         
               
mf ff

            
69

 
  
             

f

          
 
 

     
        
 
mf

77
   
         

f


               
      

       
85
            

        
f mf

      
        
        

f
4 Down with love Bass Trombone

 
93

 
        
       
f mf

        
 
    

       

f

101
   
            

               

 3
  
3

3 3

       
                
mp f
Guitar

As recorded by Michael Bublé and Holly Palmer....

Down with love


By Harold Arlen
Medium/fast Swing (q=160) Transcribed and Arranged by Matt Amy

soli - Muted
                        
               
mp

Female Enters
5

                      
F#13 Ebdim7 F#13 C#13 F#7[åÁ]
       
  

                 
         
Bb-9 Eb13 Bb13(#11) G7(#5) C#-9(b5)F#9
        

13 B13 D9 F#9 Bb13(b11) A13 F#9 E^9 C#9 A13[áÅ]



                    

  
Ab-7 Ebdim7 Eb-/Db F#13(#11) G#-9[äÂ] C#-13[áÁ]
 
              

21 F#^11 Bb-9(#5) C#7 F#13 C#9



                

  
F#13 C#9/F# F#13 C#9/F# F#13 F#-7(b5) E9 B-9 C-9 F#-7/C# C9

               
2 Down with love Guitar

29 B13 E9 Bb-9 A13 Eb7(b9)



                

Ab-11 C#-9 F#7 C#9 F#7 C#9



                

37 B13

B-6 C-13(b5) C#13 Bb7[åÁ]

                 

Eb-9 Bb9 Eb-9 Ab-9 C#9



                

45 F#% B9 Ab-9 F#13 F-11 E13 Eb7[áÆ]



                

    
B13 Ab-13 C#9
  
        
         
Shout
53 A-11 D9 G13 E-9(b5) A-% D7(b9)
G%

                

    
G13 A-9 D7(b9) G% D7[äÁ] G13 Db7[áÁ]

            
Down with love Guitar 3

61 C13

         
G9 G9 D9 E^7(b9)A9

            

       


     
Bb9(#11) D-11[äÁ] Eb7[åÅ] Eb13(b11) Eb7[äÁ]

            
 


69 Ab13(b11)

          
Bb-9 Eb9 Ab13[âÁ] E7(b9) Bb-9 Eb7[äÁ]
          

        
Ab% Bb-9 Eb7(b9) G13(#11)Ab13(#11)G13(#11) Ab13(#11) Eb7[åÁ] Db^13(b11)Ab13 C7[äÁ]
              

77Db9 3
Gb9 C-7(#5) C-7(#5)G-7Eb-7(b5) F13(b11) B9
                
 

Bb13(b11) Ab6[äÁ] F-11[äÁ] Eb7(#9) Eb7[äÁ]


              

 

  
4 Down with love Guitar

85 Db9 G13 C^7[äÁ] Db^13(#11)B13Bb13 E13[áÁ]


                     

           
F-11 Bb-7 Bb13[áÁ] B-13[áÁ] E-13(b5)

         


93 A13

 
A13 G7[âÀb9] F#-13[áÅ] F7[äÁ]
 
              

Bb^7[äÁ] B13(b11) C#-9 C13(b11) B9 C#13 E9


 
                   
 

101
       
            
              

A13
   3

 
3    3    
             
3


     
        
mp
Piano

As recorded by Michael Bublé and Holly Palmer....

Down with love


By Harold Arlen
Transcribed and Arranged by Matt Amy
Medium/fast Swing (q=160)

                        
soli

               
mp

                              


       

5
    
Female Enters

  
              

              
       F#13 Ebdim7 F#13 C#13 F#7[åÁ]
            

               
        

               
       Bb-9 Eb13 Bb13(#11) G7(#5) C#-9(b5)F#9
            
2 Down with love Piano

13

     
 
 

  

B13 D9 F#9 Bb13(b11) A13 F#9 E^9 C#9 A13[áÅ]
                    


     


Ab-7 Ebdim7 Eb-/Db F#13(#11) G#-9[äÂ] C#-13[áÁ]
                

21
   
         

F#^11 Bb-9(#5) C#7 F#13 C#9


                

   


 
      
   

        

      
F#13 C#9/F# F#13 C#9/F# F#13 F#-7(b5) E9 B-9 C-9 F#-7/C# C9
            
Down with love Piano 3

29

       

 
 
    
B13 E9 Bb-9 A13 Eb7(b9)
                


  ss.
   
