Vespro della B.

Vergine
da concerto, composta sopra canti fermi
Edited by Philip Legge Claudio Monteverdi
(1567–1643)

Intonation — SOLO
              

 De - us, in
Tenor 1

ad - iu - tó - ri - um me - um in - tén - de:

O God, make speed to save me:

Instrumentation: In the Vespers Monteverdi explicitly specifies instrumentation of three cornettos, three trombones, two violini da
brazzo, four viola da brazzo of varying ranges, and a contrabassa da gamba; additionally in the Magnificat, there are brief entries for
two recorders (pifara) and two flutes (flauto) which in practice can be played by the same two players. In the Domine a wind
instrument plays on every part except the viola da brazzo in the Altus partbook, so this has provided an opportunity to add the
otherwise un-utilised third cornetto on the presumption of an omission by Amadino, Monteverdi’s publisher. This arrangement
also results in complete six-part wind and six-part string ensembles, which can alternate as desired; in the double chorus psalms
the orchestral parts have been designed so that these ensembles may accompany one or other of the choirs (i.e., I-wind II-string,
or I-string II-wind).

The continuo is unspecified by Monteverdi (except for organ registration given in the Magnificat à 6) but may include a variety of
instruments, including chittarone, regal, organ, harpsichord, and even harp. The part shown here should be freely adapted by the
available players.

Period instruments are to be preferred if they may be obtained, however the Vespers can be played on modern instruments, in
which case the following allocation of instruments is a suggested guide:

2 flutes [a bonus if the flautists can also play recorders]

2 oboes and cor anglais doubling as oboe 3 [replacing 3 cornettos]
3 trombones [probably 2 tenors and bass if an alto trombone, or indeed baroque trombones or sackbutts cannot be found]
string ensemble of 3 violins, 3 violas, 2 violoncellos, 1 contrabass [preferably 5.5.2.1 against modern instruments]

Allocation of chorus parts to instruments: The players of Monteverdi’s day would have read from partbooks identical to those
used by the choir, so this edition shows the entire chorus part in the corresponding instrumental parts; however, from time to
time the part is marked as a cue, so that the instrumentalist may follow the progress of the music silently. The parts are identified
by numbers in black circles which refer back to the partbooks of 1610:  is Cantus (usually Soprano 1),  is Tenor (T. 1),  is
Altus,  is Bassus,  is Quintus (usually Tenor 2),  is Sextus (S. 2),  is Septimus (usually A. 2 or B. 2), and  refers to the
Bassus Generalis, which usually contains a through bass part and occasionally some upper lines in short score. In some partbooks
where two parts are shown these are distinguished by the terms verso and recto, corresponding to their placement on the page.

Domine, Dixit Dominus, Laudate pueri:  Continuo, cb.; Sonata sopra Sancta Maria:
Lætatus sum, & Audi cœlum: version A  S. 1;
 S. 1, cor. 1, vl. 1;  S. 1, vl. 1;  S. 2, cor. 2;  cor. 1;
 S. 2, cor. 2, vl. 2;  A. 1, vl. 3/vla. 3; v A. 2, cor. 1, alto trb.;  vl. 2;
 A., cor. 3, vl. 3/vla 3*;  T. 1, vla 1;  T. 2, cor. 3, tenor trb.; v vla 2, ten. trb;
 T. 1, alto trb., vla 1;  B. 1, vc.; r B. 2, bass trb.; r bass trb;
 T. 2, tenor trb., vla 2; version B  cor. 2;
 B., bass trb., vc., cb.;  S. 1, cor. 1;  S. 2, vl. 2;  vl. 1;
 Continuo;  A. 1, cor. 2, alto trb.; v A. 2, vl. 1; v alto trb., vla 1;
 is tacet.  T. 1, cor. 3, ten. trb.;  T. 2, vla 2; r vc.;
 B. 1, bass trb. r B. 2, vc.  Continuo, cb.

* If the string ensemble has one player per part then the optimum balance of strings is [2.3.1.1] and the vl. 3/vla 3 part should
be a viola part. If the string ensemble has two players to a part, then it is best to allocate 1 violin and 1 viola to this part, in which
case the total numbers of string players are [5.5.2.1]. It should be noted that depending on the (in-)flexibility of the players, or if
there are unequal numbers of violin and viola players, then this part can be either a violin or a viola part.
2 1 Domine ad adiuvandum
  CANTVS
[ h = about 72 ] sex vocibus et sex instrumentis

Soprano 1        
f Dó - mi - ne ad ad - iu -
  SEXTVS
Soprano 2        
f Dó - mi - ne ad ad - iu -
  ALTVS
Alto          
CHORUS

f Dó - mi - ne ad ad - iu -
  TENOR
        
 f Dó
Tenor 1
- mi - ne ad ad - iu -

 
 
 QVINTVS
   
 f Dó
Tenor 2
- mi - ne ad ad - iu -
  BASSVS 
Bass        

         
f Dó

          
- mi - ne ad ad - iu -

    
 Cornetto, & Violino da brazzo.
Cornetto 1,
 
   
Violin 1

         
f

        
 Cornetto, & Violino da brazzo.
Cornetto 2,
Violin 2
f

       
 Viuola da brazzo [& Cornetto]
Cornetto 3,    
Violin 3 
f
  
 Viuola da brazzo [& Cornetto]    
     
Viola 3
f

    
 Viuola da brazzo, & Trombone.
Alto Trombone,       
Viola 1
f

  Trombone, & Viuola da brazzo.

 
Tenor Trombone 
f

  
 Trombone, & Viuola da brazzo.
Viola 2  
f
 Trombone, Contrabassa da gamba,
 
  
& Viuola da brazzo.

Bass Trombone,
Violoncellos,
Contrabass
f

          
[ h = about 72 ]
              
 Bassus Generalis
 
 
Continuo     
  






    
f
   
O Lord, make haste to help me.
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