Spivak
Spivak
Spivak
1 The first section of the essay deals with a talk Spivak gave several years ago.
[The first section of the essay deals with a talk Spivak gave several years ago.]
Spivak says that she cannot speak of feminism in general. She can only speak
about what she does as a woman in literary criticism. Her own definition of a
woman is very simple. That rests on the word ‘man’. Some may say that this is a
reactionary (backward looking) position. But this is the lesson she has learned
from deconstruction. No rigorous definition of anything is possible. If one wants,
one can go on deconstructing the binary opposition— man/woman— and prove
that it is an opposition that displaces itself.
Yet she feels that definitions are necessary in order to keep us going to allow us
to take a stand. Her present definition of woman is not based on the ‘putative
essence’ (accepted, acknowledged) of woman but in terms of words currently in
use. She fixes on the word ‘man’ though she believes that no definition of
anything is ever possible.
In many critical theories of the day [Lacan, Derrida, Foucault, Bathes], the text is
seen as an area of the discourse of human sciences. In other kinds of discourses
[like physics, mathematics, for example] there is an attempt to find out the final
truth. However, Literature shows that the truth of a human situation is that it is
not possible to find it. In the general field of Humanities there is a search for
solutions. But in literary discourse the playing out the problem is the solution.
Marx is a theorist of the world (history and society). He is read as a text of the
forces of labour and production-circulation-distribution.
Woman in the traditional social situation produces more than she needs for her
subsistence. Thus she is a continual source of production of surpluses for the
man who owns her. The contemporary woman, when she seeks financial
compensation for housework, seeks to convert use-value into exchange-value.
The situation of the domestic workplace is not one of ‘pure exchange’. Here some
questions arise:--
How should women fight the idea, universally accepted by men that wages are
the only mark of value-producing work?
What would be the implications of denying women entry into the capitalist
economy?
Though these are important questions, they do not broaden Marxist theory from a
feminist point of view. For that the idea of externalization or alienation is of more
importance. [See notes 4]
Within the capitalist system, the labour process/ product / worker are
commodities. The worker’s relationship to himself and his product are ruptured.
Spivak says that women must engage and correct the theory of production and
alienation upon which the Marxist text is based and with which it functions. Much
Marxist feminism works on analogy of use-value, exchange-value, and surplus-
value relationships. If there is a rewriting it would be harder to sketch out the
rules of economy and social ethics. In fact, deconstruction would question the
definitions. In Marx one would find a major transgression where rules for
humanity and ethics are based on inadequate evidence. Spivak suggests that if
the nature and history of alienation, labour, and the production of property are re-
examined in terms of women’s work and childbirth, it can lead us to a reading of
Marx beyond Marx.
a. Pain/pleasure binary
In Freud, the genital stage is pre-eminently phallic, not clitoral or vaginal. This
particular gap in Freud is significant. Everywhere there is a non-confrontation of
the womb as a workshop.
Conclusion of Section I
Woman cannot ignore these ideas saying that criticism is neuter and practical.
Part of the feminist critical enterprise is to see that the great male texts of Marx
and Freud do not become adversaries or models from which women take their
ideas and revise or reassess.
These texts must be rewritten so that there is new material for the grasping of the
production and determination of literature. If women continue to work in this
way, the common currency of the understanding of society will change. This can
infiltrate the male academy and redo the terms of our understanding of the
context and substance of literature as part of the human enterprise.
Section II
Spivak’s concern with the production of colonial discourse touches her critique
of Freud as well as most Western Feminist challenges to Freud.
Spivak sees this position as resulting from giving too much stress on the
physiology. Spivak’s attempt to put First World Lesbianism in its place is not
because of pride in female heterosexuality. She would like to see the clitoris as a
short-hand for women’s excess in all areas of reproduction and practice, an
excess which must be brought under control.
The child is not a commodity. It has no immediate use value. Direct exchange is
not possible. These insights take the critique of wage-labour into unexpected
directions.
Women’s work has continuously survived within the varieties of capitalism and in
other historic and geographical modes of production.
From Marxist feminism, through an invocation of the economic text Spivak has
come to New Imperialism.
Section III
The loose ending of the novel makes it an extreme case. Is this love going to
last bringing happiness to Jane and James? At the melodramatic ending of the
novel, Lucy understands everything and everything is reduced to a humdrum
(dull, boring, unexciting) kind of double life.
Spivak says that the problem is that the entire questioning is going on in a
privileged atmosphere. Drabble considers the story of so privileged a woman the
most worth telling, a woman whose poems are read on the BBC. This enclosure
is important. It is from there that rules come. First World feminists are always
doing it. If they need a morality they will create one, a new virtue. They will invent
morality that condones them though by doing so they condemn all that they have
been.
Conclusion
Drabble fills the void of the female consciousness with meticulous and helpful
articulation. But she does not give any serious presentation of the problems of
race and class, and of the marginality of sex.
Spivak says that essentialism is a trap. The feminist academia that creates the
discipline of women’s studies and the students who follow feminism must
remember that essentialism is a trap. All the world’s women do not relate to the
privileging of essence in the same way.
Spivak cites an incident that took place in Seoul, South Korea in March 1982.
In a factory owned by Control Data, 237 female workers struck work demanding
better wages. Control Data is a Minnesota-based multinational corporation. Six
union leaders were dismissed and imprisoned. The women took two visiting US
Vice presidents as hostages demanding the release of the arrested women. The
Korean govt. was reluctant. Control Data was willing. The Korean male workers at
the factory ended the dispute by beating up the female workers. Many women
were injured and two suffered miscarriages.
In earlier stages of industrial capitalism, the colonies provided the raw materials
so that the colonizing countries could develop their manufacturing industrial
base. Indigenous (native, local) production was crippled or destroyed. To
minimize circulation time, industrial capitalism needed to establish due process.
Hence such civilizing instruments as railways, postal services, and a system of
education were established.
The labour movements in the First World and the mechanisms of the welfare state
made manufacturing itself be carried out on the soil of the Third World, where
labour can make fewer demands, and the governments are mortgaged. In
telecommunications industry where old machinery becomes obsolete at a more
rapid pace than it takes to absorb its value in the commodity, this is particularly
practical.
The workers in the Seoul factory were women. They are the true army of surplus
labour. No one, including their men, will agitate for an adequate wage. In a two-
job family, the man saves face if the woman makes less, even for a comparable
job.
Spivak concludes—“I think less easily of ‘changing the world’ than in the past. I
teach a small number of the holders of the can(n)on, male or female, feminist or
masculist, how to read their own texts, as best as I can”.