  

 gl i
 

   
Ab-11 C#-9 F#7 C#9 F#7 C#9
               


37
 
   
B13
    
B-6 C-13(b5) C#13 Bb7[åÁ]

            


    
Eb-9 Bb9 Eb-9 Ab-9 C#9
                
4 Down with love Piano

45
  
  
 
   
        

F#% B9 Ab-9 F#13 F-11 E13 Eb7[áÆ]
               


                   
 
   
  
 
 
D13


            
B13 Ab-13 C#9

       
 
  

53 Shout
 
       
      
G% A-11 D9 G13 E-9(b5) A-% D7(b9)
               


  
       
     
mf

    
G13 A-9 D7(b9) G% D7[äÁ] G13 Db7[áÁ]
            
Down with love Piano 5

61
     

         
C13 G9 G9 D9 E^7(b9)A9
           


        


           

         
Bb9(#11) D-11[äÁ] Eb7[åÅ] Eb13(b11) Eb7[äÁ]
      
   

  

69

      

          
Ab13(b11) Bb-9 Eb9 Ab13[âÁ] E7(b9) Bb-9 Eb7[äÁ]
        



     

            
Ab% Bb-9 Eb7(b9) G13(#11)Ab13(#11) G13(#11) Ab13(#11) Eb7[åÁ] Db^13(b11)Ab13 C7[äÁ]
          

6 Down with love Piano

77

     
3
Db9 Gb9 C-7(#5) C-7(#5)G-7Eb-7(b5) F13(b11) B9
              
 


     

ss.
gli

Bb13(b11) Ab6[äÁ] F-11[äÁ] Eb7(#9) Eb7[äÁ]


            

   
 
mp

85 

     
Db9 G13 C^7[äÁ] Db^13(#11)B13Bb13 E13[áÁ]
                     

 
      

           
F-11 Bb-7 Bb13[áÁ] B-13[áÁ] E-13(b5)
           

Down with love Piano 7

93
    

 
A13 A13 G7[âÀb9] F#-13[áÅ] F7[äÁ]
  
            


     

          
Bb^7[äÁ] B13(b11) C#-9 C13(b11) B9 C#13 E9
       

  

101
       
           
              
    
              
  
    
     


   3
3    3     
              
3


     
          
 3 3 3 3
mp f
   
       
               
Bass

As recorded by Michael Bublé and Holly Palmer....

Down with love

By Harold Arlen

Medium/fast Swing (q=160) Transcribed and Arranged by Matt Amy

     
Soli
                         
      
mp mp

5 Female Enters

                       




        

  
   
                    
      

13 B13 D9 F#9
                    

Ab-7 Ebdim7 Eb-/Db F#13(#11) G#-9[äÂ] 


                

21 F#^11 Bb-9(#5) C#7 F#13 C#9


                

F#13
                   
  
2 Down with love Bass

29 B13 E9 Bb-9 A13 Eb7(b9)


               


Ab-11 C#-9 F#7 C#9 F#7 C#9


                

37 B13 C-13(b5) C#13


         
        

Eb-9 Bb9 Eb-9 


        
3
   
    

45 F#% B9 Ab-9 F#13 F-11 E13 Eb7[áÆ]


                


       
B13
 
         
      
Down with love Bass 3

Shout
53 G% A-11 D9 G13 E-9(b5) A-% D7(b9)
               


  
G13 A-9 D7(b9) G%
              

61 C13
         
     
  

A9 Bb9(#11) D-11[äÁ]
       
       
          
 

69 Ab13(b11) Bb-9 Eb9


                   
   

         
Ab% Bb-9 Eb7(b9)
          
    
4 Down with love Bass

77 Db9 Gb9
 3
        
    


             
  
mp

85 Db9 G13
             
   
    

F-11 Bb-7
                    

93 A13

 
A13 G7[âÀb9] F#-13[áÅ] F7[äÁ]
              

            
Bb^7[äÁ] B13(b11)
      
   


101
   
      
           
     

 3
  
3

3 3

  
          
  
     
f
mp
Drums

As recorded by Michael Bublé and Holly Palmer....

Down with love


By Harold Arlen
Transcribed and Arranged by Matt Amy

Medium/fast Swing (q=160)

    
           
Soli - Time with High Hat
               
                

mp

5
    Brass   
Female Enters


               

                
f

     
            
Brass 
Rhythm

         
                

13
Time - ride
  (4) 

(2)
                       
                
f


 (8)   
                
(6)

sf

21 Time - ride (2)


           
                
(4)


   
                
(6) (8)

sfz
2 Down with love Drums

29 Time - ride (2)


           
                
(4)


                
(6) (8) Fill

37 (2)
           
                
(4)

 3  
         
                
(6)


 (4)    
45 (2)
           
                


         
  
                
(6)

53  Shout
  (2)   
             
   (4) 
  
                


 (8)
  
                
(6)

f
Down with love Drums 3

61 (2) "Jungle drums" (4)

                    

         (8) 
               
Stright
    (6) 
                
mf ff

69        
                    
  
                
f

     
          
          
 
                

77 Time - ride 3
   
                
(2) (4)

mf

   (6)  
         
        Fill (8)
                
f
4 Down with love Drums

    
          (2)             (4)  
85

                
f mf

    (8) 
               
                
(6)

mf f


 
93

                
(2) (4

    (8)
         
                
(6)

       
           
101
        
            

  
                   
3 3
  3 3
 
               
mp f
As recorded by Michael Bublé and Holly Palmer....

Down with love By Harold Arlen


Transcribed and Arranged by Matt Amy
*Cross cues exist so chart can be played with 1st Alto, 1st tenor, Bari Sax, 1st, 2nd and 3rd Trumpet, 1st and 2nd Bone and Rhythm section


Medium/fast Swing (q=160) 5 Female Enters

Voice 1 (Male)   
            

       


          

      
          
Voice 2 (Female)

    

  
Down with love, the flow ers and rice and shoes. Down with love, the root of all mid - night blues.

        
1st Alto Sax                                  
f

     
      
        
                            
2nd Alto Sax   

f

                 
                               
1st Tenor Sax

f

           


           
              

         
2nd Tenor Sax
  
f

          
        
            
              
Bari Sax
   
      
f

     
      
  
1st Trumpet                           

  
f

 
   
            
2nd Trumpet                           


f

       
             
           
3rd Trumpet                  
f

     
           
   
         
4th Trumpet                     
                   
f

   
1st Trombone  
                        

         
f

            
                         
2nd Trombone 

 
f

        
     
       
3rd Trombone
 
                       
f

              
           

   
               
Bass Trombone   
f
soli - Muted
   
                                                                                   
F#13 Ebdim7 F#13 C#13 F#7[åÁ] Bb-9 Eb13 Bb13(#11) G7(#5) C#-9(b5) F#9
                
       


Guitar
mp


soli
   
  
     
              
                                                        
    
mp

                        
                                    
F#13 Ebdim7 F#13 C#13 F#7[åÁ]
                
Bb-9 Eb13 Bb13(#11) G7(#5) C#-9(b5) F#9
Piano
          
            

  
            
Soli
                                               


                      
Bass          
         
mp mp
 Brass          
                                                           
              Brass
Soli - Time with High Hat Rhythm
  
    
Drums                                                  
f
mp
2

Harold Arlen
Transcribed and Arranged by Matt Amy


13

Voice 1 (ML)          




                  
Voice 2 (FML)
     
  
    
   

            
Down with things that give you that well known ping. Take that moon and wrap it in cel - lo - phane

    
         
A. Sax.                   

f mf fp fp f sf
 
    
 
          
     
            
A. Sax.                 
 
     
f mf fp fp f sf
     

                       
Trom 3 cue 2nd alto  PLay

T. Sax.                  

   
mf f mf fp fp f sf

 

       
 
   
          

      




 
T. Sax.   
f fp fp f sf

   
    
  

         

Trom 4 cue 2nd alto

  
 

                          
B. Sax.
      
 
mf f mf fp fp f sf

    
      
     
Tpt.          

 
f sf

        
Tpt.                
f sf

      
Tpt.     
  
  
          
f sf

      

                
  
Tpt.

       
     
sf
   
 
f
         
Tbn.           
 
f
 
mf fp fp mp sf

           


      




  
Tbn.        

   
mf f fp fp mp sf
         
 
  
                     
Tbn.


mf f fp fp mp sf

     
                

            
B. Tbn.
 
mf f fp fp mp sf


B13 D9 F#9 Bb13(b11) A13 F#9 E^9 C#9 A13[áÅ] Ab-7 Ebdim7 Eb-/Db F#13(#11) G#-9[äÂ] C#-13[áÁ]
 
                                    


Gtr.


          
  
  



Pno. B13 D9 F#9 Bb13(b11) A13 F#9 E^9 C#9 A13[áÅ] Ab-7 Ebdim7 Eb-/Db F#13(#11) G#-9[äÂ] C#-13[áÁ]

                                   
B13 D9 F#9 Ab-7 Ebdim7 Eb-/Db F#13(#11) G#-9[äÂ] 
Bass
              
                    
 
   (4)  

Time - ride
  
(2)
                       
                               
(6) (8)
Dr. 
f sf
3


21
  
  
                
Voice 1 (ML)
        
Down with love let's liq - ui - date all it's friends. The moon, june and ros - es and rain - bow's ends.



Voice 2 (FML)        


   
   
 
 
      
       
 
     
 
A. Sax. 


mf sfz

  
  
  
        
A. Sax.       
            

mf

  
sfz
  
 
  

     
3rd bone cue
    Play

T. Sax.      
               

mf sfz
  
      
   
T. Sax.                     
 


mf
sfz
   
   
4th bone cue
         Play

           
              
 
B. Sax.
    
mp mf mf sfz
 

f

    
Tpt.          
sfz

 
Tpt.             
sfz

 
Tpt.             
sfz

  
Tpt.              
 
sfz

                 
Tbn.                     
mp f mf sfz

            


Tbn.
                    
mp f mf sfz

             


Tbn.
                    
mp f mf sfz

          


B. Tbn. 
                   
    
mp mf sfz
f


F#^11 Bb-9(#5) C#7 F#13 C#9 F#13 C#9/F# F#13 C#9/F# F#13 F#-7(b5) E9 B-9 C-9 F#-7/C# C9

                                


Gtr.  

   

 
  
                  
       
Pno.


F#^11 Bb-9(#5) C#7 F#13 C#9 F#13 C#9/F# F#13 C#9/F# F#13 F#-7(b5) E9 B-9 C-9 F#-7/C# C9
                                 
F#^11 Bb-9(#5) C#7 F#13 C#9 F#13
  
Bass
                 
  


            


Time - ride
  
(2)
           
                               
(4) (6) (8)
Dr. 
sfz
4


29
 
Voice 1 (ML)           
 

   


            
Down with songs that moan ab - out night and day. Down with love yes, let's take it a - way a - way. Take it a - way

 
  
Voice 2 (FML)             

                
Take it a - way

         3     
A. Sax.               
mf

            


A. Sax.                
       
3        
mf mf

                 
       
3
    
3rd bone cue

                

T. Sax.
f mf mf

  3
     
T. Sax.            
mf

2nd alto cue            2nd tenor Cue
 
  
  3   
4th bone cue
 
        
     
 f
B. Sax.
mf mf

        
Harmon - No stem
       
Tpt.           
mf mf

  Harmon - No stem

Tpt.                         


mf mf


Harmon - No stem
    
                    
Tpt.     
mf mf


Tpt.         

     
3


Tbn.           
mf


f

  3  
 
Tbn.          
f mf

   3  
          
Tbn. 
f mf

 3  
 
 
        
 f
B. Tbn.
mf

B13 E9 Bb-9 A13 Eb7(b9) Ab-11 C#-9 F#7 C#9 F#7 C#9

                               


Gtr.  


   
  
            gliss.
      

     
Pno.
B13 E9 Bb-9 A13 Eb7(b9) Ab-11 C#-9 F#7 C#9 F#7 C#9
                                
B13 E9 Bb-9 A13 Eb7(b9) Ab-11 C#-9 F#7 C#9 F#7 C#9
Bass
                                
Time - ride (2) 
           
                               
(4) (6) (8) Fill
Dr. 
5


37
     
Voice 1 (ML)   
       
                      
take it a - way Give it back to the birds and the bees and the V - en - nesse

     

                            
Voice 2 (FML)   

            
take it a - way Give it back to the birds and the bees and the V - en - nesse

       
                 

          


A. Sax.


mf 3 3 sfz mf f


 
                    
 
A. Sax.     
                


3 3


mf sfz mf f

 


                
      
 

3rd Bone cue Play
 3
      
 
         

      


T. Sax.


mf
3 3 sfz mf f


   
T. Sax.               


sfz


f


     
4th Bone cue
3
Play
  
 
    
B. Sax.       
  
     


  
sfz mf f

 
  

 
 Open up

    


Tpt.         
sfz f

 3
        

Open

                             




Tpt.


mf 3 f

 Open up
    
              


Tpt.



sfz f

 Open up
   
           


Tpt.


        


sfz

f
   
3
                
  


                



Tbn.

  
sfz mf f

         
3
      
         
                  




Tbn.


 
sfz mf f

        
   
 
    

    


 
  

      3


 


Tbn.


sfz mf f

                     3      
        
              
  


B. Tbn.


sfz mf f



B13 B-6 C-13(b5) C#13 Bb7[åÁ] Eb-9 Bb9 Eb-9 Ab-9 C#9
 
                                 


Gtr.



        


Pno.
B13 B-6 C-13(b5) C#13 Bb7[åÁ] Eb-9 Bb9 Eb-9 Ab-9 C#9

                                
B13

C-13(b5) C#13
  
Eb-9 Bb9 Eb-9 
                  
3
       
Bass     
 3  
 
(2)
                   
                               
(4) (6)
Dr. 
f
6


45
 
   

             
Voice 1 (ML)
       
Down with sighs and down with cup - id Bro - ther let's stuff that dove, down with love.

 
Voice 2 (FML)        
        
            

  
Down with eye's rom - an - tic and stu - pid. Bro - ther let's stuff that dove, down with love.

          
A. Sax.                     

  
f f

   

      

 

        

          

A. Sax. 
f f

      

Play

   
 
3rd Bone cue
 
         
       
T. Sax.   

                       

    
f f
mf

      
      

T. Sax.          
 
           
f f
2nd Tenor cue
 
4th Bone cue
  

          
play
        
      
 
     

 
                 
B. Sax.

      
f

    
mf f

   
Tpt.                
  
 
     
f f


    
 
Tpt.                  
      
f f

  
          
Tpt.                     
f f

    
   
      

              
Tpt. 
     
f f

               
     
  

    
Tbn.                    

   

 
f f

        
mf

                
Tbn.
                       
   
f f

  
mf

         
           
                       

   
Tbn. 
f f
mf

        
B. Tbn. 
 

  
       
             
                  
f
mf f


F#% B9 Ab-9 F#13 F-11 E13 Eb7[áÆ] B13 Ab-13 C#9
  
                     


   
Gtr.            

   


 
   
               
   
      

  
      

     
Pno. D13

 
F#% B9 Ab-9 F#13 F-11 E13 Eb7[áÆ] B13 Ab-13 C#9
       
                           
   



F#% B9 Ab-9 F#13 F-11 E13 Eb7[áÆ] B13
     
   
 
                   
        
Bass 
 
        
(2)
                   
                               
(4) (6)
Dr. 
f
7


53 Shout
          
Voice 1 (ML)   
Down


Voice 2 (FML)         

             
 
A. Sax.                
f

         
A. Sax.           
        
f

  
    
3rd Bone cue
       Soli
    
Play

   
    
T. Sax.      
               
mf f

 
    
 

T. Sax.             
      
f
4th Bone cue
 


           Soli
         
Play

       
               
B. Sax.   

mf f

   
             
Tpt.                 
f

      
                 

     

 
Tpt. 
f

         
Tpt.      

           

       
f

 
         

Tpt.                         
       f

             
   
    Soli
  
Tbn.                     

  
mf f

   
                   

Soli

Tbn.
                     

 
mf f

                
         
Soli
                    
Tbn.  
mf f

            
           
Soli
  

                   
B. Tbn.   
mf f


G% A-11 D9 G13 E-9(b5) A-% D7(b9) G13 A-9 D7(b9) G% D7[äÁ] G13 Db7[áÁ]

                               


Gtr. 

       
  
             

    
mf


Pno.
G% A-11 D9 G13 E-9(b5) A-% D7(b9) G13 A-9 D7(b9) G% D7[äÁ] G13 Db7[áÁ]
                              
 

  
G% A-11 D9 G13 E-9(b5) A-% D7(b9) G13 A-9 D7(b9) G%
Bass
                              

       


         (2)              
(8)

                               
(4) (6)

Dr. 
f
8


61
           

                       
Voice 1 (ML) 
with things that give you that well - know pain, Take that moon and wrap it in a cel - lo - phane.


Voice 2 (FML)            

      
           
                     

A. Sax.   


mf f ff

 
      


         

             
   
A. Sax.  


mf f ff

   
 
 
 

      
   

    

         
T. Sax.
  


mf f ff

 
     


          

            
   
 

T. Sax.  

mf f ff

 
 
       
 
                    
B. Sax.
   
   
 
mf ff


f

        
     
Tpt.                    

 
f mf ff

 
   
      
Tpt.       

                   
f mf ff

   
    
         
                          
Tpt.

f ff
mf

     
       

      
                          
Tpt.

     

f ff

mf
  
 
Play       
2nd Alto cue 2nd Alto cue
     

  
    Play
       
       

Tbn.     

    
mf f mf ff

     
              
2nd tenor cue Play 2nd tenor cue
   Play
          



          
Tbn. 
 
mf f mf ff


   
    
       
         
           


Tbn.

f ff

  
mf

   
              

B. Tbn.                   
f mf ff

      

 
C13 G9 G9 D9 E^7(b9) A9 Bb9(#11) D-11[äÁ] Eb7[åÅ] Eb13(b11) Eb7[äÁ]
   
                                        


Gtr. 

    

             
    

 
Pno.
C13 G9 G9 D9 E^7(b9) A9 Bb9(#11) D-11[äÁ] Eb7[åÅ] Eb13(b11) Eb7[äÁ]
       
                         
   
      

C13 A9 Bb9(#11) D-11[äÁ]


       
Bass
         






           
     

 

   
         
    
(8)
(2) "Jungle drums" (4)
    (6)

Stright
        
Dr.                                     
mf ff
9


69

Voice 1 (ML)           

    
Voice 2 (FML)            
Down3

  
with

  
  
         
   
3
        
A. Sax.                              
f f mf

   

    
3
        
A. Sax.      

                              

   
f f mf

              
                                        
T. Sax.
  
f f 3 mf

 
  
        
                              
           

   
T. Sax.
 
f f 3 mf

                
     
         

                  

        

B. Sax.

    
3
f
  f
 

              mf
               
Tpt.                     

   
f

     
         
              



  
Tpt.               
f

           
            
   

            



 


   
Tpt.
 
f

      
   
                
       
 
Tpt.                       

          
f

            

           
Tbn.                    

   
f mf
                                 
                     
Tbn. 

    
f mf
                      
   


  
   
     


  
      


Tbn. 
f mf

                                      
B. Tbn.                     
f mf

    
Ab13(b11) Bb-9 Eb9 Ab13[âÁ] E7(b9) Bb-9 Eb7[äÁ] Ab% Bb-9 Eb7(b9) G13(#11) Ab13(#11) G13(#11) Ab13(#11) Eb7[åÁ] Db^13(b11) Ab13 C7[äÁ]
                             
    


Gtr.


          

    
Pno.
Ab13(b11) Bb-9 Eb9 Ab13[âÁ] E7(b9) Bb-9 Eb7[äÁ] Ab% Bb-9 Eb7(b9) G13(#11) Ab13(#11) G13(#11) Ab13(#11) Eb7[åÁ] Db^13(b11) Ab13 C7[äÁ]
                           
    

 
Ab13(b11) Bb-9 Eb9 Ab% Bb-9 Eb7(b9)
                   
             
Bass         
              
                                           
Dr.                                 
f
10


77

  

       
Voice 1 (ML)
  
Take it a - way

     3   3

                     
Voice 2 (FML)    

 
 
songs that moan ab - out night and day. Down with love, take it a - way a - way Take it a - way
    
3
       
   
A. Sax.           
mf f

   

 3          
A. Sax.                
mf f

 3              
 
T. Sax.                 
mf f

 

  3            
T. Sax.               

mf f

         
 
B. Sax. 
          

 

    

f
 
   
       
Tpt.             
f

   
    
2nd Alto Cue Play

     
3
                   
Tpt.
mf
 
f


2nd tenor Cue
3 Play     
  
                     
Tpt.      
mf f

 
   
  
Tpt.                 
      

 
f

      

      
               
Tbn. 
f

         
               
Tbn.              
f

     
                 
Tbn.              
f

  
           
B. Tbn.                      
f
3
Db9 Gb9 C-7(#5) F13(b11) B9 Bb13(b11) Ab6[äÁ] F-11[äÁ] Eb7(#9) Eb7[äÁ]
                       
C-7(#5) G-7 Eb-7(b5)
 

 
    


Gtr.


          

gliss.

Pno. 3
Db9 Gb9 C-7(#5) Bb13(b11) Ab6[äÁ] F-11[äÁ] Eb7(#9) Eb7[äÁ]
 
F13(b11) B9
                   
C-7(#5) G-7 Eb-7(b5)
       
 
mp

 
Db9 Gb9
 3
 
                       
Bass   
mp
    (6) 

3

                   
                               
Time - ride (2) (4) Fill (8)
Dr. 
mf f
11


85
 
      
          
Voice 1 (ML)
                     

  
take it a - way Give it back to the birds and the bees and the Vi - en - esse

      
Voice 2 (FML)                                

 

take it a - way Give it back to the birds and the bees and the Vi - en - esse

                          


                        
A. Sax. 
f f

                  
       
                         
A. Sax.
 
f f

                         


 
                        
T. Sax.

f f

  
    
       

                                     
T. Sax.
   
f f

        
              
      

B. Sax.                         

f

f

       
             
 
   
Tpt.

                     

 
f mf f

                     
Tpt. 
 

        
           
     

 
f mf mf f

    

   
     
     

           
      
    
    

Tpt.

f mf mf


f


   
          
Tpt. 
 
                                   
  
f
      
mf mf f
   
          

            

Tbn.                       

    
f mf mf f

              
      
            
Tbn.                     

 
f mf mf f

        

    
          

      
                    
Tbn.  

  
f mf mf f

                           


  
                
B. Tbn.  
f mf f


Db9 G13 C^7[äÁ] Db^13(#11) B13 Bb13 E13[áÁ] F-11 Bb-7 Bb13[áÁ] B-13[áÁ] E-13(b5)

                                   
   


Gtr.


 
         


Pno. Db9 G13 C^7[äÁ] Db^13(#11) B13 Bb13 E13[áÁ] F-11 Bb-7 Bb13[áÁ] B-13[áÁ] E-13(b5)
                                  
    

Db9 G13 F-11 Bb-7


                       
         
Bass      
    (4)       
                 
 
                        (8)

                              
(2) (6)

Dr. 
f mf mf f
12


93 101
   
    
        3 3

  
            
             
Voice 1 (ML)
Down with sighs and down with cu - pid. Bro - ther let's stuff that dove. Down with love. Down with love.

 
Down with love.

  
     
  
       

    
Voice 2 (FML)                        
 
 

   
Down with eyes, rom - an -tic and stu- pid Down with sighs and down with cu - pid Bro -ther let's stuff that dove Bro - ther let's stuff that dove. Down with love. Down with love.

           3    3    3   3
Down with love.

       
  
         
A. Sax.                          
                             
mf f mp f

   
      
   
      
           

3  3   3  3
A. Sax.              

     

     
                                 
mf f mp f

     
2nd alto cue

               3    3 


 
play
 
                      
3rd Bone cue Play
     3   3 
     
                   
T. Sax.           
mf mf f mp f

    
                       
                                                         
T. Sax.         
mf f f

            
                               
 

3 3
 3

4th Bone cue play 3
  
   
     
          
  
B. Sax.
 
                       
  
mf mf f mp f

                  
                                               
Tpt.
      
f f f

                


                                         
Tpt.
      
f f f

 
 
             
                                                  
Tpt.
      
f f f

  
              
                                

                   
Tpt.
        
  
f f f

        

    
 
             3    3    3  
  
         3 
Tbn.                      
                             

 
f mf f mp f
    
 

               
 
      3  3   3   
3
              
Tbn.                                         

 
f mf f mp f

            
 
           
                                         
  
Tbn.               
f mf f f

            
   
      3 3
    
3 3
                    

                    
                              
B. Tbn.       
f mf f mp f

 
A13 A13 G7[âÀb9] F#-13[áÅ] F7[äÁ] Bb^7[äÁ] B13(b11) C#-9 C13(b11) B9 C#13 E9 A13
           3
                                  
3
             
3 3
                           


Gtr.
                  
mp

         3
3   3    
 
3
                                      
                               
f
      
mp

        
Pno. A13 A13 G7[âÀb9] F#-13[áÅ] F7[äÁ] Bb^7[äÁ] B13(b11) C#-9 C13(b11) B9 C#13 E9 3 3
                   
3 3

                                      
          
            
     
             
A13 A13 G7[âÀb9] F#-13[áÅ] F7[äÁ] Bb^7[äÁ] B13(b11) 3 3
    
3
   3

                      
        
Bass                                       
f
mp
     (8)         
  
3

3
                                                
3 3
   
                                                          
(2) (4 (6)

Dr. 
f f mp f

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